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Category: EPKs

0 EPK – Crüzer – Look to the Skies (2025)

  • May 12, 2025
  • by Asher
  • · Cruzer · EPKs

EPK – Crüzer – Look to the Skies (2025)

Publicist – Jon Asher – jon[@]ashermediarelations[.]com

“I think this album will be well received by any thrasher who loves a bit of melody with their mosh fodder. While in the studio, we made sure that these songs were honed and shone to perfection, with a good bit of melody and catchiness thrown into the madness. We’re trying to offer a thrash buffet of sorts, a smorgasbord full of different flavours of speed, melody, and attitude.” – Eric Willmott (lead vocals) – Cruzer

For fans of Havok, Exodus (Zetro era), Destruction, Metallica (ride the lightning-era)

Cruzermuzik.carrd.co | Facebook.com/cruzermuzik | Instagram.com/cruzermuzik

X.com/cruzermuzik | Youtube.com/@cruzermuzik | Blusesky | Telegram

Cruzermuzik.bandcamp.com | Spotify | Apple Music

“Canadian band Crüzer are out with the EP “Look to the Skies”, and metal is the style explored on this production. This is a good, old fashioned take on the thrash metal tradition, and one which the band explore in a few different manners. We have blazing fast and firm affairs, revolving around quick and numerous tempo changes and a high degree of momentum for starters. We also get a case of the classic chugging guitar riff variety of thrash metal tossed into the mix, and at the end of the EP the band switch over to a style and orientation a bit closer aligned with the good, old NWoBHM expression. Besides exploring the style in a few different manners, a striking feature of the songs here are the ebb and flow between raspy, slightly distorted lead vocals and clean, controlled and melodic lead vocals. A feature that gives this EP a rather striking identity in itself. An production to seek out by those who enjoy thrash metal explored in a bit of an old school manner and with a fair degree of variation inside of that context.” – the Viking in the Wilderness

[Download EP Cover | Download EP Lyrics]

Band: Cruzer
Album Title: Look To The Skies
Release Date: April 4, 2025
Label: Self-Release

Track Listing:
1. Look to the Skies (4:18)
2. Born to Rise (4:06)
3. Raging Fire (3:51)
4. (I Need) Thrash (2:14)
5. Pit Vyper (4:44)
Length: 19:13

Album Recording Credits:
• All songs written & performed by: Eric Willmott, Ben Higgins, Nico Miraftab, Alex Gain
• Produced, mixed & mastered by Michael Kraushaar
• Album Artwork by Angela Grimmuza
• Member of SOCAN
• MAPL – Canadian Content

Album Band Line Up:
Eric Willmott (lead vocals)
Nico Miraftab (guitar)
Ben Higgins (guitar, bass)
Alex Gain (drums)

Live Band Line Up:
Eric Willmott (lead vocals)
Nico Miraftab (guitar)
Ben Higgins (guitar)
Esteban Lleuful (bass)
Alex Gain (drums)

=======================================================

About The Album Artwork:

In addition to depicting the theme of our title track, i.e, an alien invasion, we also wanted it to incorporate themes from the other songs on the EP. There’s a thrasher dude (I need thrash) rising up against the alien threat, taking revenge (born to rise), lots of “raging fire” in the background, and a couple of people wearing……you guessed it, pit vipers! Haha.

About the album as a whole (LYRICALLY & MUSICALLY)

Listeners can expect a raging, thrashing good time, but with a melodic and humorous twist. Cruzer isn’t afraid to turn thrash on its head and infuse the flavour with all kinds of spices and secret sauces! -Eric

Track by Track (LYRICALLY & MUSICALLY):

1. The title track Look to the Skies deals with the threat of an extraterrestrial invasion force, and the attempts of the world powers to stop it (or maybe they know more than they’re letting on…). The chorus hook on this song might be my favourite of the whole album, love how it just comes in out of nowhere after a whole verse and pre-chorus of harsh blackened thrash vocals.

2. Born to Rise deals with rising up from the ashes, overcoming adversity, and exacting revenge against those who tried to cross you. This song has a very hardcore punk feel compared to the other songs, but still has that melodic edge in the chorus vocals.

3. Raging Fire deals with a topic I’m sure most thrashers will be familiar with: the destruction of the environment! Whether through climate change, nuclear war, or both. This is a mid-paced song compared to the first two, but it contains some of the heaviest vocals on the whole album!

4. On the surface, I Need Thrash is your average Slayer-esque rager about going to a show, moshing, drinking, and partying. But the song actually contains an important message about fighting back against metal stereotypes, mainly the mentality of “killing posers,” which I’ve always hated. I got called a poser when I was younger, it fucking sucked! Who cares what subgenre or microgenre people like? Metal is metal! Leave them alone and let them enjoy things. DON’T BE A DICK!

5. In an almost direct assertion of the previous song’s message, Pit Vyper is by far the most melodic, commercial-friendly, and hair metal-tinged track on the whole album. The song is a classic sounding mix of old school speed metal bands like Exciter and Meliah Rage, 80s Judas Priest, and hair metal bands like Motley Crue. The lyrics deal with the classic subject matter of an evil metal mistress who turns your heart to stone! Now is that old school metal or what?!

-Eric

=====================================================

Fun Facts – Story Angles:

1. The band members all used to attend the same high school! Riverside Secondary School in Port Coquitlam,

2. The guitarist, Ben Higgins, also plays guitar in the southern rock band Cache Creek

3. The lead vocalist, Eric Willmott, is also a voice actor. He has narrated several audiobooks, appeared in the mobile game Jorney Renewed: Fate Fantasy (as Sun Wukong Prime), and lent his voice to several YouTube animated shows, including Mammal Squad, Tamberlane, Supercell, and Lexie.

4. Eric also used to be in a My Little Pony-themed metal band called Equestrian Lord, back when the “brony” phenomenon was at its peak. Ironically, their most popular song on YouTube has nothing to do with My Little Pony, instead being inspired by the animated fantasy film The Thief and the Cobbler.

5. The band’s recording engineer, Michael Kraushaar, had no idea that he was recording a thrash metal band at first. Due to the band’s name, Cruzer, and his familiarity with Ben’s band Cache Creek, he assumed we were “gonna sound like Foghat or something!”

L-R: Nico Miraftab (guitar), Eric Willmott (lead vocals), Alex Gain (drums), Ben Higgins (guitar, bass), New member: Esteban Lleuful (bass; not pictured)

Photos: Caitlin R.D.

THRASHING FROM BEYOND THE STARS

Crüzer is not just a band—it’s a cosmic metal assault from the great white north. From Vancouver, Canada, Crüzer’s sound is as unstoppable as an alien invasion force, tearing through the atmosphere with electrifying solos and unforgettable hooks. 

But it’s not just the power of the riffs and the undeniable stage presence that make Crüzer’s music a celebration of the bizarre and otherworldly wonders of the universe. So strap in, crank it to 11, and prepare for an out-of-this-world heavy metal experience.

Discography:
Look To The Skies (EP, April 2025)
Born To Rise (Single, March 2025)
Pit Vyper (Single, February 2025)

Shared Stage with: Glyph, Tower Hill, Red Cain, Serpent Rider

Tours and Festivals: 2025 – Hyperspace Metal Festival VI – Vancouver

0 EPK – Liminal Spirit – Pathways (2025)

  • May 9, 2025
  • by Asher
  • · EPKs · Liminal Spirit

EPK – Liminal Spirit – Pathways (2025)

Publicist – Jon Asher – jon[@]ashermediarelations[.]com

“I view this as a full-length release despite its 14-minute duration, because due to the nature of its composition of non-repeating passages, it requires multiple listens to fully cement itself within the listener. The first pass will express the story and characters, and repeated listens will bring both to life through digesting the melodies and composition as a whole.” – Liminal Spirit

For fans of Jesu, Swans, Skepticism, Confessor, Anata

Facebook.com/profile.php?id=61575618106702 | Instagram.com/liminal_spirit_mke | Liminalspirit.bandcamp.com | Spotify

Band: Liminal Spirits
Album: Pathways (13:55)

Credits:
All songs written and performed, produced, recorded and mixed by Liminal Spirit
Mastered by Jeff Wojtysiak at Spiral Sound Mastering
Album lineup – Jerry Hauppa-guitars, vocals, bass, drum programming, synthesizer

================================================

About The Album Artwork:

The artwork is an image of the story: five people trapped in a maze of stone with seemingly no escape.

About the album as a whole (LYRICALLY & MUSICALLY)

The album is composed purposely like that of a movie soundtrack, where the score does not repeat, but certain themes may develop or mutate to reflect character growth throughout the duration.  The characters, when speaking (as shown in the lyrics), will accompany a musical shift in tone to reflect their characters and mood as the story develops.

Liminal Spirit, the musical project of multi-instrumentalist Jerry Hauppa, announces the release of “Pathways”, a single-track concept album designed as an immersive journey through spiritual thresholds and interdimensional spaces. Following the 2024 self-titled EP, “Pathways” expands on Liminal Spirit’s signature sound: a rich fusion of doom metal with cinematic atmosphere. Hauppa comments:

“I view this as a full-length release despite its 14-minute duration, because due to the nature of its composition of non-repeating passages, it requires multiple listens to fully cement itself within the listener. The first pass will express the story and characters, and repeated listens will bring both to life through digesting the melodies and composition as a whole.”

Where the debut embraced ritualistic abstraction, “Pathways” introduces a more frenzied, intricate musical approach that perfectly complements its narrative structure. It tells the story of five figures trapped in a maze, chronicling their emotional processing and planned escape. The composition unfolds like a film score, with no repeating parts until the finale. Musical themes develop and mutate to reflect character growth, with distinct tonal shifts accompanying each character’s voice in the narrative.

This thoughtful composition rewards repeat listening, revealing new layers with each experience. The album’s structure mirrors its lyrical themes, all concerning transcendence beyond the physical form and transitions between spiritual planes. “Pathways” represents the second chapter in an ongoing exploration of spiritual passage. A third release, currently in development, promises to continue this cinematic journey through liminal spaces. Liminal Spirit is recommended for fans of Jesu, Swans, and Skepticism.

Discography:
Liminal Spirit-Pathways (2025)
Liminal Spirit- Self-titled EP (2024)

0 EPK – Sith’ari – Before The Dawn (EP) (2025) (Ethanol Studio)

  • April 27, 2025
  • by Asher
  • · EPKs · Sithari

EPK – Sith’ari – Before The Dawn (EP) (2025)

Publicist – Jon Asher – jon[@]ashermediarelations[.]com

“From beginning to end, this EP will leave you wanting more. It’s a truly fantastic album that caters to all fans of black metal who want something melodic, fast, and relentless.” – Sith’ari

For fans of Gorgoroth, Immortal, FIN, Sargeist

Band: Sith’ari
EP Title: Before The Dawn
Release Date: Digital – April 23, 2025 | CD – May 30, 2025
Label: Ethanol Studio

Facebook.com/profile.php?id=61575179925163 | Instagram.com/sitharimetal

Ethanolstudio.bandcamp.com | Spotify

“Overall, this was a solid album. Although it was relatively short, many of the aggressive passages were also coupled with somber melodies, creating an unforgettable listening experience.” – Metal Temple

[Download EP Cover | Download EP Lyrics]

Band: Sith’ari
EP Title: Before The Dawn
Release Date: Digital – April 23, 2025 | CD – May 30, 2025
Label: Ethanol Studio

Track Listing:
1. Chaos In The Skies 4:13
2. Before The Dawn 4:49
3. Conquer The Wild 6:37
4. Hail Victory 6:49
5. The Everlasting Hunt 8:18
EP Length: 30:47

EP Credits:
Written, produced, mixed and mastered by Lord Kafir
Artwork – Matt Priso
 
Band Lineup
Lord Kafir – Guitars, Bass, Vocals
Pathos – Drums

================================================

About The Album Artwork:

An angel blesses fallen soldiers in a Nordic fantasy battle that is used in the song “Hail Victory.”

Abum as a whole (LYRICALLY & MUSICALLY):

If you wish your black metal was a bit darker, add a dash of Gorgoroth with just a dash of Immortal, that describes the sounds. The themes are much more in touch with fans of later-day Bathory and Immortal.

Track by Track (LYRICALLY & MUSICALLY):

1. Chaos in the Skies is a punishing, melancholic song for Gorgoth fans that sings about a Blizzard in Iowa that devastated the entire western part of the state

2. A scorching song that is uplifting in a way. To describe a soldier who was thought to be dead on a battlefield retreats to safer sights.

3. Conquer the Wild is a much more black and roll song with a melancholic feel to impersonate the theme of a lone man surviving in the wilderness during the wintertime and his mindset at that time.

4. Hail Victory is the fastest song of the EP and epic to bring the theme of a fantasy raid that is a precursor to the themes in the track Before the Dawn.

5. The everlasting hunt is the slowest and most atmospheric track that revolves around a boy who is receiving his first taste of hunting in a Nordic timescape.

================================================

Fun Facts – Story Angles:

1. Kafir plays in Nedakh and Pathos plays for Symphony of Heaven.

2. The band is made of engineers. Kafir Records, produces, mixes and masters everything at his own make shift studio inside his own house and lets other bands in the local Iowa scene record their songs if they hire him. Pathos records, produces, mixes, and masters symphony of heaven releases since 2020 to current.

3. Kafir is the audio engineering student of the former FIN drummer.

L-R – Pathos – Drums, Lord Kafir – Guitars, Bass, Vocals

Sith’ari, the black metal side project for both Lord Kafir of Nedakh and Pathos of Symphony of Heaven and Satan Destroyer announces the release of their debut EP” Before The Dawn”, unleashed digitally on April 23rd, with physical release on CD on May 30th, 2025 via their indie label Ethanol Studio.

Melancholic but uplifting, fast, and atmospheric, the EP is a more riff-oriented sound usually associated with most black metal. Lord Kafir writes the riffs on guitar and a drum machine then sends them to Pathos to get his interpretation to create a record that’s a mish-mash of influences from different readings from history books, experiencing harsh winters in Iowa and Indiana and fantasy stories, games and movies.

Lord Kafir had other music in him that wasn’t just typical death metal and Pathos was brought in because he wanted to play in a specific black metal band that didn’t deny him from his religious point of view.

The band comments:

“If you wish your black metal was a bit darker, add a dash of Gorgoroth with just a dash of Immortal, that describes the sounds. The themes are much more in touch with fans of later-day Bathory and Immortal. From beginning to end, this EP will leave you wanting more. It’s a fantastic record that caters to all fans of black metal who want something melodic, fast, and relentless.”

Recommended for fans of Gorgoroth, Immortal, FIN, and Sargeist.

0 EPK – Jawfane – Me and All My Demons (2025 ) (Exitus Stratagem Records)

  • April 23, 2025
  • by Asher
  • · EPKs · Jawfane (Exitus Stratagem Records)

EPK – Jawfane – Me and All My Demons (2025 ) (Exitus Stratagem Records)

Publicist – Jon Asher – exsr[@]ashermediarelations[.]com

“I hope it is received with an open mind to metal and what it can be when you are angry, but also determined to find the beautiful things in this life. But also, I hope they find hope in the record somewhere. In the form of “He sounds like how I feel” or “yeah, bro been there too” there is hope in being relatable and honest with that relatability, and I think the band really brings those themes of “Despair, Angry and Betrayal” into a place where people can talk about it. Which, for us, is therapeutic, and I hope that translates for the listener as much as it can” – Cory

“Hopefully, the things we say and the movements we go through are something that our audience can not just relate to, but can feel in their bones. Words they couldn’t say, heard. Feelings they couldn’t define, now clear. That fire inside, recognized and set free.” – Jesse

For fans of The Ghost Inside, The Amity Affliction, Boundaries, King 810, and Norma Jean

Exsrmusic.com | Facebook.com/ExSRecords | Instagram.com/exsrmusic | X.com/exsrmusic

Facebook.com/Jawfane | Instagram.com/jawfane | Youtube.com/@jawfane

Jawfane.bandcamp.com | Spotify | Amazon

EP – Pre-Save – https://hypeddit.com/jawfane/meandallmydemons

Single pre-save – https://hypeddit.com/jawfane/cataclysmnightmare

Single pre-save – https://hypeddit.com/jawfane/timehuntsusall

[Download EP Cover | Download EP Lyrics]

EP Title: Me and All My Demons
Release Date: June 26, 2025
Label: Exitus Stratagem Records

Track Listing:
1. Damaged Goods – 3:48
2. Cataclysm (Nightmare) – 2:42
3. Me and All My Demons – 3:46
4.  Friends and Enemies – 3:20
5. Time Hunts Us All – 4:01
EP Length: 17:39

Album Credits:
• All songs performed by: Jawfane
• All songs written by: Jawfane
• Produced by: Jawfane
• Mixed by: Exitus Stratagem Records
• Mastered by: Exitus Stratagem Records
• Album Artwork by: Austin Heipp
• ASCAP MembersJawfane Album and Live Band Line Up:
Cory Pack (guitar)
Jesse Marquez (keyboard)
Austin Heipp (vocals)
AJ Chacon (drums)
Chase Shumann (bass)

===============================================

About The Album Artwork

“I took the pictures for the album and single artwork in Seattle, Washington. I wanted something extremely somber with an extreme darkness around it, but still have the ability to be beautiful in its own way.” – Austin

The album as a whole (LYRICALLY & MUSICALLY):

“The majority of the material on the album is new, written when we acquired our vocalist, Austin. Heading into unknown territory, we found ourselves free to grow in whatever direction we wished. It was freeing. We experimented with a few new directions before agreeing on a group of songs that we felt could stand together as its own thing. The writing itself came organically and quickly. We were thrilled to be working together, and the fact that it came about so naturally always shocks me. Everyone contributed lyrically, as it should be. Anything anyone had to offer was taken seriously because if it worked, it worked. Lyrically, we wanted to focus on what churns below. I want to relate to that struggle of being unable to say what was really on your mind when you absolutely had to. Conflicting thoughts, spiraling, splitting into different uncertainties, polluting what could be the right thoughts for the moment. That there’s still room in the world for you, that there are things out there in the world for you. That the things you’ve prayed for, intentionally or in vain, are within your grasp despite whatever you’ve gone through. Concerning the direction of the music, we came together as a team and talked about the music we love, and what we’d love to make. Not just for ourselves, but that could take an audience captive as we swung you around the room by your legs. It’s a lot of fun coordinating vocals among the band with the variety of ideas that get thrown at the wall. We hope to push ourselves to find something deeper, more refined, as we have fun along the way on this path we chose,” – Jesse

Track by Track (LYRICALLY & MUSICALLY):

1. Damaged Goods
“ I wrote about being abused by people who were supposed to unconditionally love you. In this case, I wrote about my family. Lyrically, this song is for the children that made it out and made it better, or for the ones that will make it out and will make it better, or even if it hurts. The key is that I just wanted to have early 2010s metal-core vibes with a knock-you-in-the-mouth aggression. Well also talking about resident evil shit such as how our government is turning us into monsters and using us as weapons so we steal from the facility, changing us to save everyone”.- Austin

2. Cataclysm (Nightmares)
“We wanted to break things. The opening riff is a kinda call back style old school Norma Jean thing, and I really dig that groove, but once Chase got hold of it, we went straight in to old-school triplet city, the song for me is a sprint through chaos, playing this song is the most fun one from the record easy peasy. Lyrically, I didn’t put in a whole lot, but Chase really landed with a lot of how we all feel about people as a whole: unseen, unheard, and betrayed. The directness of the lyrics is intentional, I don’t think you can confuse this for a happy song.” -Cory

3. Me and all My Demons
“This one was a joy to arrange. We only had the pieces and had to stitch them together into a haunting, lumbering beast. Figuring out how the beast would walk and bite was a lot of fun for everyone. I personally feel that this song is a strong example of where we’re headed as a band. Atmospheric, rich in story and interpretation.

There’s something inside all of us. A calling. A sign in the right direction, no matter how perilous the path. Something that pushes you to persevere through adversity, be it through the lands you travel, the things you experience, the people you meet. Something primordial, capable of crushing every obstacle in your way, the instinct to fight death and decay by any means necessary.” – Jesse

4. Friends And Enemies

“The last song was completed for the EP. Chase and I wrote the chorus for the song, and this one is the “strange one” sonically, story-wise, and lyrically on the record. Instrumentally, it is the oldest Jawfane song, one of the first brought to the table back in 2021 when we started the band. The original recording we sent over to EXSR is the version of “Carry On” from 2024 with fellow artists, Panda Forces, Hollow Wake, and Brylew. We wanted to take the song and give it a “redo” for our debut EP, for mostly personal reasons. We wanted to bring something to contrast the dark, despair, and anger the rest of the record brings with something a little more positive. Austin wrote the first verse, in a repetitive fashion, over and over again, a lib fashion until it sounded natural. I don’t think anyone wrote it down until after we were happy with the take itself” – Cory

5. Time Hunts Us All:
Time Hunts Us All” is my personal favorite song from the record. It was second to be written and really push out technical ability, both instrumentally and vocally. While the guitar part over the faster sections isn’t all that difficult on its own, getting that riff to sit inside the chaos of the drums and bass, and vocals is really challenging live; it’s a no-mistakes, not even a little moment. It’s the first time I ever did vocals for a Jawfane song. As the band has evolved, one thing that has been a constant is that we are all songwriters and vocalists in our own right. I just generally don’t have the voice for the style we do. Gordon (Producer) called me in to do some vocals for this song. I knew I was going to do the singing sections at the front so Chase could get the backing part in without having to switch styles. What I didn’t expect was to sing the tenor part at the big ending. It was super cool and fun to get to leave my mark on one of our songs in that way. Proud of the guys as a whole for how well vocals tracking went for the EP.” -Cory

==================================================

FUN FACTS:
1. For Jesse and Aj, it’s their first band.

2. We drove a 30-hour round trip without sleep to play in Chicago.

3. Aj joined the band, then learned the entire set for his first show ever on 15 days’ notice.

4. We have genre-flipped our band.

5. Favorite Anime by Member:
Austin: Tokyo Ghoul
Cory: Attack On Titan
Chase: Intial D.
Aj: Jojo’s Bizarre Adventure
Jesse: Gurren Lagan

6. Jesse didn’t start playing keyboard until after Jawfane formed

7. All the instruments for the record were tracked by the band

8. We hold the record longest featured artist on Z-97.5 (Clarksville Tn Radio) (8 Weeks)

9. Our band agreement hasn’t changed since first signed in July 2021.

10,  “We are not always together, but we are always in this together” is the band’s motto

STORY TIME:

1. “On the drive home from Chicago we were in two difference cars, Chase and Cory in one car, took turns driving every two hours so we didn’t have to stop to get a hotel, I’m not going to say it was the safest thing we ever tried, but pushing our limits to get to where people want the music is something we are proud of, Cory has the photo of Chase when they arrived home, ragged, dirty, and just gross saved to his favorites in my photo to this day.”

2. “When Austin auditioned, no one knew what to expect. He had no resume, we (the band) had met him once at a previous show that he took photos for, and that much we know he could do, but vocals, no idea what to expect.

He shows up in One Piece gear head to toe, and wrecks shop on an unused track, after hearing the rough version of “Time Hunts Us All,” he said the now famous line in our camp…

“Put me in, coach.”

And that’s when we all kinda knew he was the guy we needed.”

L-R – Cory Pack (guitar), Jesse Marquez (keyboard), Austin Heipp (vocals), AJ Chacon (drums), Chase Shumann (bass)

Photo Credit – Megan Rose // Instagram @mrosedesigner

USA’s post-hardcore outfit Jawfane is proud to announce their debut EP “Me and All My Demons” set for release on June 26th through Exitus Stratagem Records.

Born from a desire to create without judgment or barriers, Jawfane has spent the last four years building their sound from the ground up. What began as a group of friends secretly writing together has evolved into an immersive musical force that defies easy categorization. Though rooted in metal-core and hardcore sensibilities, the band refuses to be pigeonhole into a single genre.

“Me and All My Demons” represents a collection of real-life experiences transformed into raw, cathartic expressions. All Jawfane songs are based in reality for at least one of the members, someone they know personally, or something they needed to say that they couldn’t say any other way”. 

The EP was initially self-produced before catching the attention of Exitus Stratagem Records, who worked with the band to rework and re-record the entire collection. Jawfane will be supporting the release with shows throughout the summer. They are recommended for fans of Misery Signals, Cane Hill, and King 810.

Discography:
2021 – Apparition – Single
2022 – Amber Tokens – Single
2022 – Witness Marks – Single
2022- Shapeshifter – Single
2023 – Eurydice – Single
2024 – Carry On – Single
2024 – Damaged Goods – Single
2025 – Me and All My Demons (EP)

Shared Stage with: Dropout Kings, Outline in Color, VRSTY, Convictions, Earth Groans, Bit Brigade, Southpaw FLHC, and Autumn Lies Buried

Tours and Festivals:
Fish Fest 3 (2021) Lebanon TN
Mule Fest (2023) Columbia TN
Boogie Bottoms (2023) Cleveland AL
Shuttle Mania (2024) Nashville TN

Artists Endorsements: My Merch Guy, Vile Apparel

0 EPK – Vultures At Dawn – Outlaws (single) (2025)

  • April 18, 2025
  • by Asher
  • · EPKs · Vultures At Dawn

EPK – Vultures At Dawn – Outlaws (single) (2025)

Publicist – Jon Asher – jon[@]ashermediarelations[.]com

“I think what draws people to us as a band is our commitment to staying alive and documenting our story. With each song that comes out, the Vultures’ world broadens. We want people to see what we see.” – Vultures At Dawn

For fans of Kyuss, Black Sabbath, Queen, Dozer, Monster Truck

https://www.facebook.com/VulturesAtDawn

https://www.instagram.com/vulturesatdawn

Single – https://distrokid.com/hyperfollow/vulturesatdawn/outlaws-texas-chainsaw-marigold

Band: Vultures At Dawn
Single Title: Outlaws (Texas Chainsaw Marigold)
Length (5:01)

Single Credits:
Performed by Vultures At Dawn
Recorded by Anton Schindler
Mixed by Jade Weekes
Mastered by Railtown Mastering
Single Artwork by: Anna Zoza
Music is Canadian Content

Band Lineup:  
Buck Summers: Vocals
Raven Steel: Guitar
Sebastian Black: Bass
Dallas McCoy: Oboe
Doc: Drums

=================================

About The Single Artwork

We collected some of our “Wanted” posters and had the witch who lives in the tower (a dear friend of Buck’s) use them to craft our single art. You can find the witch at ______

About the track:

Outlaws was the 2nd song that we wrote. Buck wrote the lyrics after escaping from the cops while on horseback, barely making it out alive. They wrote the song the night they got back, and turned the exhilaration of surviving into a song.

==================================

Fun Facts

1. This is the first recording ever of Buck’s voice, even though they’ve been singing for as long as anyone can remember.

2. All main vocals were recorded in a historic church that the Vultures broke into.

3. Buck was not the original vocalist in Vultures at Dawn.

Left to Right: Doc (Drums), Dallas McCoy (Oboe), Buck Summers: Vocals, Sebastian Black (Bass), Raven Steel (Guitar)

Photo Credit: Shimon Photography

Vultures At Dawn is a desert rock band from Vancouver, BC aimed at whispering dark secrets and shaking boots with our heavy riffs. Being a queer lead band, we gather all walks of life, all outcasts, desperados of all kinds to join our volt.

Band Lineup:
Buck Summers: Vocals
Raven Steel: Guitar
Sebastian Black: Bass
Dallas McCoy: Oboe
Doc: Drums

Shared Stage with: Forsaken Rite (Alberta), Ophelia Falling, Medevil

0 EPK – SPHERES – Underworld (single) (2025) (off Album ‘Shadows of Despair’ Out Oct 2025)

  • April 18, 2025
  • by Asher
  • · EPKs · SPHERES

EPK – SPHERES – Underworld (single) (2025) (off Album ‘Shadows of Despair’ Out Oct 2025)

For fans of Gojira, Tool, Opeth, Mastodon, The Ocean, Devin Townsend

Digital Single – https://distrokid.com/hyperfollow/spheres7/underworld

All Links: https://linktr.ee/spheres.band

Facebook.com/bandspheres | Instagram.com/spheres.band | Youtube.com/@SPHERESOFFICIAL | Tiktok.com/@spheresband

Spheresofficial.bandcamp.com | Spotify | Apple Music

[Download Single Lyrics]

Band: Spheres
Single Title: Underworld
Release Date: April 18, 2025
Label: Self-Release
Distribution: Distrokid
Track Length : (4:45)

Single Recording Credits:
• All songs performed by: SPHERES
• All songs written by: SPHERES
• Produced by: SPHERES
• Mixed by: Cris Edrich
• Mastered by: Pierrick Noel
• Album Artwork by: Julien Grellet
• Member of SACEM ( France )

Band Line Up:
Jonathan Lino: Vocals, Guitars, Producer
Marco Walczak: Lead Guitars, Keyboards
Clémence Santé: Bass
Jesse Haddad: Drums

SPHERES will release their new single Underworld on April 18 and their new album Shadows of Despair in October 2025, recorded and mixed by Chris Edrich (Devin Townsend, Tesseract, Leprous…) After receiving fantastic support from the metal media for their previous album Helios, including a glowing review from Rock Hard, they’re gearing up to defend this single on their 2025 European Tour. 

Spheres  performed, among others, at Malmöfestivalen in Sweden, Hellfest and Ready For Prog in France, as part of their previous European tour in Germany, Denmark, Sweden, Belgium, Switzerland and France. They opened for band such as Angra, Threshold, Hangman’s Chair, Angelus Apatrida …

If the invitation to spiritual journey and dystopia seems to be the main dimensions of SPHERES, what strikes the listener is the multitude of contrasts and textures that inhabit their music: From sharp riffs to ethereal melodies, from clean singing to growls and screams, the atmosphere oscillates between dream and frenzy… Everything is designed to push the listener’s boundaries and invite them to take part in this journey.

SPHERES is:
Jonathan Lino: Vocals, Guitars, Producer
Marco Walczak: Lead Guitars, Keyboards
Clémence Santé: Bass
Jesse Haddad: Drums

Discography:
2025 – SHADOWS OF DESPAIR (LP) (October)
2025 – UNDERWORLD (single)
2022 – HELIOS (LP)
2019 – IONO (LP)

0 EPK – Woodhawk – Love Finds A Way (2025)

  • April 11, 2025
  • by Asher
  • · EPKs · Woodhawk

EPK – Woodhawk – Love Finds A Way (2025)

Publicist – Jon Asher – jon[@]ashermediarelations[.]com

“We are over the moon to get this album out. Love Finds a Way is easily the hardest we have worked on an album to date. We poured our heart and soul into this one. It really is a journey of getting out of the darkness and into the light. Check in with your friends and loved ones. Hug the ones you love. Be nicer to each other. Love will always prevail and be stronger than anything else. After 10 years of being a band, I feel like we are still just getting started!” – Woodhawk

For fans of Black Sabbath, The Sword, Red Fang, Thin Lizzy, Priestess

Band: Woodhawk
Album Title: Love Finds a Way
Release Date: June 6, 2025
Label: Grand Hand Records

Woodhawkriffs.com​​ | Instagram.com/woodhawkriffs​​ | Facebook.com/woodhawkriffs | X.com/woodhawkriffs | Youtube.com/@woodhawkriffs

Woodhawk.bandcamp.com | Spotify

“Calgary’s Woodhawk returns after five years with new album” – Calgary Herald 

Top 30 Chart: Aug 8 – 14, 2025 – #16 – Woodhawk – CKUA Radio Alberta

“Love Finds A Way is a moving, introspective, and incredibly honest trek. Doubts and regrets are aired like candid confessions… The music moves the sentiment of these nine songs with a crisp, stalwart beat from drummer Kevin Nelson and robust bass rhythms from Mike Badmington (who also shares vocals throughout the album).The flow is undeniable in the closing number “Killing Time,” which is to me the gem of the collection. It’s about being gaslit in a relationship, waking up, and rediscovering a sense of self and is just so thoughtfully written from the catchy beat to the vocal phrasing and the guitar solo and addition of the piano… While I’ve made much to-do about the lyrical force of the album, it takes every member of the band to really pull it off and make us believers. Woodhawk is working like a well-oiled machine one EP and three albums into their career, making this a wholly convincing spin track after track.” – Doomed and Stoned 

“Woodhawk built a reputation for themselves in the stoner scene, however you wouldn’t necessarily call Love Finds A Way a generic stoner record. There are certainly some fuzzy riffs, however the sound is more of a conglomeration of classic blues rock, some old-fashioned NWOBHM energy and a liberal sprinkling of 90s hard rock (especially in the vocals). But, the main thing that dominates is the GROOVE. With some frenetic guitars, an intense rhythm section and some funky keyboard action, groove is not only in the heart, it’s in the lungs, the kidneys, and the reproductive organs. Hell, it’s running more rampant through the body than a particularly virulent dose of the clap. With all but 3 of the songs clocking in over 5 minutes, these guys have the time and space to track down a killer groove and nail the little bastard down tight. A great album that gets better with each listen. As Haddaway once asked, ‘What is Love?’ …this is! 4.5/5″ – Metal Epidemic

“Love Finds A Way is so damn catchy. Some of these songs will get very stuck in your head, and these guys understand melody, combined with hard rock, as well as any of the best bands out there. There is a bluesy feel at some points and a grunge vibe during others, but regardless of what you label it, this is some killer heavy rock… Love Finds A Way is some next level heavy rock. I hesitate to call it stoner rock, just like I would not call Valley Of The Sun stoner rock, but Woodhawk have created something special with the nine songs on their third, and best record to date. Love the vocals, love the riffs, love the organ, love the emotion, and love Love Finds A Way. 9/10″ – Musipedia of Metal

“One of Canada’s best Stoner Rock bands WoodHawk make a welcome return with Love Finds A Way where the band play a more amplified style of Heavy Rock music with focus primarily on melody and aggression. Taking up the LOUD RAWK mantle of bands such as THIN LIZZY, THE SWORD, BLACK SABBATH and LED ZEPP. WoodHawk bring a soulful and highly energetic style of Classic Blues Rock into the mix… WoodHawk impresses on every level with Love Finds A Way which allows this record to be their best album yet which you will be listening to for a very long time to come. Add this record to your collection and if you’re a fan of Old School Heavy Rock then this is the place to be. Outstanding. End Of.” – Outlaws of the Sun

“From the raucous energy of  trangers Ever After  to the moody, keyboard-tinged doom of  The Unholy Hand,  the album is consistently engaging. It’s a banger from start to finish, successfully blending hard rock thunder with a sense of tender vulnerability. Love Finds A Way is a highly recommended listen for any fan of heavy, melodic rock. It captures Woodhawk not just as skilled musicians, but as evolved songwriters who have crafted their finest and most relatable album yet.” – Alt Yeg Music Magazine

“Love Finds A Way is an album that cements the trio as first-class songwriters. The doom/stoner elements of the band’s earlier outings remain infused in their DNA, but they’ve been augmented with a genuinely striking ability to pen tunes that sink into your brain. These songs straddle the worlds between biting hard rock and heavy metal thunder, while carrying an almost poppy sense of tender vulnerability. The long wait was absolutely worth it. This album is a banger.” – The Sleeping Shaman

“Stoner rockers’ Woodhawk have just dropped their new single “Strangers Ever After” and it ROCKS! Heavy, driving and just spot-on as a great selection for the first single from their forthcoming 3rd album “Love Finds A Way” which is slated for a June 6th release (we’ve also had the opportunity to preview the new album and it’s pretty amazing). In the meanwhile, you can catch “Strangers Ever After” on your Home for the Best New Rock… W-J-O-EEEE” – WJOE – Findlay’s Home for Rock & Roll

“Even though “Love Finds A Way” opens up energetically as usual with ‘Grave Shaker’ and ‘Strangers Ever After’, the tension between the tried and tested band sound and further development soon becomes audible. On the one hand, the album sounds typically like WOODHAWK, we listen to heavy rock with a clear stoner side and rich guitar riffs, but on the other hand, the record seems more mature and serious. 8/10″ – PowerMetal.de

“Calgary trio Woodhawk have got that swing on their new single “Strangers Ever After,” which is the first single to come from their aspirationally-titled new album, Love Finds a Way, due out June 6 on Grand Hand Records. There’s classic-style, organ-enhanced boogie meeting with a modern production and tonal fullness, all aligned around a central push and tense sections of chug — skillfully wrought, melodic, clear in its intention to engage but not without expressive purpose either. It keeps its balance after spinning around in a few circles, and the solo is class before the bluesy verse returns to round out. Been six years, but that happens sometimes. Cool to have a new one coming from these guys either way. ” – The Obelisk (2025)

“Psychedelic Stoner Rockers WOODHAWK return from a six year slumber with their upcoming and absolutely stunning new album Love Finds A Way. With swirling Psychedelic melodies married with Grunge, Doom and heavy groovy soundscapes, this sees the band in inspired form.” – Outlaws of The Sun (2025)

“Woodhawk from Canada immediately conjures up appealing associations, with both stoner and seventies hard rock. It is catchy, can hold the tension quite well, and is skillfully performed… The songs themselves are often really strong as a whole; beautiful lines, catchy hooks and just enough variation in the arrangements, with a very fine sense of timing. An album that certainly deserves a serious listen.” – Rockportaal (2025)

“THE ÜBER ROCK SINGLES CLUB DAILY PICK – WOODHAWK – STRANGERS EVER AFTER” – Uber Rock (2025)

“Love Finds A Way is a ravishing and excellent album from start to finish. The three-piece band joins a list of fantastic bands emerging from the Great White North. Woodhawk are in the top tier of quality for hard rock bands from Canada.” – Jam Yeti Music Blog

“Their brand of this style sounds far more refreshing and has a modern rock ‘n roll kind of aura to go along, slightly ringing in signs of alternative influence. The end result is as if Black Sabbath and Thin Lizzy had a child born in the age of Chevelle. With that said, this is immaculate. ” – Indy Metal Vault (Violent Nature – 2019)​
​
​“this is really the kind of rock that fans of classic U.K. metal in the ’70s will be instantly taken with. Sounds really good turned-up really loud, which is always a good test.” – Vancouver Sun (Violent Nature – 2019)​
​
​“Violent Nature kicks off with the slithering riffs of “Snake in the Grass,” which comes crawling up slowly before striking with a venomous fuzz-riffy attack, and a soaring, fist-raising chorus. “Weightless Light” gets my head nodding right away with a solid stoner rock riff, while giving off a pretty decent Monster Truck vibe in the chorus – I can see why they made it the pre-release single.” – Hellbound (Violent Nature – 2019)​
​
​“This is what music is about. When you put yourself out there, you connect with others on a deeper level and that’s always a win.” – The Music Below (Violent Nature – 2019)​
​
​“Violent Nature surpasses their debut and then some; the Rocky Mountain trio have harnessed the best of the past, given it a fresh coat of paint, made me smile and just enjoy rock and roll in its purest form…” – The Sleeping Shaman (Violent Nature – 2019)​
​
​“going by the lead single “Weightless Light” it seems like whatever they’re making the songs about, Woodhawk still bring the same sense of songcraft to their material, which is always good to know.” – The Obelisk (Violent Nature – 2019)

[Download Album Cover | Download Album Lyrics]

Band: Woodhawk
Album Title: Love Finds A Way
Release Date: June 6, 2025
Label: Grand Hand Records

Track Listing
1. Grave Shaker – 4:41
2. Strangers Ever After – 4:24
3. Truth Be Told – 7:21
4. White Crosses – 6:10
5. The Unholy Hand – 5:21
6. No Place For Hate – 5:18
7. Love Finds a Way – 6:16
8. Relapser – 4:52
9. Killing Time – 8:37

Album Credits:
All songs performed by: Woodhawk
All songs written by: Woodhawk
Produced by: Jesse Gander
Mixed by: Jesse Gander
Mastered by: Jason Livermore
Album Artwork by: Mark Kowalchuk
SOCAN MAPLWoodhawk is:Turner Midzain – Guitar & Vocals
Mike Badmington – Bass & Vocals
Kevin Nelson – Drums

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About The Album Artwork:

It was the concept of how small we all can be in the grand scheme. This hand is holding an orb, inside which is a guy who appears lost, just holding a lantern as he gazes upon this vast landscape. Just finding his way through. Isn’t that true of all of us in life?

But through all this, being in the orb, bubble, world, whatever..love finds a way. Love always prevails and wins. It’s what keeps us driven and what we work the hardest for. Love.

About the album as a whole (LYRICALLY & MUSICALLY):

It’s a journey through the last couple years. All of us went through some hard times and to no surprise the pandemic wasn’t much better! We weren’t really sure if we would continue being a band or not. But we prevailed and are stronger than ever. It’s about love and friendship. And getting through things together. Checking in on your loved ones and friends.

Track by Track (LYRICALLY & MUSICALLY):

1. Grave Shaker – This one is about change. Growth through the years. And sometimes you outgrow the patterns you were in, the people you surrounded yourself and the habits you had. It’s an evolution. It can be very uncomfortable to change who you are. It’s a huge leap of vulnerability. But being true to yourself and keeping your head up.

2. Stranger Ever After – Through changes and growth, sometimes you lose people along the way that were once very close to you. Be it a partner, spouse, friend etc. Someone who was once your closest person can become the opposite if you grow in different directions. And maybe after all, we were just better off being Strangers.

3. Truth Be Told – This was a breakthrough of just saying how I felt. Up until this point, I wasn’t being honest with myself on how I felt, who I was, and who I wanted to be. This is kind of a farewell to the past and welcome to the future. Sometimes the truth hurts.

4. White Crosses – This is the death of a friend, relationship or even marriage. ‘How did we end up here? Is this what we hoped for?’
No one ever expects to go their separate ways. No one gets into something with the plan to get out. And through any separation or grief, you pass these moments and memories along the way. Sort of like the little white crosses we see planted along the roadside where someone lost their life. Little reminders of what was. Gone but not forgotten.

5. The Unholy Hand – The remnants of something fallen and destroyed, only to be built back up again. This higher power, that yields good or bad. All within and without our control.

6. No Place For Hate – This one is a little more on the nose. The world we live in feels like it has just become more filled with hate, homophobia, transphobia, racism and bigotry. We all have 0 tolerance for this. We try to not ever be a political band, but this just felt really important to us and flowed naturally. Love one another. It’s way harder to hate than it is to love.

7. Love Finds a Way – This was a triumphant song that was a coming of age for us. Love is at the heart of everything. And if you love something, set it free. It will come back to you if it’s meant to be. This really embodied so much of how I felt and how we as a band felt. We had to hit a bit of a pause on our band to see if we still wanted to do it. Lots had changed and were still changing. But at the end of the day, we are 3 very close friends, and that is so important to us. We felt like our love for each other really kept us together, and found a way for all of us. We are genuinely closer as friends than ever before.

8. Relapser – This was an honest take on feeling like you have grown up and evolved and become better. Only at the same time to feel like you easily fall into old habits and patterns again that you tried so hard to escape. It drags you back down, and it feels like you must start all over again.

9. Killing Time – It started as a lot of self-reflection and feeling quite lost. I felt really gaslit in a previous relationship, and it took me a while to really snap out of it and see what was going on. But also trying to navigate my way back to who I am and who we are as people. Does anyone care? Do I still care? Or are we just killing time? I really wanted this to be a farewell to the old and a door opening to what was ahead. And if it was the last song people ever heard of our band, then I felt it was the best way to possibly say goodbye.

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Fun Facts – Story Angles

1. In 2016, when we were recording our first LP, Beyond The Sun, we were in Vancouver at Rain City Recorders. We were maybe a couple days into it, and our producer stops after one of the takes and says, ‘Turner, you need to check your phone. Someone is trying to get a hold of you to open for Airbourne tomorrow night!’ So I checked my phone and he was right. And within a couple of phone calls, we were set up to play the Commodore Ballroom the next night to open up a sold-out show for Airbourne. We still tracked all day and the next day. Then loaded up, played the coolest show ever, and went back the next day to the studio to keep tracking like that blur of a gig hadn’t even happened.

2. We were touring Canada in Spring 2018 and made our way out to Ontario. Most of the weather thus far had been fine. Mild spring weather. On our way back around the Canadian shield to head to Thunder Bay and make our trek home, we stopped by Turner’s grandmother’s house in Barrie, ON. We had to have only been there for 45 minutes. At this time, a wild snowstorm blew in, and we got stuck at the bottom of a large hill near the lake. We had to get towed up to the top, drive through what felt like a foot of snow in our not-so-great van and trailer. Only to get to the highway…to find out it was closed due to the storm and an accident. From there, not wanting to miss any shows, we detoured back south, then over to North Bay. All the while, our heat in the van dies. We bundled up in sleeping bags and ponchos to get through it. This was the WORST drive we have ever taken to date.

3. In 2020, we all either quit our jobs, got fired, or took an indefinite leave of absence to spend our time on the road touring our album, Violent Nature. We were booked for all of Canada, Europe, and the USA to follow. Within days of paying our gear deposit for Europe, about to book flights and leave the next day for the Canadian tour, the pandemic fully shut everything down. Somehow, 2 of us managed to save our jobs. One of us is not so lucky. We saw so many of our friends and peers get stuck out on tours and have to travel home safely during the pandemic. We were so lucky that it could have happened to us, but we avoided it by a little over 24 hours.

L to R: Kevin Nelson (Drums), Turner Midzain (Vocals/ Guitar), Mike Badmington (Bass/ Vocals)

Portrait by Mark Kowalchuk

Formed in Calgary, Alberta, in 2014, Woodhawk swiftly emerged as a formidable presence in the Canadian rock scene. With their debut album Beyond the Sun dropping in 2017, the trio—comprising Turner Midzain on guitar and vocals, Mike Badmington on bass, and Kevin Nelson on drums—immediately garnered attention with their distinctive fusion of classic hard rock and modern stoner metal.

Their music, characterized by infectious grooves and memorable hooks, captivates audiences and has earned them a devoted fanbase. Following the success of their sophomore release, ‘Violent Nature,’ in 2019, Woodhawk continues to push boundaries and captivate listeners with their upcoming 2025 album, ‘Love Finds a Way,’ set to further solidify their status as one of Canada’s most exciting rock acts. With electrifying performances and a sound that marries nostalgia with innovation, Woodhawk remains a force to be reckoned with, poised to leave a lasting mark on the music landscape.

Discography:
2025 – Love Finds a Way
2019 – Violent Nature
2017 – Beyond The Sun
2014 – Self Titled EP

Shared Stage with: Airbourne, In Flames, Elder, Truckfighters, Metz, The Shrine, Sandrider

Tours and Festivals:
2017, 2018, 2019, 2022 – Sled Island Calgary
UP+DT – 2016 + 2017 (Edmonton)

Endorsements:
Los Cabso Drum Sticks 2014-Current
Heartbeat Hotsauce 2017-2022

0 EPK – Deadwood – Heretic (2025) (single)

  • April 4, 2025
  • by Asher
  • · Deadwood · EPKs · Music News

EPK – Deadwood – Heretic (2025) (single)

Publicist – Jon Asher – jon[@]ashermediarelations[.]com

For fans of Whitechapel, Despised Icon, Meshuggah, Chelsea Grin, Thy Art Is Murder

“This is the first song we’ve written for the next EP, and one of the ones we’re most proud of: it’s fast, heavy, and technical. We are a very intense show with a very percussive and tight guitar sound. We have a lot of samples between the songs to create a horror movie atmosphere. The fans go back home with a slap in the face. Heretic represents our darkest material yet.” – Deadwood

Linktr.ee/Deadwood.band | Deadwoodmetal.com | Facebook.com/deadwood666 | Instagram.com/deadwood_bd | Youtube.com/@Deadwood.666

Deadwood666.bandcamp.com | Spotify

“If you ever wondered what Al Swearengen might listen to if he was living in modern times, here’s your answer, c*********. Montreal’s Deadwood have been around town for a decade now, and pride themselves on evolving into a more savage animal with each release. In December, 2022, they released Inhuman, an EP that is hell bent on making deathcore brutal again.” – Metal Sucks: Deathcore in the North – 10 Canadian Deathcore Bands

Japan Tour – Humanity’s Last Breath, DVRK, Deadwood
​
April 12 – Tokyo, JP – Garret

April 13 – Tokyo, JP – Cyclone
April 14 – Nagoya, JP – Imaike 3Star
April 15 – Osaka, JP – Socore Factory

Band: Deadwood
Single Title: Heretic (off upcoming EP “Rituals of A Dying Light”)
Single Length: 4:23
Release Date: April 4th, 2025
Label: EMNT Production

Single Recording Credits:
• All songs performed by: Deadwood
• All songs written by: Deadwood
• Produced by: Fred Element
• Mixed by: Fred Element
• Mastered by: Fred Element

Band Line Up:
Fred Element – Rhythm Guitar
Martin Demontigny – Vocals
Stephane Filion – Lead Guitar
Charles Etienne Lafrance – Drums

 

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BAND STORY ANGLES / FUN FACTS:

1. In 2023, we had a show in Fredericton, but our singer at the time couldn’t make it, so it was Fred sang most of the songs. Luckily a friend from the band was there with us.

2. During a show in Quebec, Martin had a big problem with his in-ears, so Fred lent him his and Fred played the whole show without hearing the click.

3 . During the Rockfest festival, the festival workers disconnected our sound system.

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L-R – Fred Element – Guitar, Martin Demontigny – Vocals, Charles-Etienne Lafrance – Drums, Stephane Filion – Lead Guitar

Deadwood, formed by Fred Element in Montreal, Canada, in September 2020, is a band that uniquely blends death metal and hardcore to create a modern deathcore sound.

Known for their heavy music and dark lyrics, their motto is “Make Deathcore Angry Again. ” The band aims to evoke terror and fear through their music, ensuring their performances are unforgettable and never content with a quiet crowd.

In early 2022, Deadwood recorded their first demo, “Nemesis,” followed by “InHuman in 2023,” which was later released on all music platforms. They have since released singles like “Djinn’s Pits”, “Straightblade,” and “Heretic,”.

By November 2024, the band welcomed Steph Filion as their new lead guitarist, replacing Sébastien Bélanger and bringing a new level of brutality and technicality. Mart Demontigny joined as the new vocalist, replacing Derek Heynekamp, and  Charles-Etienne Lafrance completed the lineup as the new drummer, replacing Louis-Philippe Dumoulin, who left due to health issues and Sam Matt former bassist, left the band and will not be replaced.

In June 2024, they signed with EMG (Extreme Management Group) and recorded a new EP, “Rituals of a Dying Light, ” featuring five new songs. They also produced a music video for the song “Heretic” to support the EP’s release.

Since then, Deadwood has performed at numerous shows and festivals, sharing the stage with local and international acts like Born of Osiris, Traitors, Upon a Burning Body, and many more.

They are set to tour Japan with Humanity’s Last Breath and DVRk and will also tour several U.S. cities this summer to promote their EP. Additionally, they will perform at the Inkarceration Festival in Mansfield, Ohio.

Deadwood distinguishes itself in the metal scene with its brutal sound, creating an unforgettable auditory experience. Their music caters to enthusiastic metalheads who crave pure brutality and violence. The band is committed to professionalism and giving their all in every performance, embodying determination and passion.

With several projects in development, the coming years promise to be busy for Deadwood.

Shared Stage with: Born of Osiris, Traitors, Upon A Burning Body

Tours and Festivals:
2025 – Japan Tour Tokyo, Nagoya, Osaka
2024 – Montreal Deathcore Fest
2024 – No Kings On This Tour
2023 – Oshawa Metal Fest
2023 – Spring Breakdown Tour

 

0 EPK – SigSour – And It Goes (single) (2025)

  • March 28, 2025
  • by Asher
  • · EPKs · SigSour

EPK – SigSour – And It Goes (single) (2025)

Publcisit – Jon Asher – jon[@]ashermediarelations[.]com

Management / Booking – Arsenault Group Entertainment – Troy Arsenault – troyarsenault[@]gmail[.]com

For fans of Nirvana, Linkin Park, Stone Temple Pilots, Alice in Chains

“We think the fans will be completely blown away. Everyone who listens to our music is used to the very raw punk rock type of recordings we’ve released in the past. With this project, we’ve stepped into a completely different realm and tried to make something that really captures all that we bring to the table and the different places we are capable of going with our music. We think this project has something for everyone, whether you’re into pop, grunge, punk, post-hardcore, or metal, there’s a song on this project to suit your taste.” – Evan Jodrey (Guitarist/Vocalist)

Instagram.com/sigsour__/ | Youtube.com/@sigsour_official

Spotify | Apple Music | Soundcloud.com/sigsourband

Album: Apathetic Generation
Single: And It Goes
Single Release Date: 03/28/2025
“And It Goes” single
Length (3:09)

Single Recording Credits:
Song performed by: Evan Jodrey, Trey Gabriel, Quenny Stevens
Song written by: Evan Jodrey
Produced by: Don Jasen Levandier
Mixed by: Don Jasen Levandier
Mastered by: TIDE STUDIOS
Album Artwork by: Trey Gabriel

Album and Live Band Lineup: Evan Jodrey (Guitarist/Vocalist), Trey Gabriel (Bassist/Vocalist), Quenny Stevens (Drums)

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About The Album Artwork:

A conscious being of a tree, alive and watching. The purple gloom sweeps over the album cover, and the eyes and mouths are placed within tree making it look part animal and plant.

The album as a whole (LYRICALLY & MUSICALLY):

A snapshot of life and all of its different complexities and challenges, raw emotions, and the need for change.

About the Single:

And It Goes starts abruptly and edges. The guitars are loose, the drums are loud, and the bass is booming. It then turns distorted and stressed, with the guitars panned in either ear while the drums crush your speakers and the bass locks you into this train wreck and you just have to hold on. The vocals then come in soaked with angst and sarcasm, lyrics portraying one on life being mastered by addiction and constantly finding yourself in an endless cycle of pain and confusion. The release comes in the form of a chorus, yelling into the storm of noise trying to be heard and saved, searching for answers amidst the struggle.”

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Fun Facts:
1. SigSour was originally a solo SoundCloud project created by Evan Jodrey
2. The members of the band had played in various instrument arrangements and at different time periods before becoming SigSour.
3. Trey and Evan started jamming together in grade 9.
4. The band’s first album was tracked in 4 days on a 9:00 am-12:00 midnight schedule.
5. They’ve broken max capacity records at the famous all-ages venue “RadStorm” in Halifax NS.

L-R – Quenny Stevens (Drummer), Evan Jodrey (Guitarist/Vocalist), Trey Gabriel (Bassist/Vocalist)

Photographer Credit – Ethan Quigley

SigSour is a high-energy, three-piece alternative rock band from Halifax, Nova Scotia, rooted heavily in punk and grunge. The band originated in 2021 as a solo SoundCloud project by guitarist/vocalist Evan Jodrey, who uploaded his demos to a small audience in hopes of gaining recognition and inspiration to continue writing. After receiving a modest number of views and a few encouraging comments, Jodrey decided to bring in his friends Trey Gabriel and Caden Smith, whom he had previously jammed with various projects, forming the band. Caden Smith’s metal and punk roots heavily influenced the band’s sound throughout 2023. Caden later decided to pursue other paths, which led to drummer Quenny Stevens joining the band, helping solidify the trio into the powerhouse it is today.

Discography:
And It Goes – Single (03/28/2025)
IMAKEMESICK -Single – (07/26/2024)
Static – EP – (07/12/2024)
SigSour Live at Radstorm – Live Album-(04/19/2024)

Shared Stage with: Pavel Stroke, Customer Service, DammitGoldie, Human Missile Crisis, Mooch, Earth Altar, Baited, Ivy Gardens, June Body, Sandfalls, Tarbox, The Bloody Hell, Trout, Scorn, Ongorah, Rootabaga, Convulsion, Hospital Gossip, Caustic Aura, Paratomb, The Orchids, Fluke, Pinot Gringo, Bologne Colorado, Woundup, Acid Wash, Maul Crawl, Lizard The Bird, BloodPrint.

Tours and Festivals:
2024 – Perish Festival – Fredericton, NB
2024 – Halifax Urban Folk Festival – Halifax, NS
2024 – Halifax Havoc – Halifax, NS
2024 – Food For The Ears – Truro, NS
2023 – Wreckfest – Sussex, NB

 

 

0 EPK – Symbiotic Growth – Beyond The Sleepless Aether (2025)

  • March 27, 2025
  • by Asher
  • · EPKs · Symbiotic Growth

EPK – Symbiotic Growth – Beyond The Sleepless Aether (2025)

Publicist – jon[@]ashermediarelations[.]com

For fans of Ne Oblivisacaris, Der Weg Einer Freiheit, Cor Scorpii, Gojira

Band: Symbiotic Growth
Album Title: Beyond The Sleepless Aether
Release Date: March 28, 2025
Label: Self-Release

Facebook.com/SymbioticGrowth | Instagram.com/symbioticgrowth | Youtube.com/@symbioticgrowth

Symbioticgrowth.bandcamp.com | Spotify

“Beyond The Sleepless Aether plays with a lot of known elements and turns them into something unknown. That you can take so many recognizable pieces and transform them into something truly all your own is an incredible work. Symbiotic Growth have tackled a rare challenge to make an hour-plus worth of music and make it seem as if it is one continuous tale, resulting in something truly intricate and immense. These are big songs that could be treated as separate journeys, but if there’s a chance to take Beyond The Sleepless Aether as one go, the full, finite experience is one that should not be passed up. Don’t let Symbiotic Growth‘s second album fly under your radar; Beyond The Sleepless Aether is a release well worth all the time it asks from listeners.” – No Clean Singing

“Beyond the Sleepless Aether shows Symbiotic Growth’s burgeoning talent and signals the group is one to watch in progressive death metal.” – Angry Metal Guy

“Beyond The Sleepless Aether is heavy as a herd of elephants wearing armour, jumping up and down on your head for the rest of time. It is utterly relentless, yet interspersed with moments of such musical beauty that your soul will ache to the point of breaking. I cannot praise this album highly enough as it is fucking perfect in every single way, and if you have ever taken anything I have ever written to heart then know this. You… yes, you reading this… you need this fucking album in your life in the way that you need breathing. 5/5” – Black Metal Archive

“There are an immense number of individual components that deserve special attention on “Beyond The Sleepless Aether. The rhythm work is exemplary, the stubborn use of background keys in the context of a mostly dissonant sound sets standards, the vocals are one of the absolute pieces of jewelry anyway, and what is ultimately ignited in the lead guitars is no longer from this world: soulful playing, virtuoso descents, crunchy sawing. Everything that could contribute to the mutual mood is really taken into account here, of course also at a technically brilliant level. 10/10 ” PowerMetal.de 

“From the off, the album integrates complexity without sacrificing memorability, and it has a really strong ear for melody in a variety of forms, all the while blasting away and unleashing hellish vocals… this record (Beyond The Sleepless Aether) is a delight to listen to, and an early contender in what is traditionally one of the most competitive metal niches out there.” – Metal Storm

“Canada’s Symbiotic Growth came in clutch with their fantastic new record Beyond the Sleepless Aether. Enslaved are an immediate touchstone—so much so that I’m sure the main riff to “Spires Of The Boundless Sunset” sounds like a specific latter-day song of theirs that i can’t quite place. As the album develops, however, Ne Obliviscaris become a more obvious point of comparison, with the songs expanding into ever more extravagant and elongated arrangements as the album goes on. As with NeO, the longer, postier passages do drag on a bit, but there’s always a pummeling riff or cathartic melody waiting around the corner to bring the energy back up again, and the band is granted an extra tech-death tinge, thanks to the ferocious efforts drummer Dan Favot of Fractal Generator” – Heavy Blog Is Heavy

“An hour-long voyage through alternate realities and the cosmos, Beyond The Sleepless Aether is a jawdropping odyssey of progressive death and black metal. The capacity for striking melody amidst furious intensity and structural complexity is reminiscent of the likes of An Abstract Illusion and Ne Obliviscaris, and the use of synths and electronics even more so of the former. However, Symbiotic Growth firmly demonstrate their own remarkable songwriting skills, with impeccable pacing and transitions across lengthy compositions that are filled with a surplus of memorable riffs and melodies, compelling atmospheres, and staggering virtuosity.” – Metal Storm

“Glimmers of brilliance, particularly in the epics and performances, shine through across the record, untouched by occasional patches of off cleans and songs that stick to their guns a little too tightly. As a result, Symbiotic Growth have made a fine record, and one that shows an incredible amount of maturity and growth from their debut. In just a few years, they’ve leveled themselves up a considerable amount, and perhaps the symbiotic relationship between this reviewer and these musicians will help their growth into something special.” – The Progressive Subway

“a solid and high quality example of extreme progressive metal that deserves attention” – Progressor

“Prog death, with a little atmosphere, a smidge of black metal, longer tracks, pretty complex and yeah brutal too.” – WORT 89.9 FM The Mosh Pit (Madison, WI)

“Canada is always that country that always gives us some unexpected gems of extreme music. Symbiotic Growth is the latest revelation. This debut album brings us a fantastic balance between the extreme aspect of death metal and progressive metal.” – World Of Metal Magazine

“Symbiotic Growth‘s songs are significant hybrids, but their incorporation of differing influences works very well because they’re such adept songwriters and skilled performers.” – No Clean Singing

[Download Album Cover | Download Album Lyrics]

Band: Symbiotic Growth
Album Title: Beyond The Sleepless Aether
Release Date: March 28, 2025
Label: Self-Release

Track Listing:
1. Of Painted Skies and Dancing Lights – 7:03
2. Spires Of The Boundless Sunset – 7:28
3. The Architect Of Annihilation – 10:57
4. The Sleepless Void – 9:52
5. Arid Trials and Barren Sands – 7:35
6. Lost in Fractured Reveries – 8:44
7. Trading Thoughts For Sleep – 10:02
Album Length: 1:01:43

Album Credits:
Mixed and Mastered By Tom Maclean of Twelve Tone Studio
Album Art by Erskine Designs

Album Band Line Up
Aaron Barriault – Vocals, Guitar, Bass
Devin Mcqueen – Vocals, Guitar
Dan Favot – Drums

Live Band Line Up
Aaron Barriault- Vocals, Guitar
Dan Favot – Drums

==========================================

About The Album Artwork:

The artwork shows a being standing at the foot of what we like to think of as Azathoth. Now the album dosent touch on any Lovecraftian mythos (maybe a bit in The Sleepless Void) but the lore behind Azathoth, that we are all in his dream and once he wakes everything will cease to be, is very fitting to the album lyrically.

About the album as a whole (LYRICALLY & MUSICALLY):

Like the last album, this one is once again based in fiction and is lyrically conceptual, but dives more into more thoughts and emotions of everyday life, and sometimes those thoughts are hard to deal with.

Every song has its own identity and its place within the story, taking our protagonist through the multiverse, placing him in places like dark wooded forests, wide open desert landscapes, and the unending cosmos.

As an album, the songs tackle strong feelings of loneliness, a sense of being, self-hatred, and suicide. Some of which are blatant and easy to see and others subtly through the course of the album, lyrically and musically.

Track By Track:

1. Of Painted Skies And Dancing Lights lyrically starts our journey with the protagonist of our story standing in the forest, staring up at the night sky, taking in the beauty that is the northern lights, and reflecting on life and what may be beyond it. All the while, the music helps to build the scenery sonically with a repetitive theme that keeps building into an eventual release that breaks into more intense passages that coincide with his reflection of life.

2. Spires Of The Boundless Sunset takes us to a different reality where he surprisingly finds himself upon an old church, abandoned long ago, where nature has started to reclaim its rightful place, wondering how he arrived at such a place, with everything feeling different but somehow the same. He then starts to see what’s happening and how he was transported there. The rhythmic pacing interweaved with the choir-like synth of the intro/verse riff builds on the wonder of the new environment that he’s arrived in. The rest of the song continues to build on that wonder and curiosity with more laid-back chordy parts, letting the bass parts do more of the heavy lifting melodically.

3. The Architect Of Annihilation lets more of Devin’s clean vocals shine by taking a more upfront approach in our techier track on the album. The riff-heavy song features a lot call and response type vocals between Aaron and Devin, giving more variety to an already well-versed song. As the longest song on the album, it has more of a story to tell lyrically, taking heavy inspiration from the movie Princess Mononoke. We find ourselves in a world where industry is taking over and destroying all of nature in its wake. He sees this all in what he perceives to be a dream, only to find out that it has all happened before and that what he experienced is a warning for the future.

4. The Sleepless Void is the darkest, most brooding song on the album not only musicaly but also lyrically. This time our protagonist finds himself in land where all things “horror” live and thrive, he encounters everything from warewolves, vampires, creepy little “ring” girls, to Azathoth himself. In around this part of the story our protagonist starts to get tired and weary of all these changing landscapes, wishing it all to end.

5. Arid Trials And Barren Sands is a sludgier start to the song takes us to a desert landscape where, water is a scarcity and the extreme heat leaves our protagonist delirous and unsure of everything thats happening. Is he seeing all his different lives through the multiverse because he’s supposed to be some kind of savior, or does any of it even matter? The music lends itself to the lyrics like sounds incorporating leads with mirage-like tremolo effects and some “larger than life” choruses helping to build his thoughts of grandeur.

6. Lost In Fractured Reveries On the last stop through his journey on the prog-iest song on the album he finds himself floating within the cosmos, seeing all of time and every universe being woven together like a web, contemplating his entire existance, whether he ever even mattered in any time or in any universe. The jumping time signatures and tempo changes lend a hand to the uncertainty that feels within the song.

7. Trading Thoughts For Sleep slows everything down and turns up the melancholy. An in-depth view of how our protagonist feels after everything he’s experienced, his struggle with finding meaning in life, his place in everything and the anxiety of it all. The feeling that if he were no longer around nothing would change and things would just move on, and the relief it would bring him to no longer feel that way.

==========================================

Fun Facts – Story Angles:

1. The concept of the album was actually loosely based on a dream that I (Aaron) had where I was standing in my bedroom at home one minute, and then a giant flash of light struck, and almost like a switch being flipped I was in a totally different place but while Ive never seen this place before I knew it as if it was my own home, feeling like it was my home in another reality.

2. Symbiotics Growth’s first album was released just as Covid hit and went into all the lockdowns. We were never able to tour around our first album, so we went straight into the writing of “Beyond The Sleepless Aether”.

3. Dan and Aaron live over an hour away from each other with Devin in the middle and with Guitars, bass and vocals being recorded at Aarons and drums at Dans, the recording process for our respective parts were done mostly alone, we would send files back and forth after we would finish recording our parts so we could review them to make the final cut.

Canadian progressive blackened death unit Symbiotic Growth unleashes their sophomore album “Beyond The Sleepless Aether,” now available as of March 28th, 2025. Similar to the band’s predecessor, their 2020 self-titled full-length, “Beyond The Sleepless Aether,” is once again based in fiction and is lyrically conceptual, but dives more into thoughts and emotions of everyday life, and sometimes those thoughts are hard to deal with.

“I feel like this time around, the sound is a bit darker and experimental, with more synth-heavy sounds and a melancholy atmosphere. The lyrics were very loosely inspired by a dream I (Aaron) had about the multiverse theory intertwined with some of my challenges of dealing with a sense of being and why we are all here,” says Aaron Barriault (Vocals, Guitar, Bass).

Progressive, experimental, foreboding, and emotional, every song has its own identity and its place within the album’s story, taking its protagonist through the multiverse, placing him in places like dark wooded forests, wide open desert landscapes, and the unending cosmos.

The full-length listening experience tackles strong topics of loneliness, a sense of being, self-hatred, and suicide. Some of these are blatant and easy to see, and others subtly, throughout the course of the album, lyrically and musically.

“I think the fans who have heard our previous album may be a bit surprised; the sound of this album is a bit different; it’s a little bit more experimental in its own way. Either way, we hope that fans enjoy what we’ve created. I feel like the listener may have feelings of uneasiness and wonder. An odd combination, but I feel like it’s fitting.

Mixed and mastered by Tom Maclean (Twelve Tone Studio, Haken, Athemon, Brutta), “Beyond The Sleepless Aether”, features seven paryalzing sounds of technical metal created by the Sudbury, ON recording line up of Aaron Barriault (Vocals, Guitar, Bass), Devin Mcqueen (Vocals, Guitar), and Dan Favot (Drums)(ex-Wolven Ancestry, ex-Fractal Generator). The artwork was created by Erskine Designs and shows an entity standing at the foot of what the band likes to think of as Azathoth.

“The album doesn’t touch on any Lovecraftian mythos (maybe a bit in The Sleepless Void), but the lore behind Azathoth, that we are all in his dream and once he wakes everything will cease to be, is very fitting to the album lyrically,” adds Barriault.

Recommended for fans of Ne Oblivisacaris, Der Weg Einer Freiheit, Cor Scorpii, and Gojira, “Beyond The Sleepless Aether” is available on all digital platforms.

Discography:
2025 – Beyond The Sleepless Aether
2020 – Self-Titled LP

Shared Stage with: Beyond Creation, Innanimate Existance, Wolfheart, Blood Of Christ, Fractal Generator, Wednesday 13

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