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Posts By Asher

0 Watch SNAKEBLADE’s Slithering New Music Videos For “Foul Sorcery of Flame and Shadow” & “The Red Mage’s Seduction”, New Album “The Curse” Out Now!

  • November 3, 2021
  • by Asher
  • · Music News · Snakeblade

NEWS RELEASE

Montreal, QC – November 4, 2021

 

Watch SNAKEBLADE’s Slithering New Music Videos For “Foul Sorcery of Flame and Shadow” & “The Red Mage’s Seduction”

New Album “The Curse” Out Now!

Snakeblade, the Vancouver-based one-man project created by Mike Redston has posted two new slithering music videos for “Foul Sorcery of Flame and Shadow” and “The Red Mage’s Seduction” off the latest album “The Curse” released on October 13th.

Watch the videos at the following links:

“Foul Sorcery of Flame and Shadow” – https://youtu.be/zvM0CPy9YIs

“The Red Mage’s Seduction” – https://youtu.be/u094_FmKr5Q

Self-coined as “One-Man Nerdy’n’Dirty Black Metal”, over the past year and a half, the ever intrepid Mike Redston aka Snakeblade has written, performed, and recorded two albums, “The Kingdom” in 2020 and “The Curse” in 2021. “The Curse” is quite an evolution, growing in both complexity and scale with the addition of a session drummer to handle the kit. Mike Redston formed the solo project in the midst of the pandemic, as a distraction. To deepen the escape, all his lyrics surrounded fantasy concepts from his favorite series – Game of Thrones.

“Snakeblade is where all my nerdiness gets released. On “The Curse”, I wanted to zero in on one of my all-time favorite fantasy series – Game of Thrones. As I started writing though, more personal experiences started to creep into my lyrics. What came out is a melting pot of themes from Game of Thrones and my personal shit. Lyrics inspired by GOT mostly revolve around the plotlines of The Red Woman, Stannis Baratheon, and The Lord of Light religion. Mix all this with my own experiences of betrayal, failure, and rage and you’ve got The Curse.”

“The Curse” is ten tracks of dark, dirty, and epic non-traditional black metal, and has a total running time of 43 minutes. It was written and performed by Redston except for the drums, which were performed by Dennis Kraakman. The album artwork was done by Elizabeth Holmes.

Snakeblade isn’t destined to be a studio project forever, Redston says, “Live shows are definitely in the cards as I want to bring these songs to a concert setting with a ton of energy and a fun atmosphere.”

Snakeblade embraces a wide variety of metal subgenres and is recommended for fans of Skeletonwitch, Dimmu Borgir, and Death.

Digital stream and download available on Snakeblade.bandcamp.com, YouTube, Spotify, Apple Music.


Track Listing:
1. Destiny (Intro) (1:42)
2. Rotten Souls (6:48)
3. Harvester (3:35)
4. Dreams of Aida (1:53)
5. The Red Mage’s Seduction (6:01)
6. Foul Sorcery of Flame and Shadow (5:04)
7. Godswood (2:28)
8. Born Among Salt and Smoke (5:46)
9. Archways (3:05)
10. Exile, Outlaw… The Essence (6:34)
Album Length: 42:56

Album Credits:
• All songs performed by: Mike Redston
Drums performed by Dennis Kraakman
Artwork by Elizabeth Holmes
‘Dreams of Aida’ co-produced with Macca Grills
‘Godswood’ co-produced with Logan Macdonald
• All songs written by: Mike Redston
• Produced by: Mike Redston
• Album Artwork by: Elizabeth Holmes
• Member of SOCAN
• Music is Canadian Content (MAPL)

Album Band Line Up:
Mike Redston – Vocals, Guitar, Bass Guitar,
Dennis Kraakman – Drums

For more info:
Facebook.com/snakebladeofficial
Instagram.com/snakebladeofficial
EPK

About:
Amidst the Covid-19 pandemic, Snakeblade was formed by Mike Redston as an escapist project while the entire world was quarantined. What came out of this anxious time may surprise you though, as Snakeblade refuses to follow typical one-man black metal trends. Every song on their debut album The Kingdom explodes with energy and youthful rage, delivering a pummelling of riffs, blastbeats, and shrieking vocals. With lyrical topics of fantasy, medieval battles, lord of the rings, and video games, Snakeblade is a headbanging nerd’s wet dream. Now on their second effort, the one-man project delves into bold new territory adding orchestral and electro elements to the blackened thrashy chaos that is: The Curse.

Discography:
2020 – The Kingdom
2021 – The Curse

– 30 –

“intense shrieks, murderous riffs, and all the fantasy black metal you need!” – Heavy Blog Is Heavy

“This new song (The Red Mage’s Seduction) is a wild but multi-faceted thrill-ride. A burst of jolting riffage launches the track, and as it grows more feverish it provokes a long, throat-ruining scream. The drums (performed by session drummer Dennis Kraakman) hammer and spit like machine guns as the bass bubbles and the guitar writhes in flames. There are chilling moments when slashing chords, slithering arpeggios, and flickering spectral solos sound like magic spells cast in sound by a viciously demented sorceror and the vocals descend into monstrous croaking growls, only to have the song erupt again in chaotic incendiary gales. The song’s feeling of magical mystery and ominous peril emerges again and rises to towering heights, elevated by grand synths and gigantic booms. Once there, an extravagant extended guitar solo lights the listener’s nerve endings on fire without relinquishing the music’s aura of sorcery run amok. The song slashes and burns again, with the elaborate layering of guitars, tumultuous percussion, and slaughtering screams creating an ecstatic finale.” – No Clean Singing

“This one man black metal project from Canada, spearheaded by Mike Redston, wastes no time in pushing the pedal to the metal and letting it all go. No, seriously; the very first track on his new album, The Kingdom, has an insanely flamboyant and satisfying guitar solo, breakneck drums, and vocal shrieks aplenty.” – Heavy Blog Is Heavy

“Snakeblade Goes Beyond Black Metal Trappings on ‘The Kingdom'” – Exclaim!

“It’s safe to say that Snakeblade’s musical genius will quickly outgrow Redston’s one-man credo, for other musicians will surely seek out his vision. That he has crafted such venomous metal that is still wildly entertaining during this pandemic is a huge accomplishment, and The Kingdom will appeal to fans of this black metal style, particularly followers of Mayhem, Borknagar and classic Slayer.” – Exclaim!

“This is absolutely my jam, and The Kingdom is one of my favorite albums of the year so far.” – Toilet ov Hell

“I am compelled to say that SNAKEBLADE most definitely delivered an utmost maddening, but enjoyably entertaining discovery that made me replay this …pretty much all day long. “The Kingdom” is an addicting spin that will blow brains & shatter windows with explosive clarity. Full of density, technical prowess & engaging captivation. This is an incredibly amazing debut album, and I will most look forward to their upcoming projects. And for a singular writing attempt, bravo! I couldn’t help but score this as a masterful piece of other-worldly malevolence which most certainly deserves a slot in your collection for sure. Check it out!” – Metal Temple

—

ASHER MEDIA RELATIONS

Jon Asher – Music Publicist
#.514.581.5780
jon[@]ashermediarelations[.]com
Facebook @AsherMediaRelations
Instagram @AsherMedia
Tweet @AsherMedia

0 Streaming Now! Niagara Falls’ VARIUS’ Wildly Diverse EP “Concordance”, EP Stream Premiere via MetalInsider

  • November 3, 2021
  • by Asher
  • · Music News · Varius

NEWS RELEASE

Montreal, QC – November 3, 2021

Streaming Now! Niagara Falls’ VARIUS’ Wildly Diverse EP “Concordance”

EP Stream Premiere via MetalInsider

New EP “Concordance” Out November 5th


L-R: Joel Tassillo (Bass) / Joey Scaringi (Vocals) / Vladimir Prokhorov (Drums) / Patrick Forlin (Guitar)
Photo Credit: Britney Goertz

Never one to stay within the constraints of genre definition, Varius have a new EP coming November 5th, and before it officially drops, its full stream is being premiered over on MetalInsider HERE.

“Concordance” is all about both diversity and consistency. Varius was motivated to include four distinct tracks with each one primarily written by a different band member. The result was a naturally diverse EP that can still be considered their most collaborative release to date. They share their thoughts on the record:

“We are very excited to present our new EP, the strongest Varius release to date. The result is an EP defined by both its diversity and its consistency in spirit. We were all very motivated to bring each others’ visions to life, and the tracks came together as some of our heaviest and grooviest to date. Each of the four songs are rooted firmly in their own area of the metal spectrum, and they are as varied lyrically as they are musically. “Concordance” explores themes of battle, demonic magics, psychological challenges, and a bleak look at the future of death. We believe that all types of metal fans, and fans of fantasy and science fiction alike, are sure to find something they like about it.”

“Concordance” is a heavy recording throughout, but the four distinct songs approach the heaviness in different ways. Across the four tracks, the listener can expect to hear the influence of death metal, thrash, progressive, doom, and classic metal with experimental dynamic twists. The EP is as diverse lyrically as it is musically; fans of fiction, fantasy, horror, and humanity will find something that they like in “Concordance”. From the apocalyptic themes you’d expect from Varius in “Gut Shoveler” and “Concordance of the Legionfall” to the more reflective stories of battle in “Golden Crown” and personal struggle through “Lament of Dissonance”, the EP covers a variety of heavy lyric themes that listeners can connect to.

The experimental groove of Varius is recommended for fans of Hypocrisy, Lamb of God, and Dethklok.

“Concordance” will be available on digital music platforms on November 5th.

EP pre-order – https://varius.bandcamp.com


Track Listing:
1. Golden Crown (6:03)
2. Concordance of the Legionfall (4:59)
3. Lament of Dissonance (4:43)
4. Gut Shoveler (5:28)
Digital EP Length: 21:14
Note: Physical CD copies of Concordance will feature a bonus track (previously released digitally – 2019)
5. P.I.S.S. (3:22) (CD Bonus Track)
EP Length (CD version): 24:40

For more info:
Facebook.com/Varius.band
Instagram.com/varius.official
EPK

– 30 –

“it’s full of dynamic surprises — a song that’s bombastic and brazen, savage and scintillating, mysterious and magnificent — and its name is “Concordance of the Legionfall“.” – No Clean Singing
—

ASHER MEDIA RELATIONS

Jon Asher – Music Publicist
#.514.581.5780
jon[@]ashermediarelations[.]com
Facebook @AsherMediaRelations
Instagram @AsherMedia
Tweet @AsherMedia

0 EPK – Caveat – Alchemy (2022)

  • November 3, 2021
  • by Asher
  • · Caveat · EPKs

EPK – Caveat – Alchemy (2022)

Publicist – Jon Asher – jon[@]ashermediarelations[.]com

“The creation of Alchemy has been one that has taken a few years to come to fruition, due to the stage & challenges of the modern world, but with that, we feel like the subject matter & music is more relevant than ever dealing with subjects such as addiction, the loss of a loved one, personal growth & even finding that light at the end of the tunnel.

Being the band is now going on two decades of making music together, Alchemy is the first album putting newest member Amanda Marie Bourdon on lead vocal duties. Amanda joined during the recording of Caveat’s last album Consummation showing a glimpse of her vocal potential with songs like Misunderstood & Seven Jackals. This time around Amanda steps into the limelight as the main vocalist, which still shares vocal duties with Greg Musgrave, but offering a new & fresh take on the Caveat sound taking the listener to uncharted territories that have turned out amazing.” – Caveat

For fans of Megadeth, Unleash The Archers, The Agonist, Meshuggah, Opeth, Cynic, Devin Townsend

Album Title: Alchemy
Release Date: February 11, 2022
Label: Self-Release
Distribution:

Facebook.com/caveatcalgary | Caveatcalgary.bandcamp.com | Spotify | Apple Music

#8 on Canadian College Radio – National Loud Chart – For the Week Ending: Tuesday, March 29, 2022 (source: Earshot) 

“I’d recommend the album (Alchemy) for fans of Meshuggah, Unleash The Archers, Opeth, Devin Townsend and the like, along with people who like an experimental, progressive feel to their music.” – Metal-Rules

“Track three ‘Infinite’ to me is the best song on the album. Fast and heavy, it really lets rip and is a contrast to what you’ve heard so far on the album. The song is about fear and how it motivates much of our lives. ‘Black Mirror’, inspired by an episode of the TV show of the same name, starts with an almost country and western feel before becoming a full-on rock song with lots of changing tempos and vocals. ‘Ghost’ is melodic and powerful, full of twists and turns from ballad to prog rock. It showcases the talents of both vocalists well with lyrics about overcoming your personal demons.” – Metal-Rules

“There is some stellar musicianship here from all members and the seven songs are well written and engaging. The highlight of Alchemy is definitely the lead vocals of Amanda Marie Bourdon, who has a simply excellent voice… Alchemy is definitely worth adding to your collection. 4/5” – Heavy Music Headquarters

Alchemy opens with “Silver,” a relentless sonic assault of massive riffage that showcases Amanda Marie Bourdon’s powerful vocals with guitarist Greg Musgrave’s vicious growls. His gruffness injects several songs here, as do Bourdon’s keyboards. At times, she sings like a pissed-off Pat Benatar, and the rest of this quintet—Joe Sikorski on guitars, Matt Petti on bass and Casey Rogers on drums — matches her fury… this is an engaging listen for metal fans who don’t mind straying beyond the genre’s increasingly blurry lines.” – Shepherd Express (Milwaukee Weekly)

“they are more like a Dream-Theater-on-steroids or like Rush-gone-mad form of prog. ” – Metal Bulletin

“This is classic Melodic Death Metal, but different than the forefathers we all know. The harmonized clean vocals bring that element of temperance to the album, while the harsh vocals keep things rough and dark. A clean female singer and a harsh male singer have surely been done before many times, but I really like the interaction between these two. As a seasoned band, they have experience with songwriting, yet their sound isn’t old and tired. Indeed, it is energetic and infused with passion, and the bass work is fantastic…an instrument that often gets lost in the Metal genre. This was a nice surprise for me.” – Metal Temple

“On their new album CAVEAT offer seven songs, diverse in their compositions. While the guitars come up with dark, hard-hitting riffs as well as beautiful melodic parts, the mostly powerful, complex rhythmic brings in a great dynamic. By alternating between the different expressions of two strong singers, they lay all kinds of emotions into their music… All-together, “Alchemy” is an amazing listen, recommended for fans of genre-bending music. ” – Mostl Metal

“this album’s claim to take an experimental route is justified. With elements of many Metal subgenres flowing in their songwriting veins, it’s hard to stick Caveat into one category… Nevertheless, Caveat brings strength, and wonder to the Metal scene and has given us only a glimpse of what is to come.” – Metal Godesses

“A production that should be most satisfying for many fans of progressive metal, and perhaps a bit more for those who approach this style of metal from the metal rather than the progressive rock direction at that.” – Progressor

“I should say something about the musicianship. Frankly, it’s first-rate. I’ll start with bassist Matt Petti, who plays a major part in the band’s sound. If you want an excellent example of his virtuosity, listen to the first fifteen seconds or so of Black Mirror (yes, the song is based on an episode of that TV show). His fluidity and, in this case, almost funky tone proves him to be a bassist of the first rank. Then there are guitarists Greg Musgrave and Joe Sikorski. Versatile is the word to start with when describing their work. Check out closing song Zero Hour to hear the pleasing (to my ears, at least!) combination of crunch and melody that these two achieve. Silver, on the other hand, will blow you away with the virtuosic near-blast-beat playing of drummer Casey Rogers. Finally, Until Dawn is probably the best place to find the most effective blending of the two vocalists’ voices. I believe that Bourdon will become a truly essential part of the band if more use is made of her voice to complement that of Musgrave. On songs like this one, while one can hear, yes, Opeth and Cynic somewhere in the background, Caveat really comes into its own. This is a well-written, well-produced, engaging, and promising album. ” -Dprp.net

“Violent passages, a heavy metal opera space approach, and everything in an incredibly perfect osmosis, and for almost 50 minutes. This innovative breath is once again coming from Canada, a country where the number of talented groups blush many countries. “Alchemy” is a must-have album and brings something to music. We’re rocking the genius! A true musical experience and what a singer! Awesome” – La Legion Underground Webzine

“Caveat releases a heavy, melodic, harmonic, hard album, full of interesting beats, very well done and short riffs and sharp solos, an elegant and structured production, high and strong chords, more than anything with serious sounds, combining metal styles – progressive rock and death metal which have a bit of faster and groove metal oriented sounds like in Alchemy and Infinite, an album full of energy, clean, heavy and hard, with a technical and rhythmic metal with precise drums and guitars as well than keyboards, at no time does it move away from one another. The combination of 3 voices makes it interesting, clean male and clean female voices that give it light and harmony, with a clean and high register, and the heaviness is given by the part of the guttural voice that appears at times. 9/10” – Darzen Metal Angels

“Thrashing riffs and funk-infused bass grooves melded with aggresive metal death growls and three-part vocal harmonies are just a few of the guilty pleasures on Caveat’s Red… The 53-minute musical journey leaves a crushing inferno of melodic sound in its wake through skilfully executed guitar riffs winding passages that never talk down or leave the listener behind and haunting balledesque moments that you wouldn’t expect to find on a metal album but feel right at home here with Caveat.” – The YYScene

“Caveat focused on music over visuals and blasted through a no-frills set featuring their unique and feverish style of prog metal.” – Metal Master Kingdom (Live Review – Wacken metal Battle Canada 2019 – Calgary Final)

#9 on Top 10 – Caveat – Self-Titled – Canadian National Loud Chart – For the Week Ending: Tuesday, December 20, 2005

“Vindication” is a masterpiece. All the right sounds, rhythm’s phenomenal guitars and great lyrics with plenty of meaning” – Prog Archives

“Within This Weakness”…a brilliant finale to this adventurous, untamed album called “RED”. This is “Caveat” and progressive metal at its finest.” – Prog Archives

========================================

BAND STORY ANGLES / FUN FACTS:

1. Caveat was one of two bands ever signed to Scarab Metal Productions management company, headed by Terese Fleming who later went on to become one of the leading metal festival organizers in Western Canada from 2005 – 2015. Caveat released our self-titled EP on Scarab Productions in 2005

2. After parting ways with Scarab Productions, Caveat then signed with Toronto based indie label Cyclone Records who released Caveat’s 2007 magnum opus Red.

3.  Caveat is the longest-running active metal band in Alberta.

4.  Caveat’s guitarist/vocalist Greg Musgrave performed backing vocals on Nuclear Blast recording artists Divinity’s debut album Allegory, as well as performing character voices for Bioware video game Dragon Age Inquisition

5. Three of the five members of Caveat (Casey, Joe & Greg) simultaneously played in Alberta death-grind band Exit Strategy, from 2005 – 2017, which are largely considered one of the most influential death metal bands to ever come out of Alberta & also went on to perform in the Canadian Wacken Battle finals in Toronto in 2014.

6.  Vocalist / keyboardist Amanda Marie Bourdon also plays bass & sings in Calgary band Greybeard along with drummer Casey Rogers. Matt Petti also plays bass in the instrumental progressive metal band Illuminated Minerva.

 

[Download Album Cover | Download Album Lyrics]

Album Title: Alchemy
Release Date: February 11, 2022
Label: Self-Release
Distribution:

Track Listing:
1. Silver (7:03)
2. Alchemy (7:08)
3. Infinite (6:44)
4. Black Mirror (7:06)
5. Ghost (8:35)
6. Until Dawn (5:55)
7. Zero Hour (7:21)
Album Length: 49:54

Album Credits:
• All songs performed by: Caveat
• All songs written by: Caveat
• Produced by: Joe Sikorski
• Mixed by: Joe Sikorski
• Mastered by: Casey Rogers
• Album Artwork by:
• Member of SOCAN
• Canadian Content (MAPL)

Album and Live Band Line Up:
Amanda Marie Bourdon: Vocals & Keyboards
Greg Musgrave: Guitar & Vocals
Joe Sikorski: Guitars
Matt Petti: Bass
Casey Rogers: Drums

===================================================

The album as a whole:

This album has an almost soundtrack vibe to it, which really separates it from anything that we’ve done in the past. The lyrics are both dark & light with switches in feeling & mood ever-changing throughout the album.

Track by Track:

Silver: One of the more melodic songs on the album with catchy hooks, verses & an infectious chorus that touches on the silver lining of your actions & how they create the foundation for one’s existence.

Alchemy: One of the more proggier songs on the album, this song really showcases Amanda’s powerhouse voice as well as Matt’s incredible bass performance. This song deals with addiction & how we are in search of the magic elixir (in so many cases alcohol) that will make us a perceived better version of ourselves, which in almost every case turns out to be the opposite.

Infinite: This was the first song written for this album & is by far the heaviest song on the album with an almost Gojira feel at times. The lyrics explore peeling away & coming to terms with our own fears & how fear motivates so much of our human lives, with lines like “We feed upon the will of what grows in shadows”.

Black Mirror: One of the more experimental songs on the album, this song was written, inspired & lyrically based on the Black Mirror episode called White Christmas, which is based on the idea of imprisoning the human mind with modern technology & basically playing God. Dark stuff.

Ghost: This was the last song that was written for this album & is probably the best indication of what is to come for future Caveat music. This is probably the most progressive song on the album, with twist & turns galore. The lyrics deal with trying to overcome your personal demons that keep pulling you down the rabbit hole into depression & personal turmoil. Kind of like a ghost that haunts you that no one else can see or feel but you

Until Dawn: The music for this song was written by Casey & was an exploration of the idea of writing an epically big Devin Townsend type song with huge chords, massive vocals & a positive message about finally finding someone that truly connects with you & takes you from the dark to the light so to speak. Lyrically this song was written about Greg’s family & the positive impact that his wife & kids have had on his life. Super metal I know…

Zero Hour: Probably the most melodic song on the album, this was one of the last songs written for the album & really focuses on Amanda’s incredible voice & creating huge hooks with soaring melodies throughout the song. Lyrically this song was written around the time that Greg’s mother was dealing with dementia throughout the last month of her life before eventually passing away peacefully Very personal & introspective lyrics make this one very near & dear to the band; Greg & Amanda in particular who both went through losing their mothers during the making of this album.

 

L-R Joe Sikorski – Guitars, Greg Musgrave – Guitars & Vocals, Amanda Marie Bourdon – Vocals & Keyboards, Casey Rogers – Drums, Matt Petti – Bass
Photo Credit – Monika Deviat

Caveat was formed in mid-2001 by founding members Greg Musgrave on guitar and vocals, Jawad Baloch on drums & Terry Baldwin on bass & backing vocals. Shortly afterward Casey Rogers was asked to join as the new drummer of Caveat. This lineup would go on to record and release the debut album ‘The Biggest Secret’, which they released on May 14th of 2003.

After supporting the album, Caveat decided to expand and recruited Joe Sikorski in 2004 to the second guitar, who had been playing with Thorazine since the mid-’90s.

During 2005 Caveat partnered up with Scarab Productions to record and release a self-titled EP, which ended up landing on numerous campus radio charts and found the band playing larger shows than ever before. After parting ways with Scarab Production in late 2006, the sound of the band evolved yet again, writing more progressive and technical sounding songs, resulting in their 2007 magnum opus full-length album entitled ‘Red’.

To release ‘Red’ Caveat partnered up with Toronto-based indie record label Cyclone Records. To the band’s delight, ‘Red’ was very well received in the metal community and the band played more than ever in & around Western Canada.

Just prior to the release of ‘Red’ several members would branch off and form the deathgrind side project Exit Strategy with Shane Hawco (ex-Thorazine).  Exit Strategy quickly became popular in the Western Canadian extreme metal scene. In 2008, after a successful several-year run, Caveat would elect to go into indefinite hiatus to focus on Exit Strategy.

Five years later saw the brief reformation of the band when Calgary Metalfest organizer ‘Big’ Nate Reno asked Caveat to reform to play the inaugural festival in the summer of 2013, and the band obliged. Original bassist Terry Baldwin elected to not be involved with the reunion show, so Caveat turned to former Verbal Deception and current Illuminated Minerva bass player Matt Petti to handle bass duties for the Metalfest performance. After that short hiatus, the band officially reformed at the end of 2014 with Matt Petti replacing Terry Baldwin permanently on bass duties.

Songwriting began for a new album while playing a handful of shows and several metal festivals across western Canada. Recording began in May 2015 and the new album entitled ‘Consummation’ was released on June 24th, 2016. ‘Consummation’ was also a moment of further evolution of Caveat, as local musician Amanda Marie Bourden was asked to join the band as keyboard player and second lead vocalist. Amanda accepted the invitation, and her powerful vocals were featured throughout ‘Consummation’ providing a great contrast to Greg’s clean & brutal vocal attack.

In 2017 and 2018, writing commenced for the album and would feature new vocalist Amanda as more of the primary voice in the new material. This culminated into the most diverse ambitious collection of songs to date. Then in late 2019, recording began for the new album with both Joe and Casey handling main production duties this time. Production was completed in late 2020, but due to the Covid pandemic-related shutdowns, the band decided to shelve its release for the duration of 2021 as a result.

Now Caveat’s delayed fifth album, entitled ‘Alchemy’, is for release in early 2022, and once again Caveat promises to deliver a majestic metallic assault on the senses. Stay tuned and expect the unexpected.

Album and Live Band Line Up:
Amanda Marie Bourdon: Vocals & Keyboards
Greg Musgrave: Guitar & Vocals
Joe Sikorski: Guitars
Matt Petti: Bass
Casey Rogers: Drums

Discography:
2022 – Alchemy (TBD)
2016 – Consummation
2007 – Red
2005 – Self-titled EP
2003 – The Biggest Secret

Music Placements:
Theme song for Alberta MMA event for ‘AX Combat presents: Havok’ – song used: Vicious Circle from our 2006 album Red

0 EPK – Thunderor – Fire It Up (2022)

  • November 3, 2021
  • by Asher
  • · EPKs · Thunderor

EPK – Thunderor – Fire It Up (2022)

Publicist – Jon Asher – jon[@]ashermediarelations[.]com

“I think we’ve created a truly original album with Fire It Up. It was a blast writing these songs and putting my personality into the lyrics for the first time. We’re proud to have done all of the tracking ourselves (it was a learning experience!) and to have done things the old-school way without any quantized drums or pitch correction. I think the result is a more natural-sounding recording, which gives a better human connection and allows the songs to shine through with the real attitude. The songs on the album are meant to inspire a life journey – an adventure with friends, motorcycles, romance, danger, and victory. I hope it will be a soundtrack for your adventures.” – JJ Tartaglia – Thunderor

For fans of Skull Fist, Saxon, Judas Priest, Gowan, Manowar

Album Title: Fire It Up
Release Date: February 25, 2022
Label: Boonsdale Records
Distribution: IDLA – Fontana North (CAN), Amped (USA), Proper Distribution (UK), Alive (Germany/Austria/Swiss), IRD (Italy), Bertus (Rest of Europe), Disk Union (Japan), MGM/Planet (Australia)

Facebook.com/ThunderorOfficial | YouTube | Instagram.com/thunderor_official | Thunderor.bandcamp.com

BAND STORY ANGLES / FUN FACTS:

1. JJ Tartaglia is indeed an avid motorcycle rider and has been featured a couple of times in Adventure Bike Rider.

2. The band did actual motorcycle riding and yacht sailing to shoot their music videos.

3. Several keyboards were used in the production of the album, including 2 different keytars, and also a 40” gong.

4. JJ and Jonny have toured all over the world as members of Skull Fist.

5. JJ Tartaglia is drummer for Skull Fist, ex-Skull Fist guitarist Jonny Nesta, bassist Oscar Rangel is a member of Operus and ex-Annihilator.

==================================================

The album as a whole:

Musically the album is a fresh take on NWOTHM, with 80s synths, piano, and gong hits.
Lyrically the album is an adventure, complete with motorcycles, romance, and danger. It inspires to go after your life and to never give up.

Track by Track Explained:

1. Fire It Up: Up-tempo track with 2 different choruses, massive hooks and melody. The lyrics are about motorcycle riding, romance, and escape.

2. How We Roll: Groovy, catchy song, reminiscent of Twisted Sister, Slade. The lyrics are about motorcycle riding, friends, and not wanting to go home.

3. All or Nothing: Fast tune, lots of double kick, ripping guitar solos, super catchy chorus. The lyrics are about motorcycle riding through a portal and metaphorically moving onwards in life.

4. Dangerous Times: Catchy 80s style piano-driven song, reminiscent of Toto, Journey, with a massive synth middle section. The lyrics are about romance and love.

5. Thunderor: Up-beat fun heavy metal song similar to the style of Skull Fist, some Pennywise influence, harmonized guitar solos and mini drum solo. The lyrics are about pulling up on a motorcycle and other guy’s girlfriends wanting you.

6. On the Run: Driving mid-tempo song, reminiscent of 80s Ozzy Osbourne. The lyrics are about being on a mission, romance, danger, and double cross.

7. Into the Storm: Guitar & synth instrumental, reminiscent of Yngwie Malmsteem.

8. Cold Tears: First half starts with a vocal & piano ballad, which progresses into a Manowar-esque epic with an over the top ending. The lyrics are about reflection on life, not giving up, and comradery.

[Download Album Cover | Download Album Lyrics]

Track Listing:
1) Fire It Up (5:12)
2) How We Roll (4:14)
3) All or Nothing (4:31)
4) Dangerous Times (5:24)
5) Thunderor (4:32)
6) On the Run (4:04)
7) Into the Storm (1:34)
8) We Can Make It (4:21)
9) Cold Tears (5:17)
Album length (39:09)

Album Recording Credits:
• All songs performed by: JJ Tartaglia, Jonny Nesta, Oscar Rangel
• All songs written by: JJ Tartaglia, Jonny Nesta
• Produced by: JJ Tartaglia
• Mixed by: Chris Snow
• Mastered by: Harry Hess
• Album Artwork by: Daniel Porta
• Member of SOCAN or ASCAP
• Canadian Content (MAPL)

Album and Live Band Line Up:
JJ Tartaglia – Vocals, Drums, Keys
Jonny Nesta – Guitars
Oscar Rangel – Bass

L-R – Oscar Rangel – Bass, JJ Tartaglia – Vocals, Drums, Keys, Jonny Nesta – Guitars
Photo Credit – Rae Chatten

THUNDEROR is an 80’s-infused heavy metal band formed in 2020. Featuring a lead-singing drummer and an all-star lineup, the Canadian power trio delivers hook-driven stadium caliber songs with an untamed spirit.

Since 2019, drummer JJ Tartaglia had felt a calling, one which grew stronger each day. Being a member of several prominent metal bands over the last decade (most notably Skull Fist) and having essentially served as a disciple of heavy metal for many years, the time had come to take his quest even further. A new course was being charted for his musical mission. He would share a vision, a feeling… a message he could deliver only with his own voice.

Fueled by his passion for adventure, JJ began to work on drum arrangements and piano pieces that would become the skeletons of the Thunderor songs.

In 2020, with the addition of ex-Skull Fist bandmate Jonny Nesta on guitars, combined with JJ also composing on keys and vocals, songwriting began in full force and quickly yielded an album’s worth of material. Close friend and monster player Oscar Rangel (ex-Annihilator) was then called upon to do bass and the line-up was complete.  Thunderous drums, lightning hot guitar licks, dreamy synths, and piercing vocals would form the musical storm that is THUNDEROR.

The band would spend the next year self-recording the album, priding themselves on recording the natural way, producing an energetic record with a strong human connection.  Fall of 2021 would see the release of the 1st single HOW WE ROLL, immediately garnering a worldwide audience. The debut album FIRE IT UP is set for an early 2022 release backed by an European tour.

If you’ve ever felt a longing for escape, a thirst for adventure, wrapped in romance and danger, well what are you waiting for? Get after it and let THUNDEROR be your soundtrack!

Album and Live Band Line Up:
JJ Tartaglia – Vocals, Drums, Keys
Jonny Nesta – Guitars
Oscar Rangel – Bass

Artist endorsements:
JJ Tartaglia – Pearl Drums, Ahead Drumsticks, Remo
Jonny Nesta – Cleartone Strings, TourGear Designs
Oscar Rangel – Legator Guitars, Raven Picks

0 Atlantic Canada’s BONE TOWER Release Relentless, Pejorative New EP “We All Will Die One Day”, EP Stream Premiere via Decibel Magazine

  • November 2, 2021
  • by Asher
  • · Bone Tower (No Funeral Records / Fresh Outbreak Records) · Music News

NEWS RELEASE

Montreal, QC – November 2, 2021

Atlantic Canada’s BONE TOWER Release Relentless, Pejorative New EP “We All Will Die One Day”

EP Stream Premiere via Decibel Magazine

“We All Will Die One Day” Out November 5th via No Funeral Records & Fresh Outbreak Records


L-R – Bone Tower – Sean Carroll (guitars, bass), Jonas DeViller (electronics, vocals), Michael Bowers (guitars, bass, vocals)
Photo Credit: Hayley Frail

Bone Tower is a filthy death metal band coming from Atlantic Canada. They formed earlier this year with a defined vision – to deliver an abusive and abrasive initial offering that would be the soundtrack for the madness that has ensued on a global level over the past year and a half.

The trio of Jonas DeViller (vocals/electronics/lyrics), Sean Carroll (guitar/bass), and Michael Bowers (guitar/bass/vocals) is a seasoned one at that and they were able to quickly write and produce their debut EP “We All Will Die One Day” in two weeks. It came together as a whole very quickly and organically. They comment on the title track and punishing conclusion of the EP:

“As the namesake of the EP, you really want to make a statement. We all know you are your own worst enemy, and that’s what ‘We All Will Die One Day’ stands to shove down your throat. We’re all human, we all have shitty habits, and those practices are probably what’s gonna give us the axe one day. The 8th and final track on ‘We All Will Die One Day’ hangs around for just a measly 50 seconds (and 17 of those are sustained feedback), but packs a major punch in that short amount of time. Blistering riffs lead into a short and sweet breakdown, leaving you confused about what the heck you just listened to.”

Both sonically and lyrically, “We All Will Die One Day” represents a collective status of disarray. Challenging speed and complex rhythms serve to accelerate unfavourable emotions to the forefront of your mind. A raw and unfiltered byproduct of mental health in disarray and unfocused aggression, with no real direction on how to cope in a post-pandemic landscape.

While presented in an ugly package, these songs are a cathartic release with the intent of extinguishing deep feelings of depression and anger. Their sound is influenced most by death metal, grindcore, and hardcore and is recommended for fans of Cryptopsy, Atka, and Trap Them.

“We All Will Die One Day” can be heard in full via its exclusive premiere on Decibel Magazine HERE.

The EP will be available as of November 5, 2021 via No Funeral Records & Fresh Outbreak Records with pre-order at Bonetower.bandcamp.com

Lyric Video “Mangled Wounds” – https://youtu.be/5oGUNz8srqE


Track Listing:
1. Dislodging Splinters (01:13)
2. Am I Conscious (01:16)
3. Mangled Wounds (01:15)
4. Cower Away (0:38)
5. Under A Veil (01:06)
6. Empty Cave (01:59)
7. The Sun (0:48)
8. We All Will Die One Day (0:50)
EP Length (9:09)

For more info:
Facebook.com/bonetower.hfx
Instagram.com/bonetower
EPK

About:
Bone Tower got its start early in 2021, with the sole purpose of channeling built-up negative energy and creating a hectic, pissed-off sounding record. Hailing from Atlantic Canada they got straight to the point through pummeling angry death metal.

Bone Tower is the musical equivalent of the chaos ensuing globally since last year. An angry jab back at the universe for anyone who was angry and watched the world unfold with racial upheaval, conservatives and conspiracists coming out of the woodwork against Covid, economic regression with millions losing jobs, the entire world changing beneath our feet, and for the politicians who claimed to be on our side but continue to fight against the truth.

The trio of Jonas DeViller (vocals/electronics/lyrics), Sean Carroll (guitar/bass), and Michael Bowers (guitar/bass/vocals) is a seasoned one at that and they were able to quickly write and produce their debut EP ‘We All Will Die One Day’ in two weeks. It came together as a whole very quickly and organically.

This is just the start for Bone Tower, they already have a follow-up record in the works. As of now, they are mostly a recording project but they intend on eventually playing shows. When they do finally play live, it’s bound to be just as fucked up as the recording.

EP ‘We All Will Die One Day’ is due out November 5, 2021.

– 30 –

—

ASHER MEDIA RELATIONS

Jon Asher – Music Publicist
#.514.581.5780
jon[@]ashermediarelations[.]com
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0 Ottawa’s SINFUL WAYS Announce New EP “Darkest Days” Out December 10th, Streaming Single “Bury the Hatchet”

  • November 2, 2021
  • by Asher
  • · Music News · Sinful Ways

NEWS RELEASE

Montreal, QC – November 2, 2021

Ottawa’s SINFUL WAYS Announce New EP “Darkest Days”; Streaming Single “Bury the Hatchet”

EP “Darkest Days” Out December 10th


L-R: Frank Lahache – Guitar/Vocals | Brad Lake – Bass, Vocals | Dave Matlak – Drums, Backing Vocals | Georgio Karapanos – Guitar
Photo Credit: Jessy Dwyer, Beyond the Pit

Embracing thrash, groove, and metalcore, Ottawa, Canada’s Sinful Ways return in 2021 to unleash their sophomore EP “Darkest Days” on December 10th. The EP follows their debut 2019 EP “To Hell Tonight”, and 2020 stand-alone singles “Burst into Flames” plus “No Escape”.

A solid blend of melodic and thrashy elements, on this new recording, Sinful Ways creates a mix that sits beautifully between the two. Lyrically, you will read the anger they share towards faulty governments and the treatment of people in other areas of the world.

“Over the pandemic, we all really worked at our instruments and really wanted to push ourselves into a more mature yet still energetic and raw sound, which we think we captured on this EP. From front to back, this EP holds a lot of musical value.” adds the band.

The EP’s lead single entitled “Bury the Hatchet” is a fast, heavy track where the clean vocals shine. It has a very catchy chorus that fans can sing along to and are sure to enjoy plus a breakdown that’s aggressive and assaulting along with leads that are technical to join the talented drumming, and larger-than-life screaming.

The band adds:

“Bury the Hatchet was the first song we finished for this EP, and we knew right away it was going to be the single. It blends everything we want to showcase in one song. During the time of writing, we were all very intrigued and angered by all the hatred and stuff going on in the world. This was our song to say we need to stand together, not to give up or give in, if you have something worth fighting for. You must fight for it. During the time of writing, we also switched guitar members and Frank Lahache joined us. This added the insane shredding solo section you can find and the great high scream at the end of the song!”

“Bury the Hatchet” can be heard at the following links:
Youtube – https://youtu.be/A71SJzFOBU0
Spotify – https://spoti.fi/3w7Ts7n

“Darkest Days” was produced and mixed by Cameron Dunn and mastered by Scott Middleton at Hillside Audio in Toronto. EP Artwork by Nik Paquin.

Recommended for fans of Trivium, Parkway Drive, Avenged Sevenfold, and Slipknot, “Darkest Days” is available for digital pre-save at https://distrokid.com/hyperfollow/sinfulways/darkest-days-ep


Track Listing:
1. Welcome/Vow of the Devil (4:46)
2. Bury the Hatchet (3:40)
3. Manhattan (3:20)
4. Pursuit (6:18)
EP Length: 18:05

EP Recording and Live Band Line Up:
Brad Lake – Clean Vocals/Bass
Dave Matlak – Drums/ Harsh Vocals – Main Screams
Georgio Karapanos – Guitar/Programming
Frank Lahache – Guitar/ Harsh Vocals – Backing Screams

More Info:
Facebook.com/SinfulWaysBAND
Instagram.com/_sinfulways
EPK

– 30 –

—

ASHER MEDIA RELATIONS

Jon Asher – Music Publicist
#.514.581.5780
jon[@]ashermediarelations[.]com
Facebook @AsherMediaRelations
Instagram @AsherMedia
Tweet @AsherMedia

0 RAVENOUS To Support Unleash The Archers For Edmonton Tour Date Nov 6th

  • November 2, 2021
  • by Asher
  • · Music News · Ravenous

NEWS RELEASE

Montreal, QC – November 2, 2021

RAVENOUS To Support Unleash The Archers For Edmonton Tour Date Nov 6th

New Album “Hubris” Out Now via Feast Beast Records (NA/EU) / Spiritual Beast (Asia)

Album guests:
Vincent ‘Jake’ Jones of Aether Realm
Heinrich Yoshio of Aether Realm
Mathias Blad of Falconer
Nina Osegueda of A Sound of Thunder
The Dread Crew of Oddwood (Full Band)

Album Pre-Order Now Available!


L-R: Ravenous Current Line Up
Skyler Mills (Guitar) | Dave Crnkovic (Drums) | R. A. Voltaire (Vocals) | Chris Valax (Bass) | Jake Wright (Guitar)
Photo Credit – Monika Deviat

Calgary’s Ravenous announce they will be opening for Unleash the Archers’ Edmonton tour date on Saturday, November 6th at the Starlite Room. They will be performing in support of their new album “Hubris” recently unleashed on October 22, 2021 via Feast Beast Records (NA/EU) / Spiritual Beast (Asia).

Ravenous vocalist R. A. Voltaire adds:

“We are excited to join our friends UNLEASH THE ARCHERS in celebration of CONCERTWORKS’ 10 year anniversary. Not only are we great supporters of STARLITE ROOM (one of the best venues in Canada), we are also happy to see yet another venue and booking agency survive the havoc wreaked upon our industry by the Covid pandemic  – may this be the beginning of a prosperous time for bands, venues, staff, and crew all alike!” 


Event Details can be found at the following link: https://www.facebook.com/events/1005204480319481/

Taking their performance, writing, and musicianship seriously, but allowing tongue-in-cheek humour and pop culture references to resonate through the songs, Ravenous is bringing fans anthemic tunes from a time when metal was hungry.

They bring a full lineup of experienced musicians together, ones that have toured extensively and are fully dedicated to providing a high-energy, high-intensity live experience. Ravenous seek to inspire others to find that inner triumph and glory that drove them to form this project – whether that means starting their own band, or just finding the strength to make a change in their lives – they seek to empower their followers through every step of their journey.

“Hubris” was produced by Ravenous with mixing and mastering done by Fredrik Nordström (In Flames, Opeth, Firewind) along with album guests Vincent ‘Jake’ Jones of Aether Realm, Heinrich Yoshio of Aether Realm, Mathias Blad of Falconer, Nina Osegueda of A Sound of Thunder, The Dread Crew of Oddwood (Full Band).

Animated music videos for “Die 1000 Deaths” ft. Heinrich Yoshio of Aether Realm plus lyric video “Astral Elixir” are available on the band’s YouTube.

Album digital stream and download available on Spotify, Ravenouseternalhunger.bandcamp.com, Apple Music.


Track Listing:
1. Carnage in Carthage (4:37)
2. Astral Elixir (5:16)
3. Son of Storms (4:33)
4. Die 1000 Deaths (5:24) (3rd Guitar Solo by Heinrich Yoshio of Aether Realm)
5. Bridgeburner (6:10)
6. The Alder Queen (3:17) (ft. Lead Vocals by Nina Osegueda of A Sound of Thunder)
7. March of Hunger (4:47)
8. Claw is the Law (5:24) (ft. Lead Vocals, Accordion, Mandolin, and Gang Vocals by The Dread Crew of Oddwood)
9. Onwards & Upwards (4:09) (ft. Lead Vocals by Mathias Blad of Falconer)
10. …Of Beasts and Faust (10:21) (ft. Lead Vocals by Vincent Jones of Aether Realm)
Total Length 53:57
Japanese Version Exclusives
11. Cakaw Te Partiro (Bonus) – 3:13
12. 一瞬千撃 (Bonus) – 5:25
Total Length 62:34

For more info:
Ravenouseternalhunger.com
Facebook.com/RavenousE.H
Twitter.com/Ravenous_EH
Instagram.com/ravenouseternalhunger
EPK

– 30 –

“Calgary’s Ravenous have fused their flamboyant cross-breeding of European power metal and early ‘80s US speed metal, using it like a sharp ’n’ shiny scythe to forge their way through the crowded underground. Past accomplishments have included tours and gigs with Delain, Alestorm, Hammerfall, Striker and Powerglove with festival appearances and headliners interspersed in between. Considering all of the above, it shouldn’t come as a surprise a large part of this quintet’s musical vocabulary involved loving it speedy, epic, melodically grandiose while having a sword waving good time in the process.” – Decibel Magazine

“Ravenous aren’t afraid to put it all out there; symphonic assaults blend with all-out thrash metal, underpinned by some of the most enthusiastic power metal of the year. From start to finish Hubris is chock full of anthemic and contagious fist-pumping, head-banging songs featuring dramatic vocals and shredding solos. Power metal fans rejoice: Hubris is a worthy addition to your collection.” – Heavy Music Headquarters

“A great album of Power Metal, and even more. 9.5/10” – Metal Express Radio

“a sparkling speed metal fuelled power metal rampage, raising fists high, banging heads hard, and causing fans everywhere to roar out loud with delight. 5/5” – Metal-Roos

“a sparkling speed metal fuelled power metal rampage, raising fists high, banging heads hard, and causing fans everywhere to roar out loud with delight.10/10” – Metal Gods TV

“Hubris reminds me of early Dragonforce (the faster numbers) and Orden Ogan (the mid-paced material) though the songwriting is a notch or two below those bands currently. This is a solid second album from Ravenous, who display significant upside, and fans of the aforementioned bands will want to give it spin. 3.75/5” – The Metal Crypt
—

ASHER MEDIA RELATIONS

Jon Asher – Music Publicist
#.514.581.5780
jon[@]ashermediarelations[.]com
Facebook @AsherMediaRelations
Instagram @AsherMedia
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0 EPK – Ecryptus – K yr’am Beskar (2022) – SBDC Records (Slamming Brutal Death Community)

  • November 1, 2021
  • by Asher
  • · Ecryptus · EPKs

EPK – Ecryptus – K yr’am Beskar (2022)

Publicist – Jon Asher – jon[@]ashermediarelations[.]com

For fans of Morbid Angel, Immolation, Suffocation, Aborted, Blood Incantation, John Williams

EP Title: Kyr’am Beskar
Release Date: January 14, 2022
Label: SBDC Records (Slamming Brutal Death Community)
Distribution: DIY Digital

“Kyr’am Beskar (Mandalorian for “Death Metal”) is 4 grinding tracks of crushing death metal inspired by the Dark Side! Each song is a gruesome tome from the Canon Arcane, serving shredding riffs, ripping thrash solos, epic overtures, and inhuman drums!” – Ecryptus

SBDCRecords.com | Ecryptus.com | Facebook.com/ecryptus | Instagram.com/ecryptus | Twitter.com/ecryptus | Youtube.com/ecryptus

Ecryptus.bandcamp.com | Fremendeathcommandorecords.limitedrun.com | Spotify | Amazon

“Over this EP’s four track Ecryptus created death metal about lightsaber death, dying in a sarlacc pit, and more.” – Metal Injection

“it’s such an adrenaline-fueled shock-and-awe campaign, one that’s technically eye-popping, eerie and evil, and terrifically obliterating.” – No Clean Singing

“Crushing display of death metal, Ecryptus delivers…” – The Razor’s Edge

“the performances here are razor sharp and these tracks have proven to be fun and crushing in equal capacity. 8/10 ” – Metal Trenches

“The universe of Ecryptus is as thick as a bantha and as sharp as a lightsaber. With Kyr’am Beskar, the group shows us that it is always present and ready to take up arms to keep its place in the scene. 8/10” – Acta Infernalis

“Planetary Enslavement is possibly my favourite song on this release. It shows a degree of technicality and proficiency that is a little too uncommon. It’s exceptionally precise in its musicianship and understands that just because you go fast doesn’t make you good. This however is both fast and excellent. 8/10” – Rock Out Stand Out

“Ecryptus brings us gurglegrind riff salad ” DeathMetal.org

“Kyr’am Beskar is a more than good EP for fans of complex music. I really don’t know why they are not in a big label with good distribution to the deathbangers. And after all of that I’ve just realized there is a baby yoda burning in cover art. What the actual fuck? 10/10” Dark Souls United

“Live, the group takes the stage sporting sith-corpse paint, robes, armor, Dragoncon-acquired lightsabers, and their friend Scara Slayfield wearing her best “Hutt Slayer” Princess Leia outfit, serving drinks to the stage, and adorning the monitors.” – Rad ATL

““Rancorous” opens with a mighty roar before a spiraling assault of blast beats and demonic incantations rise over searing guitar leads that burn with the heat of Vader’s red lightsaber.” – Rad ATL

Ecryptus are an elite group of assassins from Korriban, now based in Atlanta, Georgia. We dispense galactic death metal inspired by the Dark Side and brutal tales of the Canon Arcane.

=====================================================

The EP as a whole:

Kyr’am Beskar features 4 grinding tracks of crushing death metal inspired by the Dark Side! Each song is a gruesome tome from the Canon Arcane, serving shredding riffs, ripping thrash solos, epic overtures, and inhuman drums!

Track by Track Explained:

1. Cauterized Saber Wound Massacre – Grinding out the macabre scene of an entire field of bodies, cleaved effortlessly by a maniac wielding a laser sword.

2. Planetary Enslavement – The morose tale of an entire species being forced into slavery under the rule of an invading empire. The track chugs into a furious battle, a bitter and tragic loss of life.

3. Compulsion to Disintegrate – A lightning-fast barn burner, rife with gravity blasts and all the shred! Follow a Mandalorian bounty hunter on a ride through the galaxy to collect undead trophies!

4. Digested Over a Thousand Years – This track invokes the doom, dread, and insanity of being slowly digested, regenerated, and digested again over the course of a millennium. The song begins a doom-laden funeral overture, then blasts into a movement of insanity before slowly fading into oppressive doom.

======================================

BAND STORY ANGLES / FUN FACTS:

1. Ecryptus hail from planet Korriban, now stranded on Earth in Atlanta, Georgia.
2.  Ecryptus dispense galactic death metal inspired by the Dark Side and brutal tales of the Canon Arcane.
3. Danny Ryann was in Gigan – whose members were in Hate Eternal – that was created by Erik Rutan – Who was in Morbid Angel.  Ecryptus is less than 3 degrees of separation for one of their most influential bands.

[Download EP Cover | Download EP Lyrics]

EP Title: Kyr’am Beskar
Release Date: January 14, 2022
Label: SBDC Records (Slamming Brutal Death Community)
Distribution: DIY Digital

Track Listing:
1. Cauterized Saber Wound Massacre (4:12)
2. Planetary Enslavement (5:07)
3. Compulsion to Disintegrate (4:12)
4. Digested Over a Thousand Years (5:40)
EP Length: 19:12

EP Credits:
• All songs performed by: Ecryptus
• All songs written by: Ecryptus
• Produced by: Ecryptus
• Engineered by: Alex Parra at Second Sight
• Mixed by: Alex Parra at Second Sight
• Mastered by: Alex Parra at Second Sight
• EP Artwork by: Mike Michalski

EP Band Line Up:
Lord Crypt (Mike Michalski) – Guitar, Vocals (see also; Moonshield)
Dann Solo (Danny Ryann) – Drums (see also; ex Gigan, ex Tyr -live, ex Universe Divide)
Lord Tenebris (Allen Keller) – Bass, Vocals (see also; Degradations)
Lord Abraxas (Justin Brown) – Guitar

Live Band Line Up:
Lord Crypt (Mike Michalski) – Guitar, Vocals (see also; Moonshield)
Dann Solo (Danny Ryann) – Drums (see also; ex Gigan, ex Tyr -live, ex Universe Divide)
Lord Tenebris (Allen Keller) – Bass, Vocals (see also; Degradations)

Discography:
2021 – Kyr’am Beskar EP
2018 & 2020 – Rancorous – 7 inch single
2008 – Astral Crusades EP
2005 – The Continuum LP
2004 – Post Meridian Demo
2002 – The Time Before Light Demo

Shared Stage with:
Cryptopsy, Aborted, Vader, Cattle Decapitation, Malevolent Creation, Amorphis, Mortician, Incantation, Exhumed, The Chasm, Arsis, Daath, Misery Index, Hideous Divinity, Vitriol, Withered, Petrification

0 EPK – Hammerdrone – A Trinity of Rage (EP) (2021)

  • November 1, 2021
  • by Asher
  • · EPKs · Hammerdrone

EPK – Hammerdrone – A Trinity of Rage (EP) (2021)

Publicist – Jon Asher – jon[@]ashermediarelations[.]com

“As once aggressively heavy and hauntingly melodic, the EP incorporates a variety of black and progressive metal influences to present an EP that both pushes the boundaries and embraces the roots of our old-school, melodic death metal origins.  We deliberately eschew clean singing as a dilution of the heavy intensity that we try to create with our music, so we have been described as ‘death metal that happens to be melodic’, rather than the ‘melodeath’ that many bands describe themselves as.  Lyrically, this is a concept EP that tells a tale in a traditional trilogy form – the rise of the hero against a force of evil; the struggle of that hero against his own doubts and the rising power of the evil that threatens to crush him; and the hero’s final, bittersweet triumph.” – Hammerdrone

For Fans of Be’lakor, Carcass, Amon Amarth, Rotting Christ, Kataklysm

Hammerdronemetal.com | Facebook.com/hammerdronemetal | Twitter.com/hammerdrone | YouTube

Hammerdrone.bandcamp.com | Apple Music | Amazon | Spotify

“”… here with Dark Harvest confirming itself as a heavy hitter, no doubt. Check out the title track for a killer example of intense melodic death paired with catchy songwriting” – Greg Pratt, Bravewords  (CAN) 8/10 – Dark Harvest review

“”There’s no substitute for good songwriting, and Hammerdrone have that concept well in mind. If you are looking for a new death metal band to seek out, Hammerdrone is a great starting point.” – Kyle McGinn, Dead Rhetoric (USA) 7.5/10 – Dark Harvest review

“‘Dark Harvest’ is a triumph of Old School Death Metal and what all the other bands should be striving to match.” Nik Cameron, Glacially Musical (USA)  – Dark Harvest review

“Imagine a cross between Dark Tranquility in ‘The Gallery’ stage with Rotting Christ in the ‘Dead Poem’ phase and Tiamat in the ‘Wildhoney’ phase, without forgetting Sentenced in the ‘Amok’ phase. Ready? Good. ‘Dark Harvest’ is better.” – Fernando Ferreira, World of Metal (POR) 9/10 – Dark Harvest review

“If the last few Amon Amarth albums actually had balls, their music would sound like Hammerdrone.” – The Metal Advisor, The Metal Advisor (May 11, 2014) –  Clone of Europa review

“…melodic death of this calibre may not be hard to find, but it rarely has this much classiness and energy behind it.” – Greg Pratt, Bravewords (Apr 07, 2014) – Clone of Europa review

“Hammerdrone’s songwriting prowess, attention to detail and willingness to push itself to try different things is what really sets Clone of Europa  apart..Somebody sign them already!”- Roswell47, Metal Psalter (Jul 15, 2014)  – Clone of Europa review

“these Canadians have recaptured what made Soilwork (and Dimmu) great in the first place…Somebody sign these guys already”- Kelly Hoffart, Full Metal Attorney (Mar 02, 2014) – Clone of Europa review

“Hammerdrone offers a no bullshit, no synths, no clean vox, in your face fifty minutes of the most exciting music 2014 has delivered so far to my ears”- Jonathan, TZEEEAC (Feb 14, 2014) – Clone of Europa review

“a perfect combination of melodic and extreme…this Metal band helps give the underground of Metal its grand reputation”- Stone, Metal Odyssey (Jul 01, 2013) – A Demon Rising review

“Their music has a certain unholy majesty to it that few bands can obtain…” – Matt Baggins, Two Metal Guys Reviews (Mar 13, 2013)  – A Demon Rising review

“a great, hard-hitting Death Metal experience”- The Circle Pit, The Circle Pit (Jan 11, 2013) – A Demon Rising review

“Lead vocalist, Graham Harris, had impeccable skill, projection and charisma – as did bassist Teran Wyer and guitarist Curtis Beardy.  Their stage dynamics exuded chemistry, adrenaline and drive…Lead guitarist, Rick Cardellini stood out with his intricate solos and expressive musicianship.  All in all, Hammerdrone were my favourite band of the night, and – in my opinion – the Wacken Battle winners.” – Amina Abdelwahab, Metal Master Kingdom (Jun 9, 2018) – Live Review

“Frontman Graham Harris was on fire during the entire concert, growling and roaring (and also making faces) like a beast, while his bandmates…delivered a well-balanced fusion of the more harmonious lines from Melodic Death Metal with the sheer heaviness and aggressiveness of old school Death Metal…after Hammerdrone’s concert was over, I knew the judges were going to have a very difficult time deciding who should be crowned the 2018 champions.” – Gustavo Scuderi, The Headbanging Moose (Jun 9, 2018) – Live Review

“This was the third time I had seen them play live over the past three months, and no lie, these adepts of melodic death metal never fail to awe…”- Xavier Catterinch, Metal Master Kingdom (Apr 6, 2018) – Live Review  

[Download EP Cover | Download EP Lyrics]

EP Title: A Trinity Of Rage
Release Date: December 10, 2021
Label: Self-released
Distribution: Self-released

Track Listing:
1. Part I – Rage, Corporeal (03:28)
2. Part II – Rage, Besieged (10:54)
3. Part III – Rage, Consummated (06:00)
EP Length: 20:23
 
EP Credits:
• All songs performed by: Hammerdrone
• All songs written by: Hammerdrone
• Produced by: Hammerdrone
• Mixed by: Vinnie Cardellini at Goldfinch Studios, Canada
• Mastered by: Jens Bogren at Fascination Street Studios, Sweden
• EP Artwork by: Graham Harris
• Member of SOCAN
• Canadian Content (MAPL)

EP and Live Band Line Up:
Graham Harris (Vocals)
Curtis Beardy (Rhythm Guitar)
Teran Wyer (Bass)
Rick Cardellini (Lead Guitar)
Vinnie Cardellini (Drums)

L-R: Teran Wyer (Bass) | Rick Cardellini (Lead Guitar) | Curtis Beardy (Rhythm Guitar) | Graham Harris (Vocals) | Vinnie Cardellini (Drums)
Photo Credit – Suzie Cardellini

Calgary, Canada’s death metal juggernaut, Hammerdrone, return with their most ambitious recording yet: “A Trinity of Rage”.

Deliberately written as a concept release and painstakingly crafted over the course of four years, the EP is accompanied by an original short story, “Eversor” (available as a bonus download via Bandcamp). The story revolves around the fictional second book of Revelation, in which is foretold the threat of Heaven’s destruction at the hands of Eversor, The Destroyer.

As the written story of “Eversor” ends, the EP begins, with both the music and lyrics of the three songs completing the narrative arc that the story introduces.

At once aggressively heavy and hauntingly melodic, the band incorporates a variety of black and progressive metal influences to present an EP that both pushes the boundaries and embraces the roots of their old-school, melodic death metal origins.

Mixed by the band and then burnished to shine by the professional mastering skills of the legendary Jens Bogren (Amon Amarth, Be’lakor, Rotting Christ, etc) at Fascination Street Studios in Sweden, the result is an epic and forceful musical expression of betrayal, broken faith and vengeance

“A Trinity of Rage” is due out December 10th, 2021, and will be available on all digital music platforms.

EP and Live Band Line Up:
Graham Harris (Vocals)
Curtis Beardy (Rhythm Guitar)
Teran Wyer (Bass)
Rick Cardellini (Lead Guitar)
Vinnie Cardellini (Drums)

Discography:
2021 – A Trinity Of Rage (EP)
2019 – An Ever Increasing Wave (Single)
2018 – Rituals Of Battle (Live) (EP)
2017 – Dark Harvest (Album)
2017 – Dark Harvest (Single)
2014 – Clone of Europa (Album)
2013 – Wraiths On The Horizon (Single)
2012 – A Demon Rising (EP)

Shared Stage with:
Archspire, Arrival of Autumn, Hideous Divinity, Depths of Hatred, Aggression, Divinity, Numenorean, Psychotic Gardening, Crimson Shadows, Vesperia, The Convalescence, West of Hell, Exit Strategy, Centuries of Decay, Mares of Thrace, etc.

Tours and Festivals:
2021 – Loud As Hell 9 – Drumheller, AB
2019 – Decimate 2 (co-headliner) – Calgary, AB
2018 – Loud As Hell 7 – Drumheller, AB
2018 – Boonsdale Fest/Wacken Metal Battle Final – Toronto, ON
2018 – UFR – Edmonton, AB
2017 – Days of the Dead IV – Red Deer, AB
2017 – Halloween in February – Calgary, AB
2017 – Loud As Hell 666  – Drumheller, AB
2013 – Calgary Metalfest 2 – Calgary, AB
2013 – Farmageddeon Fest – Riley, AB
 
Music Placements:
2016 – two tracks – “Subtle Knives” and “Clone of Europa” – featured on full-length movie “Adventures of a Pizza Guy”.

Quick Facts:
– “Dark Harvest” LP #9 on National Loud Charts –  Week ending Tuesday, May 22nd, 2018
– 2019 – ‘Metal Recording Of The Year’ WINNER at YYC Music Awards for “An Ever Increasing Wave”
2018 – ‘Metal Recording of the Year’ nominee at the 2018 YYC Music Awards for – Dark Harvest” (album)
2018 – Western Canada champion for Wacken Metal Battle Canada (www.metalbattle.ca) & 2nd place National.
2017 – “Dark Harvest” music video – World Exclusive Video Premiere – The Circle Pit 
2017 – Metal Master Kingdom Band of The Month – March
2013 – “A Demon Rising” EP – Metal Odyssey – Metal Pick of the Day

0 Edmonton Death DISPLAY OF DECAY To Perform Their Only Hometown Show of 2021 + Unveil New Music!

  • November 1, 2021
  • by Asher
  • · Display of Decay · Music News

NEWS RELEASE

Montreal, QC – November 1, 2021

Edmonton Death DISPLAY OF DECAY To Perform Their Only Hometown Show of 2021 + Unveil New Music!

December 3rd @ Shakers Roadhouse w/ Ravage Red, Ashes of Yggdrasil, Naitaka


L to R – Brandon Siefert (Bass); Tyson Travnik (Drums); Kland Kuly (Vocals); Sean Watson (Guitars)
Photo Credit – Lady Black Photography

Edmonton death metallers Display of Decay announce they will perform their only hometown show of the year since the Covid pandemic closed city establishments for extreme live music.

During the pandemic, the band entertained fans with their old school brutality with live streams, played their only live show of 2020 at Decimate MetalFest during December along with them performing their one and only outdoor live event for 2021 at Alberta’s decibel-breaking metal fest Loud As Hell this past August.

On December 3rd, at Shakers Roadhouse in Edmonton, AB alongside Ashes of Yggdrasil, Naitaka, and Ravage Red, Display of Decay will showcase not only their latest album “Art In Mutilation” (2018) (Gore House Productions), but delight and punish their audience with an onslaught of new blast beats and evil gutturals from their yet to be titled forthcoming 2022 album.

Eager to melt faces and shake crowds with their personal blend of old school death metal in the veins of Cannibal Corpse, Dying Fetus, and Decapitated, the band adds:

“Bringing talent from all over western Canada, as well as injecting our own “special touches”, we want this show to be one of the most memorable events of the year for lovers of heavy music.”

Event details can be found at the following link: https://www.facebook.com/events/2156367437839217/

Destroying stages and performing at festivals for over a decade, Display of Decay are veterans of the Canadian death metal scene. They have supported artists such as Kataklysm, Cattle Decapitation, The Faceless, Origin, Beyond Creation, Disciples of Power, Archspire and Into Eternity along with multiple tours across the USA and Western Canada plus performances on festivals Las Vegas DeathFest, Loud As Hell, Slaughterfest, Armstrong MetalFest, and Farmageddon Open Air. After five well-received indie releases, Display of Decay will be unleashing a new album in 2022.

Album Stream – “Art In Mutilation” – https://youtu.be/NENFPjJQJkY

Lyric Video – “Forced Frontal Lobotomy” – https://youtu.be/fHB25OMADDM

Spotify here.

More info:
Facebook
Instagram
Twitter
Bandcamp
Youtube

– 30 –

—

ASHER MEDIA RELATIONS

Jon Asher – Music Publicist
#.514.581.5780
jon[@]ashermediarelations[.]com
Facebook @AsherMediaRelations
Instagram @AsherMedia
Tweet @AsherMedia

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