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Category: EPKs

0 EPK – Slug Comparison – March Through the Forest (single) (2025)

  • January 10, 2025
  • by Asher
  • · EPKs · Slug Comparison

EPK – Slug Comparison – March Through the Forest (single) (2025)

Publicist – Jon Asher – jon[@]ashermediarelations[.]com

“This song started with me dialing in the fuzziest guitar sound I could find, then rolling back the treble knob completely. The result was like a low sine wave that I played around with until I found a pattern of hammer-ons, pull-offs, and a slide at the end, which became the main riff. It’s the first song I’ve written that way, where it was inspired by a particular sound, rather than a musical idea.” – Doug Harrison – Slug Comparison

For fans of Mother Mother, The Killers, Rush, Porcupine Tree

Slugcomparison.com | Instagram.com/slugcomparison | Facebook.com/slugcomparison

Slugcomparison.bandcamp.com | Spotify | Apple Music

“Canadian auteur explores expectancy and desperation to find cathartic cleansing of his soul. 4/5” – Dmme.net – Let It Rock (When You Were Living Here 2019)

“One of my favourite songs of the year” (about “Bringer of Doom”) –Dutch Progressive Rock Radio (Self-Titled 2014)

“Simply engulfs the imagination and emotions” -The Ringmaster Reviews (Self-Titled 2014)

#30 of The Rickter Scale’s Top 100 albums of 2014 – Rickter Scale Rock Radio  (Self-Titled 2014)

“Stirs the senses, taking the listener on a voyage of imagination and emotion.”-Sonic Abuse  (Self-Titled 2014)

Slug Comparison Self-Titled Album #5 on DPRP’s Top Progressive Metal Albums of 2014

“Spell binding” -Your Music Blog (Self-Titled 2014)

“Songs that are all of the highest caliber” – PowerofMetal.dk (Self-Titled 2014)

“a true gem of prog rock” – Living Music Blog (Self-Titled 2014)

“Ahh, the glorious beauty of the brooding and gloomy mind of Doug Harrison” (5 stars) – Sea of Tranquility (Self-Titled 2014)

“a lot of work and effort has gone into this album, and it pays off spectacularly” -Wonderbox Metal (Self-Titled 2014)

9.2/10 – Metal Imperium – (Self-Titled 2014)

[Download Single Cover | Download Single Lyrics]

Band: Slug Comparison
Single Title: March Through the Forest
Release Date: January 10, 2025
Label: Self-Release

Track Listing (single)
1. March Through the Forest – Length (3:54)

Single Recording Credits:
• song performed by: Slug Comparison
• song written by: Doug Harrison
• Produced by: Doug Harrison
• Mixed by: Ben Kaplan
• Mastered by: Brock McFarlane at CPS Mastering
• Single Artwork by: Doug Harrison
• Member of SOCAN
• Canadian Content (MAPL)

Single Band Line Up:
Doug Harrison – Vocals, Guitar, Bass, Programming
Flavio Cirillo – Drums

===================================================

About The Single Artwork:

The artwork for this single is a photo I took on a hike, described below.

About the single: March Through the Forest

A November hike inspired this song by a friend in the North Shore mountains of Vancouver. The day started damp and cold. As we climbed, it began to snow, a dusting at first. But it cast this beautiful veil over the ground wherever the trees opened up into a clearing. We kept going, and it was a complete whiteout by the time we finally reached the summit. Then we stood there at the edge of these sheer granite cliffs that we couldn’t see below us, while ravens wove in and out of the clouds, disappearing and reappearing. “March Through the Forest” is an account of that day, which was a good one.

=================================================

Fun Facts

1. Doug Harrison is from the Canadian rock/metal band Fen, which recently released the widely appreciated album Dear Mouse.

2. “March Through the Forest” was recorded over the same period as Fen’s Dear Mouse.

 

Doug Harrison (Slug Comparison) – Photo Credit: Bailey Ennig

Slug Comparison is the solo project of Fen vocalist/guitarist Doug Harrison, whose songs glide over a landscape of grunge, progressive rock, indie, and metal. The Ringmaster Reviews says music “simply engulfs the imagination and emotions.” Expect more new music from Slug Comparison in 2025. 

Discography:
2025 – March Through the Forest (single)
2019 – When You Were Living Here – album
2014 – Self-titled – album

 

0 EPK – Kingsphere – Archetype (single) (2025)

  • January 10, 2025
  • by Asher
  • · EPKs · Kingsphere

EPK – Kingsphere – Archetype (single) (2025)

Publicist – Jon Asher – jon[@]ashermediarelation[.]com

For fans of All That Remains, Born Of Osiris, The Browning, I Prevail

“Although we are still in the process of recording our third album album, we believe it will be the most enjoyable one. It’s unpredictable. There are a lot of surprises when it comes to each single. One can be softer and more nostalgic and the other could kick you right in the face.” – Kingsphere

Facebook.com/kingspheremetal | Instagram.com/kingspheremetal | Youtube.com/@kingsphereofficial

Spotify | Kingsphere.bandcamp.com

[Download Single Cover | Download Single Lyrics]

Band: Kingsphere
Single title: Archetype
Release date: 10 January 2025
Label: Self-Release
Distribution: Distrokid

Track / Single – Kingsphere – 3:47

Single Credits:
Song performed by Kingsphere
Song written by Marek Kula
Lyrics by Piotr Miliczek
Produced by Marek Kula
Mixed by Marek Kula
Mastered by Marek Kula
Album Artwork by Marek Kula

Band line up (album & live):
Marek Kula – Guitar
Maciej Sobieski – Drums
Piotr Miliczek – Vocals
Kamil Sikorski – Guitar / Vocals
Paweł Kawalec – Bass

==================================================

About the Single Artwork:

The single artwork features a blindfolded woman in a red dress, standing in a grand palace. The imagery reflects themes of mystery, power, and inner struggle, tying into the central idea of “Archetype.” It symbolizes the search for identity and the battle between appearances and truth. Just like in the music video, it invites the listener to interpret its meaning and uncover their own connection to the story we’re telling.

About The Single:

“Archetype” is an intense and dynamic track that captures the essence of Kingsphere’s sound. It combines heavy, hard-hitting verses with melodic and emotionally charged choruses, creating a powerful contrast. The energy is elevated by intricate guitar solos that add an electrifying edge and depth to the song.

The track also features a mystical bridge, offering a moment of atmosphere and intrigue before diving back into its relentless energy. “Archetype” is a journey through aggression, melody, and emotion, reflecting both the raw power and the introspective side of the band.

=======================================================

Fun Facts – Story Angles

1. First, the self-titled album was a 2-person, online covid-era project (Marek Kula and Piotr Miliczek)

2. The name Kingsphere actually refers to the surnames of Marek and Maciej (Kula is “sphere” in Polish, and Sobieski was a Polish king)

3. All Kingsphere material is recorded in a home studio.

4. Most of the band members played with each other before at some point.

5. Many of the songs/elements of the songs have been written even before Kingsphere was formed.

L-R – Maciej Sobieski (Drums), Kamil Sikorski (Guitar/Vocals), Piotr Miliczek (Vocals), Marek Kula (Guitar), Paweł Kawalec (Bass)

Photo Credit: Mariusz Krzemiński

Kingsphere was established at the turn of 2019 and 2020 in Rybnik, Silesia. Initially a two-person project, over time it turned into a full-fledged band that is currently actively performing. Kingsphere’s music is a clash of modern metal with old school melodic death metal, and all this is seasoned with a solid dose of electronics. The band has released two self-produced albums, available in digital distribution on most streaming platforms.

POLISH

Kingsphere powstał na przełomie 2019 i 2020 roku w śląskim Rybniku. Początkowo dwuosobowy projekt z biegiem czasu przerodził się w pełnoprawny zespół, który aktualnie czynnie koncertuje. Muzyka Kingsphere to zderzenie modern metalu z oldschoolowym melodic death metalem, a to wszystko doprawione jest solidną dawką elektroniki. Zespół ma na swoim koncie dwa albumy wyprodukowane oraz wydane własnymi siłami, dostępne w dystrybucji cyfrowej na większości platform streamingowych.

Kingsphere squad:
Piotr Miliczek – Vocals
Marek Kula – Guitar
Kamil Sikorski – Guitar / vocals
Paweł Kawalec – Bass guitar
Maciej Sobieski – Drums

Discography
2022 – Enigmatic – LP
2021 – Self-Titled – LP

0 EPK – Marble Ghosts – The Greatest Divide (2025)

  • January 2, 2025
  • by Asher
  • · EPKs · Marble Ghosts

EPK – Marble Ghosts – The Greatest Divide (2025)

Publicist – Jon Asher jon[@]ashermediarelations[.]com

“For fans that have had our first EP on repeat, they will be getting more of the same, so they should really enjoy it. There are more guitar solos on this EP (one in each song!) and the same massive catchy choruses. Fans will also appreciate how different each song is, but still very much in the Marble Ghosts style.” – Marble Ghosts

For fans of Alter Bridge, Shinedown, Saint Asonia, Three Days Grace, Breaking Benjamin

Band: Marble Ghosts
EP Title: The Greatest Divide
Release Date: May 23, 2025
Label: Self-Release
Distribution: Distrokid

Marbleghosts.com | Facebook.com/marbleghosts | Instagram.com/marbleghostsofficial | Tiktok.com/@marbleghosts | Youtube.com/@MarbleGhostsOfficial

Marbleghosts.bandcamp.com | Spotify

“Marble Ghosts’ latest single, “Distance Between,” is a relentless blast of punk-metal energy that sets the tone for their upcoming EP, The Greatest Divide (April 4th). The track showcases the band’s unique ability to fuse aggression and melody into a seamless and high-octane performance. From its rapid-fire verses to its towering choruses, “Distance Between” never loses its intensity. The song’s razor-sharp guitars anchor the chaos and deliver not one but two blistering solos that elevate the track’s raw power. Meanwhile, the desperate screams layered over the final crescendo inject a tangible urgency that drives home the song’s message about the fractures in modern society. The song’s technical precision and anthemic qualities plus the band’s punk edge keeps the energy raw and unfiltered, evoking a battle cry to confront the growing divides in the world around us. “Distance Between” and Marble Ghosts prove they’re not just pushing genre boundaries. They’re demolishing them.” – Amplify The Noise

“We have been patiently waiting for a new cut from heavy masters’ Marble Ghosts and they have delivered. The new single “Distance Between” lands today and it’s a special one. The first single to be released from their forthcoming album “The Greatest Divide” (April 4th), “Distance Between” accomplishes what every band hopes to…a monumental track that separates itself from everything else. Driving riffs, top tier vocals, a punchy rhythm section and of course solo breaks that just take flight – Marble Ghosts are back and we’re thrilled they exceeded our ridiculously unfair expectations! Catch it on your Home for the Best New Rock… W-J-O-EEEE” – WJOE – Findlay’s Home for Rock & Roll

“Their sound is a unique blend of soft underscoring elements and heavy riffs.” – Decibel Magazine

“When a band is said to be for fans of Shinedown, Breaking Benjamin and Three Days Grace, this puts a lot of pressure on that band to live up to expectations, especially those of lifelong fan of all of those acts. However, Canadian’s Marble Ghosts have produced quite an exciting debut EP that’s made up of a mix of metal genres from metalcore and grunge to death metal. ‘Lie To Me’ has a heavy bass line intro before thick guitar riffs join in. This intensity is matched by the vocals, which seem to be drenched in emotion and this is what makes it a real must listen on the EP. Whilst the lyrics themselves don’t vary much, they don’t need to, because it feels like this track is about putting across a certain atmosphere rather than writing an epic tale. The band do delve into the political in ‘False Heroes’, where they question outdated thinking with such lines as “boys will be boys, all the while accompanied by an unsettling melody in a minor key. They use their own country’s history to influence this song, which the EP artwork and the band’s name are all linking together. 8/10” Powerplay Magazine UK

 

“End Of The World completes the EP and no lie instantly had us drooling with its air of nagging menace veined by swarthy guitar lures and a tension of creative distraction, an imposing coaxing soon evolving into a full incitement of animated temptation and keen adventure. Grabbing favourite track honours in its greedy fists, the song prowled like a predator and roared with punk dissidence, aligning both to melodic and sonic drama.” – Ring Master Reviews

“Now we have reached our last mention, my number one recommendation for this week’s list of incredible new music from this website of ours. They have recently just emerged on the metal scene with a distinctive sound. I am talking about the Ottawa-based band Marble Ghosts. Unveiling their self-titled EP, showcasing five compelling songs that you can hear across all streaming platforms now.” – ZACH’S PICKS OF THE WEEK – MARCH 4 TO MARCH 9, 2024 – #1 Marble Ghosts – Canadian Beats

 

“Marble Ghosts deliver a visceral finale with “End of the World.” Reflecting a generation’s disillusionment with the idea of meaningful change and the realisation that their actions may have little impact, the song captures the band’s uncompromising attitude with distinct vocals and a cacophony of heavy and glorious sound. Marble Ghosts, the band and EP, defies hard rock stereotypes and delivers music that reminds us that it’s not all sex drugs and rock-n-roll, but sometimes it’s get up, stand up, rise up, and make the difference you seek.” – Amplify The Noise

 

“This band is ultra-impressive with razor sharp hard rock, soaring vocals and superior song writing that really makes one stop and take notice of their greatness.” –  WJOE- Findlay’s Home for Rock and Roll

“C’est propre et même chiadé, peut être un peu trop à mon goût : il ne faut pas chercher ici un hard rock écrit au feeling la clope au bec et la bière, désaltérant plus qu’il ne faut ses auteurs ! On est sur une musique qui tient plus de groupes comme Breaking Benjamin ou encore Three Days Grace qu’autre chose.” –  SoilChronicles

“Fans of 2000’s era hard rock, especially those who were listening to that music during the time period itself, will get the most out of Marble Ghosts’ self-titled debut EP. It’s not impossible to imagine a scenario where Breaking Benjamin, hot off the release of We Are Not Alone, would take this group out as an opening act. Same goes for someone like Alter Bridge when One Day Remains exploded off the success of single “Open Your Eyes.” –  Heavy Music HQ

[Download EP Cover | Download EP Lyrics]

 

Band: Marble Ghosts
EP Title: The Greatest Divide
Release Date: May 23, 2025
Label: Self-Release
Distribution: Distrokid

Track Listing:
1. Distance Between (3:38)
2. Eat the Rich (4:16)
3. Trafficked (The Devil Inside) (4:19)
4. Gloom (4:24)
5. Osmium (4:48)
EP Length: 21:26

EP Recording Credits:
• All songs performed by: Marble Ghosts
• All songs written by: Marble Ghosts
• Lyrics by Dylan Gunnell
• Lyrics by Paul R. Champagne (Trafficked- The Devil Inside)
• Produced by: Adam Hansen
• Mixed by: Scott Walsh of Sound Creation Studio
• Mastered by: Scott Walsh of Sound Creation Studio
• Engineer: Cameron Dunn of Hillside Studios
• Album Artwork by:
Marble Ghosts font: Crossfade Productions
EP cover art: Edith Fluet
• Member of SOCAN
• Canadian Content (MAPL)

Band Line Up (EP)
Dylan Gunnell – Lead Vocals and Lyrics
Adam Hansen – Guitar
Paul R. Champagne – Bass
Jer Renaud – Drums

Band Line Up (Live)
Dylan Gunnell – Lead Vocals
Adam Hansen – Guitar and Backing Vocals
Paulo Ferraz – Bass
Jer Renaud – Drums

=======================================================

Describe The EP Artwork (answered by  Dylan Gunnell)

The Greatest Divide artwork- by Edith Fluet

Edith’s incredible artwork depicts a chasm, representing the growing and massive divide between people who share vastly different political, moral and religious beliefs. It is the type of divide that has splintered friendships and even families. The light is a beacon, an olive branch- a shred of hope that a divided world can find some commonality, some understanding of each other to build something better.

The gap is also representative of the incredible amount of work it would take to cross such a canyon, to be able to even have any discourse at all with the other side. The light burns away the old self, allowing for mutual understanding, but only the bravest among us can take the leap. And unfortunately, few ever will, only adding to the ever-widening divide.

While this seems bleak, some of the stories told through the lyrics are inspired by people who have crossed the greatest divide. But this wasn’t without hardship, as it was often the threat of losing their loved ones, their mental health and even their own identity that forced the change.

About The EP (answered by  Dylan Gunnell)

From the opening lyric of the EP, “Here we are in the greatest divide”, the songs explore the ever-growing rift between almost every part of modern-day society. From the rich and the shrinking middle class to widening gaps in political and religious ideologies, the EP was inspired by our reality.

For fans that have had our first EP on repeat, they will be getting more of the same, so they should really enjoy it. There are more guitar solos on this EP (one in each song!) and the same massive catchy choruses. Fans will also appreciate how different each song is, but still very much in the Marble Ghosts style.

Track By Track   (answered by Dylan Gunnell)

1. Distance Between (1st single)

After writing the riff, Adam realized it was hard to play because of how much he had to stretch to reach the frets. He called it the ‘Distance Between’. Dylan took this to mean something else entirely though.

With the lyric “Here we are in the greatest divide”, ‘Distance Between’ relays the central theme of the EP, which is the widening gap between people who share vastly different political, moral and religious beliefs. It is the type of divide that has splintered friendships and even families. The light is a beacon, an olive branch- a shred of hope that a divided world can find some commonality, some understanding of each other to build something better.

The ‘Distance Between’ is also representative of the incredible amount of work it would take to cross such a canyon, to be able to even have any discourse at all with the other side, especially as each side grows more and more polarizing in their views. From housing as a human right to children of rape having to give birth to children, with every step we move away from each other without talking, the harder it is to cross the greatest divide.

Musically: With punk-metal roots, ‘Distance Between’ is a song that never stops from beginning to the end. The biting rapid-fire verses meet the band’s characteristic soaring choruses. The band shows off its guitar chops with a blistering solo that perfectly matches the song’s energy. The song crescendos with another feverish solo over top desperate screams.

2. Eat the Rich

While the song’s chorus evokes extreme imagery and particularly violence, ‘Eat the Rich’ is entirely tongue in cheek. It in no way condones violence against anyone and instead paints the picture of two massively divergent groups- the people who are struggling to hold on, the ones staying in broken, abusive relationships just to avoid being homeless and increasingly out of touch billionaires who could affect real, meaningful change with their bank accounts. Instead, the ultra-wealthy constantly seek more and more ways to enrich themselves. This song is about them, and the great divide is clear with every billion added to their coffers while the people that enrich them through a broken system continue to suffer.

While the chorus is metaphorical, in writing the lyrics, the band also envisioned an alternate reality where our planet has been devastated by a zombie plague. The ultra-rich are waiting for a shuttle to carry them to Mars, but it malfunctions, and they are trapped. The undead descend on them, and they are torn to pieces by the horde, the horde that once worked for them, that kept capitalism strong, the people that made them rich. In that reality, their fair share will be paid with a pound of their own flesh.

Musically: In ‘Eat the Rich’, a droning bass mixes with soft yet acidic vocals in the verses. The long-held scream in the chorus gives way to harmony that grows increasingly layered as the song evolves, creating the perfect contrast. The dirty guitar solo blends into mocking laughter and then powers through into a final chorus with three-part harmonies.

3. Trafficked (The Devil Inside)

The lyrics and pieces were brought by Paul (bassist). He wanted to write a song that flowed musically in the same way as “Alone” from our first EP. The song is inspired by human behaviour and how inherently cruel, and sadistic our species can be. It’s basically a story about how our worst fears can come true- a child disappears and is never found.

In reality, some of these missing children are circulated in human trafficking rings, and they are subjected to the most horrific conditions. The song details the plight of one of these children, capturing how the child is being broken physically and emotionally but at the same time, there is a singular voice in the night, asking for the child to have courage and show strength- that there will be someone to bring them home. The great divide for most is to simply acknowledge that this shadowy problem exists. The song aims to create awareness to fight this vile practice that is quickly becoming a global pandemic.

Musically: Featuring one of the band’s signature ear worm guitar riffs and as close to a pop chorus as the band will likely ever get, Trafficked’ would be radio friendly except for the disturbing and dark lyrics.

4. Gloom

Like other songs on the EP, again, this one received its title from Adam, but this time it was about the mood he felt when writing the riff. Melancholic and disturbing, ‘Gloom’ was inspired by Paris Hilton, and specifically, her experience attending and escaping from various troubled teen camps that abused children, some of which still exist today. But it is also inspired by the thousands of children who had their innocence stripped away as they were kidnapped at the request of their parents and dragged sometimes thousands of miles away.

Many of these children became addicts as adults, and unfortunately, many of them took their lives. The great divide plays out in this song with the rift established between parent and child and what it will take for some of them to bridge that gap. For the parents, many of them may not have realized the camps were as bad as they were and may not have realized the real lasting damage they would do. The guilt for some and in some cases denial, creates the gap, while for their children, now adults, forgiveness does not come easily. Again, thankfully, some of these families have taken the leap and breached the greatest divide.

Musically: Eerie, atmospheric and easily the most diverse track on the EP from verse to verse, Gloom features a chorus that chills even the vocalist.

5. Osmium

As Adam was writing the riff for the song, easily the heaviest of the EP, he thought of ‘Osmium’, the heaviest metal. The song also has equally heavy subject matter. Inspired by the challenges faced by someone close to lead singer Dylan Gunnell, the lyrics delve into what happens when a family chooses who someone must be. While being gay isn’t a political or moral stance and certainly not a choice, families every day make 2SLGBTQ+ people choose between who they want to be and who their families believe they should be.

Daughter/son/straight- our children are rarely perfect mirrors of us, and no matter how much someone ‘prays away the gay’, it won’t change the fundamental aspects of a person. Unfortunately, some families learn this the hard way. For the person close to Dylan, thankfully, the story had a happy ending, but it took the threat of losing them to make the family cross the greatest divide.

Musically: The last track on the EP and without question the heaviest, ‘Osmium’ starts a pit at every show. While the verses have a weighty power behind them, the choruses are typical of the Marble Ghosts style with a catchy sing-along quality. The song is also the most metal sounding on the EP, evidenced by the rapid-fire shredding solo that starts with an old school dive bomb.

L-R – Adam Hansen (Guitar), Dylan Gunnell (Vocals), Paulo Ferraz (Bass), Jer Renaud (Drums)
Photographer Credit – Lisa Thompson (Dark Moon Productions)

 

Emerging in 2023 onto the Canadian metal scene with a distinctive sound and a fierce commitment to challenging societal norms, Ottawa, ON’s Marble Ghosts is metal with a message. The socially conscious band is back in 2025 with their sophomore EP “The Greatest Divide” a year after their debut self-titled EP released in March 2024.

Comprising a dynamic lineup that uniquely blends genres, generations, and now cultures, featuring a death metal drummer, a grunge-influenced singer, a metalcore guitar player, and newly added Brazilian transplant, bassist Paulo Ferraz, who joined after the writing and recording of The Greatest Divide. Ferraz knits into the live lineup for added rhythm, depth, and an extremely energetic stage presence, adding to an already established eclectic mix and a band with a commitment to break musical boundaries and grow their foundation.

Their second EP, “The Greatest Divide” (releasing April 2025) is inspired by our reality, from the ultra-rich and the shrinking middle class to widening gaps in political and religious ideologies that are beginning to challenge and even erode fundamental human rights. Similar to their first EP these next five songs in their catalog highlight their diverse influences and styles and seek to lift up the marginalized through powerful messaging.

“For fans that have had our first EP on repeat, they will be getting more of the same, so they should really enjoy it. There are more guitar solos on this EP (one in each song!) and the same massive catchy choruses. Fans will also appreciate how different each song is, but still very much in the Marble Ghosts style.” says vocalist Dylan Gunnell.

With this release, the band asks, “Are you ready to cross the greatest divide?” It is the type of divide that has splintered friendships and even families, where viewpoints differ so greatly, that we can see one another as enemies- traitors. While this seems bleak, some of the stories told through the lyrics are inspired by people who have crossed the greatest divide. But this wasn’t without hardship, as it was often the threat of losing their loved ones, their mental health, and even their own identity that forced the change.

Their music is recommended for fans of Breaking Benjamin, Shinedown, Saint Asonia, and Three Days Grace.

Marble Ghosts’ sophomore EP “The Greatest Divide” is out on May 23, 2025.

Band Line Up (EP)
Dylan Gunnell – Lead Vocals and Lyrics
Adam Hansen – Guitar
Paul R. Champagne – Bass
Jer Renaud – Drums

Band Line Up (Live)
Dylan Gunnell – Lead Vocals
Adam Hansen – Guitar and Backing Vocals
Paulo Ferraz – Bass
Jer Renaud – Drums

Shared Stage with:
The Lazys
Autowah
Mooch
Taming Sari
Midnight Tripper
Don’t Tell Sarah
Gilgamesh
Alpha Bootis
Eve of Uprise
Lazy Bratz
The Lackeys
Blood Moon Occultation
The Cosmic Crypt
Out of Lives
Nature Pleads Revenge
Wyntr
The Turning Lights
Holly Acres
Handsome Sandwich
Members have played with the following notable bands:
All That Remains
Henry Rollins Band
Lutharo
Firewind
Emmure
Mass Murder Messiah
The Anti Queens
Fifty Nutz
Insurrection
Anonymus
Barf
Warbringer
The Agonist

 

Members of the band played Montebello, Rockfest in 2014 and 2019.

0 EPK – Sin of God – Blood Bound (2025) (Exitus Stratagem Records)

  • December 30, 2024
  • by Asher
  • · EPKs · Sin of God (Exitus Stratagem Records0

EPK – Sin of God – Blood Bound (2025) (Exitus Stratagem Records)

Publicist – Jon Asher – exsr[@]ashermediarelations[.]com

For fans of Aborted, Bloodbath, Cattle Decapitation, Cryptopsy, Psycroptic

Band: Sin of God
Album Title: Blood Bound
Release Date: February 18, 2025
Label: Exitus Stratagem Records

Exsrmusic.com | Facebook.com/ExSRecords | Instagram.com/exsrmusic | Twitter.com/exsrm | Youtube.com/@Exitusstratagemrecords9577

Sinofgod.com | Facebook.com/sinofgodhu | Youtube.com/@sinofgodmusic | Instagram.com/sinofgodmetal

Sinofgod.bandcamp.com | Apple Music | Amazon

Digital Single pre-save – https://hypeddit.com/sinofgod/noreturn1​

CD pre-order – https://www.exsrmusic.com/store/p/sin-of-god-blood-bound-lp-cd

“The record is just killer, full of menacing death metal that doesn’t lean too hard into the old- or new-school sound; think a crossbreed of Book of Black Earth, Deicide, and Fleshgod Apocalypse sans opera, and you’ll have some idea of what these guys are like. Modern death metal fans will love the band’s technicality and production, while classic headbangers will dig their atmosphere and badass riffs. Definitely get into them.” – Metalsucks (Aenigmata  – 2016)

“Aenigmata is the band’s latest release, a merciless, destructive Death Metal album in its finest form. Inspired by the occult writings of Alchemy and the dissection of the faith in mankind, the album delivers much darkened and more ferocious sounds than the previous releases. Having a close kinship with bands like Morbid Angel, Immolation, Nile, Behemoth, Krisiun, Dead Congregation and the likes in terms of sonority, the opus is a perfect blending of unilluminated Traditional Death Metal & remorseless Brutal/Technical Death Metal.  The 09 tracked album is likely to be embraced by the fans of OSDM & Dark Themed  Technical Death Metal.” – Extreminal (Aenigmata  – 2016)

“The Hungarians from Sinf Of God play high-energy death metal, and when their riffs hit our eardrums, you get the impression that Attila himself is leading the wild hordes, leaving behind fields of destruction strewn with the corpses of enemies.” – KVLT (Aenigmata  – 2016)

“There’s very little to complain about “Aenigmata”, it sounds damn good, both from a musical and production perspective. The songs are varied and technical and it took a few spins for the record to settle but that normally is a good thing as it grows for each spin… it’s a solid Death Metal record and with this, I should go easily to it when digging out Brutal music.” – Metal Kaoz – (Aenigmata  – 2016)

[Download Album Cover | Download Album Lyrics]

Band: Sin of God
Album Title: Blood Bound
Release Date: February 18, 2025
Label: Exitus Stratagem Records
Track Listing:
1. Blood Bound (3:52)
2. Black Waves (4:16)
3. No Return (4:58)
4. The Unbelief (4:49)
5. Diabolical Agitation (7:44)
6. Obulus (3:28)
7. Cerebral Malfunction (4:02)
Album Length: 33:09
Album Credits:
Album recorded at: Denevér Hangstúdió, Hungary
Mixed and mastered by Sam Winslow/Sam Winslow Music
Album artwork by Tamás Kis
Album Band Lineup:
Tamás Schupkégel – Vocals
Tamás Kis – Guitar
Michele Gawen Augello – Bass
Balázs Botyánszki – Drums
Live Band Lineup:
Tamás Schupkégel – Vocals
Tamás Kis – Guitar
Krisztián Páncél – Bass
Balázs Botyánszki – Drums

=========================================================

About The Album Artwork:

It is metaphorically based on humanity’s current state in the light of human history. We wanted it to be realized in the style of Renaissance paintings therefore the contrast is extremely sharp between beauty and uglyness. Pure and evil. Perfect and deformed. Obviously, there are religious references, and Biblical characters, too.

About the album as a whole (LYRICALLY & MUSICALLY):

Blood Bound both lyrically and musically resonates with our present society. We are in decline and we haven’t got much time before we hit the bottom. There is less and less beauty in our present world. We are rapidly marching towards the rotting chaos. People do nothing about it. They destroy but do not build. So let it be!

Track by Track (LYRICALLY & MUSICALLY)

Blood Bound:
A pair of brothers who were separated in their childhood and were tormented, but after getting over their anger, they try to rule together again, but in the end they go crazy.

Black Waves:
An apocalyptic world created by the human mind from which there is no escape and the black waves of depression will forever engulf you.

No Return:
A person who cannot get rid of drugs and sacrifices everything is going to hell.

The Unbelief:
The story of a queen who refused the power of the gods. As punishment, one of the gods cursed her and drove her insane. She even killed her own child for her joy.

Diabolical Agitation:
At the temptation of the lord of hell, even the most pure-hearted virgin can join the power of darkness becoming the mistress of hell herself.

Obulus:
The hunger for money and its uselessness after death. After all, only the burial coin has value as payment for death.

Cerebral Malfunction:
The struggle with schizophrenia, at the end of which the original personality is lost forever and replaced by an evil one.

=========================================================

Fun Facts – Story Angles

1. In ancient times, Sin Of God performed together in a concert series with the band Farcry. After the performance, a guy came up to us and said: We came here with our band to laugh at you guys, we thought you were crap but you put on such a brutally good show!” This arrogant guy was Tamás Kis, the current guitarist of Sin Of God. Well, yes, we conquer everything and everyone!

2. When recording Aenigmata, one of the members at the time had a definite idea about the guitar sound. „It has to be raw and muddy!” – he said. The only problem was that everyone else thought the guitars sounded like crap that way. Since he had a reputation for being rather sudden in nature, we had to devise some ruse instead of open confrontation. We tricked our man into the pastry shop and had a good time while the guitarist secretly re-recorded the guitar tracks in the studio. By the time we got back, all the tracks had been replaced. Do you think he noticed the change? Let’s just say that the new guitars can be heard on the album. 😀

3. The following story is also connected to the recordings of Aenigmata. Our accommodation was in the studio. The sound engineer just got engaged to his classy girlfriend, who was also in the room where we were, for a very, very long time. The romantic nature of the story was enhanced by the fact that our guitarist at the time got gassy that very evening and farted all night. We must have made a lasting impression on the little lady!

L-R: Krisztián Páncél (bass) / Tamás Kis (guitar) / Tamás Schupkégel (vocals) / Balázs Botyánszki (drums)

Photo credit: László Varga/VARESZ.Fotó

In the spring of 2004, the band was born. After a few small concerts and recorded demos, we prepared the Satan Embryo EP in 2009, with which we were able to step up and do many foreign concerts. In 2012, our first album, entitled Limbus was released. There were many conterts to come with big names and we were able to play at prestigious festivals abroad. Aenigmata was published in 2016, which brought another step up. It recieved highly positive reviews from all over the world. After tours and foreign festivals, we started writing the third album, however, the process stopped due to member changes. We started working on Blood Bound in 2019 with the new members, but due to Covid, the goal could only be to write the album, but there were no point in playing concerts. This led to member changes again. We finally were able to record our new full-length, Blood Bound in 2022-23. The mixing and mastering processes were done in 2024 by the super-talented Sam Winslow. The outcome is a blast! We are ready to show the world what creative death metal is!

Discography:
2010 – Satan Embryo (Self-Release)
2012 – Limbus (PRC Music)
2016 – Aenigmata (Satanath Records)
2025 – Blood Bound (Exitus Stratagem Records)

Shared Stage with: Cryptopsy, Psycroptic, Lock Up, Holocausto Canibal, Benighted, Hour Of Penance, Malignancy

Tours and Festivals:
Death Coffee Party
Reykjavik Deathfest -2018

0 Jupiter Cyclops – Age of the UFOnaut (2024) (Rockshots Records)

  • December 21, 2024
  • by Asher
  • · EPKs · Jupiter Cyclops (Rockshots Records)
Jupiter Cyclops – Age of the UFOnaut – Out July 19th – Rockshots Records
Publicist – Jon Asher – jon[@]ashermediarelations[.]com
https://www.rockshots.eu | https://www.facebook.com/JupiterCyclopsArizona | https://www.instagram.com/jupitercyclopsaz/ | Spotify
Album order – https://bit.ly/JupiterCyclopsCD
“Seriously, Age of The UFOnaut is a stunning listening proposition, a forty minute mission to the heart of psych rock, and a glorious, freewheeling celebration of everything that’s great about heavy metal rock n’roll into the bargain. It’ll make you dance, it’ll make you bang your head, it’ll have you air guitaring until severe RSI sets in… all the good stuff. Get it into your ears as soon as you can. You won’t regret it!” – Sentinel Daily
“Taking their inspiration from the mid-1970s proto-metal and the New Wave Of British Heavy Metal, Jupiter Cyclops pay a nice homage to both of them. Age Of The UFOnaut feels like a cross hybrid of Dio and Motörhead between Aaron Peltz’s robust vocals and the potent rifts provided by former Opiate for the Masses guitarist Dustin Lyon. “Sinful Ways” is a standout track that manages to add a very subtle vocal distortion in a way that is not over done or distracting. With an album clocking in at a respectable forty minutes, Jupiter Cyclops doesn’t overstay their welcome and deliver a quick yet powerful debut.” – Heavy Music Headquarters

“This album should be quite the joyful experience for those who have a passion for guitar dominated hard rock from many eras, but perhaps most of all for those who love the classic era of that tradition but who also desire something that sounds just a little bit different. A solid, quality production through and through.” – The Viking in the Wilderness

“America’s Jupiter cyclops drop debut album AGE OF THE UFONAUT – 8 tracks of catchy riff driven heavy rock inspired by 70s British rock bands.” – Loud Enough? Magazine

“The album opens with the (sort of) title track UFOnaut. UFOnaut is a great melding of NWOBHM style riffs over doom/stoner tempo’s and pacing with 80’s hair metal shredding for the solo. The riffs are full of energy with some great guitar harmonies, the tempo is similar to Black Sabbath’s Children Of The Grave or masters of stoner rock, Wo Fat’s The Black Code. This works ridiculously well, particularly the massive singalong chorus, what a way to open an album… for a debut this is really impressive…” – Musipedia of Metal

Formed by scene veteran Aaron Peltz (Downthesun, On a Pale Horse) and joined by guitarist Dustin Lyon (Opiate for the Masses), bassist Jake Melius (Big Wheel Stunt Show), and drummer Kyle Eades (Old Fashion Assassin), JUPITER CYCLOPS is ready to set the rock world on fire!

Their debut album “Age Of The UFOnaut” is an electrifying blend of energy, rockin riffs, catchy powerful vocal melodies, and contagious grooves. Influenced by classic rock and NWOBHM, this album is for fans of Clutch, Deep Purple, Black Sabbath, Iron Maiden, and more. If you’re into UFOs, interstellar demons, and exploring the hidden parts of your mind, this is the album for you!

JUPITER CYCLOPS describes the album as: “The album has energy, rockin riffs, catchy powerful vocal melodies, and contagious grooves that you’ll want more of. Each song can hold its own. If you like UFOs, interstellar demons, and tapping into a part of your brain you didn’t know was there, this is for you.”

“Age Of The UFOnaut” was released on July 19th, 2024 from Rockshots Records.

Track Listing:
1. UFOnaut – 4:55
2. Between Worlds – 5:26
3. Sinful Ways – 5:10
4. Doomed – 5:47
5. Down From the Inside – 3:49
6. Chemical Voodoo – 5:23
7. Way Down Below – 5:58
8. Lumerian Nights – 4:21
Album Length: 40:49

JUPITER CYCLOPS are:
Dustin Lyon: Guitar
Aaron Peltz: Vocals
Jake Melius: Bass
Kyle Eades: Drums

0 EPK – Jupiter Hollow – Incivility (2024)

  • December 21, 2024
  • by Asher
  • · EPKs · Jupiter Hollow

EPK – Jupiter Hollow – Incivility (2024)

Publicist – Jon Asher – jon[@]ashermediarelations[.]com

Band: Jupiter Hollow
Release Date: November 22, 2024
Label: Self-Release
Distribution: Tunecore

JupiterHollow.ca | Facebook | Twitter | Youtube | Instagram 

Spotify | Apple Music

PROG Magazine Top #9 Unsigned band 2020

“If Jupiter Hollow are emblematic of the next generation of progressive metal bands, a bright tomorrow lies ahead. Hugely impressive.” – Prog Magazine.
​
“Comparisons to bands like Tool, Live, A Perfect Circle and Nine Inch Nails come easy and for good reason. This is the new generation of players who are putting their spin on all things progressive, industrial and synthy. The grandsons of Genesis and Yes, this is progressive rock for the youth of today who find the originators a bit to baroque for their tastes… Their sound is built to appeal to fans of so many genres and preferences it should be a slam dunk.” – Skulls n’ Bones
​
“JUPITER HOLLOW just produced the best prog metal album of all time this year, condensing, mixing and forging a hot musical steel here.” – Prog Archives
​
“Each track displays plenty of musicianship from this young duo, with vocals continuing to strengthen and songwriting solidifying.” – Heavy Music Headquarters
​
“A young Canadian duo ready to bring fans of complex music a spacey, experimental and refreshing experience… bursting with high-quality heaviness and progressiveness.” – The Headbanging Moose​

Band: Jupiter Hollow
Release Date: November 22, 2024
Label: Self-Release
Distribution: Tunecore

Single Credits:
All parts written and performed by Grant MacKenzie and Kenny Parry
Produced by Grant MacKenzie and Kenny Parry
Mixed by Zane Hawley of Shadow Studio Canada
Mastered by Joao Carvalho of Joao Carvalho Mastering
Single Artwork by Studio 204 Limited
Members of SOCAN
Music is Canadian Content

Single Recording Band Lineup:
Kenny Parry (drums, vocals, lyrics, synth)
Grant MacKenzie (guitar & bass)

Live Band Lineup:
Kenny Parry (vocals)
Grant MacKenzie (guitar)
John-Ryan Godfrey (Bass)
Nathaniel Reynolds-Welsh (Drums)

======================================================

Fun Facts – Story Angles:

1. We had our income confiscated at a show in Quebec by the local police and our performance was cut short due to the venue being illegal.

2. All official album drums are tracked in one take for each song and completely unedited, all recorded for video proof.

3. Our live performances feature focus-diverting visuals and conceptual and captivating costuming by vocalist Kenny Parry.​

L-R – Nathaniel Reynolds-Welsh – Drums – Grant MacKenzie – Guitar, Kenny Parry – Vocals, John-Ryan Godfrey – Bass

Pushing from one horizon onto the next, Toronto, Canada’s Jupiter Hollow’s growth has come a long way since making their debut as a duo in 2015. Led by the fearless Grant MacKenzie and Kenny Parry, this recording and songwriting powerhouse duo has transformed into a live quartet with the addition of John Ryan Godfrey (Bass) and Nathaniel Reynolds-Welsh (Drums).

Advancing their unique brand of progressive rock/metal, the band is presenting their latest single “Incivility” accompanied by a music video to close out their new music releases for 2024. “Incivility” serves as a bold statement, reflecting the band’s evolution both sonically and thematically. With its intricate arrangements, evocative lyrics, and captivating visuals, the single is a testament to the band’s relentless dedication to pushing artistic boundaries.

The band comments on the single:

“At its core, Incivility reflects humanity’s inner struggles, the relentless pursuit of purpose, and the emotional void created by modern distractions. The lyrics delve into themes of arrogance, wasted time, and the consequences of superficial existence, symbolized by “filming your bones”—a critique of documenting life rather than living it.

The song wrestles with the tension between ambition and the emptiness of unmet expectations, asking hard questions: At what cost do we chase our dreams? and How do we reconcile purpose with the pressures we hide? The recurring imagery of the “yawning cage of wasted love” evokes a profound sense of entrapment, urging listeners to confront the emotional weight of past mistakes while seeking true fulfillment.

Musically and lyrically, Incivility challenges listeners to reflect on their lives, embracing the discomfort of self-awareness while pushing forward with resilience. It’s both a cautionary tale and a call to action—demanding authenticity in a world that often values the opposite.”

With thought-provoking lyrics, unique vocal melodies, harmonies, powerful guitar riffs, unyielded songwriting, and Jupiter Hollow’s incessant desire to bring fans on a journey, there’s always something new to explore. Thus far they have two full-length albums under their belts: 2020’s “Bereavement”, and 2018’s “AHDOMN”, and they have another one in the works. Planning to release singles over the coming months, Jupiter Hollow will take the time to ensure a polished, impressive offerings song by song. The band wants nothing more than to make their art and share the experience with as many people as they can. Recommended for fans of Porcupine Tree, Coheed, and Cambria, Rush, and Protest The Hero.

Artist Endorsements: Ernie Ball, Ernie Ball Music Man, JH Audio

Discography:
2023 – Distant Shadow (single)
2020 – Bereavement – LP
2018 – Ahdomn – LP

Shared Stage with:
Protest the Hero, Bearings, Texas King, Hawking, I See Aura, Taking Balfour, Sky Caught Fire, Glass Lung, Chasing Shadows, Dizzy Mystics, Young Critters, We Are Human

Tours and Festivals:
2022 – Ontario CAN Headline Tour
2022 – GAINFEST – Guelph, ON
2021 – Kronik Kristmas Fest – Guelph, ON
2020-2021 – Bereavement Live-Stream Tour
2019 – Kronik Fest – Guelph, ON
2018-2019 – Ahdomn Tour
2018 – Kronik Kristmas Fest – Guelph, ON

0 EPK – Abolishment of Flesh – Resurrecting Misanthropy (EP) (2023)

  • December 14, 2024
  • by Asher
  • · Abolishment of Flesh · EPKs · Uncategorized

EPK – Abolishment of Flesh – Resurrecting Misanthropy (EP) (2023)

“This EP is short and sweet. I think people will dig it! There’s a little bit of something for everyone. We’re not just death metal, we throw in some black metal, melody, thrash, groove, and grind. We’ve been lucky enough to string in some fans who normally don’t listen to underground metal. I think our sound incorporates several aspects of metal and we don’t want to just stick to one formula.” – Ramon Cazares – Abolishment of Flesh

Publcist – Jon Asher – jon[@]ashermediarelations[.]com

Artist Management – Mark Kloeppel – Extreme Management Group – EMG.MarkKloeppel[@]gmail.com

For fans of Kataklysm, Suffocation, Deicide, Goatwhore, Amon Amarth

Abolishmentofflesh.com | Facebook.com/abolishmentoffleshofficial | X.com/abolishmenttxdm | Youtube.com/@abolishmentoffleshofficial | Instagram.com/abolishmentoffleshofficial

Abolishmentofflesh.bandcamp.com | Spotify

“The song’s (Disavowed) lyrics are eloquent but crushing — a narrative of broken men, hollowed out, filled with prolonged misery, and now “apathetic, hater of life, a mockery and in distress,” entertained only by the suffering of others, begging for death, and “awaiting the cleansing with blood / Adorned with nails and a crown of thorns.” As dark as the words are, the song is equally dark. From the beginning, harsh and heavy slashing chords and chant-like tones cast a grim cloud, backed by head-moving beats, and the searing intervention of the writhing lead guitar feverishly spreads despair. When gritty growls come in, the riffing spasms. When the voice transforms to rabid screams, the music slashes again but blazes in distress. The drums blast; the guitars swarm; the vocals wildly channel agony and rage; and quick jolts segment the violence. The darkness is unrelenting, but the song is also exhilarating, and it should appeal especially to fans of Deicide.” – No Clean Singing 

“Spiraling and crazed death metal from Amarillo, The Abolishment Of Flesh’s debut proves they aren’t messing around.” – Metal Injection (Inhuman Condition 2018)

 

[Download EP Cover | Download EP Lyrics]

Band: Abolishment of Flesh
EP Title: Resurrecting Misanthropy
Release Date: August 4, 2023
Label: Self-Release

Track Listing:
1. Words Defy Truth (4:00)
2. Hater of Man (3:23)
3. Disavowed (4:04)

EP Credits
All songs performed by Abolishment of Flesh
All songs written by Ramon Cazares
Produced by Ramon Cazares
Mixed and Mastered by Andrew Nagorski
Artwork by: Remy Cooper

EP Lineup:
Ramon Cazares – Guitars, Bass, Drums, Vocals
Izaak Chavez – Guitar

Live Session Musicians for this EP:
Jake Lahniers – Bass, Backing Vocals
Adrian Galindo – Drums
Joseph Howard – Drums
Saul Hernandez – Bass

===================================================

About The EP Artwork:
Our EP’s artwork represents death, the coming and anticipation and finally, the accomplishment of death.

About The EP:
The lyrics are themed around some pretty dark and aggressive topics. I like the idea of composing music based on those emotions and trying to create an atmosphere. It’s kind of like a soundtrack. Our album “In the Presence of Darkness” had a lot of personal emotion put into that. This release is a continuation of that experience. My family went through some dark times, and I was able to use that as inspiration. For me, music can be therapeutic. It’s like going to a rage room and smashing stuff.

Track By Track:

1. Words Defy Truth – This song is about the lies and manipulation by religious members.

2. Hater of Man – This is about a pregnant person who hates what’s inside them and basically rejects and abuses this being. After being born grows up with this rejection and hate that evolves to be worse than the mother to the point of a murderous hatred for man.

3. Disavowed – In a way, this could be a continuation of “Hater of Man”. It’s about a person that’s grown old and became misanthropic.

===================================================

Fun Facts – Story Angles

1. So our message is definitely anti-human and about death and destruction. We hope people read the message in our songs and can relate or understand its just our opinion and perspective,  mixed in with truth and sarcasm.

2. Despite our grim lyrics, when we get together for rehearsal and tour, we’re always joking around and having a good time. Totally the opposite of the theme of the band.

3. Except for our self-titled debut album, the rest of our releases have been recorded at my house. We are definitely a DIY band. Even in our music video for Behind Deceitful Eyes, all the props and imagery you see were created by us. It’s a lot more work to put in but the end result is much more gratifying when it’s all said and done.

4. Going on tour can be a lot of fun but it’s also very stressful. Despite everything that can possibly go wrong, I would never trade that experience for anything else. Most regular adults my age work and save money all year long to take that big vacation. Touring is like my vacation. On tour, you get to see the country, meet new people, and jam on stage with your bros. It’s all I ever wanted to do as a kid. I still have to go back home to a job and be a responsible adult. But on tour, it’s like being a different person and all your troubles and responsibilities are hundreds of miles away.

Live Lineup – Top Left – Ramon Cazares – Guitars, Vocals – Top Right – Izaak Chavez – Guitar

Bottom Left – Jake Lahniers – Bass, Backing Vocals – Bottom Right – Adrian Galindo – Drums

Birthed from the High Plains of West Texas, USA,  Abolishment Of Flesh emerged in 2008 as a brutal death metal weapon forged by founding member Ramon Cazares. Not long after their inception they released their debut self-titled album and hit the road on a rampage. 

The band’s next release “Decimation” came out in 2012 and was followed by the Brutal Alliance Tour in which they razed venues across the country. On a roll now, AOF once again headlined the now 5-week Brutal Alliance Tour in 2013 and released their devastating second full-length album “Creation to Extinction” at the end of the year.

Refusing to stay in the confines of a single genre, Abolishment Of Flesh looks to death, black, and thrash metal to hone their razor-sharp sonic arsenal. In 2018, they released the pummeling “The Inhumane Condition” and followed it up with “In the Presence of Darkness” in 2021. These destructive full lengths further cemented the band’s name in the local scene. 

Their lyrical content is shaped by war, violence, disease, corruption, and the systematic collapse of human civilization. Each track is a brutal autopsy of mankind’s fatal flaws combined with true metal artistry, a relentless commitment to musical creativity, and an uncompromising live performance that transforms every show into a battlefield of sound.

In 2023, AOF released “Resurrecting Misanthropy” a continuation of their musical warfare that will leave listeners shell-shocked and with ringing ears.

Discography:

2023 – Resurrecting Misanthropy EP
2021 – In the Presence of Darkness
2018 – Inhuman Condition
2012 – Decimation EP
2008 – AOF Debut
Shared Stage with: Suffocation, Carcass, Goatwhore, Vital Remains,  Decrepit Birth, Fallujah, Cattle Decapitation, Origin, Pyrexia, Immolation, Cephalic Carnage, Gorgasm, Beyond Creation, King Parrot, Marduk, Samael, Power Trip, Exmortus, Abysmal Dawn, Veil of Maya, Suicide Silence, Arsis, White Chapel, Psycroptic, We Came As Romans, Iwrestledabearonce and tons more.
Tours and Festivals:

2022 – Chicago Domination Fest
2020/2023 – Slam Dakota
2018 – Full Terror Assault
2018 – Spring Melt Down (Lake Tahoe)
2018 – Northern Colorado Death Fest
2016 – Heaven and Hell Fest (Mexico City)
2015 – Building Temples From Death (Texas)
2015 – OC Death Fest (California)
2013 – SO CAL Flesh Fest 2
2011 – Las Vegas Death Fest 3
2009-2015 – West Texas Death Fest

0 EPK – The Mourning – Hush (2024)

  • December 14, 2024
  • by Asher
  • · EPKs · The Mourning

EPK – The Mourning – Hush (2024)

Jon Asher – jon[@]ashermediarelations[.]com

“With “Hush” and its singles, we’re aiming to give fans a deeply immersive listening experience—one that takes them on a journey both musically and emotionally. The album is layered with dynamics, from delicate, introspective melodies to powerful, soaring sections that make you feel the weight of its themes.

We want listeners to feel a sense of catharsis, to reflect on their own struggles and triumphs while finding hope and strength in the music. Each song is designed to stand on its own as a unique story, but together, they form a cohesive narrative of overcoming adversity, exploring the human condition, and seeking connection—whether it’s with others, the divine, or one’s own inner self.

For fans of progressive music, we’ve woven in intricate instrumentals and vocal harmonies that reward deep listening. But at the same time, we’ve kept the heart of the songs accessible, so anyone can connect to the emotions behind them. It’s a balance we hope will make *Hush* resonate with both longtime fans and new listeners alike.” – The Mourning

For fans of Porcupine Tree, Polyphia, Haken, Opeth, Leprous

Band: The Mourning
Album Title: Hush
Release Date: June 24, 2024
Label: Self-Release

 Themourningmusic.com | Facebook.com/themourningmusic | Instagram.com/themourningmusic | Youtube.com/@themourningmusic

Spotify | Themourning.bandcamp.com

“The band blends mid to uptempo grooves while also introducing space and atmosphere in just the right places. Combining melody, technical/progressive musical elements, and harmony lead vocals, I feel this band caters to both musicians and non-musicians alike.” – Todd La Torre (Queensrÿche)

“The Mourning masterfully marries classic synth sounds, modern Haken-esque rhythms, and massive vocal hooks into a modern progressive package worthy of every fan’s undivided attention.” – Metal Injection

“In a world of clones, The Mourning is a true original and a breath of fresh air.” – Gear Gods

“‘Hush’ is a very pleasant surprise. It displays a lot of compositional variety, and offers a strong throwback to prog metal classics while also keeping a unique sound and mixing in unexpected elements. All band members deliver spectacular performances both from a technical and creative standpoint… it is certainly worth your time, and especially given that it’s a debut, I find it very impressive. 8/10” – The Prog Space

“With the release of “Hush”, the band continue to showcase their mastery to balance technical prowess with broader thematic appeal. The Mourning will most definitely make a big impact on the prog metal scene today and in the future.” – Metal Epidemic

“An impressive first album from a young band with room to grow. Fans of bands like Haken and Distrct 97 will enjoy this album. One to watch.” – Prog Radio

“Hush” a sensory treat that transcends the limits of perception.” – Roadie Metal

“US band The Mourning are out with the album “Hush”, and progressive metal is the style explored on this production. It is a distinctly accessible variety of the form we get with this band, with their take on this tradition more often than not revolving around a little bit of an ebb and flow movement. Usually with more delicate parts alternating with more powerful ones, from distinctly contrasting passages to parts that alternate with more of a subtle difference as to the dominant aspects of each of them. With a range in expression from delicate acoustic or semi-acoustic parts to booming and powerful guitar riff driven excursions. The songs will typically revolve around solid melodies rather than technical instrument details, and for my sake I did find some similarities in sound and execution with the more typical heavy metal bands of the 1980s. In this case with the powerful and melodic lead vocals probably having a lot to say for this association to be formed. An album to seek out if you tend to enjoy the more accessible parts of the progressive metal universe.” – The Progressor

 

[Download Album Cover | Download Album Lyrics]

Band: The Mourning
Album Title: Hush
Release Date: June 24, 2024
Label: Self-Release

Track Listing:
1. Chaos Machine – 4:57
2. The Mountain – 5:37
3. He Cries – 4:22
4. I Feel The Rain – 5:05
5. Hush – 5:04
6. The Wind – 4:40
7. My Own Way – 4:47
8. Cries of the Mind – 5:34
9. My Own Hell – 4:48
10. Smooth Seas – 7:02
Album Length – 52:56

Album Recording Credits:
● All songs performed by: The Mourning
● All songs written by: The Mourning
● Produced by: Alex Nasla (ASCAP Member) & David Alex
● Mixed by: Alex Nasla
● Mastered by: Alex Nasla
● Album Artwork by: Sam Shearon

Album Band Line Up:
● Johnny Ray – Vocals, Keyboards
● Alex Nasla – Keyboards (ASCAP Member)
● Loren Whitaker – Bass
● Jason Berlin – Drums
● Eliana Blanchard – Backing Vocals
● Brandon Delpino – Backing Vocals
● Francesco Pinter – Guitar

Guest Musicians:
1. Charlie Robbins (Syncatto, Artificial Language)
○ Track: Chaos Machine
○ Contribution: Guitar Solo
2. Trey Xavier (In Virtue)
○ Track: Smooth Seas
○ Contribution: Guitar Solo
3. Jeff Pogan (Suicidal Tendencies, Oneironaut)
○ Track: Cries of the Mind
○ Contribution: Guitar Solo

Live Band Line Up:
● Johnny Ray – Lead Vocals
● Zai Alyenora – Lead Vocals
● Jason Berlin – Drums
● Alex Nasla (ASCAP Member) – Keyboards, Backing Vocals
● Francesco Pinter – Guitar

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About The Album Artwork:
The artwork for the single “The Mountain” by The Mourning is striking and symbolic, evoking themes of enlightenment, resilience, and a connection to nature. It features a silhouetted figure whose head is exploding into light and fragments, symbolizing an intense spiritual awakening or divine revelation. The glowing light emanating from the head creates a halo effect, emphasizing a sense of transcendence or connection to something greater.

The figure holds a glowing orb near their chest, radiating power and energy, which could represent inner strength or a source of divine guidance. The background is dark and atmospheric, with misty clouds and a suggestion of water or a mountainous terrain, reinforcing the natural and mystical themes of the song.

The band’s logo, featuring intricate, gothic-style lettering, sits prominently on the artwork, giving it a timeless, almost otherworldly feel. Below, the song title “The Mountain” is displayed in bold, elegant lettering, grounding the viewer with the title’s significance. This artwork beautifully captures the essence of the track, blending visual metaphors with the emotional depth of the music.

About The Album:
“Hush” is a powerful journey, both lyrically and musically, showcasing The Mourning’s ability to blend intricate compositions with deeply resonant storytelling. Lyrically, the album explores themes of struggle, resilience, self-discovery, and spirituality. Each song feels like a chapter in a larger narrative, touching on universal emotions while remaining deeply personal and introspective.

Musically, “Hush” combines progressive metal’s complexity with a strong emphasis on melody and emotional depth. The dynamic shifts—from soft, introspective moments to powerful, soaring crescendos—create a rich and immersive listening experience. The dual-vocal dynamic between Johnny Ray and Zai Alyenora adds another layer of emotion and nuance, bringing the lyrics to life in a truly unique way.

The band’s progressive influences shine through in the intricate arrangements and unexpected twists, while the strong melodic foundation ensures that the songs leave a lasting emotional impact. *Hush* is an album designed to inspire reflection, catharsis, and connection, offering a musical journey that resonates long after the final note.

Track By Track:

1. Chaos Machine – “Chaos Machine” is a deep exploration into the lives of individuals who are perpetually engulfed in chaos, showcasing the stark connection between a nihilistic worldview and their ultimate demise. The song paints a vivid picture of how a lack of purpose and meaning can spiral into self-destruction, offering a poignant commentary on human behavior.

Featuring a guest solo from the acclaimed guitarist Charlie Robbins (Syncatto, Artificial Language), known for his virtuosic skill and innovative style, the track combines intense instrumental prowess with compelling lyrical themes. The music is a rich tapestry of contrasting emotions, blending an upbeat tempo with a hauntingly catchy melody and a chorus that lingers in the mind.

“Chaos Machine” is not just a song; it’s a journey through the tumultuous landscapes of the human psyche. Its rhythm and energy pull the listener into a dynamic soundscape, making it both a thrilling and thought-provoking experience. The song’s infectious rhythm and memorable hooks make it a standout piece.

2. The Mountain – “The Mountain” was written while overlooking the Appalachian Mountains in North Carolina, capturing the serene experience of escaping the city’s hustle and bustle. This song reflects how such tranquility can bring a closer connection to ones inner devine.

The track starts with a soft, beautiful melody that mirrors the peacefulness of the mountains, gradually evolving into a powerful prog metal anthem. This transition symbolizes the awakening of deeper spiritual consciousness.

As the song progresses, intricate instrumental layers and complex rhythms emerge. The soaring vocals deliver emotional intensity, with lyrics infused with themes of nature and spirituality. The climax features catchy cadences and commanding guitar riffs, blending technical prowess with melodic sensibility.

“The Mountain” showcases a blend of introspective themes with powerful musical expression, inviting listeners on a journey of self-discovery and spiritual awakening amidst nature’s grandeur.

3. He Cries – The human design is strange: it’s based on psychological archetypes that fit together like a lock and key. This results in a paralyzing standstill where some people constantly radiate their emotional status, while others absorb and reflect these emotions. From this, we conceived the idea of a superperson: someone who could not only take on our emotional distress but also remove it. This concept still leads millions to implore a divine power in the face of suffering, instead of taking action themselves.

With “He Cries,” a melancholic song from the upcoming album “Hush,” we addresses this universal human tendency. This track, features the soulful intro of keyboardist Alex Nasla (ex-Witherfall) and showcases the band’s ability to create a powerful and atmospheric soundscape. Johnny Ray and Eliana Blanchard deliver a performance that turns the world’s cries of despair into an acoustic beauty and harmony reminiscent of prayer chants.

The song advocates that man-made problems should be solved by humans, not by divine intervention. “He Cries” empowers listeners by reminding them of their own power of creation.

4. I Feel The Rain – “I Feel the Rain” is a simple yet profound piece that embodies a delicate melody intertwined with a soft prog groove. This song is about embracing and appreciating all that life has to offer, whether it’s sunny and bright or rainy and somber. It serves as a poignant reminder to feel gratitude in every moment, irrespective of the circumstances.

The inspiration behind “I Feel the Rain” stems from the idea that every experience in life, whether positive or negative, contributes to our overall journey and growth. The gentle melody and subtle prog elements create a soothing and reflective atmosphere, encouraging listeners to pause and appreciate the nuances of their everyday lives.

The lyrics convey a sense of serenity and acceptance, inviting listeners to find beauty and joy even in the most unexpected places. By celebrating both the highs and lows of life, “I Feel the Rain” promotes a mindset of continuous gratitude, reminding us that each moment, no matter how ordinary, holds its own unique value and significance.

Through this song, we aim to inspire a deeper appreciation for the present and foster a sense of contentment that transcends life’s inevitable ups and downs. It’s a heartfelt tribute to the power of gratitude and the simple joys that make life truly meaningful.

5. Hush – “Hush” is a thought-provoking song that delves into the themes of censorship and the enslavement of humanity. The lyrics are meticulously crafted to resemble propaganda, repeating the same commands and lies over and over again. These commands urge people to keep their mouths shut and perpetuate the false notion that nothing can be done to stop those who seek to control speech and thought in the world.

The inspiration for “Hush” stems from the growing concern about the suppression of free speech and the manipulation of public opinion. The song aims to highlight the insidious ways in which those in power can stifle dissent and control the narrative, creating an environment where truth is overshadowed by repeated falsehoods.

Musically, “Hush” is characterized by its ominous and mesmerizing melodies, which create a haunting and confounding atmosphere. The track draws the listener in with its dark, intricate layers and unsettling progressions. The eerie ambiance is further enhanced by Thomas Griggs guest guitar solo, adding a unique and chilling dimension to the song. His solo weaves through the track with an ominous, almost hypnotic quality, amplifying the song’s overall sense of foreboding and tension.

The song serves as a stark reminder of the dangers of censorship and the importance of maintaining the freedom to speak and think independently. It urges listeners to recognize and resist the subtle ways in which control is exerted over their minds and voices. “Hush” is not just a song; it’s a call to awareness and action, encouraging people to question the narratives they are fed and to fight against the forces that seek to silence them.

6. The Wind – “The Wind” is a poetic and evocative song that captures the essence of a timeless and powerful force moving through our lives. With vivid imagery and profound metaphors, the lyrics paint a picture of renewal, guidance, and transformation.

Musically, the song starts with a catchy guitar and drum rhythm, accompanied by a soft, awe-inspiring vocal melody. As the track progresses, it grows into a progressive epic, featuring a memorable chorus that encapsulates the themes introduced in the verses. The climax of the song features a huge and epic pipe organ fugue, masterfully written by John Richardson, which then transitions seamlessly into an intimate and beautiful nylon guitar piece.

“The Wind” blends intricate musical arrangements with thought-provoking lyrics, creating an immersive and uplifting experience that we believe will resonate deeply with listeners. This song invites you to reflect on the unseen forces that shape our lives, carrying a message of hope and inspiration.

7. My Own Way – “My Own Way” is a soft prog rock song that captures the essence of 70s bluesy guitar work, blending it with modern progressive rock elements. The track features intricate guitar riffs and soulful melodies, creating a nostalgic yet refreshing musical experience.

The song delivers a powerful message about self-determination and resilience. It explores the struggle against controlling, narcissistic individuals who attempt to dictate your path in life. Themes of overcoming manipulation, recognizing the need for independence, and not letting nostalgia cloud your judgment are woven throughout the song.

Musically, “My Own Way” starts with a reflective and intimate introduction, gradually building into a compelling progressive rock epic. The vocal melodies are distinctively proggy, adding depth and complexity, while the chorus is irresistibly catchy, staying with you long after the song ends.

With its heartfelt themes and skillful musicality, “My Own Way” resonates with anyone who values their independence and recognizes the importance of going their own way.

8. Cries of The Mind – “Cries of the Mind” is one of our most introspective and emotionally charged songs. It was inspired by the struggles of mental health and the inner turmoil that many people face but often keep hidden. We wanted to create a piece that not only reflects the chaos and confusion within the mind but also offers a sense of solidarity and understanding to those who feel isolated by their experiences.

Musically, the song starts with a haunting melody that builds into a powerful and complex arrangement, mirroring the escalating intensity of inner struggles. The lyrics are designed to resonate deeply with listeners, acknowledging the pain and confusion while also encouraging them to confront and embrace these feelings as a step towards healing.

We hope that “Cries of the Mind” serves as a reminder that they are not alone in their battles. By shedding light on these often-hidden struggles, we aim to foster a sense of community and empathy among our listeners, encouraging open conversations about mental health. Ultimately, we want the song to be a beacon of hope, showing that even in the darkest times, there is a way forward.

9. My Own Hell – “My Own Hell” delves into the concept of hell, not as a physical place, but as a state of mind where people can trap themselves. The song explores how individuals often become their own jailers, locking themselves in a personal hell of despair and crisis, unaware that they hold the key to their own liberation. Deep emotions and negative intrusive thoughts can override logic, making escape seem impossible.

Musically, the track is heavy and dynamic, featuring epic melodies and soaring, belting vocals that convey the intensity of the subject matter. The song journeys through various musical landscapes, reflecting the tumultuous nature of these internal struggles. It culminates in a dramatic electronic drum and bass ending, symbolizing the complex and often twisting path to self-realization and freedom. It’s frantic, claustrophobic, and attempts to bring the listener into the mind of a person’s mental hell.

We hope that “My Own Hell” resonates with listeners who may be facing similar battles, encouraging them to recognize their own power and agency. The message is that while the path out of personal hell is fraught with challenges, it is ultimately within their control. By acknowledging their inner strength and confronting these emotions, they can find the way out and reclaim their lives. This leads beautifully into the final song on the album, “Smooth Seas”

10. Smooth Seas – “Smooth Seas” draws its inspiration from the adage, “Smooth seas do not make skillful sailors.” The song emphasizes that true strength and resilience are developed through navigating life’s storms and rough waters. It’s a reminder that calm times alone don’t build character; it’s the adversities and challenges we face that shape us into who we are.

Musically, “Smooth Seas” begins with a tranquil and reflective introduction, reminiscent of a calm sea at dawn. Gentle, soothing melodies set a contemplative tone, symbolizing the peaceful moments in life before the inevitable storms. As the song progresses, the instrumentation gradually intensifies, incorporating powerful and uplifting elements that mirror the experience of sailing through tumultuous waters. This dynamic shift represents the journey through life’s challenges and the inner strength required to weather them.

Lyrically, “Smooth Seas” explores the themes of resilience and personal growth, using the metaphor of sailing to illustrate life’s journey. The lyrics describe the process of navigating through rough seas and stormy weather, likening it to overcoming personal hardships and adversity. The chorus serves as a powerful reminder that it is through facing and conquering these difficulties that we become stronger and more resilient.

The song features intricate instrumental passages, blending elements of progressive rock with soulful and emotive melodies. The crescendos and swells in the music evoke the feeling of riding the waves and battling the elements, capturing the essence of struggle and triumph. This struggle is especially emphasized in the bridge of the song where the music gets frantic and the drums shift from a typical rock beat to death metal style blast beats. The climax of the song symbolizes the moment of overcoming the storm, followed by a gentle resolution that reflects the calm, clarity, and strength found after adversity.

“Smooth Seas” aims to inspire listeners to embrace their challenges and view them as opportunities for growth, rather than obstacles to be feared. The song is a testament to the human spirit’s ability to persevere and emerge stronger from life’s trials, much like a sailor who becomes more skilled and confident after navigating through rough waters. It encourages listeners to face their personal storms with courage and resilience, knowing that the experience will ultimately lead to personal growth and a deeper sense of self.

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Fun Facts – Story Angles

1. A Band Built on Resilience
The Mourning was born out of Johnny Ray’s personal journey through struggles like anxiety, PTSD, and depression. The band’s music is not just art; it’s a form of therapy and a message of hope to anyone dealing with life’s challenges. Their latest album Hush is a testament to the healing power of music.

2. A Last-Minute Hero Saves the Album
Three days before recording Hush, the band discovered that their guitarist hadn’t learned the material. Taking a bold risk, they flew in Francesco Pinter from Italy, a friend of Johnny’s who they barely knew at the time. Francesco not only learned the parts but recorded the entire album in five weeks and later joined the band permanently.

3. Dual Vocal Dynamics Like No Other
The Mourning’s live performances stand out with the unique interplay between Johnny Ray’s commanding vocals and Zai Alyenora’s emotive delivery. This dual-vocal approach creates a richness and emotional depth that fans consistently praise as one of the band’s defining features.

4. Rooted in Spirituality and Complexity
The Mourning’s lyrics often draw from Johnny Ray’s deep interest in both Orthodox and Esoteric Christianity, blending philosophical and spiritual themes with introspection. This makes their music not just an auditory experience but a spiritual one, inviting fans to explore deeper questions about life and existence.

5. A Global Connection, Local Roots
While based in Florida, The Mourning has a global presence with members like Francesco Pinter residing in the Dolomite Mountains of Italy. This blend of international influence and local camaraderie gives their music a unique flavor, blending cultures and styles seamlessly.

Left to Right: Jason Berlin(Drums), Eliana Blanchard(Vocals), Francesco Pinter (Lead Guitar), Johnny Ray(Lead Vocals), Alex Nasla(Keyboards)

Photos by Carolyn Slavenas

We are The Mourning, a progressive metal/rock band formed in 2017, driven by a shared need to express the complex ideas we’ve been developing over the years. From the start, our goal has been to create music that blends intricate structures with deep, emotive storytelling. It all began when Johnny Ray and Jason Berlin joined forces, crafting a sound that explores the struggles of life and the challenges of the modern world.

Our debut EP, “Theosis,” was an experimental project centered around keyboard-driven compositions. As we’ve grown, our sound has naturally evolved to highlight guitars, a transition that’s powerfully showcased in our latest album, “Hush.” This album features the exceptional guitar work of Berklee alumnus Francesco Pinter and includes stunning guest solos from notable musicians like Charlie Robbins of Syncatto and Artificial Language, Thomas Griggs of Intervals, Jeff Pogan, formerly of Suicidal Tendencies, and Trey Xavier of Gear Gods. Alex Nasla served as both producer and keyboardist on “Hush,” bringing his signature synth and orchestral touch, ensuring the album’s sound is both dynamic and cohesive.

“Hush” dives into themes like censorship, personal struggles, and the search for freedom, blending progressive rock, jazz metal, and other eclectic influences. Our current lineup includes Johnny Ray, Zai Alyenora, Alex Nasla, Jason Berlin, and Francesco Pinter.

We’re gearing up to support “Hush” on the road, bringing our powerful and dynamic live performances to fans. We’re always writing new material, pushing the boundaries of our sound, and aiming to connect deeply with our audience. Committed to exploring life’s complexities through our music, we’re ready to embark on the next chapter of our journey.

Discography:
2018 – Theosis EP
2024 – Hush LP

0 EPK – ABZY – Hollow Bloom (2024)

  • December 12, 2024
  • by Asher
  • · ABZY · EPKs

EPK – ABZY – Hollow Bloom (2024)

Publicist – Jon Asher – jon[@]ashermediarelations[.]com

“My new album Hollow Bloom arrives this December, and I can’t wait for you to experience it. This 10-track journey dives into the beauty of contrasts-soft, intimate sounds meet heavy, intense moments, all woven together to tell a story of growth and transformation. Hollow Bloom is for anyone who’s felt the pull between light and shadow, the challenge and beauty of change. This project is deeply personal, and sharing it with you is a dream. Let’s go on this journey together.” – ABZY

For fans of Linkin Park, 30 Seconds to Mars, Bad Omens, I Prevail, Silent Planet, Sleep Token, Spiritbox

Abzy.komi.io | Instagram.com/iabzyi | Youtube.com/@iabzyi/videos | Tiktok.com/@iabzyi |
Twitch.tv/iabzyi
Spotify | Apple Music | Anghami
[Download Album Cover | Download Album Lyrics]

Album Title: Hollow Bloom
Release Date: December 12, 2024
Label: Self-Release
Distribution: Distrokid

Track Listing:
1. Mirror ft. Taifi (3:40)
2. Snake ft. Deadleaf (3:00)
3. Gone (4:24)
4. Hurricane (4:10)
5. Karma (3:40)
6. Mistakes (3:34)
7. Twisted Mind ft Dusk (3:18)
8. Haven (3:50)
9. Influencer ft. Lio (4:15)
10. Broken World ft. Follow the Hunter (6:00)
Album Length: 38:19

Album Credits:
Album produced/written/mixed/mastered by ABZY
Album artwork by ABZY

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About The Album Artwork

The album cover features a flower that bloomed in a hollow, symbolizing growth in an imperfect place and time. It represents resilience, striving to thrive despite the challenges and negativity surrounding it.

The Album as a whole (LYRICALLY & MUSICALLY)

Hollow Bloom arrives this December, and I can’t wait for you to experience it. This 10-track journey dives into the beauty of contrasts—soft, intimate sounds meet heavy, intense moments, all woven together to tell a story of growth and transformation. Hollow Bloom is for anyone who’s felt the pull between light and shadow, the challenge and beauty of change. This project is deeply personal, and sharing it with you is a dream. Let’s go on this journey together.

Track by Track (LYRICALLY & MUSICALLY)

Mirror – This track explores the journey of self-recovery, reflecting on the need to heal from past trauma and the struggle of facing one’s own reflections to move forward.

Snake – This song addresses the toxic individuals who destroy good friendships, spreading drama and talking behind your back, all while pretending to be something they’re not.

Gone – This track is about missing a family member deeply, longing to see them again, and wishing you could share everything that has happened in life since they’ve been gone.

Hurricane – This song delves into the concept of life as a toxic relationship—chaotic, destructive, yet somehow irresistible. It reflects the internal struggle of letting go of something harmful, even when you’re caught in its storm.

Karma – This track is a reminder that “what goes around, comes around.” It explores how our actions shape our future and emphasizes the importance of choosing kindness and positivity in everything we do.

Mistakes – This song reflects on the mistakes we’ve all made in the past, exploring the idea of what it would be like if we had the chance to go back and change them. It’s about regret, reflection, and the desire for second chances.

Twisted Mind – This track delves into how the mind can cling to illusions and embrace falsehoods, ultimately trapping you in an inescapable void. It explores the destructive power of self-deception and the struggle to break free from it.

Haven – This song is about the idea of HAVEN as a place of safety, refuge, and comfort—offering protection from danger and distress. It explores the deep human need to find a sanctuary, a place where we can feel secure and at peace.

Influencer – This song addresses how we live in an era where many influencers promote harmful behavior, spreading negativity that deeply impacts the youth and shapes their mindset in unhealthy ways. It’s a critique of the power and responsibility influencers hold in today’s world.

Broken World – This track critiques how politics has become a playground for greed and hatred, driven by the wealthy at the expense of the people. It contrasts this with the simple desire of ordinary individuals for peace and stability—fundamental rights that should be available to everyone. The song questions why these rights are being denied.

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Fun Facts About Hollow Bloom:

1. Collaborative Spirit – I didn’t work alone on every track! For several songs, some of my close friends joined the creative process, adding their unique touch to the album.

2. Personal Growth – Hollow Bloom isn’t just a musical project; it represents Abzy’s evolution as an artist. From writing to production, the album showcases a significant leap in both skill and artistic vision.

3. A Symbol of Resilience – The album cover, featuring a flower that blooms in a hollow, represents the idea of growth and beauty despite adversity—symbolizing Abzy’s journey as an artist and the album’s central themes of perseverance and self-healing.

4. The Power of Reflection – Many tracks, including Mirror and Mistakes, revolve around self-reflection and the desire to grow from past experiences. It’s a deeply introspective album, perfect for listeners who appreciate personal storytelling.

5. Interactive Creativity – I often live-streamed the music creation process on platforms like TikTok and Twitch, collaborating with fans and sharing ideas in real time. This interactive approach helped shape some of the tracks and made the fans a part of the journey.

6. Overall, Hollow Bloom is a deeply emotional and powerful album, offering a unique blend of metal, rock, and introspective storytelling. Abzy has created an album that not only resonates with personal experiences but also encourages listeners to reflect on their own lives, their struggles, and their growth.

Kuwaiti singer-songwriter and metal enthusiast, ABZY (frontman of WAZIN and former vocalist & guitarist of Srai) returns to close out 2024 with his debut full-length album “Hollow Bloom” out now as of December 12, 2024.

Embracing the energy of METAL, Middle Eastern roots, along with a global music palette and his personal experiences, he has fashioned it all to present a 10-track journey. The record dives into the beauty of contrasts-soft, intimate sounds meet heavy, intense moments, all woven together to tell a story of growth and transformation. Hollow Bloom is for anyone who’s felt the pull between light and shadow, the challenge and beauty of change. This project is deeply personal ABZY, and sharing it with the world is his dream.

“I’ve always longed to be heard and to share my stories with the world. Through making music, I discovered the perfect outlet—it feels like the most natural path for me, my true calling, and my sole purpose in life. I believe fans will truly enjoy the album because it offers a diverse blend of vibes, ensuring there’s something for everyone to connect with. I want listeners to connect with the music and enjoy the journey it takes them on. I also hope to show them that, in today’s world, anyone can create meaningful art—even from the comfort of their own bedroom. Grateful for your support, join me on this musical journey, Much love!” adds ABZY.

“Hollow Bloom” is a raw, introspective exploration of the human experience, blending metal, rock, and soft tones into a compelling sonic journey. ABZY’s powerful songwriting captures the emotional turmoil of past trauma, the weight of toxic relationships, and the universal search for peace, all wrapped in a perfect balance of aggressive and soothing melodies.

From the opening track, Mirror, which delves into self-recovery, to the closing song, Broken World, a poignant critique of societal issues, Hollow Bloom never shies away from confronting life’s toughest challenges. Each track feels deeply personal, yet universally relatable. Songs like Snake and Hurricane convey the pain of betrayal and toxic relationships, while Karma and Mistakes reflect self-awareness and growth. Influencer is a sharp critique of the impact of social media, making a powerful statement on the responsibility of modern influencers.

The album’s emotional depth is balanced by its musical versatility. The heavy riffs and pounding drums create intense moments, while softer, more introspective moments offer respite. This ebb and flow of energy adds an unpredictable yet cohesive dynamic to the album, keeping listeners hooked from start to finish. Hollow Bloom isn’t just an album; it’s an experience.

“I initially planned to release these songs as singles, but my fans have been asking for an album, so I decided to give them what they wanted. Plus, I already have other songs ready to release next year!” adds ABZY.

People can expect an amazing time and incredible energy from the live shows. ABZY has plans in 2025 for live performances to leave everyone with a smile on their faces and a spark of inspiration in their hearts.

Recommended for fans of Linkin Park, 30 Seconds to Mars, Bad Omens, I Prevail, Silent Planet, Sleep Token, and Spiritbox, ABZY’s debut album “Hollow Bloom” is available on digital platforms.

Discography:
2024 – Hollow Bloom – LP
2021 – Self-Titled – EP
 
Festivals:
Metal Fest – Bahrain – May-26-2023
Desert Inferno – Dubai – March-18-2023
Hard N Heavy Qatar – May-19-2023
Spectrums Over Jeddah – Saudi Arabia – May-12-2023
XP Music Futures – Riyadh, Saudi Arabia – Dec-7-2023
Riyadh Music Week Saudi Arabia – Dec-9-2024

Shared Stage with: Sound of Ruby, Dune, Dusk

0 EPK – Dehumanizing Itatrain Worship – Brutal Panzer (single) (2024) (Gore House Productions)

  • November 30, 2024
  • by Asher
  • · Dehumanizing Itatrain Worship (Stillbirth Records/Gore House Productions) · EPKs

EPK – Dehumanizing Itatrain Worship – Brutal Panzer (single) (2024) (Gore House Productions)

Publicist – Jon Asher – gorehouse[@]ashermediarelations[.]com

“Brutal Panzer” is the second single we released for our new album coming in 2025. We revised it many times and finally completed it in November this year. It returns to some of our 2016 styles but also includes many new ideas.” – Kiryu Zhang – Vocals

For fans of Ingested, Hanabie, Maximum the Hormone, Vulvodynia, Waking the Cadaver

Facebook.com/DehumanizingItatrainWorship | Youtube.com/@dehumanizingitatrainworship

| Instagram.com/dehumanizing_itatrain_worship

Dehuitaworship.bandcamp.com | Spotify | Apple Music

“If the only thing the band had was a well-executed gimmick, I likely would have lost interest by now. One of their main strengths is that the core sound would hold up even if the gimmick was taken out.” – The Goat Review

“China’s Dehumanizing Itatrain Worship took the internet by storm with their debut EP μ’Sick.” – MetalSucks

“Dehumanizing Itatrain Worship made a mark on the metal community with head-spinning brutality accompanied” – Unite Asia

[Downlaod Single Cover | Download Single Lyrics]

Band: Dehumanizing Itatrain Worship
Single Title: Brutal Panzer
Release Date: December 12, 2024
Label: Stillbirth Records
Distribution: Gore House Productions

Track Lengths:
Brutal Panzer – 3:20
Brutal Panzer (Instrumental) – 3:20
Total Single Length: 6:40

Single Recording Credits:
All songs performed by: Dehumanizing Itatrain Worship
Vocals: Kiryu Zhang
Guitar: Jiakang Hu
Bass: Zen
Drums: Derek
Composer: Khezk
Produced by: Izurus
Mixed & Mastered by: Hiatus Records
Arrangement: Dehumanizing Itatrain Worship / Senjougahara Yosei / Izurus
Cover Art: Nanjijun

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About The Single Artwork:

Kiryu: As before, we asked Nanjijun to create the crazy guro-style cover art for us.

About the song:

Kiryu: This song was inspired by the anime Girls und Panzer. We really love the military otaku culture in the anime, so we created a song with cute melodies but still brutal, just like the characters in the anime who are kawaii girls but drive tanks into battle.

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Fun Facts – Story Angles

1. In our 2018 split album, I didn’t actually write any lyrics; all vocals were just meaningless gutturals.

2. Dehumanizing Itatrain Worship was initially supposed to be a grindcore band.

3. The vocals on our first EP sounded extremely overloaded, but it wasn’t intentional—the vocal accidentally increased the volume when exporting.

4. Most people think we are from Japan, but we are actually from China.

5. The band’s name originated from a meme in China in 2014.

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Dehumanizing Itatrain Worship was founded in 2014 by lead vocalist Kiryu Zhang. The initial lineup included Kiryu Zhang, Itsuca, composer Khezk, guitarist Senjougahara Yousei, and guitarist Nibiru. In 2016, the band completed their debut EP “μ’Sick” and released it on Bandcamp and the Slam Worldwide channel. They also used this EP to participate in Japan’s largest doujinshi market, Comiket Market, where it received excellent feedback. Following this success, the band signed with Stillbirth Records to prepare for future releases. The EP has since accumulated over two million streams on Spotify.

In 2018, the band was invited by the American grindcore band Cheerleader Concubine to collaborate on an eight-track split album. However, due to personal commitments, most of the original members, except Kiryu Zhang and Khezk, left the band. Despite this setback, the band continued to compose new material and eventually found a new guitarist, Jiakang Hu, in 2019. With the new lineup, Dehumanizing Itatrain Worship completed their first full-length album, which was released in 2023.

In 2024, the band welcomed Zen on bass and Derek on drums, solidifying the current lineup. Dehumanizing Itatrain Worship embarked on the “Brutal Impact” China tour and participated in numerous indoor music festivals across China. They also took part in the death metal festival Deathfeast Open Air in Germany and held a successful headlining show in Thailand.

Achievements:

  • Released debut EP “μ’Sick” in 2016
  • Collaborated on an eight-track split album with Cheerleader Concubine in 2018
  • Completed and released their first full-length album in 2023
  • Embarked on “Brutal Impact” nationwide tour in China
  • Participated in the death metal festival Deathfeast Open Air in Germany
  • Headlined a show in Thailand
  • Reached over one million streams on Spotify for each album/EP

Current Projects: Dehumanizing Itatrain Worship is currently working on their next full-length album, with plans to release it in 2025. The band continues to tour and perform live, building on their growing fanbase and reputation in the brutal death metal and anime slam scenes.

Discography:
2024 – Brutal Panzer (single)
2024 – Song of the Neet (Single)
2023 – Otakuslam♡Animecide (Full-length)
2023 – $moke Halation (Single)
2022 – Eien Parasites (Single)
2018 – The Divine Union of Serrated Flesh (Split)
2016 – μ’Sick (EP)

Shared Stage with: Waking the Cadaver, Guttural SLug, Disentomb, Stillbirth, Korpse

Tours and Festivals:
2023 – Anime Conflict – Hangzhou, CN
2024 – Deathfeast Open Air – Andernach, DE
2024 – Brutal Impact – Chengdu, CN
2024 – Brutal Impact – Xi’an, CN
2024 – Brutal Impact – Nanning, CN
2024 – Brutal Impact – Beijing, CN
2024 – Brutal Impact – Guangzhou, CN
2024 – Anime Conflict – Bangkok, TH
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