Posts By Asher

0 Streaming Now! Vancouver’s HUNTING GIANTS Release Crowning Achievement: Progressive, Expansive “Mythos”

September 29, 2022
by Asher
· Hunting Giants · Music News

NEWS RELEASE

Montreal, QC – September 29, 2022

Streaming Now! Vancouver’s HUNTING GIANTS Release Crowning Achievement: Progressive, Expansive “Mythos”

New Album “Mythos” Out Sept 30th

L-R – Corey Wharton (Bass), Bradley Trivett (Guitar), Daniel Beavington (Drums), Stephen Atkey (Vocals)
Photographer Credit – Bradley Trivett

Canada’s Hunting Giants have released three killer singles in support of their upcoming album “Mythos” and now the entire record awaits ears. Musically, it’s very diverse ranging from intense white-knuckled metal tracks, down to gentle instrumental tracks peppered with melodic piano and haunting cello, all the way to epic ballads tastefully complimented by choirs, strings, and bells. Lyrically, it explores archetypes, both heroic and villainous, that affect the world around us, as well as the inevitable fates which arise when these values are heinously held and expressed. The band continues:

““Mythos” is the crowning achievement of our musical work as a band and we are incredibly excited to finally share it. This album is the product of years of writing and recording while gigging and enduring as a band under quarantine. We have crafted thirteen energetic tracks with diverse emotional and thematic textures. We give special thanks to our producer Kirby J. Kaye for his wisdom and patience. Mythos is a mosaic of archetypes; an exploration of varying values and beliefs and the results that these actions have upon our lives, all set within a context of mythological fantasy.”

Each one of the thirteen tracks on the album was carefully crafted as a potent musical movement contributing to an overarching collective story. A story that is told with passion, anger, strength, and fragility. Each song stands strongly on its own while remaining an important part of the powerful whole. These selections come from a vast vault of ideas and compositions that Hunting Giants expects to be pulling from again in the near future.

Not just a powerhouse in the recording studio, the band offers a full, engaging live experience that stands out from other bands. They employ a complete repertoire of stunning visuals which exemplify the masterfully performed music. Each song exhibits its own uniquely stylized visual arrangement that moves and stays in perfect sync with the music from the first beat to beyond the last. Fans of theatrics, they aim to be a memorable spectacle.

“Mythos” was produced by Kirby J. Kaye for Aztech Productions, mixed by John Webster, and mastered by Richard Addison at Trillium Mastering and the artwork was done by Kacper Gilka. It is recommended listening for fans of Muse, Tool, and Alice In Chains.

The album “Mythos” is due out on September 30, 2022, and can be heard in full before its official release via Bravewords HERE.

CD pre-order – https://huntinggiants.com/product-category/pre-orders/

Digital – Huntinggiants.bandcamp.com, Apple Music, Spotify.

Music Video – “Ancient Text” – https://youtu.be/NkEQ6m8bzx4

Music Video – “Ritual” – https://youtu.be/FIXK6sHK1eQ

Lyric Video – “Too Big To Kill” – https://youtu.be/PYpMZHkPvAg

Track Listing:
1. Mythos – 3:28
2. Ancient Text – 3:18
3. Too Big To Kill – 3:06
4. Rituals – 3:57
5. Among Thieves – 5:28
6. Whispers – 2:16
7. Vanguard – 2:54
8. Mantle – 3:19
9. Kindred – 4:05
10. Epitaph – 1:09
11. Into Stone – 4:55
12. Remnant – 4:00
13. King of Ashes – 2:52
Album Length: 44:49

Hunting Giants is:
Corey Wharton – Bass Guitar
Stephen Atkey – Vocals
Bradley Trivett – Guitar
Daniel Beavington – Drums

For more info:
HuntingGiants.com
Facebook.com/huntinggiantsband
Instagram.com/huntinggiantsband
Twitter.com/huntinggiants

About:
Hunting Giants is a four-piece heavy rock band from Vancouver, BC, Canada.

This unique group of musicians offers a spectacular visuals-driven live performance that exceeds both the precise ferocity of their recordings and the highest expectations of an energized audience looking for something recognizably different. Their music is both refreshing and familiar, serving well as the musical backdrop for one’s ongoing discovery of meaning in life and self.

Hunting Giants was started in 2017 with Bradley Trivett assembling the first musical themes and combining the percussive expertise of Daniel Beavington with the explosive rhythmic prowess of Corey J. Wharton into the foundation of a team set to discover and dominate the most enormous sounds and daunting massive ideas they could find. Led by the visionary passion and styling of frontman Stephen Atkey, Hunting Giants is poised to deliver an incredible auditory and visual experience.

“Hunting Giants stake their claim as a powerful new force in the Pacific Northwest metal scene…this band is absolutely one you’ll want to keep an eye on.” – Wail Magazine

Discography:
2022 – Mythos – LP
2018 – Skyward Eyes – EP

Shared Stage with:
Unleash the Archers, Wednesday 13, Ophelia Falling, Kayas, Vessel, Sick Logic, Dark Stone

– 30 –

“A glorious adventure is about to begin, starting right here today! Heavy metallers Hunting Giants are debuting their brand new music video for “Rituals,” the first single from their upcoming album Mythos. The song indicates the zeal and the ambition that the band is bringing towards this new record, due for release on September 30th. The “Rituals” video matches the flat-out intensity of the song, one that discusses necromancy and the harshness of hatred and shame.” – V13

“It’s not often that a band is described as ‘a blend of modern hard rock, progressive rock/metal and grunge influences,’ but that is indeed a fitting description of Vancouver’s Hunting Giants” – Bravewords

“Let me say this first, HUNTING GIANTS from Vancouver are REALLY freaking good. These guys are relatively new but they are tighter and more accomplished man many veteran bands.” – Rock You Show

“This is an album (Mythos) that you’ll want to wander through thanks to their technical proficiency and the production value.” – Metal Roos

“a solid listen, and a fairly unique combination of a few different styles. It’s mostly heavy enough for Metal fans, and mostly melodic enough for fans like myself who appreciate a good hook.” – Metal Temple

—
ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780
jon[@]ashermediarelations[.]com
Facebook @AsherMediaRelations
Instagram @AsherMedia
Tweet @AsherMedia
(Rockshots Records, Extreme Metal Music, Armstrong MF, Loud As Hell, Metalocalypstick, Decimate MF, Electric Highway Fest, Wacken Metal Battle Canada/USA, Hyperspace MF, Le FestEvil)

0 Witness The Thunder Behind IRON KINGDOM’s “In The Grip of Nightmares” With Drum Playthrough

September 29, 2022
by Asher
· Iron Kingdom · Music News

NEWS RELEASE

Montreal, QC – September 29, 2022

Witness The Thunder Behind IRON KINGDOM’s “In The Grip of Nightmares” With Drum Playthrough

New Album “The Blood Of Creation” Out November 4th

L-R: Chris Osterman (Lead Vocals / Lead Guitar), Leighton Holmes (Bass Guitar), Megan Merrick (Lead Guitar), Max Friesen (Drums)
Photo Credit – Caitlin Delaplace

The electrifying quartet of Iron Kingdom has a hot new album “The Blood Of Creation” coming out in the winter and in order to get fans as excited about it as they are, are releasing a drum playthrough of their first single “In The Grip of Nightmares” so folks at home can watch Max Friesen bring the thunder. Along with this they also released a mini-documentary about the making of the album on social media last week.

Iron Kingdom wanted to create music in a style of metal that seemed to have been forgotten when they were kids. Since no one else seemed to be doing it, they decided to play metal the way it used to be played in the 70s and 80s. They combine this classic sound with dark lyrics surrounding a variety of topics including myths, historical events, and fantasy books. The single “In the Grip Of Nightmares” spins off a character in Michael Moorcock’s “Elric of Melnibonè” book series. The band explains further:

“We started writing this song during the ‘On The Hunt’ sessions back in 2019, however, the song had a different energy than the rest of the album so we decided it would be best to come back to it at a later date. In late 2020, during the Covid-19 lockdown, we took a second look at what was to become ‘In The Grip Of Nightmares’. We rewrote the tune to be what it is today. It tells the tale of the legendary sentient sword ‘Stormbringer’ and its relationship to Elric. The two are bound together by fate. A fate that twists Chaos and Law, and leaves Elric in the grip of nightmares. Musically, this song is relatively progressive, I’d say it has some Helloween and Fates Warning like feelings. It is quite fast and driving, but also quite melodic with lots of leads and solos.”

Drummer Max Friesen also adds about the track:

“This song was one of the first we worked on as a group. It was one where I tried to make a good first impression haha. The kicks go for quite the gallop at a middle tempo so It’s a bit of an endurance run with full leg motion. I tried to feature both rides in this track and took influence from a cymbal riff by Amanda Osterman from the song “At The Gates” off of the 2013 album ‘Gates of Eternity’.”

“The Blood Of Creation” is the fifth album from the Vancouver-based band and over the years they have moved from being a hard rock band, then taking a progressive metal dive, going fully classic metal, and ultimately bringing all of those together in the latest. They lean into dark themes, dark topics, dark vibes, and a dark cover, and at the end is just a wall of music.

Iron Kingdom is recommended for fans of Iron Maiden, Helloween, and Judas Priest.

The drum playthrough for “In The Grip Of Nightmares” can be seen and heard via its premiere on TechnicalMusicReview HERE.

Single Stream – https://youtu.be/Z0HrAd6WGNI

The Making of ‘The Blood Of Creation’ – Pt 1. [Mini Documentary] – https://youtu.be/TSrv44SXQ-A

The album “The Blood Of Creation” will be released on November 4, 2022.

Album pre-order / save available at the following links:
http://www.iron-kingdom.com/shop/
https://iron-kingdom.bandcamp.com

Apple Music, Spotify

In additional news, Iron Kingdom have announced their album launch show for November 4th in Vancouver, BC, hosted by the Invisible Orange at the Wise Hall. For more info, please visit the following link here.

Track Listing:
1. Tides Of Desolation – 1:13
2. Sheathe The Sword – 5:25
3. Queen Of The Crystal Throne – 4:58
4. Hunter And Prey – 5:25
5. Witching Hour – 5:44
6. In The Grip Of Nightmares – 5:23
7. Primordial – 1:40
8. The Blood Of Creation – 13:38
Total Running Length: 43:29

For more info:
https://www.iron-kingdom.com
https://www.facebook.com/ironkingdom
https://www.instagram.com/iron_kingdom
https://twitter.com/iron_kingdom

About: Inspired by legendary pillars of heavy metal such as Iron Maiden, Judas Priest, The Scorpions, and Rush, this four-piece is well known for their energetic and electrifying stage presence, as well as intricate musical melodies that bring listeners back to a time when heavy metal was in its prime.

Formed in Surrey, B.C. Canada, in June of 2011, the band’s core members were Chris Osterman on guitar and vocals, bassist Leighton Holmes, and drummer Amanda Osterman, joined by Jordan Wright on guitar. This quickly changed, after recording their debut album ‘Curse Of The Voodoo Queen’ Jordan was replaced by guitarist Kenny Kroecher. ‘Curse Of The Voodoo Queen’ was released on Dec 14, 2011, and the band took the opportunity to tour western Canada, along with an appearance on the TV Show, Canada’s Got Talent.

With the debut album receiving little attention, the group decided it was time to record a new album, and by April 26, 2013, ‘Gates Of Eternity’ was released. Garnering some strong reviews coming in around the world, attention was growing, and the band was invited to perform at Germany’s Keep It True XVII festival. This opened up many new avenues for the act to pursue, including some serious time on the road through Canada in 2013, and Europe in 2014, followed by a tour in the USA with California’s Night Demon. The band had created some major momentum and Iron Kingdom was spreading their moniker far and wide in support of the first two releases.

On July 30, 2015, Iron Kingdom released not one, but two more albums, ‘Ride For Glory’ their 3rd full-length album, as well as ‘Unleashed at the Kraken (Live in Seattle)’ an exclusive live E.P. recorded on a previous tour. The band set out on the road again in support of the two new releases. The tour was unfortunately riddled with many trials, including a vehicle accident that almost killed the band members. Following the tour, Amanda decided to step back from the band to pursue other commitments. Joey Paul then took her place behind the kit.

Life on the road continued, including a massive North American tour in 2016, as well as a tour in Brazil in a supporting slot for former frontman of Iron Maiden, Blaze Bayley. After many performances, guitarist Kenny and drummer Joey departed, thus leaving the door open for Chris Sonea, and Megan Merrick, on drums and guitar respectively.

It took four years for the follow-up album after ‘Ride For Glory’, but finally on Oct 4, 2019, ‘On The Hunt’ was released. This was the fourth full-length release from this traditional metal act. Iron Kingdom toured ‘On The Hunt’ immediately with an extensive North American tour in the fall of 2019, and shortly after, toured Europe in March of 2020. Thankfully the band was able to perform the majority of their European dates, but unfortunately, COVID-19 took its toll and their final performance was canceled. At the return of the tour, drummer Chris Sonea decided to depart from the group, and the band (now consisting of band members, Leighton Holmes, Chris Osterman, and Megan Merrick) began auditions to fill the void on the drums.

In the Spring of 2020, Max Friesen joined the band, taking his seat behind the kit, and once again, Iron Kingdom stands ready to take the world by storm and aid in the revival of the mighty and classic sounds of Traditional Heavy Metal. Their new album “The Blood of Creation” is scheduled to be released in Fall 2022.

– 30 –

#5 (On The Hunt) Canadian National Loud Chart – For the Week Ending: Tuesday, November 12, 2019 (earshot)

“a glorious gallop of foot on the monitor, traditional heavy metal that will have NWOBHM fans drooling. 9/10” – Metal Gods TV

“It’s a pleasure when you have the chance to listening to bands such as IRON KINGDOM, true defenders of best tradition of our loved music. 88/100” – Hard Rock Heavy Metal

“One of Western Canada’s finest exports is traditional heavy metal band Iron Kingdom… another solid effort proving why Canada is by far the best country for modern traditional heavy metal!” – Skull Fracturing Metal

“With On The Hunt, you can expect Iron Kingdom’s traditional heavy metal. They make no apologies for invoking legends like Iron Maiden, Judas Priest, et al, for metal inspiration. Not dismissing the excellent rhythm section, but with the twin guitar attack of Osterman and Merrick, you’ll find all the songs within On The Hunt quite guitar-forward… Essentially, with this album, Iron Kingdom remains true to their metal style. 4/5” – DangerDog Music Reviews

“Of the hundreds of heavy metal bands that have “Iron” in their name, not very many of them are deserving of it. Iron Maiden? Obviously. Iron Savior? Yup. Iron Fire? Definitely. Of course, Iron Kingdom are undoubtedly deserving of the mark, because the metal they’ve forged is strong, heavy, and true. 9/10” – Power Thorn

“Holy Shit! Have you heard Iron Kingdom’s On the Hunt? If you haven’t you are missing out on one of the coolest album’s of 2019.” – 10/10 Keeper Magazine

—
ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780 | jon[@]ashermediarelations[.]com
Facebook @AsherMediaRelations | Instagram @AsherMedia | Tweet @AsherMedia
(Rockshots Records, Extreme Metal Music, Armstrong MF, Loud As Hell, Metalocalypstick, Decimate MF, Electric Highway Fest, Wacken Metal Battle Canada/USA, Hyperspace MF, Le FestEvil)

0 RivetSkull’s Cover of Aerosmith’s “Kings and Queens” Off “Trail of Souls: Samsara” Is A Masterful Homage

September 29, 2022
by Asher
· Music News · RivetSkull

NEWS RELEASE

Montreal, QC – September 29, 2022

RivetSkull’s Cover of Aerosmith’s “Kings and Queens” Off “Trail of Souls: Samsara” Is A Masterful Homage

L-R – Mark X. Plog (Guitar), Chad McMurray (Vocals), Mark Hopkins (Bass), Michael Robson (Drums)

Photo Credit – Niffer Calderwood

Seattle and Los Angeles-based heavy metal four-piece RivetSkull’s re-imagined full-length album was released on July 8th. “Trail of Souls: Samsara” is a complete re-recording of the band’s self-published 2020 album “Trail of Souls”. After self-recording and releasing their debut album during the global pandemic, RivetSkull revisited their songs with professional production that captures the massive sound that fans have come to expect from their live shows. The second single they released was Aerosmith’s classic “Kings and Queens”, a track they say was inspirational to them and that respect is evident in their musicianship and visually in the accompanying music video. They share their thoughts on the release:

“Aerosmith has always been a crossover band between hard rock and heavy metal. Several of their songs were inspirational to us, but none quite as much as ‘Kings and Queens.’ The original was a masterpiece of drama, intensity, and a showcase of vocal skill. All of the years of listening to that song and growing as musicians are poured into this recording. We’re proud of how it all came together.”

RivetSkull is professional through and through and takes pride in maintaining the old-school video they grew up on. When it comes to seeing them live, they sound like an album. There are no backing tracks. Vocalist Chad McMurray’s 9 years of study with Maestro David Kyle (vocal coach to Geoff Tate, Layne Staley, Ann Wilson) means the vocals come across strong and clear just like the album. RivetSkull is a fairly new band but McMurray, drummer Michael Robson, and guitarist Mark X. Plog have been playing together for 7-8 years now. They have a great rapport musically and onstage, and seasoned bassist Mark Hopkins, who used to own a recording studio, brings a great ear for music.

Recorded at London Bridge Studio (Alice in Chains, Soundgarden, Queensrÿche) and produced by Matt Hyde (Slayer, Deftones, Seether), “Trail of Souls: Samsara” promises much more than a sonic retouch of the original.

The reworked collection features new cover artwork and is recommended for fans of Black Sabbath, Judas Priest, and Def Leppard.

The music video for “Kings and Queens” can be seen and heard at https://youtu.be/vC32QZg9_vc

“Trail of Souls: Samsara” is available on all digital platforms at the following link – https://lnk.to/TrailOfSoulsSamsara

Music Video – “Crash and Burn” – https://youtu.be/fXibzQQKvJM

Track Listing:
1. Crash and Burn (2:49)
2. Forever (5:24)
3. Mystified (3:45)
4. Another Way to Heaven (7:29)
5. Narcissus (5:01)
6. Trail of Souls (4:04)
7. It’s Not Enough (4:02)
8. Kings and Queens (Aerosmith cover) (5:16)
Album Length: 37:54

For more info:
http://www.rivetskull.com
http://www.facebook.com/rivetskull
http://www.twitter.com/rivetskull
http://www.instagram.com/rivetskull

About:
It would be easy to call RivetSkull a traditional heavy metal band, but they’re so much more than that. RivetSkull has taken the very roots of heavy metal and forged it into something new and fresh. Spawned from the same DNA that created the beasts that roamed the dark valleys of Birmingham, the foothills of the Cascades, and the plains of Texas, there’s no denying RivetSkull’s heavy metal heritage. This is hard-hitting music blasted over record store chatter, the buzzing of a tattoo gun, or the revving of a motorcycle engine. But, as any metalhead will tell you, heavy metal is more than just a genre: it’s therapy, it’s community, it’s a style – and it’s a movement. And it’s always evolving.

RivetSkull has created a modern sound that’s as unique as each member’s influences, from punk to country, from alternative to funk. Listening to RivetSkull, it’s easy to envision the band’s live show: Chad McMurray’s clean vocals soaring over a sea of bobbing bodies in black band t-shirts, Mark X. Plog’s boundary-defying guitar ascending over raised beers and outstretched metal horns, Michael Robson’s emphatic drums and Mark Hopkins’ booming bass rattling the bones beneath black jeans and denim vests. Like good metal – you’ll feel it in your core as much as you’ll hear it in your ears. All of this is brought to you by a dedicated and hard-working band of brothers. They are RivetSkull and they’re bringing the past into the future.

– 30 –

—
ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780 | jon[@]ashermediarelations[.]com
Facebook @AsherMediaRelations | Instagram @AsherMedia | Tweet @AsherMedia
(Rockshots Records, Extreme Metal Music, Armstrong MF, Loud As Hell, Metalocalypstick, Decimate MF, Electric Highway Fest, Wacken Metal Battle Canada/USA, Hyperspace MF, Le FestEvil)

0 EATEN BY SHARKS Pay Homage To The Lord Of The Ocean In Drum Playthrough For “Apex Predator”; New Album “Eradication” Out Now! Produced by Chris Donaldson (Cryptopsy)

September 28, 2022
by Asher
· Eaten By Sharks · Music News

NEWS RELEASE

Montreal, QC – September 28, 2022

EATEN BY SHARKS Pay Homage To The Lord Of The Ocean In Drum Playthrough For “Apex Predator”

New Album “Eradication” Out Now! Produced by Chris Donaldson (Cryptopsy)

L-R – Tyler Abrams (Bass) | Justin Whitehead (Drums) | Matt Sherriff (Vocals) | Chris Chaperon (Lead Guitar) | Dan Okowinsky (Guitar)
Photo Credit: Lisa Thompson

Hailing from the Niagara region of Canada, Eaten By Sharks has a new album “Eradication” that will throw listeners into a typhoon of riffs, breakdowns, gritty vocals, and heart-pounding drums. Those drums in particular are on display in their latest video, a drum playthrough of the track “Apex Predator”.

If the Jaws riff is not enough of a hint, this song switches the point of view from the victim of the merciless ocean, to that of the victor itself. The viewer can watch and feel their heart rate increase with the thundering drums and crashing cymbals when they assume the role of the terror of the sea. Vocalist Matt Matt Sherriff shares his inspiration for the lyrics on the album:

“I love horror movies and I aim for the nautical themes to keep them consistent with the ideals of the band. The amazing nature of sharks is that they can adapt to any surroundings and do their thing and create a natural equilibrium. We need the horror, nature ain’t always nice and we like to celebrate wickedness.”

The drum playthrough video for “Apex Predator” can be viewed via its premiere on TheCirclePit at https://youtu.be/YGyzEg3ZEZ0

“Eradication,” tells a story of nautical destruction. The listener will be struck with feelings of fear as they are brought along in the first-person horror story, a victim of society in a merciless assault of sharks infiltrating the human world.

Punishing and at times disturbing, Eaten By Sharks have all their personalities intertwined into the fabric of the sound, working collaboratively on their music. Music almost always comes first and the aggressiveness allows for lots of vocal freedom and different styles of tech vocals and classic death metal.

With a wide range of musical influences, Eaten By Sharks promise to leave no one alive. They are recommended listening for fans of Revocation, Gojira, and Despised Icon.

The album “Eradication” was released on August 26, 2022, and available at the following links:

(CD) – Eatenbysharks.bandcamp.com

Digital pre-save – https://distrokid.com/hyperfollow/eatenbysharks1/eradication

Music Video – “Dead Weight” – https://youtu.be/fKQq6XGrZh0

Music Video – “Shallow Water” – https://youtu.be/rcIuWdHD_w0

Music Video – “Depth Charge” https://youtu.be/8Kal6LJa9ik

Guitar playthrough – “Kill and Consume” – https://youtu.be/l7VPA_uOt0s

Track Listing:
1. Shallow Water – 4:16
2. Dead Weight – 3:12
3. Kill and consume – 4:06
4. Same Face, Different Mask – 4:26
5. Depth Charge – 3:07
6. Apex Predator – 3:20
7. Megalodon – 4:55
Album Length: 27:24

Eaten By Sharks is:
Matt Sherriff – Vocals
Chris Chaperon – Lead Guitar
Dan Okowinsky– Rhythm Guitar
Tyler Abrams – Bass
Justin Whitehead – Drums

Album Recording Credits:
• All songs performed by: Eaten By Sharks
• All songs written by: Eaten By Sharks
• Produced by: Christian Donaldson
• Mixed by: Christian Donaldson
• Mastered by: Christian Donaldson
• Album Artwork by: Shindy Design
• Member of SOCAN
• Canadian Content (MAPL)

For more info:
https://www.facebook.com/eatenbysharksband
https://www.instagram.com/eatenbysharksmetal
https://twitter.com/EatenbySharks00

About:

A different type of beast has emerged from the murky depths of the Niagara metal scene. Eaten By Sharks is prepared to usher in a new wave of aquatic brutality, and devastate the landscape with a perfect blend of technical precision and unbridled aggression. The wait is over. There is blood in the water. The feeding frenzy is about to begin…..

Shared Stage with:
Revocation, The Faceless, Dying Fetus, First Fragment, Beyond Creation, Emmure, Upon A Burning Body, Beneath the Massacre, Brought By Pain

Discography:
2022 – Eradication
2013 – We’re Gonna Need A Bigger Boat – EP

– 30 –

“If you’re new to the group, they’re from Ontario, and like the majority of Canadian tech-death bands, they’re damn good at what they do. Don’t let the goofy band name and oddball cover art fool you, this is not amateur hour stuff… As for what the song has to offer, “Depth Charge” is built on continual flipping back and forth between heavy groove terrain and frenetic riffs aided by ripping leads. In doing so, the song feels almost wave-like in its structure, an ever-changing stream of back and forth battling going on underwater. From the time I’ve spent listening to the full release, this is definitely an album many of you will enjoy.” – Metal Injection

“Eaten By Sharks bring aquatic brutality to Technical Death Metal… Eradication should be of great interest to fans of bands like Fit For An Autopsy, Cattle Decapitation, and Revocation and will be available as a CD or digital download. So take my advice, stay out of the water, go grab a copy and let the feeding frenzy begin upon some other unsuspecting victims.” – Metal Talk

“These guys are all business, and put together a pretty compelling, often crushing effort ” – Metal Rules

“Eradication is an absolute blast and one that hits just as hard as you want it to, and is just as serious as you want an album from a band called Eaten By Sharks to be. I wholeheartedly recommend this beast and hope that you have fun listening to it. I did.” – Noob Heavy

“I just discovered Eaten by Sharks, and the band is a good surprise. Their mix of several styles focused on raw violence and devastating technicality makes Eradication an explosive and extremely effective album.” Acta Infernalis

“Eradication is a cracking slab of death metal, excellently written and performed to a high level.” The Razor’s Edge

“Combining new and old Death Metal influences, Eaten By Sharks have proven themselves to be a cut above the competition at the top of the food chain ” – Metal Noise

—
ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780
jon[@]ashermediarelations[.]com
Facebook @AsherMediaRelations
Instagram @AsherMedia
Tweet @AsherMedia

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0 Streaming Now! All Else Fails’ Potent And Dark Tenth Release “The Incident at Black Lake”

September 28, 2022
by Asher
· All Else Fails · Music News

NEWS RELEASE

Montreal, QC – September 28, 2022

Streaming Now! All Else Fails’ Potent And Dark Tenth Release “The Incident at Black Lake”

New EP “The Incident at Black Lake” Out Sept 30th

L-R – Coco Lee (Bass / Vocals ) | John Saturley (Guitar) | Barrett Klesko ( Vocals / Guitar) | Nelson Collins – Lee ( Drums )
Photo Credit – Barrett Klesko – FadeBack Studios United

Canada’s All Else Fails is releasing its tenth studio recording, “The Incident at Black Lake” and it promises to be a deep dive into emotional turmoil, violent riffs, and technical mastery. This EP is an evolution of the band in every aspect of their musicality, its songs are heavier, more complex, and deeper than ever. Employing elements of other genres like industrial, noise, moody electronics, or ambient sampling has always been a hallmark of the band, but take a new approach on this album.

The three original songs and one cover explore themes of devastating mental illness, dystopian mass existential nihilism, and ideological fascism. According to the band, It took over 2 full years to write and produce this EP, they took their time with every part, every note, and every modulated warble. Every musical element has a place and purpose. They are telling a horrifically personal, furiously aggressive, and unnervingly beautiful musical story of mental terror and surviving despair. They continue to explain:

“It’s been really interesting this time around. We started writing this in the early days of the pandemic, so we didn’t really know if or when we would get to play live again. That led to us really taking our time to write each part exactly how we wanted. After we had finished writing and tracking the main instruments (drums, guitars, bass, vocals), then we spent over a year working on the programming, samples, keyboards, and production elements. We basically wrote a second album over top of the first one, it was kind of like writing a score to our own album. In two years, we are happy to say that we made no sacrifices anywhere on this release.”

Guitarist/vocalist Barrett Klesko shares that this EP is specifically about his spiral into mental illness. Falling into a pit of addiction and depression he was abusing my mind and my body, and allowing others to do the same. Struggling with derealization and dissociation, he became almost totally withdrawn into his mind. The day we finished our last track on the album, I checked myself into a recovery center. This EP offers an honest glimpse into that dark, internal turmoil.

Reaching a new level of technical metal prowess and adding a dramatically more dynamic vocal style it is with a dark heart, that All Else Fails presents “The Incident at Black Lake”.

Recommended for fans of Fleshgod Apocalypse, Chimaira, and Killswitch Engage, “The Incident at Black Lake” can be heard in full before it officially releases on September 30th via its stream premiere on IDIOTEQ HERE.

Music Video – I, Defiler – https://youtu.be/x_6SuAOiS1A

Track Listing:
1. I, Defiler (5:48)
2. Devour the Sun (8:24) ft. Seedy Mitchell
3. Flesh /Excess /Wealth (5:36)
4. Crystal Mountain (5:19)
EP Length: 25:09

All Else Fails is:
Barrett Klesko – Vocals, Guitar
John Saturley – Guitar
Coco Lee – Bass, Vocals
Nelson Collins-Lee – Drums

About:

Over the last 15 years, Edmonton, Alberta based award-winning metal band All Else Fails has become a cornerstone of the melodic heavy metal community in Canada. Combining intense riffs, intricate rhythm sections, brutal guttural screams, and melodic yet unusual vocal lines paired with relevant and relatable lyrics, All Else Fails’ message resonates with us all.

Formed in 2006 with the release of their self-titled EP, All Else Fails has gone on to release 9 studio albums, many of which have garnered awards and nominations from across the Canadian music industry and have propelled the band into live performances all over the world, including their massively successful tour of India in 2017.

For the past two years, the band has been hard at work writing their new album “The Incident at Black Lake.” A deeply personal, brutally honest, and staggeringly complex take on the reality-bending mental struggles of vocalist and founder, Barrett Klesko (The Misfires, The Order of Chaos). The band is filled out by guitarist John Saturley (The Order of Chaos, Skepsis), bassist and vocalist Coco Lee (Eternal Prophecy), and drummer Nelson Collins-Lee (The 21st Agenda, Skepsis). The album is produced by Bevin Booth of In the Booth Recordings and engineered at The Electric Treehouse in Edmonton, Alberta.

In 2022, the band is returning to their DIY roots by mindfully abandoning their social media and redirecting their energy to contributing to their local metal scene by building a direct personal connection to their fans and followers, living in line with a humanist philosophy and encouraging a culture of support between artists. All Else Fails’ new single “Flesh /Excess /Wealth” drops in early September with the full EP “The Incident at Black Lake” releasing September 30th. Fans can experience their explosive new live show this fall in Western Canada.

– 30 –

“A Monster of a Metal Opus” – The Edmonton Journal (The False Sanctuary 2018)

“All Else Fails has a striking level of detail, constant melodic bloodshed and unremitting rhythms that push through your throat leaving you with no choice but to bang your head.” – Boston Rock Radio (The False Sanctuary 2018)

“They are by turns pissed and melodic, speedy and anthemic – but always organic sounding….their song “The Sons Of Plenty”, a tune that encompasses all those things and demonstrates what the band is capable of.” – Gear Gods (The Forever Lie 2017)

“Guttural heaviness + impacting music = You’ll like it!” – CFMU 93.3 FM – Master Radio (Hamilton, ON) ( The Forever Lie 2017)

“From song to song you are greeted by pummeling riffs, heavy blasting drums, thick bass lines and vocals that transition between menacing and deadly growls to soaring and highly intoxicating cleans. Before you know it All Else Fails has you headbanging and singing along to each of their songs.” – Cadaver Garden (The Forever Lie 2017)

“this six track EP sees this quartet expand their mutant thrash blueprint with doses of melodic crooning and bursts of dizzying orchestral strings on Obedience At The Altar Of Sacrifice.” – Metal Hammer Mag UK (Fucktropolis – 2013)

““Fucktropolis”. What an awesome name for an EP. And what an awesome EP it is.” – Metal Temple (Fucktropolis – 2013)

“They have a very ominous sound, if you will, with quick, intricate and skillful instrumentals – especially the drumming. Their talent really shows through in their final product.” – Spill Magazine (Fucktropolis – 2013)
—
ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780 | jon[@]ashermediarelations[.]com
Facebook @AsherMediaRelations | Instagram @AsherMedia | Tweet @AsherMedia
(Rockshots Records, Extreme Metal Music, Armstrong MF, Loud As Hell, Metalocalypstick, Decimate MF, Electric Highway Fest, Wacken Metal Battle Canada/USA, Hyperspace MF, Le FestEvil)

0 Rockshots Records – Tolkien Inspired Power Metallers RuinThrone Unveil First Single “Earendil” Off New Album “The Unconscious Mind Of Arda” Out Jan 2023

September 28, 2022
by Asher
· Music News · RuinThrone

NEWS RELEASE

Montreal, QC – September 28, 2022

Rockshots Records – Tolkien Inspired Power Metallers RuinThrone Unveil First Single “Earendil”

New Album “The Unconscious Mind Of Arda”

Italian fantasy power metallers RuinThrone will be releasing their new J.R.R. Tolkien-inspired album “The Unconscious Mind Of Arda” due out January 2023 via Rockshots Records to follow their debut album “Urban Ubris” and EP “Leaden Field”.

The album itself has been composed of stories inspired by Tolkien’s poems, his “Legendarium”. The band hopes the concepts they wrote can be “messengers” of reflection for their listeners, turning in a better awareness of their daily life.

“With this album, we think we reached our own identity. Back in the early years, we started with a classic German power metal style, but year by year we changed and matured musically. This is why we use 7-string guitars with 1/2 step-down tuning, extreme vocals, etc. For this new record, we also focused on an alternative point of view of some stories written by Tolkien. We thought it would have been interesting to explore not only some interesting characters and heroes but also the mind of the main villains.” adds guitarist Nicolò de Maria.

Today, Ruinthrone reveal the first single “Earendil” accompanied by a music video. Earendil was one of the first songs the band tried to finish while producing this album. It has a lot of different sections and moods and is the most “catchy” song on the full-length.

“It’s not exactly a ballad, because the only acoustic parts are the verses and the piano & bass solo, but that 6/8 time makes the song flow easily even if you’re not a metalhead. Another important point is the vocals. Haedus used a lot of different tones and ranges in this song…he did an amazing job!” adds the band.

Earendil is about the tainted love story between the half-elf Earendil and the elf Elwing. Desperate for the death of his lover Earendil reminds with the melancholy of the feeling and the past life spent with Elwing. This song has the goal to show the listener how strong feelings like love keep on living even when hostile events and death divide us from our loved ones.

“Sometimes we regret what we did in the past, some missed opportunities, but nothing can defeat love, and so we keep on living our adventures, our paths bringing the light of the Silmaril with us which is a symbol of the power of love.” says guitarist Nicolò de Maria.

Watch and listen to “Earendil” at https://youtu.be/Wr9PXgAgm64

Digital – https://bfan.link/earendil

“The Unconscious Mind Of Arda” is mixed and mastered by Giuseppe Orlando (sound tech for Rhapsody of Fire) at the Outer Sound Studios.

The album is due out on January 13th, 2023 and is available for pre-order at the following link – https://bit.ly/RuinThrone_CD

Track Listing:
1 – Prologue – 2:19
2 – The Dreamweaver – 5:14
3 – I Am The Night – 4:50
4 – Earendil – 4:49
5 – The Past Is Yet To Come – 8:00
6 – Where Wise Men Stop – 1:17
7 – In Penumbra – 6:38
8 – The Eldest – 5:24
9 – Blessed By Loneliness – 4:23
10 – For Those Who Remain 9:54
11 – Where You Belong – 2:34
Alum Length: 55:26

RuinThrone are:
Vocals: Haedus
Drums: Francesco Comerci
Guitar: Nicolò de Maria
Guitar: Luca Grossi
Bass: Alessandro Finocchiaro
Keyboard: Giorgio Mannucci

For more info:
https://www.rockhots.eu
http://ruinthrone.altervista.org
https://www.facebook.com/RuinThrone
https://www.instagram.com/ruinthrone.official

About:

RuinThrone was founded in 2009 in Rome, Italy by Adriano Strinati, Haedus and Alessandri Finocchiaro. Soon after, Giorgio Mannucci (keyboards), Nicolò De Maria (guitars), and Francesco Comerci (drums) joined the band. The sound of RuinThrone is inspired by German and American metal bands like Blind Guardian, Helloween, Iced Earth, and Nevermore, but they have their own distinguishable dark and modern character.

– 30 –

0 WOR Announces American Invasion Tour w/ Hemlock, Summoner’s Circle, Casket Robbery, Scars Of Atrophy, Fused By Defiance, Squidhammer

September 26, 2022
by Asher
· Music News · WoR (Bungalo Records)

NEWS RELEASE

Montreal, QC – September 26, 2022

WOR Announces American Invasion Tour

w/ Hemlock, Summoner’s Circle, Casket Robbery, Scars Of Atrophy, Fused By Defiance, Squidhammer

L-R – Dylan Jenkins – Drums, David Nisoff – Guitar, Phillip Funderburk – Bass, Bobby Demoss – Vocals, Ben Kaiser – Guitar

North Carolina, USA groove metal warriors WoR announce they will be hitting the road for the American Invasion Tour w/ Hemlock, Summoner’s Circle, Casket Robbery, Scars Of Atrophy, Fused By Defiance, and Squidhammer. The tour kicks off in Nashville, TN on September 25th and will see the band trek across 18 US states until ending it in Richmond, VA on November 11th. The supporting bands will be playing on selected dates listed below.

“We are extremely excited to be heading out on the American Invasion tour, a six week trek across the United States with some amazing bands! We’ve got a couple surprises in the set including playing some brand new songs from our upcoming second album!” adds guitarist Ben Kaiser

WoR will also be on tour supporting their latest album “Prisoners” released during August 2020 via Bungalo Records/Universal. Throwing in elements of thrash, metalcore, and even hardcore punk, everyone in WoR has taken a different musical path and the variety of influences shows through in the unique and original sound on their debut release “Prisoners”, which is an extremely energetic journey from start to finish.

“From front to back, this album is meant to take you on a heavy metal journey. It features groovy tracks such as Predator, brutal songs such as Caged, and melodic anthems such as VI Kings. While the songs are groovy and meant to give your neck whiplash, the lyrics are deep and thought out. The messages behind these songs are ones of resilience and overcoming. If you enjoy heavy riffs, melodic overtones, and just straight-up angry and in-your-face METAL, this album is for you!” adds the band.

Groovy, raw, and old school, WoR is suitable for all fans of metal especially those with an interest in Machine Head, Sepultura, and Gojira.

“Prisoners” (released Aug 7, 2020) is available on Spotify, Apple Music, Amazon.

Music Videos:
VI Kings – YouTube

Predator – YouTube

Caged – YouTube

Come and Out Play (The Offspring Cover) YouTube

American Invasion Tour
w/ WoR, Hemlock, Summoner’s Circle, Casket Robbery, Scars Of Atrophy, Fused By Defiance, Squidhammer
9.25 – Nashville, TN @ The End #
9.26 – Knoxville, TN @ Brickyard Bar #
9.27 – Chapel Hill, NC @ Local 506 #
9.28 – Spartanburg, SC @ Ground Zero #
9.30 – Jacksonville, FL @ Jack Rabbits*
10.1 – Tallahassee, FL @ The Warrior On The River*
10.2 – Crestview, FL @ Jimmy’s Jukebox #
10.3 – Metairie, LA @ The Twist Of Lime #
10.7 – Lawton, OK @ The Railhead Saloon*
10.10 – Haltom City, TX @ Haltom Theater $
10.12 – San Antonio, TX @ Fitzgerald’s $
10.13 – Houston, TX @ Acadia Bar & Grill $
10.15 – Albuquerque, NM @ Warehouse 508*
10.16 – Mesa, AZ @ The Nile Theater &
10.17 – Spring Valley, CA @ Bancroft Bar & +
10.18 – Anaheim, CA @ Doll Hut & +
10.22 – Lynnwood, WA @ The Vessel Taphouse +
10.26 – Denver, CO @ Your Mom’s House +
10.30 – Des Moines, IA @ Lefty’s Live Music =
10.31 – Lombard, IL @ Brauer House =
11.1 – New Haven, IN @ Carl’s Tavern =
11.2 – Maple Heights, OH @ Maple Grove Tavern =
11.3 – Turtle Creek, PA @ Sub Alpine Society =
11.4 – Winchester, VA @ The Monument =
11.5 – Richmond, VA @ Another Round Bar & Grill =

* – WoR Only
# – Hemlock (9.25 – 10.3)
$ – Summoner’s Circle (10.10 – 10.13)
% – Casket Robbery (10.10 – 10.13)
& – Scars Of Atrophy (10.16 – 10.18)
+ – Fused By Defiance (10.17 – 10.26)
= – Squidhammer (10.30 – 11.5)

For more info:
WoRband.com
Facebook.com/WoRBandOfficial
Instagram.com/w.o.r.official
Twitter.com/WoRbandofficial
EPK

About:

WoR is a groove metal quintet from Raleigh, North Carolina. Their music combines aggressive riffs, harmonic leads, and tasteful breakdowns with the infectious anti-authoritarian lyrics of vocalist Bobby DeMoss.

WoR was founded in 2018 by guitarist Ben Kaiser who at the time was finishing up his college football career playing offensive line at NC State. The band was initially an escape from the rigors of the sport, and at the end of his career, he decided to give the band a legitimate go.

After cycling through a variety of members early on, WoR was joined by Bobby Demoss, the charismatic frontman who has the ability to draw in even the toughest crowd; his unique screaming style and passionate lyrics helped shape WoR’s groundbreaking identity from the get-go. In 2019, Phil Funderburk, the glue who keeps the band and the music together, joined on bass; David Nisoff, in charge of mind-blowing solos that capture everyone’s attention, joined as the second guitarist, and Hunter Crews, a consistent timekeeper and a seasoned veteran in the music business solidified the lineup as the bands’ drummer, who is now replaced by Dylan Jenkins.

By the spring of 2019, WoR had begun to debut their music at live shows throughout the southeast region of the United States and played with the likes of Upon A Burning Body, Atilla, and Warbringer just to name a few.

Working collaboratively, WoR’s music focuses on various different current events using powerful lyrics to offer a unique insight into the things going on in our lives and in the world. After working closely with producer Joe Alonzo Potts and audio engineer Shaun Singerling, they plan to release their debut album “Prisoners” on August 7th, 2020, which features brutal tracks such as ‘Caged’ and ‘Predator’ in addition to melodic anthems such as ‘VI King’s.

In 2020 and 2022, WoR has extensive tours scheduled to support the release of their debut album “Prisoners”. WoR’s live shows are extremely energetic with fan involvement being a common theme. Demoss does a phenomenal job of breaking down the fourth wall and getting the crowd involved at their shows making way for insane mosh pits. It is the band’s credo that they give it their all for whatever time they are on stage whether they are playing to 2,000 people or 200 people.

– 30 –

“It’s hard to find a band that comes as strong out of the gate with a debut album like WoR. It’s actually a very short list of bands that are sheer power right from the get go. The debut album from WoR, entitled Prisoners, was released earlier in August and honestly deserves as much attention as it can get.” – Metal Injection

“a highly impressive slice of groove metal that will most definitely appeal to fans of Lamb Of God, Pantera and MachineHead. Hailing from the febrile breeding ground of North Carolina, WoR lay it down with intent on ‘Predator’, stalking the deepest reaches of your aural cortexes with the declarative lead single from their forthcoming debut album, ‘Prisoners’: on the evidence of this, they won’t be taking any when it impacts on 7 August.” – Uber Rock

“The songs pack a nasty punch, leaving your body bruised and your nose bloodied. Chuggy riffs, ferocious vocals and some nods to thrash metal propel this album to excellence.” – Abrasive Noise

“Right off the bat, this band doesn’t mess around and you know what you get from the opening aggression of “Kill You”… Demoss sounds like good mix of metalcore growls like LAMB OF GOD’s RANDY BLYTHE to even some black metal-like screams at times. Their sparing use of dual guitar leadwork – mostly for atmosphere and melody and less for flashy solos – is always welcome from the SLAYER inspired slow, creepy guitar melodies in “VI Kings” and “Caged” to the aptly sounding 80s-ish squawking of “Sirens”. For a debut, it’s really impressive and I feel genuinely bad that they aren’t able to tour and get their music out more efficiently.” – Metal Temple

“…chunky riffs always have a place if they are handled as well as WoR does it. They work their way through anthemic tunes with heavy subject matters, like “Freedom Suicide” and “Sirens,” with the latter bluntly calling out police brutality.” – Heavy Music Headquarters

“Thrashy hardcore pushing into some good grooves cool stuff.” – WORT 89.9FM – The Moshpit (Madison, WI)

“Their music combines aggressive riffs, harmonic leads, and tasteful breakdowns with the infectious anti-authoritarian lyrics of vocalist Bobby DeMoss.” – Antichrist Magazine

“Raleigh North Carolina Groove Metal is what “Prisoners” is all about with the raw drum sound during “Kill You” adding an air of “New American Gospel” era Lamb Of God. Crews has the time keeping if the metronomic Chris Adler down to a fine art and his rapid fire, power house performance on this cut gives the Pantera groove riffs and Southern Hostility style breakdowns the underpinning that they need. “Caged” is the longest cut on the album at just over five minutes but is no less ferocious, with DeMoss being a vocal force to be reckoned with, the roars of “don’t waste my time on idol ideas” cutting even the broadest shouldered lumberjack down to size.” – Metal Noise

0 Boston’s PISTACIA Announces US East Coast Dates + New Music Video “It Was The Cat” Off New EP “Edgy” Out October 2022

September 26, 2022
by Asher
· Music News · Pistacia

NEWS RELEASE

Montreal, QC – September 26, 2022

Boston’s PISTACIA Announces US East Coast Dates + New Music Video “It Was The Cat”

New EP “Edgy” Out October 2022

Boston’s Pistacia will be hitting the road in October for tour dates across the American East Coast (dates listed below). The show dates will be in support of the band’s forthcoming debut EP “Edgy” due out on October 21st. The first single “It Was The Cat” can be heard via its music video at https://youtu.be/alpM9aI0BjQ

Tour Dates:
Oct 15 – Portland, ME – Apohadion Theater
Oct 22 – Starlite – Southbridge, MA
Oct 25 – Diversity Consignment – Jamaica Plain, MA.
Oct 26 – Millhill Basement – Trenton, MA
Nov 12 – Providence, RI – The Alchemy

Bringing forth a new brand of metalcore with their debut EP “Edgy”, Pistacia confronts relatable issues set to emotional and powerful music through personal and poignant lyrics. Making music for people who are scared and voiceless is their passion and they are not afraid to get specific about what happens in the mind of the mentally ill. With their “It Was The Cat”, they offer hope and understanding and a flashback to the days when people used the explanation that “the cat did it” in reference to marks on their arms. The band explains the creation of the single:

“The single began almost accidentally; Ben and Théo were in Florida on tour with their former band, exhausted from the road and performance, and aching to write some new music that would reflect the artistic changes they’d undergone as a result. Ben cracked away at that which he does best: writing filthy hardcore riffs and Théo took initiative to make as poppy a chorus arrangement as possible. Years later, the track was revived and Vic worked her magic, pouring her anguish and rage into finely tuned stanzas that packed punch. They entered a Berklee rehearsal room with sketches, with the makings of a metal banger, and left with the instantiation of their ardor”.

Pistacia formed when vocalist Vic Gregg desired to be on stage instead of behind the merch booth. Fueled by passion and a desire to realize her high school dreams, she learned how to scream and put the lineup together with her classmates. They started as a Pierce the Veil ensemble but later began writing originals. To date, they have released five stand-alone singles, and are gearing up to release their EP in the fall. They promise that each of the tracks on it are full-fledged bangers that will provoke and challenge the listener.

Pistacia is recommended for fans of Pierce the Veil, Slipknot, and Bring Me the Horizon.

Their debut EP “Edgy” is due out on October 21, 2022.

Track Listing
1. It Was the Cat – 4:00
2. N. Hale – 4:00
3. Fake a Smile – 4:00
EP Length: 12:00

EP Band Line Up:
Vic Gregg – Vocals
Theo Chaouat – Guitar
Ben Sonsire-Cummings – Guitar
Ron Bernhaut – Bass

Live Band Line Up:
Vic Gregg – Vocals
Theo Chaouat – Guitar
Ben Sonsire-Cummings – Guitar
Ron Bernhaut – Bass
Thomson Estabrook – Drums

For more info:
http://pistaciaofficial.com
https://www.facebook.com/Pistacia-104625968817408
https://www.instagram.com/pistaciaofficial
https://twitter.com/pistaciaband

About: In late 2019, Vic Gregg founded Gen-Z, an emo-throwback metalcore outfit. Members Ron Bernhaut, Theo Chaouat, Ben Sonsire-Cummings, and Thomson Estabrook complete the aesthetic onslaught that comprises Pistacia’s live show—in the scene’s dearth of energetic performance, the band found their niche, bringing blistering riffs to tight compact venues with pure animus and palpable vitriol. They have a nostalgia-borne affinity for all things emo and maintain a reckless proclivity for gothic imagery and provocative allure. With a marriage between heavy breakdowns, catchy choruses, and pathos-driven lyrics, Pistacia is that edgy, rebellious act you’ve been craving.

Shared stage with:
The HU, Mudfuck, Quarantined, Reapercussion, Survive the Sun, Proxies, Spite

Discography:
It Was the Cat – 2022 – EP
Hematophagous – 2021 (single)
Loaded Gun – 2021 (single)
Melatonin – 2021 (single)

– 30 –

0 GRAVESHADOW Debut “The Betrayer” Music Video + More Live Shows Announced

September 23, 2022
by Asher
· Graveshadow (M-Theory Audio) · Music News

NEWS RELEASE

Montreal, QC – September 23, 2022

GRAVESHADOW Debut “The Betrayer” Music Video

More Live Shows Announced

The Sacramento-based quintet GRAVESHADOW – who deftly mixes symphonic/gothic metal with elements and influences from a variety of styles to create something epic, progressive, melodic and powerful – release a brand-new music video for “The Betrayer” from their recently released comeback album, ‘The Uncertain Hour’, which can be seen here – https://youtu.be/fshpIWhMTbQ

The footage that comprises the clip was shot on the band’s recent west coast headlining tour from a show at Seattle’s Funhouse venue by Karl Whinnery, bassist from tour and labelmates Vintersea.

“’The Betrayer’ was written with the intention of continuing the more power metal direction that was introduced with the release of [the first single] ‘Gwynnbleidd,’” explains guitarist Aaron Robitsch. [Guitarist] Will also wanted to make more use of guitar harmonies, and I think this song showcases that well. It also continues a theme we have become known for — lyrics about World of Warcraft.”

“This song became an early favorite of mine during the recording process. Aaron worked out the idea to have a video shot while we were on tour and the fantastic Karl Whinnery from Vintersea helped us out by shooting it,” states guitarist William Lloyd Walker. “Really happy with how it came out and a huge thanks to Karl for helping us put this together.”

GRAVESHADOW’s third album, ‘The Uncertain Hour,’ was produced by Miss May I guitarist Justin Aufdemkampe (Clutch, War of Ages), mastered by Alberto De Icaza (Crobot, Zoey’s Extraordinary Playlist) and features artwork by Roman Ismaylov (Battle Beast, Beast In Black). It sees a new lineup for GRAVESHADOW now augmented by the newfound energy that has been brought into the band by the soaring melodic performance of new vocalist Rachl “Raxx” Quinn and the rumbling rhythm section of new bassist Luci Rae and new drummer Bones Padilla. The returning guitar duo of William Lloyd Walker and Aaron Robitsch once again deliver a beautiful display of guitar histrionics that tastefully mix searing shred with warm melody, while Aaron even adds some harsh backing vocals. GRAVESHADOW are back on the scene with a story to tell. Intertwining melodic highs and crushing lows to sweep listeners away on a journey of self-discovery, loss and the will to carry on.

Jewelcase CDs and limited-edition vinyl (200 copies) of ‘The Uncertain Hour’ are available in stores or can be ordered online from www.smarturl.com/graveshadow, as well as digital downloads/streaming.

Three digital singles and videos have been released in the buildup for the album. The first taste of new music from the reformed lineup came with The Witcher inspired song “Gwynnebleidd” https://youtu.be/XrorDG70g3Q way back in May 2020. It proved the revamped quintet could create new music and be accepted by their existing fanbase and a new audience. Collaborating on more new music further sessions continued and were evidenced by “Soldier Of 34” https://youtu.be/qXDzhkfRjuM and “The Swordsman” (the latter even featuring guest vocals from Chelsea Murphy of Dawn of Ouroboros, Cailleach Calling and Tegmentum) https://youtu.be/WnFOUN9S4aw.

Additionally, GRAVESHADOW will perform two shows in Northern California next month with direct support on both shows coming from buzzworthy So Cal band Our Dying World.

Upcoming GRAVESHADOW live shows
10/14 Cafe Colonial – Sacramento, CA
10/15 Hotel Utah Saloon – San Francisco, CA

GRAVESHADOW‘s previous album, 2018’s ‘Ambition’s Price,’ was given accolades by Metal Utopia for being “a great record with lots of great moments for fans of Nightwish and The Birthday Massacre.” Metal Nation praised ‘Ambition’s Price,’ declaring that “GRAVESHADOW has taken what has become a somewhat complacent and stagnant style of metal and breathed fresh life into it, creating something vibrant and memorable.” The fantastical lyrical themes that were explored by the band on ‘Ambition’s Price’ – their debut record for M-Theory Audio and the follow-up to the group’s incubatory 2015 debut full-length ‘Nocturnal Resurrection’ – were applauded by critics and fans alike. The band followed the release of ‘Ambition’s Price’ by winning over new audiences with extensive touring alongside bands such as Arkona, Sirenia, Exmortus, Night Demon, and Unleash The Archers.

Track Listing:
1. Soldier of 34 (6:04)
2. Gwynnbleidd (4:18)
3. Sea of Apparitions (3:55)
4. The Swordsman (5:28)
5. Vengeance of Envy (3:57)
6. A Beautiful End (4:54)
7. The Betrayer (4:12)
8. Shadow Battles (4:19)
9. The Two Lived (6:45)
10. Damsel’s Finesse (7:05)
Album Length: 51:04

GRAVESHADOW is:
Rachl ‘Raxx’ Quinn – vocals
William Lloyd Walker – guitars
Aaron Robitsch – guitars/keyboards
Luci Rae – bass
Bones – drums

For more information:
www.m-theoryaudio.com
www.facebook.com/graveshadow
www.instagram.com/graveshadow

– 30 –

—
ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780
jon[@]ashermediarelations[.]com
Facebook @AsherMediaRelations
Instagram @AsherMedia
Tweet @AsherMedia

0 The Secret Places Of The Earth (Barrett Klesko – All Else Fails, The Order of Chaos) Releases Experimental Guitarwork Album “The Space Between The Stars”

September 23, 2022
by Asher
· Music News · The Secret Places of The Earth

NEWS RELEASE

Montreal, QC – September 23, 2022

The Secret Places Of The Earth (Barrett Klesko – All Else Fails, The Order of Chaos) Releases Experimental Guitarwork Album “The Space Between The Stars”

New Album “The Space Between The Stars” Out Sept 23rd

Canadian experimental guitar project The Secret Places Of The Earth has announced a second album coming up entitled “The Space Between Stars”. Already released is the single “Mother Brain” and now fans have the opportunity to dig into the spacey, ambient, experimental guitar work in full.

The man behind the project is award-winning Canadian composer, and visual artist Barrett Klesko (All Else Fails, The Order of Chaos) who writes the songs in a flow state, messing around a little with tones and effects, then after finding a few riffs that feel good, he’ll start to play. Essentially, he records the songs live using a looper, but he’s playing more to his own ears, than to any rigid musical rule or structure. He looks for his playing to evoke a specific sensation or emotion, and he follows it. He plays more as an observer than a performer. Klesko explains what fans can expect in the future:

“I compose along a certain path until I notice the sound of my work beginning to change, which signals to me that I am moving on to a new set of songs. I more or less follow my intuition in that regard. Fans can expect a lot more music, I have worked quite a bit ahead, and plan to release new albums every few months. As of August 2022, The Secret Places of the Earth has an unreleased catalogue of over 80 songs, which is growing weekly.”

As for playing live, Klesko is still considering the best way to bring this music into a live scenario. Because of the experimental nature of the music, in regards to experimenting with it before he hits a flow with a song, he will need a very specific venue or experience to properly convey it and isn’t sure what that is quite yet.

The album was written and performed by Barrett Klesko, who also produced, and engineered, it, and the mastering was done by Colin Noel. The album artwork was done by dianico.

Haunted, hypnotic, and healing, The Secret Places Of The Earth is recommended for fans of Repulsive, Midwife, and Jefre Cantu-Ledesma.

The album “The Space Between The Stars” is available as of September 23rd, 2022 on the following platforms:

Thesecretplacesoftheearth.bandcamp.com, Spotify, Apple Music

Visualizer – Mother Brain – https://youtu.be/aDpM7C9qKo0

Track Listing:
1. Mother Brain (6:25)
2. The Space Between the Stars (3:12)
3. Fragile Futures (3:01)
4. Drifts (4:52)
5. Breach (3:06)
Album Length 20:19

About: The Secret Places of the Earth is a non-linear, live compositional experiment by award-winning Canadian composer, and visual artist Barrett Klesko (All Else Fails, The Order of Chaos, FadeBack Studios United). His first album “Stormwalker” was released in early 2022 to a modest, though enthusiastic fan and critical reception. Described as darkly beautiful, magnetic, and often unsettling, “Stormwalker” has been gaining momentum with a growing cult following due to its organic live feel and hypnotizing depth.

For more info:

EPK – https://wp.me/pciNW-iwQ

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