Posts By Asher

0 NoCleanSinging Premiere: Canada’s Duskwalker Release Music Video For H.P. Lovecraft Inspired “The Crawling Tongue” Off “All They Know Is Fear”

December 10, 2020
by Asher
· Duskwalker · Music News

NEWS RELEASE

Montreal, QC – December 10, 2020

For fans of Morbid Angel, Carcass, Cannibal Corpse

Canada’s Duskwalker Release Music Video For H.P. Lovecraft Inspired “The Crawling Tongue” Off “All They Know Is Fear”

Video Premiere via NoCleanSinging

“All They Know Is Fear” Out Now! via CDN Records

The members of Ontario’s Duskwalker have been making their rounds in the underground metal scene for decades and their efforts culminated in the current form in 2015. Having originally started with the sole purpose of being a money-making cover band, things took a heavier turn when they morphed into a kickass metal band.

They released a full-length “Codex Mystirium” in 2016 under the name The Offering and traveled extensively to promote it, however, due to another band with the same name they took the name of one of their songs. In 2019, under the name Duskwalker, they released “All They Know Is Fear” via CDN Records. They released the video for the single “Shadowcreeper” via Decibel Magazine and also won the 2019 Niagara Music Award for Best Heavy Metal Group.

A heavy throwback yet modern, Duskwalker‘s album “All They Know Is Fear” as a whole is made to be enjoyed from beginning to end with carefully arranged songs that provide a well-rounded listening experience. It is a monstrous sophomore album with themes of myth, conspiracy, and horror, showing that Duskwalker have conjured a diverse mix of extreme metal that’s recommended for fans of Morbid Angel, Carcass, and Pantera.

Today, the band shares their next music video for their track “The Crawling Tongue”. The song is about the H.P. Lovecraft character Nyarlothtep along with featuring super heavy riffs and vocals that sound really pissed off akin to Morbid Angel and Pantera mixed together. The band explains the track:

“We want it to take the listener somewhere dark. We have forged traditional metal, old school death, and thrash. Genres are blended creating a visceral assault that stands out from song to song with a dose of atmosphere and darkness.”

Watch “The Crawling Tongue” via its premiere on NoCleanSinging HERE.

Duskwalker‘s latest album “All They Know Is Fear” is available on CDNRecords, Apple Music, Spotify, Amazon.

Music Video – Shadowcreeper – YouTube

Track Listing:
1. The Return (1:58)
2. Dimensional Collision (4:13)
3. The Crawling Tongue (5:20)
4. Madness Unleashed (4:57)
5. Dyatlov Pass (5:58)
6. Shadowcreeper (3:58)
7. Bielek (3:50)
8. Domus Volant Noctuae (2:18)
9. The Crushing Weight Of Guilt (5:19)
10. Masters Of Vril (7:04)
11. Ripping Terror (3:43)
Album Length: 48:41

Album and Live Band Line Up:
Joey Scaringi – Vocals
John Robinson – Guitars
Cale Costello – Drums
Matt Grabon – Bass / Vocals

More info:
Facebook.com/DuskwalkerOfficial
Instagram.com/duskwalkermetal
Twitter.com/duskwalkermetal
EPK

About:
Formed in 2015 In Niagara Falls, Canada. Duskwalker combines traditional heavy metal and death metal with atmospheric passages. Comprised of Niagara’s lifer metal musicians, they released their debut “Codex Mystirium“ in 2016. In November of 2019, Duskwalker released their sophomore album “All They Know Is Fear“ Distributed by CDN Records. The band won The Niagara Music Award for Best Heavy Metal Group in 2019 and 2020.

– 30 –

“After drummer Cale Costello summons listeners with a lethal drum roll, the song (Shadowcreeper) quickly lunges for the kill. Vocalist Joey Scaringi’s rasped snarls and growls accompany blastbeats until the mid-song breakdowns syncopate with the Shadowcreeper’s violent pursuit. Once guitarist John Robinson’s sharpened solo starts stabbing, the finale seems written in blood. There’s no happy ending here, just melodic death metal that balances brutality and infectious grooves.” – Decibel Magazine

“Your neck is going to hurt after giving these guys a spin. DUSKWALKER evoke a pure metal spirit that hones a modern groove into a heavier and darker place where all they know is fear! Their tunes pick and pull accents of influence from a wide spectrum but overall stay true to a highly accessible and aggressive metal barrage. Every song on the album is different but shades of Dethklok, Carcass, Pantera, Amon Amarth, Revocation, and Nile can be felt in the shadows around every turn. “All They Know Is Fear” proves to be one hell of a ride, in which I’m sure will resonate a diverse group of metalheads. Crank this up loud and apologies in advance for tomorrow’s neck pain! 8/10” – Blessed Altar Zine

—

ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780 | asher[@]ashermediarelations[.]com
Facebook @AsherMediaRelations
Tweet @AsherMedia
Instagram @AsherMedia

0 Rockshots Records Launch DVD Pre-Order Victoria K “Live Isolation Concert” Out January 2021

December 10, 2020
by Asher
· Music News · Victoria K

NEWS RELEASE

Montreal, QC – December 10, 2020

For fans of Nightwish, Kamelot, Eluveitie, Lacuna Coil, Within Temptation

Rockshots Records Launch DVD Pre-Order Victoria K “Live Isolation Concert” Out January 2021

Australia’s Victoria K will be releasing their first official DVD “Live Isolation Concert” on January 29, 2021 via Rockshots Records. The top-notch live DVD experience was recorded during the pandemic crisis and includes all the songs from the highly acclaimed debut album “Essentia” unleashed during April 2020.

The DVD is available for pre-order here: https://bit.ly/VictoriaK_DVD

The live show will be also released as a digital album on the major online stores.

Track Listing:
1. The Haunting
2. Mist Filled Sky
3. Forsaken
4. Humanity
5. Surreal
6. Freaks
7. Shroud of Solitude
8. Lacuna
9. Freedom Uncharted
10. Matrix

Australia’s Victoria K released her debut album “Essentia” on April 24, 2020 via Rockshots Records. The full length was produced by Lee Bradshaw and features special guest Michalina Malisz (Eluveitie).

Album order: here.
Spotify and iTunes here.

Music Videos:
‘Matrix’ here.
‘The Haunting’ here.
‘Forsaken’ here.
‘Lacuna’ here.

The Melbourne singer/songwriter has made her mark on the rock and metal scene with the release of her debut single ‘Monster’ in 2016, featuring guitar work by Brett Garsed (John Farnham Band) along with her 2019 follow up track ‘Lacuna’ distributed in Australia and New Zealand by Warner Music Group (Australia) and is the lead single off the upcoming album.

The single garnered a lot of media praise and created an opportunity for Victoria K to support Swiss folk metal giants Eluveitie for their May 2019 tour date in Melbourne, a performance that had the crowd chanting for an encore.

Although the album was originally a solo project, it has now developed into the current band structure with each member bringing their own energy and experience to the collective. The band is looking forward to collaborating on future releases.

Victoria K adds:

“I really hope that when our fans and new listeners hear the album they can all find something that they connect with on a deeper level. Whether that connection is found from within the music itself or from specific lyrics, I really hope they find something familiar, which can connect them to some experience they have had, invoking memories and feelings, eliciting an emotional response.”

Victoria K‘s talented songwriting and compositional influences include Evanescence, Within Temptation, Nightwish and Kamelot amongst other current bands in the European metal scene and her music have been likened to be a blend of these influences. Victoria K has racked up hundreds of thousands of views on YouTube with her own original creations and through featured videos alongside a number of talented musicians covering a plethora of songs. Victoria K‘s covers include Iron Maiden’s “The Trooper”, Nightwish’s “Last Ride of the Day”, Metallica’s “Nothing Else Matters” and Kamelot’s “Insomnia”, the latter of which received attention from the band themselves on Twitter and led to a meeting of talents when the American power metal band found themselves in Melbourne during their 2018 ‘The Shadow Theory’ Australian tour.

Band Line-Up:
Victoria K – Vocals
Sheri Vengeance – Extreme Vocals (Black Like Vengeance, ex. Ne Obliviscaris)
Julia Mammone – Guitar (Enlight)
Martin Kawaler – Bass (Black Like Vengeance, ex Ten Thousand)
James Davies – Drums

For more info:
Roc kshots.eu
Victoriakmusicofficial.com

– 30 –

“Lovers of symphonic metal listen up… because Victoria K is about to put Australia on the map.” – Heavy Magazine

“Victoria K’s vocals are absolutely brilliant, they’re ethereal and infectious” – Buzz Music

“The sense of yearning and resolution in Lacuna is woven with sophistication and skill.” – Hysteria Magazine

“She very quickly won over the crowd and with her voice and great tracks like ‘Lacuna’ and ‘Matrix’ it is very easy to see that she will soon be matching it alongside bands like Evanescence and Nightwish.” – Heavy Magazine

“’Lacuna’ is an atmospheric track in which Victoria showcases her fantastic voice by switching between delicate verses and powerful choruses with total ease.” – Maniacs

“’Lacuna’ has so much Metal and so much Gothic in it that you’d want to hear it repeatedly if you’re a Metal fan. The music is sharp and powerful, and the song easily flows into your senses.” – FemMetal

“The latest exciting new talent to emerge from the Melbourne metal scene…” – Sentinel Daily

—

ASHER MEDIA RELATIONS

Jon Asher – Music Publicist
#.514.581.5780
asher[@]ashermediarelations[.]com
Facebook @AsherMediaRelations
Instagram @AsherMedia
Tweet @AsherMedia

0 Thanks for the support! Hails Horns \m/\m/ Canadian MDs and DJs #3 – Cell Press !earshot – The National Loud Chart For the Week Ending: Tuesday, December 8, 2020

December 9, 2020
by Asher
· Cell Press

Thanks for the support! Hails Horns \m/\m/ Canadian MDs and DJs #3 – Cell Press !earshot – The National Loud Chart For the Week Ending: Tuesday, December 8, 2020 https://www.earshot-online.com/charts/index.cfm?intChartTypeID=106&dWeekOfID=2020-12-08

0 MetalInsider Track Premiere: Sennight Offer Up A Taste Of Their Upcoming 2021 Album With Melancholic “Arise”

December 9, 2020
by Asher
· Music News · Sennight

NEWS RELEASE

Montreal, QC – December 9, 2020

For fans of Katatonia, Opeth, Kamelot

Sennight Offer Up A Taste Of Their Upcoming 2021 Album With Melancholic “Arise”

Track Premiere via MetalInsider

Featuring Album Guests Brian Kingsland (Nile, Imperishable),
Ron Dalton Jr. (Your Chance to Die, Final Curse), Alex Parra (Paladin, Sadistic Ritual)

L-R – Sennight – Adam Mast – Bass, Vocal | Trevor Norris – Guitar

Atlanta’s Sennight is dropping a new single “Arise” off their upcoming 2021 album “New Takes The Old”.

Sennight drives forth with their heavy, melancholic brand of melodic metal that can quickly be felt by the listener who is washed over with pronounced energy. It commands attention and is not a sound that is easily forgotten. Compared to their first demos, which were more of an alternative metal sound, their music has gotten faster and more energetic since then.

Lyrical content from Sennight is largely inspired by various European mythologies and epic stories: people striving and persevering against terrible odds and having otherworldly experiences. The single “Arise” is heavy rock infused with extreme metal rhythms along with a guest solo by Ron Dalton Jr. (Your Chance to Die, Final Curse, the band explains the track in their own words:

“Arise takes influence from a few different heavy music genres including heavy and extreme metal. Lyrically the song talks about breaking free of any inhibitions and fears in order to have a full life experience. ‘Arise, untied, the iron pulled apart.’”

Hopeful and confident, the forthcoming album “New Takes The Old” will be comprised of ten songs with a variety of colors, sometimes energetic and penetrating, other times somber and plodding. The album was recorded over several sessions at Jam Room Studio in Columbia, SC, and a few parts were done remotely at guitarist Trevor Norris’ home studio. Brian Kingsland (Nile, Imperishable) and Alex Parra (Paladin, Sadistic Ritual) also recorded their guest solos remotely.

Ever ambitious, Sennight has more plans for releases after this upcoming 2021 album drop.

Recommended for fans of Katatonia, Opeth, and Kamelot, “Arise” can be heard via its premiere on MetalInsider HERE.

Sennight‘s previous single “Tearing Free”, can also be heard on Bandcamp, Spotify. Apple Music.

Track Listing:
1. Perfect Symmetry
2. New Takes The Old – ft. guest solo Brian Kingsland (Nile, Imperishable)
3. Tearing Free – ft. guest solo Ron Dalton Jr.
4. When Daylight Dies
5. Golden Crown – ft. guest solo Ron Dalton Jr.
6. Who Am I – ft. guest solo Alex Parra (Paladin, Sadistic Ritual)
7. Arise – ft. guest solo Ron Dalton Jr.
8. I Am
9. Misbegotten
10. Go

Album Band Line Up:
Adam Mast – Vocals, Bass, Guitars
Trevor Norris – Solo guitars
David Holquin – Drums

More info:
Facebook.com/sennightofficial
Instagram.com/sennight.official
EPK

About:

Atlanta’s Sennight was founded in 2017 by bassist/vocalist/songwriter Adam Mast. After years of playing bass in the extreme metal scene, his musical tastes and direction changed and he began writing in a more melodic/heavy metal direction. Influenced by melodic metal bands such as Katatonia, Opeth, and Kamelot, he sought to craft a sound with heavy guitars and drums entwined with harmonic vocal melodies.

Sennight’s first EP “Fear of the Unseen” came out in May 2019, recorded at Jam Room Studio in Columbia, SC with engineer Zac Thomas. Joining in on the studio tracks were a couple of ace North Carolina metal musicians: Drummer David Holquin (Violent Life Violent Death) and guitarist Ron Dalton Jr. (Your Chance to Die, Final Curse).

Wasting no time, Sennight reentered the Jam Room Studio in late 2019, again with Thomas at the console, and began recording their first LP “New Takes The Old” with guitarist Trevor Norris officially joining the band in early 2020. Holquin and Dalton Jr. helped again with studio tracking and the sessions along with guest guitar solo appearances from mainstay southeastern metallers Brian Kingsland (Nile, Imperishable) and Alex Parra (Paladin, Sadistic Ritual).

Up to this point, the writing has been done by Mast who fully demos the songs on a DAW and sends them to the other studio players. The guitar solos are fully made by the individual players and the drums are creatively improved by the drummer. When it comes to their live shows, metal fans can anticipate a high energy set with a big guitar sound, in true classic rock band style with no backing tracks. Sennight’s debut album “New Takes the Old” can be expected in 2021.

– 30 –

—

ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780 | asher[@]ashermediarelations[.]com
Facebook @AsherMediaRelations
Tweet @AsherMedia
Instagram @AsherMedia

0 PunkNews Video Premiere: THE BLOODY HELL Question The US Political Climate w/ New Single “Nobody Cares About America Anymore”

December 9, 2020
by Asher
· Music News · The Bloody Hell

NEWS RELEASE

Montreal, QC – December 9, 2020

For fans of Misfits, Nirvana, Motorhead, Anti-Flag

THE BLOODY HELL Question The US Political Climate w/ New Single “Nobody Cares About America Anymore”

Video Premiere via PunkNews

It’s been two years since Halifax, Canada’s The Bloody Hell released their award-nominated (Loud Recording of the Year” – Nova Scotia Music Awards 2018) self-titled debut album and now they are ready to end the apocalypse known as 2020 with a taste of their new single “Nobody Cares About America Anymore”.

Striking deep into the heart of American culture, the new track is a raw force with melodic intensity. It may seem from its title that it’s an attack on not giving concern for their neighbours to the south, but it is the opposite, a political statement, and more of an apathetic and unapologetic denouncement of the modern American political climate. Described by the band as “fast-paced, aggressive and radically indifferent”, The Bloody Hell carves out their spot in the political punk underground with a clear and forceful message “Nobody Cares About America Anymore”.

In support of the single, The Bloody Hell are unleashing a music video that can be viewed via its premiere on PunkNews HERE.

The band adds:

“Whatever happened to peace and love!”

“Nobody Cares About America Anymore” will be available as of December 10th on Bandcamp, Apple Music, Spotify.

Formed in 2017, The Bloody Hell has gotten dirtier and more polished at the same time, with the band infecting fans with their pop-cultural hooks and concepts, while the guitars keep getting louder and the vocals becoming uglier.

Suitable for a variety of fans, The Bloody Hell cites influences ranging from Misfits, Nirvana and Motorhead, anyone who enjoys a fun and dirty romp with a bull horn of grungy vocals.

For more info:
Facebook.com/thebloodyhellhfx
Instagram.com/thebloodyhellhfx

About:

The Bloody Hell is what would happen If George Thorogood sang for the Misfits but all the songs were written by Tom Petty. Super catchy horror rock songs about drinking and heartache played at punk rock speed.

– 30 –

“full of order and chaos and left turns and repetition all at once that it works wonders at getting the listener excited for what they may be in for” – The East Mag

—

ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780 | asher[@]ashermediarelations.com
Facebook @AsherMedia | Tweet @AsherMedia | Instagram @AsherMedia

0 EPK – Scepter of Eligos – Inverted Illusions (2021)

December 8, 2020
by Asher
· EPKs · Scepter of Eligos

EPK – Scepter of Eligos – Inverted Illusions (2021)

Publicist – Jon Asher – asher[@]ashermediarelations[.]com

For fans of Crowbar, Incantation, The Black Angels, Acid Bath, Celtic Frost, Grave

Album Title: Inverted Illusions
Release Date: January 29, 2021
Label: Self-Release

Facebook.com/scepterofeligos | Instagram.com/scepterofeligos | Scepterofeligos.bandcamp.com

Album Title: Inverted Illusions
Release Date: January 29, 2021
Label: Self-Release

Album Credits:
All songs written and performed by Scepter of Eligos
Tracks 1-4 Mixed and Mastered by:
Jamie Hillyer at Module Overload Studio
Track 5 Mixed and Mastered by: Felipe Patino at Green Door Recordings
Cover art by: Christina Hunt of Heavy Metal Talisman
Layout by:S.Wyatt Houseman of Hidden Hand Extreme Music Marketing
Logo by: Dennis Lee Hughs of Cythraul Art

Track Listing
1. Reabsorbed (5:46)
2. Biological Possession (5:53)
3. Starless Chasms (4:46)
4. Inverted Illusion (3:24)
5. Procession of Spectres (10:20)
Album Length: 30:10

L-R – Andrew -Guitar/Vocals, Frank – Drums, Chris – Bass – Photo Credit by Alvino Salcedo

Hailing from Denver, Colorado, Scepter of Eligos crashes into listeners in a wave of death, doom, and psychedelic sludge. An amalgamation of heavy styles with an unique spin, Chris Candelario (bass), Frank Candelario (drums), and Andrew Sares (vocals/guitars) work collaboratively to flesh out what they describe as “Psychedelic metal of death”. To accompany their punishing music they craft lyrics based on Sares’ occult practices and readings. They take their name from Aleister Crowley’s description of Eligos; a Goetic demon that is said to appear on a winged horse holding a scepter and a serpent.

Since their conception in 2012, the musical careers of the power trio have been a whirlwind of gigs both on the local and national levels playing with bands such as The Chasm, Manilla Road, Lycus, and Bongripper garnering attention from a variety of metalheads. Thus far they have 3 releases to their name; a demo from 2013, the 2017 single “RIP Martin Eric Ain” and the 2018 EP “MMXVIII”. Pushing onward with grit and determination they will be releasing the full-length “Inverted Illusions” in 2021.

Boasting live performances that are as varied and intriguing as their music, one can expect to be overtaken by the energy and succumb to the gritty, cryptic psychedelic doom Scepter of Eligos channels from the stage.

Discography:
2021 – Inverted Illusions (LP)
2018 – MMXVIII-EP (2018)
2017 – RIP Martin Eric Ain (Single)
2013 – Scepter of Eligos (Demo)

Shared stage with:
The Chasm, Manilla Road, Lycus, Bongripper, Weaponizer, Dawn Rayd, Badr Vogu, Morbid Saint

Festivals:
Stygian Rites, Decemburger, Anthem Music Metal Festival

0 GearGods Premiere – Blackened Death Ancient Thrones Guitar Playthrough “Divided/Dissolve” Off Latest Concept Album “The Veil”

December 8, 2020
by Asher
· Ancient Thrones · Music News

NEWS RELEASE

Montreal, QC – December 8, 2020

For fans of Revocation, Skeletonwitch, The Red Chord, The Black Dahlia Murder, Wolves in the Throne Room

Blackened Death Ancient Thrones Guitar Playthrough “Divided/Dissolve” Off Latest Concept Album “The Veil”

Playthrough Premiere via GearGods

New Album “The Veil” Out Now!

L-R: Dylan Wallace (Guitar)| Nick Leslie (Guitar)| Sean Hickey (Drums, Vocals)| Matt LeBlanc (Bass)
Photo Credit – Matt LeBlanc

This past November, Halifax, Canada’s Ancient Thrones unleashed their concept album “The Veil”. The full length is 57-minute descent into the afterlife telling the story of grief that people can relate to through dark and progressive blackened death.

Ancient Thrones explains:

“The record is a concept record so it’s meant to be listened to in its entirety to get the full experience of the story. Even the songs were written and laid out in a way that they seamlessly transition into each other. Almost as if it was just one long piece of music broken up into separate parts as tracks. We want people to headbang and mosh, but we also want to bring people on a journey through this world of purgatory and grief and understand each phase of grief the record represents through the 10 tracks.”

Today, in support of “The Veil”, guitarists Dylan Wallace and Nick Leslieare sharing their playthrough for the track “Divided/Dissolve”, which is a mix of blazing-fast melodic riffs and crushingly heavy breakdowns keeping this nine-minute behemoth fresh the whole way through. The song takes no prisoners and tolerates no sympathy in its entirety, beckoning you to question your own sorrow and resistance to fulfillment.

To view “Divided/Dissolve” guitar playthrough, please visit GearGods for its premiere HERE.

Recommended for fans of Revocation, The Red Chord, and The Black Dahlia Murder, “The Veil” is available on Bandcamp, Spotify, Apple Music, Amazon.

Lyric Video – The Soul To Flesh – YouTube

Guitar Playthrough – The Soul To Flesh – YouTube

Track Listing:
1. Transient (1:58)
2. The Sight of Oblivion (6:00)
3. The Millionth Grave (5:53)
4. The Soul to Flesh (6:14)
5. Viduus (The Veil) (9:29)
6. Sentient (2:11)
7. The River of Rain (4:32)
8. Divided/Dissolve (9:12)
9. The Infinite Eyes (9:10)
10. Permanent (2:54)
Album Length: 57:38

More info:
Facebook.com/Ancientthrones
Instagram.com/ancientthrones
EPK

About:

Ancient Thrones, formerly “Abysseral Throne”, is a locally acclaimed blackened metal outfit that rebranded to suit major changes in line-up and songwriting.

Formed in 2011, they quickly went to work to establish themselves among their scene and gained local notoriety eventually allowing them the opportunities to open for renowned metal acts from across the globe.

Sean Hickey (drums/vocals) is the sole original founder of Abysseral remaining, Matt LeBlanc joined in 2015 on bass and improved and refined the sound and operation drastically. Once they lost their original singer and guitar player Jonny Rains, Dylan Wallace joined and took over main songwriting duties. Hickey took over completely on vocals with a black/death metal vocal style, and Nick Leslie joined shortly after on the second guitar. Work began on writing a new album which took about 3 months to write the music for. The new material sparked the name change to Ancient Thrones as an homage to one of Hickey’s favorite bands and inspirations, Wolves in the Throne Room.

In 2013 the band released its debut record and its subsequent follow-up in 2016, “Storming The Black Gate”, which was nominated for an East Coast Music Award. Ancient Thrones have toured throughout Canada, and played at several festivals, sharing the stages with bands such as Silverstein, The Agonist, Black Crown Initiate, and Skull Fist.

2020 sees the release of the concept album “The Veil” showcasing the band’s desire for storytelling and pushing them to new heights musically. The new album explores the journey of a man faced with tragedy, his mortality and ultimately the permanence of our actions told through technical soundscapes and haunting atmosphere.

– 30 –

“A full-throttle attack, the song (The Sight of Oblivion) delivers bludgeoning rhythms, vicious darting and slashing guitar-work, scorching blackened shrieks, and cold-hearted roars.” – No Clean Singing

“Nearly an hour in length, The Veil earns that run-time with crisply-written compositions and an arsenal of sky-ripping riffs. The acoustic reprieve of “Sentient” and melodic grief of “Permanent” reveal the album’s heavy heart. But the album conjures strength from those pensive moments. Rife with nimble axe-work from Dylan Wallace and Nick Leslie, The Veil never succumbs to the solemnity of its subject. The Veil remains an impactful listen down to its final dying note.” – Decibel Magazine

“Canadian band Ancient Thrones perform a combination of black, death and thrash metal with some progressive tendencies on The Veil. They have similarities to Skeletonwitch, but have an even more dynamic sound.” – Heavy Music Headquarters – Ancient Thrones

“The prize for most ambitious album of 2020 already has the name of Ancient Thrones carved in marble.” – Scream Blast Repeat

“a 57-minute descent into purgatory….” – Permafrost Today

“The Sight of Oblivion and The Millionth Grave are steeped in ferociousness and savagery as only a band well versed in blackened death metal are capable of producing.8.5/10” – Games, Brrraaains & A Head-Banging Life

“an album filled with pummeling riffs, intricate song structures, and technical musicianship… fans of more epic and melodic Black/Death will want to give The Veil a listen. 4/5” – The Metal Crypt

—

ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780 | asher[@]ashermediarelations[.]com
Facebook @AsherMediaRelations
Tweet @AsherMedia
Instagram @AsherMedia

0 ANONYMUS Win GAMIQ 2020 Awards “Metal Album of The Year” For “La Bestia” & Piggy Award (career recognition in honour of Voivod guitarist Denis “Piggy” D’Amour)

December 8, 2020
by Asher
· Anonymus · Music News

NEWS RELEASE

Montreal, QC – December 8, 2020

For fans of Slayer, Testament, Voivod, Lamb Of God

ANONYMUS Win GAMIQ 2020 Awards “Metal Album of The Year” For “La Bestia”
& Piggy Award (career recognition in honour of Voivod guitarist Denis “Piggy” D’Amour)
L-R: Carlos Araya (Drums), Daniel Souto (Guitar), Oscar Souto (Vocals and Bass), Jef Fortin (Guitar)
Photo Credit: Dani Rod

Canadian thrash legends Anonymus’ 12th studio album “La Bestia” (Bam&Co Heavy) has won two GAMIQ Awards (Gala Alternatif de la Musique Indépendante du Québec) for “Metal Album of The Year” and the first-ever “Piggy Award”, named in honour of late Voivod guitarist Denis “Piggy” D’Amour for career recognition in the Quebec music industry. The full list of winners from the 15th annual GAMIQ awards can be found here along with the viewing of the event online here that was hosted on Sunday, December 6th.

GAMIQ – Metal Album of The Year Nominees:
Anonymus – La Bestia – Winner
Obey The Brave – Balance
Sandveiss – Saboteur
Scare – Not Dead Yet, Probably…
Souphl – Commerages
Warsenal – Feast Your Eyes

Celebrating his birthday on the same night of the awards event, Anonymus drummer Carlos Araya comments on winning the GAMIQs:

“At the start of this adventure for “La Bestia”, which began not long after the release of our 2019 Sacrifices album, the question arose… What do we do afterwards, do we change the pattern? Are we going to push elsewhere and differently? So, Carlos Ponte, our manager proposed to do something different, to make an album totally in Spanish, which will naturally attract the attention of a Canadian band with a wide history along with all of us being tri-lingual (Spanish, French, English)… Starting from there, things were instinctively created in what we do and what we know in metal.

We’re very thankful and honoured to have won Metal Album of the Year, we want to thank those who worked with us on this, our label Bam & Co, including Steve, Dany, Virginie and company, Propagande, Believe, Soundblast Media, Asher Media Relations, Background Noise and Omv Networking who helped put us forward. Benoit Nantel for the live recordings, which served us well, Mat Charest for the video “Bicho Loco” and Anthony Chognard for the recording along with Colin Richardson and Jean-Francois Dagenais of Kataklysm for their co-producing contributions.

I like to add, we are extremely honoured to win GAMIQ’s first “Piggy” for career recognition. “Piggy” aka Denis D’Amour of Voivod was and still is a big influence on our metal culture in Quebec and beyond, so we feel very privileged to receive this award.

What more can I say, but that Anonymus is a feat from over thirty years ago when I received my first drums from my parents and from the band’s founding. That the band is together with only one change after all these years is also an achievement so let’s underline the undeniable contribution of Marco Calliari in the band for the first 17 years. Continuing to make music with the Souto twins who have been my friends since I arrived in Canada at the age of 8 is a fate few can dream of. Our friend Carlos Ponte who has been helping us since day one is also remarkable. Marco’s departure was not easy, but Jef Fortin was able to bring stability and efficiency to the riff and the songs. Wow, how lucky we are to have him as a guitarist, songwriter and producer. Above all, he quickly became a member of our tightly-knit family.

There are lots of highlights from our career. We like to thank a brother-in-arms, Mononc ’Serge with whom we shared the stage on three tours, two albums and two DVDs; what a divine collaboration … Many thanks to Nadine Methot, Kaz Choucri, Pierre Rémillard. All the promoters, presenters, bookers, festivals, technical teams, bands, people from the community that we met; you know who you are, thank you.

And the biggest thank you without a doubt goes to our FANS. Without you, this band would be really anonymous…. Eternal Thanks.”

About “La Bestia”:

Known for their discography of both French and English releases, “La Bestia” is the first full length that the band offered up to metal fans that is completely in Spanish. Many metalheads and critics asked the most relevant question, why an album in Spanish? The answer… since Drummer Carlos Araya is Chilean born, and Oscar (lead vocals and bass) and Dan Souto (guitars and backing vocals) are sons of Spanish immigrants, it was only inevitable to make a record in that language that 3/4 of the band is fluent in.

The tracks on “La Bestia” were produced mainly by guitarist Jef Fortin as well as Colin Richardson who also produced 1999’s ‘Instinct’ and Jean-Francois Dagenais (Kataklysm) who produced 2006’s ‘Chapter Chaos Begins’. The album also features the bilingual song “Violencia Versus Violence” with the participation of Carlos Maldos of Lethal Creation (MX) and Arno Dhenain Le Bourhis of Black Bomb A (FR) along with a second bilingual track “Tierra” with Marco Calliari singing in Italian.

“La Bestia” album stream and download on Spotify, Apple Music, Deezer HERE. Vinyl HERE.

And for the beer lovers out there, Anonymus also launched their own IPA beer (La Microbrasserie Le Fermentor), named in honour of their first Spanish release. Info here.

Track Listing:
1. Bajo Presión (3:31)
2. Bicho Loco (3:58)
3. Sobrevivir (4:11)
4. Violencia Versus Violence (featuring Carlos Maldos of Lethal Creation (MX) and Arno from Black Bomb A) (4:33)
5. La Bestia (5:22)
6. Máquinas (3:32)
7. Cada loco con su tema (5:37)
8. Tierra ( Produced by Colin Richardson and Featuring Marco Calliari) (4:01)
9. Terremoto (Produced by Jef Dagenais (Kataklysm) (3:08)
Album Length: 37:57

Album and Live Band Line Up:
Oscar Souto -Vocals/ Bass
Daniel Souto – Guitar/ Back Vocals
Jef Fortin -Guitar/ Back Vocals
Carlos Araya -Drums/ Back Vocals

For more info:
Bamand.co
Anonymusmetal.com
Facebook.com/anonymusmetal
Instagram.com/anonymusmetal1
Instagram.com/anonymusmetal_es (Spanish/Espagnol)
EPKAbout:

Anonymus is a Canadian thrash metal band that explodes on stage with each presence, that pulls you in with its passion and that yells at you with corrosive and violent texts that will not leave anyone indifferent.

Since their first release in 1994, Anonymus has made its mark on the Quebec music scene. From the beginning, the group has been well received while demonstrating its brutal sound and technique that has continually evolved over the years. Oscar Souto (vocals, bass) Daniel Souto (guitar, vocals) Carlos Araya (drums), Jef Fortin (guitar since 2006) and Marco Calliari (vocals, guitar from 1994 to 2006) have since widely traveled the roads of their country, participated in the deprivation of Mononc’Serge and continue today to ignite stages everywhere they go. These veterans of the metal scene continue to proudly carry the torch after 20 years of chaos and barbaric music.

Forever hungry for metal, everyone in Anonymus brings ideas to the table. Sometimes it is a whole song or just the beginnings of one, yet together the band works to create a full thrashy anthem from the pieces, working on it until it is complete. The music always comes first, and when the ambiance is formulated, the lyrics, which come from a personal place and from current events, can be added.

Unstoppable and indestructible, inspired by bands like Metallica, Slayer, Megadeth, and Anthrax; Anonymus is nothing short of the powerful, aggressive and technical thrash metal that they have been refining for decades exemplified on their impressive discography of both French and English releases, which includes: “Ni vu, ni connu” (1994); Stress (1996); Instinct (1999); Daemonium (2002); Academie du Massacre (2003); Chapter Chaos Begins (2006); Musique Barbare (2008); État Brute (2011); Envers et contre tous (2015); P.O.M.M.E (2017); Sacrifices (2019); and their first-ever Spanish album La Bestia (2020) due out June 12 via label Bam&co Heavy.

Today, Anonymus does not need a presentation. This institution of the Quebec metal industry has been offering for twenty-six years, a passion for dark notes and unrivaled power. The offer is still valid. With more than 1500 career shows under their belt, Anonymus is completely in their element when performing in front of fans, they offer only their absolute best ensuring the crowd is moving. Having shared the stage with metal great such as Anthrax, Cannibal Corpse, and Kataklysm at festivals such as Heavy Montreal, Montebello, and through international tours, they are no strangers to a wild show.

ANONYMUS FOLLOWS ITS PATH, AGAINST ALL ODDS!

– 30 –

—

ASHER MEDIA RELATIONS

Jon Asher – Music Publicist
#.514.581.5780
asher[@]ashermediarelations[.]com
Facebook @AsherMediaRelations
Instagram @AsherMedia
Tweet @AsherMedia

0 Experience The Stages of Grief w/ Full Album Video For Shores of Null’s “Beyond The Shores (On Death And Dying)”

December 8, 2020
by Asher
· Music News · Shores of Null (Spikerot Records)

NEWS RELEASE

Montreal, QC – December 8, 2020

For fans of Swallow The Sun, My Dying Bride, Paradise Lost, Amorphis, Saturnus

Experience The Stages of Grief w/ Full Album Video For Shores of Null’s “Beyond The Shores (On Death And Dying)”

ft. guests Mikko Kotamäki (Swallow The Sun), Thomas A. G. Jensen (Saturnus), Elisabetta Marchetti (Inno)

“Beyond the Shores (On Death and Dying)” Available via Spikerot Records

L-R – Emiliano Cantiano (Drums) – Gabriele Giaccari (Guitars) – Davide Straccione (Vocals) – Matteo Capozucca (Bass) – Raffaele Colace (Guitars)
Photo Credit – Arianna Savo

Revealing to the world their latest epic “Beyond The Shores (On Death And Dying)” at the end of this November, Italian gothic doomsters Shores of Null are giving fans a visual experience of their 38-minute single-track concept album that takes listeners through the stages of grief. The video explores the band’s dark opus with many special guests, including two doom-titans, Mikko Kotamäki (Swallow The Sun) and Thomas A.G. Jensen (Saturnus) along with the angelic voice of Elisabetta Marchetti (Inno). The band also presents an even more diverse and eclectic sound on the album thanks to the addition of piano and violin.

Shores of Null comments on the video:

“This video goes hand in hand with the theme of the song, exploring the process of grief in its black and white grandeur. In these dark times, with no live shows in sight, we wanted to offer you an intense visual experience to better capture the empathy of the album, teaming up once again with Sanda Movies, who succeeded in the exceptional task of putting the full 38-minute song into images, giving the work as a whole a much deeper meaning”

Experience the stages of grief with the full album video HERE.

Shores Of Null can be overwhelmingly heavy and soothing at the same time, trading off between gothic-doom vibes and blackened aggression. Their music stands out for its melancholic yet majestic vibe, made of choral-like guitar textures exploiting their full range, sustained by a powerful rhythmic section and punctuated by a refined brew of clean and growled vocals, with a large use of vocal harmonies, which have become one of the band’s trademark through the years.

Suggested for fans of Paradise Lost, Amorphis, and Saturnus, “Beyond The Shores (On Death And Dying)” is available at the following link HERE (CD, Vinyl, Digital).

Track Listing:
1. Beyond The Shores (On Death And Dying) [38:24]

Single Credits:
• All songs performed by: Shores Of Null
• All songs written by: Gabriele Giaccari and Raffaele Colace, lyrics and vocal arrangements by Davide Straccione
• Produced by: Shores Of Null and Marco “Cinghio” Mastrobuono
• Mixed by: Marco “Cinghio” Mastrobuono
• Mastered by: Marco “Cinghio” Mastrobuono
• Album Artwork by: Sabrina Caramanico
• Member of SIAE (Italy)

Single and Live Band Line Up:
Davide Straccione – Vocals
Gabriele Giaccari – Guitars
Raffaele Colace – Guitars
Matteo Capozucca – Bass
Emiliano Cantiano – Drums

For more info:
Spikerot.com
Shoresofnull.com
Facebook.com/shoresofnull
Instagram.com/shoresofnull
Twitter.com/shoresofnull
Youtube.com/user/shoresofnull
EPK

About:

Shores Of Null is a Rome-based metal band, an unwavering presence within the metal underground since their musical outset in 2013. They have churned out two impressive records: the melodic and somber “Quiescence” (Candlelight, 2014) and the darker and more complex “Black Drapes For Tomorrow” (Candlelight/Spinefarm, 2017), both of which were highly praised by the worldwide music press.

Shores of Null stands out from its contemporaries with its ability to blend seemingly disparate elements and their ability to sound overwhelmingly heavy and soothing at the same time. Blackened aggression stands alongside gothic-doom sections without either sounding out of place. Their music can be both melancholic yet majestic, made of chorale-like guitar textures across the instrument’s entire range, sustained by a powerful rhythmic section and punctuated by a refined mixture of clean and growled vocals, along with extensive use of pleasing vocal harmonies which have become the band’s trademark through the years.

Shores Of Null has performed over 150 shows, including six European tours (with In The Woods, Ereb Altor, Hooded Menace, Mourning Beloveth, Novembre, Harakiri For The Sky, Sylvaine, and more), dozens of shows and tours in their home country (with Primordial, Arcturus, Candlemass, Moonsorrow, Leprous, Saturnus, Negura Bunget, etc.) and many European Festivals (Inferno Festival, Eindhoven Metal Meeting, Winter Days Of Metal, Doom Over London, Metalitalia Fest, Frantic Fest, and more).

Shores Of Null’s third work, “Beyond The Shores (On Death And Dying),” is expected to be released in November 2020 via Spikerot Records, continuing to prove the band’s willingness to go off the beaten path and create their ultimate doom manifesto, a 38 minute-long suite emphasizing their heavier, slower and dramatic side, inspired by the five stages of grief formulated by the Swiss-American psychiatrist Elisabeth Kübler-Ross. The band has collaborated on the dark opus with many special guests, including two doom-titans, Mikko Kotamäki (Swallow The Sun) and Thomas A.G. Jensen (Saturnus), along with the angelic voice of Elisabetta Marchetti (Inno). The band is able to present an even more diverse and eclectic sound on the album thanks to the addition of classical instruments like piano and violin, along with the return of the talented Marco “Cinghio” Mastrobuono (Hour Of Penance, Fleshgod Apocalypse) behind the production desk.

– 30 –

—

ASHER MEDIA RELATIONS

Jon Asher – Music Publicist
#.514.581.5780
asher[@]ashermediarelations[.]com
Facebook @AsherMediaRelations
Instagram @AsherMedia
Tweet @AsherMedia

0 Canada’s Synastry Posts Lyric Video For Title Track of Groove-Fueled EP “Civilization’s Coma” Out Now!

December 7, 2020
by Asher
· Music News · Synastry

NEWS RELEASE

Montreal, QC – December 7, 2020

For fans of Veil of Maya, Born of Osiris, Within The Ruins, Fear Factory

Canada’s Synastry Posts Lyric Video For Title Track of Groove-Fueled EP “Civilization’s Coma” Out Now!

L-R – Kay Kessler (Drums), Gary Vee (Bass), Paul Iverson (Guitar), James Aniston (Vocals)
Photo Credit – Chris Alexis

After being silent for nearly a decade, Montreal’s Synastry unleashed their new EP “Civilization’s Coma” this past November. The band made a name for themselves on the Quebec and Ontario tour circuits in the early 2000s along with their releases Pallets Of My New World (2006) (EP) and Blind Eyes Bleed (2008) (LP). In 2012, the band went dormant, where they remained until 2020 remerging from the shadows.

Today the band is sharing their lyric video for their new EP’s title track, which can be viewed HERE.

The band adds:

“The title track of the EP is a dissonant groove fest that gets into you and doesn’t let go. Everything is super heavy yet infectious. Vocals have the longest continuous scream by James Aniston doing a 22 second inhale scream starting at 2:34. The lyrics are about how civilization is on autopilot, consideration, and compassion is out the window for everyone, yet we all share the suffering for it, but choose to do nothing.”

With newfound vigor, “Civilization’s Coma” is filled with heavy groovy modern metal that will be familiar to existing fans of the band while encouraging new listeners to embrace them. This reintroduction will give metalheads a taste of what’s to come while being able to stand on its own merit. This EP is just the start for Synastry who hopes they can bring their energetic live shows back to crowds far and wide post Covid times.

Recommended for anyone who enjoys groove and melodic metal, especially those with an existing fondness for Within The Ruins, and Fear Factory.

“Civilization’s Coma” digital download HERE. Spotify playlist adds HERE.

Track Listing:
1. Civilization’s Coma (3:49)
2. Dead To Me (2:17)
3. Narcomancy (4:41)
EP Length: 10:48

EP Band Line Up:
Paul Iverson – Guitar
Gary Vee – Bass
Kay Kessler – Drums
James Aniston – Vocals

More info:
Instagram.com/synastry_mtl
Twitter.com/SYNASTRYMTL
EPK

About:

It takes courage for a band to integrate such distinct thrash, death, and industrial influences into a catchy yet multilayered approach as do Montreal’s Synastry.

Each metal listener desires something different and thus a band exists for every taste. Inspired to a certain point by melodic, futuristic death thrash, Synastry binds to these influences a threatening mid-paced groove, atmospheric textures, and the unmistakable gruff and mature vocals of James Aniston. Flanked by guitarist Paul Iverson and bassist Gary Vee, and backed up by the thunderous Kay Kessler, Synastry is a crushing wall of well thought out and meticulously written metal. Lyrics come from Aniston’s impression of the world and his experiences in it which are layered with the collaborative music that all band members contribute to.

Started originally in the early 00s, the Montreal band took the underground scene by storm, they climbed the Myspace ranks, toured the regions, and released “Pallets Of My New World” (2006) (EP) and Blind Eyes Bleed (2008) (LP). In 2012, the band went dormant, where they remained until 2020.

The socially conscious band awoke amidst the widespread uncertainty that swept the globe, with a mission to explore humanity, the singularity, and morality. Forged in the hotbed of metal that is Montreal, they are here to raise the temperature once again with the release of their new EP “Civilization’s Coma” on November 27th.

– 30 –

“This new song (Dead To Me) is a short, sharp kick to the head — and it does kick like a furious mule, albeit a massive and mechanized one. The music is fast and ferocious, loaded with pulse-rifle riffs and hammering drums, blaring chords and squirming arpeggios, booming bass and a mix of serrated-edge growls and incendiary screams. The music is heavy-grooved, with a bit of a start-stop quality that hints at industrial influences to go along with the death/thrashing momentum, and also effectively creates an atmosphere of menace and mayhem. It may bring memories of Lamb of God to mind as well as Fear Factory.” – No Clean Singing

“The hammer blow that is “Dead to Me” was the first single, front loaded with schizophrenic riffs and jack hammer footwork Synastry have wasted no time in delivering something that is straight to the point with vicious intent. There is even time for blast beats and some Godflesh inspired industrial noises that frame and enhance segments. Aniston has the power to manipulate his voice to create a number of different voices with the use of pitching and on the ripper that is “Narcomancy“, he sounds like he’s going slowly insane.” – Metal Noise

—

ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780 | asher[@]ashermediarelations[.]com
Facebook @AsherMediaRelations
Tweet @AsherMedia
Instagram @AsherMedia

Page 365 of 1851

1
…
363
364
365
366
367
…
1,851

Asher Media Relations Tweets

Tweets by AsherMedia

Asher Media Email Subscription

Enter your email address to subscribe to this blog and receive notifications of new posts by email.

Email Address:

Join 2,177 other subscribers