NEWS RELEASE
Montreal, QC – April 2, 2026
Streaming Now! ONCHOCERCIASIS ESOPHAGOGASTRODUODENOSCOPY’s New Album “Fugue Gnawed from the Scabbed God Cerebrum”
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L – R – The Popuko – Guitars, Drums, Bass, Backing Vocals, Alice Simard – Guitars, Drums, Jesse Agiomamitis – Vocals
Apocalyptic brutal slamming death metal entity Onchocerciasis Esophagogastroduodenoscopy (OxE) has partnered with Decibel Magazine for the exclusive stream premiere of their long‑awaited full‑length album, “Fugue Gnawed from the Scabbed God Cerebrum,” ahead of its official release on April 3, 2026, through Stillbirth Records / Gore House Productions.
The Decibel stream marks the first opportunity for fans to experience the album in its entirety, an eleven‑track descent into dissonant barbarity, cosmic violence, and experimental extremity. The LP represents OxE’s most ambitious and punishing work to date, expanding their sonic identity far beyond the foundations laid on their previous EP, “The Fallen Lament.”
Listen to the album in full on Decibel Magazine HERE.
OxE’s lineup spans three countries: Quebec City, Canada (Alice), Australia (Jesse), and Germany (Popu), yet their creative synergy is seamless. Originally a solo project by guitarist Alice Simard, OxE evolved into a collaborative force after Jesse joined in 2019. Popu, a longtime fan, later connected with Alice through their shared love of the obscure bullet‑hell game Touhou Project, completing the trio. Their influences range from Disentomb, Artificial Brain, and Deathspell Omega to video games (Dark Souls, NieR), anime (Berserk, Evangelion), and global folklore.
“Fugue Gnawed from the Scabbed God Cerebrum” is a meticulously crafted sonic nightmare. Musically, the album pushes OxE into their most experimental territory yet, layering warped synths, organic instrumentation, and alien sound design between the carnage of their signature riffs and gutturals.
“Start‑to‑finish, the album is dissonant, punishing, and disorienting. Many of the lyrical subjects are larger-than-life. The songs tell the story of a single entity, a godslayer, on a God‑of‑War‑esque rampage through the universe, all veiled in obscurity,” says vocalist Jesse Agiomamitis.
German multi‑instrumentalist The Popu adds:
“This is the most experimental OxE release to date. The synths and organic layers were destroyed and reshaped to give the soundscape an alien feel. I was heavily inspired by Nithing’s ‘Agonal Hymns and Dripping’s ‘Disintegration of Thought Patterns During A Synthetic Mind Traveling Bliss.’”
The album’s artwork, created by Mei Maro, reflects the band’s fascination with folklore, mythology, and surreal horror, an amalgamation of the influences that shaped the record’s writing.
From the chaotic opener “Conquering Divinity” to the melodic yet brutal closer “Forged in the Blackest Reaches of Blasphemy,” the album traverses a wide spectrum of textures and emotional weight. “Heaven’s Empty Halls” introduces dungeon‑synth‑esque atmospheres. “Entombed Within the Infinite Panopticon” delivers one of the album’s heaviest breakdowns. “Abyssikataplexika” showcases some of the most inhuman vocal performances OxE has ever recorded. “Apotheotic Apotemnophilia” explores melodic territory while maintaining crushing heaviness. Every track contributes to the overarching narrative of cosmic annihilation and psychological descent.
Recommended for fans of Deathspell Omega, Disentomb, Artificial Brain, First Fragment, Disgorge, and Ulcerate, OxE‘s “Fugue Gnawed from the Scabbed God Cerebrum” is their longest and most refined release yet: no filler, no restraint, and no compromise.
Album pre-order for CD, Cassette, and digitally from Stillbirth Records / Gore House Productions at https://orcd.co/scabbed-god-cerebrum
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Track Listing:
1. Conquering Divinity – 3:17
2. The Fallen Lament, Paralytikus Ascends – 1:21
3. Severing What Makes Me Human – 2:41
4. Apotheotic Apotemnophilia – 3:03
5. Entombed Within the Infinite Panopticon – 2:23
6. Gutted & Corpsed – 3:05
7. Heaven’s Empty Halls – 5:13
8. Hurt Beyond Healing – 2:33
9. Abyssikataplexika – 2:35
10. Vile Verses Flogged into the Wings of Angels – 1:23
11. Forged in the Blackest Reaches of Blasphemy – 4:58
Album Length: 32:32
ROLES:
Jesse Agiomamitis: Vocals, Lyrics
Alice Simard: Composition, Guitars, Lead Guitars
The Popu: Additional Songwriting, Mixing and Mastering, Guitars, Bass, Orchestration and Sound Design, Additional lyrics, Additional Vocals
More info:
https://gorehouseproductions.com/
https://www.facebook.com/OnchoOfficial
https://www.instagram.com/onchocerciasis_official
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“First of all besides the insane moniker and album title, I don’t even know how to label this shit. If you know, you know… It sounds like an army of angry lawnmowers rolling over cliffs and boulders, LOL! Fuck it… four tacos out of five!” – Micha Kite – Metal Underground
“A complex and bizarre name reflects the complex and bizarre nature of this band. Mixing Slam, Brutal Death Metal, hints of prog metal and other influences makes for a heady brew of extreme music…. This eclectic approach never lets up for the whole of the album, with so many familiar yet alien sounds emerging, riffs that sound like they were written by a thrash band, or slow dirgey sections that come straight from doom metal’s playbook. Does this approach work? Incredibly, yes! The album stays fresh and interesting; there is always something you draw your attention to and keep you listening. Combine this with the band’s art and lyrical efforts and it makes for a crazy, heady mixture of the heavy and the ridiculous, but at least it’s never boring!” – The Razor’s Edge
“Because the band varies quite a lot within the framework and smuggles in unwholesome elements, ‘Fugue Gnawed from the Scabbed God Cerebrum’ remains captivating from start to finish. Every listen reveals new details, and the craftsmanship and tight compositions make this album a delightful cocktail of proggy avant-garde brutal tech death slam jazz. Or something like that. Surprising, unexpected, and constantly memorable: this is a top record of brutality.” – Musika
“Victims of brutal death metal will recognize the trauma inflicted by the song’s (Gutted and Corpsed) opening, a combination of furiously rattling snare-drums, sewer-gurgling riffage, and equally grotesque sewer-dwelling vocals, but even there the band also discharge shrill and weirdly squirming frequencies and shotgun blasts, as well as slamming hammer blows and bursts of viciously darting and insanely screaming fretwork. But the song shifts, opening a portal to an even more macabre cavalcade of screeching and bizarrely contorting tonalities (some of which are ejected from a contorting throat), accompanied by sudden and equally crazed percussive contortions and thudding bass-level throbs. Ghosts might be wailing and screaming, and there’s a guitar solo in the mix too, but it too has lost its mind. Near the end, when the drumming has become heavily medicated and slumbers, the music changes even more dramatically. Something like a flute enticingly whispers, and something like an oboe woozily wanders against a backdrop of gentling shimmering strings — a little caress to help you begin unscrambling your brain.” – No Clean Singing
“The speed of the drums, the ferocity of the vocals, the intensity of the guitars and how all of that blends together in the most diabolical way… Onchocerciasis Esophagogastroduodenoscopy are pushing boundaries here.. what they have created here is fascinating and admirable.. it is an unforgettable listen…” – Games Brrraaains and Head-Banging Life
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