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Category: EPKs

0 EPK – Every Hour Kills – Vacua (EP) (2021)

  • July 23, 2021
  • by Asher
  • · EPKs · Every Hour Kills

EPK – Every Hour Kills – Vacua (EP) (2021)

Publicist – Jon Asher – asher[@]ahermediarelations[.]com

For fans of Veil of Maya, Born of Osiris, Periphery, Erra, Spiritbox

Release Date: October 8, 2021

“This record is a culmination of a dark, tumultuous fucked up year in the world and in my personal life, as it was for many people around the world. As lucky as I am to still have work and my basic needs met, the emotional rollercoaster still affected me strongly and I ended up unemployed for a period in 2020, and thus this EP was born. It is both more human in that I collaborated more strongly with new songwriters and Jei on vocals, but also more mechanical as I also wrote with the assistance of AI creation tools, and most of the instrumentation is programmed MIDI. I feel like this is my most honest work as a writer, to express what came to mind rather than fit into a box or template of what Every Hour Kills ‘should’ sound like. It may alienate some people but so be it!” – Sacha Laskow – Every Hour Kills

EveryHourKills.com | Facebook.com/EveryHourKills | YouTube.com/everyhourkills | Instagram.com/alansachalaskow | Twitter.com/everyhourkills

Apple Music | Spotify | Everyhourkills.bandcamp.com | Google Play

“Every Hour Kills are a melodic metalcore band out of Calgary writing some killer music in the vein of modern Bring Me The Horizon or even In Flames. Re:Awaken features a slew of killer guest musicians in its ranks to help add an additional layer of musicianship. Re:Awaken is a wicked 4 track EP that features 3 original songs as well as a cover of Joe Satriani’s “Time”. For those of you who may also be vocalists yourselves, or maybe just really enjoy the musicianship, the EP also comes with instrumental versions of each of the songs. As a whole though, the EP only spans 18 minutes, it’s a very potent and filled release. A nice breath of fresh air in a genre where everyone wants to sound like a Sumerian Records band.” – Metal Injection

“Give Every Hour Kills a try if you’re into modern and progressive metal that comes with extra intrigue if you like using music to perk your curiosities.” – The Independent Voice

“This record is a presentation that will appeal to metal fans across the board.” – Phil’s Picks

“The band plays a sound of metal sounds extremely modern and melodic, coming across as a mix of Scar Symmetry and Fear Factory, with sprinkles of djent for added flair.” – New Noise Magazine

“Should the band be able to hold this standard on their first full-length album, one has to count on Every Hour Kills in the first league of Modern Metal. CrypticRock gives Every Hour Kills 4.5 out of 5 stars.”

“The song has an amazing feel to it that is uplifting and empowering at the same time and it makes you feel like could run a marathon and finish first place. “ – Headbanger Review

“Setting aside my bias for death and thrash metal, they mix melodic metal and electronic programming into something I found enjoyable and much different from what I spin on a daily basis.” – A Metal State of Mind

“On a final note I have to say that Every Hour Kills created nothing short of a mini-epic, and my only complaint is that I am left wanting a full sized album with more tracks than this one offered.” – Vents Magazine

“The music can be described as a powerful mix of the melodic power of (the early) Disturbed, the heaviness of Fear Factory and the musical craftsmanship of progressive acts like Dream Theater (in their ’old days’).” – Peek-a-boo Magazine

“Overall – This is an interesting blend of modern electronica and driving metal.  I can see them going far.” – SMN News  

===============================

EP as a whole:
“This record is a culmination of a dark, tumultuous fucked up year in the world and in my personal life as it was for many people around the world. As lucky as I am to still have work and my basic needs met, the emotional rollercoaster still affected me strongly and I ended up unemployed for a period of time in 2020. I was lucky to have some savings and financial padding from my previous job so I took the opportunity to write this EP.”

Track by track explained:
1. Palindrome 2:01 – An instrumental intro that gives a good idea of the heavy and technical elements to come.

2. Vacua 3:28 – The 1st song written for the EP with extreme low-tuned riffs and nihilistic vocals.

3. Euclidian 2:57 – This song smashes together ‘normal’ EHK with the new vibe, with heavier sections and more melodic elements juxtaposed.

4. Tenebrous 3:34 – Another genre-crossing track with elements of synthwave and clean vocals in the verses crossed with heavy chugs and breakdowns.

5. Intransigent 4:08 – Closing out the EP with the heaviest song we’ve ever written, the lyrics encompass the concepts of chaos and infinity.

[Download EP Cover | Download EP Lyrics]

Release Date: October 8, 2021

Track Listing:
1. Palindrome (intro) (2:01)
2. Vacua (3:28)
3. Euclidian (2:57)
4. Tenebrous (3:34)
5. Intransigent (4:08)
EP Length: 16:09

EVERY HOUR KILLS
Sacha Laskow: Guitars & Programming
Jerrod Maxwell-Lyster: Vocals
Jei Doublerice: Vocals
Brent Stutsky: Bass

EP Credits:
Music: Tracks 1, 2 – Sacha Laskow
Music: Track 3, 4 – Sacha Laskow, Chris Wiseman
Music: Track 5 – Sacha Laskow, Calle Thommer
Lyrics and Vocals: Tracks 2, 4 – Jerrod Maxwell-Lyster, Jei Doublerice
Lyrics and Vocals: Tracks 3, 5 – Jei Doublerice

Recorded, Mixed & Mastered: Sacha Laskow – Perfect Filth Studios
Additional Vocal Engineering: Jei Doublerice at Exiled Media & Joe Hoferat J & C Studios
Every Hour Kills uses: Toontrack, Fractal Audio, Neura IDSP, ML Sound Labs, Ownhammer, Bareknuckle Pickups
EP Artwork: Erisis Red
Band Photo: Nicco Van Hamja

Photo Credit: Nicco Van Hamja

Every Hour Kills is a rotating collective ensemble featuring the core of ex-Divinity / Enditol guitarist and producer Sacha Laskow, bassist Brent Stutsky (ex-Breach of Trust), along with vocalists Jei Doublerice (Abiogenesis, Despite Exile, Sensory Amusia) and Jerrod Maxwell-Lyster (ex-Out of Your Mouth).

Every Hour Kills was built to challenge the idea of what defines a “band”. Rather, the group sees itself as a constantly evolving musical collective; guest vocalists and soloists across the songs bring their own unique artistry and elevate the collective impact of Every Hour Kills’ brand. The lyrics, artwork, visuals, and themes all look toward the future, asking the key postmodern question of how will emerging technology and our humanity progress and co-exist? 

Quick Facts:

  • A pretty big change in style with adding Jei (Abiogenesis, Despite Exile).
  • Co-writing some of the music for the first time with Calle Thomer (Vildhjarta, Humanity’s Last Breath) and Chris Wiseman (Currents, Shadow of Intent).
  • Some of the music was written with help of AI tools and generators because fuck humans, also 95% of the instrumentation is programmed MIDI.

0 EPK – CroMagnum – Born Free (EP) (2021)

  • July 18, 2021
  • by Asher
  • · CroMagnum · EPKs

EPK – CroMagnum – Born Free (EP) (2021)

Publicist – Jon Asher – jon[@]ashermediarelations[.]com

EP Title: Born Free
Release Date: September 17, 2021
Label: King Metal Records
Distribution: King Metal Records

“A call to arms to exercise your freedom as assertively and aggressively as you can!!! Born Free is the soundtrack to a revolution in ideas and human thinking!!! It should pump you all the way up and encourage you to kick some ass, no matter what your goals, no matter what you choose to do!” – CroMagnum

CroMagnum.ca | Facebook.com/cromagnum | Instagram.com/CroMagnum_MTL | Twitter.com/CroMagnum | YouTube

CroMagnum1.Bandcamp.com | Spotify | Apple Music

Comic Book Order – Facebook.com/ThisSearchForAUserNameIsInfuriating

“From the opening intro “End Your Slavery” into the title track song “Born Free”, “Waterval Boven”, “Tunguska” and lastly “Congregation”. Every song has a powerful message, and that message is delivered with even more powerful heavy metal riffs. There is no messing around with CroMagnum. These guys are true musicians and it shows in this album, and live it shows even more.” – CGCM Radio/Podcast

“a short and sweet release which should definitely appeal to fans of thrash metal, US power metal and perhaps even traditional heavy metal.” – Metal Music Archives

“Instrumental opening “End Your Slavery” is the ideal tone setter for the EP bringing flavours of Spirit Adrift and Crowbar while cleansing the mind in preparation of the onslaught that you might not even see coming. The title track is a whirlwind of staccato riffs that come from the pre-Thrash era with a raw rhythmic power cut but melodic leads that float above them like a friendly ghost, adding a touch of quality to the otherwise driven attack.” – Metal Noise

“”Tunguska” is a beautiful thrash piece…” – The Pit of The Damned

“Canadian band CroMagnum are out with the EP “Born Free”, and this is a production for metal fans to take note of. The variety of the style explored here is a dark and dirty one, with chugging riffs, groove-oriented barrages and occasional more intense runs, blending elements from plain heavy metal, thrash metal and possibly also speed metal to into a tight and slightly grimy package. The kind of metal you would expect to hear played as the soundtrack in a greasy car mechanic shop or performed at a more run down club, complete with dark and raspy, aggressive lead vocals that fits the premises quite nicely indeed. ” – The Viking in The Wilderness

#10 – CroMagnum Self-Titled on Top Metal Albums of 2014 – CJLO 1690 AM (Montreal, QC)

‘’… the band looked like they had just come off a tour opening for Amon Amarth, or more likely, just finished chasing down hordes of orcs using their instruments as weapons. I’m inclined to believe the latter is one hundred percent accurate.’’ – BucketList Music Reviews

“For a night of heaviosity, catch the riff-tastic Cromagnum” – Cult MTL

[Download EP Cover | Download EP Lyrics]

EP Title: Born Free
Release Date: September 17, 2021
Label: King Metal Records
Distribution: King Metal Records

Track Listing:
1. End Your Slavery (0:53)
2. Born Free (4:14)
3. Waterval Boven (3:41)
4. Tunguska (2:31)
5. Congregation (5:26)
EP Length: 16:47

EP Recording Credits:
• All songs performed by:
Maximus Rex: Guitar and vocals
Gino LaPosta: Bass
M*A*D: Drums
• All songs written by: Maximus Rex & CroMagnum
• Produced by: Alain Londero and Maximus Rex
• Mixed by: Alain Londero
• Mastered by: Alain Londero
• EP Artwork by: Maximus Rex
• Canadian Content (MAPL)

EP Band Line Up:
Maximus Rex: Guitar, Vocals & Keyboards
Gino LaPosta: Bass
M.A.D.: Drums  

Live Band Line Up:
Maximus Rex: Guitar and vocals
Gino LaPosta: Bass
Drums (TBA)

Discography:
2021 – Born Free
2014 – CroMagnum

Born of the frosty bowels of Montreal, Quebec, Canada comes CroMagnum, heavy metal from a simpler time. Brutal and unforgiving. Thoughtful and visionary. A forced juxtaposition that leads to an intense listening experience.

CroMagnum started when Maximus Rex and the original drummer parted ways with their previous band with an aim to keep it simple, heavy as fuck and stay as a three-piece. Since then, CroMagnum has evolved into its current form as the main duo of Maximus Rex on guitar and vocals, Gino LaPosta on bass.

With two EPs under their belts, 2014’s self-titled initial release and now 2021’s “Born Free”, CroMagnum embodies the human race’s struggle to climb out of the primordial ooze toward its future ascension to godhood. Lyrical content flows from anger, frustration, history, politics, government corruption, legends, and philosophy, complete with soaring melodies and punishing riffs.

Mythology. Tradition. Evolution. The beginning. The end. CroMagnum.

Shared Stage with:
Scarlett Beast, Other Factors, Bearmace, Mutank, Loviator, Chomp, Squalor, Flying Fortress, In The Name Of Havoc, Blame Mary, Kill Of Rights, Hand Of Doom, Venomenon, Watcher, Adrenechrome, Monobrow, Ravenblack, Dirtcake, The Poor Generation, Devora, Genetic Error, Eternal Judgement, Nightbreaker, Black Absinthe,  BlackSailsForRedSeas, Ritual Master, Wykan, Doom ‘N’ Blue, Kodiak’s Wrath, Signals Over Skies, The Black Tantra, Nervcast, Iohseres, Eternal Closure, Graveyard Strippers, Fast Idle, Before The End, Iron Kingdom, Nexus Dei, Doomed Caravan, Ozblack, Belokk, Crypitus, Ignominy, Lutharo, Skullmace

0 EPK – Ravenous – Hubris (2021) (Feast Beast Records/Spiritual Beast)

  • June 29, 2021
  • by Asher
  • · EPKs · Ravenous

EPK – Ravenous – Hubris (2021)

Publicist – Jon Asher – jon[@]ashermediarelations.com

For fans of Blind Guardian, Falconer, Powerwolf, Sabaton, Unleash the Archers

Album Title: Hubris
Release Date: October 22, 2021
Label: Feast Beast Records
Distribution: Universal Music Japan & Spiritual Beast (Asia), CDBaby (Online)

“Lyrically, the album tells 10 stories from various sources all surrounding Hubris, the notion of arrogance and the hunger for power, resulting in the demise of the story’s main characters – beneath the surface, hidden messages are scattered throughout various lyrical lines that pertain to the band’s real-life experiences. Musically, the album is the marriage of European Anthemic Power Metal and American Speed Metal, with a penchant for speed and aggression accentuating the dynamics of the music.” – Ravenous

Ravenouseternalhunger.com | Facebook.com/RavenousE.H | Twitter.com/Ravenous_EH

YouTube.com/ravenouseternalhunger | Instagram.com/ravenouseternalhunger/

Ravenouseternalhunger.bandcamp.com | Apple Music | Spotify

“#2 on Top 30 Power Metal Albums of  2021”- Last Rites

“one to watch in the power metal scene” – Bravewords

“Hubris is absolutely teeming with chest-swelling energy and, well, hubris, which matches the comprehensive theme of arrogance leading to collapse explored by songs that emphasize everything from Street Fighter (Akuma / “Die 1,000 Deaths”), Goethe’s Der Erlkonig (“The Alder Queen”), and Steven Erikson’s remarkable Malazan series (“Bridgeburners”). R.A. Voltaire’s voice is deep and roaring—along the lines of someone like Jake Rogers of Visigoth—and he knows how to deliver a vocal hook. Surrounding him are the three remaining members who equal that power by kicking out an explosive energy via notably brisk riffing, aggressive drumming, and just enough ripping melody to prettify the corners. In short, Hubris absolutely is a power metal album custom-built for fans and bystanders alike. But even more so, it should be a case study for just how far a band can get when their vision and aptitude is heroic enough to overcome all the obstacles that typically damn those less committed into obscurity.” – Last Rites

“Calgary’s Ravenous have fused their flamboyant cross-breeding of European power metal and early ‘80s US speed metal, using it like a sharp ’n’ shiny scythe to forge their way through the crowded underground. Past accomplishments have included tours and gigs with Delain, Alestorm, Hammerfall, Striker and Powerglove with festival appearances and headliners interspersed in between. Considering all of the above, it shouldn’t come as a surprise a large part of this quintet’s musical vocabulary involved loving it speedy, epic, melodically grandiose while having a sword waving good time in the process.” – Decibel Magazine

“Ravenous aren’t afraid to put it all out there; symphonic assaults blend with all-out thrash metal, underpinned by some of the most enthusiastic power metal of the year. From start to finish Hubris is chock full of anthemic and contagious fist-pumping, head-banging songs featuring dramatic vocals and shredding solos. Power metal fans rejoice: Hubris is a worthy addition to your collection.” – Heavy Music Headquarters

“A great album of Power Metal, and even more. 9.5/10” – Metal Express Radio

“a sparkling speed metal fuelled power metal rampage, raising fists high, banging heads hard, and causing fans everywhere to roar out loud with delight. 5/5” – Metal-Roos

“a sparkling speed metal fuelled power metal rampage, raising fists high, banging heads hard, and causing fans everywhere to roar out loud with delight.10/10” – Metal Gods TV

“Hubris reminds me of early Dragonforce (the faster numbers) and Orden Ogan (the mid-paced material) though the songwriting is a notch or two below those bands currently. This is a solid second album from Ravenous, who display significant upside, and fans of the aforementioned bands will want to give it spin. 3.75/5” – The Metal Crypt

“From its tension building crescendo of an intro to its lightning quick pace, ‘…Of Beasts And Faust’ is a glorious rampage of speed blended power metal, setting land speed records left right and centre.” – Frenzy Fire  

“Ignoring Ravenous E.H. would be as foolish as turning your back on Arya Stark” – Tinnitist

“Ravenous is not your squeaky clean, hyper-active, frilly shirts with puffy sleeves, keyboard-driven, ballerina, musical-box type of Power Metal, but more your mud and blood and grime with style” – Metal Rules

“A power metal album with enough to the longstanding traditions that makes the style fun and exciting for those who crave melodies and hooks” – Metal Observer

“Everything is here and there are no weaknesses. A real gem that will be written for years! I am waiting for more! Until then, “repeat” remains!” – Power Metal Warrior

“An abundance of Power Metal motifs that blend into a more or less captivating musical waterfall” – Metal Forever

[Download Album Cover | Download Album Lyrics]

Album Title: Hubris
Release Date: October 22, 2021
Label: Feast Beast Records
Distribution: Universal Music Japan & Spiritual Beast (Asia), CDBaby (Online)

Track Listing:
1. Carnage in Carthage (4:37)
2. Astral Elixir (5:16)
3. Son of Storms (4:33)
4. Die 1000 Deaths (5:24)
5. Bridgeburner (6:10)
6. The Alder Queen (3:17)
7. March of Hunger (4:47)
8. Claw is the Law (5:24)
9. Onwards & Upwards (4:09)
10. …Of Beasts and Faust (10:21)
Total Length 53:57
Japanese Version Exclusives
11. Cakaw Te Partiro (Bonus) – 3:13
12. 一瞬千撃 (Bonus) – 5:25
Total Length 62:34

 Album Recording Credits:
• All songs performed by: Ravenous E.H.
• All songs written by: R. A. Voltaire (Music: 1, 3, 4, 6, 7, 8, 9, 10, 12. Lyrics: 1, 3, 4, 6, 7, 8, 9, 10, 12), Jake Wright (Music: 2, 5, 6, 7, 8, 9, 10. Lyrics: 2, 5, 7), Skyler Mills (Music: 7), Francesco Sartori (Music: 11), Lucio Quarantotto (Lyrics: 11)
• Produced by: R. A. Voltaire, Jake Wright
• Mixed by: Fredrik Nordström
• Mastered by: Fredrik Nordström
• Album Artwork by: Moch Luthfi (LuthSlaughterArt)
• Member of SOCAN
• Canadian Content (MAPL)

Album Band Line Up:
R. A. Voltaire: Lead Vocals (1-12), Backing Vocals (1-12), Acoustic Guitar (9), Guitar Solo (10)
Jake Wright: Rhythm Guitar (1-12), Lead Guitar, (1-12), Guitar Solo (1-12), Acoustic Guitar (3, 5, 8, 10), Gang Vocals (1, 4, 7, 8, 10)
Skyler Mills: Guitar Solo (2, 4, 6, 7, 8, 12)
Chris Valax: Bass Guitar (1-12)
Dave Crnkovic: Drums (1-12)
Daniel Carpenter: Orchestration (1-12), Piano (9), Guitar solo (10)
Heinrich Yoshio: Guitar Solo (4, 12)
Nina Osegueda: Lead Vocals (6)
Wolfbeard O’Brady: Lead Vocals, Gang Vocals, Accordion (8)
Deckhard Cordwain: Mandolin (8)
Smithy Crow: Gang Vocals (8)
Mathias Blad: Lead Vocals (9)
Vincent Jones: Lead Vocals (10)
Sam Wright: Banjo (10), Gang vocals (1, 4, 7, 8, 10)
Elly Uz: Gang vocals (1, 4, 7, 8, 10)
 
Live Band Line Up:
R. A. Voltaire: Vocals
Jake Wright: Guitar
Skyler Mills: Guitar
Chris Valax: Bass
Dave Crnkovic: Drums
 
Discography:
2021 – Hubris (LP)
2019 – Eat the Fallen (LP)
2019 – Conquering the Sun (Single)
2017 – Eternal Hunger (EP)

===================================================

BAND STORY ANGLES / FUN FACTS:

1. The working title of the album before it came together was “Symphony of Savagery” which was a play off of the juxtaposition of aggressive metal music with sophisticated orchestration. After the album took form, Ravenous struggled to come up with an appropriate title for this album for months. When they realized that each song had underlying themes of Hubris, arrogance, and personal actions leading to one’s downfall… they realized the title had been there all along

2. Ravenous had custom live outfits created for them in 2019 by Kim Dylla from Kylla Custom Rockwear (Abbath, Amon Amarth, Arch Enemy, Candlemass, Carcass, Cradle of Filth, Dimmu Borgir, it’s a long list…) , only to get to use them a small handful of times before the world shut down amidst the COVID-19 pandemic! They should see the stage again soon..

3. Ravenous’ photo shoot for this album was interrupted by a grizzly bear! They scared it away by yelling THE CLAW IS THE LAW!

4. Robert Kukla was editing the vocals for this album at Studio Fredman in Gothenburg, Sweden. Fredrik Nordstrom heard the songs and reached out to Ravenous to hire him to mix and master the album, Quoted saying “this is the cheesiest thing I’ve ever heard… I HAVE to mix this!”.

5. Nearly the entire ‘Hubris’ album – along with a handful of unused tracks – was written in approximately 2 weeks by Rav and Jake at the beginning of the COVID-19 lockdown in March and April 2019, and then further refined and augmented over the following months. The dark atmosphere, tension, and aggressive nature of many of the songs have to do with the uncertainty and anxiety they were feeling at the time.

 

L – R: Ravenous Current Line Up | Skyler Mills (Guitar) | Dave Crnkovic (Drums) | R. A. Voltaire (Vocals) | Chris Valax (Bass) | Jake Wright (Guitar)
Photo Credit – Monika Deviat

Ravenous was forged in the spring of 2016 in Calgary, Canada as the brainchild of vocalist R.A.V, known for his exploits leading Edmonton-based satirical terrorist Metal band Villainizer. Ravenous also started with members of other established Western Canadian metal bands: Viathyn, Scythia, and Black Pestilence. Influences ranging from Thrash, Power, Black, and Progressive metal came together to deliver heroic Heavy Metal anthems in the style of Manowar, Sabaton, Iced Earth, and Running Wild.

Rife with soaring vocals, thundering percussion, and shredding solos, the ‘Eternal Hunger’ EP, recorded and self-produced by Ravenous in December 2016, was released in January 2017 and featured just a taste of what was to come.

In 2018, together with founding guitarist Jake Wright (Viathyn) and bassist Chris Valax (Black Pestilence), Ravenous recruited drummer Dave Crnkovic (Viathyn) and guitarist Skyler Mills (W.M.D). This lineup would go on to play several shows, including the debut of the Hyperspace Metal Festival in Vancouver as well as dates with video game metal band Powerglove.

In preparation for their upcoming full-length album ‘Eat the Fallen’, Ravenous released a music video for ‘Conquering the Sun’ – dedicated to the 70,000 Tons of Metal festival, featuring the festival’s staff and fans.

After a successful pre-order campaign reaching their $5,000 presale goal, Ravenous signed to Feast Beast Records and set out to release ‘Eat the Fallen’ on April 26, 2019. Combining their various influences across the gamut of Metal, they coined a new term for their music – Metallum Heroica Celeritas, Heroic Speed Metal.

The album was engineered by frontman R.A.V, mixed and mastered by Sacha Laskow at Perfect Filth Studios, and features orchestration from Jon Phipps (OrchestralMetal.com), guest solos from Charlie Parra del Riego (Solo, Difonia, M.A.S.A.C.R.E., Ex-Kobra and the Lotus), Tim Brown (Striker, Ex-Kobra and the Lotus), and samples by former drummer James “Little V” Mills.

Ravenous announced several Western-Canadian shows in support of the new album which including Alestorm on select Canadian tour dates and performance on Hyperspace Metal Festival in Vancouver.

Now in 2021, Ravenous is set to bring out another heavy music feast with their next full-length entitled “Hubris” due out October 2021 via Feast Beast Records for North America and Europe along with a Japanese release via Spiritual Beast Records, which will include two exclusive tracks.

“When we formed we were originally looking to make fun, simple, fist-pumping songs that a crowd could sing along with. After touring for the Eat the Fallen record in 2019 and playing some great shows across Western Canada, we started thinking about the direction we were going to take our second album. When the Pandemic hit and the world shut down, the songs started to flow out organically in a darker tone than they had previously. We wanted to maintain the catchiness and simplicity that we had focused on in the early days, but tighten up the writing, performances, and editing so that we could put out something professional and punchy. We were meticulous and anal when it came to how everything was done, and the fantastic production job by Fredrik Nordstrom really showcases everything we set out to achieve. We recruited several of our friends (and one long-time vocal idol!) to contribute guest vocals and instrumentation to fill out the album with the appropriate amount of atmosphere and variation.” – Ravenous

Lyrically, the new record tells ten stories from various sources all surrounding Hubris, the notion of arrogance and the hunger for power, resulting in the demise of the story’s main characters – beneath the surface, hidden messages are scattered throughout various lyrical lines that pertain to the band’s real-life experiences. Musically, Ravenous offers up a marriage of European Anthemic Power Metal and American Speed Metal, with a penchant for speed and aggression accentuating the dynamics of the music. So pump your fist, bang your head, and roar your lungs out to show your hunger for more!

“Hubris” will be out on October 22, 2021

Shared Stage with: Alestorm, Hammerfall, Delain, Aephanemer, Powerglove, Striker, Crimson Shadows

Tours and Festivals:
2019 – Alestorm Canadian Tour
2019 – Eat the Fallen Tour
2019 – Hyperspace Metal Festival II – Vancouver, BC
2018 – Powerglove North American Tour
2018 – Hyperspace Metal Festival – Vancouver, BC
2017 – Hammerfall/Delain North American Tour
2017 – Striker Tour of Alberta

Music Placements:
Downloadable ‘Dragon Shout’ in Skyrim

Past Canadian Radio Charts:
2019 – Eat the Fallen – #8 National (source: Earshot)

2019 – Eat the Fallen – #1 Calgary (source Earshot)

Past Features:
Recommended by Sarah Kitteringham on BangerTV – YouTube

0 EPK – Shumaun – Memories & Intuition (2021)

  • June 23, 2021
  • by Asher
  • · EPKs · Shumaun

EPK – Shumaun – Memories & Intuition (2021)

Publicist – Jon Asher – jon[@]ashermediarelations[.]com

For fans of Rush, Dream Theater, Porcupine Tree

Shumaun.com | Facebook.com/shumaun | Instagram.com/zinkferd | YouTube

Shumaun.bandcamp.com | Spotify | Apple Music

Album Title: Memories & Intuition
Release Date: September 10, 2021
Label: Self-Release
Distribution: Self-Release

“When I started writing the melodies for this album I knew that I wanted it to be even more melodic than our previous couple albums. We’ve always been known as a melodic band, but I wanted to up the ante. Most of the songs came pretty quickly and organically. It was an honor to have guys like Thomas Lang, Mark Zonder, and Atma Anur reinterpret the drums on these tracks. This is the first time we included more than one instrumental… I just felt it was really appropriate and helped with the flow of the album. Instrumentals allow us for more musical exploration.  The album was supposed to be released in the Summer of 2020, however production was delayed for obvious reasons. – Shumaun – (Farhad Hossain – guitar, vocals, keys)

WINNER: The Deli Magazine’s “BEST OF 2015 Reader’s Pick Award” for Washington DC

“It’s not just Orbin’s simple-complex drumming that shines here. Hossain’s soaring vocals, and the guitar/bass dynamics. They sound simple but scream progressive, forward-thinking. While pop-oriented progressive rock tunes aren’t usually on Decibel’s turntable (digital or physical), Shumaun was hard to deny.” – Decibel Magazine

“Great vocals, well-written songs, and solid musicianship are the hallmarks for the debut self-titled release by Shumaun. It’s a very enjoyable album for anyone who likes to sing along with their music. With Shumaun, the songs come first. And that makes for a very enjoyable experience.” – Progressive Music PLanet

“AWESOME!  OK, this band is AWESOME and have produced probably my favourite album of the year.” – Decibel Geek

“Shumaun’s music is impressive and pretty close to brilliant – Background Magazine

“Has the best album of 2019 been released right at the beginning of the year? That’s not fair! Everyone else with a 2019 release has their work cut out for them, to stand up against Shumaun’s brilliant sophomore effort: “One Day Closer to Yesterday.” – Metal Asylum

“Farhad Hossain puts goose bumps on my arms with his beautiful voice.” – Rock Portaal

“This stuff is incredibly catchy, mostly due to the excellent vocals of Hossain. Sometimes I find the emphasis on lead vocals rather annoying, especially if the vocals are not up to snuff. That is far from the case here. His vocals are superbly melodic and had me completely transfixed throughout the disc’s fifty-two minute running time.” – Sea of Tranquility

Shumaun (L to R) – Jose Mora: Bass, Farhad Hossain: Vocals, Guitar, Keys, Tyler Kim: Guitar

Shumaun initially started as a solo project by Farhad Hossain (ex singer/guitarist/keyboardist of Iris Divine). After recording a few demos, he decided to recruit a few friends to help build the project into a full-fledged collaborative band. Through the course of recording their self-titled debut album, Shumaun went through a period of tribulation while securing a drummer. Original drummer Tanvir Tomal (ex Iris Divine) had to leave for professional obligations in the middle of the recording sessions and was later replaced with Waqar Khan (Entity Paradigm), who is also well known for his work with the platinum-selling Ali Azmat of the EMI recording artist Junoon (one of South Asia’s most successful rock bands). Waqar remained with the band long enough to record a few tracks on the debut record as well as appear live for some of the earlier shows. Travis Orbin (Darkest Hour, Periphery), Mark Zonder (Fates Warning, Warlord) recorded the remaining drums on the debut record that was released in the fall of 2015. Tanvir has since returned to the band as the live drummer. 

2019 saw the band releasing their sophomore album “One Day Closer to Yesterday.” The album was once again mixed by Brett Caldas-Lima at Tower Studio in France. The album was rawer and heavier, but the melodies and vocals were never compromised. It includes the bombastic prog metal single “Go.” 

2021 sees Shumaun releasing their third album “Memories & Intuition,” which features the amazing drumming of legends such as Thomas Lang (Peter Gabriel, Paul Gilbert), Atma Anur (Jason Becker, Tony Macalpine), Mark Zonder (Fates Warning, Warlord), and Leo Margarit (Pain of Salvation). Shumaun once again tapped Brett Caldas-Lima and Tower Studio for mixing and mastering. The album is their most melodic to date and consists of their single “Memories of Water.”

The Shumaun sound is shaped by the soaring vocals and lead guitar work of Farhad Hossain, the pounding melodic bass lines of Jose Mora, and the subtle guitar nuances of Tyler Kim. The band has received many accolades, and have made it onto several “album of the year” lists from sites such as Progressive Music Planet, Decibel Geek, and Metal Asylum etc. The band also won The Deli Magazine’s “Best of 2015” for Washington DC bands, and have been featured on Revolver Magazine, and Decibel Magazine. 

[Download Album Cover | Download Album Lyrics]

Album Title: Memories & Intuition
Release Date: September 10, 2021
Label: Self-Release
Distribution: Self-Release

Track Listing:
1. A Subtle Invocation (3:20)
2. Prisoners (3:51)
3. Memories of Water (3:33)
4. Jabriel’s Song (5:59)
5. Invincible (7:22)
6. Under the Sun (5:06)
7. The Pursuit of Happiness (5:11)
8. Tides (4:28)
9. Intuition Underground (4:39)
10. Breathing Light (9:00)
11. A Planetary Shift (5:40)
12. The Day We Said Goodbye (5:18)
Album Length: 1:03:26

Album Credits:
All songs written by Farhad Hossain
All songs performed by Shumaun
Produced by Farhad Hossain
Mixed and Mastered by Brett Caldas-Lima at Tower Studio
Album Art by Farhad Hossain

Album Band Line Up:
Farhad Hossain – Vocals, Guitars, Keyboards
Jose Mora – Bass
Tyler Kim – Guitars
Drums: Thomas Lang (Tracks 2, 5, 9, 10)
Drums: Mark Zonder (Tracks 1, 3)
Drums: Atma Anur (Tracks 4, 7)
Drums: Leo Margarit (Tracks 6, 8)
Drums: Chris DeChiara (Track 11)
Additional keyboards on “Tides” by Bill Whitney

Discography:
2021 – Memories & Intuition
2019 – One Day Closer to Yesterday
2015 – Shumaun

0 EPK – Thrash La Reine – Notre-Dame-de-l’Enfer (Bam&Co. Heavy) (2021)

  • June 22, 2021
  • by Asher
  • · EPKs · Thrash La Reine

EPK – Thrash La Reine – Notre-Dame-de-l’Enfer (Bam&Co. Heavy) (2021)

Publicist – Jon Asher – jon[@]ashermediarelations[.]com

For fans of Alestorm, Powerwolf, Ghost, King Diamond, Anonymus

Album Title: Notre-Dame-de-l’Enfer
Release Date: October 29, 2021
Label: Bam&Co. Heavy
Distribution: Propagande (physical) – Believe Digital(Digital)

“‘Notre-Dame-de-l’Enfer’ is an album about French Canadian folk tales. Most of these stories occur at night, in the cold countryside of the province of Quebec. We made an album that reflects this cold and dark atmosphere. For example, we used down-tuned guitars and bass to create a sonic atmosphere that seems to come from the depths of the Appalachian mountains. Many of these stories happened in the 18th century during festivities, we also tried to capture the festive aspect of these folklores, including a lot of gang vocals. We incorporated some traditional instruments into this album like mandoline, acoustic guitar, strings, accordion, and cowbell! The kind of singing and harmonies we use on this album are also reminiscent of traditional chant.” – Thrash La Reine

Thrashlareine.com | Facebook.com/thrashlareine | Instagram.com/thrashlareine

Twitter.com/ThrashLaReine | YouTube

ThrashLaReine.Bandcamp.com | Spotify | Apple Music | Amazon

“If you’re looking for some catchy, clean and fun heavy metal, this EP delivers the good.” – The Metal Crypt

“Thrash la Raine was an interesting and weird combination: I hadn’t heard french metal in a while, yet their sound was similar to a band like Tribunal. Their songs ranged in subject from the plains of Abraham in Quebec, to dragons: this band has it all… fun and enjoyable to watch. ” – CJLO 1690 AM (Montreal, QC) (Live Review opening for Blaze Bayley – May 12, 2019)

“This is genuinely one of the finest albums of a year packed with incredible albums. All in all, Thrash La Reine are incredibly talented, as is clearly shown by how wonderfully they’ve blended different Metal sub-genres with some slight punk influence and very subtle Gothic undertone, all adding up to create a sound that is nothing short of an absolute joy to listen to. This album is simply euphoria in the form of French language Heavy Metal.” – Overdrive Mag

“flawless musicianship and excellent songwriting.” – Eternal Terror

“They are opening for a lot of bands for various walks of life. They have opened for some really established local bands and are definitely making a name for themselves. They have a refreshing sound and a very mature approach to their music and give one hell of a show. I had the chance to see them live a few weeks back and they have such energy and poise, it was a treat to see. They are not intimidated at all by the stage and they delivered some great tracks from their new album and even if they were the first band on stage that night, they established the frenetic pace nonetheless. 9/10” – Metal Temple    

“Question musique, on navigue en plein dans le territoire de Running Wild (Garde La Foi) et Helloween (Thrash La Reine / Le Rédempteur), sur fond de propos dénonçant la religion, le pouvoir et la manipulation, avec toujours cet optimisme propre à tous les fans du genre qui fait perdurer la passion depuis les origines de notre musique préférée. Et quel son ! La production est vraiment très soignée et ne présage que le meilleur pour l’avenir, car si un mini-LP sonne de cette manière, que dire d’un futur album?” – No Name Radio

“Thrash La Reine is simply a wonderful trio of talented musicians who wear their influences on their sleeves. I can only imagine how potent and energetic their live performances are. My choice pick is “Le Redempteur” with its beautiful serpentine riffs and a classic speed metal feel, it thoroughly rocks. This album is exceptionally impressive and their musicianship is perfectly balanced. And they hail from Canada where my ancestors originated.” – Boston Rock Radio

“This album is simply euphoria in the form of French language Heavy Metal.” – Pinnacle Music

====================

FUN FACTS ABOUT THE BAND

1. Too many times, French-speaking people write their band name ‘Trash La Reine’ and not ‘Thrash La Reine’. They have to educate them about the difference between trash and thrash!

2. The band recorded the last songs of the album “Notre-Dame-de-l’Enfer” using the Voivod drums and amps that were in the studio.

3. For the song ‘Au Chant de l’Alouette’, we worked on three different versions of the song, to only choose one at the end.

4. The name Thrash La Reine means Thrash The Queen. Renaud got the idea while visiting London and thought it would be nice to see the Queen in a moshpit, thrashing to the sound of electric guitars and drums.

5. As a trio, the band was originally called Triforce, but too many people thought they were a Zelda tribute band.

=====================================

Album Title: Notre-Dame-de-l’Enfer
Release Date: October 29, 2021
Label: Bam&Co. Heavy
Distribution: Propagande (physical) – Believe Digital(Digital)

Track Listing:
1. La Plainte de l’Alouette (0:36)
2. L’Étranger (4:32)
3. La Chasse-Galerie (4:29)
4. Le Rigodon de l’Enfer (0:25)
5.  Au Chant de l’Alouette (3:00)
6. Wendigo (3:36)
7. La Cage de Fer (4:02)
8. Une Heure Avant l’Aube (1:06)
9. Operation Neptune (3:25)
10. Les Trois Diables (4:42)
11. Le Diable En Personne (0:33)
12. Le Fantome de l’Avare (4:35)
13. Legende d’Antan (7:27)
Album Length: 42:34

Album Recording Credits:
• All songs performed by: Thrash La Reine
• All songs written by Renaud Baril (except au chant de l’alouette)’
• Produced by: Thrash la Reine (Renaud Baril, Anthony Domm-Bélisle, Guillaume Leblanc)
• Mixed by: Francis Perron
• Mastered by: Yannick St-Amand
• Album Artwork by:
• Member of SOCAN
• Music is Canadian Content (MAPL)

Album Band Line Up:
Renaud Baril: Guitar + vocals
Anthony Domm-Bélisle: Bass + Back vocals
Guillaume Leblanc: Drums + Back vocals

Discography:
2021 – Notre-Dame-de-l’Enfer (LP)
2019 – La Foi, La Loi, La Croix (EP)
2018 – Le Métal Est Notre Langue (EP)

===========================

Track by track explained by the band:
1. La plainte de l’alouette:
This is the introduction of the album. We took the main melody of the song ‘Au chant de l’alouette’ and arranged it with accordion and strings so it starts the album with an epic introduction. It has the feeling of a mortuary march at the same time.

2. L’étranger: (the stranger)
This song is about a story that occurred in the 19th century. In a village, there are festivities to celebrate Mardi Gras.

A young couple continues to celebrate past midnight. A mysterious man gets into the party and seduces the young woman. This mysterious man is in fact the devil who got in the party to possess the young woman’s soul and punish her for her sins!

Musically, this song is a lot about the narration of the story. There are some gang vocals to impersonate the ‘village folks’, some more growl vocals to represent the devil. And a narrative part in the bridge to impersonate the priest, who gets in the party to chase the devil.

3.   Au chant de l’alouette: (the lark song)
This song is a cover of an actual French Canadian folk song, that we redid in a more rock / metal way. It is a ‘chanson à répondre’ (answering song?) which is a traditional type of French Canadian song. It means that the lead singer sings the first line of the verse, then this same line is repeated by other singers or by the crowd. The harmony in the bridge is also typical of Quebec music, where one voice sings the same note while the lead voice sings a melody.

We also added some cowbell to the song the get the party in!

4. Wendigo:
This song is probably the heaviest song of the album, with heavy bass, fast-picking guitar and more growling vocals. The wendigo is a cannibalistic creature, descended from the mythology of the Algonquian First Nations, which has spread throughout North American folklore. This song is about getting lost in the Appalachian Mountains and getting hunted by cannibalistic creatures!

5. La chasse-galerie: La chasse-galerie is probably the most well know French Canadian legend. This legend tells the story of woodcutters who make a pact with the devil on new year’s eve, so they can fly on a mystical canoe to go visit their girlfriend and party with their folks! Musically speaking, this song starts with a darker energetic mood. But in the middle, when the crew arrives at the party, the mood of the song changes to something more joyful!

6. Operation Neptune: this song is a more classical thrash / heavy metal song with some motorhead vibes. It is a bit different than the other songs on the album. It does not relate to any legend of the 18th century on Quebec but is about the Normandy landing which occurred on June 6th, 1944 during World War II. On this date, many soldiers sacrificed their lives to take back control of the French coasts. We thought it was a story worth mentioning on this album!

7. La cage de fer: (The iron cage) This song is inspired by the legend of Marie-Joseph Corriveau. She is a woman who got hang in the 18th century after being accused of the murder of her husband and witchcraft. This is another really important legend of French Canadian folklore. This song is really slower and darker than the rest of the album with mellow verses and a more aggressive chorus. this song has more of a ‘doom metal’ feeling.

8. Les 3 diables: (the 3 devils) This song is a mix of thrash metal and typical quebecker’s answering song ! It tells the stories of a drunken woman ‘Germaine’, who sells her soul to three devils so she can continue to drink. She succeeds to foul these devils and continues her life of debauchery !

9. Le fantôme de l’avare: (the ghost of the greedy man) This one is another more mellow song on the album, with clean guitar in the verses and heavy rhythm in the chorus. It tells the story, of a rich man that refuses to give shelter to a traveler on new year’s eve. The next morning he finds the body of the traveler dead, frozen in the snow. The rich man is full of guilt and commits suicide. For the next 50 years, he continued to haunt his house until he finally gives shelter to a traveler on new year’s eve.

10.   Légende d’antan (ancient legend): this song is the 7 minutes epic song of the album! This song has a more progressive structure, starting with a mid-tempo guitar-driven melody. Then, the bridge starts with this smooth bluesy melody to build upon more heavy riffs. Then, the bridge ends with a heavy thrashy part.

This song is not about a specific legend of Quebec’s folklore, but regroups many story ideas (werewolves, will’o the wisp. It is about the nostalgia of being reunited around a campfire and telling stories until dawn.

Thrash La Reine is a Montreal-based French heavy metal trio founded in 2017. Meaning ‘Thrash The Queen’ in English, they choose that name for a variety of reasons including questioning the foundation of power in Western culture as well as perhaps seeing a Queen being rocked in a mosh pit. This was also the title of the first song they wrote, comprising styles of their main influences of thrash and power metal.

Aside from inspiration from classic heavy metal bands they pay homage to their home city and the francophone punk bands that were notorious in the Montreal scene during their college years. In each song, they mix the epic themes of power metal with the social topics of punk and thrash metal to make a style that they dubbed ‘’Epic Thrash’’.

Claiming to not be inventing anything, they do offer something that sounds new and fresh, especially with their exclusively French lyrics that let them share Montreal’s culture while being accessible to everyone around the world. Each song tells a story, from French Canadian culture to video game addiction to classic thrash anthems.

In 2017, in their home studio, they recorded a first EP called ‘’Le Metal Est Notre Langue’’. Since then, they have opened for artists such as Judas Priestess (US) and Tim Ripper Owen (US). In 2018, a second EP ‘’La Foi, La Loi, La Croix’’ was recorded. The recording and mixing were done at Studio Wild with Pierre Rémillard (Anonymus, Cryptopsy) and mastered by Jacob Hansen in Denmark.

Now in 2021, Thrash La Reine return with a new album entitled “Notre-Dame-de-l’Enfer” set for release in the Fall. This time around the band is taking a bit of a different direction, evolving their sound with thrash and incorporating more folk metal influences to create a concept album devoted to French Canadian Folklores. Adding in a festive chorus with gang vocals along with introducing some instruments from French Canadian folk music such as acoustic guitars, cowbells, mandoline, strings, and accordion.

“There is an important religious background in the history of Quebec, so of course these stories are about ghosts, witches, and devils! We incorporated a couple of different instrument and back vocals ideas, with harmonies that are reminiscent of Quebec traditional music. We can say that this album is our attempt to make a metal opera about our French Canadian folk tales. We can also add, that singing metal in French can be a challenge, as there are not that many references in terms of lyrics and how it should sound. For this second album, we have learned from experience, which sounds are great and which ones should be used more carefully. French is full of ‘ee’ ‘ou’ ‘shhh’ that can be difficult to sing. On the other hand, French is full of words with ‘eu’ ‘a’ ‘Rrr’ that are really nice to sing in a metal context.” comments the band.

For “Notre-Dame-de-l’Enfer”, Thrash La Reine worked closely with producer Francis Perron (Voivod – The Wake) to create an album of 13 tracks: 9 full songs and 4 instrumental interludes. For the record’s lead single ‘Au Chant de l’Alouette’, Thrash La Reine collaborated with local Montreal band Nova Spei vocalist Dany Duplessis for backing vocals along with him guesting on the song ‘Wendigo’.

Overall, the concept album will connect with many local Quebec fans, but the band’s goal is to also expose French Canadian culture to more metalheads around the globe.

“Notre-Dame-de-l’Enfer” is slated for release on October 29, 2021.

Shared Stage with:
Blaze Bayley, Tim “Ripper” Owens, Shawn & Glen Drover, West Of Hell, Judas Priestess, Sans Amertume, Fractal Cypher

0 EPK – The Blood of Christ – CDN Records – Reissue – 2021 – “Frozen Dreams” and “The Lonely Flowers Of Autumn”

  • June 22, 2021
  • by Asher
  • · EPKs · The Blood of Christ

EPK – The Blood of Christ – CDN Records – Reissue – 2021 – “Frozen Dreams” and “The Lonely Flowers Of Autumn”

For fans of Dismember, Enslaved, Morbid Angel, My Dying Bride, Kataklysm

Album Title: Reissue – “Frozen Dreams” and “The Lonely Flowers Of Autumn”
Release Date: August 21, 2021
Label: CDN Records

Facebook.com/bloodofchristofficial | Twitter.com/bloodofchrist94 | Instagram.com/bloodofchrist_official | YouTube

 Bloodofchristofficial.bandcamp.com | CDN Records

“Anthology IV shows that they deserve to be respected as one of Canada’s better death metal exports” – Exclaim!

  “…Canadian brutal death metal legends Blood Of Christ are a band who helped to define the sound known as Northern Hyperblast…” – Metal Injection  

“Able to bring about varied atmospheres and textures into an otherwise assaulting formula, Blood of Christ seem on top of their game…” – Dead Rhetoric

“…an album, incredibly heavy with some really delectable rhythm, Unrelenting Declivity of Anguish is 7 tracks of ferocious noise…” – Games, Brains and Headbanging Life

CDN Records is proud to announce that August 21st will be the release date for the reissue of Canadian death metallers The Blood of Christ’s early 1990’s demos “Frozen Dreams” (1994)  and “The Lonely Flowers Of Autumn” (1995) on limited edition cassette and CD. Both are remixed along with remastering done by Dan Swano (Incantation, Jungle Rot, Asphyx). The CD version features bonus tracks from the 1996 Torture Records 7″ single and the 1994 demo “Frozen Dreams”.

The Blood of Christ brutalized their way onto the Canadian scene in the mid-1990s. Even with various line-up changes, mainly vocalists, the band has released a discography of multiple albums and splits along with being a tour de force, supporting bands such as Cryptopsy, Incantation, Morbid Angel, Kataklysm, Necronomicon, Killitorous and many more local and international acts.

The band comments on the reissues:

“This was the beginning of our natural journey that began rooted in straight-up death-grind metal around 1995 with added dark elements from black metal and doom. These songs became epic with varied time signatures and tempo changes, often shifting from chugging death metal riffs to droning black metal riffs in the blink of an eye – and incorporated more vocal styles than the average death metal band would. We have always called it Epic Dark Metal since our inception in 1995 with our “the Lonely Flowers of Autumn” demo… and that has stuck with us.”

In support of the reissues for “Frozen Dreams” and “The Lonely Flowers Of Autumn”, The Blood of Christ are also sharing their lyric video for the track “In The Distance”. It was a song written by the band while heavily influenced by the Kataklysm “Sorcery” album. It’s a lengthy, heavy and unique grinder that is dedicated to a story of a vampire who can not love a human woman due to his wretched existence and immortality. This song acts as a soundtrack to human suffering, told from both the band’s and the fictional vampire’s point of view.

Lyric Video – “In The Distance” – https://youtu.be/Pl7CnsSAyyQ 

Cassette and CD pre-order will be available on CDN Records.

Album Title: Reissue – “Frozen Dreams” and “The Lonely Flowers Of Autumn”
Release Date: August 21 2021
Label: CDN Records

Cassette Track Listing – The Lonely Flowers Of Autumn (1995) – Reissue:
1. Autumns Twilight (7:45)
2. In the Distance (7:37)
3. Moonshroud (6:61)
4. As the Roses Wither (4:19)

Cassette Track Listing – Frozen Dreams (1994) – Reissue:
1. Frozen Dreams (1:24)
2. Divine Gift (3:32)
3. Christ Crucified (2:58)
4. Dawn (3:33)
5. Bleed For Me (1:41)

CD Track Listing:
1. Autumns Twilight (7:45)
2. In the Distance (7:37)
3. Moonshroud (6:61)
4. As the Roses Wither (4:19)

CD Bonus Tracks:
5. The Raven’s Song (4:51)
6. Winter Tree …a Forest of Tragedy (4:19)
7. Frozen Dreams (1:24)
8. Divine Gift (3:32)
9. Christ Crucified (2:58)
10. Dawn (3:33)
11. Bleed For Me (1:41)

The Blood of Christ reissue line up:
Jason Longo – Drums, Cymbals & Sawblade
Jason Deaville – Vocals
Marek Kopala – Bass, Keyboards & Classical Guitar
Jeff Longo – Electric & Classical Guitar

Album Reissue Recording Credits:
– All songs performed by: Blood of Christ (Jason Longo, Jason Deaville, Marek Kopala & Jeff Longo)
– All songs written by: Blood of Christ (Jason Longo, Jason Deaville, Marek Kopala & Jeff Longo)
– Produced by: Jeff Longo & Jason Longo
– Mixed by: Jeff Longo
– Mastered by: Dan Swanö
– Album Artwork by: Edin Ibric & Jeff Longo
– Member of SOCAN
– Canadian Content (MAPL)  

===============================

BAND STORY ANGLES / FUN FACTS:

1. Jason Longo was only 15 (just shy of his 16th birthday) when we recorded our third demo “the Lonely Flowers of Autumn” and debuted the northern hyper blast on it.  That demo took us around the world and to the skies.
 
2. An amazing experience on our 2002 Canadian tour with Kataklysm and Necronomicon.  After our Vancouver show, the next morning all the bands were supposed to catch the morning ferry to the island for our gig the next night in Victoria. We were traveling in two vehicles. Kataklsym and Necronomicon were in one huge van with a trailer and all the gear.  We were in a red Aztec with only our luggage and Jeff’s guitars. This Aztec was so uncomfortable, that it gave our then singer Conan Bulani (RIP) arthritis in his knees, or lead to it anyway.  

We caught the ferry on time, but everyone else missed it.  So when we landed in Victoria and went to the venue, the promoter met us there and told us that Stephane Mellul (tour manager) had let him know that they weren’t going to make it.  So the show promoter rounded up a few local bands, took us to their rehearsal space and they loaned us their drums, amps and bass guitar.  We performed the gig that night, alone, to a packed house!  It was incredible.  We had to tune a 4-string bass down to G# to match Jeff’s guitar.  It was a small, warm pub and it was filled with eager metalheads from wall to wall.  We were flattered that they stayed for our set even though Kataklysm couldn’t be there.  We ended off the night with a cover of Slayer’s “Postmortem” (for the first time ever), and it went over very well.

Overall it was an amazing experience and the metalhead community and the promoter in Victoria were incredible.  Unparalleled hospitality.  A night we will never forget.  After the gig, the promoter took us to his parents’ house and his mom fed us a huge buffet of food.

3.  Rimouski 1997, the best gig we have ever played.  Right before we went on stage, Rob from Neuraxis looked at me and said “I think they’re going to mosh for you guys”.  I laughed.  I don’t know how he knew that how he got that feeling, but; he was more than right.  The fans raged as I have never seen before.  There was a massive circle pit, kids in the front were smashing and swaying the barricades…   dust flew up from the ground because of the pit.  It was relentless and unreal.  Our first tour in Quebec.  Mind-blowing experience that we will never forget and are grateful for.  Fun fact for the night: Kyle from Incantation (yes he had a moustache then) was too intoxicated to play his set, so he asked Jason to do it.  Obviously, 15 minutes before a set there’s no way Jason could have learned it, so we had to walk Kyle up to stage holding him up and sat him at his drum kit.  John M. was pretty irate and distressed about it, as you can imagine.  

The best part of it is, is that Kyle pulled it off and played a phenomenal set.  It was mind-blowing.  After the gig, we drove straight home – a 13 hour drive through the night.  We were on cloud 9.

Circa 1995 – The Blood of Christ – Lineup (L to R): Marek Kopala – Bass, Jason Deaville – Vocals, Jason Longo – Drums, Jeff Longo – Guitar

Photo Credit – Shawn Pritchard

Canadian Epic Dark Metal band The Blood of Christ (aka Blood of Christ) began their career in the early ’90s, making a blackened death metal hybrid that sounded similar to a mashup of Carcass and Enslaved. They kept this style throughout their first two albums, but started to tweak it on their third full-length album, 2003’s “Breeding Chaos”. The Blood of Christ’s brooding, unique and crushing sound has made fans out of underground metal lovers from many genres, creating an appeal that defies genre borders.

On their second release through CDN Records, the London trio has crafted their most focused and creative effort yet with 7 numbers of Epic Dark Metal dexterity and power. Fiends whom were raised on the sheer brutality and boundary-smashing efforts of Morbid Angel, or the pioneering and challenging progressive grind-core of Liverpudlian innovators Carcass, the epic and majestic sounds of Viking artisans Enslaved or even the groove-laden proto-death of Brazilian legends Sepultura will find something rousing and engulfing within The Blood of Christ. All of these influences and components meet head-on and shatter the boundaries of conventional arrangements and ultimately take the listener away to territory similarly explored by none before.

While their influences favored the shocking approach with lyrical themes that were rampant with Gore, Satanism and often-abhorrent imagery, The Blood of Christ chose to focus on more abstract and poetic subject matter. Their songs are often rife with human suffering, lust and longing, time travel, astrology, historic battles and the human struggle for personal freedom. A sincerely dark and often poetic way of not being afraid to expose the innards of human suffering, and relate to the misery from the destructive, self-promotion of humanity with unique vocals that sound as if purveyed by a raging beast – all of which is set to a brutal and epic soundtrack.

The Blood of Christ was formed in London, Ontario, in 1994, their lineup composed of avid metal scenesters: guitarist Jeff Longo, bassist Marek Kopala, drummer Jason Longo and vocalist Jason Deaville. Musically, at that time they were closest to Cannibal Corpse, although other metal bands like Morbid Angel, Samael, Kataklysm and Carcass played a role in their sound.

A 1995 demo (that saw a shift in style to what is now their own blend of death and black metal) helped the band secure a deal with Pulverizer Records, which released their debut album, “…a Dream to Remember” in 1997. A strong underground following began to build behind the group with albums like 1997’s “…a Dream to Remember” and 2002’s “As the Rain Gently falls”. Vocalist Conan Bulani, who joined the group in time to appear on the band’s debut album, sadly passed away in 2011. The Blood of Christ is now fronted by Ontario underground-metal veteran Hank Bielanski on bass & vocals.

The release of “Eastern Beast – Western Wolf”, a split CD & Cassette with Japanese hyper-groove masters Vomit Remnants on CDN Records in late 2020 will see the debut of Hank’s beastly craft with The Blood of Christ. The Blood of Christ is the embodiment of an Epic Dark Metal craft that in it of itself is limitless with possibility.

Discography:
1994 – Divine Requiem – Demonstration Cassette
1994 – Frozen Dreams – Demonstration Cassette
1995 – Chapter III the Lonely Flowers of Autumn – Demonstration Cassette
1996 – La cicatrice de sirène – 7” Vinyl EP (Torture Records, Italy)
1997 – …a Dream to Remember – CD Album (Pulverizer Records, USA)
1997 – …a Dream to Remember – CD Album (Diehard Music, Denmark)
2002 – As The Rain Gently Falls – CD Album (Skyscraper Music/PHD, Canada)
2003 – Breeding Chaos – CD Album (Skyscraper Music/PHD, Canada)
2006 – …a Dream to Remember – CD reissue (CDN Records, Canada)
2018 – Unrelenting Declivity of Anguish – CD Album (CDN Records, Canada)
2019 – Bilateral Carnage – Split 7” vinyl with Deformatory (CDN Records, Canada)
2020 – Eastern Beast/Western Wolf – Split album with Vomit Remnants (CDN Records, Canada)

Shared Stage with:
Flesh Feast, Cryptopsy, Kataklysm, Necronomicon, Neuraxis, Incantation, Killitorous, Hemdale, Enemy Soil, Brutal Truth, Obliveon, Fleshgrind, Cannibal Corpse, Behemoth, Cradle of Filth, Woods of Ypres, Opeth, Quo Vadis, Morbid Angel

Tours and Festivals:
1997 – Ontario and Quebec tour with Incantation
2002 – Canadian tour with Kataklysm and Necronomicon
2018 – Ontario and Quebec tour with Killitorous

 

0 EPK – Crnkshft – Innocence (single) (2021)

  • June 20, 2021
  • by Asher
  • · CRNKSHFT · EPKs

EPK – Crnkshft – Innocence (single) (2021)

Publicist – Jon Asher – jon[@]ashermediarelations.com

For fans of 5FDP, Breaking Benjamin, Bad Wolves, Alter Bridge, Stone Sour

“Innocence is the first in a series of singles that CRNKSHFT will be releasing in an attempt to gain radio traction before committing to a full-length record. The song itself taps into the idea that in a world of cancel culture no one is truly innocent and harps on this fact by asking people, “Are we all so innocent?”.” – Crnkshft

Crnkshft.com | Facebook.com/crnkshft | Twitter.com/crnkshftband | Instagram.com/crnkshftband | Youtube 

Spotify | Apple Music | Other sales links Crnkshft.hearnow.com

“For those that like their music fast and powerful, this is the appetizer for you. It’s all kinds of mad power…an epic little album from a band that is close to conquering the universe or at the very least, close to setting it aflame.” – 925 Rebellion

“Opener “Systematic” will testify to this with punchy and growling riffs and equally growling vocals. which somewhat draw you in and immediately your foots a tapping and your head is banging, as the air guitar sits proudly on your lap as you “Systematic” scream and roar to the vocals, which if you listen closer also have a story to tell.” – We Rock Webzine

“Oh yeah, this is like the music that appears in my dreams; along with a lot of other genres, however, this raucous, heavy, bone-shaking madness is top of the list and first track “Systematic” just does the trick! It wraps its harsh melodies around your head never mind your ears and weaves its own turmoil. It’s catchy and solid and to be honest a track that should carry a warning of being very addictive as your fingers reach for the replay button yet again, to bask in its extreme pleasure bound twists that lock into your head and won’t leave you alone for a second…For an EP this has four very powerful tracks attached to it and demands your attention; Do yourself a favour and listen!” – Ram Zine

“Their sound gets the feet tapping, the head banging and it is easy to sing along to the choruses.” – Sentinel Daily

“CRNKSHFT’s forthcoming release sells me on the group’s ultimate potential. I look forward to hearing what else this Canadian band can do.” – Heavy Metal Time Machine

“Stomping drop tuned leads, soaring vocals and hard-charging grooves litter the lead single, a formula that pays off in spades on the riff-tacular “Tears Me Apart”” – Get Exposed Music

“these guys have a running start to the hard rock scene, and if their message and sound stays in their current vein, there’s no denying that this band will put a crankshaft kick-start to this year’s list of burgeoning, fantastic new artists” – Shockwave Mag

“We surely have a soft spot for things carrying real punch and that is exactly what the new self-titled EP from Canadian outfit CRNKSHFT has in sound and presence. The four track offering is an imposing roar of hungry and varied metal but equally shows a blaze of hard and melodic rock n’ roll, a trait even more compelling in the successor to their previous well-received debut EP helping stir up a very healthy appetite for the band’s fierce and rousing attack.” – The RingMaster Review

“the four tracks are full of grunge influences and a killer metal delirium that will capture your heart ,and ignite your mind. “Systematic” kicks the release off in fine style ,with its bludgeoning , punishing riffs its easy to see why this was the band’s first single, the lead guitars strings are flayed as the guys will have you banging your head and bouncing around the room this is a stylistic killer opener.” – The Metal Meltdown

“Though the album is short, I found myself repeating it numerous times and jamming out each time. I highly recommend it if you’re a fan of punk, metal, hardcore or any heavy genre. There is a bit for everyone in it. I guarantee you will be screaming, drumming and playing your air guitar to it. The guys are not going to be stopping anytime soon.” – Canadian Beats

“This concise, compact and charismatic EP brings the fire immediately as it channels the essence of Hard Rock into CRNKSHFT’s opening song, “Systematic”…a marvelous release which excels in many areas including drive, determination, dominance and general brilliance. CRNKSHFT will surely prove to be a valuable name for Rock in the future if they can advance on the progress made by this EP.”  – AC Rock Reviews

“Wow wow WOW!!!!!!!This is amazing!!!! What a great track! It just ripped my face off! – Sylvia Massy (producer for Tool, System Of A Down, Red Hot Chili Peppers)

“I have always said I wish I had “one of those tracks” under my belt. You know, the track that you could play for really anybody; a kid, a peer, a heavy musician, a producer, someone whom you’d like to impress for whatever reason, anybody… that is the track for me. Great writing, tons of energy, unapologetic, dynamics, intent, world class production, all parts are so strong, title and guitar hook so memorable.” – Tony Ferraro (drummer for Trooper, Fear Zero,) about the Single “Systematic”

“Great band ! Sounds pretty heavy. Intro riff is killer” – Cory Churko (guitar player for kelly Clarkson, Shania Twain) about the Single “Systematic”

“You Guys are the first real band I have seen in three years, when you came on stage I was like, F*** ya, you guys are a band”… When I approach a label they ask me ‘are these guys stars?’,  I’m going to tell them these guys are stars.”
– Tommy Mac (Bass Player for Hedley/BigFatScratch/Flybanger/Everything After)

L-R – Geoff Way – Guitar, Andrew Wishart – Drums, Shane Jolie – Vocals, Eric Jolicoeur – Bass

CRNKSHFT is an explosive band composed of five musicians from Vancouver, Canada. The band is setting the scene ablaze with its explosive, drop-tune aggression with melody at its core.

Influenced by bands like Alice In Chains, Pantera, Metallica, Nirvana and Godsmack, CRNKSHFT have carved out a sound in the vein of Five Finger Death Punch, Shinedown, Breaking Benjamin, and Alexisonfire, that gives them a refreshing sound that’s forges these genres together. Their riffs are designed to get your blood pulsing, their dynamics get your fist-pumping, and the melody keeps you singing along. 

Since the band’s formation in 2015, CRNKSHFT’s engine has been firing on all cylinders with their debut EP ‘Hard F***ing Rock’ released in 2015 plus being tapped as local support for such touring bands as Prong, Grim Reaper, Lordi and The Veer Union. The wrecking crew then unleashed their self-titled EP in August 2017 produced by Darren Grahn (Metallica, Motley Crue, Bon Jovi) which allowed the formation to embark on a tour that took the 5 members from Vancouver to Montreal.

CRNKSHFT has been Nominated for Break Out West – Hard Rock Band of the year 2018, and then started working on new material. which lead to the recording process of the new single Innocence, which was mixed and mastered by Kane Churko (Papa Roach, Five Finger Death Punch).

Shared stage with:
Rebel Priest, Sleep Circle, The Pit, Prong

Discography:
2012 – HFR – EP
2016 – Deluxe Edition – Self-Titled EP
2021 – Innocence – Single

[Download Single Cover | Download Single Lyrics]

Single Title: Innocence
Release Date: June 21st, 2021
Label: Self-Release
Distribution: CD Baby

Track Listing:
1. Innocence (3:12)

Single Recording Credits:
• All songs performed by: CRNKSHFT
• All songs written by: CRNKSHFT
• Produced by: CRNKSHFT
• Mixed by: KANE CHURKO
• Mastered by: KANE CHURKO
• Album Artwork by: CRNKSHFT
• Member of SOCAN
• Canadian Content (MAPL)

Band Line Up:
Shane Jolie – Vocals and Rhythm Guitar
Geoff Way – Lead Guitar and Backing Vocals
Eric Jolicoeur – Bass Guitar and Backing Vocals
Andrew Wishart – Drums

0 EPK – Saintvicious – Stranglehold (single) (2021)

  • June 18, 2021
  • by Asher
  • · EPKs · Saintvicious

EPK – Saintvicious – Stranglehold (single) (2021)

Publicist – Jon Asher – jon[@]ashermediarelations[.]com

For fans of  Bring Me The Horizon, Nothing More, Beartooth, Parkway Drive, I Prevail

Single Title: Stranglehold
Release Date: June 18, 2021
Label: Unsigned/self-released
Distribution: Digital via DistroKid

Spotify, Apple Music, Amazon – https://distrokid.com/hyperfollow/saintvicious/stranglehold

Saintvicious.bandcamp.com | Instagram.com/saintviciousband | TikTok | Facebook.com/saintviciousband | YouTube 

“Saintvicious is just getting started, and they aren’t letting anything get in their way.” – Pulse Music Journal, 2021

“Like the perfect rock band package came together and then dialed it up to 11.” – The Star Phoenix, 2019

“Over the past couple of years, the Paris of the Prairies has had its metal landscape broadened with the introduction of something more melodic and hook-laden, courtesy of Saintvicious.” – North Sask Music Zine, 2021

Saskatoon’s SAINTVICIOUS’ New Single “Stranglehold” Opens Up About Shutting Down from Anxiety

If there’s anything guaranteed in life beyond death and taxes, it’d be living through one-too-many panic attacks. Saskatoon hard rock band Saintvicious reflects on their personal experiences dealing with anxiety on their latest single, “Stranglehold”.

Supported by metalcore-inspired instrumentals and layered vocal delivery, the track’s visually dense lyrics personify anxiety as a separate entity that is given every sacrifice that it asks for, but it’s never enough.

“Some days it’s hard to want to leave your bed,” guitarist Ryan Kimmerly explains, “There are those times where you just think ‘What if-’ about every possible thing that could go wrong. And does it ever turn out to be this worst-case scenario that you’ve spent so much time hashing out? Usually not, but anxiety’s like that, right?”

Ryan continues, “By the time you get to whatever you’ve been obsessing over, you just end up looking for something wrong to prove those ideas in your mind right when really, it’s exactly that – it’s all in your head.”

“Stranglehold” will be available to stream as of Friday, June 18 on Spotify, Apple Music, and all other streaming platforms.

L-R: Charlie Barnard (drums), Madison Erhardt (vocals), Ryan Kimmerly (guitar), Dan Mason (bass), Robyn Dolezsar (guitar)
Photo credit: Brian Snell

There’s no denying that the sonic brash of Canadian five-piece Saintvicious lives up to the latter half of their name. With snarling riffs cranked between catchy vocals and tight rhythms, the Saskatoon outfit is an exhibit of hard rock – with all its bruises and attitude.

With a prolific start in the band’s infancy – from performing alongside major artists like Pop Evil and Royal Tusk, to their debut album being placed as one of the Top 10 Saskatchewan Albums of 2020 – Saintvicious is on-sight to grow into the forefront of Canadian hard rock.

[Download Single Cover | Download Single Artwork]

Single Title: Stranglehold
Release Date: June 18, 2021
Label: Unsigned/self-released
Distribution: Digital via DistroKid

Single Credits:
Performed by Saintvicious
Music by Ryan Kimmerly, Madison Erhardt
Lyrics by Madison Erhardt
Produced by Saintvicious
Co-produced, mixed & mastered by Nick Cherney at Alphacore Studio
Artwork design by Ryan Kimmerly
SOCAN member ID #9213942
Canadian content – MAPL

Band Line Up:
Madison Erhardt – Vocals
Ryan Kimmerly – Guitar
Robyn Dolezsar – Guitar
Dan Mason – Bass
Charlie Barnard – Drums

Discography:
2021: Stranglehold (single)
2020: Sticks + Stones (single)
2019: SAINTVICIOUS (album)

Bands Performed with:
Pop Evil, Royal Tusk, Untimely Demise, King Buffalo, The Haunted North, Diehearted

Tours and Festivals:
2019 – No Apologies Tour, Western Canada
2019 – Food Drive Throwdown II, Saskatoon SK
2019 – Border Town Bike Rally, Togo SK

Charts Listsings:
Apr 26, 2021 “Sticks + Stones” – #5, Metal Meltdown radio show, CJSF 90.1 FM

Past Features:
Dec 2, 2020 “Sticks + Stones” – Featured single, SaskMusic
Dec 24, 2020 “Dejected” – Pick Of The Week, Indy Rock Network
May 4, 2020 “Come & Get Some” – Featured video, SaskMusic

0 EPK – Vela Pulsar – Memoirs of Unbecoming (2020)

  • June 11, 2021
  • by Asher
  • · EPKs · Vela Pulsar

EPK – Vela Pulsar – Memoirs of Unbecoming (2020)

Publicist – Jon Asher – jon[@]ashermediarelations[.]com

For fans Alcest, Uada, Altar Of Plagues, Sojourner, Caladan Brood

““Memoirs Of Unbecoming” with themes of hope, loss, courage, and perseverance in the wake of uncertainty. Stripping away all that we are and seeing what’s left, in the moments that shape us. The songs on this record are raw and honest in their expression, and (while not inherently “true stories”) are all inspired by such moments that we’ve faced as people. In that sense, they are our memoirs of unbecoming.” – Vela Pulsar

Album Title: Memoirs Of Unbecoming
Release Date: December 8th, 2020
Label: Self-Release
Distribution: Self-Release

Facebook.com/VelaPulsarBM | Instagram.com/velapulsarbm | YouTube

Velapulsarbm.bandcamp.com | Spotify | Apple Music | Amazon

“This is a record that makes for a much more hopeful tone than what most of black metal would rather touch, but we’re not dealing with typical black metal here as “Memoirs of Unbecoming” really morphs the sound to something that it can call its own with still be wildly cohesive, immersive, and entertaining.” – Head-Banger Reviews

[Download Album Cover | Download Album Lyrics]

Album Title: Memoirs Of Unbecoming
Release Date: December 8th, 2020
Label: Self-Release
Distribution: Self-Release

Track Listing:
1. Levitations (9:19)
2. Reverence Of Being (10:40)
3. A Refuge Impassable (10:26)
Album Length: 30:25

Album Recording Credits:
• All songs written and performed by: Vela Pulsar
• Produced by:
Collin Young at Genesis Sound Inc. in Toronto, ON
Sacha Müller at Dead Aunt Thelma’s Studio in Portland, OR
Roland Rodas at Cavern Of Echoes Studios in Toronto, ON
• Mixed and Mastered by: Greg Dawson at BWC Studios in Kingston, ON
• Album Artwork by: Marie Cherniy

Album and Live Band Line Up:
Cam Mueller – Drums
Samantha Holmes – Guitar, Bass, Vocals, Lyrics, Orchestrations
Ryan Mueller – Guitar, Bass, Vocals, Lyrics

Discography:
2020 – Memoirs Of Unbecoming – EP

==================================

Track by Track explained:

1. “Levitations” starts the album on a rather positive note, being rather playful, upbeat and catchy. The warm lyrics accompany it until they take a drastic and stark turn towards chaos. The music follows as it becomes increasingly dark, aggressive and violent, before elevating once more to end the song with an aura of hope. The final notes close the song with a sense that the journey has only just begun.

The lyrics also incorporate themes of astral projection; where a sleeper’s soul leaves their body and can see it from above, and not only can dream, but enter the dreams of others. Hence the sudden shift in mood in the lyrics (dreams are often the same), and the title “Levitations.”
 
2. “Reverence Of Being” conveys both a sense of struggle and of overcoming adversity – both physically and within – while being paired with a sense of hope. While not a direct reference, it could be looked at similarly to the Nietzsche quote ‘to live is to suffer, to survive is to find meaning in the suffering,’ and both of those aspects being a part of you and are worth revering. This is shown in the music too, through moments that are both dark and foreboding, and warm and uplifting, leaving you with the conclusion that despite all that’s happening, the only thing you can do is persevere. With the inclusion of orchestrations, acoustic guitar passages, both tribal and blast beat drumming, dark atmospheres, a melodic climax and a soaring ending, Reverence Of Being is a representation of nearly everything that Vela Pulsar embodies as a band.

3. “A Refuge Impassable” is the most desperate song on the album, further bringing in themes of betrayal and hopelessness. There’s a constant element of searching – searching within another, searching within oneself, searching within one’s surroundings and past experiences. A bleak lyric, the protagonist never finds that refuge as it remains out of reach. She opens the song singing sorrowfully over somber acoustic guitars before the rest of the band breaks in with a mournful fusion of post-metal and black metal. As orchestrations return, the album’s story reveals its true ending with tragic chords, tribal drumming and call-and-response singing and screaming before unleashing a final bout of fury from every member of the band. As lamenting acoustic guitars draws the album to a close, she closes her eyes for the last time and another world awaits her now.

===============================

Story Angles / Fun Facts:

1. Vela Pulsar is technically an “international” band, with members residing in both Toronto, ON and Portland, OR

2. Though living far apart, Ryan and Samantha are best friends, having met through the same former music teacher and business mentor.

3. “Memoirs Of Unbecoming” was a very challenging record for the band to complete, as part of the recording took place during the COVID-19 pandemic which posed difficulties with the various ways it affected their lives.

4. Ryan and Cam are brothers, and share another band together as prominent members of Toronto’s A Flock Named Murder

5. The pulsing sample between the songs ‘Levitations’ and ‘Reverence Of Being’ is an actual radiotelescope sound recording of the Vela Pulsar (PSR B0833-45), from the CSIRO Parkes Observatory in Australia.

L-R – Cam Mueller – Drums, Samantha Holmes – Guitar, Bass, Vocals, Lyrics, Orchestrations, Ryan Mueller – Guitar, Bass, Vocals, Lyrics

With members residing in both Toronto, ON and Portland, OR, what originally started as a personal project between Ryan Mueller and Samantha Holmes became a more serious band when Samantha proposed doing an album. This led Ryan to recruit his brother (and fellow A Flock Named Murder bandmate) Cam to handle the drums. Thus, Vela Pulsar was born.

At over 30 minutes in length, the debut “Memoirs Of Unbecoming” deals with themes of hope, loss, courage, and perseverance in the wake of uncertainty. Stripping away all that we are and seeing what’s left, in the moments that shape us. This manifested into a swirling and emotional hybrid of symphonic and post-black metal, for fans of Alcest, Uada, Altar Of Plagues, Caladan Brood, Sojourner, Aquilus and Agalloch.

“Memoirs Of Unbecoming” was released on December 8, 2020 and available on digital platforms.  

0 EPK – Rebel Priest – Lost In Tokyo (Batcave Records) (2021)

  • June 9, 2021
  • by Asher
  • · EPKs · Rebel Priest

EPK – Rebel Priest – Lost In Tokyo (Batcave Records) (2021)

Publicist – Jon Asher – jon[@]ashermediarelations[.]com 

For fans of Motörhead, ZZ Top, Rose Tattoo, Deep Purple, LA Guns

Batcaverecords.com | RebelPriestofficial.com | Facebook.com/rebelpriestofficial | Instagram.com/rebelpriestofficial | YouTube 

Rebelpriest.bandcamp.com | Spotify | Apple Music 

“Reminded me of the early Iron Maiden Days” – Metal-Temple (R’LYEH HEAVY – 2019)

“This record is full of gritty, down ‘n’ dirty fun with a spiked metal grip” – Bravewords (R’LYEH HEAVY – 2019)

“Great stuff for cracking open a cold one and blasting down the highway at an illegal rate of speed” – Rebelx

[Download EP Cover | Download EP Lyrics]

EP Title: Lost In Tokyo
Release Date: August 13, 2021
Label: Batcave Records
Distribution: Batcave Records/Thundermoose Entertainment

Track Listing:
1. Lost In Tokyo (3:29)
2. Back Alley Blues (3:03)
3. Vulgar Romance (4:15)
4. When The Whip Comes Down (4:33) (Slash Puppet Cover)
EP Length: 15:25

EP Recording Credits:
• All songs performed by:Rebel Priest
• All songs written by: Rebel Priest *except “When The Whip Comes Down”, Music: Slash Puppet, Lyrics: Mif
• Produced by: Rene D La Muerte
• Mixed by: Rene D La Muerte
• Mastered by: Rene D La Muerte
• Album Artwork by: Nate Pole
• Member of SOCAN
• Canadian Content (MAPL)

EP and Live Band Line Up:
Jayme Black – Vocals/Bass
Benny Kemp – Guitars/Vocals
Nate Pole – Drums/Vocals

L-R – Jayme Black – Vocals/Bass, Nate Pole – Drums/Vocals, Benny Kemp – Guitars/Vocals

Rebel Priest is a no-nonsense, real-deal rock n’ roll band composed of three seasoned musicians who have been making their way through the Western Canadian rock n roll scene for years. Vocalist/bassist Jayme Black (Lust Boys, The Toxiks); guitarist/vocalist Benny Kemp (Lust Boys, Road Rash); and drummer/vocalist Nate Pole (Kill Matilda, The Toxiks) bring nothing but unadulterated, high energy grease infused Trash N’ Roll!

The band has had the pleasure of touring Japan, and performing alongside bands such as Udo (Accept), Lordi, Diamond Head, Crystal Pistol, Flotsam, and Jetsam along with playing many headlining gigs with the energy of Motorhead meets Motley Crue.
Since forming in 2014, the band has released three studio albums “R’ley Heavy” (2019), Enabler (2017 ), Self-Titled (2015) along with one live record “Dead Alive @ SBC (2017).

Now in 2021, they offering up a slab of new music in the shape of an EP “Lost In Tokyo”, which was written in Japan at the very end of 2019, before the closure, and the band has been sitting on the tracks for over a year. The band even shares a cover rendition of Toronto 80s metal band Slash Puppets’ “When The Whip Comes Down”.

“We had a batch of headbangers and a few didn’t make it, but sometimes songs just need other means to come out. We wanted to set the tone for each one on this EP as opposed to a full-length concept album. Each one is a juggernaut on their own and will stand strong without having to be bound to the others… and as for more music … oh Lemmy tell ya! We aren’t slowing down, we are gonna have stuff coming at ya throughout the rest of the year, LIKE A FREIGHT TRAIN!” adds Jayme Black (vocals/bassist).

Recommended for fans of Guns n’ Roses, AC/DC and Motley Crue, Rebel Priest’s new EP “Lost In Tokyo” will be available on August 13th, 2021 via Batcave Records.

EP and Live Band Line Up:
Jayme Black – Vocals/Bass
Benny Kemp – Guitars/Vocals
Nate Pole – Drums/Vocals

Discography:
2021 – Lost In Tokyo (EP)
2021 – Godzilla (single) (Blue Oyster Cult cover)
2019 – R’lyeh Heavy – LP
2017 – Dead Alive @ SBC (Live Album) – LP
2017 – Enabler – LP
2016 – Coat Chec Girl (single)
2015 – Rebel Priest – LP

Tours and Festivals:
2019 – Kappunk Festival – Tokyo, Japan
2019 – Hank Von Hell – Vancouver, BC
2019 – Subhumans – Tokyo, Japan
2019 – Flotsam and Jetsam – Vancouver, BC
2018 – Diamond Head – Vancouver, BC
2018 – Dirkschneider (Accept) – Vancouver, BC
2018 – The Lazys – Vancouver, BC
2017 – Lordi – Vancouver – BC
2016 – La Chinga – Vancouver, BC

Music Placements:
2021 – Batwoman (TV Series) – season 2

Awards:
Whammy Award (Vancouver local music awards) for best rock two years in a row – 2017/18

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