NEWS RELEASE
Montreal, QC – October 17, 2022
Norway’s Féleth Confront The Dark History Of Colonialism In “USA” Off “Divine Blight”
Mixed and Mastered by Christian Donaldson (Cryptopsy)
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Féleth, from the far reaches of northern Norway, above the arctic circle, have a new album coming out this winter entitled “Divine Blight”. Some of the tracks on the album are fictional while others, including the single “USA” ft. Petter Carlsen are commentaries on real-world issues. The latest single involves the parallelism of the USA’s and Scandinavia’s effects on the indigenous people of the areas. The band details the track:
“It’s our most alternative song on the album, where almost everyone contributed to the songwriting. “USA” starts off very calm and beautiful, before the main bassline of the song comes in, which in itself is very intricate. The song follows a very strange structure where it has two ‘’hooks’’, and riffs that showcase the absolute guitar mastery that the band can deliver. Lyrically there was a lot of work put into this song, it touches upon the horrors that were inflicted upon the Native Americans, and also the Sami people, the indigenous people of Northern Norway, expressing extreme dismay and criticism against the atrocities inflicted.”
When it comes to writing, everyone participates in the songwriting process, but is mostly handled by the guitarists. Then up to the bass player and drummer to add what they think is the most fitting for the song. The lyrics usually come from the ‘’feel’’ of the songs. The lyrics are ranging from critique towards humanity, relatable events and even touching upon how the more technologically advanced people oppressed natives in the single “USA”.
The general red line throughout the album when it comes to the lyrics is perfectly described in the album title ‘’Divine Blight’’, which is a wordplay on ‘’Divine Right’’ where kings etc. meant they were chosen by god and had more worth than other people. ‘’Divine Blight’’ is the band’s dismay in such thinking, implying that all of humanity is equal and we are all equally responsible for all the fucked up shit that’s happening in this world.
An electrically charged exhibit of melodic death metal with a generous helping of technical riffs, Féleth takes their music seriously, but not themselves. They are recommended for fans of Archspire, Fit For An Autopsy and Inferi.
The lyric video for “USA” ft. Petter Carlsen can be seen and heard at https://youtu.be/7jURKrmgt0M
Digital – https://orcd.co/_usa
The album “Divine Blight” comes out on November 11, 2022.
Music Video – Majesty – https://youtu.be/yce26-EGFMI
Visualizer – Avarice – https://youtu.be/E2J3NnHAmsk
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Track Listing:
1. Majesty – 03:46
2. Caretaker – 03:58
3. Riven – 03:51
4. En Elskovsdans – 03:10
5. The Serpent – 03:32
6. Casanova – 03:35
7. Deadlands – 04:26
8. Absence – 04:09
9. USA – 05:32 ft. gust vocals Petter Carlsen
10. Avarice – 05:33
Album Length: 41:37
Album Credits:
All songs performed by Féleth
Guest vocalist Petter Carlsen on USA
All songs written by Féleth
Produced by Féleth
Mixed and Mastered by Christian Donaldson
Assistant Engineer Jonathan Mazzeo
Album Artwork by Kahinienn Graphix
Live and Album Lineup:
Espen Dagenborg – Vocals
Thomas Nyvoll – Guitar
Alexander Stamnes – Guitar
Brage Ingebrigtsen Westgaard – Bass
Aleksander Alsen – Drums
For more info:
Facebook.com/FelethBand
Instagram.com/felethband
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““Majesty” is an exciting introduction to the differing styles and techniques that Féleth intertwine in their songwriting, drawing together ingredients from technical and melodic death metal in a white-hot rush that nevertheless is home to some bone-smashing grooves. “Avarice” puts those genre ingredients on display again, but expands the musical palette and makes the song an even ore multi-faceted and atmospheric experience. With no room to gasp a breath, the song explodes in a flurry of fleet-fingered, fret-leaping guitar work, neck-cracking drumming, and flame-throwing vocal intensity. But groaning chords and shrill, eerie melodic overtones also create dark and deleterious moods, building tension and fear. While the vocals are utterly unhinged in their madness (and doubled in the chorus for extra intensity), squirming guitar arpeggios create a different dimension of insanity, coupled with agony, and martial drum patterns and a misery-steeped closing solo add to the song’s relentless dynamism. On top of all that, the song also punches like a heavyweight fighter.” – No Clean Singing (Divine Blight 2022)
“Depravity the newest album from Feleth is one brutal album full of riffs and hooks to keep even the most particular entertained. Feleth mix the roots of the Norwegian metal scene, with the death metal tone they strive for to create some well crafted blackened death metal, similar to that of Shadow of Intent.” – Metal Injection (Depravity 2020)
“With a melting pot of ideas, yet rooted in delivering a head-smashing and neck-destroying style of metal, Féleth are aggressive newcomers to a scene that constantly looks to surprise… Féleth deliver heavy and extreme noise so very well.” 9/10 – Games, Brrraaains & A Head-Banging Life (Depravity 2020)
“straight up heaviness and brutality, tech offerings and melodic atmopsheres, and enjoyable groove.” – Dead Rhetoric (Depravity 2020)
“Féleth: Transcends the traditional limits of the genre…” – Permafrost.today (Depravity 2020)
“9/10 “Féleth offer an edge-of-your-seat experience that is both fresh and captivating.” – Metal Inferno (Depravity 2020)
“Féleth does death metal fast and aggressive, reigning in their impressive technical chops for maximum impact, keeping their riffs (and songs, for that matter) relatively short and to the point. They strike a pretty even balance between chunky chords and caustic melodies, most of which are designed to coax headbanging than to impress with virtuosity. The album is front-loaded with catchy bangers, saving the more technical and weird bits for the latter half.” – Tolet Ov Hell (Depravity 2020)
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