• About AMR
  • Festivals & Associations
    • 420 Music & Arts Festival (Calgary, AB)
    • Armstrong Metal Fest (Armstrong, BC)
    • Calgary Metalfest
    • Calgary’s YYC Music Awards
    • Days of The Dead Festival (Red Deer, AB)
    • Loud As Hell Metal Fest (Drumheller, AB)
    • Metalocalypstick Fest (Lone Butte, BC) – Mountains, Camping and the Women of Metal!
    • ShrEdmonton Metal Fest & Conference
    • WACKEN METAL BATTLE CANADA
    • WACKEN METAL BATTLE USA
  • Services (Hire Us!)
  • Subscribe To AMR Artist News & Album Promo

Category: EPKs

0 EPK – PHEAR – Save Our Souls (2025)

  • February 10, 2025
  • by Asher
  • · EPKs · PHEAR

EPK – PHEAR – Save Our Souls (2025)

Publicist – Jon Asher – jon[@]ashermediarelations[.]com

For fans of Iron Maiden, Megadeth, Judas Priest, Dream Theater (Prog elements), Metallica

“Very excited to finally release the latest Phear Album!!!!! 4 years in the making.
This album was pretty much written and recorded over the COVID-19 pandemic, thus the duration of this project.  The bulk of this record was written at our own houses individually. When the restrictions were lifted, we were able to get together and craft them into the songs you hear today. We shot the videos before the album was completed. We would go into the studio and do 3 songs at a time. We were very excited to work with Jon Howard (Threat Signal) again. Jon is the sixth member of Phear. The studio experience was great as we fed off each other’s ideas. We pushed each other to get the best performances we could.  Despite COVID-19, it was our best work and best environment thus far. I can’t wait for the next Album….lol!!!” – Patrick Mulock – Vocals – PHEAR

Band: Phear
Album Title: “Save Our Souls”
Release Date: February 13, 2025
Label: Self-Release
Distribution: Golden Robot Records

Phearofficial.com | Facebook.com/phearband | X.com/spreadthephear | Instagram.com/spreadthephear | Youtube.com/@phear2885

Spotify | Apple Music

Album Pre-Save – (Spotify, Apple Music, Amazon) – ​https://orcd.co/save-our-souls

““The Curse Lives On is a testimonial to what power / thrash metal can do to your soul, deep, dark and loud. just crank it up and feel the Phear.” – Bravewords  (2020 – The Curse Lives On)

“PHEAR have so much potential and really reminded of bands like NEVERMORE, EIDOLON and late eighties FATES WARNING. You have a top notch singer and a great backing band, they have a lot of potential that’s for sure. A band to look out for in 2020!” – Metal Temple (2020 – The Curse Lives On)

“With the sonic power of IRON MAIDEN, blended with the classic style of JUDAS PRIEST, PHEAR bring to life their monster live shows to the ears of fans across the globe.” – KNAC (2020 – The Curse Lives On)

“The live songs were recorded in Toronto and this recording shows that the band seems to be able to deliver a live show like any good seasoned band. There are good interactions with the crowd, just enough to show a frontman able to get them going without being overbearing and breaking the flow of the show. One can’t help but smile when he goes, “Scream for me Toronto!” in very Bruce Dickinson fashion. I wish I head heard the originals but suffice it to say that their songwriting style is very much influenced by Maiden, though much closer to their post-reunion output that any of the classic ’80s stuff. Bottom line, this is over an hour of cool material kind of anonymized by a nondescript name. Worth checking out if you’re into newer Maiden. This is a band that might go places if they play their cards right. 4/5″ – The Metal Crypt (2020 – The Curse Lives On)

“If you are looking for some great classic sounding metal with fantastic vocals, amazing guitar work, give Phear a listen by checking out both Insanitarium and The Curse Lives On, both available now and catch them live when you get the chance. I guarantee you’ll love it all.” – Metal Master Kingdom

“Mixing the components of the NWOBHM era, blending them and sculpting them around their sound, making this offering by the Canadan-quintet a must in the air-guitar collection.” Metal Temple (2019 – Insanitarium)

“Mississauga-based Phear packs quite a punch on its debut full-length release, Insanitarium, The band’s brand of power/thrash metal is a perfect blend of melody and ferocity.” – Bravewords  (2019 – Insanitarium)

[Download Album Cover | Download Album Lyrics]

Band: Phear
Album Title: “Save Our Souls”
Release Date: February 13, 2025
Label: Self-Release
Distribution: Golden Robot Records

Track Listing
1. Aftershock (5:11)
2. Save Our Souls (6:39)
3. Snake (5:26)
4. Narcosynthesis* (5:29) (*Nevermore Cover)
5. New World Error (5:11)
6. Lease on Life (7:02)
7. Bleed (7:57)
8. On Thin Ice (8:20)
9. Delusions (Live) 6:45)
Album Length: 58:03

Album Credits:
All songs performed by: Phear
All songs written by: Phear
*excluding “Narcosynthesis” Written by Nevermore
Produced by: Jon Howard and Phear
Mixed by: Jon Howard and Phear
Mastered by: Jon Howard (Woodward Avenue Studios)
Single Artwork for “Save Our Souls”: Drake Mefestta
Album Artwork for “Save Our Souls”: Drake Mefestta
Single Artwork for “Snake”: Chris Boshis

Recording Band Line Up:
Patrick Mulock – Lead Vocals
Chris Boshis – Bass Guitars, Backing Vocals
Alex Zubair – Lead Guitar, Rhythm Guitar
Pat Rogers – Lead Guitar, Rhythm Guitar
Mike Harshaw – Drums

Live Band Line Up
Patrick Mulock – Lead Vocals
Chris Boshis – Bass Guitar, Backing Vocals
Alex Zubair – Lead Guitar, Rhythm Guitar
Pat Rogers – Lead Guitar, Rhythm Guitar
Andrew Suarez – Drums

=============================================

About The Album Artwork:
The “Save Our Souls” album artwork is an apocalyptic world with our Mascots: Phred and Regan admiring their handy work as they walk through the Chaos they have created.

About the Album (Lyrically and Musically)
…… In a word….”HEAVY”!!! Clearly, this is the heaviest offering from us to date.  The Lyrics except for “Lease on Life” are mostly “Dark”. Remember, most of these songs were written during Covid. Not a lot to be happy about during this time.

Track By Track:

1. “AFTERSHOCK”
This song is about Post Traumatic Stress Disorder (P.T.S.D.). With wars taking place overseas and in the past, the mental illness that follows is greater than it has ever been. My Father was in World War 2 and the Korean War, so we used to talk about it from time to time.

2. “SAVE OUR SOULS”
Ahhh the title track! This song is written about the state of our world today. In my many years here, I have never seen such division and fear before…. The video is a metaphor.

3. “SNAKE”
Contrary to the video screens, this song is not about snakes…. It is about self-reflection and self-awareness. It’s about changing yourself…… Shedding your old skin for new skin

4. “NARCOSYNTHESIS”
This song is a cover from Nevermore. You would have to ask Jeff Loomis.

5. “NEW WORLD ERROR”
This song deals with all the terrible atrocities going on in the world today. Humans are sometimes the plague of humanity.

6. “LEASE ON LIFE”
The most positive song on the album. This is about personal change. Take your life back, make the changes, and move forward as the new and improved you!

7. “BLEED”
Bleed is about lost connections. Some can be mended, and some are lost forever. Maybe there will be a day when enemies can come together and purge the demons of their past.

8. “ON THIN ICE”
This song deals with all the crazy thoughts going on in human heads and the fine line between sanity and insanity…..The human race is on thin ice.

9. “DELUSIONS”
Delusions is a live track recorded in Toronto, CANADA. It’s a bonus track to thank all the fans who come to see us live.

=====================================================

Live Lineup – PHEAR – Alex Zubair – Guitar, Pat Rogers – Guitar, Chris Boshis – Bass Guitar / Backing Vocals, Andrew Suarez – Drums, Patrick Mulock – Vocals

Canadian metal contingent PHEAR will unleash their second full-length album “Save Our Souls” on February 13th, 2025 with digital distribution from Golden Robot Records. The new record follows the band’s award-winning album “Instanitarium” (2019), and their critically acclaimed EP “The Curse Lives On” (2020).

With their arena-caliber sound, “Save Our Souls” was produced, mixed, and mastered by Jon Howard (Threat Signal), and can be best described as the heaviest offering from PHEAR to date. Most of the album was written during the dark times of Covid. “Not a lot to be happy about during that time,” adds vocalist Patrick Mulock.

Extremely passionate and driven, PHEAR is always thinking of new ways to entertain its fans, and “Save Our Souls” is no exception. It has taken four years to complete (mostly due to covid). Led by Patrick Mulock and producer Jon Howard in the studio, each musician was pushed hard to get the best out of each of them and they delivered.

“We had a lot of time to craft these songs. We didn’t have any time restraints. We would go into the studio and do three songs at a time. We were very excited to work with Jon Howard (Threat Signal) again. Jon is the sixth member of Phear. The studio experience was great as we fed off each other’s ideas. We pushed each other to get the best performances we could. There are NO FILLERS here. Seven String guitars have played a big part in this. Our sound has grown. The bass guitar on this album is HUGE! The drumming from Mike Harshaw was also very aggressive. If you were to ask me now…This is the heaviest Phear has ever been……….for now lol!” says Mulock.

A listening experience of thrash, prog, and classic metal elements, PHEAR offers a strong balance from infectious choruses to melodic and growling vocals for true heavy metal nostalgia. Their two lead singles, the album’s title track and “Snake” are sure to make you throw up your hail horns and rock out with a sore neck from the headbanging. Plus the band offers up their cover version of Nevermore’s “Narcosynthesis”.

“We feel that Phear fans will LOVE this album. We have played some of these songs live and they have gone over amazingly. The first time we played the title track “Save Our Souls”, the entire club was singing the chorus. And it has happened everywhere we have played since…….. No better feeling in the world!” adds Mulock.​

PHEAR features Patrick Mulock (Lead Vocals) (Eidolon, Rampage), Pat Rogers (Lead & Rhythm Guitars) (Profaner- 2016 Wacken Metal Battle Canada Champions), Alex Zubair (Lead & Rhythm Guitars) (Burn to Black, Nadar Sadek, Iomair, Nephelium), Andrew Suarez (Drums) (Fatality, The Slyde – 2023 Wacken Metal Battle Canada Champions) and Chris Boshis (Bass) (Conflicted).

Throughout their existence, PHEAR has had the honour of opening for German metal legend UDO DIRSCHNEIFER, THE DEAD DAISIES, and STRYPER, along with performing on a pre-show for icons and heroes IRON MAIDEN in 2019 in Toronto at Budweiser Stage.

Recommended for fans of Iron Maiden, Megadeth, Judas Priest, Dream Theater (prog elements), and Metallica, PHEAR’s sophomore album “Save Our Souls” is available from Golden Robot Records at the following link (Spotify, Apple Music, Amazon) – https://orcd.co/save-our-souls

‘Save Our Souls’ Recording Band Line Up:
Patrick Mulock – Lead Vocals
Chris Boshis – Bass Guitars, Backing Vocals
Alex Zubair – Lead Guitar, Rhythm Guitar
Pat Rogers – Lead Guitar, Rhythm Guitar
Mike Harshaw – Drums
Live Band Line Up
Patrick Mulock – Lead Vocals
Chris Boshis – Bass Guitar, Backing Vocals
Alex Zubair – Lead Guitar, Rhythm Guitar
Pat Rogers – Lead Guitar, Rhythm Guitar
Andrew Suarez – Drums
Discography
2025 – “Save Our Souls” LP Release Date: Feb 13 2025
2020 – “The Curse Live On” LP (RFL Records)
2018 – “Insanitarium” LP (RFL Records)
Shared Stage with: The Iron Maidens, Operas, Varga, Stryper, The Dead Daisies, Hookers and Blow, Udo Dirkschneider, Dead Romantics, Fate Gear, Threat Signal, Iron Maidens (alternate stage), Sven Gali

Corporate Sponsors/ Artist endorsements
Phear – Insanitarium Entertainment
Patrick Mulock – Audix Microphones, Erikson Music, Metal Mafia Clothing
Chris Boshis – Spectar Basses
Mike Harshaw – Yamaha Drums, Paiste Cymbals, Los Cobos Drumsticks

 

0 EPK – These Cursed Hands – Intelligent (RE)Design (2024)

  • February 4, 2025
  • by Asher
  • · EPKs · These Cursed Hands

EPK – These Cursed Hands – Intelligent (RE)Design (2024)

Publicist – Jon Asher – jon[@]ashermediarelations[.]com

For Fans of Black Dahlia Murder, Dark Tranquility, Thy Art is Murder, Children of Bodom, Ne Obliviscaris

Band: These Cursed Hands
EP: Intelligent (RE)Design
Release: November 1, 2024
Label: Self-Release
Distribution: DistroKid

“We hope this EP will set a much better tone for the music we intend to continue creating. We have really come together in our writing process and honed in on the overall sound we are trying to achieve. We truly gel together, both as musicians and as friends. We hope people get a mix of brutal heaviness with some ambiance too. We love the journey of peaks and valleys that songs like Perihelion and Event Horizon have.  The melodic parts really bring the songs down to make the heavy parts more impactful. Then we have songs like Obsolete Beings and Murderous Intent that just hit you in the face the whole time.” – Travis Cody – These Cursed Hands

Thesecursedhands.com | Instagram.com/thesecursedhands | Facebook.com/thesecursedhands | Youtube.com/@thesecursedhands

Spotify| Thesecursedhands.bandcamp.com

““Intelligent (RE)Design” is an impressive display of extreme metal that mixes black metal, metalcore, deathcore, and death metal in an attractively intense sound. These Cursed Hands bring a sense of nostalgia with their music while still bringing a modern and distinctly unique sound to the table. ” – The Metal Verse (2024 – Intelligent (RE)Design)

“These Cursed Hands create a powerful chorus that utilizes sing-screaming to hit melodic notes while still using extreme vocals and continuing the momentum of the song. The band does an excellent job of adding in blackened influences and making the music have an evil and dark overall feel. The track goes into an immersive guitar solo that fades out the song on a highly technical note. Fans of death metal, deathcore, and blackened metal genres will really enjoy These Cursed Hands!” The Metal Verse (2023 – Hell Breaks Loose (single)

[Download EP Cover | Download EP Lyrics]

Band: These Cursed Hands
EP: Intelligent (RE)Design
Release: November 1, 2024
Label: Self-Release
Distribution: DistroKid

Track Listing:
1. Advent (opening only) – 0:34
2. Extermination Revelation – 5:06
3. Murderous Intent – 4:20
4. Onset (interlude) – 0:52
5. Obsolete Beings – 3:27
6. Perihelion – 5:16
7. Collapse (interlude) 0:41
8. Event Horizon – 4:50
EP Length: 25:11

All songs performed by:
These Cursed Hands (Wesley Griswold, Von-Aldrynne Eslava, Travis Cody)
All songs written by: These Cursed Hands (Wesley Griswold, Von-Aldrynne Eslava, Travis Cody)
Produced by: These Cursed Hands
Mixed by: Seanan McCullough at Helvete Studio
Mastered by: Seanan McCullough at Helvete Studio
Album Artwork by: Patrick “Wadl” Hofmeister

EP and Band Lineup:
Wesley Griswold – Guitar
Travis Cody – Drums
Von-Aldrynne Eslava – Vox
Danny Hettum – Bass

===============================================

About The Album Artwork:

The artwork was done by a good friend of Travis’, Parick “Wadl” Hofmeister.  He is an amazing artist who is very detailed in his painting concepts and then goes extremely detailed in his execution.

The artwork for this album represents the co-opting of humanity’s biomass as we are remade by the artificial beings sent to replace us. The hand, desperate to escape, is slowly being absorbed by the biomechanical structures in which it is entwined. – Wesley Griswold

About the EP as a whole (LYRICALLY & MUSICALLY):

Musically this album is a dynamic array of sounds and styles, featuring everything from melodic death and black metal to chunky deathcore and brutal death, with even some more ambient sections to haunt the listener. – Wesley Griswold

Track By Track (LYRICALLY & MUSICALLY):

1. Advent – This short intro sets the apocalyptic tone for the album, with audio clip from the original 1938 War of the Worlds radio broadcast by Orson Welles.

2. Extermination Revelation – This song opens with epic blackened dissonance before moving into a mix of epic melodic death metal riffs and soaring choruses.

3. Murderous Intent – Murderous Intent is an absolute slugfest of deathcore chugs and death metal riffage.

4. Onset – The extermination has begun, and the artificial siren song of our new overlords rings across the land in this short interlude.

5. Obsolete Beings – In Obsolete Beings, we show our thrashier side, with a mix of lightning-fast riffs and hard-hitting choruses capped off with an absolutely crushing breakdown.

6. Perihelion – Perihelion is our most structurally complex song, moving between haunting ambiance and crushing death metal and deathcore riffs.

7. Collapse – In this brief intermezzo, humanity is now all but lost, enslaved, and consumed by our new masters who know only logic and cold calculation.

8. Event Horizon – Our most epic and melodic piece, Event Horizon is a strong coda to our EP that showcases our more progressive side with soaring melodies and a haunting bridge section with guest vocals from Sasha Gordy. – Wesley Griswold

===============================================

L – R: Wes Griswold (Guitar), Travis Cody (Drums), Von-Aldrynne Eslava (Vox), Danny Hettum (Bass)

 Photo Credit: Kevin Pettigrew – IG: @k.j.88_photography

Hailing from the darkest, dankest depths of Portland Oregon’s fecund metal scene, These Cursed Hands produce a synthesis of the best elements of black, progressive, core, death, and thrash metal that reduces even the most experienced metal listener into a quivering mass of bodily fluids slowly leeching out into the ground. Their vocal aggression, earthshaking heaviness, explosive rhythm, and face-melting riffage regularly annihilate whole audiences, leaving only ashen smears where fans once stood. As the sun rises on these scenes of sonic devastation, the few remaining survivors will pull themselves from the rubble and spread the cursed word.

Hail Liviyatin! The curse is upon us.

EP and Band Lineup:
Wesley Griswold – Guitar
Travis Cody – Drums
Von-Aldrynne Eslava – Vox
Danny Hettum – Bass

Discography:
2024 – Intelligent (RE)Design – EP
2023 – Drowning in Fire – EP
2023 – Lost at Sea – Single
2023 – Hell Breaks Loose – Single

Shared Stage with: Crypta, Great American Ghost, Saltwound, Steaksauce Mustache, 2 Shadows, Blindwolf, Dark Crucible, Asylum of Ashes, Dead Animal Assembly Plant, Four Dead Seasons, Gravewitch

Tours and Festivals
2025 – WinterFest 2K25, Portland OR
2024 – Washington DeathFest VIII
2024 – Oregon DeathFest II – Keslo, WA
2024 – WinterFest 2K24 – Longview, WA

Endorsements:
Drums
Saluda Cymbals – https://www.saludacymbals.com/c/
Scorpion Percussion – https://scorpionpercussion.com/

0 EPK – Frogg – Eclipse (2025) – Out March 7th

  • January 30, 2025
  • by Asher
  • · EPKs · FROGG

EPK – Frogg – Eclipse (2025) – Out March 7th

Publicist – Jon Asher – jon[@]ashermediarelations[.]com

“The people who are already faithful to FROGG will find as much of the stuff that they signed up for as surprises. We don’t operate in one genre all the time.” – Will Brown – Drums, Percussion, World Instruments

“The singles each showcased different stylistic strengths, Wake Up being more progressive, Dandelion and Double Vision Roll more in the vein of something between death metal and prog metal. At the end of the day, we’re an amalgamation of the music we enjoy, and that’s what the band is and why we sit in between a few key sub-genres.” – Sky Moon Clark – Vocals, Guitars

For fans of Children of Bodom, BTBAM, Unexpect, Periphery, Necrophagist

Band: Frogg
Album Title: Eclipse
Release Date: March 7th 2025
Label: Self-Release
Distribution: Distrokid

All Links – https://linktr.ee/froggband | Facebook.com/FroggBand | Instagram.com/froggband

Froggofficial.bandcamp.com | Spotify

“Weirdo avant-garde metal band Frogg have jut shared a video for “Double Vision Roll,” and, boy, is it quirky. If you’re not yet familiar with Frogg, they are all about delivering a weird and wonderful live experience They experiment with different world instruments and songwriting ideas, pushing the boundaries of what’s possible in heavy music, and you can see a little bit of that on display here. The song was produced by Frogg guitarist/vocalist Sky Moon Clark and Jamie King (Between the Buried and Me, The Contortionist, Scale the Summit). Frogg are recommended for fans of weird and wild, as well as those who appreciate a little technicality in their music.” – Decibel Magazine (2025 – Eclipse)

“After a few years of one-off singles and an EP this stellar prog project is finally gifting us with a full record. This includes some wild guitar work, breakneck shifts in tone, and is just a great time overall. This is recommended if you like BtBaM, Last Chance To Reason, etc.” – Metal Injection (2025 – Eclipse)

“The band is immensely talented, and their musicianship registers off the charts… This is an album that every Metalhead should hear, for the technical brilliance alone. 8/10″ – Metal-Temple (2025 – Eclipse)

“Their musical style is a kaleidoscope of genres, with a real melting pot of influences… there is no denying that there is a lot of talent on show here. There is obviously a desire to produce something unusual and it will be interesting to see where they go from here. 8/10″ – The Prog Space (2025 – Eclipse)

“It’s no secret that amphibians aren’t doing so hot as a class; Frogg‘s eclectic tech is a welcome consolation prize amidst this eroding diversity. The confident creativity of these NY-based herpetologists recalls The Odious at their most unhinged—a morass of influences ranging from electronica to deathcore that sticks to my neurons like flies to a tongue. Whether channeling the brutal (“Dandelion,” despite the name, is fairly dissonant) or the ethereal (“Wake Up”‘s clean vocals and synths), Eclipse hops between genres like we breathe. Evolution willing, they’ll continue carving out a niche for themselves in the crowded tech death ecosystem.” – Roldy – Toilet ov Hell (2025 – Eclipse)

“Frogg’s Eclipse comes to challenge our hearing abilities through unparalleled virtuosity. It is a test of endurance and a lesson in how the most advanced technique can merge with brutality to create a unique, disconcerting but fascinating listening experience.” – Dargedik (2025 – Eclipse)

“Frogg have the instrumental chops to find a dominant place in this style of music.” – Heavy Music HQ (2025 – Eclipse)

“10 tracks of technical death and prog metal. Seriously complex and technical playing fusing brutal moments with melodic wonderful oddness! If you wish Steve Vai was heavier then give this a spin.” – Loud Enough Magazine? (2025 – Eclipse)

“Battered Over The Head… Playfully: Not much more I can say, other than to repeat that this is music which challenges the listener. The band play out of their skins, absolutely dazzling us with off-the-charts playing. Anyone who loves heavy music which is progressive will love this album (no should about it). What does help is that Frogg adds little touches of playfulness as well as extra or surprising musical instruments to keep the whole thing entertaining. I said in the review of the EP that it showed “great promise”. And that “promise” has in my view been met on this album. Once again they battered me over the head in the most fun way musically. I can only imagine the fun of seeing them do this stuff live. A must-have for fans of extreme progressive music.” – CGCM Radio / Podcast (2025 – Eclipse)

“Frogg cover seemingly contradictory bases of portentous tech-death, galloping melodic thrash and hopeful, opne chord djent. It’s smart musical alignment with their theme of something new rising from the ashes of the old.” – Metal Hammer (2020 – A Reptilian Dystopia – EP)

“FROGG is a dangerous force of Technical Metal making themselves known!” – The Circle Pit

“Technical Death rising star” – GhostCult Mag

“The music is impressively performed and written.  Crazy technical menageries of Adderall-fueled obsession meshed with emotive melody just spilling out everywhere.  It’s a great time, and definitely worth checking out.  Definitely a band to be watching in the future.” – No Clean Singing

“The guitar work is beyond phenomenal, and the vocals are just as catchy. They aren’t 100% death metal but are really a blend of modern tech metal and death metal.  I’m extremely excited to see if the band is cooking up any live shows to promote the release and am definitely keeping my eyes on this project from here on out. If you want that Decapitated/Arsis/Obscura blend of groove and technicality Frogg is meant for you.” – Technical Music Review (2020 – A Reptilian Dystopia – EP)

“This is an incredible EP, guys. Every one of these songs has made it into heavy rotation, and I am honestly so excited to hear more in the future.” – Metal Trenches (2020 – A Reptilian Dystopia – EP)

“Frogg are certainly worth checking out for anyone who likes their music heavy, brutal and challenging. This is not for the faint-hearted! The musicianship is superb throughout and this EP shows great promise. A new name to watch and follow to see where they go next. Good stuff!” – CGCM Podcast (2020 – A Reptilian Dystopia – EP)

““A Reptilian Dystopia” is absolutely a solid, proggy technical metal release, with all the time signature changes, insane scale runs, and gorgeous harmonies you’d expect from modern progressive shredders. Pulling no punches the EPs first track ‘Ancient Rain’ is a constantly changing beast of a track, shifting from blast beat heavy punishing riffs to entrancing melodies. I found it hard to get bored during its three and a half minutes of beautiful aggression… This guy is a beast on the axe, clearly, a great musician and I look forward to seeing this band do very well in the near future… if you’re into some proggy technical goodness, definitely for fans of bands like Obscura, The Zenith Passage or Fallujah.” – Roxx100 (2020 – A Reptilian Dystopia – EP)

“My favorite part is definitely the ability to sound different in a genre that is starting to get a little stale. Its a heavy blend of Tech while adding some extra melody. Most tech death bands literally go for face melting riffs. Which is also cool. But after a while that gets kind of boring. So for a band like Frogg to put out an EP like this, they could help lead the next generation of tech death kids.” 10/10 – Between The Lines Media (2020 – A Reptilian Dystopia – EP)

“The quality on show here is amazing for a first release and has left us salivating at the prospect of their debut album [9/10]” – Metal Noise (2020 – A Reptilian Dystopia – EP)

“Bursting into life with a colossus bang, it’s a technical monstrosity that greets listeners with Ancient Storm. It’s wild, it’s nasty but it’s built on a foundation of sharp riffs and ferocious groove.” – Games, Brrraaains & A Head-Banging Life (2020 – A Reptilian Dystopia – EP)

“There’s enough impressive lead guitar work to fit onto a full album, let alone all that’s crammed into these four songs.” – Heavy Music Headquarters (2020 – A Reptilian Dystopia – EP)

“A short and sweet stash of riffs, licks and raw emotion inoculated over the years, poured out into the world in the form of modern and thrilling Technical Death Metal.” – The Headbanging Moose (2020 – A Reptilian Dystopia – EP)

“The band’s mix of fast, brutal and melodic aspects blends nicely to create an intense, high energy atmosphere. With guttural vocal roars, fast and technical riffs and a ton of raw emotion, what’s not to like?” – The Music Below (2020 – A Reptilian Dystopia – EP)

“A Reptilian Dystopia is a succession of rock-hard riffs, complex melodies, extremes and power. The Ep is raw and brutal and according to Sky Moon Clark offers the basis for an album that will be released at the end of 2021. An album with an even more balanced track list. For the time being it is now fifteen minutes of solid extreme metal that will wake you up.” – Rockportaal (2020 – A Reptilian Dystopia – EP)

“A Reptilian Dystopia” shines with technical sophistication” – Artnoir (2020 – A Reptilian Dystopia – EP)

“This first EP should delight fans of Obscura , Necrophagist or Arsis… A Reptilian Dystopia is a solid discovery full of promise and the revelation of a very talented musician.” – Eklektik Rock (2020 – A Reptilian Dystopia – EP)

“Bonkers EP here that sploshes Obscura’s tech-death virtuosity up against maniacal djent intentions. The musicianship’s something else and the frantic widdling never seems to stop…” – Collective Zine  (2020 – A Reptilian Dystopia – EP)

“FROGG: Delivers an authentic live sound with no backup!” – Permafrost Today

Band: Frogg
Album Title: Eclipse
Release Date: March 7th 2025
Label: Self-Release
Distribution: Distrokid

Track Listing:
1. Walpurgisnacht (4:44)
2. Life Zero (4:30)
3. Dandelion (3:50)
4. Eclipse I: Blind Bakunawa (4:20)
5. Eclipse II: Sickened By Silence (4:48)
6. Interspecific Hybrid Species (4:19)
7. Wake Up (6:22)
8. Sun Stealer (4:41)
9. Double Vision Roll (3:29)
10. Omni Trigger (4:07)

Album Recording Credits:
• All songs performed by: FROGG
• All songs written by: FROGG
• Produced by: Jamie King & Sky Moon Clark
• Mixed by: Jamie King
• Mastered by: Jamie King
• Album Artwork by: Yann Kempen & Bertrand LeFebvre

Album Band Line Up:
Sky Moon Clark – Vocals, Guitars
Will Brown – Drums, Percussion, World Instruments
Brett Fairchild – Guitars on tracks 1, 5, 6,10
Nick Thorpe – Bass on tracks 1,4,5,7,8,10
David White – Bass on track 2
Brad Williamson – Bass on track 6
Jack Lynch – Bass on track 3
Emma Rae – Clean vocals & keys

Live Band Line Up:
Sky Moon Clark – Vocals, Guitars
Brett Fairchild – Backup Vocals, Guitars
Ethan Emery – Bass
Will Brown – Drums

==================================================

About the album as a whole (LYRICALLY & MUSICALLY)

A sonic eclipse where every genre collides—progressive, technical, and just enough death to keep your neck sore for weeks. – Ethan Emery – Bass

Track by Track (LYRICALLY & MUSICALLY)

1. Walp – Designed explicitly as a live opener. The studio process morphed it a bit, as the original didn’t account for the possibility of using much extra instrumentation or backing tracks.

2. Life Zero –  Blends fast aggressive riffs with intermittent sections of clean guitars, and explores themes of self-worth.

3. Dandelion – Always on the path towards a dead end. Heavy out of control thrashing. Getting physical is a remedy.

4. Eclipse I: Blind Bakunawa – Oedipus’s tale meets getting sick to your stomach. A lot of heavy in the music to pair.

5. Eclipse II: Sickened By Silence – Getting strung along while navigating feeling left out, only to realize you’ve been betrayed the whole time. Tech death into djent into fusion into melodeath into an orchestral black metal finish.

6. Interspecific Hybrid Species – Climate change is coming for us all. Proggy goodness. Earth will shed its shell if it needs to.

7. Wake Up – Have you ever felt like you keep going to bed and having a recurring dream? Except it keeps snowballing into something more sinister and you can’t kick it? Proggy goodness paired with dreamscapes take you on this journey.

8. Sun Stealer – Mostly riff-driven but there was a desire to use the intro to try and build a “horror movie score” aesthetic using Hindustani classical instrumentation. Proggy Heavy Fusion.

9. Double Vision Roll – features powerful guitar riffs with a pretty bouncy, “feel-good” vibe, in contrast with the lyrics which explore themes of confusion, doubt, and self-confidence.

10. Omni Trigger – Omni Trigger is one of the more chaotic and aggressive songs on the album, that sorta sounds like what the lyrics are describing – a galaxy imploding. Features a break with a bunch of authentic world instruments Will played.

=======================================================

Band Story/Fun Facts:

1. Sky is the proud father of 3 white tree frogs. They voraciously eat a lot of live bugs.

2. Will is proficient at hundreds, if not thousands of different world instruments. FROGG’s current HQ is located in Will’s studio, which is riddled with them. We refer to it as the instrument petting zoo. He also has some serious peacocks (the bird).

3. Jack Lynch ordinarily runs his sound through two very large custom pedal boards, and we have just introduced him to the neural DSP quad cortex.

4. Sky is fluent in French

5. The band name is literally because we like frogs. It’s an old name, and the band was technically founded in 2009. All involved still liked frogs, and we do too.

L-R: Will Brown (Drums) | Sky Moon Clark (Vocals & Guitar) | Brett Fairchild (Guitar) | Ethan Emery (Bass)

Album Artwork – Artists: Yann Kempen & Bertrand LeFebvre

FROGG is a modern experimental technical metal band located in the New York metropolitan area.

The concept behind FROGG is simple: create modern heavy music while striving to show off some originality in an often-over-processed genre.

FROGG’s main ambition is to hit the live circuit with a perfected performance and its brand-new line-up.

With performance in mind, FROGG has been relentlessly rehearsing new original material and old, to deliver an authentic live experience.

Discography:
2025 – Eclipse – Album
2024 – Double Vision Roll – Single
2024- Dandelion – Single
2023 – Wake Up – Single
2020 – A Reptilian Dystopia – EP
2019 – Ancient Rain – Single

0 EPK – SVNTH – Pink Noise Youth (2025) (These Hands Melt )

  • January 28, 2025
  • by Asher
  • · EPKs · SVNTH · Uncategorized

EPK – SVNTH – Pink Noise Youth (2025) (These Hands Melt )

Jon Asher – Publicist – Jon[@]ashermediarelations[.]com

For fans of Deafheaven, Alcest, Brutus, Svalbard, Agalloch

Band: SVNTH
Album Title: Pink Noise Youth
Release Date: April 18, 2025
Label: These Hands Melt

“Pink Noise Youth will be out five years after our previous full-length, which is the longest time between two records in our discography. It is also full of new things, starting from a consistent line-up change of more than half of the band, the introduction of many new instruments such as electric Indian sitar, clean singing, classical and 12 strings guitars, and in addition, songwriting goes back to a more traditional song in opposition to the more suite-like approach of the previous album. People will surely welcome it with curiosity.” – SVNTH

All Links: https://linktr.ee/svnthband

Facebook.com/svnthband | Instagram.com/svnth_band

Spotify | Svnth.bandcamp.com

“Do you dig blackgaze, in the vein of Deafheaven and Alcest? What about post-hardcore? What about a mixture of the two?! Well my dears, you’re in a bit of luck, because the Italian experimental band Svnth just released their new single “Cinnamon Moon.” Give it a lil listen” – Metal Sucks

“This is not music that settles into one feeling; it is an album that lives in the tension between them, where grief fuels rebellion, where pain and resilience are inseparable, and where every song feels like a battle between destruction and redemption. In the end, it does not leave the listener broken, but neither does it offer false comfort. It does not promise that everything will be okay, but it does promise that the struggle is worth something. It is an album that carries both the weight of sorrow and the fire of defiance, the burden of grief and the light of something that refuses to die. 9/10″ – Metal-Temple (2025 – Pink Noise Youth)

=========================================================

“This is arguably SVNTH’s defining effort to date, and will hopefully see them gain a foothold within the scene at large…” – Distorted Sound Magazine (2020 – Spring in Blue)

“”The music seems to wail and mournfully murmur like spirits who have lost their way in a shimmering desert world. Those lonesome laments unfold into a momentum of neck-snapping beats, raking chords, and high, harrowing shrieks” – No Clean Singing (2020 – Spring in Blue)

 “SVNTH sets out in hopes of bridging the rift of a jealous god, welding genres into music that can appeal to all sensibilities, without sacrificing integrity (or intensity)” – Toilet ov Hell (2020 – Spring in Blue)

“”Distortions, speed and sinister atmosphere as the tradition black imposes but also delicate chiselations from which a light filters that suggests possible trajectories capable of questioning the dictatorship of matter, Spring in Blue is an album that is not afraid to face the recognized columns of Ercole gender and to push it far beyond 8.5/10” – Grind On The Road

“an interesting take on black metal, delving deeper into psychedelia and post-rock influences on new EP SVNTH. Though the tremolo-picked guitar playing and blast beats accompanied by howled screams still remain, they are met with shimmering melodies, ambient stretches and Pink Floyd-esque guitars.” – Decibel Magazine (2018 – EP SVNTH)

[Download Album Cover | Download Album Lyrics]

Band: SVNTH
Album Title: Pink Noise Youth
Release Date: April 18, 2025
Label: These Hands Melt

Track Listing:
1. Inhale – 1:31
2. Cinnamon Moon – 5:18
3. Perfume – 4:19
4. Elephant – 6:49
5. Narrow, Narrow – 5:35
6. Exhale – 4:33
7. Winter Blues – 4:32
8. Nairobi Lullaby – 4:37
Album Length: 37:18

Album Credits:
All music and lyrics written by Rodolfo Ciuffo
Performed by Rodolfo Ciuffo, Alessandro De Falco, Valerio Primo and Alessandro Canzoneri
Guitar solos on “Elephant”, “Exhale” and “Nairobi Lullaby” written by Alessandro De Falco
Recorded, mixed and produced by Alessandro De Falco
Mastered by Angel Marcloid at Angel Hair Studio
Photography by Alexandru Cozlan, modeling by alteaaetla_sg
Album Artwork by Tryfar

========================================

Describe The Album Artwork:

The artwork is realized by Tryfar based on a photo taken by our friend Alexandru Cozlan from Krøvi with alteaaetla_sg as model. It tries to portray all the emotional instability of late youth from the current generation in such a phase that in a metaphor with sounds is as chaotic as pink noise.

About the album as a whole (LYRICALLY & MUSICALLY)

If the previous record Spring in Blue was about facing life’s struggles on a childhood perspective, the upcoming Pink Noise Youth will be based on exploring awareness as an adult in late youth, trying to give a voice to a generation emotionally unstable and chaotic as pink noise. it will be the second part of the band’s own “trilogy of colors”.

Musically speaking expect something intended to stay outside of genres and labels where elements of hardcore, metal, shoegaze, post-rock and unconventional instrumentation such as electric Indian sitar are blended together in the same pot.

Track by Track (LYRICALLY & MUSICALLY):

1. Inhale – Album intro that brings up a dreamy atmosphere as the beginning of the journey, it shows a varied musical instrumentation that includes classical guitar, indian sitar, percussions, and ambient layers

2. Cinnamon Moon – As the first single off Pink Noise Youth, the new anticipated album from Italian band SVNTH, Cinnamon Moon unveils some of the most interesting features offered on the album in terms of sound and mood. With its captivating mix of black gaze and post-hardcore, the song is an open letter soaked in fragility and emotional exposure, delivered to a cared one as a memorial of the hampered paths walked together on the road of late youth. Cinnamon Moon takes shape among Slowdive-esque ethereal delayed layers, heavy sections with black metal screams, passionate clean singing, a unique use of electric Indian sitar, and melodramatic post-rock melodies, that aim to build together a unique cathartic sound blend.

3. Perfume – The track is carried by catchy and emotional guitar melodies with captivating singing, classic song structure and lyrics about nostalgia and moments that will never come back. Reminding bands like Alcest, Nothing and Smashing Pumpkins, it mixes elements of alternative rock and post-metal.

4. Elephant – One of the most dynamic tracks on the album, mixing heartbreaking guitar melodies with rock-oriented explosions and a pure post-rock outro, all accompanied by an alternation of screaming and melodic singing. Lyrics are about remembering intensively cheerful memories that symbolize the end of a turbulent and suffering path of life and consequently a new beginning.

5. Narrow, Narrow – With a dreamy Deftones-like intro soaked in delay and reverb, the song evolves immediately into a hardcore-oriented explosion with black metal screams alternated with emotional shoegaze-y sections. As much as the song “Wings of the Ark” from the previous album “Spring in Blue” was based on the experience of a loss during childhood, this song does the same but in the late youth phase of life. The final refrain “We will never come back again, but we’ll always be here” is intended to be considered a sort of anthem that reflects on the shortness of our life as humans compared to the eternity of our memory that remained in the people we left.

6. Exhale – transition instrumental track intended to create a dreamy imaginary. It alternates dark country film-like soundscapes inspired by Ennio Morricone, Swans, and Woven Hand with sitar-led psychedelic vibes that recall similitudes with Master Musicians of Bukkake, The Beatles, and Kikagaku Moyo with a touch of post-rock.

7. Winter Blues – The darker track of the album brings influences from both post-hardcore and black metal with a touch of melancholy, lyrics are about remembering with nostalgia someone who was a cared one in a relationship of the past.

8. Nairobi Lullaby – Most pop-oriented song of the recorded. It is a ballad that mixes Indian instruments like sitar and tanpura with acoustic guitar, fretless bass, drums and clean vocals, in a similar way of The Beatles’ Norwegian Wood. Lyrics are about remembering the fragilities and life difficulties of a cared person.

================================================

BAND STORY ANGLES / FUN FACTS:

1. The only member who has been in the band since the very beginning is Rodolfo Ciuffo.

2. Through the years SVNTH has played several tours and festival appearances all over Europe and in the United States, touching even non frequently toured countries such as Albania and Turkey.

3. On every full-length of the fourth in the band’s discography the name of a season is mentioned in a song or album title. For example on “Breeze of Memories (2015)” there is a song called “Summer Dusk”, on “Toward Akina (2017)” there is a song called “Last Fall Before the Impact”, the title of the third record is “Spring in Blue (2020)” and on “Pink Noise Youth (2025)” there is a song called “Winter Blues”.

4. Most of the material outside full-lengths is intended to step a little bit away from the band’s usual style. For example the EP “SVNTH (2018)” is a compilation of songs from the demos recorded for the first time in a proper way; the style at the time was mostly melodic black metal. The Split from 2019 contains the long song “Hourglasses Crambles Along The Oranged Fucked Sky” which is basically a noise rock/post-rock track in the vein of Swans and Slint; also the rest of the other artists’ material on the split ranges from ambient to psychedelic folk and noise.

5. The musical versatility of SVNTH’s sound contributed to their inclusion in events from very different musical contexts that saw them share the stage with bands into styles like post-metal, gothic/doom, punk, post-hardcore/screamo, post-rock, shoegaze, black/death metal, and alternative rock.

L to R – Jacopo Fagiolo – Guitars, Alessandro Canzoneri – Drums, Rodolfo Ciuffo – Bass, Vocals, Sitar, Valerio Primo – Samples, Percussion, Alessandro De Falco – Guitars

Photo Credit – Arianna Savo

With a various background of musical influences and artistic inspirations, SVNTH (written all caps and pronounced “Seventh”, formerly  “Seventh Genocide”) from Rome, Italy has been shaping a unique equilibrium of sounds through the years moving across a huge variety of directions on the palette of contemporary alternative music to create a distinctive soundtrack for inner emotions, life scenarios, and existentialist questioning. Expanding the energy of black and post-metal over the mellow and contemplative boundaries of shoegaze, art pop, and cinematic post-rock.

From the vivid early black gaze melodies of the debut “Breeze of Memories” (2015) to the long song structures with acoustic overtures and Godspeed You! Black Emperor inspired sections of the monumental “Toward Akina” (2017); SVNTH confirms this more complex approach on the double LP  “Spring in Blue” (2020), the childhood chapter of a trilogy of colors based on emotions in different phases of life.  

The upcoming “Pink Noise Youth” (2025) gets back to a more traditional song format, introducing a unique use of Indian sitar, and an array of acoustic instruments and singing expressions, which develops SVNTH to a one-of-a-kind sound and personality.

As of today, the band has done several tours and single shows all over Europe and in the USA touching even non-frequently toured countries such as Albania and Turkey and performing at notable festivals like Rockstadt and Frantic Fest, bringing a defining cathartic live energy.

Band Lineup:
Jacopo Fagiolo – Guitars
Alessandro Canzoneri – Drums
Rodolfo Ciuffo – Bass, Vocals, Sitar
Valerio Primo – Samples, Percussion
Alessandro De Falco – Guitars

Discography:
2011 – Demo
2012 – Seventh Genocide Demo
2013 – Promo 2013 – Demo
2015 – Breeze of Memories – LP
2017 – Toward Akina LP  71 (91%)
2018 – SVNTH – EP
2019 – Seventh Genocide / Onirica / OkyDrones / Fortisleo – Split
2019 – Live in Berlin 2018 – Live album
2020 – Spring in Blue – LP
2024 – Immense as the Ocean (Live at Frantic Fest 2024) – Single

0 EPK – BornBroken – 2025

  • January 17, 2025
  • by Asher
  • · BornBroken · EPKs

EPK – BornBroken – Am I Invisible (2024) – Out Sept 20th

Publicist – Jon Asher – jon[@]ashermediarelations[.]com

For fans Chimaira, Decapitated, Testament, Machine Head, Slipknot

Band: BornBroken
Album Title: Am I Invisible
Release Date: September 20, 2024
Label: Self-Release

BrokenMusic.ca | Facebook.com/BornBroken | X.com/bornbroken | Instagram.com/bornbrokenofficial | Youtube.com/bornbrokenmusic

Bornbroken.bandcamp.com | Spotify | Apple Music

All Links – https://linktr.ee/bornbroken

Artist Endorsements – (EMG Pickups, D’Addario Strings, Planet Waves, Evans Drumheads, Nordstrand Pickups)

L-R Carlos Ojeda (Drums), Pavlos Haikalis (Guitar), Michael Decker (Vocals/Guitar), Mike Marino (Bass)
Photo Credit : Laura Collins

As Born Broken prepares to unleash their latest album, “Am I Invisible,” the band members reflect on the creative journey and the deep themes explored in their new work. Here’s what they had to say about the album:

“We wanted to create something raw and real.”

“Creating ‘Am I Invisible’ was an intense and rewarding process. This album represents who we are and what we stand for. “This album is incredibly personal for all of us. We poured our hearts into every beat, every note. It’s a journey through our highs and lows. ’Am I Invisible’ speaks to the struggles and emotions we’ve faced as individuals and as a band.

“Musically, this album allowed us to experiment with our roots in metal and it’s structures. We aimed to blend heavy, aggressive riffs with melodic elements to create a dynamic listening experience. ”From the relentless march of time in ‘Time Pays No Respect’ to the existential questions in the title track, every song is a piece of our collective soul.

Tracks like ‘How Strong You Are’ and ‘Fold’ showcase the balance. We’re proud of how the music complements the powerful lyrics. Each track brought out different emotions, from the stress and monotony captured in ‘7 Mondays’ to the introspective nature of ‘Will You Remember.’ Songs like ‘Age of Anger’ address the division and intolerance we see every day. We wanted to use our music to call for unity and empathy. This album is not just a collection of songs; it’s a message, a call to action for anyone who feels unheard or unseen.”

“We’ve always aimed to create music that tells a story, and ‘Am I Invisible’ is our most ambitious story yet. The themes of invisibility, isolation, and resilience are universal, and we wanted to convey them through powerful lyrics and compelling music. The album’s complexity and depth are a testament to our growth as a band.”

We’re grateful to our fans for their unwavering support and hope this album resonates with them as deeply as it does with us. Thank you for joining us on this journey.”

Born Broken is excited to share “Am I Invisible” with the world and invites everyone to experience the raw emotion and powerful messages encapsulated in their latest work. Stay tuned for upcoming events and join the conversation using #AmIInvisible.

===============================================

[Download Album Cover | Download Album Lyrics]

Band: BornBroken
Album Title: Am I Invisible
Release Date: September 20, 2024
Label: Self-Release

Track Listing:
1. Time Pays No Respect – 5:04
2. Am I Invisible – 3:54
3. Will You Remember – 4:03
4. How Strong You Are – 4:41
5. Conflicting Lies – 5:09
6. Scabs & Scars – 3:36
7. 7 Mondays – 4:00
8. Fold – 6:30
9. Age of Anger – 5:23
10. The Day I Die Inside – 5:07
Album Length: 47:31

Album Credits:
– ALL MUSIC, LYRICS WRITTEN & PERFORMED BY: BORNBROKEN
– PRODUCED, MIXED & MASTERED BY: CHRISTIAN DONALDSON
– ASSISTANT ENGINEERED BY: DOMINIC GRIMARD
– RECORDED @ CHRISTIAN DONALDSON STUDIOS (MONTREAL /SAINT-GABRIEL-DE-BRANDON, QUÉBEC CANADA )
– ARTWORK DESIGN & LOGO BY: MICHAEL DECKER & BORNBROKEN © & ℗ BORNBROKEN 2024 – ALL RIGHTS RESERVED
Socan Member
Canadian Content MAPL

BornBroken Album Lineup
Mike Marino (Bass)
Michael Decker (Vocals/ All Guitars)
Carlos Ojeda (Drums)

BornBroken live and Official New Lineup
Mike Marino (Bass)
Michael Decker (Vocals/Guitar)
Carlos Ojeda (Drums)
Pavlos Haikalis (Guitar) Newest member after recording

About the Album Artwork:

The artwork for “Am I Invisible” by Born Broken features a striking design with a strong, bold visual impact. Here are some key elements of the artwork:

1. **Title and Band Name**:
– The new band name logo “Born Broken” is prominently displayed at the top in a jagged, aggressive font, colored in dark red. The lettering style conveys a sense of raw energy and intensity.

– The album title “Am I Invisible” is subtly placed at the bottom, in a smaller, clean font. It’s less prominent but adds a haunting, introspective touch to
the overall design.

2. **Central Imagery**:
– The focal point is a large, red eye at the center of the artwork. The eye has a glossy, almost mechanical appearance, giving it an unsettling, intense look. The red color of the eye stands out sharply against the otherwise monochromatic
background.

– The eye is surrounded by a splash of red paint or blood, adding a chaotic and dynamic feel to the design.

3. **Background**:
– The background is a textured mix of black, white, and grey tones, with splatters and drips that add a grungy, distressed effect. This creates a sense of
depth and movement.

– The interplay of light and dark areas in the background enhances the stark contrast with the central red eye, drawing attention to it.

4. **Overall Mood**:
– The combination of the aggressive typography, the intense red eye, and the chaotic background conveys a mood of aggression, introspection, and
intensity.

This artwork effectively captures a dark, intense aesthetic that aligns with our band’s themes and style.

===================================================
About The Album:

For us it’s a straight up metal approach, we write what we want to write, what feels right to us. Lyrically it’s a personal approach for the everyday listener and
fans can relate to. Everyday fears and everyday joys…we’ll there is not that must joy left, with he way the world is going…

===================================================

Track By Track

1.  **Time Pays No Respect**

–  **Theme:** The relentless and impartial nature of time, its impact on humanity, and the inevitability of death.

–  **Lyrics Highlights:** The song speaks about the futility of resisting time, the sorrow it brings, and the way it devours everything. The chorus emphasizes the pain that time inflicts, which cannot be defended against or forgotten.

2.  **Am I Invisible**

–  **Theme:** Feelings of invisibility, isolation, and existential despair.

–  **Lyrics Highlights:** The song questions the significance of the individual’s existence and the impact of societal neglect. It explores the desolate emotions of being unnoticed and unmissed, with a recurring chorus asking “Am I Invisible.”

3.  **Will You Remember**

–  **Theme:** The importance of memories and the moments that truly matter in life.

–  **Lyrics Highlights:** The song reflects on corruption, silence, and the significance of living in the present. It challenges listeners to remember and surrender when it truly counts, emphasizing forgiveness and healing.

4.  **How Strong You Are**

–  **Theme:** Personal strength, resilience, and self-belief.

–  **Lyrics Highlights:** The song encourages taking charge of one’s destiny and overcoming challenges. It speaks about the importance of truth, inner voices, and conviction in the face of adversity.

5.  **Conflicting Lies**

–  **Theme:** The damage caused by deceit and the struggle for truth.

–  **Lyrics Highlights:** The song addresses the turmoil and hatred stemming from lies, and the necessity to make things right. It highlights the conflict between accepting lies and the desire for freedom from them.

6.  **Scabs & Scars**

–  **Theme:** The pain of relationships and the lessons learned from love and hurt.

–  **Lyrics Highlights:** The song discusses the irony of hurting loved ones and giving to those who don’t matter. It calls for awakening and learning that love is not misery, and speaks about the universal nature of pain and mistakes.

7.  **7 Mondays**

–  **Theme:** Overwhelm and stress from the monotony and challenges of life.

–  **Lyrics Highlights:** The song conveys a sense of being stuck in a repetitive, stressful cycle that feels like having “7 Mondays.” It explores themes of soul searching, stress, and the struggle to find answers.

8.  **Fold**

–  **Theme:** Decision-making and the consequences of actions.

–  **Lyrics Highlights:** The song reflects on missed opportunities and the struggle to hold on. It talks about life’s changes, the risk of choices, and the dilemma of whether to fold or keep pushing forward.

9.  **Age of Anger**

–  **Theme:** Societal division, intolerance, and the need for unity.

–  **Lyrics Highlights:** The song critiques the spread of anger and intolerance in the world, calling for unity and empathy. It emphasizes the tragic consequences of division and the need to come together to heal societal wounds.

10.  ***The Day I Die Inside**

“The Day I Die Inside” is a hauntingly evocative instrumental and introspective track that delves into the emotional and psychological turmoil of losing one’s sense of self. The song explores the profound sadness and emptiness that comes with feeling detached from one’s own identity and passions. it captures the essence of an internal struggle where the protagonist* grapples with feelings of disillusionment and despair. The crescendo resonates with a sense of finality and resignation, reflecting the emotional death experienced when one’s inner light fades away. Overall, the song serves as a powerful anthem for those who have faced or are facing profound personal loss and existential crisis.

*In the context of the instrumental track “The Day I Die Inside,” the term “protagonist” refers to the emotional journey or the internal state being depicted rather than a specific character. The “protagonist” here is the emotional core of the piece—representing the profound sense of loss, disconnection, and existential struggle. This central emotional theme drives the narrative of the instrumental, guiding the listener through the highs and lows of the experience without the need for literal characters.

===================================================

#4 BornBroken – !earshot – The National Loud Chart
For the Week Ending: Tuesday, October 22, 2024
https://www.earshot-online.com/charts/index.cfm?intChartTypeID=106&dWeekOfID=2024-10-22

!earshot – October 2024 – top 200 – #186 BornBroken
https://www.earshot-online.com/charts/2024/October/top200.cfm#1

“Am I Invisible and is a sonic soiree in waiting for those who like their metal I the neighbourhood of early Machine Head, post-Roots Sepultura, Lamb of God and Fear Factory resplendent with big guitars, bigger grooves and the biggest choruses.” – Decibel Magazine

“… the song (“How Strong You Are”) includes an anthemic and inspirational chorus, where the vocals rise into impassioned singing. But don’t expect music that feels like it’s seeing the world through rose-colored glasses. The music itself puts up with no excuses, but instead punches fast and damned hard. Backed by battering percussion and thundering basslines, the song includes fiery, writhing riffage and hard-slugging, high-howling hardcore fury. It does soar in the catchy chorus, but even there the vocals also rabidly snarl, and the band always return to pile-driving the listener’s neck, punctuated by some start-stop bursts of high-speed jackhammering and gruesomely growled words. On top of all that, the song includes a fluidly slithering and swirling guitar that itself spirals high, and a finale in which the vocals become truly harsh and scarring while the band inflict one last brute-force beating.” – NoCleanSinging

““Am I Invisible” is a masterclass in modern death metal, balancing technical prowess with emotional depth. BORNBROKEN has crafted an album that not only delivers in terms of heaviness but also resonates on a personal level. The mix of aggressive instrumentation and introspective themes makes this a standout release in 2024, marking the band as a force to be reckoned with in the genre. 8/10″ – Metal Temple

“Man, oh man…..I don’t know if it’s in the water or the politics. But keep it’s got the Canadians angry and making some dope ass death metal. I never knew of this band before this review….but I will never forget them and they are certainly locked in on my playlist material. Released in September, the Album “Am I Invisible” is a knife to the knee stabbing of an album. Every single track, I mean everyone, is a slammer. No complaints from this metal head at all. Powerfully riffs, evil melodies, godly break downs, heavenly solos and vocals that are rage re-incarnate. The title track music video reflects the exact same energy as the album. Deep, symbolic, energetic and metal as hell itself. Don’t sleep on BornBroken and give them a taste test, eh!?!?” – Keeper Magazine

“an aggression fuelled, raging firestorm of fierce savagery, ‘Am I Invisible’ is a brutal onslaught of devastating thrash metal. 10.10 – Metal Gods TV

“Am I Invisible is an exceptional addition to BornBroken’s discography. It’s a brutal, soul-baring album that blends aggression with melody in a way that feels fresh and relevant. For fans of metal that isn’t afraid to confront its own vulnerability while maintaining a fierce edge, Am I Invisible is a must-listen. BornBroken is a band on the rise, and this album proves they are not to be ignored.” – Jace Media Music

““Am I Invisible” by BornBroken is a masterful exploration of the human experience. Its blend of aggressive metal with deeply personal themes creates an album that is both thought-provoking and sonically impressive.” – Din Intunerec

“BORNBROKEN, a name to remember which risks making a lot of noise with this monstrous and devastating new album from Neo Death Thrash groove with a little touch of subtlety.” – OdyMetal

“a solid slab of metal with no time for melodic interludes and once it gets on course, they do not deviate one iota. It’s this blinker on approach makes the album as strong as it is… a powerful statement of intent.- Metal Epidemic

“Am I Invisible is a narrative that invites one to reflect on their own experiences. Each track, from the overwhelming stress of “7 Mondays” to the introspective nature of “Will You Remember,” is a chapter in a broader story about the highs and lows of life. BornBroken’s dedication to their craft is evident. They’ve poured their hearts into this album and it shows in the intensity of their performances and the authenticity of their lyrics. It’s an exceptional and bold exploration of the struggles we all face and is music that speaks to the heart of the human experience while delivering relentless metal energy.” – Amplify The Noise

=============================================

“Although they hail from the famously pleasant country of Canada, BornBroken, might be the heaviest and angriest thing we’ve heard from their parts in a long time. With no shortage of punishing riffs, brutal drumming, and vicious vocals that spit lyrics to change the world, BornBroken’s sophomore album ,The Years of Hard Truths And Little Lies, is worth pre-ordering before it’s due out May 18th.” – Metal Injection (2018 – The Years of Harsh Truths And Little Lies…)

“Canadian unit BornBroken are releasing The Years of Harsh Truths And Little Lies…, a raging collection of songs inspired by what the band feel is a reality that’s getting worse. We’ll let the band speak on that aspect, but it’s not controversial to confirm that the songs on The Years of Harsh Truths are brutal and varied enough to appeal to fans of Lamb of God, Sepultura and even groove legends Pantera and Exhorder. ” – Decibel Magazine (2018 – The Years of Harsh Truths And Little Lies…)

“Apocalyptic thrashcore bunch BornBroken wear their political bent on their sleeves. From ‘The Years of Hard Truths And Little Lies’ Bansky-esque artwork to on-the-nose, ‘Take that politics!’ sentiment of its title, their anti-establishment sentiment is layered on thick. It’s hard to argue with their anger, in fairness. Tackling everything from inequality to government conspiracies, the Canadian band’s fury is aimed in all the right directions….BornBroken’s unrelenting pace is proof that, even in the supposedly docile nation of Canada, there’s still plenty to rally against in 2018.” – Metal Hammer (2018 – The Years of Harsh Truths And Little Lies…)

“Good sweet Mary Poppins, what the hell is in the water in Montreal?! No amount of poutine will silence the outright bonkers heavy that BornBroken have cooking for you. No amount of smoked meats will halt their vicious onslaught of pounding rhythm and vocal cord shredding, headbang demanding, heartwarming metal.” – Metal Rules (2018 – The Years of Harsh Truths And Little Lies…)

“Un retour percutant qui plaira aux fans de Lamb of God, DevilDriver.” – Voir (Montreal Weekly) (2018 – The Years of Harsh Truths And Little Lies…)

“Un groupe énergique qui livre la marchandise! Alors quand on m’a proposé de faire la critique de leur nouvel album, je vous laisse deviner quel fut mon engouement à découvrir ce nouvel opus! Une douce brutalité bien musicale comme je les aime. Un album avec une âme, et qui en profite pour prendre possession de la nôtre au passage durant ces trop courtes 40 minutes!…Ma note, un SOLIDE 9 sur 10 largement mérité!” – Metal Universe (2018 – The Years of Harsh Truths And Little Lies…)

“I can tell you right from the start, these guys are heavy as hell. Big guitar riffs, heavy drums, chugging bass lines, and those deep, guttural screams of the lead singer show this band know exactly what they want and how they will take it. The title track features some excellent guitar work along with the quick metal riffs. It gives you a feel for the band and what to expect for the rest of the album.” – Canadian Beats (2018 – The Years of Harsh Truths And Little Lies…)

“The Years of Harsh Truths and Little Lies est un autre chef-œuvre musical que BornBroken nous as pondu. Cinq années d’attente, mais croyez-moi, l’attente en vallait la peine. La voix de Pepe Poliquin est à son meilleur et ultra efficace. Un duo du guitariste hors pair qui nous offre toutes sortes d’émotions qui passent par la brutalité de la mélodie et de plusieurs autres nuances. Une batterie qui nous offre un rythme essoufflant et sans concessions. Une basse très présente et qui se ressent à plusieurs endroits sur l’album. Dix chansons fortement bien exécutées et bien composées. Une production en béton armé, et un son d’enfer. Une production signée Chris Donaldson (Cryptopsy) et Marco Frechette. Le tout enregistré au studio The Grid à Montréal. The Years of Harsh Truths and Little Lies est définitivement l’album qui va projeter BornBroken à un autre niveau sur l’échiquier du métal mondial. ” – Quebec Metal (2018 – The Years of Harsh Truths And Little Lies…)

0 EPK – Derev – Troubled Mind (2025) – Out March 26th

  • January 15, 2025
  • by Asher
  • · Derev · EPKs

EPK – Derev – Troubled Mind (2025)

Publicist – Jon Asher – jon[@]ashermediarelations[.]com

Band: Derev
Title: Troubled Mind
Release Date: March 26, 2025
Label: Self-Release
Distribution: CDBaby

“This album is very personal and introspective. It’s full of memorable songs and parts to listen to and digest, both from a musical and lyrical perspective. Every song tackles a different state of mind and takes the listener into their own thoughts of a mental state that they can relate to. As this one marks our second official release, we think the fans will be excited about hearing what Derev still has to offer. They’re in for a crazy ride full of energetic ups and heartbreaking downs.” – Derev

For fans of Opeth, Dream Theater, Porcupine Tree, Soen, Riverside

Derevmusic.com | Facebook.com/derevmusic | Instagram.com/derevmusic | X.com/derevmusic | Youtube 

Derev.bandcamp.com | Spotify | Apple Music

​!earshot – The National Loud Chart For the Week Ending: Tuesday, June 24, 2025 – #6 Derev

!earshot – The National Loud Chart For the Week Ending: Tuesday, May 13, 2025 – #6 Derev
!earshot – The National Loud Chart For the Week Ending: Tuesday, April 29, 2025 – #3 Derev

!earshot – The National Top 50 For Week Ending: Tuesday, April 22, 2025 – #44 – Derev

“Toronto prog quintet Derev will release their debut full-length album, Troubled Mind, on March 26. The yearning, epic tones of Cyclone is the second single to be taken from the upcoming album, and Derev will be touring throughout Ontario and Quebec over the coming months to support the new album.” – Prog Magazine – Great new prog you must hear… Tracks Of The Week – Cyclone – Feb 21, 2025 

“Multinational quintet get introspective on second album. Technicality can sometimes overshadow emotion in bands with a progressive musical mindset. Derev are certainly accomplished but they never overplay when they don’t need to or get mired in the minutiae of the songs. Troubled Mind is all about the feels. Quite literally, in fact, as each song tackles a different state of mind, making it a sort of darker, prog version of Disney animation Inside Out. There’s an ebb and flow between tracks and a breadth of styles ranging from the melancholy resonance of Buried Voice to the sharper riff-driven Room 9 and the jazzy playfulness and wobbly prog synths of Paracusia. Derev also incorporate elements of drummer Michel Karakach and guitarist Armando Bablanian’s Middle Eastern roots, but these are worked deeply into the structures of the songs, emerging through melodies and subtle patterns rather than thrown on top. There is a metal influence at play, but it’s a measured one and while they reference Black Sabbath on occasion, Tides Of Time is closer to the psychedelic wash of Planet Caravan than the hulking riffola of Paranoid. An emotional journey and one that’s well worth an investment in effort. PT” – Prog Magazine

“The best part of the album (Troubled Mind) is the band’s ability to carry strong emotions into their music. Many of the songs are not complicated, but they are loaded with feelings. I’m not sure I have heard a Progressive album that is this unpretentious and this emotional at the same time. 8/10” Metal-Temple

“its eight tracks draws us into a music that combines intensity and peaceful atmospheres of old school prog. The melodies thus highlight many sound universes from one composition to another including beautiful vocal harmonies and important instrumental parts… Derev delivers retro-sounding music with plenty of late 70s and early 80s progressive influences… Troubled Mind, with its instantly relatable melodies, is a resounding success. 4/5” – Prog Critique

“every minute is a blessing to your progressive ears. Porcupine Tree and Opeth enthusiasts might appreciate this.” – Rock Portaal

“I definitely find myself looking forward to putting on my headphones again and letting myself fall and drift after enjoying the thickly produced record “Troubled Mind, to close my eyes, sit back and just enjoy. DEREV: Great band, great discovery. Playing tips: Room 9, Cyclone, Paracusia 8/10” – PowerMetal.de

“Excellent music and a beautiful, intelligent album.” – Plus PROG de Vous

“​Troubled Mind is a great album as Derev redefine what rock music can and should be. ” – Background Magazine

“Solid debut from this progressive metal band from Canada. Not your typical “noisy” prog metal, some real soul and dynamics to it. Really love Adel Saflou’s vocals.” – Prog Radio

“For the prog-rock group Derev, this new work continues to carry on its shoulders the burden of the misfortune of living in times of war, which unites two childhood friends: Michel Karakach (battery) and Armando Bablanian (guitar), who after fleeing the war in the Middle East and taking refuge in Toronto (Canadá), meet again through music to reflect on pain, loss and, above all, persistence…. This album represents a profound act of emotional liberation both for its creators and for those who immerse themselves in listening to it.” – Dargedik

“Derev’s sound combines the energy and intensity of metal music with the  atmospheric sound of old-school progressive rock, while incorporating elements of their Arabic and Armenian heritage.” – The Prog Space

“Room 9 is a song that manages to present a depth and feelings that fill the song very well. We have here a very progressive performance, which incorporates heavy and intense riffs, a good song to know the band!” – Metal Junk Box

“Derev offer a hard-hitting examination of war and honour on their darkly exotic and relentlessly heavy single and video Turab” – Tinnitist

“With “Leap Of Faith” Derev presents itself as a mature band with strong songs and great musicians. All the more reason to eagerly look forward to the first full-fledged album.” – Progwereld

“The true strength of the album lies in the band’s ability to convey intense feelings through their songwriting in a way that goes far beyond complex metrics or rampant instrumental virtuosity. Throughout the album, it is evident that there is no band with the intention of sounding overly intricate in its structure, because instead, it chooses to invest in the creation of atmospheres, which are, moments and soundscapes that touch the listener through maturity, sensitivity and a remarkable care for details. 8/10″ – ProgLand

“Everything is compelling and melodic throughout, and the well controlled and melodic lead vocals emphasize this aspect of the bands sound, mood and atmosphere. A production to seek out by those who enjoy their progressive rock when it is subtle, atmospheric laden and melodic yet also with a little bit of an edge and a bite.” – Progressor

“The composition is clever, the performances talented, the lyrics meaningful and emotional” – The Progressive Subway

“Troubled Mind” is an intense album, taking its listeners on a captivating, emotional ride. The music flows flawlessly from the first to the last second, and while they play with different, stylistic elements in between, everything goes perfectly together. Highly recommended to dive into Derev’s musical maze, there’s a lot to discover.” – Mostly Metal

“It seems like 2020 and 2021 have given artists the isolation and the time they need to make their best music, or finally release their first music. Derev‘s first released track “Futile” was a pleasant surprise: it’s melodic and creative, and it has a fantastic video with a perfectly chosen voice. That one track led me to an interview with the band, and I get to know both them and their planned EP release “Leap of Faith“….  This EP is without a doubt the best release I have heard in 2021 so far. I would give it a 9/10 and recommended it to any fan of (New) Opeth, Haken, Beardfish, Soen.” – Leb Metal (2021 – Leap of Faith)

“Leap Of Faith, an EP, featuring six songs, is their musical debut and Derev combines traditional metal with melodic progressive rock and Eastern musical influences…. Derev really surprised me with this great EP, a must listen for fans of Riverside, Opeth and Haken; highly recommended indeed!!” – Background Magazine (2021 – Leap of Faith)

“Derev’s sound combines the energy and intensity of metal music with the  atmospheric sound of old-school progressive rock, while incorporating elements of their Arabic and Armenian heritage.” – The Prog Space“Room 9 is a song that manages to present a depth and feelings that fill the song very well. We have here a very progressive performance, which incorporates heavy and intense riffs, a good song to know the band!” – Metal Junk Box

“Derev offer a hard-hitting examination of war and honour on their darkly exotic and relentlessly heavy single and video Turab” – Tinnitist

“With “Leap Of Faith” Derev presents itself as a mature band with strong songs and great musicians. All the more reason to eagerly look forward to the first full-fledged album.” – Progwereld

“It seems like 2020 and 2021 have given artists the isolation and the time they need to make their best music, or finally release their first music. Derev‘s first released track “Futile” was a pleasant surprise: it’s melodic and creative, and it has a fantastic video with a perfectly chosen voice. That one track led me to an interview with the band, and I get to know both them and their planned EP release “Leap of Faith“….  This EP is without a doubt the best release I have heard in 2021 so far. I would give it a 9/10 and recommended it to any fan of (New) Opeth, Haken, Beardfish, Soen.” – Leb Metal (2021 – Leap of Faith)

“Leap Of Faith, an EP, featuring six songs, is their musical debut and Derev combines traditional metal with melodic progressive rock and Eastern musical influences…. Derev really surprised me with this great EP, a must listen for fans of Riverside, Opeth and Haken; highly recommended indeed!!” – Background Magazine

[Download Album Cover | Download Album Lyrics]

Band: Derev
Title: Troubled Mind
Release Date: March 26, 2025
Label: Self-Release
Distribution: CDBaby

Track Listing:​
1. Buried Voice (7:23)
2. Cyclone (5:39)
3. Crawl Space (1:16)
4. Room 9 (6:15)
5. Paracusia (4:35)
6. Tides of Time (5:59)
7. Darker Self (5:44)
8. Trace Within (5:01)

Album Credits:
All songs performed by: Derev
All songs written by: Armando Bablanian, Michel Karakach
Mixed and Mastered by: James Zhan
Member of SOCAN

Album Band Line Up:
Adel Saflou – Vocals
Armando Bablanian – Guitar
Michel Karakach – Drums
Stan Komarovsky – Bass
Ran Zehavi – Keys

Live Band Line Up:
Mike Symons – Vocals
Armando Bablanian – Guitar
Michel Karakach – Drums
Stan Komarovsky – Bass
Ran Zehavi – Keys

=========================================================

About The Album Artwork:

The album artwork depicts a complex maze symbolizing our endless stream of thoughts.

The maze is mirrored from top to bottom and there are two characters standing representing the duality of the mind; the conscious and subconscious.

The blank eye in the middle hints that this maze is within the mind and plays a role in grabbing the attention.

The beauty of the artwork for us is that despite the chaotic details if you take a step back and look at the outline as a whole, it looks like a tree, which is connected to the name of the band.

Note: This document will be used as a framework to be shared with publicists, press, and media personnel, and as a reference in interviews, social media videos..etc

About The Album Troubled Mind:

Derev’s second release “Troubled Mind” takes a deep dive into the intricacies of the human psyche, addressing a spectrum of mental health issues with each track, ranging from temporary mental instability to more severe conditions such as schizophrenia, cognitive immobility (a fixation on the past), and depression stemming from loss.

Derev elaborates: “While our debut album tackled broad themes like war, technology, and injustice in the world, Troubled Mind shifts focus to the personal realm. We wanted to explore and articulate various mental states, the subtle thoughts, and inner dialogues that when nurtured and fed over time, makes us who we are. And while we offer some kind of resolution in a few tracks, the purpose of the album is to explore and highlight these different states of mind, rather than try to resolve them.”

“Troubled Mind” promises to be an introspective journey, offering listeners a relatable experience with mental health and its struggles.

Musically, the album builds on the foundation laid in Derev’s first release, offering a diverse range of sounds from mellow, calm tracks to adrenaline-pumping heavy headbangers, while maintaining their distinctive progressive rock sound, enriched with Middle Eastern influences.

In this album, Derev elevates their sound by incorporating more prominent keyboard parts, experimenting with various time signatures, and introducing new instruments such as the Cajon, Darbuka, and electronic elements. This evolution showcases the band’s innovative spirit and commitment to pushing musical boundaries.

Track By Track:

1- Buried Voice:
The album opens with “Come forth troubled brother, step outside your cell” inviting listeners to embark on this journey of self-discovery. It sheds light on our darkest faults and secrets we try to ignore, run away from, and conceal, highlighting the inevitable growth of our guilt when these truths are buried.

The chorus emphasizes the persistent voice of our subconscious, urging us to confront our fears and acknowledge our mistakes.

While the middle section showcases the struggle of the protagonist with his/her own thoughts, the song concludes with “You hold the key in your hands” reminding us that the path to true freedom and happiness lies within our own grasp.

Musically, the album opens with a powerful 7-minute track that immediately captivates listeners with its progressive rock brilliance, offering a preview of what’s to come.

Initially, the song follows a traditional verse-chorus structure, but it soon transforms into an epic prog rock piece featuring a time signature change and a haunting guitar solo. An intense section follows, reflecting the protagonist’s struggle.

The track concludes with a mellow uplifting segment that offers a resolution and instills hope for a brighter future.

2- Tides of Time:
This track showcases the distress of “cognitive immobility”, a mental trap that leads to an effort to recreate past incidents that one lived in the past. By doing so, the person attempts to retrieve what was left behind, leaving them stuck in a place that no longer exists in reality.

Drummer Michel Karakach shares: “Leaving my hometown in Syria at the age of 25, after having built so many wonderful friendships, memories, and experiences was a struggle I never knew I’d have to deal with until I did. Finding myself reminiscing over and over about my past life inspired me to write about it as a form of therapy. I never knew this was an actual mental diagnosis until I did some research on it.”

The song begins with a bass riff that lays the foundation of its structure, paving the way for an acoustic guitar and Cajon to come in and fill in the gaps. While this song may sound simple and straightforward for first-time listeners, the truth is far from it.

This song is filled with hidden gems and rhythmic intricacies that can only be caught by well-trained ears. It features a 7/8 time signature layered over a pulsing 4/4 backbeat, creating a mesmerizing polyrhythmic loop throughout the song.

As the song progresses from a mellow, slow vibe to an intense, epic crescendo, a standout guitar solo seamlessly ties all the elements together. It concludes with the same bass riff that opened the track, forming an endless loop that mirrors the song’s central theme.

3- Cyclone:
Building on the narrative, this song revolves around the negative thoughts that plague our minds, constantly reminding us of our perceived unworthiness and shortcomings. This mental state, known as “Imposter Syndrome” makes us doubt our skills and successes, leaving us feeling unworthy, ashamed, and fearful of being exposed.

The song portrays these thoughts as an antagonist chasing and tormenting the protagonist, emphasizing their weaknesses and mistakes. The song’s title reflects this artistic vision, symbolizing a relentless cyclone that only finds peace in chaos.

The song fades in with a guitar riff slowly building the tension as the bass and drums join in, creating a slow yet tension-filled atmosphere. This underlying unrest keeps the listener on edge until it is overpowered by a heartwarming guitar solo that brings a sense of reassurance, calmness, and peace. The solo concludes with a cliffhanger riff that repeats as the song fades out.

The vocal melodies are well-crafted and prominent throughout the song, leaving the listener repeating the last lines of the song “You won’t let go” over and over long after the music stops.

5- Room 9:
Reaching the midway mark of the album, this track marks the album’s peak of intensity, both musically and lyrically. Its concept revolves around Schizophrenia, one of the most severe mental illnesses. The intention behind writing this song was to illustrate the struggles of schizophrenic individuals dealing with symptoms of psychosis, hallucinations, and disorganized thoughts and actions.

The song portrays a schizophrenic patient confined in an old asylum, trapped in a perpetual state of psychosis, haunted by hallucinations and delusions. As the patient imagines a way out, he embarks on a journey of lost memories, only to find himself back in the same room, trapped forever.

Titled “Room 9,” the song’s name refers to the patient’s room number and carries significance in Japanese culture, where the word for “nine” (“ku”) sounds like the word for pain or suffering.

Musically, this is the heaviest track on the album, maintaining relentless intensity from start to finish. The 7/8 time signature adds to the sense of urgency, mirroring the protagonist’s constant state of rush.

The song culminates in a powerful vocal shout, capturing the despair of being trapped in the room, followed by a headbanging guitar riff that brings the track to a dramatic close.

7- A Trace Within:
This song offers a melancholic portrayal of “Complicated Grief,” a case of prolonged depression lasting years after the loss of a loved one. It paints a scene of a grieving protagonist standing before their loved one’s grave, reminiscing about their past together and sensing their presence, yearning for a sign to affirm that feeling.

Titled “A Trace Within,” the song refers to the enduring bond that remains within the protagonist, a trace that continuously begs to be pursued.

On the musical side, this song offers a unique taste of Derev’s evolving sound. Unlike the more musically intricate tracks, this piece is relatively simple, yet reveals a different side of the band.

It begins with basic keyboard chords, soon joined by vocals and guitars to complete the soundscape. Notably, this song marks the band’s first attempt at using electronic beats, diverging from their traditional acoustic roots.

The song maintains a mellow heartrending feel that translates the protagonist’s emotions through a mesmerizing guitar solo, as the song ends with the instruments out of the picture, leaving the singer with the words  “To ease the pain, I call your name, come back again”.

8- Darker Self:
Closing the album on a high note, this song talks about embracing our true selves. Specifically the instinctual, animalistic side we often suppress in an attempt to please others. Ignoring the value that this side of us brings in dire times, renders us weak, fragile, and miserable.

Our darker self is portrayed as a beast in hibernation, the lyrics start by enticing this animal to “Rise up and shake the dust off..”. As the song progresses, we begin to understand the true value of these traits that were deemed disgraceful and learn to embrace them, rather than bury them.

This track is the perfect finale for the album, delivering a powerful message: no matter how flawed we may be, the first step towards healing is accepting every part of ourselves — our heritage, experiences, mistakes, and illnesses. Only by removing the mask we wear, can we rise above and become a better version of ourselves.

Musically, this song offers a bit of everything. The Darbuka intro is a refreshing start that is soon followed by a headbanging guitar riff. Alternating between this riff and the verses, the song creates a rich blend of Middle Eastern and heavy vibes, delivering exactly what Derev is about.

As the song comes to an end, we embark on yet another killer guitar solo followed by a haunting vocal line that leaves us begging for more.

=======================================================

Fun Facts – Story Angles:

1. Derev” is an Armenian word for leaf. We picked it as a symbol of our Armenian heritage and our connection to nature, symbolizing new life and hope.

2. All instruments for the album were recorded in our home studio in Toronto, except for vocals which were recorded by Adel Saflou in his own home studio in Amsterdam, Netherlands. Then the tracks were sent to be mixed by James Zhan.

3. Derev has played many shows in widely varied venues. But one of the weirdest ones was a show we played in a bowling alley in Windsor, NS on our first-ever tour. Surprisingly, it turned out to be quite a fun and memorable gig.

4. Although Derev is under a Canadian band banner, almost every member of the band is from a different country of origin (Armando Armenia / Michel Syria / Stan Russia / Ran Israel / Mike Canada)

5. On Derev’s first tour, we were driving down a pitch-black single-lane highway in the middle of the night out in New Brunswick. Suddenly a moose came out of nowhere and crossed the road right in front of us and Mike had to react quickly to not crash the band van right into him! Shortly after this exhilarating experience, we ran a flat tire and found ourselves on the side of the road with no cell phone signal, taking out all the drums and equipment to get to the spare tire and jack to change it ourselves. Once we started to change the tire, it began to rain! Needless to say this was the longest night of the tour, but none of us would change a thing, it was a quintessentially Canadian night!

L-R: Armando Bablanian (Guitar) | Stan Komarovsky (Bass) | Michel Karakach (Drums) | Mike Symons (Vocals) | Ran Zehavi (Keys)

Photo Credit – Jon Blacker

“Divided by war, United by music”

Derev is a progressive rock band captivating global audiences with its innovative blend of progressive rock and traditional Middle Eastern music.

After fleeing the war in the Middle East and finding refuge in Toronto, Canada, founding member, and Drummer Michel Karakach reunited with his best friend, guitarist Armando Bablanian, to turn what was once a mere childhood dream into a powerful reality. 

Derev’s debut release “Leap of Faith” melded the raw energy of hard rock with the rich textures of traditional Middle Eastern music they grew up with, offering a fresh perspective on topics often overlooked in modern music. This distinctive sound quickly caught the attention of both local and international audiences, propelling Derev into a series of successful shows across Canada.

The band’s dynamic lineup now includes bassist Stan Komarovsky, providing the backbone of Derev’s sound, and keyboardist Ran Zehavi from the progressive rock band Scalar, adding depth and complexity. Leading the live charge is frontman and vocalist Mike Symons to replace previous singer Adel Saflou who is featured on their forthcoming studio offering “Troubled Mind”. Symons’ compelling presence and vocal prowess complete the live ensemble.

As Derev gears up to release their anticipated second album “Troubled Mind” on March 26th, 2025, they continue to carve out a unique niche in the music world. Their innovative sound promises to captivate new listeners and industry veterans alike. Keep an eye on Derev as they redefine what rock music can be.

Discography:
2025 – Troubled Mind – LP
2021 – Leap of Faith – EP

Shared Stage:
Swallow the Sun, Wilderun, Pyramid Theorem, Falset, Raphael Weinroth Browne, Lutharo, Half-past four, DevilWitch, Maitreya, Byrdy, Ocean of Stars, Fall of Earth, Astral Bell, Zebra and the Bandit, The Lookout Service, Good Hunter, The Animal Warface Act, Kohlit, Beyond Deviation, Dawn Valley, Savio, Working Girl, 7 Day Riot, The Ristons, Spectra, Prospects, The Capsized, Absent Theory, Timequarium, Exorcist, Hundred Knives, Deafened, Breaking Still, The Bank Heist

Tours and Festivals:
2025 – Wacken Battle – Toronto, ON
2024 – Out of This Mind Eastern Canada Tour – (ON, QC, NB, NS)
2023 – INIC (Indie Night In Canada) – Toronto, ON

 

0 EPK – Slug Comparison – March Through the Forest (single) (2025)

  • January 10, 2025
  • by Asher
  • · EPKs · Slug Comparison

EPK – Slug Comparison – March Through the Forest (single) (2025)

Publicist – Jon Asher – jon[@]ashermediarelations[.]com

“This song started with me dialing in the fuzziest guitar sound I could find, then rolling back the treble knob completely. The result was like a low sine wave that I played around with until I found a pattern of hammer-ons, pull-offs, and a slide at the end, which became the main riff. It’s the first song I’ve written that way, where it was inspired by a particular sound, rather than a musical idea.” – Doug Harrison – Slug Comparison

For fans of Mother Mother, The Killers, Rush, Porcupine Tree

Slugcomparison.com | Instagram.com/slugcomparison | Facebook.com/slugcomparison

Slugcomparison.bandcamp.com | Spotify | Apple Music

“Canadian auteur explores expectancy and desperation to find cathartic cleansing of his soul. 4/5” – Dmme.net – Let It Rock (When You Were Living Here 2019)

“One of my favourite songs of the year” (about “Bringer of Doom”) –Dutch Progressive Rock Radio (Self-Titled 2014)

“Simply engulfs the imagination and emotions” -The Ringmaster Reviews (Self-Titled 2014)

#30 of The Rickter Scale’s Top 100 albums of 2014 – Rickter Scale Rock Radio  (Self-Titled 2014)

“Stirs the senses, taking the listener on a voyage of imagination and emotion.”-Sonic Abuse  (Self-Titled 2014)

Slug Comparison Self-Titled Album #5 on DPRP’s Top Progressive Metal Albums of 2014

“Spell binding” -Your Music Blog (Self-Titled 2014)

“Songs that are all of the highest caliber” – PowerofMetal.dk (Self-Titled 2014)

“a true gem of prog rock” – Living Music Blog (Self-Titled 2014)

“Ahh, the glorious beauty of the brooding and gloomy mind of Doug Harrison” (5 stars) – Sea of Tranquility (Self-Titled 2014)

“a lot of work and effort has gone into this album, and it pays off spectacularly” -Wonderbox Metal (Self-Titled 2014)

9.2/10 – Metal Imperium – (Self-Titled 2014)

[Download Single Cover | Download Single Lyrics]

Band: Slug Comparison
Single Title: March Through the Forest
Release Date: January 10, 2025
Label: Self-Release

Track Listing (single)
1. March Through the Forest – Length (3:54)

Single Recording Credits:
• song performed by: Slug Comparison
• song written by: Doug Harrison
• Produced by: Doug Harrison
• Mixed by: Ben Kaplan
• Mastered by: Brock McFarlane at CPS Mastering
• Single Artwork by: Doug Harrison
• Member of SOCAN
• Canadian Content (MAPL)

Single Band Line Up:
Doug Harrison – Vocals, Guitar, Bass, Programming
Flavio Cirillo – Drums

===================================================

About The Single Artwork:

The artwork for this single is a photo I took on a hike, described below.

About the single: March Through the Forest

A November hike inspired this song by a friend in the North Shore mountains of Vancouver. The day started damp and cold. As we climbed, it began to snow, a dusting at first. But it cast this beautiful veil over the ground wherever the trees opened up into a clearing. We kept going, and it was a complete whiteout by the time we finally reached the summit. Then we stood there at the edge of these sheer granite cliffs that we couldn’t see below us, while ravens wove in and out of the clouds, disappearing and reappearing. “March Through the Forest” is an account of that day, which was a good one.

=================================================

Fun Facts

1. Doug Harrison is from the Canadian rock/metal band Fen, which recently released the widely appreciated album Dear Mouse.

2. “March Through the Forest” was recorded over the same period as Fen’s Dear Mouse.

 

Doug Harrison (Slug Comparison) – Photo Credit: Bailey Ennig

Slug Comparison is the solo project of Fen vocalist/guitarist Doug Harrison, whose songs glide over a landscape of grunge, progressive rock, indie, and metal. The Ringmaster Reviews says music “simply engulfs the imagination and emotions.” Expect more new music from Slug Comparison in 2025. 

Discography:
2025 – March Through the Forest (single)
2019 – When You Were Living Here – album
2014 – Self-titled – album

 

0 EPK – Kingsphere – Archetype (single) (2025)

  • January 10, 2025
  • by Asher
  • · EPKs · Kingsphere

EPK – Kingsphere – Archetype (single) (2025)

Publicist – Jon Asher – jon[@]ashermediarelation[.]com

For fans of All That Remains, Born Of Osiris, The Browning, I Prevail

“Although we are still in the process of recording our third album album, we believe it will be the most enjoyable one. It’s unpredictable. There are a lot of surprises when it comes to each single. One can be softer and more nostalgic and the other could kick you right in the face.” – Kingsphere

Facebook.com/kingspheremetal | Instagram.com/kingspheremetal | Youtube.com/@kingsphereofficial

Spotify | Kingsphere.bandcamp.com

[Download Single Cover | Download Single Lyrics]

Band: Kingsphere
Single title: Archetype
Release date: 10 January 2025
Label: Self-Release
Distribution: Distrokid

Track / Single – Kingsphere – 3:47

Single Credits:
Song performed by Kingsphere
Song written by Marek Kula
Lyrics by Piotr Miliczek
Produced by Marek Kula
Mixed by Marek Kula
Mastered by Marek Kula
Album Artwork by Marek Kula

Band line up (album & live):
Marek Kula – Guitar
Maciej Sobieski – Drums
Piotr Miliczek – Vocals
Kamil Sikorski – Guitar / Vocals
Paweł Kawalec – Bass

==================================================

About the Single Artwork:

The single artwork features a blindfolded woman in a red dress, standing in a grand palace. The imagery reflects themes of mystery, power, and inner struggle, tying into the central idea of “Archetype.” It symbolizes the search for identity and the battle between appearances and truth. Just like in the music video, it invites the listener to interpret its meaning and uncover their own connection to the story we’re telling.

About The Single:

“Archetype” is an intense and dynamic track that captures the essence of Kingsphere’s sound. It combines heavy, hard-hitting verses with melodic and emotionally charged choruses, creating a powerful contrast. The energy is elevated by intricate guitar solos that add an electrifying edge and depth to the song.

The track also features a mystical bridge, offering a moment of atmosphere and intrigue before diving back into its relentless energy. “Archetype” is a journey through aggression, melody, and emotion, reflecting both the raw power and the introspective side of the band.

=======================================================

Fun Facts – Story Angles

1. First, the self-titled album was a 2-person, online covid-era project (Marek Kula and Piotr Miliczek)

2. The name Kingsphere actually refers to the surnames of Marek and Maciej (Kula is “sphere” in Polish, and Sobieski was a Polish king)

3. All Kingsphere material is recorded in a home studio.

4. Most of the band members played with each other before at some point.

5. Many of the songs/elements of the songs have been written even before Kingsphere was formed.

L-R – Maciej Sobieski (Drums), Kamil Sikorski (Guitar/Vocals), Piotr Miliczek (Vocals), Marek Kula (Guitar), Paweł Kawalec (Bass)

Photo Credit: Mariusz Krzemiński

Kingsphere was established at the turn of 2019 and 2020 in Rybnik, Silesia. Initially a two-person project, over time it turned into a full-fledged band that is currently actively performing. Kingsphere’s music is a clash of modern metal with old school melodic death metal, and all this is seasoned with a solid dose of electronics. The band has released two self-produced albums, available in digital distribution on most streaming platforms.

POLISH

Kingsphere powstał na przełomie 2019 i 2020 roku w śląskim Rybniku. Początkowo dwuosobowy projekt z biegiem czasu przerodził się w pełnoprawny zespół, który aktualnie czynnie koncertuje. Muzyka Kingsphere to zderzenie modern metalu z oldschoolowym melodic death metalem, a to wszystko doprawione jest solidną dawką elektroniki. Zespół ma na swoim koncie dwa albumy wyprodukowane oraz wydane własnymi siłami, dostępne w dystrybucji cyfrowej na większości platform streamingowych.

Kingsphere squad:
Piotr Miliczek – Vocals
Marek Kula – Guitar
Kamil Sikorski – Guitar / vocals
Paweł Kawalec – Bass guitar
Maciej Sobieski – Drums

Discography
2022 – Enigmatic – LP
2021 – Self-Titled – LP

0 EPK – Marble Ghosts – The Greatest Divide (2025)

  • January 2, 2025
  • by Asher
  • · EPKs · Marble Ghosts

EPK – Marble Ghosts – The Greatest Divide (2025)

Publicist – Jon Asher jon[@]ashermediarelations[.]com

“For fans that have had our first EP on repeat, they will be getting more of the same, so they should really enjoy it. There are more guitar solos on this EP (one in each song!) and the same massive catchy choruses. Fans will also appreciate how different each song is, but still very much in the Marble Ghosts style.” – Marble Ghosts

For fans of Alter Bridge, Shinedown, Saint Asonia, Three Days Grace, Breaking Benjamin

Band: Marble Ghosts
EP Title: The Greatest Divide
Release Date: May 23, 2025
Label: Self-Release
Distribution: Distrokid

Marbleghosts.com | Facebook.com/marbleghosts | Instagram.com/marbleghostsofficial | Tiktok.com/@marbleghosts | Youtube.com/@MarbleGhostsOfficial

Marbleghosts.bandcamp.com | Spotify

“Marble Ghosts’ latest single, “Distance Between,” is a relentless blast of punk-metal energy that sets the tone for their upcoming EP, The Greatest Divide (April 4th). The track showcases the band’s unique ability to fuse aggression and melody into a seamless and high-octane performance. From its rapid-fire verses to its towering choruses, “Distance Between” never loses its intensity. The song’s razor-sharp guitars anchor the chaos and deliver not one but two blistering solos that elevate the track’s raw power. Meanwhile, the desperate screams layered over the final crescendo inject a tangible urgency that drives home the song’s message about the fractures in modern society. The song’s technical precision and anthemic qualities plus the band’s punk edge keeps the energy raw and unfiltered, evoking a battle cry to confront the growing divides in the world around us. “Distance Between” and Marble Ghosts prove they’re not just pushing genre boundaries. They’re demolishing them.” – Amplify The Noise

“We have been patiently waiting for a new cut from heavy masters’ Marble Ghosts and they have delivered. The new single “Distance Between” lands today and it’s a special one. The first single to be released from their forthcoming album “The Greatest Divide” (April 4th), “Distance Between” accomplishes what every band hopes to…a monumental track that separates itself from everything else. Driving riffs, top tier vocals, a punchy rhythm section and of course solo breaks that just take flight – Marble Ghosts are back and we’re thrilled they exceeded our ridiculously unfair expectations! Catch it on your Home for the Best New Rock… W-J-O-EEEE” – WJOE – Findlay’s Home for Rock & Roll

“Their sound is a unique blend of soft underscoring elements and heavy riffs.” – Decibel Magazine

“When a band is said to be for fans of Shinedown, Breaking Benjamin and Three Days Grace, this puts a lot of pressure on that band to live up to expectations, especially those of lifelong fan of all of those acts. However, Canadian’s Marble Ghosts have produced quite an exciting debut EP that’s made up of a mix of metal genres from metalcore and grunge to death metal. ‘Lie To Me’ has a heavy bass line intro before thick guitar riffs join in. This intensity is matched by the vocals, which seem to be drenched in emotion and this is what makes it a real must listen on the EP. Whilst the lyrics themselves don’t vary much, they don’t need to, because it feels like this track is about putting across a certain atmosphere rather than writing an epic tale. The band do delve into the political in ‘False Heroes’, where they question outdated thinking with such lines as “boys will be boys, all the while accompanied by an unsettling melody in a minor key. They use their own country’s history to influence this song, which the EP artwork and the band’s name are all linking together. 8/10” Powerplay Magazine UK

 

“End Of The World completes the EP and no lie instantly had us drooling with its air of nagging menace veined by swarthy guitar lures and a tension of creative distraction, an imposing coaxing soon evolving into a full incitement of animated temptation and keen adventure. Grabbing favourite track honours in its greedy fists, the song prowled like a predator and roared with punk dissidence, aligning both to melodic and sonic drama.” – Ring Master Reviews

“Now we have reached our last mention, my number one recommendation for this week’s list of incredible new music from this website of ours. They have recently just emerged on the metal scene with a distinctive sound. I am talking about the Ottawa-based band Marble Ghosts. Unveiling their self-titled EP, showcasing five compelling songs that you can hear across all streaming platforms now.” – ZACH’S PICKS OF THE WEEK – MARCH 4 TO MARCH 9, 2024 – #1 Marble Ghosts – Canadian Beats

 

“Marble Ghosts deliver a visceral finale with “End of the World.” Reflecting a generation’s disillusionment with the idea of meaningful change and the realisation that their actions may have little impact, the song captures the band’s uncompromising attitude with distinct vocals and a cacophony of heavy and glorious sound. Marble Ghosts, the band and EP, defies hard rock stereotypes and delivers music that reminds us that it’s not all sex drugs and rock-n-roll, but sometimes it’s get up, stand up, rise up, and make the difference you seek.” – Amplify The Noise

 

“This band is ultra-impressive with razor sharp hard rock, soaring vocals and superior song writing that really makes one stop and take notice of their greatness.” –  WJOE- Findlay’s Home for Rock and Roll

“C’est propre et même chiadé, peut être un peu trop à mon goût : il ne faut pas chercher ici un hard rock écrit au feeling la clope au bec et la bière, désaltérant plus qu’il ne faut ses auteurs ! On est sur une musique qui tient plus de groupes comme Breaking Benjamin ou encore Three Days Grace qu’autre chose.” –  SoilChronicles

“Fans of 2000’s era hard rock, especially those who were listening to that music during the time period itself, will get the most out of Marble Ghosts’ self-titled debut EP. It’s not impossible to imagine a scenario where Breaking Benjamin, hot off the release of We Are Not Alone, would take this group out as an opening act. Same goes for someone like Alter Bridge when One Day Remains exploded off the success of single “Open Your Eyes.” –  Heavy Music HQ

[Download EP Cover | Download EP Lyrics]

 

Band: Marble Ghosts
EP Title: The Greatest Divide
Release Date: May 23, 2025
Label: Self-Release
Distribution: Distrokid

Track Listing:
1. Distance Between (3:38)
2. Eat the Rich (4:16)
3. Trafficked (The Devil Inside) (4:19)
4. Gloom (4:24)
5. Osmium (4:48)
EP Length: 21:26

EP Recording Credits:
• All songs performed by: Marble Ghosts
• All songs written by: Marble Ghosts
• Lyrics by Dylan Gunnell
• Lyrics by Paul R. Champagne (Trafficked- The Devil Inside)
• Produced by: Adam Hansen
• Mixed by: Scott Walsh of Sound Creation Studio
• Mastered by: Scott Walsh of Sound Creation Studio
• Engineer: Cameron Dunn of Hillside Studios
• Album Artwork by:
Marble Ghosts font: Crossfade Productions
EP cover art: Edith Fluet
• Member of SOCAN
• Canadian Content (MAPL)

Band Line Up (EP)
Dylan Gunnell – Lead Vocals and Lyrics
Adam Hansen – Guitar
Paul R. Champagne – Bass
Jer Renaud – Drums

Band Line Up (Live)
Dylan Gunnell – Lead Vocals
Adam Hansen – Guitar and Backing Vocals
Paulo Ferraz – Bass
Jer Renaud – Drums

=======================================================

Describe The EP Artwork (answered by  Dylan Gunnell)

The Greatest Divide artwork- by Edith Fluet

Edith’s incredible artwork depicts a chasm, representing the growing and massive divide between people who share vastly different political, moral and religious beliefs. It is the type of divide that has splintered friendships and even families. The light is a beacon, an olive branch- a shred of hope that a divided world can find some commonality, some understanding of each other to build something better.

The gap is also representative of the incredible amount of work it would take to cross such a canyon, to be able to even have any discourse at all with the other side. The light burns away the old self, allowing for mutual understanding, but only the bravest among us can take the leap. And unfortunately, few ever will, only adding to the ever-widening divide.

While this seems bleak, some of the stories told through the lyrics are inspired by people who have crossed the greatest divide. But this wasn’t without hardship, as it was often the threat of losing their loved ones, their mental health and even their own identity that forced the change.

About The EP (answered by  Dylan Gunnell)

From the opening lyric of the EP, “Here we are in the greatest divide”, the songs explore the ever-growing rift between almost every part of modern-day society. From the rich and the shrinking middle class to widening gaps in political and religious ideologies, the EP was inspired by our reality.

For fans that have had our first EP on repeat, they will be getting more of the same, so they should really enjoy it. There are more guitar solos on this EP (one in each song!) and the same massive catchy choruses. Fans will also appreciate how different each song is, but still very much in the Marble Ghosts style.

Track By Track   (answered by Dylan Gunnell)

1. Distance Between (1st single)

After writing the riff, Adam realized it was hard to play because of how much he had to stretch to reach the frets. He called it the ‘Distance Between’. Dylan took this to mean something else entirely though.

With the lyric “Here we are in the greatest divide”, ‘Distance Between’ relays the central theme of the EP, which is the widening gap between people who share vastly different political, moral and religious beliefs. It is the type of divide that has splintered friendships and even families. The light is a beacon, an olive branch- a shred of hope that a divided world can find some commonality, some understanding of each other to build something better.

The ‘Distance Between’ is also representative of the incredible amount of work it would take to cross such a canyon, to be able to even have any discourse at all with the other side, especially as each side grows more and more polarizing in their views. From housing as a human right to children of rape having to give birth to children, with every step we move away from each other without talking, the harder it is to cross the greatest divide.

Musically: With punk-metal roots, ‘Distance Between’ is a song that never stops from beginning to the end. The biting rapid-fire verses meet the band’s characteristic soaring choruses. The band shows off its guitar chops with a blistering solo that perfectly matches the song’s energy. The song crescendos with another feverish solo over top desperate screams.

2. Eat the Rich

While the song’s chorus evokes extreme imagery and particularly violence, ‘Eat the Rich’ is entirely tongue in cheek. It in no way condones violence against anyone and instead paints the picture of two massively divergent groups- the people who are struggling to hold on, the ones staying in broken, abusive relationships just to avoid being homeless and increasingly out of touch billionaires who could affect real, meaningful change with their bank accounts. Instead, the ultra-wealthy constantly seek more and more ways to enrich themselves. This song is about them, and the great divide is clear with every billion added to their coffers while the people that enrich them through a broken system continue to suffer.

While the chorus is metaphorical, in writing the lyrics, the band also envisioned an alternate reality where our planet has been devastated by a zombie plague. The ultra-rich are waiting for a shuttle to carry them to Mars, but it malfunctions, and they are trapped. The undead descend on them, and they are torn to pieces by the horde, the horde that once worked for them, that kept capitalism strong, the people that made them rich. In that reality, their fair share will be paid with a pound of their own flesh.

Musically: In ‘Eat the Rich’, a droning bass mixes with soft yet acidic vocals in the verses. The long-held scream in the chorus gives way to harmony that grows increasingly layered as the song evolves, creating the perfect contrast. The dirty guitar solo blends into mocking laughter and then powers through into a final chorus with three-part harmonies.

3. Trafficked (The Devil Inside)

The lyrics and pieces were brought by Paul (bassist). He wanted to write a song that flowed musically in the same way as “Alone” from our first EP. The song is inspired by human behaviour and how inherently cruel, and sadistic our species can be. It’s basically a story about how our worst fears can come true- a child disappears and is never found.

In reality, some of these missing children are circulated in human trafficking rings, and they are subjected to the most horrific conditions. The song details the plight of one of these children, capturing how the child is being broken physically and emotionally but at the same time, there is a singular voice in the night, asking for the child to have courage and show strength- that there will be someone to bring them home. The great divide for most is to simply acknowledge that this shadowy problem exists. The song aims to create awareness to fight this vile practice that is quickly becoming a global pandemic.

Musically: Featuring one of the band’s signature ear worm guitar riffs and as close to a pop chorus as the band will likely ever get, Trafficked’ would be radio friendly except for the disturbing and dark lyrics.

4. Gloom

Like other songs on the EP, again, this one received its title from Adam, but this time it was about the mood he felt when writing the riff. Melancholic and disturbing, ‘Gloom’ was inspired by Paris Hilton, and specifically, her experience attending and escaping from various troubled teen camps that abused children, some of which still exist today. But it is also inspired by the thousands of children who had their innocence stripped away as they were kidnapped at the request of their parents and dragged sometimes thousands of miles away.

Many of these children became addicts as adults, and unfortunately, many of them took their lives. The great divide plays out in this song with the rift established between parent and child and what it will take for some of them to bridge that gap. For the parents, many of them may not have realized the camps were as bad as they were and may not have realized the real lasting damage they would do. The guilt for some and in some cases denial, creates the gap, while for their children, now adults, forgiveness does not come easily. Again, thankfully, some of these families have taken the leap and breached the greatest divide.

Musically: Eerie, atmospheric and easily the most diverse track on the EP from verse to verse, Gloom features a chorus that chills even the vocalist.

5. Osmium

As Adam was writing the riff for the song, easily the heaviest of the EP, he thought of ‘Osmium’, the heaviest metal. The song also has equally heavy subject matter. Inspired by the challenges faced by someone close to lead singer Dylan Gunnell, the lyrics delve into what happens when a family chooses who someone must be. While being gay isn’t a political or moral stance and certainly not a choice, families every day make 2SLGBTQ+ people choose between who they want to be and who their families believe they should be.

Daughter/son/straight- our children are rarely perfect mirrors of us, and no matter how much someone ‘prays away the gay’, it won’t change the fundamental aspects of a person. Unfortunately, some families learn this the hard way. For the person close to Dylan, thankfully, the story had a happy ending, but it took the threat of losing them to make the family cross the greatest divide.

Musically: The last track on the EP and without question the heaviest, ‘Osmium’ starts a pit at every show. While the verses have a weighty power behind them, the choruses are typical of the Marble Ghosts style with a catchy sing-along quality. The song is also the most metal sounding on the EP, evidenced by the rapid-fire shredding solo that starts with an old school dive bomb.

L-R – Adam Hansen (Guitar), Dylan Gunnell (Vocals), Paulo Ferraz (Bass), Jer Renaud (Drums)
Photographer Credit – Lisa Thompson (Dark Moon Productions)

 

Emerging in 2023 onto the Canadian metal scene with a distinctive sound and a fierce commitment to challenging societal norms, Ottawa, ON’s Marble Ghosts is metal with a message. The socially conscious band is back in 2025 with their sophomore EP “The Greatest Divide” a year after their debut self-titled EP released in March 2024.

Comprising a dynamic lineup that uniquely blends genres, generations, and now cultures, featuring a death metal drummer, a grunge-influenced singer, a metalcore guitar player, and newly added Brazilian transplant, bassist Paulo Ferraz, who joined after the writing and recording of The Greatest Divide. Ferraz knits into the live lineup for added rhythm, depth, and an extremely energetic stage presence, adding to an already established eclectic mix and a band with a commitment to break musical boundaries and grow their foundation.

Their second EP, “The Greatest Divide” (releasing April 2025) is inspired by our reality, from the ultra-rich and the shrinking middle class to widening gaps in political and religious ideologies that are beginning to challenge and even erode fundamental human rights. Similar to their first EP these next five songs in their catalog highlight their diverse influences and styles and seek to lift up the marginalized through powerful messaging.

“For fans that have had our first EP on repeat, they will be getting more of the same, so they should really enjoy it. There are more guitar solos on this EP (one in each song!) and the same massive catchy choruses. Fans will also appreciate how different each song is, but still very much in the Marble Ghosts style.” says vocalist Dylan Gunnell.

With this release, the band asks, “Are you ready to cross the greatest divide?” It is the type of divide that has splintered friendships and even families, where viewpoints differ so greatly, that we can see one another as enemies- traitors. While this seems bleak, some of the stories told through the lyrics are inspired by people who have crossed the greatest divide. But this wasn’t without hardship, as it was often the threat of losing their loved ones, their mental health, and even their own identity that forced the change.

Their music is recommended for fans of Breaking Benjamin, Shinedown, Saint Asonia, and Three Days Grace.

Marble Ghosts’ sophomore EP “The Greatest Divide” is out on May 23, 2025.

Band Line Up (EP)
Dylan Gunnell – Lead Vocals and Lyrics
Adam Hansen – Guitar
Paul R. Champagne – Bass
Jer Renaud – Drums

Band Line Up (Live)
Dylan Gunnell – Lead Vocals
Adam Hansen – Guitar and Backing Vocals
Paulo Ferraz – Bass
Jer Renaud – Drums

Shared Stage with:
The Lazys
Autowah
Mooch
Taming Sari
Midnight Tripper
Don’t Tell Sarah
Gilgamesh
Alpha Bootis
Eve of Uprise
Lazy Bratz
The Lackeys
Blood Moon Occultation
The Cosmic Crypt
Out of Lives
Nature Pleads Revenge
Wyntr
The Turning Lights
Holly Acres
Handsome Sandwich
Members have played with the following notable bands:
All That Remains
Henry Rollins Band
Lutharo
Firewind
Emmure
Mass Murder Messiah
The Anti Queens
Fifty Nutz
Insurrection
Anonymus
Barf
Warbringer
The Agonist

 

Members of the band played Montebello, Rockfest in 2014 and 2019.

0 EPK – Sin of God – Blood Bound (2025) (Exitus Stratagem Records)

  • December 30, 2024
  • by Asher
  • · EPKs · Sin of God (Exitus Stratagem Records0

EPK – Sin of God – Blood Bound (2025) (Exitus Stratagem Records)

Publicist – Jon Asher – exsr[@]ashermediarelations[.]com

For fans of Aborted, Bloodbath, Cattle Decapitation, Cryptopsy, Psycroptic

Band: Sin of God
Album Title: Blood Bound
Release Date: February 18, 2025
Label: Exitus Stratagem Records

Exsrmusic.com | Facebook.com/ExSRecords | Instagram.com/exsrmusic | Twitter.com/exsrm | Youtube.com/@Exitusstratagemrecords9577

Sinofgod.com | Facebook.com/sinofgodhu | Youtube.com/@sinofgodmusic | Instagram.com/sinofgodmetal

Sinofgod.bandcamp.com | Apple Music | Amazon

Digital Single pre-save – https://hypeddit.com/sinofgod/noreturn1​

CD pre-order – https://www.exsrmusic.com/store/p/sin-of-god-blood-bound-lp-cd

“The record is just killer, full of menacing death metal that doesn’t lean too hard into the old- or new-school sound; think a crossbreed of Book of Black Earth, Deicide, and Fleshgod Apocalypse sans opera, and you’ll have some idea of what these guys are like. Modern death metal fans will love the band’s technicality and production, while classic headbangers will dig their atmosphere and badass riffs. Definitely get into them.” – Metalsucks (Aenigmata  – 2016)

“Aenigmata is the band’s latest release, a merciless, destructive Death Metal album in its finest form. Inspired by the occult writings of Alchemy and the dissection of the faith in mankind, the album delivers much darkened and more ferocious sounds than the previous releases. Having a close kinship with bands like Morbid Angel, Immolation, Nile, Behemoth, Krisiun, Dead Congregation and the likes in terms of sonority, the opus is a perfect blending of unilluminated Traditional Death Metal & remorseless Brutal/Technical Death Metal.  The 09 tracked album is likely to be embraced by the fans of OSDM & Dark Themed  Technical Death Metal.” – Extreminal (Aenigmata  – 2016)

“The Hungarians from Sinf Of God play high-energy death metal, and when their riffs hit our eardrums, you get the impression that Attila himself is leading the wild hordes, leaving behind fields of destruction strewn with the corpses of enemies.” – KVLT (Aenigmata  – 2016)

“There’s very little to complain about “Aenigmata”, it sounds damn good, both from a musical and production perspective. The songs are varied and technical and it took a few spins for the record to settle but that normally is a good thing as it grows for each spin… it’s a solid Death Metal record and with this, I should go easily to it when digging out Brutal music.” – Metal Kaoz – (Aenigmata  – 2016)

[Download Album Cover | Download Album Lyrics]

Band: Sin of God
Album Title: Blood Bound
Release Date: February 18, 2025
Label: Exitus Stratagem Records
Track Listing:
1. Blood Bound (3:52)
2. Black Waves (4:16)
3. No Return (4:58)
4. The Unbelief (4:49)
5. Diabolical Agitation (7:44)
6. Obulus (3:28)
7. Cerebral Malfunction (4:02)
Album Length: 33:09
Album Credits:
Album recorded at: Denevér Hangstúdió, Hungary
Mixed and mastered by Sam Winslow/Sam Winslow Music
Album artwork by Tamás Kis
Album Band Lineup:
Tamás Schupkégel – Vocals
Tamás Kis – Guitar
Michele Gawen Augello – Bass
Balázs Botyánszki – Drums
Live Band Lineup:
Tamás Schupkégel – Vocals
Tamás Kis – Guitar
Krisztián Páncél – Bass
Balázs Botyánszki – Drums

=========================================================

About The Album Artwork:

It is metaphorically based on humanity’s current state in the light of human history. We wanted it to be realized in the style of Renaissance paintings therefore the contrast is extremely sharp between beauty and uglyness. Pure and evil. Perfect and deformed. Obviously, there are religious references, and Biblical characters, too.

About the album as a whole (LYRICALLY & MUSICALLY):

Blood Bound both lyrically and musically resonates with our present society. We are in decline and we haven’t got much time before we hit the bottom. There is less and less beauty in our present world. We are rapidly marching towards the rotting chaos. People do nothing about it. They destroy but do not build. So let it be!

Track by Track (LYRICALLY & MUSICALLY)

Blood Bound:
A pair of brothers who were separated in their childhood and were tormented, but after getting over their anger, they try to rule together again, but in the end they go crazy.

Black Waves:
An apocalyptic world created by the human mind from which there is no escape and the black waves of depression will forever engulf you.

No Return:
A person who cannot get rid of drugs and sacrifices everything is going to hell.

The Unbelief:
The story of a queen who refused the power of the gods. As punishment, one of the gods cursed her and drove her insane. She even killed her own child for her joy.

Diabolical Agitation:
At the temptation of the lord of hell, even the most pure-hearted virgin can join the power of darkness becoming the mistress of hell herself.

Obulus:
The hunger for money and its uselessness after death. After all, only the burial coin has value as payment for death.

Cerebral Malfunction:
The struggle with schizophrenia, at the end of which the original personality is lost forever and replaced by an evil one.

=========================================================

Fun Facts – Story Angles

1. In ancient times, Sin Of God performed together in a concert series with the band Farcry. After the performance, a guy came up to us and said: We came here with our band to laugh at you guys, we thought you were crap but you put on such a brutally good show!” This arrogant guy was Tamás Kis, the current guitarist of Sin Of God. Well, yes, we conquer everything and everyone!

2. When recording Aenigmata, one of the members at the time had a definite idea about the guitar sound. „It has to be raw and muddy!” – he said. The only problem was that everyone else thought the guitars sounded like crap that way. Since he had a reputation for being rather sudden in nature, we had to devise some ruse instead of open confrontation. We tricked our man into the pastry shop and had a good time while the guitarist secretly re-recorded the guitar tracks in the studio. By the time we got back, all the tracks had been replaced. Do you think he noticed the change? Let’s just say that the new guitars can be heard on the album. 😀

3. The following story is also connected to the recordings of Aenigmata. Our accommodation was in the studio. The sound engineer just got engaged to his classy girlfriend, who was also in the room where we were, for a very, very long time. The romantic nature of the story was enhanced by the fact that our guitarist at the time got gassy that very evening and farted all night. We must have made a lasting impression on the little lady!

L-R: Krisztián Páncél (bass) / Tamás Kis (guitar) / Tamás Schupkégel (vocals) / Balázs Botyánszki (drums)

Photo credit: László Varga/VARESZ.Fotó

In the spring of 2004, the band was born. After a few small concerts and recorded demos, we prepared the Satan Embryo EP in 2009, with which we were able to step up and do many foreign concerts. In 2012, our first album, entitled Limbus was released. There were many conterts to come with big names and we were able to play at prestigious festivals abroad. Aenigmata was published in 2016, which brought another step up. It recieved highly positive reviews from all over the world. After tours and foreign festivals, we started writing the third album, however, the process stopped due to member changes. We started working on Blood Bound in 2019 with the new members, but due to Covid, the goal could only be to write the album, but there were no point in playing concerts. This led to member changes again. We finally were able to record our new full-length, Blood Bound in 2022-23. The mixing and mastering processes were done in 2024 by the super-talented Sam Winslow. The outcome is a blast! We are ready to show the world what creative death metal is!

Discography:
2010 – Satan Embryo (Self-Release)
2012 – Limbus (PRC Music)
2016 – Aenigmata (Satanath Records)
2025 – Blood Bound (Exitus Stratagem Records)

Shared Stage with: Cryptopsy, Psycroptic, Lock Up, Holocausto Canibal, Benighted, Hour Of Penance, Malignancy

Tours and Festivals:
Death Coffee Party
Reykjavik Deathfest -2018

Page 10 of 72
  • 1
  • …
  • 8
  • 9
  • 10
  • 11
  • 12
  • …
  • 72

Asher Media Relations Tweets

Tweets by AsherMedia

Enter your email address to subscribe to this blog and receive notifications of new posts by email.

Join 2,176 other subscribers

Blog at WordPress.com.

  • Bandcamp
  • Twitter
  • Facebook
  • YouTube
  • Subscribe Subscribed
    • ashermediarelations.com
    • Join 655 other subscribers
    • Already have a WordPress.com account? Log in now.
    • ashermediarelations.com
    • Subscribe Subscribed
    • Sign up
    • Log in
    • Report this content
    • View site in Reader
    • Manage subscriptions
    • Collapse this bar
 

Loading Comments...