Posts By Asher

0 EPK – RivetSkull – Trail of Souls – Samsara (2022)

September 10, 2022
by Asher
· EPKs · RivetSkull

EPK – RivetSkull – Trail of Souls – Samsara (2022)

“After self-recording and releasing our debut album during the global pandemic, we’ve revisited our songs with professional production that captures the massive sound that fans have come to expect from our live shows.

Recorded at London Bridge Studio (Alice in Chains, Soundgarden, Queensrÿche) and produced by Matt Hyde (Slayer, Deftones, Seether), Trail of Souls: Samsara promises much more than a sonic retouch of the original. The reworked collection features new cover artwork and the previously unreleased recording of a cover of Aerosmith’s “King and Queens.””

For fans of Dio, Black Sabbath, Judas Priest, Def Leppard, Armored Saint, Deep Purple

Album Title: Trail of Souls – Samsara
Release Date: July 8, 2022
Label: Self-Release
Distribution: Distrokid

Publicist – Jon Asher – jon[@]ashermediarelations[.]com

Rivetskull.com | Facebook.com/rivetskull | Twitter.com/rivetskull

Youtube.com/rivetskull | Instagram.com/rivetskull

Bandcamp | Apple Music | Spotify | Amazon

Digital Platforms – https://lnk.to/TrailOfSoulsSamsara

It would be easy to call RivetSkull a traditional heavy metal band, but they’re so much more than that. RivetSkull has taken the very roots of heavy metal and forged them into something new and fresh.

Spawned from the same DNA that created the beasts that roamed the dark valleys of Birmingham, the foothills of the Cascades, and the plains of Texas, there’s no denying RivetSkull’s heavy metal heritage. This is hard-hitting music blasted over record store chatter, the buzzing of a tattoo gun, or the revving of a motorcycle engine. But, as any metalhead will tell you, heavy metal is more than just a genre: it’s therapy, it’s a community, it’s a style – and it’s a movement. And it’s always evolving.

RivetSkull has created a modern sound that’s as unique as each member’s influences, from punk to country, from alternative to funk. Listening to RivetSkull, it’s easy to envision the band’s live show: Chad McMurray’s clean vocals soaring over a sea of bobbing bodies in black band t-shirts, Mark X. Plog’s boundary-defying guitar ascending over raised beers and outstretched metal horns, Michael Robson’s emphatic drums and Mark Hopkins’ booming bass rattling the bones beneath black jeans and denim vests.

Like good metal – you’ll feel it in your core as much as you’ll hear it in your ears. All of this is brought to you by a dedicated and hard-working band of brothers. They are RivetSkull and they’re bringing the past into the future.

Album and Live Band Line Up:
Chad McMurray – Vocals
Mark X. Plog – Guitar
Mark Hopkins – Bass
Michael Robson – Drums

Discography:
2022- Trail of Souls: Samsara
2020 – Trail of Souls

===================================================

The album as a whole (LYRICALLY & MUSICALLY) explained:

CM: It’s got an epic, yet nostalgic feel. Lyrically, I write from the heart about things people can relate to, nothing is contrived. We’re not trying to write a certain kind of song and we’re not trying to portray a certain image. We’re not trying to be a tough, brutal band. We’re just normal guys who like metal, much like it was in the 70s – 80s. I don’t know, maybe we need to bring cod pieces back?

Track by track (LYRICALLY & MUSICALLY) explained:

1. Crash and Burn
“‘Crash and Burn’ is about the pitfalls of relationships. Though you can try to stay clear of danger, sometimes you can’t help but fall into the same traps. The new recording and production conveys the drive and momentum a song about recklessness should be swimming in. We think we got there with this song and all the others on the album.”

2. Forever
We originally wrote ‘Forever” in 2019 when the world was, once again in a strange place and the US was becoming more and more divided thanks to religion and politics. One year later we would all forever be changed by Covid. Then again in 2022 with more war in the Ukraine, inflation and more political and religious agendas driving yet more distance between all of us. ‘Forever’ refers to the repeating cycle of life’s ups and downs and changes that we forever have to face and come to terms while navigating the waters to get there.

3. Mystified
“Mystified” has to do with fears of stepping out of your comfort zone and sometimes it’s easier to simply take solace by getting high and letting your mind wander to another place. A journey of finding your way out of the dark and into the light.

4. Another Way To Heaven
Another Way To Heaven deals with a number of things. Is there life after death? Is there really a heaven or god? They want to explore other worlds and if there is really a heaven, is dying the only way to get there? Now the ending takes a bit of turn and delves into the impact just one person can have. Known as the “father” of the atomic bomb Robert Oppenheimer’s quote taken from Hindu scripture The Bhagavad-Gita, “Now I am become Death, the destroyer of worlds,” makes an appearance and literally means the world-destroying time.

5. Narcissus
“Narcissus” touches on world leaders who convince others to do their bidding regardless of cost. Shining light on the repercussions and madness of blindly following narcissists in leadership by speaking from the narcissist’s twisted point of view.

6. Trail Of Souls
It’s easy to become star-struck or think you’re better than someone else. Particularly people close to you. A reminder to not be blinded by the stars in your eyes or forget those that helped you get where you are.

7. It’s Not Enough
Life, however long it may be, is constantly changing and evolving. From birth, youth, adulthood and death, many reinventions happen throughout its course. Do we ever have enough? How much is enough?

8. Kings and Queens (Aerosmith cover)
Aerosmith has always been a crossover band between hard rock and heavy metal. Several of their songs were inspirational to us, but none quite as much as ‘Kings and Queens.’ The original was a masterpiece of drama, intensity, and a showcase of vocal skill. All of the years of listening to that song and growing as musicians are poured into this recording. We’re proud of how it all came together.”

===================================================

BAND STORY ANGLES / FUN FACTS:

1. Recorded at London Bridge Studio (Alice in Chains, Soundgarden, Queensrÿche) and produced by Matt Hyde (Slayer, Deftones, Seether).

2. Chad McMurarry trained with Maestro David Kyle weekly for 7 years.

3. Trail of Souls: Samsara album artwork by rock poster artist Justin Hampton (Ween, Pearl Jam, Kiss)

[Download Album Cover | Download Album Lyrics]

Album Title: Trail of Souls – Samsara
Release Date: July 8, 2022
Label: Self-Release
Distribution: Distrokid

Track Listing:
1. Crash and Burn (2:49)
2. Forever (5:24)
3. Mystified (3:45)
4. Another Way to Heaven (7:29)
5. Narcissus (5:01)
6. Trail of Souls (4:04)
7. It’s Not Enough (4:02)
8. Kings and Queens (Aerosmith cover) (5:16)
Album Length: 37:54

Album Recording Credits:
• All songs performed by: RivetSkull
• All songs written by: RivetSkull: Chad McMurray, Mark X. Plog, Mark Hopkins, Michael Robson (except “Kings and Queens, Written by Aerosmith with String Arrangement and Programming by Chad McMurray)
• Produced by: Matt Hyde
• Mixed by: Matt Hyde
• Mastered by: Matt Hyde
• Album Artwork by: Justin Hampton
• Member of ASCAP and BMI – Mark X. Plog and Mark Hopkins: BMI; Chad McMurray, Michael Robson: ASCAP

Album and Live Band Line Up:
Chad McMurray – Vocals
Mark X. Plog – Guitar
Mark Hopkins – Bass
Michael Robson – Drums

0 NoCleanSinging Presents New Single “Avarice” Off Féleth’s Upcoming Album “Divine Blight” (Mixed and Mastered by Christian Donaldson (Cryptopsy))

September 9, 2022
by Asher
· Feleth · Music News

NEWS RELEASE

Montreal, QC – September 9, 2022

NCS Presents New Single “Avarice” Off Féleth’s Upcoming Album “Divine Blight”

Mixed and Mastered by Christian Donaldson (Cryptopsy)

Norway’s Féleth has a rockin’ new album coming out this year, and they are premiering their second single “Avarice”. They released their first single “Majesty” recently and considering it is the first track on the album and “Avarice” is the last, they stand as the pillars keeping eight crushing tracks between them. Through their technical metal blended with melodic death metal, they try to invoke a feeling of calculated brutalism, mixed with some grim undertones. The singles they’re releasing are first and foremost an appetizer for what’s to come.

“Avarice” was written by just jamming, which one can easily hear in certain parts where the instruments are chaotic, yet totally in line with each other. A somewhat basic song structure, but with highly aggressive riffs and big atmospheric leads. At the end, they transposed the chorus down half a step turning the song into borderline black metal out of nowhere. Lyrically, we are witnessing the king-like figure from “Majesty”, declaring war on everything and itself. The hook is written in the first person from the view of the general greed and hate that lies in the hearts of men, but grimmer. A song focused more on vocal delivery than epic poetry. Féleth explains the song further:

“When it came to choosing our second single it was a bit more of a hassle. Eventually, it came down to “Avarice”. True to tradition, we wrote one song as a band. Meaning we made it together at a rehearsal. It has a different vibe than most other songs we have. Having shared small bits and pieces with some of our close friends who are also fans, we expect people to be genuinely positively surprised when they hear our evolution from the more old-school approach to melodic death metal. While still holding onto our ‘’sound’’, we’ve gone a bit more technical and focused on better song structures with bigger hooks, taking inspiration from bands such as Shadow of Intent.”

Féleth was formed off remnants from a thrash metal band, which brought in Espen Dagenborg for more extreme vocals. They wanted to go deeper into the more extreme and technical aspects of metal and thus have made it their own.

Féleth’s brand of Northern Norwegian technical death rock is recommended for fans of Shadow of Intent, Archspire, and Fit For An Autopsy.

“Avarice” can be heard via its premiere on NoCleanSinging HERE.

The album “Divine Blight” comes out on November 11, 2022.

Music Video – Majesty – https://youtu.be/yce26-EGFMI

Track Listing:
1. Majesty – 03:46
2. Caretaker – 03:58
3. Riven – 03:51
4. En Elskovsdans – 03:10
5. The Serpent – 03:32
6. Casanova – 03:35
7. Deadlands – 04:26
8. Absence – 04:09
9. USA – 05:32 ft. gust vocals Petter Carlsen
10. Avarice – 05:33
Album Length: 41:37

Album Credits:
All songs performed by Féleth
Guest vocalist Petter Carlsen on USA
All songs written by Féleth
Produced by Féleth
Mixed and Mastered by Christian Donaldson
Assistant Engineer Jonathan Mazzeo
Album Artwork by Kahinienn Graphix

Live and Album Lineup:
Espen Dagenborg – Vocals
Thomas Nyvoll – Guitar
Alexander Stamnes – Guitar
Brage Ingebrigtsen Westgaard – Bass
Aleksander Alsen – Drums

For more info:
Facebook.com/FelethBand
Instagram.com/felethband

– 30 -

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ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780 | jon[@]ashermediarelations[.]com
Facebook @AsherMediaRelations | Instagram @AsherMedia | Tweet @AsherMedia
(Rockshots Records, Extreme Metal Music, Armstrong MF, Loud As Hell, Metalocalypstick, Decimate MF, Electric Highway Fest, Wacken Metal Battle Canada/USA, Hyperspace MF, Le FestEvil)

0 TheProgSpace Premiering SEVENTH STATION’s Music Video For “The Heart of a Nation (Nadia)”; New Album “Heal the Unhealed” Out November 7th

September 9, 2022
by Asher
· Music News · Seventh Station

NEWS RELEASE

Montreal, QC – September 9, 2022

TheProgSpace Premiering SEVENTH STATION’s Music Video For “The Heart of a Nation (Nadia)”

New Album “Heal the Unhealed” Out November 7th

Seventh Station is a progressive metal band based in Slovenia, who are excited to announce their second album “Heal the Unhealed”. The record is an international effort – rehearsed and recorded through five different studios on three continents ranging from the United States, Slovenia, and Turkey. A new level of musicality and artistic expression blends magnificent sweeps, heavy riffs, and intricate melodies together, creating an eclectic proggy frame for personal topics. The second single is “The Heart of a Nation (Nadia)”.

In the album, guitarist Dmitri Alperovich wanted to bring his personal point of view on his roots as a Soviet Union child. Spending his childhood in the Soviet Union, then his youth in Israel, and finally having moved to Slovenia, he went through a lot of different circumstances and the processes of adaptation for each – also resulting in anxiety and panic attacks after all these significant paradigm shifts. “Heal The Unhealed” is a personal reflection on these experiences and the psychological states they brought, voiced through different characters, including the primary actors of the conditions in the Soviet Union. He continues to explain:

“While the album started to take shape as the lyrical content and the general concepts were formed, this song became the first part of the Soviet Union / Stalin trilogy, which later became the main topic of the album. The song describes the poisonous relationship between the former Soviet Union leader, Joseph Stalin, and his second wife Nadezhda Sergeyevna Alliluyeva (Nadia). The official video was shot in Jerusalem, featuring contemporary dance choreography, put together by choreographer Maya Popova and the co-creator Anatoly Shenfeld.”

Having studied classical music and being an avid fan of many other music genres, Alperovich’s idea of Seventh Station emerged from applying the knowledge and techniques from classical music in to progressive metal, creating a platform for him to express his ideas. The result is daring, colourful, and artistic. Seventh Station is recommended for fans of Dream Theater, Symphony X, and Opeth.

The music video for “The Heart of a Nation (Nadia)” can be seen and heard via its premiere on TheProgSpace HERE.

The full album “Heal the Unhealed” comes out on November 7, 2022.

Album pre-order is available at http://www.seventh-station.com.

Previous Music Video / First Single – All Hail the Moustache – https://youtu.be/-upgWRhKqz0

Track Listing:
1. Unspoken Thoughts (07:37)
2. Seven Digits (07:36)
3. The Heart of a Nation (Nadia) (12:27)
4. The Ruthless Koba (05:19)
5. All Hail the Moustache (12:04)
6. A Final Bow (13:41)
Album Length: 58:47

Album Recording and Live Band Line Up:
– Dmitri Alperovich – Guitar
– Eren Basbug – Keyboards
– Davidavi Dolev – Vocals
– Jure Lopatic – Bass
– Grega Plamberger – Drums and Percussion

For more info:
Facebook.com/SeventhStation
Instagram.com/seventhstationofficial

About: Seventh Station is a progressive metal band based in Slovenia, led by Israeli Guitarist Dmitri Alperovich and Turkish Keyboardist Eren Başbuğ. Constructing their sound by fusing progressive metal with contemporary classical music, the band’s new album Healed the Unhealed is their second full-length record, released independently. Featuring an international lineup, Davidavi “Vidi” Dolev (Vocals), Jure Lopatic (Bass), and Grega Plamberger (Drums). On their new record, Seventh Station adds to their “on the edge” performances and compositions more blood, more sweat, and more tears.

Formed between the Academy of Music & Dance in Jerusalem and Berklee College of Music in Boston, Seventh Station released its debut album Between Life and Dreams in 2016. After relocating to Europe and a few line-up changes, Alperovich and Başbuğ knew no borders in the search for uncompromising compositions and musical executors, progressive and challenging. After several tours between the Middle East and post-Yugoslavia, the band gathered together on recording ‘Heal the Unhealed’. Inspired by the Second World War and the Soviet Union, the album is an hour-long reflection in the eyes of Alperovich, who was born in Minsk, Belarus, moved to Israel and eventually found his way to Slovenia. Featuring surrealistic epos, harnessing the band’s skillful abilities in order to express Kafkaesque situations, Heal the Unhealed examines resemblances between dictatorships and the personality disorders of an artist.

Seventh Station is now gearing up for their upcoming record Heal the Unhealed released on November 7th, 2022, along with a supporting tour through Europe and the Middle East, to be announced later this Fall.

– 30 –

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ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780 | jon[@]ashermediarelations[.]com
Facebook @AsherMediaRelations
Instagram @AsherMedia
Tweet @AsherMedia

0 Boston’s PISTACIA Channel The Emo Days Of Old With New Metalcore Track “It Was The Cat”; New EP “Edgy” Out October 2022

September 9, 2022
by Asher
· Music News · Pistacia

NEWS RELEASE

Montreal, QC – September 9, 2022

Boston’s PISTACIA Channel The Emo Days Of Old With New Metalcore Track “It Was The Cat”

New EP “Edgy” Out October 2022

Boston’s Pistacia is bringing forth a new brand of metalcore with their debut EP “Edgy”. Through personal and poignant lyrics they confront relatable issues set to emotional and powerful music. So far, they have released a handful of singles, and the next one up is “It Was The Cat”, focusing on self-harm. Making music for people who are scared and voiceless is their passion and they are not afraid to get specific about what happens in the mind of the mentally ill. On this single, they offer hope and understanding and a flashback to the days when people used the explanation that “the cat did it” in reference to marks on their arms. The band explains the creation of the single:

“The single began almost accidentally; Ben and Théo were in Florida on tour with their former band, exhausted from the road and performance, and aching to write some new music that would reflect the artistic changes they’d undergone as a result. Ben cracked away at that which he does best: writing filthy hardcore riffs and Théo took initiative to make as poppy a chorus arrangement as possible. Years later, the track was revived and Vic worked her magic, pouring her anguish and rage into finely tuned stanzas that packed punch. They entered a Berklee rehearsal room with sketches, with the makings of a metal banger, and left with the instantiation of their ardor”.

Pistacia formed when vocalist Vic Gregg desired to be on stage instead of behind the merch booth. Fueled by passion and a desire to realize her high school dreams, she learned how to scream and put the lineup together with her classmates. They started as a Pierce the Veil ensemble but later began writing originals. To date, they have released five singles, and are gearing up to release their EP in the fall. They promise that each of the tracks on it are full-fledged bangers that will provoke and challenge the listener.

“It Was The Cat” is heavy in both lyrics and music and boasts sick breakdowns and the most 2007 chorus since MySpace reigned the internet. It’s catchy and will have you dancing regardless of the dark imagery. It is recommended for fans of Pierce the Veil, Slipknot, and Bring Me the Horizon.

The music video for “It Was The Cat” can be seen and heard via TheCirclePit – https://youtu.be/alpM9aI0BjQ

“Edgy” is out on October 21, 2022.

Tour Dates:
October 20 – Sovereign – Brooklyn, NY
Oct 22 – Starlite – Southbridge, MA
Oct 25 – Diversity Consignment – Jamaica Plain, MA.
Oct 26 – Millhill Basement – Trenton, MA
Nov 12 – Providence, RI – The Alchemy

Track Listing
1. It Was the Cat – 4:00
2. N. Hale – 4:00
3. Fake a Smile – 4:00
EP Length: 12:00

EP Band Line Up:
Vic Gregg – Vocals
Theo Chaouat – Guitar
Ben Sonsire-Cummings – Guitar
Ron Bernhaut – Bass

Live Band Line Up:
Vic Gregg – Vocals
Theo Chaouat – Guitar
Ben Sonsire-Cummings – Guitar
Ron Bernhaut – Bass
Thomson Estabrook – Drums

For more info:
http://pistaciaofficial.com
https://www.facebook.com/Pistacia-104625968817408
https://www.instagram.com/pistaciaofficial
https://twitter.com/pistaciaband

About: In late 2019, Vic Gregg founded Gen-Z, an emo-throwback metalcore outfit. Members Ron Bernhaut, Theo Chaouat, Ben Sonsire-Cummings, and Thomson Estabrook complete the aesthetic onslaught that comprises Pistacia’s live show—in the scene’s dearth of energetic performance, the band found their niche, bringing blistering riffs to tight compact venues with pure animus and palpable vitriol. They have a nostalgia-borne affinity for all things emo and maintain a reckless proclivity for gothic imagery and provocative allure. With a marriage between heavy breakdowns, catchy choruses, and pathos-driven lyrics, Pistacia is that edgy, rebellious act you’ve been craving.

Shared stage with:
The HU, Mudfuck, Quarantined, Reapercussion, Survive the Sun, Proxies, Spite

Discography:
It Was the Cat – 2022 – EP
Hematophagous – 2021 (single)
Loaded Gun – 2021 (single)
Melatonin – 2021 (single)

– 30 –

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0 EPK – Pistacia – Edgy (2022)

September 9, 2022
by Asher
· EPKs · Pistacia

EPK – Pistacia – Edgy (2022)

Publicist – Jon Asher – jon[@]ashermediarelations[.]com

“Our upcoming EP “Edgy” is about different symptoms/aspects of mental illness. The lead single ‘It Was The Cat’ is about self-harm, then the other tracks are about dissociating, and social anxiety. We think fans are going to love our single ‘It Was The Cat’ as our TikTok fans love what snippets they’ve heard so far. Our sound brings elements from 2007-2010 metalcore and we make music for people who miss that amazing era of music. That being said we have modern breakdowns that make you want to mosh.” – Pistacia

For fans Pierce the Veil, Slipknot, Bring Me the Horizon, Motionless in White, Kittie

Pistaciaofficial.com | Facebook.com/Pistacia-104625968817408 | Instagram.com/pistaciaofficial | Twitter.com/pistaciaband | YouTube

Spotify

Tour Dates:
October 20 – Sovereign – Brooklyn, NY
October 22 – Starlite – Southbridge, MA
October 26 – Millhill Basement – Trenton, MA

EP Title: Edgy
Release Date: October 21, 2022
Label: Self-Release
Distribution: Distrokid

Track Listing
1. It Was the Cat – 4:00
2. N. Hale – 4:00
3. Fake a Smile – 4:00
EP Length: 12:00

EP Recording Credits:
• All songs performed by: Vic Gregg, Theo Chaouat, Ben Sonsire-Cummings, Ron Bernhaut
• All songs written by: Vic Gregg, Theo Chaouat, Ben Sonsire-Cummings, Ron Bernhaut
• Produced by: Erik Thorstenn
• Mixed by: Erik Thorstenn
• Mastered by: Erik Thorstenn
• Album Artwork by: Vic Gregg

EP Band Line Up:
Vic Gregg – Vocals
Theo Chaouat – Guitar
Ben Sonsire-Cummings – Guitar
Ron Bernhaut – Bass

========================================

The EP as a whole (LYRICALLY & MUSICALLY):

The upcoming EP is about different symptoms/aspects of mental illness. This single is about self-harm, then we have one about dissociating and social anxiety.

Track by Track (LYRICALLY & MUSICALLY) explained by Vic Gregg – Vocals:

1. It was the Cat is about self-harm and the person or thing that leads you to it most. Whether it is an abuser or an event sometimes things can weigh too heavy on us and we cope in unhealthy ways. Back in the day, when kids has marks on their arms and were asked about it, they would blame their cat. “The cat did it” or “it was the cat.” The cat is that thing or that person that makes life so unbearable you want to take it out on yourself. For me, the cat is a person who I am supposed to love. They took advantage of me all my life and I finally got out and am doing much better. This song has a sick breakdown and the most 2007 chorus since MySpace reigned the internet. It’s catchy and will have you dancing regardless of the dark imagery.

2. I wrote N. Hale about dissociation. Whenever I get over-stressed or put in an uncomfortable situation, I dissociate. It’s never on purpose as a matter of fact I try hard not to. However, it’s still hard to fight. So when that happens I have non-thoughts and my head is just static and I can hear my pulse and that is it. In the track, we have samples of both which perfectly portrays what goes on in my mind when that happens. Ron and I wrote the main riffs for this song together and Ben spiced it up to make it what it is now.

3. Fake a Smile is about social anxiety. I have a hard time making friends and putting myself out there to the world. TikTok has helped me a bit get comfortable speaking, but I still get so insecure whenever I try to talk to someone new. My fear is that I’ll say something dumb and or uninteresting. So I wrote Fake a Smile. The music was all Theo. He wrote this song a few years ago and he pulled it up one day and I fell in love with it. I started to workshop a melody for the chorus and wrote up some lyrics and the song was born. Very nostalgic sound similar to It Was the Cat and brings you back to studded belts and neon monster tees.

BAND STORY ANGLES / FUN FACTS:

1. I write about my own life a lot and my daily struggles living with mental illness. I go into depth about each aspect of my diagnosis and there will most likely be a song for each symptom. Living like this is nearly impossible but I want people to know they are not alone. I want to know I am not alone.

2. The band got together in an interesting way. We all went to the same school and were in an ensemble together. The way our school works is you can take a class that is basically a cover band for a grade. We were in a Pierce the Veil ensemble together and since that class I wanted to keep playing with them all. So I asked them to join me in Pistacia.

3. We played a major music festival with little music out as a band. We played Inkcarceration in 2021 which was especially huge because that festival was Mudvayne’s first show in 10 years. The crowd was insane and to be honest, we crushed that performance. Since then we have been building a fanbase on TikTok.

In late 2019, Vic Gregg founded Gen-Z, an emo-throwback metalcore outfit. Members Ron Bernhaut, Theo Chaouat, Ben Sonsire-Cummings, and Thomson Estabrook complete the aesthetic onslaught that comprises Pistacia’s live show—in the scene’s dearth of energetic performance, the band found their niche, bringing blistering riffs to tight compact venues with pure animus and palpable vitriol. They have a nostalgia-borne affinity for all things emo and maintain a reckless proclivity for gothic imagery and provocative allure. With a marriage between heavy breakdowns, catchy choruses, and pathos-driven lyrics, Pistacia is that edgy, rebellious act you’ve been craving.

Shared stage with:
The HU, Mudfuck, Quarantined, Reapercussion, Survive the Sun, Proxies, Spite

EP Band Line Up:
Vic Gregg – Vocals
Theo Chaouat – Guitar
Ben Sonsire-Cummings – Guitar
Ron Bernhaut – Bass

Live Band Line Up:
Vic Gregg – Vocals
Theo Chaouat – Guitar
Ben Sonsire-Cummings – Guitar
Ron Bernhaut – Bass
Thomson Estabrook – Drums

Discography:
It Was the Cat – 2022 – EP
Hematophagous – 2021 (single)
Loaded Gun – 2021 (single)
Melatonin – 2021 (single)

0 Vancouver’s HUNTING GIANTS Ponder Domination And Avarice In “Too Big To Kill”; New Album “Mythos” Out Sept 30th

September 9, 2022
by Asher
· Hunting Giants · Music News

NEWS RELEASE

Montreal, QC – September 9, 2022

Vancouver’s HUNTING GIANTS Ponder Domination And Avarice In “Too Big To Kill”

New Album “Mythos” Out Sept 30th

L-R – Corey Wharton (Bass), Bradley Trivett (Guitar), Daniel Beavington (Drums), Stephen Atkey (Vocals)
Photographer Credit – Bradley Trivett

“Mythos” is the second release from Canada’s Hunting Giants following their 2018 EP “Skyward Eyes”. They have upped the ante with this new record, offering bigger riffs, wilder stories, and more layers to entangle listeners. The primary themes in their next single “Too Big To Kill” are domination and avarice, as told through the eyes of a hunter.

The track immediately starts with a riff that brings to mind the thrill of the hunt which is encapsulated by the lyrical repetition of ‘Row’ as our anti-hero cuts through the waves, hot on the trail of his next quarry. As the instruments are hushed, the lyrics speak from the perspective of a man who desires only domination and finds satisfaction in ending the lives of those he hunts. The band continues:

“One of the major singles on the Mythos album, Too Big To Kill is a non-stop adventure with the highs and lows of the raging rapids. This unending momentum builds throughout the song revealing how remorseless yet effective he is at killing until we arrive at the bridge, where the tables are turned and he finds himself fleeing from the beast which he sought to trap. This song is an exploration of those who love violence and the inevitable bloody end which they attract towards themselves.”

For Hunting Giants, their lyrics come from within. They can be inspired by pieces of literature, emotion derived from lived experiences, or ideas which take root within the mind and must be expressed through song. They encapsulate emotion while being entertaining and thought-provoking, giving the lister yet another layer to focus on amidst the riffs and melodies.

“Mythos” is a unique album expressed with a great diversity of energetic auditory textures. Each song hits hard with novel approaches and fresh ideas that will induce a comforting nostalgia in modern rock fans looking for something new and awesome.

Energetic, theatrical, and groovy, Hunting Giants is recommended for fans of Audioslave, Muse, and Tool.

The lyric video “Too Big To Kill” can be seen and heard via its premiere on AllAboutTheRock HERE.

The album “Mythos” is out on September 30, 2022.

CD pre-order – https://huntinggiants.com/product-category/pre-orders/

Digital – Huntinggiants.bandcamp.com, Apple Music, Spotify.

Music Video “Ancient Text” – https://youtu.be/NkEQ6m8bzx4

Music Video – “Ritual” – https://youtu.be/FIXK6sHK1eQ

Track Listing:
1. Mythos – 3:28
2. Ancient Text – 3:18
3. Too Big To Kill – 3:06
4. Rituals – 3:57
5. Among Thieves – 5:28
6. Whispers – 2:16
7. Vanguard – 2:54
8. Mantle – 3:19
9. Kindred – 4:05
10. Epitaph – 1:09
11. Into Stone – 4:55
12. Remnant – 4:00
13. King of Ashes – 2:52
Album Length: 44:49

Hunting Giants is:
Corey Wharton – Bass Guitar
Stephen Atkey – Vocals
Bradley Trivett – Guitar
Daniel Beavington – Drums

For more info:
HuntingGiants.com
Facebook.com/huntinggiantsband
Instagram.com/huntinggiantsband
Twitter.com/huntinggiants

About:
Hunting Giants is a four-piece heavy rock band from Vancouver, BC, Canada.

This unique group of musicians offers a spectacular visuals-driven live performance that exceeds both the precise ferocity of their recordings and the highest expectations of an energized audience looking for something recognizably different. Their music is both refreshing and familiar, serving well as the musical backdrop for one’s ongoing discovery of meaning in life and self.

Hunting Giants was started in 2017 with Bradley Trivett assembling the first musical themes and combining the percussive expertise of Daniel Beavington with the explosive rhythmic prowess of Corey J. Wharton into the foundation of a team set to discover and dominate the most enormous sounds and daunting massive ideas they could find. Led by the visionary passion and styling of frontman Stephen Atkey, Hunting Giants is poised to deliver an incredible auditory and visual experience.

“Hunting Giants stake their claim as a powerful new force in the Pacific Northwest metal scene…this band is absolutely one you’ll want to keep an eye on.” – Wail Magazine

Discography:
2022 – Mythos – LP
2018 – Skyward Eyes – EP

Shared Stage with:
Unleash the Archers, Wednesday 13, Ophelia Falling, Kayas, Vessel, Sick Logic, Dark Stone

– 30 –

—
ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780
jon[@]ashermediarelations[.]com
Facebook @AsherMediaRelations
Instagram @AsherMedia
Tweet @AsherMedia
(Rockshots Records, Extreme Metal Music, Armstrong MF, Loud As Hell, Metalocalypstick, Decimate MF, Electric Highway Fest, Wacken Metal Battle Canada/USA, Hyperspace MF, Le FestEvil)

0 Delve Into The Expansiveness Of The Universe With The Spacey Single “Home” From Colorado’s OBSIDIAN SKIES; Mixed and Mastered by Tom MacLean (ex-Haken)

September 8, 2022
by Asher
· Music News · Obsidian Skies

NEWS RELEASE

Montreal, QC – September 8, 2022

Delve Into The Expansiveness Of The Universe With The Spacey Single “Home” From Colorado’s OBSIDIAN SKIES

Debut EP “Saturnian” Out October 2022

Mixed and Mastered by Tom MacLean (ex-Haken, Athemon, Brutta)

While based in Colorado, USA, Obsidian Skies creates music in the sci-fi realm, transporting listeners to grandiose worlds set to epic progressive melodic death metal. The duo of Logan Dougherty (guitars/piano/orchestration) and Tim Watervoort (guitars/basses/vocals) use their backgrounds in physics, astrophysics, composition, and linguistics to elevate the themes, structure, and performance of their music. After working steadily over the past couple of years, they are thrilled to announce their spacey debut EP “Saturnian” (mixed and mastered by Tom MacLean (ex-Haken, Athemon, Brutta)) and the first single “Home”.

“Home” is less of a story, but more of one man’s lament for his former home and the exploration of his emotions. He goes through cycles of culture shock and a longing for a world that is no more. Eventually, he comes to terms with his situation and sees the potential in his new home. Starting with an acoustic guitar, “Home” is lighter than the other tracks on the EP, much of this song feels like one that could be sung around a campfire, thinking of days gone by. When the distorted guitars enter, they serve more to provide foundation than a true featured part to keep with the aesthetic. Harsh vocals are present in this song, but to a much smaller degree than the other two. Harmonically, this song features jazzy major 7th chords to give it a warmer feel. The band comments on the track:

“When we first came up with the concept of this song, we knew we wanted a more intimate, acoustic piece, but we were honestly afraid that it would not turn out at all how we envisioned. When we began writing it, we had two disjointed riffs that we knew we wanted in the song but no real way of transitioning between them. Since the song is so vocally driven, it was difficult to get a grasp of what it would sound like before it was recorded. Hearing the first playthrough of it after recording (but before mixing) was a sigh of relief for both of us as we had actually managed to pull it together. This song definitely “fell into place” more than the other two did.”

The EP follows the story of humankind abandoning Earth for Saturn’s moon Titan. The emotional and physical struggles of leaving our home planet are explored through both the music and the lyrics. Obsidian Skies hopes to take the listener through this journey in a concept album, but they believe the songs are capable of standing on their own as well.

Recommended for fans of anything sci-fi, especially those who enjoy the music of Amon Amarth, Insomnium, and Opeth, the single “Home” can be heard via its premiere in MetalInsider HERE.

The EP “Saturnian” is being released on October 14, 2022.

Pre-order – https://obsidian-skies.bandcamp.com

Track Listing:
1. Celestial Age – 6:58
2. Rebirth in the Stars – 11:19
3. Home – 5:52
EP Length: 24:10

EP Recording Credits:
• All songs performed by: Obsidian Skies (Logan Dougherty and Tim Watervoort)
• All songs written by: Obsidian Skies (Logan Dougherty and Tim Watervoort)
• All Lyrics written by: Tim Watervoort
• Produced by: Obsidian Skies (Logan Dougherty and Tim Watervoort)
• Mixed by: Tom MacLean
• Mastered by: Tom MacLean

EP Band Line Up:
Logan Dougherty – Guitars, Piano, Orchestration
Tim Watervoort – Guitars, Basses, Vocals

For more info:
https://www.facebook.com/Obsidian-Skies-109138908535805
https://www.instagram.com/obsidianskiesband

– 30 –

0 Decibel Is Now Streaming GREBER’s Crushing New Grind Record “Fright Without” + Tour Dates (ON, QC)

September 8, 2022
by Asher
· Greber · Music News

NEWS RELEASE

Montreal, QC – September 8, 2022

Decibel Is Now Streaming GREBER’s Crushing New Grind Record “Fright Without”

New Album “Fright Without” Out September 9th

Photo by Austin Gibson
Editing by Youth and Rust
Left to Right – Steve Vargas – Drums and Vocals, Marc Bourgon – Bass and Vocals

Canada’s Greber is the no-holds-barred, to-the-point hardcore grind band that you have been waiting for. For those uninitiated, they are a ferocious duo that keeps it on the low end, saturated with gritty vocals and a no-bullshit attitude.

Veterans in the scene, Greber’s discography spans 13 years and contains four full lengths and seven splits, they say that their music comes from a place of rationality, it’s something real and visceral, not a sugar-coated illusion. The main message they try to get across with this album is that life isn’t meant to get better, it just is. They continue to explain:

“At the risk of delving too deeply into Deepak Chopra’s tinged pontification, that was really the starting point for most of the material. Hopelessness, fear, age catching up to you, uncertainty, failure. You know, the happy-go-lucky crap that we need to get out somehow, and when we do, we still manage to feel pretty much the same. Like a Steinbeck novel that has been looped for eons with some tasteless humour mixed into it all.”

According to the duo of Steve Vargas (drums/vocals) and Marc Bourgon (bass, vocals) “Fright Without” is a handleless staircase that disorients as much as it overwhelms. It is their testament to suffering and hope, balance and woe, heaven and here. They hope that the listener finds it to be as much of an escape as they do a confrontation.

The album is ten succinct songs composed and executed mostly by Cargas and Bourgon. They are joined on a few of the tracks by musicians providing noise, vocals, and guitars. It was recorded by Sean Pearson at Boxcar Studios in Hamilton, Ontario; it was mixed by Kurt Ballou at Godcity in Salem, Massachusetts; mastered by Brad Boatright at Audiosiege in Portland, Oregon, and the artwork was done by Marcos Guinoza.

Harsh and full of contemplative energy, Greber is recommended for fans of Primitive Man, Black Sheep Wall and Man is the Bastard.

“Fright Without” is streaming now on Decibel Magazine HERE.

The whole album is ready for consumption on September 9, 2022 and will be available from the following labels: Ancient Temple and Nofuneral for Vinyl, CD, and Cassette in Canada, Hibernation Release for Vinyl in the USA, and 7 Degrees and Fresh Outbreak for Vinyl in Europe.

Album pre-order – https://greber.bandcamp.com

Singles:
Music Video – Into Silence – https://youtu.be/GYHIJSuFUrM

Tour Dates:
Sept 9 – Jack Burger – Kitchener, ON
Sept 10 – Roti – Ajax, ON
Sept 16 – Turbo Haus – Montreal, QC
Sept 17 – House of Targ – Ottawa, ON
Oct 7 – Crafts Heads Brewing – Windsor, ON
Oct 14 – Doors Pub – Hamilton, ON
Oct 15 – Onyx – Guelph, ON

Track Listing:
1. Form (2:21)
2. Aging Debt (2:22)
3. Fabricated Purpose (3:43)
4. Into Silence (2:59)
5. Bush Cord of Entrails (1:56)
6. Larkinitis (3:25)
7. Dark Corners (2:34)
8. Rats of Subversion (4:52)
9. Nosebleed (3:05)
10. Tree Carving (1:33)
Album Length: 28:55

For more info:
http://www.facebook.com/grebermetal
http://www.instagram.com/grebermetal

– 30 –

—
ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780
jon[@]ashermediarelations[.]com
Facebook @AsherMediaRelations
Instagram @AsherMedia
Tweet @AsherMedia

0 Rockshots Records – VICTORIA K Shares Music Video “Tower” Off New Album “Kore” Out October 2022

September 8, 2022
by Asher
· Music News · Victoria K

NEWS RELEASE

Montreal, QC – September 8, 2022

Rockshots Records – VICTORIA K Shares Music Video “Tower” Off New Album “Kore” Out October 2022

Australia’s Victoria K is sharing the next single “Tower” from the forthcoming sophomore album “Kore” set for release this coming October via Rockshots Records to follow the highly praised 2020 debut album “Essentia”.

Being unveiled with a music video, “Tower” is the longest song on the album. Clocking in at over seven minutes, the band got the inspiration for this track from the part of the hymn where Kore’s mother orders the people of the world to build a tower in her honour. The band explains further:

“This idea and concept sparked a lot of ideas, taking inspiration from events and questions that we face in our current society. Questions such as the existence of a divine power, and why we praise higher powers both spiritually speaking and in our physical world. It also raises ideas about our current social regimes, like capitalism, as well as the toxicity of materialist and consumerist cultures. Aspects of this song touch upon the exploitation of the middle and lower class. This is a topic that we wanted to bring forward, as musicians, artists, and writers as we feel it is relevant and important. This song also takes a lot of inspiration from ethnic sounds. The chanting is sung in ancient Greek, meant to imitate marching and worship, this ties into the message that the song is trying to convey.”

Music Video – Tower – https://youtu.be/Ea4fKzJf2Vo

Digital – https://bfan.link/tower-1

Offering up progressive symphonic sound, “Kore” was specifically written to provide a full orchestral experience that drives people through a sonic journey of growth and grandeur.

“We wanted to take a new approach with this record and to grow our sound and bring something new to Victoria K. Incorporating sounds from our vocalist’s ethnic culture and heritage is something we are so extremely proud of! A concept album is something we really wanted to explore, and we are so excited to bring you this ancient story and create a sonic experience and journey for all our listeners. We cannot wait to share this new stage of Victoria K!”

“Kore” explores modern-day issues through the Homeric Hymn to Demeter (the story of Persephone). Victoria K conceptualized the idea for the album with her producer Lee Bradshaw and then spent many months researching and analyzing the Homeric Hymn to Demeter, even meeting with experts of the Homeric Hymns from Greece. The story was then broken up into its different parts where Victoria Knight wrote the lyrics and developed the melodies for each section of the tale, exploring the myth from a modern perspective.

The tracks were written specifically to encapsulate the various sections of the Homeric Hymn to Demeter and tell the story chronologically through each song and the music grows in intensity throughout the record capturing the emotional state of Persephone and other characters as the story progresses.

The various instruments on “Kore” were then written by Victoria around the lyrics and further enhanced and developed through the production process. Lee Bradshaw then finalized the songs by writing orchestral scores for each song, which were recorded live in Europe, before the final mixing and mastering.

Recommended for fans of Lacuna Coil, Rammstein, Within Temptation, Spirit Box, and Delain, Victoria K‘s new album “Kore” is due out October 14, 2022 from Rockshots Records.

Album pre-order – https://bit.ly/VictoriaK_Kore

First single – Music video – Persephone – https://youtu.be/TJ6ZodSSYgU

Track Listing:
1 – Prologue – 1:09
2 – Raptum – 5:12
3 – Mothers’ Garden – 4:34
4 – The Child – 4:01
5 – Persephone – 5:19
6 – A Divine Revelation – 7:09
7 – Tower – 7:29
8 – Blasphemia – 5:43
9 – Pomegranate – 5:52
10 – The Afterlife – 3:58
11 – Epilogue – 0:54
Album Length: 51:25

For more info:
Rockshots.eu
Victoriakmusicofficial.com

About:

Hailing from Melbourne, Australia, symphonic metal singer/songwriter Victoria Knight (under the pseudonym Victoria K) released on the 5th of May, 2019, her brand new single “Lacuna” distributed in Australia and New Zealand by Warner Music Group (Australia), which was the first offering from her debut album Essentia.

As a result of being invited to support the Swiss Folk Metal giants Eluveitie Victoria K formed the current band who have adopted the name Victoria K. On the 18th of May, 2019, Victoria K played the main support for Eluveitie at their Melbourne show, and produced a performance that had the crowd chanting for an encore.

Victoria K signed to Rockshots Records (Italy) in early 2020 and released their debut album ‘Essentia’ on the 24th of April, 2020. Essentia has received global media attention and the band has been featured in Legacy Magazine (Germany) and Heavy Magazine (Australia) amongst many others.

Essentia debuted at #17 on the Australian iTunes Rock & Metal Charts with the four Music Videos (Lacuna, Forsaken, The Haunting and Matrix) receiving over 230,000 YouTube views.

Victoria K’s ‘Essentia’ won Album of the Year in the Femmetal Awards 2020 and was a finalist in the Best Band and Best Music Video categories and Victoria Knight was a finalist in the Best Operatic Vocals category.

Victoria was also nominated as ‘Best Vocalist’ in the Metalgoddesses.com awards named amongst the best vocalists of the genre including Floor Jansen, Elize Ryde, Fabienne Erni and Charlotte Wessels. Victoria K was also nominated in the metalgoddesses.com awards for Song of the Year (Matrix) and Album of the Year (Essentia).

Anders Sandvall of Metal-rules.com identified Essentia as “one of the strongest debut albums this year” placing the album at #2 on his Best Albums of 2020 and also cited Victoria K as the ‘Best New Band.’

Due to the global pandemic Victoria K was unable to tour so in June, 2020 they played a worldwide Live Stream Show from the studio via Rockshots Twitch Channel and have since released a DVD of the event.

In November 2021, Victoria K commenced their 9 show Australian Tour with shows in Melbourne, Wollongong, Newcastle, Sydney (sold out), Canberra, Brisbane, Adelaide, Whyalla (sold out) and Broken Hill. Due to Covid the tour was run over three legs with the second in March 2022 and the third leg in April, 2022.

– 30 –

“Lovers of symphonic metal listen up… because Victoria K is about to put Australia on the map.” – Heavy Magazine

“Victoria K’s vocals are absolutely brilliant, they’re ethereal and infectious” – Buzz Music

“The sense of yearning and resolution in Lacuna is woven with sophistication and skill.” – Hysteria Magazine

“She very quickly won over the crowd and with her voice and great tracks like ‘Lacuna’ and ‘Matrix’ it is very easy to see that she will soon be matching it alongside bands like Evanescence and Nightwish.” – Heavy Magazine

“’Lacuna’ is an atmospheric track in which Victoria showcases her fantastic voice by switching between delicate verses and powerful choruses with total ease.” – Maniacs

“’Lacuna’ has so much Metal and so much Gothic in it that you’d want to hear it repeatedly if you’re a Metal fan. The music is sharp and powerful, and the song easily flows into your senses.” – FemMetal

“The latest exciting new talent to emerge from the Melbourne metal scene…” – Sentinel Daily

—

ASHER MEDIA RELATIONS

Jon Asher – Music Publicist
#.514.581.5780
asher[@]ashermediarelations[.]com
Facebook @AsherMediaRelations
Instagram @AsherMedia
Tweet @AsherMedia

0 Venture To BC’s Okanagan For ARMSTRONG METALFEST 2023 Being Held July 14-15

September 7, 2022
by Asher
· Armstrong Metal Fest · Music News

NEWS RELEASE

Montreal, QC – September 7, 2022

Venture To BC’s Okanagan For ARMSTRONG METALFEST 2023 Being Held July 14-15

Watch the official video recap of AMF 2019 here.
(video created by Mayne Brand Productions)

AMF Spotify Playlist 2022 Lineup here.

After their most successful event to date in 2022, which saw the festival’s highest attendance on record along with marking the extreme music festival’s return after a two-year hiatus due to the Covid pandemic, Armstrong MetalFest is proud to announce their 2023 edition will be held on July 14th and 15th at the Hassen Arena in Armstrong, BC.

Hosted in British Columbia’s Okanagan valley with the Canadian Rockies as a specular backdrop, the 2022 gathering of metalheads witnessed Spokane, WA deathcore titans ENTERPRISE EARTH headline the festival along with Vancouver’s cult-loved pyro maniacs ZIMMERS HOLE and progressive death kings NECK of THE WOODS. AMF also presented a very special performance from Kelowna’s OMNIA NIHIL (formerly Apollyon) in memory of beloved vocalist Matt Depper who suddenly passed away this past January. A total of 28 bands from across Western Canada and the USA fueled the moshpit for much-needed music therapy.

Tickets for AMF 2023 and camping along with the lineup will be announced at a later date.

Festival co-organizers Jesse Valtsar adds:

“Mark it down on the calendar, we have huge plans to make 2023 the biggest event to date! With the success of 2022, we are going to continue the momentum right into next year! We are planning out our headliners and dreaming up new ways to make Metalfest the best!”

Since 2009 (minus pause years 2020 and 2021 due to the Covid pandemic), West Metal Entertainment and Armstrong Metalfest has not only fostered the talent of hundreds of local bands but brought in well-known, international acts to the quiet, little Canadian town of Armstrong, British Columbia.

Each year up to 700 metalheads from Canada and the USA descend into the picturesque Okanagan Valley and under the blistering sun they spend three days camping, taking in over 30 bands, participating in wrestling events, and scavenger hunts and catching up with their metal family.

The festival has seen such renowned headliners as Kataklysm, Cattle Decapitation, Archspire, Nekrogoblikon, and Beyond Creation as well as emerging artists from across North America. At the end of the revelry, the festival disappears without a trace, leaving the landscape as pristine as it has always been.

West Metal Entertainment is a non-profit society that not only puts on Armstrong Metal Festival every year in Armstrong, B.C., but gives bands opportunities to play different venues throughout the region including all-ages shows, to encourage musical passion in kids as well as adults.

For more info:
Armstrongmetalfest.ca
Facebook
Instagram
Twitter

Festival Press Materials HERE.

2022 Sponsors / Partners:
Legion HQ
West Metal Entertainment
WCMFA
BC Arts Council
Rancho Vignola
Mason Henniger
Nor-Val Rentals
Exclaim!
Askew’s Foods
Armstrong Tourism
Creative BC
Swag Merch
Bravewords
Absolute Underground Mag
Broken Neck Radio
V13
Metal-Rules
Trash Talk w/ Nate
Posteblocke Media
Asher Media Relations

What the press is saying:

Kelowna Now: Armstrong Metal Festival Co-founder reflects on a decade of metal – Video Interview here.

CHBC – Global Okanagan: Metalheads celebrate a decade of gathering in Armstrong – Video Interview here.

“In the past, metalheads had to travel to Germany to experience the rush of a big festival, such as Wacken Open Air. But local headbangers decided to bring that feeling home with Armstrong Metalfest.” – Vernon Morning Star

“Go Big or Stay at Home: Armstrong has that welcoming feeling for a rock show.” – The Valley Voice

“To witness such a gathering of talent is an absolute privilege, and for that fact alone, I will certainly be returning to Armstrong Metal Fest.” – Beatroute BC

“This festival is now going to be my yearly must-go-to event and if you’re a metal head that hasn’t attended or a curious metal voyeur, do yourself a favour and check it out, you will not regret it.” – Abort Mag

“The Armstrong Metalfest is one such event and has grown from its initial, humble beginnings seven years ago to be a regular mainstay, with its south-central BC location making for a popular summertime destination for fans and bands alike.” – Decibel Mag

Named one of the out-of-town music festivals worth the trip by The Vancouver Sun

“For metalheads, this is a great vacation where groups of all sizes can enjoy their favourite musical genre in a fun, energized environment. Not to mention, the camping!” – The Permanent Rain Press

– 30 –

—

ASHER MEDIA RELATIONS

Jon Asher – Music Publicist
#.514.581.5780
jon[@]ashermediarelations[.]com
Facebook @AsherMediaRelations
Instagram @AsherMedia
Tweet @AsherMedia

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