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Category: EPKs

0 Jupiter Cyclops – Age of the UFOnaut (2024) (Rockshots Records)

  • December 21, 2024
  • by Asher
  • · EPKs · Jupiter Cyclops (Rockshots Records)
Jupiter Cyclops – Age of the UFOnaut – Out July 19th – Rockshots Records
Publicist – Jon Asher – jon[@]ashermediarelations[.]com
https://www.rockshots.eu | https://www.facebook.com/JupiterCyclopsArizona | https://www.instagram.com/jupitercyclopsaz/ | Spotify
Album order – https://bit.ly/JupiterCyclopsCD
“Seriously, Age of The UFOnaut is a stunning listening proposition, a forty minute mission to the heart of psych rock, and a glorious, freewheeling celebration of everything that’s great about heavy metal rock n’roll into the bargain. It’ll make you dance, it’ll make you bang your head, it’ll have you air guitaring until severe RSI sets in… all the good stuff. Get it into your ears as soon as you can. You won’t regret it!” – Sentinel Daily
“Taking their inspiration from the mid-1970s proto-metal and the New Wave Of British Heavy Metal, Jupiter Cyclops pay a nice homage to both of them. Age Of The UFOnaut feels like a cross hybrid of Dio and Motörhead between Aaron Peltz’s robust vocals and the potent rifts provided by former Opiate for the Masses guitarist Dustin Lyon. “Sinful Ways” is a standout track that manages to add a very subtle vocal distortion in a way that is not over done or distracting. With an album clocking in at a respectable forty minutes, Jupiter Cyclops doesn’t overstay their welcome and deliver a quick yet powerful debut.” – Heavy Music Headquarters

“This album should be quite the joyful experience for those who have a passion for guitar dominated hard rock from many eras, but perhaps most of all for those who love the classic era of that tradition but who also desire something that sounds just a little bit different. A solid, quality production through and through.” – The Viking in the Wilderness

“America’s Jupiter cyclops drop debut album AGE OF THE UFONAUT – 8 tracks of catchy riff driven heavy rock inspired by 70s British rock bands.” – Loud Enough? Magazine

“The album opens with the (sort of) title track UFOnaut. UFOnaut is a great melding of NWOBHM style riffs over doom/stoner tempo’s and pacing with 80’s hair metal shredding for the solo. The riffs are full of energy with some great guitar harmonies, the tempo is similar to Black Sabbath’s Children Of The Grave or masters of stoner rock, Wo Fat’s The Black Code. This works ridiculously well, particularly the massive singalong chorus, what a way to open an album… for a debut this is really impressive…” – Musipedia of Metal

Formed by scene veteran Aaron Peltz (Downthesun, On a Pale Horse) and joined by guitarist Dustin Lyon (Opiate for the Masses), bassist Jake Melius (Big Wheel Stunt Show), and drummer Kyle Eades (Old Fashion Assassin), JUPITER CYCLOPS is ready to set the rock world on fire!

Their debut album “Age Of The UFOnaut” is an electrifying blend of energy, rockin riffs, catchy powerful vocal melodies, and contagious grooves. Influenced by classic rock and NWOBHM, this album is for fans of Clutch, Deep Purple, Black Sabbath, Iron Maiden, and more. If you’re into UFOs, interstellar demons, and exploring the hidden parts of your mind, this is the album for you!

JUPITER CYCLOPS describes the album as: “The album has energy, rockin riffs, catchy powerful vocal melodies, and contagious grooves that you’ll want more of. Each song can hold its own. If you like UFOs, interstellar demons, and tapping into a part of your brain you didn’t know was there, this is for you.”

“Age Of The UFOnaut” was released on July 19th, 2024 from Rockshots Records.

Track Listing:
1. UFOnaut – 4:55
2. Between Worlds – 5:26
3. Sinful Ways – 5:10
4. Doomed – 5:47
5. Down From the Inside – 3:49
6. Chemical Voodoo – 5:23
7. Way Down Below – 5:58
8. Lumerian Nights – 4:21
Album Length: 40:49

JUPITER CYCLOPS are:
Dustin Lyon: Guitar
Aaron Peltz: Vocals
Jake Melius: Bass
Kyle Eades: Drums

0 EPK – Jupiter Hollow – Incivility (2024)

  • December 21, 2024
  • by Asher
  • · EPKs · Jupiter Hollow

EPK – Jupiter Hollow – Incivility (2024)

Publicist – Jon Asher – jon[@]ashermediarelations[.]com

Band: Jupiter Hollow
Release Date: November 22, 2024
Label: Self-Release
Distribution: Tunecore

JupiterHollow.ca | Facebook | Twitter | Youtube | Instagram 

Spotify | Apple Music

PROG Magazine Top #9 Unsigned band 2020

“If Jupiter Hollow are emblematic of the next generation of progressive metal bands, a bright tomorrow lies ahead. Hugely impressive.” – Prog Magazine.
​
“Comparisons to bands like Tool, Live, A Perfect Circle and Nine Inch Nails come easy and for good reason. This is the new generation of players who are putting their spin on all things progressive, industrial and synthy. The grandsons of Genesis and Yes, this is progressive rock for the youth of today who find the originators a bit to baroque for their tastes… Their sound is built to appeal to fans of so many genres and preferences it should be a slam dunk.” – Skulls n’ Bones
​
“JUPITER HOLLOW just produced the best prog metal album of all time this year, condensing, mixing and forging a hot musical steel here.” – Prog Archives
​
“Each track displays plenty of musicianship from this young duo, with vocals continuing to strengthen and songwriting solidifying.” – Heavy Music Headquarters
​
“A young Canadian duo ready to bring fans of complex music a spacey, experimental and refreshing experience… bursting with high-quality heaviness and progressiveness.” – The Headbanging Moose​

Band: Jupiter Hollow
Release Date: November 22, 2024
Label: Self-Release
Distribution: Tunecore

Single Credits:
All parts written and performed by Grant MacKenzie and Kenny Parry
Produced by Grant MacKenzie and Kenny Parry
Mixed by Zane Hawley of Shadow Studio Canada
Mastered by Joao Carvalho of Joao Carvalho Mastering
Single Artwork by Studio 204 Limited
Members of SOCAN
Music is Canadian Content

Single Recording Band Lineup:
Kenny Parry (drums, vocals, lyrics, synth)
Grant MacKenzie (guitar & bass)

Live Band Lineup:
Kenny Parry (vocals)
Grant MacKenzie (guitar)
John-Ryan Godfrey (Bass)
Nathaniel Reynolds-Welsh (Drums)

======================================================

Fun Facts – Story Angles:

1. We had our income confiscated at a show in Quebec by the local police and our performance was cut short due to the venue being illegal.

2. All official album drums are tracked in one take for each song and completely unedited, all recorded for video proof.

3. Our live performances feature focus-diverting visuals and conceptual and captivating costuming by vocalist Kenny Parry.​

L-R – Nathaniel Reynolds-Welsh – Drums – Grant MacKenzie – Guitar, Kenny Parry – Vocals, John-Ryan Godfrey – Bass

Pushing from one horizon onto the next, Toronto, Canada’s Jupiter Hollow’s growth has come a long way since making their debut as a duo in 2015. Led by the fearless Grant MacKenzie and Kenny Parry, this recording and songwriting powerhouse duo has transformed into a live quartet with the addition of John Ryan Godfrey (Bass) and Nathaniel Reynolds-Welsh (Drums).

Advancing their unique brand of progressive rock/metal, the band is presenting their latest single “Incivility” accompanied by a music video to close out their new music releases for 2024. “Incivility” serves as a bold statement, reflecting the band’s evolution both sonically and thematically. With its intricate arrangements, evocative lyrics, and captivating visuals, the single is a testament to the band’s relentless dedication to pushing artistic boundaries.

The band comments on the single:

“At its core, Incivility reflects humanity’s inner struggles, the relentless pursuit of purpose, and the emotional void created by modern distractions. The lyrics delve into themes of arrogance, wasted time, and the consequences of superficial existence, symbolized by “filming your bones”—a critique of documenting life rather than living it.

The song wrestles with the tension between ambition and the emptiness of unmet expectations, asking hard questions: At what cost do we chase our dreams? and How do we reconcile purpose with the pressures we hide? The recurring imagery of the “yawning cage of wasted love” evokes a profound sense of entrapment, urging listeners to confront the emotional weight of past mistakes while seeking true fulfillment.

Musically and lyrically, Incivility challenges listeners to reflect on their lives, embracing the discomfort of self-awareness while pushing forward with resilience. It’s both a cautionary tale and a call to action—demanding authenticity in a world that often values the opposite.”

With thought-provoking lyrics, unique vocal melodies, harmonies, powerful guitar riffs, unyielded songwriting, and Jupiter Hollow’s incessant desire to bring fans on a journey, there’s always something new to explore. Thus far they have two full-length albums under their belts: 2020’s “Bereavement”, and 2018’s “AHDOMN”, and they have another one in the works. Planning to release singles over the coming months, Jupiter Hollow will take the time to ensure a polished, impressive offerings song by song. The band wants nothing more than to make their art and share the experience with as many people as they can. Recommended for fans of Porcupine Tree, Coheed, and Cambria, Rush, and Protest The Hero.

Artist Endorsements: Ernie Ball, Ernie Ball Music Man, JH Audio

Discography:
2023 – Distant Shadow (single)
2020 – Bereavement – LP
2018 – Ahdomn – LP

Shared Stage with:
Protest the Hero, Bearings, Texas King, Hawking, I See Aura, Taking Balfour, Sky Caught Fire, Glass Lung, Chasing Shadows, Dizzy Mystics, Young Critters, We Are Human

Tours and Festivals:
2022 – Ontario CAN Headline Tour
2022 – GAINFEST – Guelph, ON
2021 – Kronik Kristmas Fest – Guelph, ON
2020-2021 – Bereavement Live-Stream Tour
2019 – Kronik Fest – Guelph, ON
2018-2019 – Ahdomn Tour
2018 – Kronik Kristmas Fest – Guelph, ON

0 EPK – Abolishment of Flesh – Resurrecting Misanthropy (EP) (2023)

  • December 14, 2024
  • by Asher
  • · Abolishment of Flesh · EPKs · Uncategorized

EPK – Abolishment of Flesh – Resurrecting Misanthropy (EP) (2023)

“This EP is short and sweet. I think people will dig it! There’s a little bit of something for everyone. We’re not just death metal, we throw in some black metal, melody, thrash, groove, and grind. We’ve been lucky enough to string in some fans who normally don’t listen to underground metal. I think our sound incorporates several aspects of metal and we don’t want to just stick to one formula.” – Ramon Cazares – Abolishment of Flesh

Publcist – Jon Asher – jon[@]ashermediarelations[.]com

Artist Management – Mark Kloeppel – Extreme Management Group – EMG.MarkKloeppel[@]gmail.com

For fans of Kataklysm, Suffocation, Deicide, Goatwhore, Amon Amarth

Abolishmentofflesh.com | Facebook.com/abolishmentoffleshofficial | X.com/abolishmenttxdm | Youtube.com/@abolishmentoffleshofficial | Instagram.com/abolishmentoffleshofficial

Abolishmentofflesh.bandcamp.com | Spotify

“The song’s (Disavowed) lyrics are eloquent but crushing — a narrative of broken men, hollowed out, filled with prolonged misery, and now “apathetic, hater of life, a mockery and in distress,” entertained only by the suffering of others, begging for death, and “awaiting the cleansing with blood / Adorned with nails and a crown of thorns.” As dark as the words are, the song is equally dark. From the beginning, harsh and heavy slashing chords and chant-like tones cast a grim cloud, backed by head-moving beats, and the searing intervention of the writhing lead guitar feverishly spreads despair. When gritty growls come in, the riffing spasms. When the voice transforms to rabid screams, the music slashes again but blazes in distress. The drums blast; the guitars swarm; the vocals wildly channel agony and rage; and quick jolts segment the violence. The darkness is unrelenting, but the song is also exhilarating, and it should appeal especially to fans of Deicide.” – No Clean Singing 

“Spiraling and crazed death metal from Amarillo, The Abolishment Of Flesh’s debut proves they aren’t messing around.” – Metal Injection (Inhuman Condition 2018)

 

[Download EP Cover | Download EP Lyrics]

Band: Abolishment of Flesh
EP Title: Resurrecting Misanthropy
Release Date: August 4, 2023
Label: Self-Release

Track Listing:
1. Words Defy Truth (4:00)
2. Hater of Man (3:23)
3. Disavowed (4:04)

EP Credits
All songs performed by Abolishment of Flesh
All songs written by Ramon Cazares
Produced by Ramon Cazares
Mixed and Mastered by Andrew Nagorski
Artwork by: Remy Cooper

EP Lineup:
Ramon Cazares – Guitars, Bass, Drums, Vocals
Izaak Chavez – Guitar

Live Session Musicians for this EP:
Jake Lahniers – Bass, Backing Vocals
Adrian Galindo – Drums
Joseph Howard – Drums
Saul Hernandez – Bass

===================================================

About The EP Artwork:
Our EP’s artwork represents death, the coming and anticipation and finally, the accomplishment of death.

About The EP:
The lyrics are themed around some pretty dark and aggressive topics. I like the idea of composing music based on those emotions and trying to create an atmosphere. It’s kind of like a soundtrack. Our album “In the Presence of Darkness” had a lot of personal emotion put into that. This release is a continuation of that experience. My family went through some dark times, and I was able to use that as inspiration. For me, music can be therapeutic. It’s like going to a rage room and smashing stuff.

Track By Track:

1. Words Defy Truth – This song is about the lies and manipulation by religious members.

2. Hater of Man – This is about a pregnant person who hates what’s inside them and basically rejects and abuses this being. After being born grows up with this rejection and hate that evolves to be worse than the mother to the point of a murderous hatred for man.

3. Disavowed – In a way, this could be a continuation of “Hater of Man”. It’s about a person that’s grown old and became misanthropic.

===================================================

Fun Facts – Story Angles

1. So our message is definitely anti-human and about death and destruction. We hope people read the message in our songs and can relate or understand its just our opinion and perspective,  mixed in with truth and sarcasm.

2. Despite our grim lyrics, when we get together for rehearsal and tour, we’re always joking around and having a good time. Totally the opposite of the theme of the band.

3. Except for our self-titled debut album, the rest of our releases have been recorded at my house. We are definitely a DIY band. Even in our music video for Behind Deceitful Eyes, all the props and imagery you see were created by us. It’s a lot more work to put in but the end result is much more gratifying when it’s all said and done.

4. Going on tour can be a lot of fun but it’s also very stressful. Despite everything that can possibly go wrong, I would never trade that experience for anything else. Most regular adults my age work and save money all year long to take that big vacation. Touring is like my vacation. On tour, you get to see the country, meet new people, and jam on stage with your bros. It’s all I ever wanted to do as a kid. I still have to go back home to a job and be a responsible adult. But on tour, it’s like being a different person and all your troubles and responsibilities are hundreds of miles away.

Live Lineup – Top Left – Ramon Cazares – Guitars, Vocals – Top Right – Izaak Chavez – Guitar

Bottom Left – Jake Lahniers – Bass, Backing Vocals – Bottom Right – Adrian Galindo – Drums

Birthed from the High Plains of West Texas, USA,  Abolishment Of Flesh emerged in 2008 as a brutal death metal weapon forged by founding member Ramon Cazares. Not long after their inception they released their debut self-titled album and hit the road on a rampage. 

The band’s next release “Decimation” came out in 2012 and was followed by the Brutal Alliance Tour in which they razed venues across the country. On a roll now, AOF once again headlined the now 5-week Brutal Alliance Tour in 2013 and released their devastating second full-length album “Creation to Extinction” at the end of the year.

Refusing to stay in the confines of a single genre, Abolishment Of Flesh looks to death, black, and thrash metal to hone their razor-sharp sonic arsenal. In 2018, they released the pummeling “The Inhumane Condition” and followed it up with “In the Presence of Darkness” in 2021. These destructive full lengths further cemented the band’s name in the local scene. 

Their lyrical content is shaped by war, violence, disease, corruption, and the systematic collapse of human civilization. Each track is a brutal autopsy of mankind’s fatal flaws combined with true metal artistry, a relentless commitment to musical creativity, and an uncompromising live performance that transforms every show into a battlefield of sound.

In 2023, AOF released “Resurrecting Misanthropy” a continuation of their musical warfare that will leave listeners shell-shocked and with ringing ears.

Discography:

2023 – Resurrecting Misanthropy EP
2021 – In the Presence of Darkness
2018 – Inhuman Condition
2012 – Decimation EP
2008 – AOF Debut
Shared Stage with: Suffocation, Carcass, Goatwhore, Vital Remains,  Decrepit Birth, Fallujah, Cattle Decapitation, Origin, Pyrexia, Immolation, Cephalic Carnage, Gorgasm, Beyond Creation, King Parrot, Marduk, Samael, Power Trip, Exmortus, Abysmal Dawn, Veil of Maya, Suicide Silence, Arsis, White Chapel, Psycroptic, We Came As Romans, Iwrestledabearonce and tons more.
Tours and Festivals:

2022 – Chicago Domination Fest
2020/2023 – Slam Dakota
2018 – Full Terror Assault
2018 – Spring Melt Down (Lake Tahoe)
2018 – Northern Colorado Death Fest
2016 – Heaven and Hell Fest (Mexico City)
2015 – Building Temples From Death (Texas)
2015 – OC Death Fest (California)
2013 – SO CAL Flesh Fest 2
2011 – Las Vegas Death Fest 3
2009-2015 – West Texas Death Fest

0 EPK – The Mourning – Hush (2024)

  • December 14, 2024
  • by Asher
  • · EPKs · The Mourning

EPK – The Mourning – Hush (2024)

Jon Asher – jon[@]ashermediarelations[.]com

“With “Hush” and its singles, we’re aiming to give fans a deeply immersive listening experience—one that takes them on a journey both musically and emotionally. The album is layered with dynamics, from delicate, introspective melodies to powerful, soaring sections that make you feel the weight of its themes.

We want listeners to feel a sense of catharsis, to reflect on their own struggles and triumphs while finding hope and strength in the music. Each song is designed to stand on its own as a unique story, but together, they form a cohesive narrative of overcoming adversity, exploring the human condition, and seeking connection—whether it’s with others, the divine, or one’s own inner self.

For fans of progressive music, we’ve woven in intricate instrumentals and vocal harmonies that reward deep listening. But at the same time, we’ve kept the heart of the songs accessible, so anyone can connect to the emotions behind them. It’s a balance we hope will make *Hush* resonate with both longtime fans and new listeners alike.” – The Mourning

For fans of Porcupine Tree, Polyphia, Haken, Opeth, Leprous

Band: The Mourning
Album Title: Hush
Release Date: June 24, 2024
Label: Self-Release

 Themourningmusic.com | Facebook.com/themourningmusic | Instagram.com/themourningmusic | Youtube.com/@themourningmusic

Spotify | Themourning.bandcamp.com

“The band blends mid to uptempo grooves while also introducing space and atmosphere in just the right places. Combining melody, technical/progressive musical elements, and harmony lead vocals, I feel this band caters to both musicians and non-musicians alike.” – Todd La Torre (Queensrÿche)

“The Mourning masterfully marries classic synth sounds, modern Haken-esque rhythms, and massive vocal hooks into a modern progressive package worthy of every fan’s undivided attention.” – Metal Injection

“In a world of clones, The Mourning is a true original and a breath of fresh air.” – Gear Gods

“‘Hush’ is a very pleasant surprise. It displays a lot of compositional variety, and offers a strong throwback to prog metal classics while also keeping a unique sound and mixing in unexpected elements. All band members deliver spectacular performances both from a technical and creative standpoint… it is certainly worth your time, and especially given that it’s a debut, I find it very impressive. 8/10” – The Prog Space

“With the release of “Hush”, the band continue to showcase their mastery to balance technical prowess with broader thematic appeal. The Mourning will most definitely make a big impact on the prog metal scene today and in the future.” – Metal Epidemic

“An impressive first album from a young band with room to grow. Fans of bands like Haken and Distrct 97 will enjoy this album. One to watch.” – Prog Radio

“Hush” a sensory treat that transcends the limits of perception.” – Roadie Metal

“US band The Mourning are out with the album “Hush”, and progressive metal is the style explored on this production. It is a distinctly accessible variety of the form we get with this band, with their take on this tradition more often than not revolving around a little bit of an ebb and flow movement. Usually with more delicate parts alternating with more powerful ones, from distinctly contrasting passages to parts that alternate with more of a subtle difference as to the dominant aspects of each of them. With a range in expression from delicate acoustic or semi-acoustic parts to booming and powerful guitar riff driven excursions. The songs will typically revolve around solid melodies rather than technical instrument details, and for my sake I did find some similarities in sound and execution with the more typical heavy metal bands of the 1980s. In this case with the powerful and melodic lead vocals probably having a lot to say for this association to be formed. An album to seek out if you tend to enjoy the more accessible parts of the progressive metal universe.” – The Progressor

 

[Download Album Cover | Download Album Lyrics]

Band: The Mourning
Album Title: Hush
Release Date: June 24, 2024
Label: Self-Release

Track Listing:
1. Chaos Machine – 4:57
2. The Mountain – 5:37
3. He Cries – 4:22
4. I Feel The Rain – 5:05
5. Hush – 5:04
6. The Wind – 4:40
7. My Own Way – 4:47
8. Cries of the Mind – 5:34
9. My Own Hell – 4:48
10. Smooth Seas – 7:02
Album Length – 52:56

Album Recording Credits:
● All songs performed by: The Mourning
● All songs written by: The Mourning
● Produced by: Alex Nasla (ASCAP Member) & David Alex
● Mixed by: Alex Nasla
● Mastered by: Alex Nasla
● Album Artwork by: Sam Shearon

Album Band Line Up:
● Johnny Ray – Vocals, Keyboards
● Alex Nasla – Keyboards (ASCAP Member)
● Loren Whitaker – Bass
● Jason Berlin – Drums
● Eliana Blanchard – Backing Vocals
● Brandon Delpino – Backing Vocals
● Francesco Pinter – Guitar

Guest Musicians:
1. Charlie Robbins (Syncatto, Artificial Language)
○ Track: Chaos Machine
○ Contribution: Guitar Solo
2. Trey Xavier (In Virtue)
○ Track: Smooth Seas
○ Contribution: Guitar Solo
3. Jeff Pogan (Suicidal Tendencies, Oneironaut)
○ Track: Cries of the Mind
○ Contribution: Guitar Solo

Live Band Line Up:
● Johnny Ray – Lead Vocals
● Zai Alyenora – Lead Vocals
● Jason Berlin – Drums
● Alex Nasla (ASCAP Member) – Keyboards, Backing Vocals
● Francesco Pinter – Guitar

=============================================================

About The Album Artwork:
The artwork for the single “The Mountain” by The Mourning is striking and symbolic, evoking themes of enlightenment, resilience, and a connection to nature. It features a silhouetted figure whose head is exploding into light and fragments, symbolizing an intense spiritual awakening or divine revelation. The glowing light emanating from the head creates a halo effect, emphasizing a sense of transcendence or connection to something greater.

The figure holds a glowing orb near their chest, radiating power and energy, which could represent inner strength or a source of divine guidance. The background is dark and atmospheric, with misty clouds and a suggestion of water or a mountainous terrain, reinforcing the natural and mystical themes of the song.

The band’s logo, featuring intricate, gothic-style lettering, sits prominently on the artwork, giving it a timeless, almost otherworldly feel. Below, the song title “The Mountain” is displayed in bold, elegant lettering, grounding the viewer with the title’s significance. This artwork beautifully captures the essence of the track, blending visual metaphors with the emotional depth of the music.

About The Album:
“Hush” is a powerful journey, both lyrically and musically, showcasing The Mourning’s ability to blend intricate compositions with deeply resonant storytelling. Lyrically, the album explores themes of struggle, resilience, self-discovery, and spirituality. Each song feels like a chapter in a larger narrative, touching on universal emotions while remaining deeply personal and introspective.

Musically, “Hush” combines progressive metal’s complexity with a strong emphasis on melody and emotional depth. The dynamic shifts—from soft, introspective moments to powerful, soaring crescendos—create a rich and immersive listening experience. The dual-vocal dynamic between Johnny Ray and Zai Alyenora adds another layer of emotion and nuance, bringing the lyrics to life in a truly unique way.

The band’s progressive influences shine through in the intricate arrangements and unexpected twists, while the strong melodic foundation ensures that the songs leave a lasting emotional impact. *Hush* is an album designed to inspire reflection, catharsis, and connection, offering a musical journey that resonates long after the final note.

Track By Track:

1. Chaos Machine – “Chaos Machine” is a deep exploration into the lives of individuals who are perpetually engulfed in chaos, showcasing the stark connection between a nihilistic worldview and their ultimate demise. The song paints a vivid picture of how a lack of purpose and meaning can spiral into self-destruction, offering a poignant commentary on human behavior.

Featuring a guest solo from the acclaimed guitarist Charlie Robbins (Syncatto, Artificial Language), known for his virtuosic skill and innovative style, the track combines intense instrumental prowess with compelling lyrical themes. The music is a rich tapestry of contrasting emotions, blending an upbeat tempo with a hauntingly catchy melody and a chorus that lingers in the mind.

“Chaos Machine” is not just a song; it’s a journey through the tumultuous landscapes of the human psyche. Its rhythm and energy pull the listener into a dynamic soundscape, making it both a thrilling and thought-provoking experience. The song’s infectious rhythm and memorable hooks make it a standout piece.

2. The Mountain – “The Mountain” was written while overlooking the Appalachian Mountains in North Carolina, capturing the serene experience of escaping the city’s hustle and bustle. This song reflects how such tranquility can bring a closer connection to ones inner devine.

The track starts with a soft, beautiful melody that mirrors the peacefulness of the mountains, gradually evolving into a powerful prog metal anthem. This transition symbolizes the awakening of deeper spiritual consciousness.

As the song progresses, intricate instrumental layers and complex rhythms emerge. The soaring vocals deliver emotional intensity, with lyrics infused with themes of nature and spirituality. The climax features catchy cadences and commanding guitar riffs, blending technical prowess with melodic sensibility.

“The Mountain” showcases a blend of introspective themes with powerful musical expression, inviting listeners on a journey of self-discovery and spiritual awakening amidst nature’s grandeur.

3. He Cries – The human design is strange: it’s based on psychological archetypes that fit together like a lock and key. This results in a paralyzing standstill where some people constantly radiate their emotional status, while others absorb and reflect these emotions. From this, we conceived the idea of a superperson: someone who could not only take on our emotional distress but also remove it. This concept still leads millions to implore a divine power in the face of suffering, instead of taking action themselves.

With “He Cries,” a melancholic song from the upcoming album “Hush,” we addresses this universal human tendency. This track, features the soulful intro of keyboardist Alex Nasla (ex-Witherfall) and showcases the band’s ability to create a powerful and atmospheric soundscape. Johnny Ray and Eliana Blanchard deliver a performance that turns the world’s cries of despair into an acoustic beauty and harmony reminiscent of prayer chants.

The song advocates that man-made problems should be solved by humans, not by divine intervention. “He Cries” empowers listeners by reminding them of their own power of creation.

4. I Feel The Rain – “I Feel the Rain” is a simple yet profound piece that embodies a delicate melody intertwined with a soft prog groove. This song is about embracing and appreciating all that life has to offer, whether it’s sunny and bright or rainy and somber. It serves as a poignant reminder to feel gratitude in every moment, irrespective of the circumstances.

The inspiration behind “I Feel the Rain” stems from the idea that every experience in life, whether positive or negative, contributes to our overall journey and growth. The gentle melody and subtle prog elements create a soothing and reflective atmosphere, encouraging listeners to pause and appreciate the nuances of their everyday lives.

The lyrics convey a sense of serenity and acceptance, inviting listeners to find beauty and joy even in the most unexpected places. By celebrating both the highs and lows of life, “I Feel the Rain” promotes a mindset of continuous gratitude, reminding us that each moment, no matter how ordinary, holds its own unique value and significance.

Through this song, we aim to inspire a deeper appreciation for the present and foster a sense of contentment that transcends life’s inevitable ups and downs. It’s a heartfelt tribute to the power of gratitude and the simple joys that make life truly meaningful.

5. Hush – “Hush” is a thought-provoking song that delves into the themes of censorship and the enslavement of humanity. The lyrics are meticulously crafted to resemble propaganda, repeating the same commands and lies over and over again. These commands urge people to keep their mouths shut and perpetuate the false notion that nothing can be done to stop those who seek to control speech and thought in the world.

The inspiration for “Hush” stems from the growing concern about the suppression of free speech and the manipulation of public opinion. The song aims to highlight the insidious ways in which those in power can stifle dissent and control the narrative, creating an environment where truth is overshadowed by repeated falsehoods.

Musically, “Hush” is characterized by its ominous and mesmerizing melodies, which create a haunting and confounding atmosphere. The track draws the listener in with its dark, intricate layers and unsettling progressions. The eerie ambiance is further enhanced by Thomas Griggs guest guitar solo, adding a unique and chilling dimension to the song. His solo weaves through the track with an ominous, almost hypnotic quality, amplifying the song’s overall sense of foreboding and tension.

The song serves as a stark reminder of the dangers of censorship and the importance of maintaining the freedom to speak and think independently. It urges listeners to recognize and resist the subtle ways in which control is exerted over their minds and voices. “Hush” is not just a song; it’s a call to awareness and action, encouraging people to question the narratives they are fed and to fight against the forces that seek to silence them.

6. The Wind – “The Wind” is a poetic and evocative song that captures the essence of a timeless and powerful force moving through our lives. With vivid imagery and profound metaphors, the lyrics paint a picture of renewal, guidance, and transformation.

Musically, the song starts with a catchy guitar and drum rhythm, accompanied by a soft, awe-inspiring vocal melody. As the track progresses, it grows into a progressive epic, featuring a memorable chorus that encapsulates the themes introduced in the verses. The climax of the song features a huge and epic pipe organ fugue, masterfully written by John Richardson, which then transitions seamlessly into an intimate and beautiful nylon guitar piece.

“The Wind” blends intricate musical arrangements with thought-provoking lyrics, creating an immersive and uplifting experience that we believe will resonate deeply with listeners. This song invites you to reflect on the unseen forces that shape our lives, carrying a message of hope and inspiration.

7. My Own Way – “My Own Way” is a soft prog rock song that captures the essence of 70s bluesy guitar work, blending it with modern progressive rock elements. The track features intricate guitar riffs and soulful melodies, creating a nostalgic yet refreshing musical experience.

The song delivers a powerful message about self-determination and resilience. It explores the struggle against controlling, narcissistic individuals who attempt to dictate your path in life. Themes of overcoming manipulation, recognizing the need for independence, and not letting nostalgia cloud your judgment are woven throughout the song.

Musically, “My Own Way” starts with a reflective and intimate introduction, gradually building into a compelling progressive rock epic. The vocal melodies are distinctively proggy, adding depth and complexity, while the chorus is irresistibly catchy, staying with you long after the song ends.

With its heartfelt themes and skillful musicality, “My Own Way” resonates with anyone who values their independence and recognizes the importance of going their own way.

8. Cries of The Mind – “Cries of the Mind” is one of our most introspective and emotionally charged songs. It was inspired by the struggles of mental health and the inner turmoil that many people face but often keep hidden. We wanted to create a piece that not only reflects the chaos and confusion within the mind but also offers a sense of solidarity and understanding to those who feel isolated by their experiences.

Musically, the song starts with a haunting melody that builds into a powerful and complex arrangement, mirroring the escalating intensity of inner struggles. The lyrics are designed to resonate deeply with listeners, acknowledging the pain and confusion while also encouraging them to confront and embrace these feelings as a step towards healing.

We hope that “Cries of the Mind” serves as a reminder that they are not alone in their battles. By shedding light on these often-hidden struggles, we aim to foster a sense of community and empathy among our listeners, encouraging open conversations about mental health. Ultimately, we want the song to be a beacon of hope, showing that even in the darkest times, there is a way forward.

9. My Own Hell – “My Own Hell” delves into the concept of hell, not as a physical place, but as a state of mind where people can trap themselves. The song explores how individuals often become their own jailers, locking themselves in a personal hell of despair and crisis, unaware that they hold the key to their own liberation. Deep emotions and negative intrusive thoughts can override logic, making escape seem impossible.

Musically, the track is heavy and dynamic, featuring epic melodies and soaring, belting vocals that convey the intensity of the subject matter. The song journeys through various musical landscapes, reflecting the tumultuous nature of these internal struggles. It culminates in a dramatic electronic drum and bass ending, symbolizing the complex and often twisting path to self-realization and freedom. It’s frantic, claustrophobic, and attempts to bring the listener into the mind of a person’s mental hell.

We hope that “My Own Hell” resonates with listeners who may be facing similar battles, encouraging them to recognize their own power and agency. The message is that while the path out of personal hell is fraught with challenges, it is ultimately within their control. By acknowledging their inner strength and confronting these emotions, they can find the way out and reclaim their lives. This leads beautifully into the final song on the album, “Smooth Seas”

10. Smooth Seas – “Smooth Seas” draws its inspiration from the adage, “Smooth seas do not make skillful sailors.” The song emphasizes that true strength and resilience are developed through navigating life’s storms and rough waters. It’s a reminder that calm times alone don’t build character; it’s the adversities and challenges we face that shape us into who we are.

Musically, “Smooth Seas” begins with a tranquil and reflective introduction, reminiscent of a calm sea at dawn. Gentle, soothing melodies set a contemplative tone, symbolizing the peaceful moments in life before the inevitable storms. As the song progresses, the instrumentation gradually intensifies, incorporating powerful and uplifting elements that mirror the experience of sailing through tumultuous waters. This dynamic shift represents the journey through life’s challenges and the inner strength required to weather them.

Lyrically, “Smooth Seas” explores the themes of resilience and personal growth, using the metaphor of sailing to illustrate life’s journey. The lyrics describe the process of navigating through rough seas and stormy weather, likening it to overcoming personal hardships and adversity. The chorus serves as a powerful reminder that it is through facing and conquering these difficulties that we become stronger and more resilient.

The song features intricate instrumental passages, blending elements of progressive rock with soulful and emotive melodies. The crescendos and swells in the music evoke the feeling of riding the waves and battling the elements, capturing the essence of struggle and triumph. This struggle is especially emphasized in the bridge of the song where the music gets frantic and the drums shift from a typical rock beat to death metal style blast beats. The climax of the song symbolizes the moment of overcoming the storm, followed by a gentle resolution that reflects the calm, clarity, and strength found after adversity.

“Smooth Seas” aims to inspire listeners to embrace their challenges and view them as opportunities for growth, rather than obstacles to be feared. The song is a testament to the human spirit’s ability to persevere and emerge stronger from life’s trials, much like a sailor who becomes more skilled and confident after navigating through rough waters. It encourages listeners to face their personal storms with courage and resilience, knowing that the experience will ultimately lead to personal growth and a deeper sense of self.

=================================================

Fun Facts – Story Angles

1. A Band Built on Resilience
The Mourning was born out of Johnny Ray’s personal journey through struggles like anxiety, PTSD, and depression. The band’s music is not just art; it’s a form of therapy and a message of hope to anyone dealing with life’s challenges. Their latest album Hush is a testament to the healing power of music.

2. A Last-Minute Hero Saves the Album
Three days before recording Hush, the band discovered that their guitarist hadn’t learned the material. Taking a bold risk, they flew in Francesco Pinter from Italy, a friend of Johnny’s who they barely knew at the time. Francesco not only learned the parts but recorded the entire album in five weeks and later joined the band permanently.

3. Dual Vocal Dynamics Like No Other
The Mourning’s live performances stand out with the unique interplay between Johnny Ray’s commanding vocals and Zai Alyenora’s emotive delivery. This dual-vocal approach creates a richness and emotional depth that fans consistently praise as one of the band’s defining features.

4. Rooted in Spirituality and Complexity
The Mourning’s lyrics often draw from Johnny Ray’s deep interest in both Orthodox and Esoteric Christianity, blending philosophical and spiritual themes with introspection. This makes their music not just an auditory experience but a spiritual one, inviting fans to explore deeper questions about life and existence.

5. A Global Connection, Local Roots
While based in Florida, The Mourning has a global presence with members like Francesco Pinter residing in the Dolomite Mountains of Italy. This blend of international influence and local camaraderie gives their music a unique flavor, blending cultures and styles seamlessly.

Left to Right: Jason Berlin(Drums), Eliana Blanchard(Vocals), Francesco Pinter (Lead Guitar), Johnny Ray(Lead Vocals), Alex Nasla(Keyboards)

Photos by Carolyn Slavenas

We are The Mourning, a progressive metal/rock band formed in 2017, driven by a shared need to express the complex ideas we’ve been developing over the years. From the start, our goal has been to create music that blends intricate structures with deep, emotive storytelling. It all began when Johnny Ray and Jason Berlin joined forces, crafting a sound that explores the struggles of life and the challenges of the modern world.

Our debut EP, “Theosis,” was an experimental project centered around keyboard-driven compositions. As we’ve grown, our sound has naturally evolved to highlight guitars, a transition that’s powerfully showcased in our latest album, “Hush.” This album features the exceptional guitar work of Berklee alumnus Francesco Pinter and includes stunning guest solos from notable musicians like Charlie Robbins of Syncatto and Artificial Language, Thomas Griggs of Intervals, Jeff Pogan, formerly of Suicidal Tendencies, and Trey Xavier of Gear Gods. Alex Nasla served as both producer and keyboardist on “Hush,” bringing his signature synth and orchestral touch, ensuring the album’s sound is both dynamic and cohesive.

“Hush” dives into themes like censorship, personal struggles, and the search for freedom, blending progressive rock, jazz metal, and other eclectic influences. Our current lineup includes Johnny Ray, Zai Alyenora, Alex Nasla, Jason Berlin, and Francesco Pinter.

We’re gearing up to support “Hush” on the road, bringing our powerful and dynamic live performances to fans. We’re always writing new material, pushing the boundaries of our sound, and aiming to connect deeply with our audience. Committed to exploring life’s complexities through our music, we’re ready to embark on the next chapter of our journey.

Discography:
2018 – Theosis EP
2024 – Hush LP

0 EPK – ABZY – Hollow Bloom (2024)

  • December 12, 2024
  • by Asher
  • · ABZY · EPKs

EPK – ABZY – Hollow Bloom (2024)

Publicist – Jon Asher – jon[@]ashermediarelations[.]com

“My new album Hollow Bloom arrives this December, and I can’t wait for you to experience it. This 10-track journey dives into the beauty of contrasts-soft, intimate sounds meet heavy, intense moments, all woven together to tell a story of growth and transformation. Hollow Bloom is for anyone who’s felt the pull between light and shadow, the challenge and beauty of change. This project is deeply personal, and sharing it with you is a dream. Let’s go on this journey together.” – ABZY

For fans of Linkin Park, 30 Seconds to Mars, Bad Omens, I Prevail, Silent Planet, Sleep Token, Spiritbox

Abzy.komi.io | Instagram.com/iabzyi | Youtube.com/@iabzyi/videos | Tiktok.com/@iabzyi |
Twitch.tv/iabzyi
Spotify | Apple Music | Anghami
[Download Album Cover | Download Album Lyrics]

Album Title: Hollow Bloom
Release Date: December 12, 2024
Label: Self-Release
Distribution: Distrokid

Track Listing:
1. Mirror ft. Taifi (3:40)
2. Snake ft. Deadleaf (3:00)
3. Gone (4:24)
4. Hurricane (4:10)
5. Karma (3:40)
6. Mistakes (3:34)
7. Twisted Mind ft Dusk (3:18)
8. Haven (3:50)
9. Influencer ft. Lio (4:15)
10. Broken World ft. Follow the Hunter (6:00)
Album Length: 38:19

Album Credits:
Album produced/written/mixed/mastered by ABZY
Album artwork by ABZY

=============================================

About The Album Artwork

The album cover features a flower that bloomed in a hollow, symbolizing growth in an imperfect place and time. It represents resilience, striving to thrive despite the challenges and negativity surrounding it.

The Album as a whole (LYRICALLY & MUSICALLY)

Hollow Bloom arrives this December, and I can’t wait for you to experience it. This 10-track journey dives into the beauty of contrasts—soft, intimate sounds meet heavy, intense moments, all woven together to tell a story of growth and transformation. Hollow Bloom is for anyone who’s felt the pull between light and shadow, the challenge and beauty of change. This project is deeply personal, and sharing it with you is a dream. Let’s go on this journey together.

Track by Track (LYRICALLY & MUSICALLY)

Mirror – This track explores the journey of self-recovery, reflecting on the need to heal from past trauma and the struggle of facing one’s own reflections to move forward.

Snake – This song addresses the toxic individuals who destroy good friendships, spreading drama and talking behind your back, all while pretending to be something they’re not.

Gone – This track is about missing a family member deeply, longing to see them again, and wishing you could share everything that has happened in life since they’ve been gone.

Hurricane – This song delves into the concept of life as a toxic relationship—chaotic, destructive, yet somehow irresistible. It reflects the internal struggle of letting go of something harmful, even when you’re caught in its storm.

Karma – This track is a reminder that “what goes around, comes around.” It explores how our actions shape our future and emphasizes the importance of choosing kindness and positivity in everything we do.

Mistakes – This song reflects on the mistakes we’ve all made in the past, exploring the idea of what it would be like if we had the chance to go back and change them. It’s about regret, reflection, and the desire for second chances.

Twisted Mind – This track delves into how the mind can cling to illusions and embrace falsehoods, ultimately trapping you in an inescapable void. It explores the destructive power of self-deception and the struggle to break free from it.

Haven – This song is about the idea of HAVEN as a place of safety, refuge, and comfort—offering protection from danger and distress. It explores the deep human need to find a sanctuary, a place where we can feel secure and at peace.

Influencer – This song addresses how we live in an era where many influencers promote harmful behavior, spreading negativity that deeply impacts the youth and shapes their mindset in unhealthy ways. It’s a critique of the power and responsibility influencers hold in today’s world.

Broken World – This track critiques how politics has become a playground for greed and hatred, driven by the wealthy at the expense of the people. It contrasts this with the simple desire of ordinary individuals for peace and stability—fundamental rights that should be available to everyone. The song questions why these rights are being denied.

===================================================

Fun Facts About Hollow Bloom:

1. Collaborative Spirit – I didn’t work alone on every track! For several songs, some of my close friends joined the creative process, adding their unique touch to the album.

2. Personal Growth – Hollow Bloom isn’t just a musical project; it represents Abzy’s evolution as an artist. From writing to production, the album showcases a significant leap in both skill and artistic vision.

3. A Symbol of Resilience – The album cover, featuring a flower that blooms in a hollow, represents the idea of growth and beauty despite adversity—symbolizing Abzy’s journey as an artist and the album’s central themes of perseverance and self-healing.

4. The Power of Reflection – Many tracks, including Mirror and Mistakes, revolve around self-reflection and the desire to grow from past experiences. It’s a deeply introspective album, perfect for listeners who appreciate personal storytelling.

5. Interactive Creativity – I often live-streamed the music creation process on platforms like TikTok and Twitch, collaborating with fans and sharing ideas in real time. This interactive approach helped shape some of the tracks and made the fans a part of the journey.

6. Overall, Hollow Bloom is a deeply emotional and powerful album, offering a unique blend of metal, rock, and introspective storytelling. Abzy has created an album that not only resonates with personal experiences but also encourages listeners to reflect on their own lives, their struggles, and their growth.

Kuwaiti singer-songwriter and metal enthusiast, ABZY (frontman of WAZIN and former vocalist & guitarist of Srai) returns to close out 2024 with his debut full-length album “Hollow Bloom” out now as of December 12, 2024.

Embracing the energy of METAL, Middle Eastern roots, along with a global music palette and his personal experiences, he has fashioned it all to present a 10-track journey. The record dives into the beauty of contrasts-soft, intimate sounds meet heavy, intense moments, all woven together to tell a story of growth and transformation. Hollow Bloom is for anyone who’s felt the pull between light and shadow, the challenge and beauty of change. This project is deeply personal ABZY, and sharing it with the world is his dream.

“I’ve always longed to be heard and to share my stories with the world. Through making music, I discovered the perfect outlet—it feels like the most natural path for me, my true calling, and my sole purpose in life. I believe fans will truly enjoy the album because it offers a diverse blend of vibes, ensuring there’s something for everyone to connect with. I want listeners to connect with the music and enjoy the journey it takes them on. I also hope to show them that, in today’s world, anyone can create meaningful art—even from the comfort of their own bedroom. Grateful for your support, join me on this musical journey, Much love!” adds ABZY.

“Hollow Bloom” is a raw, introspective exploration of the human experience, blending metal, rock, and soft tones into a compelling sonic journey. ABZY’s powerful songwriting captures the emotional turmoil of past trauma, the weight of toxic relationships, and the universal search for peace, all wrapped in a perfect balance of aggressive and soothing melodies.

From the opening track, Mirror, which delves into self-recovery, to the closing song, Broken World, a poignant critique of societal issues, Hollow Bloom never shies away from confronting life’s toughest challenges. Each track feels deeply personal, yet universally relatable. Songs like Snake and Hurricane convey the pain of betrayal and toxic relationships, while Karma and Mistakes reflect self-awareness and growth. Influencer is a sharp critique of the impact of social media, making a powerful statement on the responsibility of modern influencers.

The album’s emotional depth is balanced by its musical versatility. The heavy riffs and pounding drums create intense moments, while softer, more introspective moments offer respite. This ebb and flow of energy adds an unpredictable yet cohesive dynamic to the album, keeping listeners hooked from start to finish. Hollow Bloom isn’t just an album; it’s an experience.

“I initially planned to release these songs as singles, but my fans have been asking for an album, so I decided to give them what they wanted. Plus, I already have other songs ready to release next year!” adds ABZY.

People can expect an amazing time and incredible energy from the live shows. ABZY has plans in 2025 for live performances to leave everyone with a smile on their faces and a spark of inspiration in their hearts.

Recommended for fans of Linkin Park, 30 Seconds to Mars, Bad Omens, I Prevail, Silent Planet, Sleep Token, and Spiritbox, ABZY’s debut album “Hollow Bloom” is available on digital platforms.

Discography:
2024 – Hollow Bloom – LP
2021 – Self-Titled – EP
 
Festivals:
Metal Fest – Bahrain – May-26-2023
Desert Inferno – Dubai – March-18-2023
Hard N Heavy Qatar – May-19-2023
Spectrums Over Jeddah – Saudi Arabia – May-12-2023
XP Music Futures – Riyadh, Saudi Arabia – Dec-7-2023
Riyadh Music Week Saudi Arabia – Dec-9-2024

Shared Stage with: Sound of Ruby, Dune, Dusk

0 EPK – Dehumanizing Itatrain Worship – Brutal Panzer (single) (2024) (Gore House Productions)

  • November 30, 2024
  • by Asher
  • · Dehumanizing Itatrain Worship (Stillbirth Records/Gore House Productions) · EPKs

EPK – Dehumanizing Itatrain Worship – Brutal Panzer (single) (2024) (Gore House Productions)

Publicist – Jon Asher – gorehouse[@]ashermediarelations[.]com

“Brutal Panzer” is the second single we released for our new album coming in 2025. We revised it many times and finally completed it in November this year. It returns to some of our 2016 styles but also includes many new ideas.” – Kiryu Zhang – Vocals

For fans of Ingested, Hanabie, Maximum the Hormone, Vulvodynia, Waking the Cadaver

Facebook.com/DehumanizingItatrainWorship | Youtube.com/@dehumanizingitatrainworship

| Instagram.com/dehumanizing_itatrain_worship

Dehuitaworship.bandcamp.com | Spotify | Apple Music

“If the only thing the band had was a well-executed gimmick, I likely would have lost interest by now. One of their main strengths is that the core sound would hold up even if the gimmick was taken out.” – The Goat Review

“China’s Dehumanizing Itatrain Worship took the internet by storm with their debut EP μ’Sick.” – MetalSucks

“Dehumanizing Itatrain Worship made a mark on the metal community with head-spinning brutality accompanied” – Unite Asia

[Downlaod Single Cover | Download Single Lyrics]

Band: Dehumanizing Itatrain Worship
Single Title: Brutal Panzer
Release Date: December 12, 2024
Label: Stillbirth Records
Distribution: Gore House Productions

Track Lengths:
Brutal Panzer – 3:20
Brutal Panzer (Instrumental) – 3:20
Total Single Length: 6:40

Single Recording Credits:
All songs performed by: Dehumanizing Itatrain Worship
Vocals: Kiryu Zhang
Guitar: Jiakang Hu
Bass: Zen
Drums: Derek
Composer: Khezk
Produced by: Izurus
Mixed & Mastered by: Hiatus Records
Arrangement: Dehumanizing Itatrain Worship / Senjougahara Yosei / Izurus
Cover Art: Nanjijun

==========================================

About The Single Artwork:

Kiryu: As before, we asked Nanjijun to create the crazy guro-style cover art for us.

About the song:

Kiryu: This song was inspired by the anime Girls und Panzer. We really love the military otaku culture in the anime, so we created a song with cute melodies but still brutal, just like the characters in the anime who are kawaii girls but drive tanks into battle.

==========================================

Fun Facts – Story Angles

1. In our 2018 split album, I didn’t actually write any lyrics; all vocals were just meaningless gutturals.

2. Dehumanizing Itatrain Worship was initially supposed to be a grindcore band.

3. The vocals on our first EP sounded extremely overloaded, but it wasn’t intentional—the vocal accidentally increased the volume when exporting.

4. Most people think we are from Japan, but we are actually from China.

5. The band’s name originated from a meme in China in 2014.

==========================================

Dehumanizing Itatrain Worship was founded in 2014 by lead vocalist Kiryu Zhang. The initial lineup included Kiryu Zhang, Itsuca, composer Khezk, guitarist Senjougahara Yousei, and guitarist Nibiru. In 2016, the band completed their debut EP “μ’Sick” and released it on Bandcamp and the Slam Worldwide channel. They also used this EP to participate in Japan’s largest doujinshi market, Comiket Market, where it received excellent feedback. Following this success, the band signed with Stillbirth Records to prepare for future releases. The EP has since accumulated over two million streams on Spotify.

In 2018, the band was invited by the American grindcore band Cheerleader Concubine to collaborate on an eight-track split album. However, due to personal commitments, most of the original members, except Kiryu Zhang and Khezk, left the band. Despite this setback, the band continued to compose new material and eventually found a new guitarist, Jiakang Hu, in 2019. With the new lineup, Dehumanizing Itatrain Worship completed their first full-length album, which was released in 2023.

In 2024, the band welcomed Zen on bass and Derek on drums, solidifying the current lineup. Dehumanizing Itatrain Worship embarked on the “Brutal Impact” China tour and participated in numerous indoor music festivals across China. They also took part in the death metal festival Deathfeast Open Air in Germany and held a successful headlining show in Thailand.

Achievements:

  • Released debut EP “μ’Sick” in 2016
  • Collaborated on an eight-track split album with Cheerleader Concubine in 2018
  • Completed and released their first full-length album in 2023
  • Embarked on “Brutal Impact” nationwide tour in China
  • Participated in the death metal festival Deathfeast Open Air in Germany
  • Headlined a show in Thailand
  • Reached over one million streams on Spotify for each album/EP

Current Projects: Dehumanizing Itatrain Worship is currently working on their next full-length album, with plans to release it in 2025. The band continues to tour and perform live, building on their growing fanbase and reputation in the brutal death metal and anime slam scenes.

Discography:
2024 – Brutal Panzer (single)
2024 – Song of the Neet (Single)
2023 – Otakuslam♡Animecide (Full-length)
2023 – $moke Halation (Single)
2022 – Eien Parasites (Single)
2018 – The Divine Union of Serrated Flesh (Split)
2016 – μ’Sick (EP)

Shared Stage with: Waking the Cadaver, Guttural SLug, Disentomb, Stillbirth, Korpse

Tours and Festivals:
2023 – Anime Conflict – Hangzhou, CN
2024 – Deathfeast Open Air – Andernach, DE
2024 – Brutal Impact – Chengdu, CN
2024 – Brutal Impact – Xi’an, CN
2024 – Brutal Impact – Nanning, CN
2024 – Brutal Impact – Beijing, CN
2024 – Brutal Impact – Guangzhou, CN
2024 – Anime Conflict – Bangkok, TH

0 EPK – Necrambulant – Upheaval of Malignant Necrambulance – Gore House Productions

  • November 28, 2024
  • by Asher
  • · EPKs · Necrambulant (GoreHouse Productions)

EPK – Necrambulant – Upheaval of Malignant Necrambulance – Gore House Productions

Publicist – Jon Asher – gorehouse[@]ashermediarelations[.]com

“We think our new full-length will be well received by fans of our earlier work. We put out our somewhat experimental EP back in 2022 to a very mixed bag of reviews. We had kind of expected that particular release to receive some heat, as it was a bit of a departure from our previous sound. For the EP, we wanted short, to-the-point, less modern-sounding slam/death metal. We wanted it to have the sound of something like a reanimated corpse that had been lying out in the desert, dried out, dusty, and decayed; that was my approach to the vocal sound and some people dug it while others hated it. But with the new album being more of a return to form, our hopes are that it will be more well-received among fans who have been with us since the beginning as well as something fresh for our newer listeners to enjoy as well. The new album is just a relentless barrage of slamming brutal death metal. We really strived for a no bullshit / no filler track list that will just pummel the listener with heaviness.” – Necrambulant

For fans of Devourment, Kraanium, Cephalotripsy, Cannibal Corpse, Abominable Putridity

Band: Necrambulant
Album Title: Upheaval of Malignant Necrambulance
Release Date: March 7, 2025
Label: Gore House Productions

Gorehouseproductions.com | Facebook.com/GoreHouseProductionsOfficial | Instagram.com/gorehouseproductions | Twitter.com/GoreHouse

Facebook.com/necrambulantaz | Instagram.com/necrambulant | Tiktok.com/@necrambulant | Youtube.com/@necrambulant_official

Spotify | Apple Music

 

“This record is slammy, gory, and ultimately heavy” – Decibel Magazine

“Upheaval of Malignant Necrambulance is a triumphant return for Necrambulant, reaffirming their place as one of the most unapologetically brutal bands in the underground death metal scene. By blending relentless heaviness with horror-driven narratives and a touch of dark humor, they’ve crafted an album that feels both familiar and refreshingly refined. This album is a must-listen for fans of Devourment, Kraanium, and Cephalotripsy—or anyone who craves the heaviest, most grotesque corners of brutal death metal. Necrambulant has risen from the grave to deliver a ferocious reminder of why they remain a force to be reckoned with.” – Antihero Magazine (2025 – Upheaval of Malignant Necrambulance)

“Necrambulant knows how to pound and the breakdowns fly around a person’s ears” – Musika (2025 – Upheaval of Malignant Necrambulance)

“the songs on Necrambulant’s comeback release, A Feast of Festering Flesh, are excellent slam filled sludge… The ep cover is also gruesome and nasty… if you’re looking for slam-filled  sludge in the vein of Sanguisugabogg, Cephalotripsy and all the Russian slam bands combined get this ep. It’s fun, heavy and slamming. Brutal shit!!” – Teeth of the Divine

“Necrambulant exists as a means to get drunk and turn out fascination of gore, violence, splatter, and zombie flicks into what some define as the coining term for Necrambulant; “INHUMAN SLAM GRIND”. Ya dig?”’ – Brutalism

“It will intimidate and dominate as the harsh sounds unmercifully take hold but with more than just a warm embrace! It’s eagerly challenging and forthright and the band have held on to their reputation, although showing similarities in the tracks there is only so much you can do whilst snorting to a barrage of unruly riffs and tight drumming – so fair’s fair I think its absorbing and definitely worth a listen or sixteen! ” – Brutalism

“Well well. If this isn’t one of the heaviest starts to one of the heaviest songs ever. Epoch of Nihilistic Cosmic Failure has quite the opening. US band Necrambulant play Brutal Death Metal of the Slammiest Slam variety that ever did Slam. Or something. You get the idea. The sound of this début album is absolutely huge. You can almost feel the zombies pressing into your flesh like a physical presence. The riffs are so fat, bloated and outright heavy it’s amazing that the speakers don’t sink into the floor just by transmitting these festering, dense sounds. The tracks are all about finding the heaviest and most brutal ways to play Death Metal, and everything else is of secondary concern. That’s not to say that all of the other elements to the songs are unimportant or poor, it’s just not the priority here. I mean, they even find ways to sound heavier than normal when going fast. Most of this album is a complete chug-fest though, and it would sound boring if it weren’t for the fact that it’s just done so well… All I can do is recommend that you turn the volume up enough to make your ears bleed and sit in a darkened room until the music just takes you. Once infected by their zombie-plague you’ll be bouncing around like a motherfucker with the rest of us. ” – Wonderbox Metal

[Download Album Cover | Download Album Lyrics]

Band: Necrambulant
Title: Upheaval of Malignant Necrambulance
Release Date: March 7, 2025
Label: Gore House Productions

Track Listing
1. Amalgamation of Gresome Curdling Ambonination – 3:09
2. Inhumane Creophagus Repulsion – 3:14
3. Catastrophic… / Epoch 0 – 3:14
4. Barbarian Brute Force Annihilation – 3:47
5. Sentenced to a Guttonous Pit – 2:59
6. Pestilential Ascendancy – 2:53
7. Ineffable Tormenting Possession – 2:24
8. Chunked Pus Chowder – 3:04
9. Upheaval of Malignant Necrambulance – 2:01
10. Coffin Meat – 2:50
11. Self-Biologic Carnivorous Cannibalism – 3:00
Album Length: 32:35

Album Credits:
All songs performed by: Necrambulant
All songs written by: Necrambulant
Produced by: Necrambulant
Mixed by: Xander Bridge
Mastered by: Xander Bridge
Album Art by: Nev (Gruesome Graphx)

Band Lineup:
Andy “Bonemeat” York – Vocals & Lyrics
Ron Clark – Guitars
Trent Pittard – Bass
Matt Riena – Drums

===================================================

About The Album Artwork

The artwork for the new album is a landscape of gore: living and dead / human and non-human. I contacted Nev of Gruesome Graphx with a general idea of what I wanted to incorporate into a scene (guts, gore, death, all those types of adjectives) and let him take the reins with it. He came back with a few different ideas and the first one he threw our way was an immediate “YES”. So he deserves all recognition for the art, as he absolutely knocked it out of the park with what he created for us.

About the album as a whole (LYRICALLY & MUSICALLY):

The album is an anthology of all that Necrambulant represents – horror, gore, and slamming brutal death metal. Musically, we incorporated a full arsenal of both death metal and slam to further define our original descriptor of “Inhuman Slam Grind”. Lyrically, the album has something to offer on many levels of thematic brutality; zombies, serial killers, cannibals, sci-fi, and Warhammer. Musically, I would describe it as “relentless”

Track by Track (LYRICALLY & MUSICALLY):

1. “Amalgamation of Gruesome Curdling Abomination” – The theme of this song was largely inspired by a combination of the 1988 remake of The Blob and John Carpenter’s The Thing. The story is about an extraterrestrial protoplasmic glob landing on Earth, growing into a monstrous carnivore “thing” that starts to mimic the forms of all it consumes.

2. “Inhumane Creophagous Repulsion” – This song was inspired by a combination of BTK’s criminal history, ritualistic cannibalism, and the August Underground films. In a nutshell, it’s the story of a serial killer cannibal that breaks into a home, hides until it’s time to strike, kills the victims and eats them with a sense of occult fervor; believing there is some kind of life-force to be gained by consuming the dead.

3. “Catastrophic… / Epoch 0” – I wrote this song as somewhat of a continuance for our previous tune “Epoch of Nihilistic Cosmic Failure”. I wanted to take the theme of that song one step further and rather than being about the death of a star / solar system, I wanted to write a more fantastical “end of the entire universe” story. The lyrics are written in a traditional story form with a Prelude and then the monologue of a primordial cosmic annihilator that comes from beyond our scope of reality to kill the known universe.

4. “Barbarian Brute Force Annihilation” – This is the first of the Warhammer 40k inspired songs. I wanted to write a story based on the World Eaters faction of Space Marines, since they are probably the most “death metal” of all characters in that universe; Just blood thirsty, rage-fueled berserkers whose only release is mass slaughter in the name of their patron deity, Khorne.

5. “Sentenced to a Gluttonous Pit” – This was actually the first song written for the new album. Lyrically, the theme came from watching movies like Army of Darkness and Return of the Jedi; where there is some sort of criminal sentence of being cast into a pit containing something within that will consume you. In this story, it’s a septic pit that serves as both an open sewer for human waste and a habitat for flesh hungry zombies awaiting someone to be “sentenced to the pit”…

6. “Pestilential Ascendancy” – This is the second Warhammer 40k inspired song on the album. The focus of this one being the traitor Death Guard / Plague Marines. In my opinion, the second most “death metal” faction in the 40k universe, as they are literally Death personified. Mutated, rotting, stinking, undead harbingers of plague and pestilence who aim to conquer the galaxy in the name of their god, Nurgle.

7. “Ineffable Tormenting Possession” – This theme comes from more of a personal place after I had experienced a massive anxiety / panic attack one night while trying to fall asleep. That night, I had an indescribable feeling of impending doom weighing down on me and my mind started to uncontrollably spiral. It was the feeling of losing control and being taken over by something malevolent – as if I were a passenger through my own eyes succumbing to insanity. Pretty scary shit. Thankfully, my wife was there to talk me through it, and the attack passed. The following day I reflected on the experience and felt like if there was ever a feeling of being “possessed”, in the mythical sense, then that was probably it. From there, I took that feeling and decided to turn that experience into a fictional horror story about a demonic possession. Thus, “Ineffable Tormenting Possession” lyrics were written.

8. “Chunked Pus Chowder” – This is one that was written with more humor in mind than anything else. Really just a song that’s gross for the sake of being gross. Peter Jackson’s 80s films “Bad Taste” and “Dead Alive” (especially the dinner table scene) probably played a role in coming up with this one.

9. “Upheaval of Malignant Necrambulance” – Good old fashioned zombies. On the “A Feast of Festering Flesh” EP, I had reworked the lyrics of “Infernal Infectious Necro-Ambulatory Pandemic” into a revisioning with the EP’s “Necro-Ambulatory Slamdemic”, and that theme was based on the George Romero’s style of zombies. So, for the new album, I wanted to do another straight-forward zombie song based more on the occult-driven Lucio Fulci styled zombies. The story is exactly how the title sounds; a mass uprising of undead corpses taking over the world.

10. “Coffin Meat” – This song is about a cannibal hobo. The character goes from picking through dumpsters for a meal to robbing fresh graves for something to eat. You can never have too many cannibal songs on a Necrambulant album.

11. “Self-Biological Carnivorous Cannibalism” – This song was originally written musically and lyrically by Chad when we recorded our demo. It was eventually reworked musically for the 2013 full-length and has been re-worked again for our new album. The new version has a subtle update to the intro and I reworked Chad’s lyrics to better fit the music while keeping most of Chad’s original lines and adding some of my own. The theme here is that a victim is attacked and taken to a secret location to endure everlasting torture. In the story, the victim awakens to being chained to a table, tortured, and starved to the brink of death. They are then revived using human protein and byproducts to be brought back to health for the purpose of enduring the torture all over again. Rinse and repeat.

====================================================

Fun Facts – Story Angles

1. Initially, the idea for Necrambulant was to be more of an early Decapitated style death metal band, but that idea never saw the light of day as the guttural slam appeal quickly took over by our first practice.

2. Ron, from time to time, will watch horror movies to generate inspiration for riffs he writes.

3. If you pay close attention in the Grimes music video for her song “Genesis” you’ll see one of the o.g. Necrambulant logo t-shirts on display.

L – R – Andy “Bonemeat” York – Vocals & Lyrics, Ron Clark – Guitars, Matt Riena – Drums, Trent Pittard – Bass

Photo Credit: Matt Riena

Spat out of Arizona’s steaming gutters, Necrambulant formed in 2008 with Chad, Andy, and Ron as the core line-up. The three recorded the first demo in 2008 and, after various line-up changes, the band released a 2013 full-length titled “Infernal Infectious Necro-Ambulatory Pandemic”. In 2014 the band split and went on a lengthy hiatus. Now, Necrambulant is back to once again spew forth horror & gore with their own strain of slamming brutal death metal.

Discography:
2025 – Upheaval of Malignant Necrambulance – LP
2022 – A Feast of Festering Flesh – EP
2013 – Infernal Infectious Necro-ambulatory Pandemic – LP
2008 – Demo

Shared Stage with: Kraanium, Prostitute Disfigurement, Disgorge(US), Cemetery Rapist, Cephaloptripsy, Devour the Unborn, Nuclear Remains, Internal Suffering, Pyrexia, Meathook, Wurm Flesh

Tours and Festivals:
So-Cal Flesh Fest (2012)
Las Vegas Death Fest (2012)
LA Extermination Fest (2022)

0 EPK – LUNAR – Tempora Mutantur (2025) (Saibot Reigns Records)

  • November 21, 2024
  • by Asher
  • · EPKs · Lunar

EPK – LUNAR – Tempora Mutantur (2025) (Saibot Reigns Records)

ft. members from Helion Prime, Beholder, Vis Mystica, Mokili Wa, Nordic Frost, Outloud, Double Vision

For fans of Opeth, Caligula’s Horse, Haken, Tool, Porcupine Tree, Ayreon

Band: Lunar
Album title: Tempora Mutantur
Release Date: January 31, 2025
Label: Saibot Reigns Records

Facebook.com/lunarbandofficial | Instagram.com/lunarbandofficial | X.com/LunarBandOffcl | YouTube.com/@lunarbandofficial

Lunarbandofficial.bandcamp.com | Spotify | Apple Music

“It’s really well done technically by a band that clearly cares about their music and can play.” – Rock The Joint Mag (The Illusionist 2023)

“If I had one word to describe this album, it would be this one: whirlwind… “The Illusionist” is an album that is living. From its jazzy highs to its heavy metal lows, this album is constantly on its toes, never repeating itself and never, ever growing complacent. A wonderful whirlwind indeed. 9/10” – Ever Metal

“I feel like Lunar has captured the balance between accessibility and technicality very well. I hear many of the same elements in their sound that, when employed well, make bands like Dream Theater, King Crimson, Voïvod and even Sigh so engaging. I love when an album comes out of nowhere (for me, anyway) and makes this much of an impression.” – The Metal Crypt

“As I said at the start, when I heard this album I was immediately grabbed by it. The story works nicely, it is very character based and features plenty of emotions which as a listener I certainly could relate to. The music is terrific with all the players putting in excellent performances and the instrumentation used in a clever way to match all that is going on with the lead character. There are moments of heavy prog as well as metal, but melody runs through the heart of it. The fact that some of the people in the band have never met or even been in the same room together is remarkable as it sounds like everyone was on the same hymn sheet and it doesn’t sound pieced together. That is a great credit to the writing, arranging as well as all the musicians doing their parts to the benefit of the whole piece. An absolutely delightful as well as enjoyable album.” – CGCM Rock Radio

“The concept is that there are songs that are angry, songs that are confused, songs that are depressed, and everywhere in between. Styles on the album run the gambit from Progressive Metal with melodic vocals, to moments of Jazz, to cookie monster Thrash…. The musicianship is solid on all of the parts, with some excellent performances, notably vocalist Chandler Mogel… it does warrant checking out for Prog-Metal fans that like a mix of growler and melodic vocals.” – Metal Express Radio

“The Illusionist again is at the highest level of the progsphere, Bosson’s continuation of the Lunar name, honouring his co-founder and friend, through the medium of progressive metal, is an advantageous endeavour. 9/10” – Musipedia of Metal

“The disc is well produced and played very well, so anyone who wants to dive into tempo changes and virtuosity will find what they are looking for.” – Metal Shock

“It is a dynamic and inclusive variety of the form we get here, where gentle atmospheric laden sequences and vibrant, guitar driven passages with regular as well as a more alternative variety of progressive metal coexist quite nicely, with occasional flirts towards extreme metal as a part of the experience. The compositions are further fleshed out by the use of world music elements inside of a metal context, as a standalone feature, as elements of more dreamladen ambient tinged interludes as well as combined with passages with a bit more of a jazz orientation. The latter which is present also in a more standalone and elegant manner. Occasional use of orchestral textures is a part of the totality too, and the band aren’t afraid to hit a more energetic power metal run when needed either. The vocals are clean and melodic, with occasional use of growls but more for dramatic effect and less as a defining feature. A production to seek out, inclusive and dynamic progressive metal is a type of music you tend to enjoy.” – Progressor

“LUNAR present an impressive show with „The Illusionist“. In contrast to the album title, however, there are no illusions, but quite real musical art. Thereby LUNAR conjure all kinds of things out of the hat. Their magic consists of a collection of high-quality multi-faceted songs. Thereby they go mainly a hard way. But many fine passages, which are refined with classical instruments of all kinds, provide great experiences. Furthermore, exotic sounds additionally provide for an atmospherically deep and exciting work. Personally, I also noticed especially the excellent guitar work, which conjures up fantastic moments again and again. In its entirety, it is a work of art of all the musicians involved, who have created something magical here. I can’t see any weaknesses here.” – Metal-Heads.de

“This is a record that everyone must own. Every generation and every country should adore an album like this, as one like Theogony rarely makes itself known. If you like music and consider it art, this is a must.”  – Prog-Sphere on “Theogony” #23 Best Albums of 2017

“The sophomore album from this Cali band is showing the band expanding their horizons in sound. The heavy parts are heavier, the lighter parts are even lighter and the proggier parts are even more insanely proggy *plus on the song, Surrender, there is a very cool nod to the final lasting riff in Opeth’s Deliverance to close out the track…don’t think I didn’t catch that!* With all of the guest appearances, fantastic production and just masterful songwriting, this is one of the strongest prog albums you will hear all year. Trust me!” – Heavy Debriefings on “Eidolon” #39 Best Albums of 2019

“Inspired by a tragedy that befell the project in the way of losing guitarist Ryan Erwin, drummer and songwriter Alex Bosson has put his emotions towards honing a release that is as beautiful as angry. Helping him in his vision are guest contributions from members of Haken, Leprous, Thank You Scientist, Fallujah, etc.” – Prog-Sphere on “Eidolon” #19 Best Albums of 2019

“The word “classic” gets tossed around a lot, but I honestly can’t think of a better word for Eidolon. From front to back and top to bottom, this album is both firmly rooted in death metal with a progressive bend while standing alone atop the mountain. It’s equally headbanging heavy and enthralling, music to get in the mosh pit and simply sit in awe of. This is required listening because there’s nothing else quite like it.” – Progarchy on “Eidolon”

“Like Theogony, Eidolon is another very impressive showcase of modern progressive metal. It’s technical, emotional, melodic, and aggressive and is just very well put-together overall.” – wimpsandposers.com

Best of AOTY:
Prog-Sphere: “Theogony” #23 best of 2017
Prog-Sphere: “Eidolon” #19 best of 2019
Heavy Debriefings: “Eidolon” #39 best of 2019
Wimpsandposers: “Eidolon” #20 best of 2019
2019 SAMMIES (Sacramento Area Music Awards) Nominee “Best Metal Band”

 

[Download Album Cover | Download Album Lyrics]

Band: Lunar
Album title: Tempora Mutantur
Release Date: January 31, 2025
Label: Saibot Reigns Records

Track Listing:
1. A Summer To Forget – 6:37
2. Fall Back Into Old Habits – 11:16 ft. guest guitar solo by Wayne Ingram (Wilderun)
3. Seasonal Interlude – 4:47
4. Weakening Winter Touch – 8:46
5. Spring In My Step – 7:26
6. Tempora Mutantur: Part I – Passage of Time – 3:12 ft. guest guitar solo by Sam Vallen (Caligula’s Horse)
7. Tempora Mutantur: Part II – Broken Pendulum – 3:47
8. Tempora Mutantur: Part III – Watch The Weather Change – 4:51
Album Length: 50:45

Album Credits:
Performance and Writing credits – full info HERE.
Produced by: Alex Bosson
Mixed by: Carlos Alvarez
Mastered by: Tony Lindgren
Album Artwork by: Ed Bosson
Member of ASCAP

Album Main Lineup:
Chandler Mogel – Clean Vocals
Brian Lewis – Growl Vocals
Carlos Alvarez – Rhythm Guitar
Connor McCray – Lead Guitar
Ryan Price – Bass
Alex Bosson – Drums
Anthony Stahl – Keyboards

Live Lineup:
Chandler Mogel – Clean Vocals
Brian Lewis – Growl Vocals
Jordan Price – Guitars
Ryan Price – Bass
Alex Bosson – Drums

===================================================

About The Album Artwork:

The album cover was once again done by my father Ed Bosson.  I wanted to do the seasonal songs based on the autumn version of the cover you’ll see (for the song “Fall Back Into Old Habits”).  So my dad was gracious enough to recreate the painting 3 more times with the different seasons.  The winter version is what ended up being the final cover for the album.

About the album as a whole (LYRICALLY & MUSICALLY):

The album deals with something we can all relate to: the passing of time.  Lyrically and musically you will experience some of the highs and lows we all feel along the way.

Track by Track (LYRICALLY & MUSICALLY):

1. A SUMMER TO FORGET – the album starts of with a song that sounds a bit upbeat musically (heavy with the horns) despite a fairly dark lyrical theme: dealing with memories, how we sometimes forget what we wish we wouldn’t and cling on to what we wish we could forget.

2. FALL BACK INTO OLD HABITS – this is the longest song on the album, and one of the heaviest.  Mostly having growl vocals and multiple shreddy guitar solos.  Lyrically dealing with addiction, or anything we do that can give us temporary relief to help us get through rough moments, but ultimately have terrible long-term effects on ourselves.

3. SEASONAL INTERLUDE – this song is a bit of a breather.  We take some self-reflection in knowing that the bad times will pass and, though it may not be immediate, the good times will come again.  Musically it’s soft and emotional with some beautiful cello work before exploding into a heavy ending with a very avantgarde saxophone solo

4. WEAKENING WINTER TOUCH – this song is dealing with the feelings of weakness and powerlessness over our own circumstances.  Often asking “why?” or “what did I do to deserve this?”  Musically I think this is a very powerful song, heavy on the synths with a catchy and powerful chorus.

5. SPRING IN MY STEP – a much more upbeat song with an awesome main guitar riff, dealing with the relief of hitting a positive point in time.  We’ve gotten through the bad times and hit a good high… but how long will it last?

6.  TEMPORA MUTANTUR: PART I – PASSAGE OF TIME – the first of a 3 part song. The soft piano piece where we look back and reflect on what we’ve had and what we’ve lost, ending with a beautiful set of harmonica and guitar solos

7. TEMPORA MUTANTUR: PART II – BROKEN PENDULUM – the second part deals with the anger we feel over what we can’t get back.  Likely the heaviest song on the album

8. TEMPORA MUTANTUR: PART III – WATCH THE WEATHER CHANGE – the final chapter where we deal with denial and mental vacancy.  A good balance of heavy elements, but with a catchy chorus.

===================================================

Fun Facts – Story Angles

1. The second album “Eidolon” is written from Alex’s perspective about the death of his friend and Lunar co-founder Ryan Erwin

2. 3 of the 4 album covers were paintings done by Alex’s father Ed Bosson

3. The members of Lunar have never all been in the same room together

4. The band has existed for a decade and will finally be playing their first live performance as this group in 2025

Top 1st Row – Ryan Price – Bass, Alex Bosson – Drums
Middle 2nd Row – Connor McCray – Lead Guitar, Chandler Mogel – Clean Vocals
Bottom 3rd Row – Carlos Alvarez – Rhythm Guitar, Brian Lewis – Growl Vocals, Anthony Stahl – Keyboards

Based out of Sacramento, CA, LUNAR is a progressive metal band formed in 2013 when longtime friends Alex Bosson (drums/percussion) and Ryan Erwin (guitar/vocals) decided to get together and write the style of music that was always in their hearts: genre-defiant and free of restrictive influence.  After securing Danny Stevenson on Keyboards, the search continued for a full lineup… but to no avail.  Rather than delay their progress, the trio decided to record and self-release their debut EP, PROVENANCE, in the Winter of 2014.

Shortly after the release of PROVENANCE, Danny parted ways with the group, while Bosson and Erwin began work on LUNAR’s debut full-length, THEOGONY – a concept album based on the nine Muses of Greek mythology.  While reading about Melpomene, the Greek Muse of tragedy, Alex realized that the concepts that these nine Muses represent – subjects such as history, tragedy, music, love, etc. – are the backbone for most creative output in this world.  In keeping with the progressive element of the band, he had the idea to spread the musical and lyrical diversity of these themes across an entire album: each of the nine tracks named after one of the Muses, the music and lyrics based around the theme that each specific Muse represents.

Once more unable to flesh out a suitably complete lineup as writing progressed, Alex and Ryan decided to enlist contributions from other professional musicians around the world – initially a handful of guests laying down additional guitar solos.  With the eventual additions of Ryan Price on bass and Chandler Mogel on vocals, a proper lineup for THEOGONY was set: and by the end of the recording process 17 different musicians had participated – including members of Hatriot, Angel Vivaldi, Helion Prime, Berried Alive, and many more.

In the Summer of 2017, LUNAR signed on with Divebomb Records and in November of 2017 THEOGONY was released on CD.  A logical step forward from PROVENANCE, the dynamically atmospheric hour-long journey of THEOGONY is sure to please fans of Porcupine Tree, Opeth and Tool – to name but a few – with its lushly textured contrasts of beauty and aggression.

THEOGONY received numerous raving reviews even being called a “masterpiece” and “A record everyone must own.  Every generation and every country should adore an album like this.”  And even made #23 on Prog-Sphere’s Top albums of 2017.

In the Spring of 2018 Ryan Erwin unexpectedly passed away, leaving Alex unsure of what to do.  After some time passed, he decided to persevere through the tragedy and continue on with LUNAR.  Using the tragedy as inspiration, he began writing the next album, EIDOLON – another concept album based around the cycle of life and death and the stages of grief that the ones left behind feel.  After writing all the music for the album, Alex enlisted friend Balmore Lemus (NOVAREIGN) to handle tracking guitars for this album.  And with Ryan Price and Chandler Mogel both returning again, the lineup for EIDOLON was set.

In keeping with the diversity that the guests brought to THEOGONY, Alex decided to continue with that idea.  By the end of recording, a total of 18 musicians contributed to EIDOLON – this time including members of Haken, Thank You Scientist, Fallujah, Leprous & Caligula’s Horse, to name a few.

EIDOLON is another journey of progressive metal at its finest, spanning 7 tracks and nearly an hour of material.  Once again being released through Divebomb Records, EIDOLON is available as of November of 2019.

LUNAR’s 3rd full-length album, entitled “The Illusionist,” was released on March 3rd, 2023 on Saibot Reigns Records. The album featured another slew of amazing guest musicians, including: Sam Vallen, Andy Gillion, Jørgen Munkeby, Christian Muenzner, Ben Karas and more!  Plus features the addition of Alex Nasla on keyboards. The album was mixed and mastered at Fascination Street Studios and features cover art by Travis Smith.

No waiting long between releases, LUNAR is now presenting their fourth full-length “Tempora Mutantur” due out on Jan 31st, 2025 on Saibot Reigns Records. For this record, there’s a fresh lineup to change it up from their previous one with the addition of guitarists Carlos Alvarez and Connor McCray (Vis Mystica) along with keyboardist Anthony Stahl plus album guests Wayne Ingram (Wildrun), Joe Gullace (Thank You Scientist) and Sam Vallen (Caligula’s Horse).

A collaboration of musical minds, and with anything LUNAR does; “Tempora Mutantur” is an emotional thematic listening experience with lots of ups and downs musically and lyrically dealing with the passing of time and the effects it has on us physically and mentally.

Originally the album was to be a 4 track EP with seasonal concepts, but as the cooperative wrote more and more, they decided they wanted it to be more and have some general passing of time themes as well, so they pushed forward with a full album experience.

“This album deals with something everyone can relate to and no one can escape: the passing of time. We get older, our perspective changes, and we gain some things, and lose others… sometimes the things and ones we love. And we struggle and fight along the way. This album deals with some of the highs and lows we deal with along this journey we all share. Hopefully, the fans will be able to resonate with it and find some solace and aid in their own experiences of time passing. I believe the songwriting has gotten stronger over the years. I think the songs are a bit more well-structured. But I think the overall sound of the band has remained pretty consistent over the years. The music is very “prog,” so it’s been diverse I think from day 1. Probably even more so now than it was at first.” adds band co-founder and drummer Alex Bosson.

Recommended for fans of Opeth, Caligula’s Horse, Haken, Tool, and Porcupine Tree.

A studio project since first conceived in 2014, LUNAR will make its live debut next year at the 2025 Hyperspace Metal Festival in Vancouver, BC, Canada on April 11th. Info here.

Discography:
2025 – Tempora Mutantur – LP
2023 – The Illusionist – LP
2019 – Eidolon – LP
2017 – Theogony – LP
2014 – Provenance – EP

Endoresements: Alex Bosson – Scorpion Percussion sticks

0 EPK – Rod Rodrigues – Tales of A Changing Life Part 2 (2024)

  • November 18, 2024
  • by Asher
  • · EPKs · Rod Rodrigues

EPK – Rod Rodrigues – Tales of A Changing Life Part 2 (2024)

Publicist – Jon Asher – jon[@]ashermediarelations[.]com

“I’ve been playing guitar for over 30 years, performing in all kinds of bands—from cover bands to wedding bands. But I reached a point where just playing in those bands and teaching music wasn’t enough. I felt the need to express myself more creatively. With Tales of a Changing Life Part 2 I believe I reached my peak as a musician and composer. Truly able to convey through music all the emotions of the transformation my life has gone through in the past 10 years. Moreover, I was fortunate to have the best team of musicians, each adding their unique and special touch to the work.” – Rod Rodrigues

For fans Dream Theater, Rush, Steve Vai. Joe Satriani, Angra

Album: Tales Of A Changing Life Part 2
Singles: Inukshuk, On The Road, Mom’s Lullaby
Label: Independent
Distribution: Distrokid
Release Date – October 18th, 2024

Rodrodrigues.net | Facebook.com/rodrodriguesofficial | Instagram.com/rodrodriguesofficial | Youtube.com/rodrodrigues

Rodrodrigues.bandcamp.com | Apple Music | Spotify

“Rod Rodrigues’ upcoming release, Tales of a Changing Life Part 2, represents more than just a continuation of his musical journey—it’s a deeply personal reflection of the changes he’s experienced over the past decade. After a 12-year hiatus from releasing solo work, Rodrigues returns with an instrumental album that captures a rollercoaster of emotions through complex compositions and masterful collaborations. His ability to mix diverse musical influences is evident throughout, weaving together personal experiences, Brazilian rhythms, and progressive rock.” – Prog-Sphere (2024)

“In Tales of a Changing Life Part 2, Rodrigues not only showcases his technical virtuosity but also his ability to convey deep emotion and narrative through his compositions. His work stands as a shining example of how diverse musical influences can be melded into something both experimental and accessible. This is an album that takes listeners on a transformative journey, and in doing so, solidifies Rod Rodrigues as a unique voice in contemporary progressive music.” – Prog Archy (2024)

“Following closely the work of legendary drummer John Macaluso already brought great discoveries to my proggy table, and Rod Rodrigues’ new album makes no exception here. In best instrumental prog fusion manner, he tells the “Tales of a Changing Life” with the focus on his virtuoso guitar playing, carried by challenging yet groovy rhythm patterns, cool bass lines, and some beautiful keyboard interplays. All-together a wonderful listen if you’re into instrumental wizardry. ” – The Prog Space (2024)

“Obviously, much of the spotlight here is placed on Rodrigues’ prodigious grasp of the electric guitar. Although the album’s metal-ish side doesn’t stand any bit above what we’ve already heard from that corner of prog metal, Rod makes himself out to be an absolutely brilliant fusion guitarist, possibly one of the best I’ve heard in recent years. “Dust in My Eyes” might be my favorite track on the album for this very reason; Rod’s marriage of keen instrumental wandering and tight melodic passages is gorgeous.”- Riffage (2024

“Guitar virtuoso Rod Rodrigues latest release ‘Tales of a Changing Life is a conceptual record celebrating the changes in Rod’s life that have taken place over recent years. Straight from the Satriani-Vai-Johnson line of melodic guitar shredders, Rodrigues infuses his guitar playing style with prog, metal, fusion and jazz. While only a 5 song EP, there is a lot of great guitar work in this collection with an abundance of melodies. Perhaps not as much of a household name, Rodrigues is definitely worth getting to know.” – The Prog Report (2022)

Album: Tales Of A Changing Life Part 2
Singles: Inukshuk, On The Road, Mom’s Lullaby
Label: Independent
Distribution: Distrokid
Release Date – October 18th, 2024

Track Listing:
1 – Inukshuk – Feat. Angel Vivaldi and John Macaluso (6:31)
2 – On The Road (5:24)
3 – East Coast Memories – Feat. Roy Ziv (6:24)
4 – Dust In My Eyes (6:01)
5 – Saudade – Feat.Wesley Poison (1:41)
6 – Mom’s Lullaby (5:40)
7 – Tales Of A Changing Life Suite – Feat. Hugo Mariutti (11:32)
Total Time: 42:02

Album Credits:
All songs Written, Performed and Produced by Rod Rodrigues
Mixed by Renato Osorio
Mastered by Kriss Crummet
Member of SOCAN

Band:
Rod Rodrigues – Electric and Acoustic Guitars
Angel Vivaldi – 2nd Guitar solo on “Inukshuk”
Roy Ziv – 1st Guitar Solo on “East Coast Memories”
Hugo Mariutti – Bowed Guitar on “Tales Of A Changing Life Suite”
Heitor Tenorio – Bass
Bruno Ladislau – Bass on “Dust In My Eyes”
Orlan Charles – Keyboards, Piano, Orchestrations and Electric Sax
John Macaluso – Drums on “Inukshuk”
Lucas Emidio – Drums on “East Coast Memories”, “Dust In My Eyes” and “Tales Of A Changing Life Suite”
Rodrigo Abelha – Drums on “On The Road” and “Mom’s Lullaby”

====================================================

Album The Album Artwork

This album is a conceptual album, the second part of a story inspired by my move to a new country and starting a new life. The cover art shows a man with open arms (me), finally feeling happy after overcoming many challenges. He’s standing on a cliff, looking toward the horizon, and realizing that, despite all the struggles, everything was worth it. On the back, there’s an image of a young boy, a reflection of my younger self, gazing forward with dreams of the future. This mirror connects to the cover art of my previous EP, Tales of a Changing Life Part 1.

Track by track (LYRICALLY & MUSICALLY)

1 – Inukshuk

This was the first song I wrote for the album, and it’s the heaviest track. I play it on a 7-string guitar, giving it a modern prog feel with some fusion elements. The song features two guest musicians: John Macaluso on drums and Angel Vivaldi, who plays the second guitar solo.

2 – On The Road
I wrote this song as a tribute to my dad. It blends influences from Rush, Van Halen, and a touch of Brazilian country music. My goal was to create an uplifting, feel-good track that’s perfect for listening to while cruising down the highway.

3 – East Coast Memories
This is a melodic song featuring a long, expressive piano section in the middle. I was inspired by both Prince and Dream Theater when writing it. The first guitar solo in the song is played by Roy Ziv.

4 – Dust in My Eyes
I wanted to write a more modern song with strong riffs, unique rhythms, and fewer guitar solos. It’s probably the most different track on the album, and it includes some nods to “La Premiere Experience” and “Physical Distancing” from the previous EP, Tales Of A Changing Life Part 1.
There’s also an electric saxophone solo played by Orlan Charles.

5 – Saudade
“Saudade” is a Portuguese word that means “missing,” but in a much deeper, more emotional way. It captures the feeling of longing for moments with loved ones or someone who is no longer here. This track features a beautiful poem written and performed by Wesley Poison. It’s a short, acoustic song that serves as a kind of interlude, leading into the next track.

6 – Mom’s Lullaby
This is the most emotional song I’ve ever written. It’s a heartfelt ballad dedicated to my mom, who has always been my biggest musical influence and supporter. When I was little, she would sing lullabies to help me fall asleep, and this song is my own lullaby for her.

7 – Tales Of A Changing Life Suite
This is the longest track on the album, running 11 minutes and 30 seconds. It’s an epic piece filled with rich orchestrations and intense shred solos. Hugo Maritutti, from the Brazilian metal band Shaman, recorded the bowed guitar for the intro. The song features duets between guitar and keyboard, as well as an extended solo section inspired by Latin music. It’s definitely the most challenging song on the album.

Rod Rodrigues – Photo Credit – Allan Cabral 

Rod Rodrigues is a Brazilian-Canadian guitarist, music teacher, and songwriter with an impressive career in the music industry. Over the years, he has been a member of various bands, including Enemies of Reality and Falling Into a Dream (a Dream Theater tribute band).

Rod has studied with renowned musicians like Kiko Loureiro (Megadeth) and Greg Howe (Justin Timberlake, Michael Jackson, and others) and has received degrees from IG&T and Claretiano University. Since 1997, he has been sharing his knowledge and skills as a music teacher in Brazil, Canada, and Europe.

As a solo artist, Rod released his first EP in 2010, titled “The First Step: Introduction,” which gained recognition in several music publications, including Guitar Player, Cover Guitarra, and Guitarload, among others. In 2019, he released his single “T.A.G,” followed by his concept album, “Tales of a Changing Life Part.1,” in 2022. Notably, “Tales of a Changing Life Part.1” features the talented Marco Sfogli (James LaBrie, Premiata Forneria Marconi) on the track “Woodbine Sunset.”

Thanks to his outstanding work on “Tales of a Changing Life Part.1,” Rod was voted one of the top 20 Guitar Players of 2022 by the readers of Brazilian Roadie Crew magazine.

Discography:
– EP – The First Step: Introduction (2010)
– Single – T.A.G. (2019)
– EP – Tales Of A Changing Life Part 1 (2022)
– Album – Tales Of a Changing Life Part 2 (2024)

Shared Stage with: Kiko Loureiro, Rafael Bittencourt, Pyramid Theorem, Polychuk

Endorsed by: Solez Strings, Ibox Guitar Straps and Sstring Dampers

0 EPK – Intestinal Laceration – Chaotic Eschatological Madness (2022)

  • November 18, 2024
  • by Asher
  • · 2 Shadows · EPKs · Intestinal Laceration (Gore House Porudctions)

EPK – Intestinal Laceration – Chaotic Eschatological Madness (2022)

Publicist – Jon Asher – gorehouse[@]ashermediarelations[.]com

For fans of Guttural Secrete, Deeds of Flesh, Arsebreed, Gorgasm, Defeated Sanity

Band: Intestinal Laceration
Album Title: Chaotic Eschatological Madness
Release Date: May 20, 2022
Label: Gore House Productions

Instagram.com/intestinal_laceration | Facebook.com/intestinallaceration 

Album – https://orcd.co/chaotic-eschatological-madness

Gorehouseproductions.com | Facebook.com/GoreHouseProductionsOfficial | Instagram.com/gorehouseproductions | Twitter.com/GoreHouse

[Download Album Cover | Download Album Lyrics]

Band: Intestinal Laceration
Album Title: Chaotic Eschatological Madness
Release Date: May 20, 2022
Label: Gore House Productions

Track Listing:
1. Eternal Cosmic Darkness (3: 42)
2. Embryonic Mutation of Baalcetrorus (2: 36)
3. Time Regeneration (3: 01)
4. Oniric Experience (4: 01)
5. Return To Saturn (4: 01)
6. Eruption (3: 22)
7. Abyss of Atrocities (3: 18)
8. Sacrificial Retribution (3: 43)
9. Relic of Chaos (5: 57)
Album Credits:
Album Cover art by Andreas Christanetoff (Armaada Art)
All album music composed by Nestor Insano except the track “Time Regeneration” composed by Ric and Nestor Insano
All lyrics written by Nestor Insano
Logo by Ramiro Paredes
All music recorded by Angel Maldad except the track “Relic of Chaos” recorded and mixed by Joel Alvare
Album was mixed and mastered by Indra CahyaAlbum Band Line Up:
Nestor Insano (Guitars and bass)
Eduardo Vilchez “The Axe Murderer” (vocals)
Joe Hoyle (Drums)

========================================================

About The Album Artwork:

I mean an ancient sanctuary in ruins that keeps alive its cult of cannibalism. Mythical monsters of the underworld against men.

The sanctuary is a tenebrous structure with aberrant iconographic forms with a monster in it.

Chaotic and overwhelming landscapes where there is a tenebrous Ancestral Oracle that has a connection with another dimension in the Cosmos by means of an Energy that unites them.

The cosmos is a dimension in chaos

The ancestral oracle maintains its cult offering rites of human flesh through cannibalistic fights of mythical monsters of the underworld thirsty for blood that tear eyes, hearts, organs, and limbs mercilessly to humans. Showing horrendous death scenes.

Hemorrhages of blood, guts, and viscera shoot swiftly around the ancestral oracle. Limbs, dismembered bodies, brains, heads, bones, and skulls everywhere.

About the album as a whole (LYRICALLY & MUSICALLY):

The theme of the album “CHAOTIC SCHATOLOGICAL MADNESS” deals with the cosmological existential anguish as an answer to the absurdities of the world, searching for the true essence of nature in the phenomenological subjective experiences and cosmological knowledge, manifested in the cult of ancestral eschatologies as a symbolic cognitive cultural legacy that is shown in its original way of conceiving the universe (cosmological prefiguration).

This cult is vivified in the ancestral oracles which have a connection with other dimensions in the cosmos by means of an energy that unites them, their fervor is kept alive with cannibalistic offerings and autophagy. From these ancestral oracles emerge aberrant mythical monsters from the underworld that exterminate the human race. In addition, the oracles ask for sacrificial retribution for the answers to existential cosmological questions.

The album also talks about catastrophic natural phenomena, the regeneration of time, and the extinction of the human race as a misanthropic seed because of its self-destructive nature.

Track by Track (LYRICALLY & MUSICALLY):

1. Eternal Cosmic Darkness – It denotes a journey through the confines of the immense and immeasurable interdimensional cosmos that transmits and fills us with all its unfathomable energy.

2. Embryonic Mutation of Baalcetrorus –  Terrifying fusion of genetics with the power of the cosmos giving life to a horrendous misanthropic being that puts an end to humanity for its capital flaws.

3. Time Regeneration –  It speaks about the possibilities of returning to the possible diachronic preconfigurations of the genesis time of the world as an antagonistic reason for the destruction/correction/new beginning of the present world and the historical formations relative to the temporal.

4. Oniric Experience –   It talks about the development of the state of being that becomes to achieve an extrasensory dimensional transmutation as an unfolded experience through the dissolution of the mind-body (since the brain and the human body prevent the energy from transcending!!!) issues that are pointed out in quantum studies, astrological psychology, Hindustani sacred texts, as well as the studies of Jacobo Grinberg.

5. Return to Saturn – Es una Oda alegórica al ancient Saturn (Saturn planet and Saturn god) y una representación primigenia del diablo

6. Eruption –  It is a personal theogony and the struggle to solve existential problems. It ends with an eruption entrusted by the ancestral god Pakal that would finish with all humanity.

7. Abyss of Atrocities – It is a fight for the end of the world that ends with one’s own autophagy reflecting itself in the narrative as a mirror, but it is oneself.

8. Sacrificial Retribution – It narrates a mythical journey that ends with sacrificial self-flagellation in retribution for the answers to existential cosmological questions.

9. Relic of Chaos – Acoustic guitar instrumental as an outro to end and soothe the overpowering brutality of the monster that is the album itself, which furiously and hatefully complains full of misanthropy throughout all songs wanting to extinguish humanity at all costs.

====================================================

Fun Fact:

If there were brutal death drummers in our country we would already have 5 albums hahaha.

Getting a suitable drummer trained in brutal death and with the techniques of the style developed that has the same expectations of the band has been and still is the most difficult thing.

L-R – Nestor Rossell (Guitars),  Ricardo Quispe (Bass), Eduardo Vilchez (Vocals)

Photo credits: Eduardo Vilchez

INTESTINAL LACERATION was formed in 2009 by twisted minds obsessed with the extreme, ancestral eschatology, existential cosmology, anti-Christianity, cannibalism, genetic mutation, and pathological malformations. 

Thus, constantly meeting in the underworld of the dirty streets of Lima, Peru, they began rehearsals where compositions of fast and rotten riffs, extreme blast beats, and overwhelmingly chaotic guttural vocals converged. 

During that time, INTESTINAL LACERATION gave several live releases of extreme brutality. In 2014 the band recorded its first music video “ENJOY THEIR PUTRID FLESH”, and released some copies of this first single. In 2015 the band recorded the EP titled “SPECIES OF PUTRID MINDS” which was released by Coyote Records (RU).  

The band is signed to the label Gore House Productions (USA) who made the first full-length album entitled “CHAOTIC ESCHATOLOGICAL MADNESS” in 2022.

Currently, the band is working on their second full-length album.

Discography:
Album “Chaotic Eschatological Madness” (2022) produced by Gore House Productions
EP “Species of Putrid Minds (2015) produced by Coyote Records (RU)”

 

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