Posts By Asher

0 Vancouver’s HUNTING GIANTS Ponder Domination And Avarice In “Too Big To Kill”; New Album “Mythos” Out Sept 30th

September 9, 2022
by Asher
· Hunting Giants · Music News

NEWS RELEASE

Montreal, QC – September 9, 2022

Vancouver’s HUNTING GIANTS Ponder Domination And Avarice In “Too Big To Kill”

New Album “Mythos” Out Sept 30th

L-R – Corey Wharton (Bass), Bradley Trivett (Guitar), Daniel Beavington (Drums), Stephen Atkey (Vocals)
Photographer Credit – Bradley Trivett

“Mythos” is the second release from Canada’s Hunting Giants following their 2018 EP “Skyward Eyes”. They have upped the ante with this new record, offering bigger riffs, wilder stories, and more layers to entangle listeners. The primary themes in their next single “Too Big To Kill” are domination and avarice, as told through the eyes of a hunter.

The track immediately starts with a riff that brings to mind the thrill of the hunt which is encapsulated by the lyrical repetition of ‘Row’ as our anti-hero cuts through the waves, hot on the trail of his next quarry. As the instruments are hushed, the lyrics speak from the perspective of a man who desires only domination and finds satisfaction in ending the lives of those he hunts. The band continues:

“One of the major singles on the Mythos album, Too Big To Kill is a non-stop adventure with the highs and lows of the raging rapids. This unending momentum builds throughout the song revealing how remorseless yet effective he is at killing until we arrive at the bridge, where the tables are turned and he finds himself fleeing from the beast which he sought to trap. This song is an exploration of those who love violence and the inevitable bloody end which they attract towards themselves.”

For Hunting Giants, their lyrics come from within. They can be inspired by pieces of literature, emotion derived from lived experiences, or ideas which take root within the mind and must be expressed through song. They encapsulate emotion while being entertaining and thought-provoking, giving the lister yet another layer to focus on amidst the riffs and melodies.

“Mythos” is a unique album expressed with a great diversity of energetic auditory textures. Each song hits hard with novel approaches and fresh ideas that will induce a comforting nostalgia in modern rock fans looking for something new and awesome.

Energetic, theatrical, and groovy, Hunting Giants is recommended for fans of Audioslave, Muse, and Tool.

The lyric video “Too Big To Kill” can be seen and heard via its premiere on AllAboutTheRock HERE.

The album “Mythos” is out on September 30, 2022.

CD pre-order – https://huntinggiants.com/product-category/pre-orders/

Digital – Huntinggiants.bandcamp.com, Apple Music, Spotify.

Music Video “Ancient Text” – https://youtu.be/NkEQ6m8bzx4

Music Video – “Ritual” – https://youtu.be/FIXK6sHK1eQ

Track Listing:
1. Mythos – 3:28
2. Ancient Text – 3:18
3. Too Big To Kill – 3:06
4. Rituals – 3:57
5. Among Thieves – 5:28
6. Whispers – 2:16
7. Vanguard – 2:54
8. Mantle – 3:19
9. Kindred – 4:05
10. Epitaph – 1:09
11. Into Stone – 4:55
12. Remnant – 4:00
13. King of Ashes – 2:52
Album Length: 44:49

Hunting Giants is:
Corey Wharton – Bass Guitar
Stephen Atkey – Vocals
Bradley Trivett – Guitar
Daniel Beavington – Drums

For more info:
HuntingGiants.com
Facebook.com/huntinggiantsband
Instagram.com/huntinggiantsband
Twitter.com/huntinggiants

About:
Hunting Giants is a four-piece heavy rock band from Vancouver, BC, Canada.

This unique group of musicians offers a spectacular visuals-driven live performance that exceeds both the precise ferocity of their recordings and the highest expectations of an energized audience looking for something recognizably different. Their music is both refreshing and familiar, serving well as the musical backdrop for one’s ongoing discovery of meaning in life and self.

Hunting Giants was started in 2017 with Bradley Trivett assembling the first musical themes and combining the percussive expertise of Daniel Beavington with the explosive rhythmic prowess of Corey J. Wharton into the foundation of a team set to discover and dominate the most enormous sounds and daunting massive ideas they could find. Led by the visionary passion and styling of frontman Stephen Atkey, Hunting Giants is poised to deliver an incredible auditory and visual experience.

“Hunting Giants stake their claim as a powerful new force in the Pacific Northwest metal scene…this band is absolutely one you’ll want to keep an eye on.” – Wail Magazine

Discography:
2022 – Mythos – LP
2018 – Skyward Eyes – EP

Shared Stage with:
Unleash the Archers, Wednesday 13, Ophelia Falling, Kayas, Vessel, Sick Logic, Dark Stone

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ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780
jon[@]ashermediarelations[.]com
Facebook @AsherMediaRelations
Instagram @AsherMedia
Tweet @AsherMedia
(Rockshots Records, Extreme Metal Music, Armstrong MF, Loud As Hell, Metalocalypstick, Decimate MF, Electric Highway Fest, Wacken Metal Battle Canada/USA, Hyperspace MF, Le FestEvil)

0 Delve Into The Expansiveness Of The Universe With The Spacey Single “Home” From Colorado’s OBSIDIAN SKIES; Mixed and Mastered by Tom MacLean (ex-Haken)

September 8, 2022
by Asher
· Music News · Obsidian Skies

NEWS RELEASE

Montreal, QC – September 8, 2022

Delve Into The Expansiveness Of The Universe With The Spacey Single “Home” From Colorado’s OBSIDIAN SKIES

Debut EP “Saturnian” Out October 2022

Mixed and Mastered by Tom MacLean (ex-Haken, Athemon, Brutta)

While based in Colorado, USA, Obsidian Skies creates music in the sci-fi realm, transporting listeners to grandiose worlds set to epic progressive melodic death metal. The duo of Logan Dougherty (guitars/piano/orchestration) and Tim Watervoort (guitars/basses/vocals) use their backgrounds in physics, astrophysics, composition, and linguistics to elevate the themes, structure, and performance of their music. After working steadily over the past couple of years, they are thrilled to announce their spacey debut EP “Saturnian” (mixed and mastered by Tom MacLean (ex-Haken, Athemon, Brutta)) and the first single “Home”.

“Home” is less of a story, but more of one man’s lament for his former home and the exploration of his emotions. He goes through cycles of culture shock and a longing for a world that is no more. Eventually, he comes to terms with his situation and sees the potential in his new home. Starting with an acoustic guitar, “Home” is lighter than the other tracks on the EP, much of this song feels like one that could be sung around a campfire, thinking of days gone by. When the distorted guitars enter, they serve more to provide foundation than a true featured part to keep with the aesthetic. Harsh vocals are present in this song, but to a much smaller degree than the other two. Harmonically, this song features jazzy major 7th chords to give it a warmer feel. The band comments on the track:

“When we first came up with the concept of this song, we knew we wanted a more intimate, acoustic piece, but we were honestly afraid that it would not turn out at all how we envisioned. When we began writing it, we had two disjointed riffs that we knew we wanted in the song but no real way of transitioning between them. Since the song is so vocally driven, it was difficult to get a grasp of what it would sound like before it was recorded. Hearing the first playthrough of it after recording (but before mixing) was a sigh of relief for both of us as we had actually managed to pull it together. This song definitely “fell into place” more than the other two did.”

The EP follows the story of humankind abandoning Earth for Saturn’s moon Titan. The emotional and physical struggles of leaving our home planet are explored through both the music and the lyrics. Obsidian Skies hopes to take the listener through this journey in a concept album, but they believe the songs are capable of standing on their own as well.

Recommended for fans of anything sci-fi, especially those who enjoy the music of Amon Amarth, Insomnium, and Opeth, the single “Home” can be heard via its premiere in MetalInsider HERE.

The EP “Saturnian” is being released on October 14, 2022.

Pre-order – https://obsidian-skies.bandcamp.com

Track Listing:
1. Celestial Age – 6:58
2. Rebirth in the Stars – 11:19
3. Home – 5:52
EP Length: 24:10

EP Recording Credits:
• All songs performed by: Obsidian Skies (Logan Dougherty and Tim Watervoort)
• All songs written by: Obsidian Skies (Logan Dougherty and Tim Watervoort)
• All Lyrics written by: Tim Watervoort
• Produced by: Obsidian Skies (Logan Dougherty and Tim Watervoort)
• Mixed by: Tom MacLean
• Mastered by: Tom MacLean

EP Band Line Up:
Logan Dougherty – Guitars, Piano, Orchestration
Tim Watervoort – Guitars, Basses, Vocals

For more info:
https://www.facebook.com/Obsidian-Skies-109138908535805
https://www.instagram.com/obsidianskiesband

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ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780 | jon[@]ashermediarelations[.]com
Facebook @AsherMediaRelations | Instagram @AsherMedia | Tweet @AsherMedia
(Rockshots Records, Extreme Metal Music, Armstrong MF, Loud As Hell, Metalocalypstick, Decimate MF, Electric Highway Fest, Wacken Metal Battle Canada/USA, Hyperspace MF, Le FestEvil)

0 Decibel Is Now Streaming GREBER’s Crushing New Grind Record “Fright Without” + Tour Dates (ON, QC)

September 8, 2022
by Asher
· Greber · Music News

NEWS RELEASE

Montreal, QC – September 8, 2022

Decibel Is Now Streaming GREBER’s Crushing New Grind Record “Fright Without”

New Album “Fright Without” Out September 9th

Photo by Austin Gibson
Editing by Youth and Rust
Left to Right – Steve Vargas – Drums and Vocals, Marc Bourgon – Bass and Vocals

Canada’s Greber is the no-holds-barred, to-the-point hardcore grind band that you have been waiting for. For those uninitiated, they are a ferocious duo that keeps it on the low end, saturated with gritty vocals and a no-bullshit attitude.

Veterans in the scene, Greber’s discography spans 13 years and contains four full lengths and seven splits, they say that their music comes from a place of rationality, it’s something real and visceral, not a sugar-coated illusion. The main message they try to get across with this album is that life isn’t meant to get better, it just is. They continue to explain:

“At the risk of delving too deeply into Deepak Chopra’s tinged pontification, that was really the starting point for most of the material. Hopelessness, fear, age catching up to you, uncertainty, failure. You know, the happy-go-lucky crap that we need to get out somehow, and when we do, we still manage to feel pretty much the same. Like a Steinbeck novel that has been looped for eons with some tasteless humour mixed into it all.”

According to the duo of Steve Vargas (drums/vocals) and Marc Bourgon (bass, vocals) “Fright Without” is a handleless staircase that disorients as much as it overwhelms. It is their testament to suffering and hope, balance and woe, heaven and here. They hope that the listener finds it to be as much of an escape as they do a confrontation.

The album is ten succinct songs composed and executed mostly by Cargas and Bourgon. They are joined on a few of the tracks by musicians providing noise, vocals, and guitars. It was recorded by Sean Pearson at Boxcar Studios in Hamilton, Ontario; it was mixed by Kurt Ballou at Godcity in Salem, Massachusetts; mastered by Brad Boatright at Audiosiege in Portland, Oregon, and the artwork was done by Marcos Guinoza.

Harsh and full of contemplative energy, Greber is recommended for fans of Primitive Man, Black Sheep Wall and Man is the Bastard.

“Fright Without” is streaming now on Decibel Magazine HERE.

The whole album is ready for consumption on September 9, 2022 and will be available from the following labels: Ancient Temple and Nofuneral for Vinyl, CD, and Cassette in Canada, Hibernation Release for Vinyl in the USA, and 7 Degrees and Fresh Outbreak for Vinyl in Europe.

Album pre-order – https://greber.bandcamp.com

Singles:
Music Video – Into Silence – https://youtu.be/GYHIJSuFUrM

Tour Dates:
Sept 9 – Jack Burger – Kitchener, ON
Sept 10 – Roti – Ajax, ON
Sept 16 – Turbo Haus – Montreal, QC
Sept 17 – House of Targ – Ottawa, ON
Oct 7 – Crafts Heads Brewing – Windsor, ON
Oct 14 – Doors Pub – Hamilton, ON
Oct 15 – Onyx – Guelph, ON

Track Listing:
1. Form (2:21)
2. Aging Debt (2:22)
3. Fabricated Purpose (3:43)
4. Into Silence (2:59)
5. Bush Cord of Entrails (1:56)
6. Larkinitis (3:25)
7. Dark Corners (2:34)
8. Rats of Subversion (4:52)
9. Nosebleed (3:05)
10. Tree Carving (1:33)
Album Length: 28:55

For more info:
http://www.facebook.com/grebermetal
http://www.instagram.com/grebermetal

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ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780
jon[@]ashermediarelations[.]com
Facebook @AsherMediaRelations
Instagram @AsherMedia
Tweet @AsherMedia

0 Rockshots Records – VICTORIA K Shares Music Video “Tower” Off New Album “Kore” Out October 2022

September 8, 2022
by Asher
· Music News · Victoria K

NEWS RELEASE

Montreal, QC – September 8, 2022

Rockshots Records – VICTORIA K Shares Music Video “Tower” Off New Album “Kore” Out October 2022

Australia’s Victoria K is sharing the next single “Tower” from the forthcoming sophomore album “Kore” set for release this coming October via Rockshots Records to follow the highly praised 2020 debut album “Essentia”.

Being unveiled with a music video, “Tower” is the longest song on the album. Clocking in at over seven minutes, the band got the inspiration for this track from the part of the hymn where Kore’s mother orders the people of the world to build a tower in her honour. The band explains further:

“This idea and concept sparked a lot of ideas, taking inspiration from events and questions that we face in our current society. Questions such as the existence of a divine power, and why we praise higher powers both spiritually speaking and in our physical world. It also raises ideas about our current social regimes, like capitalism, as well as the toxicity of materialist and consumerist cultures. Aspects of this song touch upon the exploitation of the middle and lower class. This is a topic that we wanted to bring forward, as musicians, artists, and writers as we feel it is relevant and important. This song also takes a lot of inspiration from ethnic sounds. The chanting is sung in ancient Greek, meant to imitate marching and worship, this ties into the message that the song is trying to convey.”

Music Video – Tower – https://youtu.be/Ea4fKzJf2Vo

Digital – https://bfan.link/tower-1

Offering up progressive symphonic sound, “Kore” was specifically written to provide a full orchestral experience that drives people through a sonic journey of growth and grandeur.

“We wanted to take a new approach with this record and to grow our sound and bring something new to Victoria K. Incorporating sounds from our vocalist’s ethnic culture and heritage is something we are so extremely proud of! A concept album is something we really wanted to explore, and we are so excited to bring you this ancient story and create a sonic experience and journey for all our listeners. We cannot wait to share this new stage of Victoria K!”

“Kore” explores modern-day issues through the Homeric Hymn to Demeter (the story of Persephone). Victoria K conceptualized the idea for the album with her producer Lee Bradshaw and then spent many months researching and analyzing the Homeric Hymn to Demeter, even meeting with experts of the Homeric Hymns from Greece. The story was then broken up into its different parts where Victoria Knight wrote the lyrics and developed the melodies for each section of the tale, exploring the myth from a modern perspective.

The tracks were written specifically to encapsulate the various sections of the Homeric Hymn to Demeter and tell the story chronologically through each song and the music grows in intensity throughout the record capturing the emotional state of Persephone and other characters as the story progresses.

The various instruments on “Kore” were then written by Victoria around the lyrics and further enhanced and developed through the production process. Lee Bradshaw then finalized the songs by writing orchestral scores for each song, which were recorded live in Europe, before the final mixing and mastering.

Recommended for fans of Lacuna Coil, Rammstein, Within Temptation, Spirit Box, and Delain, Victoria K‘s new album “Kore” is due out October 14, 2022 from Rockshots Records.

Album pre-order – https://bit.ly/VictoriaK_Kore

First single – Music video – Persephone – https://youtu.be/TJ6ZodSSYgU

Track Listing:
1 – Prologue – 1:09
2 – Raptum – 5:12
3 – Mothers’ Garden – 4:34
4 – The Child – 4:01
5 – Persephone – 5:19
6 – A Divine Revelation – 7:09
7 – Tower – 7:29
8 – Blasphemia – 5:43
9 – Pomegranate – 5:52
10 – The Afterlife – 3:58
11 – Epilogue – 0:54
Album Length: 51:25

For more info:
Rockshots.eu
Victoriakmusicofficial.com

About:

Hailing from Melbourne, Australia, symphonic metal singer/songwriter Victoria Knight (under the pseudonym Victoria K) released on the 5th of May, 2019, her brand new single “Lacuna” distributed in Australia and New Zealand by Warner Music Group (Australia), which was the first offering from her debut album Essentia.

As a result of being invited to support the Swiss Folk Metal giants Eluveitie Victoria K formed the current band who have adopted the name Victoria K. On the 18th of May, 2019, Victoria K played the main support for Eluveitie at their Melbourne show, and produced a performance that had the crowd chanting for an encore.

Victoria K signed to Rockshots Records (Italy) in early 2020 and released their debut album ‘Essentia’ on the 24th of April, 2020. Essentia has received global media attention and the band has been featured in Legacy Magazine (Germany) and Heavy Magazine (Australia) amongst many others.

Essentia debuted at #17 on the Australian iTunes Rock & Metal Charts with the four Music Videos (Lacuna, Forsaken, The Haunting and Matrix) receiving over 230,000 YouTube views.

Victoria K’s ‘Essentia’ won Album of the Year in the Femmetal Awards 2020 and was a finalist in the Best Band and Best Music Video categories and Victoria Knight was a finalist in the Best Operatic Vocals category.

Victoria was also nominated as ‘Best Vocalist’ in the Metalgoddesses.com awards named amongst the best vocalists of the genre including Floor Jansen, Elize Ryde, Fabienne Erni and Charlotte Wessels. Victoria K was also nominated in the metalgoddesses.com awards for Song of the Year (Matrix) and Album of the Year (Essentia).

Anders Sandvall of Metal-rules.com identified Essentia as “one of the strongest debut albums this year” placing the album at #2 on his Best Albums of 2020 and also cited Victoria K as the ‘Best New Band.’

Due to the global pandemic Victoria K was unable to tour so in June, 2020 they played a worldwide Live Stream Show from the studio via Rockshots Twitch Channel and have since released a DVD of the event.

In November 2021, Victoria K commenced their 9 show Australian Tour with shows in Melbourne, Wollongong, Newcastle, Sydney (sold out), Canberra, Brisbane, Adelaide, Whyalla (sold out) and Broken Hill. Due to Covid the tour was run over three legs with the second in March 2022 and the third leg in April, 2022.

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“Lovers of symphonic metal listen up… because Victoria K is about to put Australia on the map.” – Heavy Magazine

“Victoria K’s vocals are absolutely brilliant, they’re ethereal and infectious” – Buzz Music

“The sense of yearning and resolution in Lacuna is woven with sophistication and skill.” – Hysteria Magazine

“She very quickly won over the crowd and with her voice and great tracks like ‘Lacuna’ and ‘Matrix’ it is very easy to see that she will soon be matching it alongside bands like Evanescence and Nightwish.” – Heavy Magazine

“’Lacuna’ is an atmospheric track in which Victoria showcases her fantastic voice by switching between delicate verses and powerful choruses with total ease.” – Maniacs

“’Lacuna’ has so much Metal and so much Gothic in it that you’d want to hear it repeatedly if you’re a Metal fan. The music is sharp and powerful, and the song easily flows into your senses.” – FemMetal

“The latest exciting new talent to emerge from the Melbourne metal scene…” – Sentinel Daily

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ASHER MEDIA RELATIONS

Jon Asher – Music Publicist
#.514.581.5780
asher[@]ashermediarelations[.]com
Facebook @AsherMediaRelations
Instagram @AsherMedia
Tweet @AsherMedia

0 Venture To BC’s Okanagan For ARMSTRONG METALFEST 2023 Being Held July 14-15

September 7, 2022
by Asher
· Armstrong Metal Fest · Music News

NEWS RELEASE

Montreal, QC – September 7, 2022

Venture To BC’s Okanagan For ARMSTRONG METALFEST 2023 Being Held July 14-15

Watch the official video recap of AMF 2019 here.
(video created by Mayne Brand Productions)

AMF Spotify Playlist 2022 Lineup here.

After their most successful event to date in 2022, which saw the festival’s highest attendance on record along with marking the extreme music festival’s return after a two-year hiatus due to the Covid pandemic, Armstrong MetalFest is proud to announce their 2023 edition will be held on July 14th and 15th at the Hassen Arena in Armstrong, BC.

Hosted in British Columbia’s Okanagan valley with the Canadian Rockies as a specular backdrop, the 2022 gathering of metalheads witnessed Spokane, WA deathcore titans ENTERPRISE EARTH headline the festival along with Vancouver’s cult-loved pyro maniacs ZIMMERS HOLE and progressive death kings NECK of THE WOODS. AMF also presented a very special performance from Kelowna’s OMNIA NIHIL (formerly Apollyon) in memory of beloved vocalist Matt Depper who suddenly passed away this past January. A total of 28 bands from across Western Canada and the USA fueled the moshpit for much-needed music therapy.

Tickets for AMF 2023 and camping along with the lineup will be announced at a later date.

Festival co-organizers Jesse Valtsar adds:

“Mark it down on the calendar, we have huge plans to make 2023 the biggest event to date! With the success of 2022, we are going to continue the momentum right into next year! We are planning out our headliners and dreaming up new ways to make Metalfest the best!”

Since 2009 (minus pause years 2020 and 2021 due to the Covid pandemic), West Metal Entertainment and Armstrong Metalfest has not only fostered the talent of hundreds of local bands but brought in well-known, international acts to the quiet, little Canadian town of Armstrong, British Columbia.

Each year up to 700 metalheads from Canada and the USA descend into the picturesque Okanagan Valley and under the blistering sun they spend three days camping, taking in over 30 bands, participating in wrestling events, and scavenger hunts and catching up with their metal family.

The festival has seen such renowned headliners as Kataklysm, Cattle Decapitation, Archspire, Nekrogoblikon, and Beyond Creation as well as emerging artists from across North America. At the end of the revelry, the festival disappears without a trace, leaving the landscape as pristine as it has always been.

West Metal Entertainment is a non-profit society that not only puts on Armstrong Metal Festival every year in Armstrong, B.C., but gives bands opportunities to play different venues throughout the region including all-ages shows, to encourage musical passion in kids as well as adults.

For more info:
Armstrongmetalfest.ca
Facebook
Instagram
Twitter

Festival Press Materials HERE.

2022 Sponsors / Partners:
Legion HQ
West Metal Entertainment
WCMFA
BC Arts Council
Rancho Vignola
Mason Henniger
Nor-Val Rentals
Exclaim!
Askew’s Foods
Armstrong Tourism
Creative BC
Swag Merch
Bravewords
Absolute Underground Mag
Broken Neck Radio
V13
Metal-Rules
Trash Talk w/ Nate
Posteblocke Media
Asher Media Relations

What the press is saying:

Kelowna Now: Armstrong Metal Festival Co-founder reflects on a decade of metal – Video Interview here.

CHBC – Global Okanagan: Metalheads celebrate a decade of gathering in Armstrong – Video Interview here.

“In the past, metalheads had to travel to Germany to experience the rush of a big festival, such as Wacken Open Air. But local headbangers decided to bring that feeling home with Armstrong Metalfest.” – Vernon Morning Star

“Go Big or Stay at Home: Armstrong has that welcoming feeling for a rock show.” – The Valley Voice

“To witness such a gathering of talent is an absolute privilege, and for that fact alone, I will certainly be returning to Armstrong Metal Fest.” – Beatroute BC

“This festival is now going to be my yearly must-go-to event and if you’re a metal head that hasn’t attended or a curious metal voyeur, do yourself a favour and check it out, you will not regret it.” – Abort Mag

“The Armstrong Metalfest is one such event and has grown from its initial, humble beginnings seven years ago to be a regular mainstay, with its south-central BC location making for a popular summertime destination for fans and bands alike.” – Decibel Mag

Named one of the out-of-town music festivals worth the trip by The Vancouver Sun

“For metalheads, this is a great vacation where groups of all sizes can enjoy their favourite musical genre in a fun, energized environment. Not to mention, the camping!” – The Permanent Rain Press

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ASHER MEDIA RELATIONS

Jon Asher – Music Publicist
#.514.581.5780
jon[@]ashermediarelations[.]com
Facebook @AsherMediaRelations
Instagram @AsherMedia
Tweet @AsherMedia

0 Multi-Instrumentalist MATT MILLER Unleashes Shred Finesse Video “The Obscurantist”; New Album “Monument of Velocity” Out Now!

September 7, 2022
by Asher
· Matt Miller · Music News

NEWS RELEASE

Montreal, QC – September 7, 2022

Multi-Instrumentalist MATT MILLER Unleashes Shred Finesse Video “The Obscurantist”

New Album “Monument of Velocity” Out Now!

Matt Miller – Photo Credit – Tony Reviere

Akademia-Award-winning producer, engineer, and songwriter Matt Miller side-steps these industry achievements to embark on something deeply introspective and personal; a transcendent, reactionary and vile personage embodying soaring progressive melodies and captivating crushing rhythms which engulf the listener in black clouds of desperation and shimmering hope. Through his solo project, he has released four cover albums and three original albums the most recent of which is “Monument of Velocity”, which came out this past July. Miller is now presenting a music video for the track “The Obscurantist”, which is an intricate story full of suspense, twists, and turns. He comments on the album:

“With Monument of Velocity, I set out to push my creative limits by not relying on any preconceived notions and let each song unfold as its own entity. Which in turn actually created a stronger continuity between the tracks. By writing the majority of the album without a guitar in hand I was able to think outside the box and come up with more interesting melodies and more dynamic rhythms. This process allowed me to achieve a greater level of melodicism and generate a stronger emotional response.”

Miller started his solo project during the Covid lockdown as he wanted to release all the music he had written and wasn’t being played in the projects he was currently in. With “Monument of Velocity” he knew he wanted to make another instrumental album but also wanted to create something that pushed musical limits and was still fun to listen to. Along with the most recent release he has released a cover album this year and plans on releasing a tech death album with his new project Chasm of Discord and a re-recording of my first instrumental EP “MMXVII”.

A wide variety of influences can be heard throughout Matt Miller’s music, and it is recommended for fans of Necrophagist, Obscura, and Dragon Force.

The video for “The Obscurantist” can be seen and heard at https://youtu.be/5PJQpqLZSz4

“Monument of Velocity” was released on July 19, 2022 via Blood Blast Distribution (powered by Nuclear Blast and Believe Digital) and available on Spotify, Bandcamp, Apple Music.

Track Listing
1. The Fissure (1:01)
2. Abominable Sands (3:13)
3. The Obscurantist (3:18)
4. Monument of Velocity (4:32)
5. Coral Sword (3:27)
6. Sacred Geometry (3:32)
7. Acheron (3:15)
8. Human Race Against Time (3:38)
Album Length: 25:59

For more info:
https://mattmillerhhakmusi.wixsite.com/mattm
https://www.facebook.com/profile.php?id=100052177364686
https://www.instagram.com/mattmiller630

EPK – https://wp.me/pciNW-itE

Booking – Extreme Management Group
Mark Kloeppel – emg.markkloeppel[@]gmail[.]com

About:
Akademia-Award-winning producer, engineer, and songwriter MATT MILLER side-steps these industry achievements to embark on something deeply introspective and personal; a transcendent, reactionary and vile personage embodying soaring progressive melodies and captivating crushing rhythms which engulf the listener in black clouds of desperation and shimmering hope.

Drawing upon the gut-wrenching timed-precision of European death metal stalwarts NECROPHAGIST and SPAWN OF POSSESSION, MATT MILLER progressively blends this approach with deep synthetic and symphonic atmospheres like that of DEVIN TOWNSEND, often arriving at surprisingly emotive and heart-clenching metallic passages like that of RIVERS OF NIHIL.

Calling upon other single-member death metal projects such as PUTRID PILE or INSIDIOUS DECREPANCY, the live performance can best be described as a reclaiming and repainting of the earth by a relentlessly sweeping and deranged berzerker appealing to the vast minions of the extreme music. The combination of elements within MATT MILLER distills the traditions of the international metal realm, the progressive atmospheres of modernity, and reactions to a vile world into a single unrelenting persona of despair and vengeance.

MATT MILLER’s first self-produced instrumental EP came in 2017, drawing on influences from classic metal bands such as MEGADETH and IRON MAIDEN to shredders like YNGWIE MALMSTEEN and PAUL GILBERT, while combining a technical death metal approach to create a maximum intensity music with a frenetic and frantic feel and ferocious atmosphere. Since then, and a few releases into this brief career, MATT MILLER boasts 12,000 consistent monthly listeners on Spotify before hitting the international touring circuit. This was garnered from his 2017 EP, the 2021 self-released ‘Decrepit Shed’ LP, the ‘Reekomposer/Decomposer’ covers double LP, as well as the ‘8E’s’ 1980’s themed covers LP.

In 2022 Matt released the formidable original instrumental LP Monument of Velocity on Blood Blast Distribution. Matt also toured supporting Rings of Saturn on the CYBER SHRED TOUR 2022. 29 shows encompassing the continental United States. Matt has released the cover LP Only What the Light Allows through Blood Blast Distribution as well.

Matt Miller hails from the rain soaked northern Oregon Coast; influenced by the natural foreboding environment. Moving into the present, MATT MILLER has joined up with Extreme Management Group to spread a singularly relentless auditory mind-bend.

– 30 –

0 Rockshots Records Signs Tolkien Inspired RuinThrone For New Album “The Unconscious Mind Of Arda”

September 7, 2022
by Asher
· Music News · RuinThrone

NEWS RELEASE

Montreal, QC – September 7, 2022

Rockshots Records Signs Tolkien Inspired RuinThrone For New Album “The Unconscious Mind Of Arda”

Rockshots Records announce their signing of Italian fantasy power metallers RuinThrone for the release of their new J.R.R. Tolkien-inspired album “The Unconscious Mind Of Arda” due out on (insert release date) to follow their debut album “Urban Ubris” and EP “Leaden Field”.

Set to create an interesting narrative world, RuinThrone composes very captivating musical sections that are supported by complex and progressive structures. The band explains:

“The album itself has been composed of stories inspired by Tolkien’s poems, his “Legendarium”. We hope the concepts we wrote can be “messengers” of reflection for our listeners, turning in a better awareness of their daily life. We focused on an alternative point of view of some stories written by Tolkien. We thought it would have been interesting to explore the mind of the main villains: Morgoth, the Witch-king, and Gothmog. The main concept is to develop a poem with no need for heroes. It’s a world populated by humanized characters creating a correspondence with the listener’s life.”

“The Unconscious Mind Of Arda” is mixed and mastered by Giuseppe Orlando (sound tech for Rhapsody of Fire) at the Other Sound Studios.

Singles, artwork, and track listing for “The Unconscious Mind Of Arda” will be revealed at future dates.

“We want the listener to be “lured” by the darkness and to become as a whole with it.”

Spotify

Bright Eyes (Blind Guardian cover) – https://youtu.be/jcda4fGs0Hg

Track Listing:
1 – Prologue – 2:19
2 – The Dreamweaver – 5:14
3 – I Am The Night – 4:50
4 – Earendil – 4:49
5 – The Past Is Yet To Come – 8:00
6 – Where Wise Men Stop – 1:17
7 – In Penumbra – 6:38
8 – The Eldest – 5:24
9 – Blessed By Loneliness – 4:23
10 – For Those Who Remain 9:54
11 – Where You Belong – 2:34
Alum Length: 55:26

RuinThrone are:
Vocals: Haedus
Drums: Francesco Comerci
Guitar: Nicolò de Maria
Guitar: Luca Grossi
Bass: Alessandro Finocchiaro
Keyboard: Giorgio Mannucci

For more info:
https://www.rockhots.eu
http://ruinthrone.altervista.org
https://www.facebook.com/RuinThrone
https://www.instagram.com/ruinthrone.official

About:

RuinThrone was founded in 2009 in Rome, Italy by Adriano Strinati, Haedus and Alessandri Finocchiaro. Soon after, Giorgio Mannucci (keyboards), Nicolò De Maria (guitars), and Francesco Comerci (drums) joined the band. The sound of RuinThrone is inspired by German and American metal bands like Blind Guardian, Helloween, Iced Earth, and Nevermore, but they have their own distinguishable dark and modern character.

– 30 –

0 EPK – Matt Miller – Monument of Velocity (2022)

September 6, 2022
by Asher
· EPKs · Matt Miller

Matt Miller – Monument of Velocity (2022)

Band: Matt Miller
Album Title: Monument of Velocity
Release Date: July 19, 2022

Jon Asher – Publicist – jon[@]ashermediarelations[.]com

Manager – Extreme Management Group – Mark Kloeppel – emg.markkloeppel[@]gmail[.]com

Distribution: Blood Blast Distribution (powered by Nuclear Blast & Believe Digital)

Mattmillerhhakmusi.wixsite.com/mattm | YouTube | Facebook | Instagram.com/mattmiller630

Spotify | Apple | Mattmiller2.bandcamp.com | Amazon | Deezer

“Creating Emotive Responses” – Prog-Sphere

Band: Matt Miller
Album Title: Monument of Velocity
Release Date: July 19, 2022
Distribution: Blood Blast Distribution (powered by Nuclear Blast & Believe Digital)

Track Listing
1. The Fissure (1:01)
2. Abominable Sands (3:13)
3. The Obscurantist (3:18)
4. Monument of Velocity (4:32)
5. Coral Sword (3:27)
6. Sacred Geometry (3:32)
7. Acheron (3:15)
8. Human Race Against Time (3:38)
Album Length: 25:59

Album Credits
– All music written by Matt Miller
– Recorded, Mixed, Mastered, and Produced by Matt Miller at The Kill Box 2022 – Album art by Hand Rot Art
– Guitar, Bass, Keyboards, and Programming by Matt Miller

=================================================================

The album as a whole (LYRICALLY & MUSICALLY) explained:

Monument of Velocity takes you on a journey and makes a bold statement. I like to think of the songs on the album as scenes from a movie.

Track by track (LYRICALLY & MUSICALLY) explained:

Track 1 – The Fissure sounds mysterious and builds suspense.

Track 2 – Abominable Sands starts off like a race across a vast open space.

Track 3 – The Obscurantist is a story that is full of suspense, twists, and turns.

Track 4 – Monument of Velocity is like a sorcerer casting a spell. Seamlessly changing form and shape.

Track 5 – Coral Sword is a song that was written based upon the creation myth of the islands of Japan.

Track 6 – Sacred Geometry is constantly building up to a new dynamic every time the music changes

Track 7 – Acheron is a joyous expression that slowly turns into something much more prolific.

Track 8 – Human Race Against Time starts off with extremely high tension and represents life passing before your

=================================================================

Fun Facts / Story Angles:

1. Most of Monument of Velocity was written without a guitar. After the initial riffs were recorded, the rest of the song was written during the notation process.

2. Monument of Velocity initially had a different title and was not going to be a Matt Miller release.

3. Some of the songs were written with vocals in mind and were not going to be instrumental.

4. Monument of Velocity had been recorded for a year before its release.

5. Monument of Velocity was recorded at the same time as the album Only What the Light Allows

Funny Stories:
During the CYBER SHRED TOUR I was telling everyone how lonely I was on stage each night. Performing on a national tour is tough but by yourself is a feat unto itself. Especially having to play with such awesome bands. At the last show in Austin TX at Come and Take it Live I noticed everyone was acting a little differently when I was interacting with them throughout the day and I couldn’t figure out why. As I was onstage letting my intro sample play I noticed everyone standing behind the stage. I gave them the middle finger and thought to myself “alright it’s time to bring it” right as the sample ended everyone from the tour ran onstage and helped me yell my battle cry “It’s Miller Time!” Which was something I adopted at the behest of the Voraath guys. It was ultimately a great idea. As I went into the first song I got a little emotional and I tried not to show it but that act of kindness and camaraderie hit me right in the feels and that is a tough spot when you’re trying to go into full shred mode. Unbeknownst to me the other guys on the tour had been planning this and they executed their plan perfectly.

A cool story from the CYBER SHRED TOUR involved joining Rings of Saturn onstage and performing a solo during Faces Imploding. After one of the shows Lucas had mentioned to me that he really liked my set and they wanted to have me join them onstage and play. I talked to Joel and we got the details hammered out. I spent the 4th of July in my motel room trying to write something that would complement the song and add something to it. At the last show in

Austin TX I joined them onstage and threw down a completely improvised solo and it sounded awesome. I nailed my exit queue and walked off the stage feeling great about getting to jam with these ridiculously awesome musicians and great people.

When the CYBER SHRED TOUR rolled into Indianapolis it was hot. Actually to say it was hot is a complete understatement. The venue seemed like they were unprepared. The AC was broken and there was difficulty with providing running water. Everyone was drinking any sort of liquid they could find. There we all were sitting in this venue with 1 industrial fan and 4 ceiling fans. As the time to open the doors drew near the P.A. started having problems. Everyone was setup and ready to go onstage. As the venue troubleshot the P.A. I was lucky enough to jam with Josh from Voraath, Jake from Distinguisher, and Dominic from Extortionist. Even Brian the Tour Manager jumped behind the kit. We played everything from improv black and death metal to Pantera, Slayer, and Metallica covers

Matt Miller – Photo Credit – Tony Reviere

Akademia-Award-winning producer, engineer, and songwriter MATT MILLER side-steps these industry achievements to embark on something deeply introspective and personal; a transcendent, reactionary and vile personage embodying soaring progressive melodies and captivating crushing rhythms which engulf the listener in black clouds of desperation and shimmering hope.

Drawing upon the gut-wrenching timed-precision of European death metal stalwarts NECROPHAGIST and SPAWN OF POSSESSION, MATT MILLER progressively blends this approach with deep synthetic and symphonic atmospheres like that of DEVIN TOWNSEND, often arriving at surprisingly emotive and heart-clenching metallic passages like that of RIVERS OF NIHIL.

Calling upon other single-member death metal projects such as PUTRID PILE or INSIDIOUS DECREPANCY, the live performance can best be described as a reclaiming and repainting of the earth by a relentlessly sweeping and deranged berzerker appealing to the vast minions of the extreme music. The combination of elements within MATT MILLER distills the traditions of the international metal realm, the progressive atmospheres of modernity, and reactions to a vile world into a single unrelenting persona of despair and vengeance.

MATT MILLER’s first self-produced instrumental EP came in 2017, drawing on influences from classic metal bands such as MEGADETH and IRON MAIDEN to shredders like YNGWIE MALMSTEEN and PAUL GILBERT, while combining a technical death metal approach to create a maximum intensity music with a frenetic and frantic feel and ferocious atmosphere. Since then, and a few releases into this brief career, MATT MILLER boasts 12,000 consistent monthly listeners on Spotify before hitting the international touring circuit. This was garnered from his 2017 EP, the 2021 self-released ‘Decrepit Shed’ LP, the ‘Reekomposer/Decomposer’ covers double LP, as well as the ‘8E’s’ 1980’s themed covers LP.

In 2022 Matt released the formidable original instrumental LP Monument of Velocity on Blood Blast Distribution. Matt also toured supporting Rings of Saturn on the CYBER SHRED TOUR 2022. 29 shows encompassing the continental United States. Matt has released the cover LP Only What the Light Allows through Blood Blast Distribution as well.

Matt Miller hails from the rain soaked northern Oregon Coast; influenced by the natural foreboding environment. Moving into the present, MATT MILLER has joined up with Extreme Management Group to spread a singularly relentless auditory mind-bend.

Discography
2022 – (Aug 5) – Only What the Light Allows (Cover Album)
2022 – (July 19) – Monument of Velocity – LP (Original Material)
2021 – (July 5) Reekomposer (Cover Album)
2021 – (June 21) 8E’s (Cover EP)
2021 – (Feb 2) Decrepit Shed
2021 – (Jan 13) Decomposer (Cover Album)
2021 – (Nov 12) – MMXVII – EP (Original Material)

Tours and Festivals:
2022 – CYBER SHRED TOUR w/ Rings of Saturn, Extortionist, Distinguisher, Voraath, Matt Miller

Endorsements
Kahler USA, EMG Pickups, GHS Strings, Stevens Cables and Effects Pedals

0 EATEN BY SHARKS Warn Of Unethical Consumption In Guitar Playthrough For “Kill and Consume”; New Album “Eradication” Out Now! Produced by Chris Donaldson (Cryptopsy)

September 6, 2022
by Asher
· Eaten By Sharks · Music News

NEWS RELEASE

Montreal, QC – September 6, 2022

EATEN BY SHARKS Warn Of Unethical Consumption In Guitar Playthrough For “Kill and Consume”

New Album “Eradication” Out Now! Produced by Chris Donaldson (Cryptopsy)

L-R – Tyler Abrams (Bass) | Justin Whitehead (Drums) | Matt Sherriff (Vocals) | Chris Chaperon (Lead Guitar) | Dan Okowinsky (Guitar)
Photo Credit: Lisa Thompson

Eaten by Sharks has been lurking in the dark for the past couple of years while the world was locked down, waiting patiently to unleash their second album “Eradication” upon unsuspecting listeners. That time has come, they have recently released the album and are following it up with a guitar playthrough video for the track “Kill and Consume”. This is a first-hand look at the song which washes over the listener boasting a slammy, black metal feels, a slick Revocation type jazzy middle eight, and a simple message – don’t eat shark soup less you become cursed for poor choices. They explain what they are like in the flesh:

“It’s tight as nails and loud as fuck. We are very lucky to have Justin as the backbone of the band, he hits so fucking hard we have to crank our amps to 11. We spend a lot of time working on our songs at rehearsal so you get a good clear punch in the face. If we can’t hear the riffs when the sound hits the air in rehearsal, it’s time to tweak structure or tone until it makes sense.”

The band says that they can’t wait for their fans to hear the album and this playthrough video adds to the experience that is Eaten By Sharks. The production on “Eradication” blows their last release “We’re Gonna Need A Bigger Boat” (2013) out of the water and it clearly shows they have poured blood, sweat, and tears into this offering. This is partially due to tight musicianship, and dedication as well as Christian Donaldson’s expertise in capturing a mammoth sound that will keep the listeners coming back for more.

Eaten By Sharks lean into their nautical hell narrative, and set out to rattle your existence like a mega-tsunami. They are recommended listening for fans of Despised Icon, Fit For An Autopsy, and Cattle Decapitation.

The guitar playthrough video for “Kill and Consume” can be seen and heard via NoCleanSinging HERE.

The album “Eradication” was released on August 26, 2022 and available at the following links:

(CD) – Eatenbysharks.bandcamp.com

Digital pre-save – https://distrokid.com/hyperfollow/eatenbysharks1/eradication

Music Video – “Dead Weight” – https://youtu.be/fKQq6XGrZh0

Music Video – “Shallow Water” – https://youtu.be/rcIuWdHD_w0

Music Video – “Depth Charge” https://youtu.be/8Kal6LJa9ik

Track Listing:
1. Shallow Water – 4:16
2. Dead Weight – 3:12
3. Kill and consume – 4:06
4. Same Face, Different Mask – 4:26
5. Depth Charge – 3:07
6. Apex Predator – 3:20
7. Megalodon – 4:55
Album Length: 27:24

Eaten By Sharks is:
Matt Sherriff – Vocals
Chris Chaperon – Lead Guitar
Dan Okowinsky– Rhythm Guitar
Tyler Abrams – Bass
Justin Whitehead – Drums

Album Recording Credits:
• All songs performed by: Eaten By Sharks
• All songs written by: Eaten By Sharks
• Produced by: Christian Donaldson
• Mixed by: Christian Donaldson
• Mastered by: Christian Donaldson
• Album Artwork by: Shindy Design
• Member of SOCAN
• Canadian Content (MAPL)

For more info:
https://www.facebook.com/eatenbysharksband
https://www.instagram.com/eatenbysharksmetal
https://twitter.com/EatenbySharks00

About:

A different type of beast has emerged from the murky depths of the Niagara metal scene. Eaten By Sharks is prepared to usher in a new wave of aquatic brutality, and devastate the landscape with a perfect blend of technical precision and unbridled aggression. The wait is over. There is blood in the water. The feeding frenzy is about to begin…..

Shared Stage with:
Revocation, The Faceless, Dying Fetus, First Fragment, Beyond Creation, Emmure, Upon A Burning Body, Beneath the Massacre, Brought By Pain

Discography:
2022 – Eradication
2013 – We’re Gonna Need A Bigger Boat – EP

– 30 –

“If you’re new to the group, they’re from Ontario, and like the majority of Canadian tech-death bands, they’re damn good at what they do. Don’t let the goofy band name and oddball cover art fool you, this is not amateur hour stuff… As for what the song has to offer, “Depth Charge” is built on continual flipping back and forth between heavy groove terrain and frenetic riffs aided by ripping leads. In doing so, the song feels almost wave-like in its structure, an ever-changing stream of back and forth battling going on underwater. From the time I’ve spent listening to the full release, this is definitely an album many of you will enjoy.” – Metal Injection

“Eaten By Sharks bring aquatic brutality to Technical Death Metal… Eradication should be of great interest to fans of bands like Fit For An Autopsy, Cattle Decapitation, and Revocation and will be available as a CD or digital download. So take my advice, stay out of the water, go grab a copy and let the feeding frenzy begin upon some other unsuspecting victims.” – Metal Talk

“These guys are all business, and put together a pretty compelling, often crushing effort ” – Metal Rules

“Eradication is an absolute blast and one that hits just as hard as you want it to, and is just as serious as you want an album from a band called Eaten By Sharks to be. I wholeheartedly recommend this beast and hope that you have fun listening to it. I did.” – Noob Heavy

“I just discovered Eaten by Sharks, and the band is a good surprise. Their mix of several styles focused on raw violence and devastating technicality makes Eradication an explosive and extremely effective album.” Acta Infernalis

“Eradication is a cracking slab of death metal, excellently written and performed to a high level.” The Razor’s Edge

“Combining new and old Death Metal influences, Eaten By Sharks have proven themselves to be a cut above the competition at the top of the food chain ” – Metal Noise

—
ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780
jon[@]ashermediarelations[.]com
Facebook @AsherMediaRelations
Instagram @AsherMedia
Tweet @AsherMedia

Unsubscribe | Update your profile | Montreal, QC

0 Bravewords Premiering Canadian NWOTHM IRON KINGDOM’s New Single “In The Grip Of Nightmares”; New Album “The Blood Of Creation” Out November 4th

September 6, 2022
by Asher
· Iron Kingdom · Music News

NEWS RELEASE

Montreal, QC – September 6, 2022

Bravewords Premiering Canadian NWOTHM IRON KINGDOM’s New Single “In The Grip Of Nightmares”

New Album “The Blood Of Creation” Out November 4th

L-R: Chris Osterman (Lead Vocals / Lead Guitar), Leighton Holmes (Bass Guitar), Megan Merrick (Lead Guitar), Max Friesen (Drums)
Photo Credit – Caitlin Delaplace

Canada’s NWOTHM outfit Iron Kingdom is releasing their fifth studio album “The Blood Of Creation” this fall and in advance have the melodic new single “In The Grip Of Nightmares” ready for your consumption. The album is not a concept album, but they exhibit a passion for fantasy themes and pays homage to tales woven by acclaimed authors. The single is about the sword Stormbringer from the Michael Moorcock books Elric of Melnibonè Series. Bound together by fate, Elric consumes the souls of those he slays with Stormbringer and this dramatic relationship is conveyed through progressive traditional heavy metal in the vein of Helloween and Fates Warning. Fast and driving, it is also melodic with plenty of solos and focus on the leads. The band explains the track further:

“We started writing this song during the ‘On The Hunt’ sessions back in 2019, however, the song had a different energy than the rest of the album so we decided it would be best to come back to it at a later date. In late 2020, during the Covid-19 lockdown, we took a second look at what was to become ‘In The Grip Of Nightmares’. We rewrote the tune to be what it is today. It tells the tale of the legendary sentient sword ‘Stormbringer’ and its relationship to Elric. The sword ‘consumes’ the souls of those who it strikes down and feeds the energy into Elric, who needs it to survive. The two are bound together by fate. A fate that twists Chaos and Law, and leaves Elric in the grip of nightmares.”

Iron Kingdom set out to create music in a style of metal that seemed to have been forgotten when they were kids. Since no one else seemed to be doing it, they decided to play metal the way it used to be played in the 70s and 80s while transporting listeners into unique, fantastic worlds. Since their conception, they have toured around the world, keeping old-school vibes alive.

This upcoming album sees a lot more music content coming from lead guitarist Megan Merrick and having drummer Max Friesen (ex-Ophelia Falling) has added another layer of ideas giving this latest offering a new perspective than the previous ones, while maintaining the shredding heavy metal thunder fans have come to love. The album was self-produced by Iron Kingdom with mixing done by Andy Boldt and mastering by Greg Reely (Overkill, Fear Factory, 3 Inches of Blood).

This refreshingly classic and refined taste of traditional heavy metal is recommended for fans of Riot, Iron Maiden, and Helloween.

The single “In The Grip Of Nightmares” can be heard via its premiere on Bravewords HERE.

The album “The Blood Of Creation” will be released on November 4, 2022.

Album pre-order / save is available at the following links:
http://www.iron-kingdom.com/shop/
https://iron-kingdom.bandcamp.com

Apple Music, Spotify

In additional news, Iron Kingdom have announced their album launch show for November 4th in Vancouver, BC, hosted by the Invisible Orange at the Wise Hall. For more info, please visit the following link here.

Track Listing:
1. Tides Of Desolation – 1:13
2. Sheathe The Sword – 5:25
3. Queen Of The Crystal Throne – 4:58
4. Hunter And Prey – 5:25
5. Witching Hour – 5:44
6. In The Grip Of Nightmares – 5:23
7. Primordial – 1:40
8. The Blood Of Creation – 13:38
Total Running Length: 43:29

For more info:
https://www.iron-kingdom.com
https://www.facebook.com/ironkingdom
https://www.instagram.com/iron_kingdom
https://twitter.com/iron_kingdom

About: Inspired by legendary pillars of heavy metal such as Iron Maiden, Judas Priest, The Scorpions, and Rush, this four-piece is well known for their energetic and electrifying stage presence, as well as intricate musical melodies that bring listeners back to a time when heavy metal was in its prime.

Formed in Surrey, B.C. Canada, in June of 2011, the band’s core members were Chris Osterman on guitar and vocals, bassist Leighton Holmes, and drummer Amanda Osterman, joined by Jordan Wright on guitar. This quickly changed, after recording their debut album ‘Curse Of The Voodoo Queen’ Jordan was replaced by guitarist Kenny Kroecher. ‘Curse Of The Voodoo Queen’ was released on Dec 14, 2011, and the band took the opportunity to tour western Canada, along with an appearance on the TV Show, Canada’s Got Talent.

With the debut album receiving little attention, the group decided it was time to record a new album, and by April 26, 2013, ‘Gates Of Eternity’ was released. Garnering some strong reviews coming in around the world, attention was growing, and the band was invited to perform at Germany’s Keep It True XVII festival. This opened up many new avenues for the act to pursue, including some serious time on the road through Canada in 2013, and Europe in 2014, followed by a tour in the USA with California’s Night Demon. The band had created some major momentum and Iron Kingdom was spreading their moniker far and wide in support of the first two releases.

On July 30, 2015, Iron Kingdom released not one, but two more albums, ‘Ride For Glory’ their 3rd full-length album, as well as ‘Unleashed at the Kraken (Live in Seattle)’ an exclusive live E.P. recorded on a previous tour. The band set out on the road again in support of the two new releases. The tour was unfortunately riddled with many trials, including a vehicle accident that almost killed the band members. Following the tour, Amanda decided to step back from the band to pursue other commitments. Joey Paul then took her place behind the kit.

Life on the road continued, including a massive North American tour in 2016, as well as a tour in Brazil in a supporting slot for former frontman of Iron Maiden, Blaze Bayley. After many performances, guitarist Kenny and drummer Joey departed, thus leaving the door open for Chris Sonea, and Megan Merrick, on drums and guitar respectively.

It took four years for the follow-up album after ‘Ride For Glory’, but finally on Oct 4, 2019, ‘On The Hunt’ was released. This was the fourth full-length release from this traditional metal act. Iron Kingdom toured ‘On The Hunt’ immediately with an extensive North American tour in the fall of 2019, and shortly after, toured Europe in March of 2020. Thankfully the band was able to perform the majority of their European dates, but unfortunately, COVID-19 took its toll and their final performance was canceled. At the return of the tour, drummer Chris Sonea decided to depart from the group, and the band (now consisting of band members, Leighton Holmes, Chris Osterman, and Megan Merrick) began auditions to fill the void on the drums.

In the Spring of 2020, Max Friesen joined the band, taking his seat behind the kit, and once again, Iron Kingdom stands ready to take the world by storm and aid in the revival of the mighty and classic sounds of Traditional Heavy Metal. Their new album “The Blood of Creation” is scheduled to be released in Fall 2022.

– 30 –

#5 (On The Hunt) Canadian National Loud Chart – For the Week Ending: Tuesday, November 12, 2019 (earshot)

“a glorious gallop of foot on the monitor, traditional heavy metal that will have NWOBHM fans drooling. 9/10” – Metal Gods TV

“It’s a pleasure when you have the chance to listening to bands such as IRON KINGDOM, true defenders of best tradition of our loved music. 88/100” – Hard Rock Heavy Metal

“One of Western Canada’s finest exports is traditional heavy metal band Iron Kingdom… another solid effort proving why Canada is by far the best country for modern traditional heavy metal!” – Skull Fracturing Metal

“With On The Hunt, you can expect Iron Kingdom’s traditional heavy metal. They make no apologies for invoking legends like Iron Maiden, Judas Priest, et al, for metal inspiration. Not dismissing the excellent rhythm section, but with the twin guitar attack of Osterman and Merrick, you’ll find all the songs within On The Hunt quite guitar-forward… Essentially, with this album, Iron Kingdom remains true to their metal style. 4/5” – DangerDog Music Reviews

“Of the hundreds of heavy metal bands that have “Iron” in their name, not very many of them are deserving of it. Iron Maiden? Obviously. Iron Savior? Yup. Iron Fire? Definitely. Of course, Iron Kingdom are undoubtedly deserving of the mark, because the metal they’ve forged is strong, heavy, and true. 9/10” – Power Thorn

“Holy Shit! Have you heard Iron Kingdom’s On the Hunt? If you haven’t you are missing out on one of the coolest album’s of 2019.” – 10/10 Keeper Magazine

—
ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780 | jon[@]ashermediarelations[.]com
Facebook @AsherMediaRelations | Instagram @AsherMedia | Tweet @AsherMedia
(Rockshots Records, Extreme Metal Music, Armstrong MF, Loud As Hell, Metalocalypstick, Decimate MF, Electric Highway Fest, Wacken Metal Battle Canada/USA, Hyperspace MF, Le FestEvil)

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