Posts By Asher

0 MetalInsider Presents Iron Kingdom’s Seductive New Single “Queen Of The Crystal Throne” + New Album “The Blood Of Creation” Out November 4th

October 20, 2022
by Asher
· Iron Kingdom · Music News

NEWS RELEASE

Montreal, QC – October 20, 2022

MetalInsider Presents Iron Kingdom’s Seductive New Single “Queen Of The Crystal Throne”

New Album “The Blood Of Creation” Out November 4th

L-R: Chris Osterman (Lead Vocals / Lead Guitar), Leighton Holmes (Bass Guitar), Megan Merrick (Lead Guitar), Max Friesen (Drums)
Photo Credit – Caitlin Delaplace

Canada’s Iron Kingdom are purveyors of traditional heavy metal bringing forth epic tales set to equally epic music. A throwback to the 80s when metal was loud and shocking, they blast listeners in the face with thunderous drums, walls of riffs, and well-woven fantasy tales told with soaring vocals. They have a fifth album on the way “The Blood Of Creation”, which takes their entire evolution through hard rock, progressive metal, and finally classic Metal and combines it into one impressive package. The second single is “Queen Of The Crystal Throne”, which the band explains in their own words:

“This powerful mid-tempo banger was written about a dark seductress: cold, aloof, and dangerous, you show interest at your own peril. We wanted a straight rocker tune, and that’s exactly what we did here with ‘Queen Of The Crystal Throne’, with hints of early Queensrÿche or Accept, the riffs have some balls, but they also keep a cool pace, it’s really just a super fun tune.”

Iron Kingdom’s M.O. is to take people away into some unique fantastic worlds they may or may not have experienced, but this album is also quite dark and it’s meant to be that way. Coming out of a pandemic brings some darker emotions some people may have never experienced previously, which they think this album may parallel. Ultimately they want people to get the chance to escape this world for a time and find solace in the music.

They usually get a lot of their ideas from fantasy but they also like topics around history or religion and other topics to just make people think. They like things to have a deeper meaning than meets the eye. “The Blood Of Creation” is not a concept album, but it does have a trilogy about the creation myth from the ancient Mesopotamians. Telling the tale of Tiamat and Marduk and the creation of the heavens, the earth, and mankind. This story is known as being one of the oldest, if not the oldest known story from mankind.

“Queen Of The Crystal Throne” is one of many immersive and powerful tracks on the album and is recommended for fans of Judas Priest, Queensrÿche, and Riot.

Watch and listen to “Queen Of The Crystal Throne” via its music video premiere on MetalInsider HERE.

The album “The Blood Of Creation” will be released on November 4, 2022.

Single “In The Grip Of Nightmares” – https://youtu.be/Z0HrAd6WGNI

The Making of ‘The Blood Of Creation’ – Pt 1. [Mini Documentary] – https://youtu.be/TSrv44SXQ-A

Album pre-order / save available at the following links:
http://www.iron-kingdom.com/shop/
https://iron-kingdom.bandcamp.com

Apple Music, Spotify

In additional news, Iron Kingdom have announced their album launch show for November 4th in Vancouver, BC, hosted by the Invisible Orange at the Wise Hall. For more info, please visit the following link here.

Track Listing:
1. Tides Of Desolation – 1:13
2. Sheathe The Sword – 5:25
3. Queen Of The Crystal Throne – 4:58
4. Hunter And Prey – 5:25
5. Witching Hour – 5:44
6. In The Grip Of Nightmares – 5:23
7. Primordial – 1:40
8. The Blood Of Creation – 13:38
Total Running Length: 43:29

For more info:
https://www.iron-kingdom.com
https://www.facebook.com/ironkingdom
https://www.instagram.com/iron_kingdom
https://twitter.com/iron_kingdom

About: Inspired by legendary pillars of heavy metal such as Iron Maiden, Judas Priest, The Scorpions, and Rush, this four-piece is well known for their energetic and electrifying stage presence, as well as intricate musical melodies that bring listeners back to a time when heavy metal was in its prime.

Formed in Surrey, B.C. Canada, in June of 2011, the band’s core members were Chris Osterman on guitar and vocals, bassist Leighton Holmes, and drummer Amanda Osterman, joined by Jordan Wright on guitar. This quickly changed, after recording their debut album ‘Curse Of The Voodoo Queen’ Jordan was replaced by guitarist Kenny Kroecher. ‘Curse Of The Voodoo Queen’ was released on Dec 14, 2011, and the band took the opportunity to tour western Canada, along with an appearance on the TV Show, Canada’s Got Talent.

With the debut album receiving little attention, the group decided it was time to record a new album, and by April 26, 2013, ‘Gates Of Eternity’ was released. Garnering some strong reviews coming in around the world, attention was growing, and the band was invited to perform at Germany’s Keep It True XVII festival. This opened up many new avenues for the act to pursue, including some serious time on the road through Canada in 2013, and Europe in 2014, followed by a tour in the USA with California’s Night Demon. The band had created some major momentum and Iron Kingdom was spreading their moniker far and wide in support of the first two releases.

On July 30, 2015, Iron Kingdom released not one, but two more albums, ‘Ride For Glory’ their 3rd full-length album, as well as ‘Unleashed at the Kraken (Live in Seattle)’ an exclusive live E.P. recorded on a previous tour. The band set out on the road again in support of the two new releases. The tour was unfortunately riddled with many trials, including a vehicle accident that almost killed the band members. Following the tour, Amanda decided to step back from the band to pursue other commitments. Joey Paul then took her place behind the kit.

Life on the road continued, including a massive North American tour in 2016, as well as a tour in Brazil in a supporting slot for former frontman of Iron Maiden, Blaze Bayley. After many performances, guitarist Kenny and drummer Joey departed, thus leaving the door open for Chris Sonea, and Megan Merrick, on drums and guitar respectively.

It took four years for the follow-up album after ‘Ride For Glory’, but finally on Oct 4, 2019, ‘On The Hunt’ was released. This was the fourth full-length release from this traditional metal act. Iron Kingdom toured ‘On The Hunt’ immediately with an extensive North American tour in the fall of 2019, and shortly after, toured Europe in March of 2020. Thankfully the band was able to perform the majority of their European dates, but unfortunately, COVID-19 took its toll and their final performance was canceled. At the return of the tour, drummer Chris Sonea decided to depart from the group, and the band (now consisting of band members, Leighton Holmes, Chris Osterman, and Megan Merrick) began auditions to fill the void on the drums.

In the Spring of 2020, Max Friesen joined the band, taking his seat behind the kit, and once again, Iron Kingdom stands ready to take the world by storm and aid in the revival of the mighty and classic sounds of Traditional Heavy Metal. Their new album “The Blood of Creation” is scheduled to be released in Fall 2022.

– 30 –

#5 (On The Hunt) Canadian National Loud Chart – For the Week Ending: Tuesday, November 12, 2019 (earshot)

“a glorious gallop of foot on the monitor, traditional heavy metal that will have NWOBHM fans drooling. 9/10” – Metal Gods TV

“It’s a pleasure when you have the chance to listening to bands such as IRON KINGDOM, true defenders of best tradition of our loved music. 88/100” – Hard Rock Heavy Metal

“One of Western Canada’s finest exports is traditional heavy metal band Iron Kingdom… another solid effort proving why Canada is by far the best country for modern traditional heavy metal!” – Skull Fracturing Metal

“With On The Hunt, you can expect Iron Kingdom’s traditional heavy metal. They make no apologies for invoking legends like Iron Maiden, Judas Priest, et al, for metal inspiration. Not dismissing the excellent rhythm section, but with the twin guitar attack of Osterman and Merrick, you’ll find all the songs within On The Hunt quite guitar-forward… Essentially, with this album, Iron Kingdom remains true to their metal style. 4/5” – DangerDog Music Reviews

“Of the hundreds of heavy metal bands that have “Iron” in their name, not very many of them are deserving of it. Iron Maiden? Obviously. Iron Savior? Yup. Iron Fire? Definitely. Of course, Iron Kingdom are undoubtedly deserving of the mark, because the metal they’ve forged is strong, heavy, and true. 9/10” – Power Thorn

“Holy Shit! Have you heard Iron Kingdom’s On the Hunt? If you haven’t you are missing out on one of the coolest album’s of 2019.” – 10/10 Keeper Magazine

—
ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780 | jon[@]ashermediarelations[.]com
Facebook @AsherMediaRelations | Instagram @AsherMedia | Tweet @AsherMedia
(Rockshots Records, Extreme Metal Music, Armstrong MF, Loud As Hell, Metalocalypstick, Decimate MF, Electric Highway Fest, Wacken Metal Battle Canada/USA, Hyperspace MF, Le FestEvil)

0 Canada’s Alienatör Confront Tough Issues With Hardcore Sludge In New Album “Regrets” Out November 2022

October 20, 2022
by Asher
· Alienator · Music News

NEWS RELEASE

Montreal, QC – October 20, 2022

Canada’s Alienatör Confront Tough Issues With Hardcore Sludge In New Album “Regrets”

New Album “Regrets” Out Nov 25th

(L to R) Sean Skillen – Bass/Back-up Vocals, Brad King – Guitar/Vocals, Simon Paquette – Drums
Photo Credit – Peter David Wragg

Alienatör is a sludge metal band from Thunder Bay, Ontario, Canada that combines punk, hardcore, and noise rock elements into a stripped-down package, full of razor-sharp riffs and memorable hooks. They are gearing up to release their second album “Regrets” this fall and it is chock full of dark themes, ferocious intensity, and raw emotion. The first single off the album is “Blood Red Blood”, which vocalist/guitarist Brad King outlines:

“This one is a real barn burner and one of our first collaborative songwriting efforts. I showed up with the opening riff, which has an odd time signature, that we counted as 9/8 or something wacky. Sean wrote the rest of the music around it. I like the breakdown in the middle a lot, where we trade vocal lines back and forth. It’s a fun one to play live. The lyrics are about the cycle of violence and toxic masculinity. Basically how hurt people hurt people and how what we do to others eventually gets paid back to us in the end. Blood in, blood out.”

Listen to “Blood Red Blood” via its premiere on Bravewords HERE.

Alienatör’s previous album was written as a two-piece, but for this new offering, the band consists of vocalist/guitarist Brad King, bassist/vocalist Sean Skillen and Simon Paquette on drums, which has taken their songwriting to the next level. They still have some blistering fast punk-influenced tunes, but they’re branching out and showing their creative depth on songs like “The Priest”, “Irreconcilable” and “Dark Matters”. They delve into gritty topics such as alienation, grief, pain, and disgust at the state of the modern world. Composed during the claustrophobia of the 2020 election and the global pandemic the album channels more rage than its predecessor.

Alienatör started out cobbling bits of different heavy styles together, juxtaposing very fast, thrashy material with slower doomy influences and weird experimentation. Over time, they have forged their own sound which carries a lot of the energy of punk and post-hardcore, with a heavy, abrasive edge and introspective or socially conscious lyrics. They are recommended for fans of Unsane, Melvins, and Neurosis.

Album pre-order – https://alienator.bandcamp.com

Track Listing:
1. Revisionist History – 2:10
2. Loss Leader – 4:03
3. Blood Red Blood – 3:08
4. Regrets – 3:44
5. The Priest – 5:30
6. The Less Dead – 1:56
7. Flat Earth Society – 2:51
8. Irreconcilable – 2:59
9. Your Funeral – 3:20
10. Wounded Birds – 4:10
11. Dark Matters – 4:09
Album Length: 38:04

Album Recording Credits:
– All songs performed by: Alienator
– Music by Alienator
– Lyrics by Brad King
– Produced by: Sean Skillen
– Mixed by: Sean Skillen
– Mastered by: Brad Boatright
– Album Artwork by: Peter David Wragg
– Member of SOCAN
– Canadian Content (MAPL)

Album and Live Line Up:
Brad King – Vocals, Guitar
Sean Skillen – Bass, Vocals
Simon Paquette – Drums

For more info:
Exitmusicstudio.ca/alienator
Facebook.com/alienatorband
Instagram.com/alienatorband

About: Hailing from Thunder Bay, ON, Canada, Alienatör is a sludge metal band that combines punk, hardcore, and noise rock elements into a stripped-down package, full of razor-sharp riffs and memorable hooks.

Their debut album, “Pariahs,” released in 2109 moves from fast and aggressive to slow and swampy with touches of experimental weirdness. Many of the lyrics are about how we numb ourselves to the pain and disappointment of everyday life.

Fast forward to 2022, and the band is ready to unleash their follow-up, entitled “Regrets,” which introduces new drummer Simon Paquette to the fold. The album is bleak and abrasive, with moments of calm, melody, and beauty to juxtapose against the ugliness. Raw, uncompromising, and dark, it is emotionally heavy music that reflects a chaotic time in history.

– 30 –

“Noisy post-hardcore sludge, full of energy and rage… a genuine ass-kicker of a record.” – Decibel

“This band is burly, grimy, and the sonic manifestation of discontent. If it’s motivational music you seek, back away slowly. Alienatör ply their trade in the margins of metal, with elements of sludge, noise rock, hardcore, heavy metal, and crust punk. Listeners of Pariahs, the band’s debut full-length, will hear shades of Unsane, Red Fang, Cursed, Kvelertak, Acid Bath, and Cancer Bats, among other guitar-heavy acts by whom sophistication and polish are eschewed.” – Lambgoat

“Pariahs shows Alienatör firing all of their creative cylinders and marks a multifaceted, all-consuming sludge opera delivered with convincing force and accents.” – Idioteq

“Gritty, high-octane sludge…” – Metal Trenches

“From beginning to end Alienatör offers up a truly murky, chunky yet noise filled sound that tears at your ear drums, but in the best possible way. Each track is a madhouse of artery stopping, head banging sludge and noise rock that you cannot simply turn away from.” – Cadaver Garden

“Alienator are miserable and they’d like you to join them.” – Lambgoat

—
ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780
jon[@]ashermediarelations[.]com
Facebook @AsherMediaRelations
Instagram @AsherMedia
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0 EPK – Triskelyon – Downfall (2022) (Moribund Records)

October 20, 2022
by Asher
· EPKs · Triskelyon

EPK – Triskelyon – Downfall (2022) (Moribund Records)

Publicist – Jon Asher – jon[@]ashermediarelations[.]com

For fans of Anthrax, Death Angel, Metal Church, Megadeth, Testament

Album Title: Downfall
Label: Moribund Records
Release Date: October 28, 2022

Triskelyon.bandcamp.com | Facebook.com/triskelyonmetal | YouTube | Spotify

CD: http://www.moribundcult.com/product/DEAD297.html
Digital: https://triskelyon.bandcamp.com/album/downfall

“This was one of my anticipated albums this year as the EP wet my whistle but was far from being enough to satisfy my metal hunger. Hopefully this is not a one off because this is one of the most unique projects to come across my radar in a long time. I’m curious to see where Mr. Waye takes this project next. We shall see. In the meantime…get this album, you’ll thank me for it!” – Metal-Rules

“The highlight of the opening trio is the rampaging “Odyssey (Blessed By Steel)” which finds Marlee Ryley of Hyperia in fine form. Waye is on the rampage with a collection of frenetic riffs and the result is an adrenaline rush of a song that really gets things going. “A Time of War” then finds Triskelyon in Megadeth territory minus the trademark snarl of Dave Mustaine for what can only be described as a classic Thrash anthem… All in all, there is plenty to enjoy here, especially if you’re a lover of the mighty riff ” – Metal Noise

“Thrash Metal with melody, good arrangements and multiple voices.” – PowerMetal.de

“Power-Thrash equipped with murderous riffs on a technically first-class level with changeable exciting vocal variability, at times also surrounded by a dark atmosphere.” – FFM-Rock

“Most of the songs on here are fast and furious, such as “Balance of Terror” with its Hanneman/King-esque riffing, the skull-piercing “Odyssey (Blessed by Steel)” and the powerful “A Time of War,” though they do slow down a bit on the moody march of “Find a Way” while still remaining heavy as all hell… Triskelyon don’t reinvent the wheel of Power/Thrash, but they sure know how to keep it spinning, and that makes Downfall worth giving a spin of its own.” – The Metal Crypt

==========================================================

“This is the kind of band that really plays that pure, raw, seething thrash metal that I love.” – Wings of Death (2022 – Self-Titled EP)

“Classic heavy thrash, catchy quick stuff with big screamy vox! Great stuff!” – WORT 89.9FM – Mosh Pit Radio – Madison, WI (2022 – Self-Titled EP)

“The EP thunders around the listener’s ears with a massive, powerful sound and gripping guitar riffs, but is also arranged with great attention to detail. Geoff Waye also acts as lead guitarist in the melodic as well as brute playing with pinpoint accuracy… Thrash fans who expect more than just head banging should remember the name TRISKELYON.” – PowerMetal.de (2022 – Self-Titled EP)

“What does Melodic Thrash sound like? Well in the eyes (and ears) of Geoff Waye it sounds like Thrash with influences of Traditional Metal, so you have plenty of heavy chugging Thrash riffs, separated by Traditional Metal bridges and big choruses. Opening cut “Hunger” sounds like a classic Anthrax cut from the “Spreading The Disease” era, with Iron Maiden influences all over it and Pete Healey’s higher pitched vocals only enhancing that nostalgic feel.” – Metal Noise (2022 – Self-Titled EP)

[Download Album Cover | Download Album Lyrics]

Album Title: Downfall
Label: Moribund Records
Release Date: October 28, 2022

Track Listing:
1. Hunger (3:01))
2. Find a Way (4:05))
3. Odyssey (Blessed By Steel) (3:34))
4. Willful Ignorance (4:14))
5. A Time of War (4:03))
6. Balance of Terror (4:22))
7. Apex Predator (4:12))
8. Indifference (4:37))
9. Nobody’s Business (Billy Idol cover) (3:54))

Album Credits:
Tracks 1-3 are originally from self-titled demo/EP, the new versions have all been re-recorded bass and have been remixed and remastered.
All songs and lyrics written by Geoff Waye.
All guitars by Geoff Waye.
All drum programming by Raul Marques.
Additional guests:
Dwayne Pike – Bass (tracks 1, 2, 3, 5, 6, 8, 9)
Pete Healey – Vocals (tracks 1, 2, 5, 9)
Marlee Ryley – Vocals (tracks 3, 7)
Amanda Jackman – Vocals (tracks 4, 6)
Des Mason – Vocals (track 4)
Keith Jackman – Bass (track 7)
Darrin Pope – Bass (track 4)
Ellim – Vocals ( track 8 )

Canadian melodic power thrashers Triskelyon released their debut album “Downfall” on October 28th, 2022 via Washington state-based extreme metal label Moribund Records.

Founded by Geoff Waye, guitarist for Artach and Category VI, Triskelyon was conceived in late 2021 as a studio-only project. By January 2022, the band featuring contributions from vocalists Pete Healey and Marlee Ryley (Hyperia), along with drum programming by Raul Marques (Burning Torment) made their introduction to the metal world with a 3-track self-titled EP.

Composed and written mostly by Geoff Waye, with drum programming provided by Raul Marques, “Downfall” sees the band’s next evolution as their first full length and it utilizes a myriad of both male and female guest vocalists from Oberon, Hyperia, Catagory VI and Incidium. “Downfall” has a range and depth of sound unique in today’s modern thrash metal scene, setting the band ahead and apart from the hordes of young new acts. Triskelyon also features guest bass appearances from members of Afterforever and Category VI, making Triskelyon a veritable supergroup of the Canadian metal scene.

Depicting a nature taking over post-apocalyptic view of our ever-screwed-up world, Triskelyon keeps with 80’s thrash tradition employing world-ending yet self-empowering socially conscious lyrical themes. From straight-up 80’s thrashers like “Odyssey (Blessed by Steel)”, to the power metal laced “Find A Way”, and more anthemic thrash tracks such as “Hunger” and “Willful Ignorance”, “Downfall” is sure to satiate even the most discriminating old-school and modern thrash metal fan alike! The album even features a unique and thrashing rendition of the Billy Idol song “Nobody’s Business”.

Album was mixed/mastered by Michael Small with the post-apocalyptic cover art by IvaanMR11.

With “Downfall”, Triskelyon delivers an amazing headbanging album that harkens back to the old-school days of such luminaries as Forbidden, Agent Steel, Sentinel Beast, Détente, Overkill, and Testament.

0 Rockshots Records – HIGHWAY QUEEN Shares Music Video For Title Track Off New Album “Bitter Soul” Out December 2022

October 20, 2022
by Asher
· Highway Queen (Rockshots Records) · Music News

NEWS RELEASE

Montreal, QC – October 20, 2022

Rockshots Records – HIGHWAY QUEEN Shares Music Video For Title Track Off New Album “Bitter Soul” Out December 2022

New Album “Bitter Soul” Out December 16th

Rockshots Records is proud to announce their signing of Finnish rockers Highway Queen for their debut full-length “Bitter Soul”, a collection of rock and metal songs with beautiful melodies, strong riffs with heavy drums and bass. Each song shows the listener the stylistic versatility of the band.

The album is due out on December 16th and follows their 2021 singles “Walls Are Burned”, “You Better Run” and “Hellfire” released via Inverse Records.

Songs on “Bitter Soul” are all about scenarios in one’s life. The lyrics tell stories about gnawing the burden of shame, anger, and bitterness. They also talk about the burden that carries through generations. They are about people’s weaknesses too. The stories are also about overcoming these challenges.

“From our first self-releases and singles with Inverse Records to this album, our sound is definitely going from a lighter to heavier direction. Every song has its own mood so feeling vary throughout the album. There are parts in the album with bluesy vibes to parts that have strong doom or even thrash vibes. It all blends together with a touch of 80’s style. Every song on the record has its own mood.” adds the band.

Today, the band presents their first single and album title track with a music video, which can be viewed at:

YOUTUBE – https://youtu.be/g1Xe-jmiMSQ

SPOTIFY – https://bfan.link/bitter-soul-1

The band explains the song in further detail:

“We wanted to compose a very simple and blues-like song. We tossed around ideas and played and played until we got verse and chorus ready. Still, we weren’t pleased with the chorus. We had a session with the producer and we introduced the song to him. He also thought that it wasn’t ready yet. So we played the song and tried to think out of the box and the chorus came out. The guitar has a gloomy riff to give the song a darker shade. The bass came out to be strong together with simple and tight drums still giving some spice on its own. Bitter Soul tells about a woman who has lost her loved ones. Her soul has died. She regrets and mourns but she doesn’t know how she can change the things she has done.”

Highway Queen is a band that plays melodic hard rock with some metal influences. The band was founded at the end of 2019 by vocalist Virpi Kääriäinen, guitarist Teemu, Kääriäinen and drummer Henri Backman. All members have played in cover band projects in the past and decided it was time to start making their own creations.

In 2020, the band self-released four singles on digital platforms. Also in 2020, the band acquired bassist Petri Orava and they recorded more songs to be released. In 2021, the band signed with Finnish record label Inverse Records for releasing three singles and a music video. The songs had a great reception, and the band continued moving forward to start working on their first album. All Highway Queen songs are recorded with Aleksanteri Kuosa, so he was a natural choice to be the producer for the full-length. He has also worked with bands like Waltari and Before The Dawn.

Highway Queen is recommended for fans of melodic hard rock, heavy rock, and NWOTHM.

Album pre-order: https://bit.ly/BitterSoulCD

Track Listing:
1. Hey!
2. Get On Your Knees
3. I Lean On You
4. Here I Am
5. I Dim The Lights
6. Bitter Soul
7. In Vain
8. Own Will

Album Credits:
All songs written by
– Virpi Kääriänen, Teemu Kääriäinen & Henri Backman
– Vocals: Virpi Kääriäinen
– Guitars: Teemu Kääriäinen
– Drums: Henri Backman
– Bass tracks played for the album by Jykke Tikka
– Produced, engineered & mixed by Aleksanteri Kuosa
– Cover and photos: Henri Backman
– Mastered by Jukka Yliaho/Masterlab
– Recorded at Inka Studio

For more info:
www.rockshots.eu
www.highwayqueenband.com
www facebook.com/highwayqueenband
www.instagram.com/highwayqueenband

– 30 –

—
ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780 | jon[@]ashermediarelations[.]com
Facebook @AsherMediaRelations | Instagram @AsherMedia | Tweet @AsherMedia
(Rockshots Records, Extreme Metal Music, Armstrong MF, Loud As Hell, Metalocalypstick, Decimate MF, Electric Highway Fest, Wacken Metal Battle Canada/USA, Hyperspace MF, Le FestEvil)

0 Rockshots Records – Get Ready To Soar “Higher” w/ 17 Crash’s New Music Video From Fourth Studio Album “Stamina” Out November 2022

October 19, 2022
by Asher
· 17 Crash (Rockshots Records) · Music News

NEWS RELEASE

Montreal, QC – October 19, 2022

Rockshots Records – Get Ready To Soar “Higher” w/ 17 Crash’s New Music Video

Fourth Studio Album “Stamina” Out November 2022

Get ready to soar “Higher” with Italian rockers 17 Crash and their new music video for their second single from their fourth studio album “Stamina” due out on November 18th via Rockshots Records.

The opening album track “Higher” is a punch in the stomach. The band continues to explain the song:

“We wanted to start on fire, getting in your ears like a Tornado. Our comeback after two terrible years is finally here, so it must be fast, heavy, and loud. This song speaks about our need to reach our life goals, focusing on what we love to do and trying to leave all the negative things behind. It’s a primal scream, a jump to reach the highest top. We all know how hard is to reach the top and remain free.”

Watch and listen to the music video for “Higher” at https://youtu.be/ILUOrqJQ3T4

17 Crash‘s new record “Stamina” is a much more complex and profound piece of work written entirely during the endless lockdowns from the 2020 pandemic that the world experienced. Their passion for the 80’s glam / hard n’ heavy rock n’ roll crossed with a particular duality between human struggle and the will to fight and resist against all the odds. It might seem that 17 Crash has come a long way, but rest assured they are just warming up for what’s to come.

Colliding their emotions, fears, and wishes, mixing up everything they got inside, and talking about their experiences and how they changed over these past testing years, 17 Crash explains their album in further detail.

“People should listen to this album very carefully, trying to catch the real spirit of it. Words have a very important message in this one, considering the times we are living in and what happened in 2020. The singles show what we are and what we want to say after these two terrible years. It’s like a concept about this crazy modern era and all the effects it brought to us. This record, it’s a box with all the emotions and the feeling we had during the composing process. We are talking about being us at 100% and our fans know that we always speak just about the truth. On this album, we shared everything we wanted to. No secrets, just feelings.” adds the band.

Recommended for fans of H.E.A.T, Crazy Lixx, Eclipse, Hardline, and Stryper, “Stamina” is available for pre-order at the following link – https://bit.ly/17Crash_Stamina

Music Video – My World – https://youtu.be/EDUN9QPietk

Never bored of being hungry to see people dancing, and having fun, inclusion is one of the biggest aspects of 17 Crash, the fans are the gig. The band will be performing on show dates to support the record, which will be revealed at a later time.

Track Listing:
1. A Song For Ennio – 2:14
2. Higher – 3:26
3. My World – 3:42
4. Soul – 4:10
5. Keep Yourself Alive – 3:23
6. In My Dreams – 4:34
7. Reach For The Sky – 3:30
8. Flashing Lights – 3:21
9. Brand New Way – 3:49
10 Danger Zone – 3:46
11 Strike First – 4:43
Album Length: 40:43

For more info:
www.rockshots.eu
https://www.facebook.com/17CrashOfficialPage
https://www.instagram.com/17_crash_official/
https://twitter.com/rock17crash

About:
Driven by the passion of drummer Phil Hill and singer Ros Crash, 17 Crash began their crazy journey back in 2011.

At an earlier stage of their career, 17 Crash was a true and vibrant synonym of vintage 80s LA Glam Rock Style: big hair, leather pants, and loud guitars. Distinctive attire and growling sound finally merged into the debut album “Reading Your Dirty Minds” (2015). Right after their first release, the band toured extensively throughout the Italian peninsula while making sure the name of the band was being heard.

Evolving and exploring new sounds, it didn’t take that long until they found what they were looking for with the release of the second studio album “Hit The Prey” (2018). Finding the right balance between the 80s sound and modern AOR, the new record marked a significant turning point both in terms of musicianship and career approach.

Another two years of touring passed until a further stage of evolution with their third album “Through Hell And Back” (2020) reconfirming previous collaboration with long-esteemed colleagues Alessio Lucatti in production and Simone Mularoni for mixing and mastering. The third chapter written by 17 Crash featured groovy heavy riffs, polished sounds, and even sharper tunes, effectively establishing the band as a true landmark not only within national borders, but in the international hard & heavy landscape as well.

Now in 2022, they will present their fourth album “Stamina” on Rockshots Records on November 18th.

– 30 –

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0 RivetSkull Shares Video For Classic Metal Single “Forever” Off “Trail of Souls: Samsara”

October 18, 2022
by Asher
· Music News · RivetSkull

NEWS RELEASE

Montreal, QC – October 18, 2022

RivetSkull Shares Video For Classic Metal Single “Forever” Off “Trail of Souls: Samsara”

L-R – Mark X. Plog (Guitar), Chad McMurray (Vocals), Mark Hopkins (Bass), Michael Robson (Drums)

Photo Credit – Niffer Calderwood

Seattle and Los Angeles-based heavy metal four-piece RivetSkull’s re-imagined full-length album is now available on all digital music services. “Trail of Souls: Samsara” is a complete re-recording of the band’s self-published 2020 album “Trail of Souls”. After self-recording and releasing their debut album during the global pandemic, RivetSkull revisited their songs with professional production that captures the massive sound that fans have come to expect from their live shows. In support of their album’s release, the band drops their next music video for the single, “Forever”, which can be viewed and heard on NWOTHM Full Albums YouTube Channel at https://youtu.be/_DKweQCzVDk

The band shares their thoughts on the upcoming release:

“We originally wrote ‘Forever’ in 2019 when the world was, once again, in a strange place and the US was experiencing a significant political and religious divide. Two years later, the world would be forever changed by Covid. Then again, in 2022 with more war in Ukraine, inflation, and political and religious agendas driving even more distance between us. ‘Forever’ is about the repeating cycle of life’s ups and downs and changes that must forever face and come to terms with.”

“Trail of Souls: Samsara” has an epic, yet nostalgic feel. Lyrically, vocalist Chad McMurray writes from the heart about things people can relate to, nothing is contrived. RivetSkull isn’t trying to write a certain kind of song and they’re not trying to portray a certain image. They’re not trying to be a tough, brutal band. They’re just normal guys who like metal, much like it was in the 70s – 80s. “I don’t know, maybe we need to bring cod pieces back?” jokes McMurray.

Recorded at London Bridge Studio (Alice in Chains, Soundgarden, Queensrÿche) and produced by Matt Hyde (Slayer, Deftones, Seether), “Trail of Souls: Samsara” promises much more than a sonic retouch of the original. The reworked collection features new cover artwork and a previously unreleased recording of a cover of Aerosmith’s “King and Queens.”

RivetSkull keeps is classic, and is recommended for fans of Judas Priest, Def Leppard, and Armored Saint.

“Trail of Souls: Samsara” is available on all digital platforms at the following link – https://lnk.to/TrailOfSoulsSamsara

Music Video – “Crash and Burn” – https://youtu.be/fXibzQQKvJM

Music Video – “Kings and Queens” – https://youtu.be/vC32QZg9_vc

Track Listing:
1. Crash and Burn (2:49)
2. Forever (5:24)
3. Mystified (3:45)
4. Another Way to Heaven (7:29)
5. Narcissus (5:01)
6. Trail of Souls (4:04)
7. It’s Not Enough (4:02)
8. Kings and Queens (Aerosmith cover) (5:16)
Album Length: 37:54

For more info:
http://www.rivetskull.com
http://www.facebook.com/rivetskull
http://www.twitter.com/rivetskull
http://www.instagram.com/rivetskull

About:
It would be easy to call RivetSkull a traditional heavy metal band, but they’re so much more than that. RivetSkull has taken the very roots of heavy metal and forged it into something new and fresh. Spawned from the same DNA that created the beasts that roamed the dark valleys of Birmingham, the foothills of the Cascades, and the plains of Texas, there’s no denying RivetSkull’s heavy metal heritage. This is hard-hitting music blasted over record store chatter, the buzzing of a tattoo gun, or the revving of a motorcycle engine. But, as any metalhead will tell you, heavy metal is more than just a genre: it’s therapy, it’s community, it’s a style – and it’s a movement. And it’s always evolving.

RivetSkull has created a modern sound that’s as unique as each member’s influences, from punk to country, from alternative to funk. Listening to RivetSkull, it’s easy to envision the band’s live show: Chad McMurray’s clean vocals soaring over a sea of bobbing bodies in black band t-shirts, Mark X. Plog’s boundary-defying guitar ascending over raised beers and outstretched metal horns, Michael Robson’s emphatic drums and Mark Hopkins’ booming bass rattling the bones beneath black jeans and denim vests. Like good metal – you’ll feel it in your core as much as you’ll hear it in your ears. All of this is brought to you by a dedicated and hard-working band of brothers. They are RivetSkull and they’re bringing the past into the future.

– 30 –

0 Rockshots Records – Look To The Sky To See The “Burning Horizon” – MindAhead Present Music Video For Next Single Off Upcoming Album Out Oct 2022

October 18, 2022
by Asher
· MindAhead (Rockshots Records) · Music News

NEWS RELEASE

Montreal, QC – October 18, 2022

Rockshots Records – Look To The Sky To See The “Burning Horizon” – MindAhead Present Music Video For Next Single Off Upcoming Album Out Oct 2022

New Album “6119 – Part I” Out October 28, 2022

Look up to the sky to see the “Burning Horizon”, the next music video for the third single from Italian progressive avant-garde metal MindAheaD in support of their sophomore story album “6119 Part 1” being released via Rockshots Records on October 28th.

The band adds about the track:

“‘Burning Horizon’ is direct and catchy both melodically and structurally; it focuses on the voices that intersect and duet, sometimes harmoniously, sometimes aggressively opposing each other. The instrumental part is articulate, but always keeping an eye on melody and easy assimilation. The orchestrations also play an important role, providing a backdrop to the burned horizon that will turn into a desert very soon.”

Watch and listen to the music video for “Burning Horizon” at https://youtu.be/LUEvDkMkcYw

MindAhead‘s next full-length offering “6119 Part 1” follows their 2017 debut “Reflections” released on Roman label Revalve Records. Just like its predecessor, the band’s new offering is once again a concept album with a complex, personal and unusual sound to test the limits of their songwriting. “6119 Part 1” is a continuation of the previous work on “Reflections”, which will tell us the story of 6119, the main character, through a surreal, oneiric journey, always poised between physical space and the realm of the mind. Trapped in this dreamlike kaleidoscope, he proceeds heedless of the consequences, hoping to find at the end of the journey (the “Part II,” currently in production) the reason why all this is happening to him.

Merging different aspects, sometimes opposite, of human feeling, bringing them together in a colorful and personal musical proposal, which has its roots in influences ranging from prog 70s to death metal, the band explains the new album in further detail:

“This album is a concept realized with the aim of telling a story that straddles the line between dystopian science fiction and the psychological investigation of the human mind, so the music and lyrics were created in order to reach these goals. We would like the listening experience to be completely immersive. We would like the listener to be able to take a break from the real world and step into another dimension, one that is distant but at the same time well known, not alien, but almost familiar. The listener should passionately follow the events of ‘6119’ in its inner and outer search for reality, in a story that began in the previous album ‘Reflections’ and will end in the band’s next release, so as to complete a narrative trilogy.”

Having shared the stage with bands such as Jinjer, Vision Divine, Deathless Legacy, Domine, Pino Scotto, MindAhead is recommended for fans of Opeth, Ayreon, Haken, Katatonia and Pink Floyd. “6119 Part 1” is due out October 28th, 2022 via Rockshots Records.

Album pre-order – https://bit.ly/6119pt1_CD

First single – “What You Are” – https://spoti.fi/3PSNn7d

Second single – Music Video – “Last Tide” –https://youtu.be/b8fxBNEIGaI

Track Listing:
1. Prologue – 2:00
2. Burning Horizon – 5:24
3. Dancing In The Desert – 17:06
4. What You Are – 6:38
5. The Last Tide – 4:40
6. Beautiful Mistake -6:29
7. Innocence – 2:36
8. At The Gates Of Night Part I (The Old Poet) & II (At The Gates) – 9:05
9. At The Gates Of Night Part III (Lost In The Loop) – 3:12
Album Length: 57:14

For more info:
https://www.rockshots.eu
https://www.facebook.com/mindahead
https://instagram.com/mindahead_official

– 30 –

“MindAhead are a band of innovation in metal. They are on the vanguard of where avant garde and progressive metal is going into the future. I believe Reflections is opening up another door of true ideas and standards for this kind of experimental metal. They continue Italy’s rich under rated progressive rock and metal tradition. They have a very distinctive and unique sound that will stand out among the current metal landscape. MindAhead’s Reflections is one of the absolute strongest debut albums over the last 25 years. I am giving MindAhead’s Reflections a perfect 5/5.” – Power of Prog

“The music captured different moods very well that it was almost like an emotional roller coaster listening to this album. Kyo Calati and Frank Novelli did an awesome job singing together. With his ferocious, strength-y growls and screams and her beautiful, serene, innocent voice; they complimented each other like peanut butter and jelly. Great vocalists, great playing and great music! I recommend giving it a listen.” – Metal Temple

“MINDAHEAD have done a lot right on their debut album. Reflections is exciting and entertaining, brings – with the exception of the quiet Farewell – power and surprises with its modern and progressive expressions. An unexpectedly strong debut.” – Vamspter

“Between long suites (Amigdala and Three Sides Of A Dangerous Mind) and more immediate pieces, as in the case of On The Dead Snow and Emerald Eyes, the sextet demonstrates an uncommon determination, and the proven ability to confront a modern and evolved conception of metal. A knockout blow that deserves to be properly exploited, by a band with great potential.” – Rock Hard Italy (2017)

“Among MindAheaD’s many musical influences are the 70’s, progressive rock and death metal. The nature of this band is multifaceted and the band’s name itself is a word that blends thought (mind) and body (head).” – System Failure Webzine

“MINDAHEAD have all the ingredients to become a safe bet, with their own personality and a full-length that, being their debut, could be preparing us for a spiritual successor of OPETH.” – Necromance Magazine

“If you like your progressive but don’t mind a few aggressive vocals in the mix, not that they really dominate, then this is highly recommended. The female vocal is excellent and the countering of the two works perfectly.” – The Rocktologist

—–
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Jon Asher – Music Publicist
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0 Canadian Thrashers TRISKELYON Unleash New Music Video “Balance of Terror” off New Album “Downfall” Out October 2022 via Moribund Records

October 17, 2022
by Asher
· Music News · Triskelyon

NEWS RELEASE

Montreal, QC – October 17, 2022

Canadian Thrashers TRISKELYON Unleash New Music Video “Balance of Terror”

New Album “Downfall” Out October 2022 via Moribund Records

Canadian melodic power thrashers Triskelyon will be unleashing their debut album “Downfall” on October 28th, 2022 via Washington state-based extreme metal label Moribund Records.

Today, the band presents their latest music video for the single “Balance of Terror”. The song features vocals from Amanda Marie Jackman (Category VI). Band founder Geoff Waye explains the track:

“‘Balance of Terror’ is primarily a nod to the best classic Star Trek episode (Star Trek: The Original Series: Season 1, Episode 14). It’s also about the balance of power that has been built up over the decades. The music video was filmed along the coastline in the area of Cape Spear Newfoundland. There’s a couple of shots from with the large guns that were a part of Newfoundland’s coastal defense during WWII.”

Watch and listen to “Balance of Terror” ft. Marie Jackman (Category VI) – https://youtu.be/V0TR8G5oV4g

Founded by Geoff Waye, guitarist for Artach and Category VI, Triskelyon was conceived in late 2021 as a studio-only project. By January 2022, the band featuring contributions from vocalists Pete Healey and Marlee Ryley (Hyperia), along with drum programming by Raul Marques (Burning Torment) made their introduction to the metal world with a 3-track self-titled EP.

Composed and written mostly by Geoff Waye, with drum programming provided by Raul Marques, “Downfall” sees the band’s next evolution as their first full length and it utilizes a myriad of both male and female guest vocalists from Oberon, Hyperia, Catagory VI and Incidium. “Downfall” has a range and depth of sound unique in today’s modern thrash metal scene, setting the band ahead and apart from the hordes of young new acts. Triskelyon also features guest bass appearances from members of Afterforever and Category VI, making Triskelyon a veritable supergroup of the Canadian metal scene.

Depicting a nature taking over post-apocalyptic view of our ever-screwed-up world, Triskelyon keeps with 80’s thrash tradition employing world-ending yet self-empowering socially conscious lyrical themes. From straight-up 80’s thrashers like “Odyssey (Blessed by Steel)”, to the power metal laced “Find A Way”, and more anthemic thrash tracks such as “Hunger” and “Willful Ignorance”, “Downfall” is sure to satiate even the most discriminating old-school and modern thrash metal fan alike! The album even features a unique and thrashing rendition of the Billy Idol song “Nobody’s Business”.

Album was mixed/mastered by Michael Small with the post-apocalyptic cover art by IvaanMR11.

With “Downfall”, Triskelyon deliver an amazing headbanging album that harkens back to the old-school days of such luminaries as Forbidden, Agent Steel, Sentinel Beast, Détente, Overkill, and Testament.

Pre-orders for Triskelyon‘s debut album “Downfall” are available at the following links:

CD – www.moribundcult.com/product/DEAD297.html

Digital – https://triskelyon.bandcamp.com/album/downfall

Track Listing:
1. Hunger (3:01))
2. Find a Way (4:05))
3. Odyssey (Blessed By Steel) (3:34))
4. Willful Ignorance (4:14))
5. A Time of War (4:03))
6. Balance of Terror (4:22))
7. Apex Predator (4:12))
8. Indifference (4:37))
9. Nobody’s Business (Billy Idol cover) (3:54))

Album Credits:
Tracks 1-3 are originally from self-titled demo/EP, the new versions have all been re-recorded bass and have been remixed and remastered.
All songs and lyrics written by Geoff Waye.
All guitars by Geoff Waye.
All drum programming by Raul Marques.
Additional guests:
Dwayne Pike – Bass (tracks 1, 2, 3, 5, 6, 8, 9)
Pete Healey – Vocals (tracks 1, 2, 5, 9)
Marlee Ryley – Vocals (tracks 3, 7)
Amanda Jackman – Vocals (tracks 4, 6)
Des Mason – Vocals (track 4)
Keith Jackman – Bass (track 7)
Darrin Pope – Bass (track 4)
Ellim – Vocals ( track 8 )

For more info:
Triskelyon.bandcamp.com
Facebook.com/Triskelyonmetal

– 30 –

“The three songs have the rage, heaviness and some rawness you expect from thrash, but also the melody and speed you’ll find in the more aggressive and harsher forms of power metal (no flowery stuff here, people). Pete’s vocals definitely are more of the aggressive heavy/power metal variety while Marlee shakes the hell out of the speakers with a more aggressive and harsher, yet high-pitched style.” – The Metal Crypt

“This is the kind of band that really plays that pure, raw, seething thrash metal that I love.” – Wings of Death

“Classic heavy thrash, catchy quick stuff with big screamy vox! Great stuff!” – WORT 89.9FM – Mosh Pit Radio – Madison, WI

“The EP thunders around the listener’s ears with a massive, powerful sound and gripping guitar riffs, but is also arranged with great attention to detail. Geoff Waye also acts as lead guitarist in the melodic as well as brute playing with pinpoint accuracy… Thrash fans who expect more than just head banging should remember the name TRISKELYON.” – PowerMetal.de

“What does Melodic Thrash sound like? Well in the eyes (and ears) of Geoff Waye it sounds like Thrash with influences of Traditional Metal, so you have plenty of heavy chugging Thrash riffs, separated by Traditional Metal bridges and big choruses. Opening cut “Hunger” sounds like a classic Anthrax cut from the “Spreading The Disease” era, with Iron Maiden influences all over it and Pete Healey’s higher pitched vocals only enhancing that nostalgic feel.” – Metal Noise

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ASHER MEDIA RELATIONS
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0 Norway’s Féleth Confront The Dark History Of Colonialism In “USA” Off “Divine Blight” – Mixed and Mastered by Christian Donaldson (Cryptopsy)

October 17, 2022
by Asher
· Feleth · Music News

NEWS RELEASE

Montreal, QC – October 17, 2022

Norway’s Féleth Confront The Dark History Of Colonialism In “USA” Off “Divine Blight”

Mixed and Mastered by Christian Donaldson (Cryptopsy)

Féleth, from the far reaches of northern Norway, above the arctic circle, have a new album coming out this winter entitled “Divine Blight”. Some of the tracks on the album are fictional while others, including the single “USA” ft. Petter Carlsen are commentaries on real-world issues. The latest single involves the parallelism of the USA’s and Scandinavia’s effects on the indigenous people of the areas. The band details the track:

“It’s our most alternative song on the album, where almost everyone contributed to the songwriting. “USA” starts off very calm and beautiful, before the main bassline of the song comes in, which in itself is very intricate. The song follows a very strange structure where it has two ‘’hooks’’, and riffs that showcase the absolute guitar mastery that the band can deliver. Lyrically there was a lot of work put into this song, it touches upon the horrors that were inflicted upon the Native Americans, and also the Sami people, the indigenous people of Northern Norway, expressing extreme dismay and criticism against the atrocities inflicted.”

When it comes to writing, everyone participates in the songwriting process, but is mostly handled by the guitarists. Then up to the bass player and drummer to add what they think is the most fitting for the song. The lyrics usually come from the ‘’feel’’ of the songs. The lyrics are ranging from critique towards humanity, relatable events and even touching upon how the more technologically advanced people oppressed natives in the single “USA”.

The general red line throughout the album when it comes to the lyrics is perfectly described in the album title ‘’Divine Blight’’, which is a wordplay on ‘’Divine Right’’ where kings etc. meant they were chosen by god and had more worth than other people. ‘’Divine Blight’’ is the band’s dismay in such thinking, implying that all of humanity is equal and we are all equally responsible for all the fucked up shit that’s happening in this world.

An electrically charged exhibit of melodic death metal with a generous helping of technical riffs, Féleth takes their music seriously, but not themselves. They are recommended for fans of Archspire, Fit For An Autopsy and Inferi.

The lyric video for “USA” ft. Petter Carlsen can be seen and heard at https://youtu.be/7jURKrmgt0M

Digital – https://orcd.co/_usa

The album “Divine Blight” comes out on November 11, 2022.

Music Video – Majesty – https://youtu.be/yce26-EGFMI

Visualizer – Avarice – https://youtu.be/E2J3NnHAmsk

Track Listing:
1. Majesty – 03:46
2. Caretaker – 03:58
3. Riven – 03:51
4. En Elskovsdans – 03:10
5. The Serpent – 03:32
6. Casanova – 03:35
7. Deadlands – 04:26
8. Absence – 04:09
9. USA – 05:32 ft. gust vocals Petter Carlsen
10. Avarice – 05:33
Album Length: 41:37

Album Credits:
All songs performed by Féleth
Guest vocalist Petter Carlsen on USA
All songs written by Féleth
Produced by Féleth
Mixed and Mastered by Christian Donaldson
Assistant Engineer Jonathan Mazzeo
Album Artwork by Kahinienn Graphix

Live and Album Lineup:
Espen Dagenborg – Vocals
Thomas Nyvoll – Guitar
Alexander Stamnes – Guitar
Brage Ingebrigtsen Westgaard – Bass
Aleksander Alsen – Drums

For more info:
Facebook.com/FelethBand
Instagram.com/felethband

– 30 –

““Majesty” is an exciting introduction to the differing styles and techniques that Féleth intertwine in their songwriting, drawing together ingredients from technical and melodic death metal in a white-hot rush that nevertheless is home to some bone-smashing grooves. “Avarice” puts those genre ingredients on display again, but expands the musical palette and makes the song an even ore multi-faceted and atmospheric experience. With no room to gasp a breath, the song explodes in a flurry of fleet-fingered, fret-leaping guitar work, neck-cracking drumming, and flame-throwing vocal intensity. But groaning chords and shrill, eerie melodic overtones also create dark and deleterious moods, building tension and fear. While the vocals are utterly unhinged in their madness (and doubled in the chorus for extra intensity), squirming guitar arpeggios create a different dimension of insanity, coupled with agony, and martial drum patterns and a misery-steeped closing solo add to the song’s relentless dynamism. On top of all that, the song also punches like a heavyweight fighter.” – No Clean Singing (Divine Blight 2022)

“Depravity the newest album from Feleth is one brutal album full of riffs and hooks to keep even the most particular entertained. Feleth mix the roots of the Norwegian metal scene, with the death metal tone they strive for to create some well crafted blackened death metal, similar to that of Shadow of Intent.” – Metal Injection (Depravity 2020)

“With a melting pot of ideas, yet rooted in delivering a head-smashing and neck-destroying style of metal, Féleth are aggressive newcomers to a scene that constantly looks to surprise… Féleth deliver heavy and extreme noise so very well.” 9/10 – Games, Brrraaains & A Head-Banging Life (Depravity 2020)

“straight up heaviness and brutality, tech offerings and melodic atmopsheres, and enjoyable groove.” – Dead Rhetoric (Depravity 2020)

“Féleth: Transcends the traditional limits of the genre…” – Permafrost.today (Depravity 2020)

“9/10 “Féleth offer an edge-of-your-seat experience that is both fresh and captivating.” – Metal Inferno (Depravity 2020)

“Féleth does death metal fast and aggressive, reigning in their impressive technical chops for maximum impact, keeping their riffs (and songs, for that matter) relatively short and to the point. They strike a pretty even balance between chunky chords and caustic melodies, most of which are designed to coax headbanging than to impress with virtuosity. The album is front-loaded with catchy bangers, saving the more technical and weird bits for the latter half.” – Tolet Ov Hell (Depravity 2020)
—
ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
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Facebook @AsherMediaRelations | Instagram @AsherMedia | Tweet @AsherMedia
(Rockshots Records, Extreme Metal Music, Armstrong MF, Loud As Hell, Metalocalypstick, Decimate MF, Electric Highway Fest, Wacken Metal Battle Canada/USA, Hyperspace MF, Le FestEvil)

0 Listen To The “Whispers” – HUNTING GIANTS Enchant Their Next Tale From “Mythos” w/ New Animated Music Video

October 14, 2022
by Asher
· Hunting Giants · Music News

NEWS RELEASE

Montreal, QC – October 14, 2022

Listen To The “Whispers” – HUNTING GIANTS Enchant Their Next Tale From “Mythos” w/ New Animated Music Video

New Album “Mythos” Out Now!

L-R – Corey Wharton (Bass), Bradley Trivett (Guitar), Daniel Beavington (Drums), Stephen Atkey (Vocals)
Photographer Credit – Bradley Trivett

“Mythos” is the second release from Canada’s Hunting Giants following their 2018 EP “Skyward Eyes”. They have upped the ante with this new record, offering bigger riffs, wilder stories, and more layers to entangle listeners. In the wake of the album release, they are now showcasing an animated video for the instrumental single “Whispers”, which replaces vocals with grand piano for a haunting and mysterious atmosphere. The band comments on the album:

“Mythos is the crowning achievement of our musical work as a band and we are incredibly excited to finally share it. This album is the product of years of writing and recording while gigging and enduring as a band under quarantine. We have crafted thirteen energetic tracks with diverse emotional and thematic textures. Our team has worked incredibly hard on this album, from pre-production, through the recording, mixing, and mastering process. We give special thanks to our producer Kirby J. Kaye for his wisdom and patience. Mythos is a mosaic of archetypes; an exploration of varying values and beliefs and the results that these actions have upon our lives, all set within a context of mythological fantasy.”

Hunting Giants was formed around the idea of taking the rich experience of progressive metal and compacting it into short and lean hard rock songs that quickly get to the point without losing the punch and depth the genre is known for. Their songs are absolutely a collaborative effort. Where each member of the band has a voice, and no one has veto power. They bounce ideas off each other frequently and build things together early in the songwriting process and the result is music far beyond what any of them could individually make.

Influenced mainly by progressive metal and groove metal, Hunting Giants also looks to other genres from glam rock to classical. They are recommended for fans of Alice In Chains, Soundgarden, and Audioslave.

The animated video for “Whispers” can be seen and heard at https://youtu.be/kdD8AO-r4_U

CD order – https://huntinggiants.com/product-category/mythos-albums/

Digital – Huntinggiants.bandcamp.com, Apple Music, Spotify.

Music Video – “Ancient Text” – https://youtu.be/NkEQ6m8bzx4

Music Video – “Ritual” – https://youtu.be/FIXK6sHK1eQ

Lyric Video – “Too Big To Kill” – https://youtu.be/PYpMZHkPvAg

Track Listing:
1. Mythos – 3:28
2. Ancient Text – 3:18
3. Too Big To Kill – 3:06
4. Rituals – 3:57
5. Among Thieves – 5:28
6. Whispers – 2:16
7. Vanguard – 2:54
8. Mantle – 3:19
9. Kindred – 4:05
10. Epitaph – 1:09
11. Into Stone – 4:55
12. Remnant – 4:00
13. King of Ashes – 2:52
Album Length: 44:49

Hunting Giants is:
Corey Wharton – Bass Guitar
Stephen Atkey – Vocals
Bradley Trivett – Guitar
Daniel Beavington – Drums

For more info:
HuntingGiants.com
Facebook.com/huntinggiantsband
Instagram.com/huntinggiantsband
Twitter.com/huntinggiants

About:
Hunting Giants is a four-piece heavy rock band from Vancouver, BC, Canada.

This unique group of musicians offers a spectacular visuals-driven live performance that exceeds both the precise ferocity of their recordings and the highest expectations of an energized audience looking for something recognizably different. Their music is both refreshing and familiar, serving well as the musical backdrop for one’s ongoing discovery of meaning in life and self.

Hunting Giants was started in 2017 with Bradley Trivett assembling the first musical themes and combining the percussive expertise of Daniel Beavington with the explosive rhythmic prowess of Corey J. Wharton into the foundation of a team set to discover and dominate the most enormous sounds and daunting massive ideas they could find. Led by the visionary passion and styling of frontman Stephen Atkey, Hunting Giants is poised to deliver an incredible auditory and visual experience.

“Hunting Giants stake their claim as a powerful new force in the Pacific Northwest metal scene…this band is absolutely one you’ll want to keep an eye on.” – Wail Magazine

Discography:
2022 – Mythos – LP
2018 – Skyward Eyes – EP

Shared Stage with:
Unleash the Archers, Wednesday 13, Ophelia Falling, Kayas, Vessel, Sick Logic, Dark Stone

– 30 –

“A glorious adventure is about to begin, starting right here today! Heavy metallers Hunting Giants are debuting their brand new music video for “Rituals,” the first single from their upcoming album Mythos. The song indicates the zeal and the ambition that the band is bringing towards this new record, due for release on September 30th. The “Rituals” video matches the flat-out intensity of the song, one that discusses necromancy and the harshness of hatred and shame.” – V13

“It’s not often that a band is described as ‘a blend of modern hard rock, progressive rock/metal and grunge influences,’ but that is indeed a fitting description of Vancouver’s Hunting Giants” – Bravewords

“Let me say this first, HUNTING GIANTS from Vancouver are REALLY freaking good. These guys are relatively new but they are tighter and more accomplished man many veteran bands.” – Rock You Show

“This is an album (Mythos) that you’ll want to wander through thanks to their technical proficiency and the production value.” – Metal Roos

“a solid listen, and a fairly unique combination of a few different styles. It’s mostly heavy enough for Metal fans, and mostly melodic enough for fans like myself who appreciate a good hook.” – Metal Temple

—
ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780
jon[@]ashermediarelations[.]com
Facebook @AsherMediaRelations
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(Rockshots Records, Extreme Metal Music, Armstrong MF, Loud As Hell, Metalocalypstick, Decimate MF, Electric Highway Fest, Wacken Metal Battle Canada/USA, Hyperspace MF, Le FestEvil)

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