Tag: premiere

0 Canada’s NOX Unleashes Debut Single “Night Terror,” a Cinematic Descent into Goth‑Metal Darkness

April 15, 2026
by Asher
· Music News · NOX

NEWS RELEASE

Montreal, QC – April 15, 2026

Canada’s NOX Unleashes Debut Single “Night Terror,” a Cinematic Descent into Goth‑Metal Darkness

A dark, cinematic introduction to the new solo project from Ottawa creator Joe Moon (A Scar For The Wicked, Daedfall, ex-Sovereign Council)

Recognized for his guitar work and production roles in Ottawa bands A Scar For The Wicked, DAEDFALL, and previously Sovereign Council, solo goth‑metal artist NOX emerges as the newest creative vessel for cinematographer and visual storyteller Joe Moon. To introduce the launch of this fully self‑realized project, one that fuses heavy music, horror‑driven aesthetics, and immersive worldbuilding into a singular, shadow‑forged identity, Moon unveils NOX‘s debut single and music video for “Night Terror.”

NOX embodies Moon’s long‑standing drive to create something darker, more personal, and more cinematic than anything in his past body of work. After years spent shaping visuals, music, and production across multiple mediums, the project stands as the culmination of that experience, a space where sound, imagery, and storytelling merge without restraint. Moon writes every element himself, from synths and drums to guitars, crafting each track around mood, tension, and emotional gravity. Sonically, NOX pulls from modern metal, melodic death metal, industrial metal, symphonic black metal, and gothic/alternative metal, while weaving in the scale and emotional depth of cinematic scoring.

“NOX is a dark, creative force rooted in heavy music, cinematic tension, and immersive atmosphere. Influenced by metal, horror, sci‑fi, and shadow‑driven visual storytelling, the project exists to create music that feels larger than sound alone, a world built on power, fear, transformation, and emotional weight. The goal is to give people something immersive, something oppressive, emotional, haunting, and atmospheric. Every song should feel like a chapter in a larger story,” says Moon.

“Night Terror” serves as the first entry point into that world. The track is dark, intense, and deeply atmospheric, built around the sensation of being hunted by something both psychological and real. Moon describes it as a reflection of fear, paralysis, and the loss of control, emotions that shape the song’s heavy, immersive sound.

“‘Night Terror’ leans into fear and tension, turning those emotions into something cinematic and overwhelming. It’s meant to feel like stepping into a nightmare you can’t wake up from,” adds Moon.

As a cinematographer and visual creator, Moon approaches NOX with a filmmaker’s eye. The music video for “Night Terror” introduces the project’s aesthetic, a blend of horror, sci‑fi, surrealism, and metal imagery designed to feel like a window into a larger universe. The result is a sound that is dark, cinematic, immersive, and vicious.

Recommended for fans of Sleep Token, Lord of the Lost, Lacuna Coil, Dimmu Borgir, and modern Swedish melodic death metal, NOX delivers the same sense of weight and atmosphere, but pushes further into something more visual, more narrative‑driven, and unmistakably its own.

Watch and listen to the music video for “Night Terror” via its premiere on Bravewords HERE.

Add to your Spotify playlist – https://open.spotify.com/track/6qvs53MRsDJYkf6KgmzXu1

More Info:

https://www.facebook.com/profile.php?id=61576513716832

https://www.instagram.com/the.only.nox/

About:

NOX is the dark creative project of Joe Moon, a cinematographer, visual creator, and storyteller driven by heavy atmosphere, bold imagery, and genre-blending worldbuilding. Working across film, music, design, and concept development, Joe builds immersive visuals and identities that live somewhere between horror, sci-fi, metal, and the surreal. NOX is an extension of that vision: a space for darker ideas, original characters, striking aesthetics, and unapologetically cinematic expression. Through NOX, Joe brings together his work in visual storytelling, production, and creative direction to create something visceral, mysterious, and unmistakably his own.

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0 Feel The Destructive Onslaught of Pompeii’s End w/ ASHEN HORDE’s New Single “Voids in the Ash” From Upcoming Album “The Harvest” Out May 2026

April 9, 2026
by Asher
· ASHEN HORDE · Music News

NEWS RELEASE

Montreal, QC – April 9, 2026

Feel The Destructive Onslaught of Pompeii’s End w/ ASHEN HORDE’s New Single “Voids in the Ash” From Upcoming Album “The Harvest” Out May 2026

Photos by @still.squill (Trevor); Photo Dun Right (Karl); unknown (Robin)

Extreme metal shapeshifters Ashen Horde will release their highly anticipated fifth full‑length album, “The Harvest,” on May 1st, 2026. Following the unveiling of the first single and video, “Entropy and Ecstasy,” the band now returns with the album’s second single, “Voids in the Ash,” a haunting and dynamic track inspired by the final days of Pompeii.

“The Harvest” (mixed by Ricardo Borges and mastered by Tony Lindgren at Fascination Street Studios) marks a new era for Ashen Horde, one defined by expanded vocal range, sharpened contrasts, and a thematic focus on endings. While not a concept album, the record threads together stories of collapse, decay, and transformation, each approached from a different angle. It is also the band’s first full‑length to feature vocalist Karl Chamberlain (Autolatry, Skala, Alcyone), whose performance pushes the group into its most melodic and emotionally varied territory yet.

Originally founded as a solo project by guitarist and primary songwriter Trevor Portz, Ashen Horde has evolved into a full lineup featuring vocalist Karl Chamberlain and Australian-based drummer Robin Stone (The Amenta, Convulsing). Ashen Horde has long been known for its refusal to be confined to a single extreme‑metal subgenre. “The Harvest” continues that tradition, weaving together black metal, death metal, progressive elements, and even shades of 90s alternative.

The album’s first single, “Entropy and Ecstasy,” introduced listeners to this expanded palette. The track, described by Portz as “Voivod‑with‑blastbeats energy,” follows a couple who find exhilaration in the chaos of a collapsing world. The song also served as Chamberlain’s “audition,” with his chilling delivery of the line “how can we thrive if we expect to survive?” immediately cementing him as the band’s new voice.

The newly released second single, “Voids in the Ash,” shifts into darker, moodier territory. Musically, the track blends grunge‑inspired vocal harmonies with sudden bursts of black‑metal ferocity. Lyrically, Chamberlain tells the story of Pompeii from the perspective of both its doomed inhabitants and the gods who buried them.

“It was the last song I recorded vocals for, and it became one of the most special to me,” adds Chamberlain.

Watch and listen to the video for “Voids in the Ash” via its premiere on Decibel Magazine HERE.

While each song on “The Harvest” stands alone, all share a connection to the record’s overarching theme of endings. “Autumnal” is inspired by the Sensorio light installation in Paso Robles; the track explores Pagan harvest‑season rituals and builds from quiet ambience into full black‑metal intensity. “Entropy and Ecstasy” is a chaotic, melodic exploration of passion amid catastrophe, influenced by Voivod and early pandemic anxieties. “Backward Momentum” is a genre‑bending blend of Opeth‑style clean vocals, unconventional riffs, and 90s‑inspired rock breaks, paired with lyrics condemning society’s slide into superstition and conspiracy. “Remnant” is a tale of a hunter lost in a storm, taken in by a stranger, only for nature to claim them both. “A Place in the Rot” is inspired by Swamp Thing; the track meditates on mortality and the inevitability of returning to the soil. “The Apparition”, the heaviest track on the album, is told from the perspective of a ghost condemned to watch humanity’s cruelty without the power to intervene. The album closer and title track, “The Harvest,” imagines a hidden entity judging humanity’s self‑destruction, waiting to emerge and devour everything once hope is gone.

For over 10 years, Ashen Horde has crafted extreme metal that defies easy categorization. Rooted in black and death metal but unafraid to incorporate progressive, melodic, and alternative influences, the band appeals to fans of Opeth, Enslaved, Amorphis, Ihsahn, and other genre‑bending heavyweights.

Album pre-order (release date May 1, 2026) available on limited splatter vinyl and CD (along with t-shirt bundles) on Bandcamp, as well as everywhere digitally – https://ashenhorde.bandcamp.com/album/the-harvest

Music Video – Ecstasy and Entropy – https://www.youtube.com/watch?v=zud62AXzvsw

Tour Dates:
May 14 – Montclair, NJ – The Meatlocker
May 15 – Wallingford, CT – Cherry Street Station
May 16 – Brattleboro, VT – Midnight’s

Track Listing:
1. Autumnal (6:12)
2. Entropy and Ecstasy (5:47)
3. Backward Momentum (5:21)
4. Voids in the Ash (5:41)
5. Remnant (4:37)
6. A Place in the Rot (4:38)
7. Apparition (4:57)
8. The Harvest (5:46)
Album Length: 43:03

Credits:
Mixed by Ricardo Borges and mastered by Tony Lindgren at Fascination Street Studios
Artwork by Venus Kohana (venuskohana.com)

Lineup:
Trevor Portz: Guitar, Bass, Harmony Vocals
Karl Chamberlain: Vocals
Robin Stone: Drums

More Info:

https://www.facebook.com/AshenHorde/

https://www.instagram.com/ashenhorde

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“The harvest is coming! The new Ashen Horde album is a multi-faceted journey into every nook and cranny of extreme metal. “The Harvest” is challenging and quirky, but unlike a lot of other progressive/experimental releases, it never loses track of the key ingredient in music – good songwriting. All tracks are well-crafted and interesting in their own right, and the skillful instrumental performances are more like the icing on the cake and not the main focus. Highly recommended!” – Nik Sundin (Dark Tranquillity)

“The song (Entropy and Ectasy) captures this dichotomy of collapse and exhilaration — of entropy and ecstasy — through a fast-spinning (and head-spinning) kaleidoscope of sound. The moods of the music change along the way, but even the relatively slower and more desolate passages include inventive and intriguing nuances. Karl Chamberlain’s remarkably multi-faceted voice is a perfect match for the remarkably multi-faceted nature of the music. He expels brutal death metal gutturals and ripping black metal screams, but he also sends his singing voice in ravishing upward arcs that are spine-tingling to hear, and down into gloomy troughs. As for the surrounding music, it’s intricate and exhilarating, especially when the band are in full flight, discharging rapidly darting and maniacally swirling notes, incendiary bursts of tremolo’d delirium, or riffing that feverishly slashes with vicious, serrated edges. In less frantic phases, the music dismally groans and throbs, creating a pall of desolation, even when Chamberlain’s voice might be reaching for the clouds. The fretwork also includes angular progressions that generate moods of disorientation and fearfulness, and the song further includes an astonishing guitar solo that all by itself seems to capture the song’s thematic dichotomy of collapse and jubilation. Perhaps needless to say, Robin Stone’s drumming is as constantly changing as everything else, and surgically crafted to match all the other head-spinning, pulse-pounding, and heart-sinking twists in this shapeshifter of a song.” – No Clean Singing

“Antimony; 3/5 rating; “the sound Ashen Horde has developed over three albums is pretty much theirs alone. It’s a dense but accessible approach that rewards both casual listens and sustained attention.” – Angry Metal Guy (2023 – Antimony)

“Equal parts blackened madness, death metal riffing, and clean vocals, “The Neophyte” should get just about anyone stoked for Antimony.” – Metal Injection (2023 – Antimony)

“an amazing odyssey all around and the amount of remarkable coherency as well as the instrumentation work and musicianship is just top notch.” – Metal Purgatory (2023 – Antimony)

“Progression like what Ashen Horde has undergone over the years is what the best tales in the underground are made out of.” – Head-Banger Reviews (2023 – Antimony)

“Fallen Cathedrals; 4.0 rating; “I can’t recommend this enough for fans of black and death metals being combined in unique ways.” – Angry Metal Guy (2019 – Fallen Cathedrals)

—
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jon[@]ashermediarelations[.]com
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0 Gore House Prod. – Streaming Now! ONCHOCERCIASIS ESOPHAGOGASTRODUODENOSCOPY’s New Album “Fugue Gnawed from the Scabbed God Cerebrum”

April 2, 2026
by Asher
· Music News · Onchocerciasis Esophagogastroduodenoscopy (Gore House Productions)

NEWS RELEASE

Montreal, QC – April 2, 2026

Streaming Now! ONCHOCERCIASIS ESOPHAGOGASTRODUODENOSCOPY’s New Album “Fugue Gnawed from the Scabbed God Cerebrum”

L – R – The Popuko – Guitars, Drums, Bass, Backing Vocals, Alice Simard – Guitars, Drums, Jesse Agiomamitis – Vocals

Apocalyptic brutal slamming death metal entity Onchocerciasis Esophagogastroduodenoscopy (OxE) has partnered with Decibel Magazine for the exclusive stream premiere of their long‑awaited full‑length album, “Fugue Gnawed from the Scabbed God Cerebrum,” ahead of its official release on April 3, 2026, through Stillbirth Records / Gore House Productions.

The Decibel stream marks the first opportunity for fans to experience the album in its entirety, an eleven‑track descent into dissonant barbarity, cosmic violence, and experimental extremity. The LP represents OxE’s most ambitious and punishing work to date, expanding their sonic identity far beyond the foundations laid on their previous EP, “The Fallen Lament.”

Listen to the album in full on Decibel Magazine HERE.

OxE’s lineup spans three countries: Quebec City, Canada (Alice), Australia (Jesse), and Germany (Popu), yet their creative synergy is seamless. Originally a solo project by guitarist Alice Simard, OxE evolved into a collaborative force after Jesse joined in 2019. Popu, a longtime fan, later connected with Alice through their shared love of the obscure bullet‑hell game Touhou Project, completing the trio. Their influences range from Disentomb, Artificial Brain, and Deathspell Omega to video games (Dark Souls, NieR), anime (Berserk, Evangelion), and global folklore.

“Fugue Gnawed from the Scabbed God Cerebrum” is a meticulously crafted sonic nightmare. Musically, the album pushes OxE into their most experimental territory yet, layering warped synths, organic instrumentation, and alien sound design between the carnage of their signature riffs and gutturals.

“Start‑to‑finish, the album is dissonant, punishing, and disorienting. Many of the lyrical subjects are larger-than-life. The songs tell the story of a single entity, a godslayer, on a God‑of‑War‑esque rampage through the universe, all veiled in obscurity,” says vocalist Jesse Agiomamitis.

German multi‑instrumentalist The Popu adds:

“This is the most experimental OxE release to date. The synths and organic layers were destroyed and reshaped to give the soundscape an alien feel. I was heavily inspired by Nithing’s ‘Agonal Hymns and Dripping’s ‘Disintegration of Thought Patterns During A Synthetic Mind Traveling Bliss.’”

The album’s artwork, created by Mei Maro, reflects the band’s fascination with folklore, mythology, and surreal horror, an amalgamation of the influences that shaped the record’s writing.

From the chaotic opener “Conquering Divinity” to the melodic yet brutal closer “Forged in the Blackest Reaches of Blasphemy,” the album traverses a wide spectrum of textures and emotional weight. “Heaven’s Empty Halls” introduces dungeon‑synth‑esque atmospheres. “Entombed Within the Infinite Panopticon” delivers one of the album’s heaviest breakdowns. “Abyssikataplexika” showcases some of the most inhuman vocal performances OxE has ever recorded. “Apotheotic Apotemnophilia” explores melodic territory while maintaining crushing heaviness. Every track contributes to the overarching narrative of cosmic annihilation and psychological descent.

Recommended for fans of Deathspell Omega, Disentomb, Artificial Brain, First Fragment, Disgorge, and Ulcerate, OxE‘s “Fugue Gnawed from the Scabbed God Cerebrum” is their longest and most refined release yet: no filler, no restraint, and no compromise.

Album pre-order for CD, Cassette, and digitally from Stillbirth Records / Gore House Productions at https://orcd.co/scabbed-god-cerebrum

Track Listing:
1. Conquering Divinity – 3:17
2. The Fallen Lament, Paralytikus Ascends – 1:21
3. Severing What Makes Me Human – 2:41
4. Apotheotic Apotemnophilia – 3:03
5. Entombed Within the Infinite Panopticon – 2:23
6. Gutted & Corpsed – 3:05
7. Heaven’s Empty Halls – 5:13
8. Hurt Beyond Healing – 2:33
9. Abyssikataplexika – 2:35
10. Vile Verses Flogged into the Wings of Angels – 1:23
11. Forged in the Blackest Reaches of Blasphemy – 4:58
Album Length: 32:32

ROLES:
Jesse Agiomamitis: Vocals, Lyrics
Alice Simard: Composition, Guitars, Lead Guitars
The Popu: Additional Songwriting, Mixing and Mastering, Guitars, Bass, Orchestration and Sound Design, Additional lyrics, Additional Vocals

More info:

https://gorehouseproductions.com/

https://www.facebook.com/OnchoOfficial

https://www.instagram.com/onchocerciasis_official

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“First of all besides the insane moniker and album title, I don’t even know how to label this shit. If you know, you know… It sounds like an army of angry lawnmowers rolling over cliffs and boulders, LOL! Fuck it… four tacos out of five!” – Micha Kite – Metal Underground

“A complex and bizarre name reflects the complex and bizarre nature of this band. Mixing Slam, Brutal Death Metal, hints of prog metal and other influences makes for a heady brew of extreme music…. This eclectic approach never lets up for the whole of the album, with so many familiar yet alien sounds emerging, riffs that sound like they were written by a thrash band, or slow dirgey sections that come straight from doom metal’s playbook. Does this approach work? Incredibly, yes! The album stays fresh and interesting; there is always something you draw your attention to and keep you listening. Combine this with the band’s art and lyrical efforts and it makes for a crazy, heady mixture of the heavy and the ridiculous, but at least it’s never boring!” – The Razor’s Edge

“Because the band varies quite a lot within the framework and smuggles in unwholesome elements, ‘Fugue Gnawed from the Scabbed God Cerebrum’ remains captivating from start to finish. Every listen reveals new details, and the craftsmanship and tight compositions make this album a delightful cocktail of proggy avant-garde brutal tech death slam jazz. Or something like that. Surprising, unexpected, and constantly memorable: this is a top record of brutality.” – Musika

“Victims of brutal death metal will recognize the trauma inflicted by the song’s (Gutted and Corpsed) opening, a combination of furiously rattling snare-drums, sewer-gurgling riffage, and equally grotesque sewer-dwelling vocals, but even there the band also discharge shrill and weirdly squirming frequencies and shotgun blasts, as well as slamming hammer blows and bursts of viciously darting and insanely screaming fretwork. But the song shifts, opening a portal to an even more macabre cavalcade of screeching and bizarrely contorting tonalities (some of which are ejected from a contorting throat), accompanied by sudden and equally crazed percussive contortions and thudding bass-level throbs. Ghosts might be wailing and screaming, and there’s a guitar solo in the mix too, but it too has lost its mind. Near the end, when the drumming has become heavily medicated and slumbers, the music changes even more dramatically. Something like a flute enticingly whispers, and something like an oboe woozily wanders against a backdrop of gentling shimmering strings — a little caress to help you begin unscrambling your brain.” – No Clean Singing

“The speed of the drums, the ferocity of the vocals, the intensity of the guitars and how all of that blends together in the most diabolical way… Onchocerciasis Esophagogastroduodenoscopy are pushing boundaries here.. what they have created here is fascinating and admirable.. it is an unforgettable listen…” – Games Brrraaains and Head-Banging Life

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0 ASHEN HORDE Announces New Album “The Harvest” Out May 2026; Unveil Music Video “Entropy and Ecstasy”

March 17, 2026
by Asher
· ASHEN HORDE · Music News

NEWS RELEASE

Montreal, QC – March 17, 2026

ASHEN HORDE Announces New Album “The Harvest” Out May 2026; Unveil Music Video “Entropy and Ecstasy”

Photos by @still.squill (Trevor); Photo Dun Right (Karl); unknown (Robin)

Los Angeles extreme‑metal shapeshifters Ashen Horde return on May 1st, 2026, with “The Harvest”, their fifth full‑length album and the first to feature new vocalist Karl Chamberlain (Putrefier, Alcyone, Necrotic Remains). Known for weaving black metal, death metal, prog, and 90s‑inspired grit into something unmistakably their own, Ashen Horde push their sound further than ever, embracing melody, chaos, and sharp contrasts across eight thematically linked tracks.

Alongside the album announcement, Ashen Horde have unveiled the first single, “Entropy and Ecstasy”, a whirlwind of jagged riffs, angular Voivod‑like progressions, and Chamberlain’s soaring, chilling vocal hooks. The accompanying video represents a major milestone for the band: despite recording the entire album remotely, this is the first time the members have appeared together on camera.

The first preview to the album, “Entropy and Ecstasy,” captures the album’s core idea: finding exhilaration in collapse. The song follows a couple who thrive on the chaos of a world falling apart, a concept Portz admits was likely sparked by the early COVID lockdowns.

Guitarist and primary songwriter Trevor Portz recalls being floored by Chamberlain’s audition:

“I sent him a demo of ‘Entropy and Ecstasy’ with unfinished lyrics, and he sent back his take. His vocals on the line ‘how can we thrive if we expect to survive?’ still give me chills.”

Listen and watch the music video for “The Harvest” via its premiere on NoCleanSinging HERE.

Add to your Spotify playlist – pre-save – https://show.co/z0ZVdF9

“The Harvest” marks a turning point for Ashen Horde. After a decade as a studio‑driven project, the band is preparing to play its first‑ever live shows in May, coinciding with the album’s release. It’s also the first full‑length to feature Chamberlain, whose dynamic range helped reshape the band’s sonic identity.

While Ashen Horde’s previous four albums were tightly constructed concept records, “The Harvest” takes a different approach. Each track stands alone, yet all orbit the idea of endings, personal, societal, historical, and cosmic.

“I didn’t have a single story this time, but the lyrics kept circling reactions to things ending. From societal collapse to ancient rituals to the last days of Pompeii, everything tied together naturally,” explains Portz.

Musically, the album is a showcase of the band’s eclectic influences. From the opening track, “Autumnal”, a slow-burning ascent into full black‑metal fury, inspired by the Sensorio light installation in Paso Robles. “Backward Momentum” blends Opeth‑style clean‑vocal layering with 90s‑rock riffing and one of Portz’s favorite solos on the album. “Voids in the Ash” pairs grunge‑inflected vocal harmonies with hyperspeed black‑metal bursts, telling the story of Pompeii from both mortal and divine perspectives. “The Apparition” channels early death metal before spiraling into odd‑meter prog weirdness. The title track, “The Harvest,” closes the album with an apocalyptic vision inspired by Iceland’s stark landscapes and the album’s striking cover art.

The album’s cover, featuring two red skeletons locked in an eerie, autumnal tableau, was created by artist Venus Kohana, whose work Portz discovered at an art show. The imagery’s blend of beauty, decay, and ritual perfectly mirrors the album’s themes.

“I bought a print and couldn’t stop staring at it. Eventually, I realized it had to be the cover. It even inspired the lyrics to the title track.”

For over a decade, Ashen Horde has carved out a unique place in extreme metal, refusing to be confined to any single subgenre. Rooted in black and death metal but unafraid to explore melodic prog, 90s alternative, and avant‑garde experimentation, the band appeals to fans of Opeth, Enslaved, Amorphis, Ihsahn, and metal’s more adventurous corners.

Originally founded as a solo project by guitarist and primary songwriter Trevor Portz, Ashen Horde has evolved into a full lineup featuring vocalist Karl Chamberlain and Australian-based drummer Robin Stone (The Amenta, Convulsing).

“The Harvest” represents the band’s most dynamic, collaborative, and ambitious work to date.

Tour Dates:
May 14 – Montclair, NJ – The Meatlocker
May 15 – Wallingford, CT – Cherry Street Station
May 16 – Brattleboro, VT – Midnight’s

Credits:
Mixed by Ricardo Borges and mastered by Tony Lindgren at Fascination Street Studios
Artwork by Venus Kohana (venuskohana.com)

Lineup:
Trevor Portz: Guitar, Bass, Harmony Vocals
Karl Chamberlain: Vocals
Robin Stone: Drums

More Info:

https://www.facebook.com/AshenHorde/

https://www.instagram.com/ashenhorde

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“Equal parts blackened madness, death metal riffing, and clean vocals, “The Neophyte” should get just about anyone stoked for Antimony.” – Metal Injection (2023 – Antimony)

“an amazing odyssey all around and the amount of remarkable coherency as well as the instrumentation work and musicianship is just top notch.” – Metal Purgatory (2023 – Antimony)

“Progression like what Ashen Horde has undergone over the years is what the best tales in the underground are made out of.” – Head-Banger Reviews (2023 – Antimony)

“Fallen Cathedrals; 4.0 rating; “I can’t recommend this enough for fans of black and death metals being combined in unique ways.” – Angry Metal Guy (2019 – Fallen Cathedrals)

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jon[@]ashermediarelations[.]com
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0 DEVOLVER’s New Music Video “Wraiths” Captures The Camaraderie of Fans Under The Alberta Sky; New Album “Non Compos Mentis” Produced by Mark Lewis (Whitechapel, Trivium, DevilDriver, Black Dahlia Murder)

November 13, 2025
by Asher
· Devolver · Music News

NEWS RELEASE

Montreal, QC – November 13, 2025

DEVOLVER’s New Music Video “Wraiths” Captures The Camaraderie of Fans Under The Alberta Sky

Produced by Mark Lewis (Whitechapel, Trivium, DevilDriver, Black Dahlia Murder)

L-R: Jayde Penner (guitar), Bevin Booth (drums), Jaylen Elias (bass), Devin Babcock (guitar), Chris Brown (vocals)

Photo Credit – Heidi Robertson

Grande Prairie, Canada’s own metal force, Devolver, has dropped a powerful new music video for “Wraiths,” a standout track from their latest album “Non Compos Mentis.” Filmed during an intimate album release show at Grain Bin Brewing, the video captures the raw energy and camaraderie of a night that brought 150 fans together under the Alberta sky, immortalizing a night of celebration, community, and crushing riffs.

“We knew we wanted to do something special. So we had our friend Mike Evans film the show. This music video is for all the people who were there celebrating with us, making it such a special night,” adds the band.

“Wraiths” is a groove-driven, straight-ahead metal track with thrash undertones and a nod to classic rock and metal. Lyrically, it explores themes of mysticism as a bridge to connect with lost loved ones, an emotional depth that complements its sonic punch.

Watch the video for “Wraiths” via its premiere on Decibel Magazine HERE.

Formed in 2015 by guitarist Devin Babcock and drummer/producer Bevin Booth, Devolver has grown from a side project into a full-fledged metal powerhouse. With the addition of Jayde Penner (guitar), Chris Brown (vocals), and Jaylen Elias (bass), the band’s sound has matured into a collaborative blend of Gothenburg-style melodic death metal and early 2000s metalcore.

Their new album, produced by metal heavyweight Mark Lewis (Trivium, Whitechapel, The Black Dahlia Murder), marks a seismic shift in their sound.

“This is what the five of us sound like collaborating as a unit. Mark helped us push this thing over the edge,” adds the band.

The album’s artwork, created by legendary artist Travis Smith (Opeth, Megadeth), is a chilling visual interpretation of the true story behind the title track. It depicts Devin Babcock’s ancestor, Amos Babcock, who in 1805 committed a gruesome murder in Shediac, New Brunswick, during a religious frenzy. The haunting image of Amos in the snow, surrounded by the eyes of his nine children, adds a historical and emotional weight to the album’s narrative.

Devolver’s connection to their hometown runs deep. They partnered with Grain Bin Brewing to create “Brews of the Maw,” a blackberry and blood orange pale ale named after their track “Jewels of the Maw.” And for fans of Magic: The Gathering, the band has hidden lyrical nods throughout the album, including a track titled “Deathtouch.”

Recommended for fans of In Flames, Dark Tranquillity, Killswitch Engage, and As I Lay Dying, “Non Compos Mentis” is a bold leap forward, each track a chapter in a larger emotional and sonic narrative.

“Non Compos Mentis” (released Aug 22nd) is available at the following links:

Bandcamp – https://devolvermusic.bandcamp.com/

Spotify for Playlist Add – https://open.spotify.com/album/3eeLxBrxx55QvIm3EnahLm

Music Video – Merciless Storm – https://youtu.be/o_6jcqK2qFQ

Lyric Video – Suffocating Syndrome – https://youtu.be/mmRskxYe1q4

Track Listing:
1. Deathtouch – 3:55
2. New Blood – 3:14
3. Jewels of the Maw – 3:30
4. Wraiths – 3:20
5. At Any Cost – 3:40
6. Non Compos Mentis – 3:53
7. Merciless Storm – 3:56
8. Suffocating Syndrome – 3:36
9. Dehumanize – 3:47
Album Length: 32:55

Album Credits:
– All songs performed by: Devolver
– All songs written by: Devolver
– Produced, Mixed, Mastered by: Mark Lewis
– Album Artwork by: Travis Smith
– SOCAN members

Band Lineup:
Chris Brown – Vocals
Devin Babcock – Guitar (lead)
Jayde Penner – Guitar (rhythm)
Bevin Booth – Drums
Jaylen Elias – Bass

More info: https://linktr.ee/devolverab

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“The goal of Devolver through Non Compos Mentis has been to take the listener on a thoroughly pleasing journey from the first note to the final crushing moment. That’s been achieved, and so much more – as these Canadians understand how to compose songs and execute them in a highly convincing fashion that has this scribe grinning ear to ear – bringing the exciting sounds of the late 90s/early 2000s to a newer generation who desire more of this style. 9/10” – Dead Rhetoric

“For a group from a small northern city, every move has required deliberate effort—whether it was recruiting the right collaborators, waiting until circumstances lined up, or carrying material through years of delay. Non Compos Mentis is the document of that persistence: an album shaped by distance, disruption, and devotion to the sound that first made them want to pick up instruments.” – IDIOTEQ

“DEVOLVER is definitely ahead of the last releases of their great role models. On the one hand, because the Canadians work straight and without any frills, and on the other hand, because the melodies are all right without reducing the heaviness. When it comes to melodic death, there’s no way around this album this year. The only downside: 32 minutes is pretty short, even for such energy output!” – PowerMetal.de

“Mixed and mastered by Mark Lewis (Fallujah, Whitechapel, DevilDriver, Deicide, Havok, Entheos, etc.), this new Devolver album is armed to face the critics. Composed of nine well-crafted tracks (all between three and four minutes long) and effective, Non Compos Mentis is soaked to the brim with Swedish melodeath influences.” – Metallian Magazine (France)

“There is a sense of nostalgia listening to the guitarmonies throughout the album, calling back to the golden days of early 2000’s metalcore. Whether you’re a fan of death metal or metalcore, you’ll definitely find elements that you’ll appreciate on this album. Personally, my favourites are “Deathtouch” and “Suffocate Syndrome”” – False Chord

“Now we have Devolver with Non Compos Mentis. The sophomore album from this Canadian band is the perfect blend of melodeath and metalcore. Much like chocolate and peanut butter, this takes the best aspects of both genres, makes enough changes to feel authentic, and creates a sound that hits just as much in 2025 as it would have back in 2005. The production is brutal, but still audible and filled with layers. The songwriting shows off the capabilities of everyone in the band, but it doesn’t reveal all of its tricks. Overall, this is for anyone who enjoys everything from ’90s era In Flames to 2000 Soilwork to later 2000’s Lamb of God to the modern-day capabilities of what Melodeath and Metal Core are all about. This is a great trip back in time, but also a look forward to what can be done. This is excellent stuff.” – Heavy Debriefing

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0 MERFOLK (One Man Band From Patrick Loisel of AUGURY) Unleashes Video “Sundaland” – A Psychedelic Metal Odyssey Rooted in Myth, Madness, and Mastery

October 2, 2025
by Asher
· MERFOLK · Music News

NEWS RELEASE

Montreal, QC – October 2, 2025

MERFOLK (One Man Band From Patrick Loisel of AUGURY) Unleashes Video “Sundaland”

A Psychedelic Metal Odyssey Rooted in Myth, Madness, and Mastery

Solo artist builds puppets, plays every instrument, and dives into the abyss, literally!

The mysterious solo endeavor known as Merfolk resurfaces with “Sundaland,” a boundary-pushing album that fuses emotional intensity with mythic storytelling and sonic experimentation. Spearheaded by Patrick Loisel of AUGURY, a multi-instrumentalist, Native-descended artist, and former physics teacher, Merfolk is far more than a band. It’s a singular vision brought to life by one mind and many hands. Every step of the creative process, from composing and crafting instruments to engineering the sound and directing the visuals, is handled entirely by Loisel himself. No session players. No pre-recorded crutches. Just pure, unfiltered artistry.

Merfolk channels the spirit of Emperor, Mayhem, Hollenthon, Mercyful Fate, and a trove of obscure ’70s experimental sounds, forging a unique blend of post-black metal, classical instrumentation, and narrative-rich, sociological lyricism. The songwriting draws from ancient migratory myths and uncanny architectural echoes across the Pacific, all filtered through the artist’s wildly eclectic life, one that began with a childhood literature award and later included the care of over 300 tarantulas.

The newest offering, “Sundaland,” is named after a submerged continent in Southeast Asia and explores the mythic aftermath of a prehistoric flood. From the haunting warnings of floating entrail-ghosts (Krasue) to the desperate offerings to misunderstood sea monsters, the album weaves a narrative that’s as unsettling as it is cinematic.

Musically, “Sundaland” is a leap from Merfolk’s earlier work “Demersal,” trading whistling and early synths for miked classical instruments, violin, cello, double bass, and piano, played by the artist himself. The fretless bass was custom-built, and electronic drums were introduced for a cleaner yet still furious sound. The result? A sound described in five words: eclectic, psychedelic, spooky, unusual, furious.

The album’s flagship single, “Castaways,” is a melancholic, ambient piece born from emotional turmoil. Its music video is a surreal spectacle of psychedelic practical effects, reminiscent of Kubrick’s 2001: A Space Odyssey. Filmed in near-total darkness with handmade puppets and props, some collapsing mid-shoot, the video captures the eerie beauty of survivors scavenging sunken ruins and encountering a newly revealed civilization.

Watch the full visual experience in “Castaways”, where Merfolk’s DIY ethos and cinematic ambition collide via its premiere on NoCleanSinging HERE.

Unveiled on May 26th, 2025, “Sundaland” by Merfolk transcends the boundaries of a traditional album; it’s a plunge into a myth-soaked realm where metal meets mysticism. This sonic excavation unearths ancient lore and raw emotional terrain, offering a listening experience that’s as intense as it is unpredictable. For those drawn to the arcane and the avant-garde, Sundaland is a must. And for the fearless few ready to descend deeper, the abyss awaits.

“Sundaland” is available at https://artists.landr.com/990591564626

Track Listing:
1. The Plowing Sea – 3:04
2. Krasue Came Warning – 4:15
3. The Ghost Fleet – 6:59
4. Castaways – 6:05
5. Sundaland – 1:54
6. Time Warp – 2:49
7. MOUSEHUNT !!! – 4:22

Album Credits:
All words, vocal, music, arrangements, and performances by Patrick Loisel
Keyboards, violins, cellos, and contrabasses recorded in Laval-Ouest in 2023
Drums, guitars, bass, and vocals recorded in St-Henri (Montréal,) summer/fall 2024.
Mixed by Patrick Loisel in St-Henri, January and February 2025.
Mastered by Alain Londero in Laval, March 2025.
Booklet by Patrick Loisel & Jean-Rémi Marceau
Guitar: Merfolk 2018 ( Mini RR V in walnut with EMG pickup)
Bass: Merfolk 2023: Fretless 5 strings in purpleheart with Bond pickup.

More info: https://www.melogy.ca/merfolk | https://www.facebook.com/profile.php?id=61553443841461

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0 STERILIZING THE DECEASED Confronts Inner Demons w/ New Video “Recovery” From EP “Nothing” Out Now!

October 2, 2025
by Asher
· Music News · Sterilizing The Deceased

NEWS RELEASE

Montreal, QC – October 2, 2025

STERILIZING THE DECEASED Confronts Inner Demons w/ New Video “Recovery” From EP “Nothing” Out Now!

L- R – Alex Phillips – Bass, John Hruby – Lead Guitar, Angelo Vespucci – Vocalist, Matt Jarvis – Drums, Nikolas Adamczewski – Rhythm Guitar

Photo Credit – Paige Margulies

Melodic deathcore outfit Sterilizing The Deceased has dropped a gripping new music video for “Recovery,” the opening track from their emotionally charged EP “Nothing,” released August 1st. Known for their bone-crushing breakdowns and atmospheric aggression, the Cleveland-based band delivers a visual experience as raw and visceral as the music itself.

“Recovery” dives deep into themes of personal reflection, addiction, and the struggle to find light in overwhelming darkness. The video mirrors the EP’s overarching narrative, a fictional/non-fictional journey through drug addiction and suicidal ideation, inspired by frontman Angelo Vespucci’s own battles. With imagery that evokes resistance, pain, and redemption, the video amplifies the track’s emotional weight and lyrical intensity.

“This song is about wondering where things went wrong and why they had to change. It’s the beginning of a story that’s deeply personal to me, and I wanted the visuals to reflect that internal war,” says Vespucci.

The EP “Nothing” marks a turning point for Sterilizing The Deceased, showcasing a mature sound that blends melodic deathcore, progressive metalcore, and djent influences. Fans of Reflections, Chelsea Grin, and old-school Lorna Shore will find familiar sonic territory, but with a distinct emotional edge. From the chaotic descent of “Self Meditated” to the cathartic rebirth in “Awake,” the EP offers a full-circle listening experience that encourages introspection and connection.

Formed in 2014, Sterilizing The Deceased has carved out a reputation in the Midwest metal scene, sharing stages with heavyweights like Cannibal Corpse, Dying Fetus, and Slaughter to Prevail. With members also active in projects like xEIGHTY-SIXEDx, Lie In Wait, and Terra Vista, the band brings a wealth of experience and collaborative firepower to every release.

Experience the beginning of a journey through pain, purgatory, and ultimately, awakening with the music video premiere of “Recovery” via Decibel Magazine HERE.

Fans can expect more music in the coming year, with another EP or full-length already in the works.

Sterilizing The Deceased‘s latest EP “Nothing” can be heard on all digital platforms.

YouTube – https://www.youtube.com/playlist?list=PLhdBBwjEYqN77KmhXIbJkO9TIF5ZxNmpO

Spotify – https://open.spotify.com/album/4aTbT4KtSuLM2V2G1136Zt

Bandcamp – https://sterilizingthedeceased.bandcamp.com/

Track Listing:
1. Recovery – 3:58
2. Self Meditated – 3:28
3. Nothing – 3:50
4. Unconscious – 2:15
5. Awake – 3:02
EP Length: 16:34

EP Credits:
• All songs performed by: Sterilizing The Deceased
• All songs written by: Sterilizing The Deceased
• Produced by: Sterilizing The Deceased
• Mixed by: Sammy Morales
• Mastered by: Sammy Morales
• EP Artwork by: Caelan Stokkermans

Line-up:
Angelo Vespucci – Vocals
John Hruby – Guitar
Nioklas Adamczewski – Guitar
Alex Phillips – Bass
Matt Jarvis – Drums

More info: Facebook.com/SterilizingTheDeceased | Instagram.com/sterilizingthedeceased

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“Sterilizing the Deceased know how to incorporate some vivid, resonating melodies into their deathcore structuring and it makes the listen more memorable for it.” – Dead Rhetoric

“Harrowing lyrical narratives are the stock in trade of Sterilizing The Deceased and “Awake” is no different, despite having a soaring guitar solo and leads that run throughout. The DJent fuelled groove of this one is neck snappingly good, a vision in blood and thunder that has been matched by the bands skull execution. If you need a new nightmare, this is it [8/10]” – Metal Noise

“This is some pretty solid Deathcore that’s straight up savage and brutal, it’s inspired by original Deathcore too and is comparable to Carnifex, Chelsea Grin and The Acadia Strain in points. If Deathcore is your thing, then I recommend in giving this one a spin.” – Drako’s Metal Reviews

“This album is powerful, passionate and uncompromisingly heavy. It is only five songs, a mere 16 minutes, and yet it hits with the force of runaway bus. In that brief amount of time Sterilizing the Deceased has managed to create a titan of an album. Ultimately in the end all I can do, is say this, I highly recommend “Nothing” by Sterilizing the Deceased and I suggest you get on your favorite streaming service and check it out right away.” – Rust Belt Rock Review

“Here’s a brand new single for the Deathcore fans out there. If you like bands like Chelsea Grin and I Declare War, chances are you may dig this. Sterilizing The Deceased is an up-and-coming band hailing from Cleveland, Ohio. They’re known for bringing the heavy and that’s exactly what they do with this new single. It’s called “Forgotten” and it certainly packs a punch with the weight of its breakdowns and the delivery of some melodic riffs. Check it out and show the dudes some support if you dig it.” – The Circle Pit (2015)

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0 Exitus Stratagem Records – Streaming Now! VISITANT’s Visceral Debut Album ”Rubidium” + Michigan Metal Fest + “In the Wake of Flame Tour” (FL/GA/TN/SC/NC) w/ IATT

August 21, 2025
by Asher
· Music News · Visitant

NEWS RELEASE

Montreal, QC – August 21, 2025

Album Download HERE (for media use only)

Streaming Now! VISITANT’s Visceral Debut Album ”Rubidium”

+ Michigan Metal Fest + “In the Wake of Flame Tour” (FL/GA/TN/SC/NC) w/ IATT

Debut Album “Rubidium” Out Aug 2025 via Exitus Stratagem Records

The wait is over. Blackened death metal collective Visitant unleashes their highly anticipated debut album “Rubidium” via Exitus Stratagem Records, delivering seven tracks of ritualistic, unrelenting music that weaves ethereal elements into haunting soundscapes. The album represents what the band calls ‘shadow work’, a visceral exploration of the bleakest parts of being human.

“Rubidium” showcases the full collaborative power of Visitant‘s seasoned lineup across 32 minutes of immersive music. Taylor Tidwell (Unaligned) serves as the primary architect of the band’s crushing riffs, while Anthony Lusk-Simone’s (Abiotic, Lattermath) orchestral passages and thunderous drumming build the cinematic worlds that define each composition. Kilian Duarte’s (Abiotic, Scale the Summit) monstrous bass work drives the album’s forward momentum, even contributing a guitar solo on “Envies Lament”. Chelsea Marrow’s (Voraath, Video Games: DOOM ETERNAL, Senua’s Saga: Hellblade II) commanding vocals tie everything together, transforming personal experiences into ghost stories that channel the essence of restless, vengeful spirits. Thomas Weidick, on guitar, recently joined their live lineup this past June.

The album explores themes of grief, loss, betrayal, vengeance, time lost, and regret through seven carefully constructed tracks that showcase Visitant‘s ability to transcend genre boundaries.

The band shares their thoughts on the record:

Tony: “Imagine Dimmu and UADA being smashed together like action figures during recess.”

Kilian: “This record, I think, threads the needle, blending a lot of different genres. But yes, imagine a bunch of metal bands as action figures in the best Super Smash bros type of way.”

Taylor: “While the genre-bending is ever-present, the release as a whole works cohesively, every part making up a piece of the puzzle.”

Chelsea: “I really do think it’s genre-bending as well. I didn’t actively approach it with that in mind, but I went for what I felt each part needed or made me feel. It was a freeing experience. I was hoping we could create something that was impactful. I think we did that. After you listen to the album from beginning to end, you feel like you were just on the biggest journey. It evokes all sorts of feels. Like damn.. I feel like I was audibly hit by a big ol’ bus. In a good way… if there was a good way!”

The album was produced and mixed by Anthony Lusk-Simone and mastered by Jason Fisher, with striking artwork created by Chelsea Marrow in collaboration with Maxwell Aston for layout and logo design. Every element of “Rubidium” has been crafted to create what the band describes as ‘epic, moving, bleak, beautiful, and uncompromising’ music.

For fans of Gojira, Opeth, Naglfar, and Between the Buried and Me, ‘Rubidium’ offers a visceral experience that promises to resonate for years to come. Visitant celebrates the album release with their live debut at Michigan Metal Fest, bringing their haunting world to audiences with an intense live experience that matches the cinematic scope of their recorded work.

Watch and listen to the album full stream premiere on Decibel Magazine HERE.

Visitant‘s “Rubidium” is available for album pre-order (out Aug 22nd) via Exitus Stratagem Records at https://hypeddit.com/visitant/rubidium

Music Videos:

Briars – https://youtu.be/XMr5E2DGX2E

Fodder – https://youtu.be/UCfxSpoPf60

Starless – https://youtu.be/quktaBXaeVM

Other Dates:
Aug 23 – Michigan Metal Fest – Leila Arboretum – Battle Creek, MI w/ Dying Fetus, Within Ruins, Ov Sulfur, The Convalescence

“On The Wake of Flame Tour” – IATT, VISITANT:
Oct 3 – Pensacola, FL – Pacific Kava
Oct 4 – Jensen Beach, FL – Dark Riff Records
Oct 5 – Duluth, GA – Sweetwater
Oct 7 – Nashville, TN – Cobra
Oct 8 – Piedmont, SC – Tribbles
Oct 9 – Raleigh, NC – Chapel Of Bones
Oct 10 – Knoxville, TN – The Pilot Light
Oct 11 – Jackson, TN – TN Metal Devastation Fest (Visitant only)

Track Listing:
1. Unworldly – 4:48
2. Briars – 5:20
3. Starless – 5:07
4. Rubidium – 5:24
5. Fodder – 4:37
6. Envies Lament – 4:56
7. Moon Bathe – 2:38
Album Length: 32:50

Album Band Line Up:
Chelsea Marrow Vocals
Kilian Duarte Bass
Taylor Tidwell Guitars
Anthony Lusk-Simone Drums / Orchestration

Live Band Line Up:
Chelsea Marrow – Vocals
Taylor Tidwell – Guitar & Backing Vocals
Kilian Duarte or Anthony Wheeler – Bass
Charles Webber or Anthony Lusk-Simone – Drums
Thomas Weidick – Guitar

For more info:

Exsrmusic.com | Facebook.com/ExSRecords | Instagram.com/exsrmusic | X.com/exsrmusic

Facebook.com/visitantband | Instagram.com/Visitantband | Tiktok.com/@_visitant_

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“Visitant is here to utterly wreck your morning thanks to their brand new single “Fodder”, the first offering from their upcoming album Rubidium due out on August 23 via Exitus Stratagem Records. Visitant is vocalist Chelsea Marrow (Voraath, The Monster Factory, Doom Eternal, Hellblade 2, etc.), guitarist Taylor Tidwell, drummer Anthony Lusk-Simone (Abiotic, Lattermath & ex-Pathogenic), and bassist Kilian Duarte (Abiotic, Lattermath, Felix Martin & Scale The Summit). So a real powerhouse of a band that brings some savage energy to the metal world.” – Metal Injection

“Visitant introduce the song (Starless) with subdued classical strings and rippling piano keys which together create a sorrowful but entrancing mood. The gentle nature of that overture makes the sudden crash that follows it even more startling — a sudden attack of slashing and sizzling fretwork, gargantuan bass-moans, neck-cracking beats, savage roars, and scorching screams. The song continues to bring in classically influenced piano melodies coupled with vividly dancing guitars, creating an almost diabolical kind of elegance, but the song also ignites a blackened firestorm of blasting drums, delirious fretwork, and sweeping symphonics. The notes vibrantly dart and blaze as the rhythm section thunder, and the music both elevates to heights of daunting, haughty grandeur and sweeps like wildfire. The torrid and tormented vocals seem to hold nothing back, howling and screaming out on the bleeding edge of intensity, and as if the song couldn’t get any more extravagant, the band make room for a head-spinning guitar solo at the end, in the midst of lots of other equally head-spinning fretwork and rhythm-section spectacles.” – No Clean Singing

““Fodder“, presents different warps and wefts in its weave. Also presented through a video (this time we get to see the band perform), it was inspired by a very dark dream in which Chelsea attempted to bring a murdered friend back to life and lost her own life in the process, leaving the friend trapped in a hellish limbo, bound to a body over which their control had been lost to dark spirits. To be sure, this song is also musically extravagant. It features a lot of borderline deranged and technically demanding high-speed maneuvers (a tour de force that would make lots of tech-death bands jealous) but it’s also hallucinatory, and unhinged in many other respects. It further demonstrates that Chelsea Marrow can really sing, as well as howl like a wolf and scream like a goblin. It’s a highly theatrical experience, but also instrumentally kaleidoscopic and viscerally frightening, and the singing makes the song stand out as much as every other demented and dazzling aspect of it.” – No Clean Singing

“Emerging from the shadowy fringes of the metal scene, blackened death metal outfit Visitant has unleashed their riveting debut single, “Fodder.” Released as a precursor to their eagerly anticipated first full-length album, “Rubidium,” the track invites listeners into a deeply atmospheric yet punishing sonic landscape.” – See Rock Live Magazine

“Uniting seasoned musicians from the Extreme Metal underground scene with members known for their previous works in Abiotic, Scale the Summit, Unaligned and Voraath, Blackened Death Metal quartet Visitant have spent the better part of three years crafting a debut album. The promise is of something dark, beautiful, visceral and compelling with single “Fodder” an almost ritualistic journey that weaves ethereal elements into an unrelentingly aggressive soundscape. Turning personal experiences into ghost stories for the half an hour of power that is “Rubidium” caught the attention of Exitus Stratagem Records who will distribute the affair on 29th August.” – Metal Noise

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0 Arizona Prog LITTLE KING Reveals First Single “Catch and Release” From 8th Studio Album “Lente Viviente” Out Sept 2025

August 21, 2025
by Asher
· Little King · Music News

NEWS RELEASE

Montreal, QC – August 21, 2025

Arizona Prog LITTLE KING Reveals First Single “Catch and Release” From 8th Studio Album “Lente Viviente” Out Sept 2025

L-R – David Hamilton (Bass, Cello), Ryan Rosoff (Guitar, Vocals), Tony Bojorquez (Drums)

Photo Credit – Damien Becerra

Tucson, AZ’s Little King is thrilled to share fresh details about their upcoming 8th studio album, “Lente Viviente, set for release on Friday, September 26, 2025. The record features seven new micro-epics of progressive and hard rock with hooks and strong melodies. Each song is essentially complex and involved, but comes in under 4 minutes, except “Pass Through Filters.” At the same time, the complexity gives way to space and breath…the push and pull of each song works in a way to bring the listener back again and again for a full audio experience. These songs make you think, make you bob your head, and hopefully make you hit the ”Add to Library” button!

“I think this will be BY FAR our biggest release. The playing, songwriting, and production are our greatest accomplishments. New players on drums and bass, plus a new studio, have really elevated this project. I want people to take a short, mind-blowing journey…like Musical DMT. We are aiming to hit all the notes and emotions…the dynamic range of this record will push and pull from the first note to the last,” adds Ryan Rosoff (Guitar, Vocals).

Lyrically, “Lente Viviente” (Spanish for “Living Lens,” a play on Rosoff’s Video Memoir production company, LivingLens Memoirs) explores the delicate dance between memory and presence, perception and truth. The songs span a wide emotional arc—from reflections on childhood and lasting friendship (“Catch and Release,” “Dawn Villa”) to meditations on immigration and identity (“Who’s Illegal?”), aging and addiction (“Pass Through Filters”), and the blurred line between strength and vulnerability (“Kindness for Weakness”). At its core, the album asks how we see ourselves—and each other—through the ever-shifting lens of time, emotion, and experience. Tied together by dynamic arrangements and textured performances, “Lente Viviente” is both personal and universal, an honest portrait of life’s sharp edges and soft light.

Lente Viviente was recorded from April to June 2025, at Cimamusic in Tucson, AZ, by Ricky Wascher Tavares, making it the first Little King record to be tracked outside of Texas. The album was mixed in July of 2025 at Command Space Audio in Los Angeles by Daniel Salcido, who also mixed Amuse De Q in 2021 and the recent singles “Amber Waves GoodBye” and “Silver Tongue” (both from 2023). The record was then mastered by Maor Appelbaum at Maor Appelbaum Mastering.

Today, the band unveils their first single, “Catch and Release”, a nostalgic trip down the Yellowstone River and back in time to a place under the Big Sky that remains etched in our memories.

Rosoff explains the track:

“I grew up fly fishing in Montana and Northern California with my dad, grandfather, and brother. It was a special time, and the metaphors for light and reflection are strong in this song. (“Polarized,” for example, refers to glasses that allow one to see underwater, making it easier to see a trout coming from the deep to slurp a dry fly.) For my birthday last year, I went fishing on the Yakima River with my dad (“Len,” also a play on the word “lens,” apropos of everything). It brought back a flood of memories and the realization that I am so much happier on a river with my dad (or, as I sing in the song, my son and daughter, who both love to fly fish but don’t get to do it often.) But the overall sentiment of the tune is a reflection on fishing with my dad and how much I prefer that to, say, city life. Other references include “Ten and Two,” “False Casting,” “Bigger Sky” (Montana is known as “Big Sky Country”), and on and on…”

Watch and listen to the lyric video for “Catch and Release” via its premiere on Bravewords HERE.

Recommended for fans of Rush, Porcupine Tree, Pink Floyd, Muse, Led Zeppelin, Little King’s “Lente Viviente” is available for pre-order/digital pre-save (out Sept 26th) at (insert link)

Track Listing:
1. Catch and Release – 3:22
2. Dawn Villa – 3:42
3. Who’s Illegal? – 3:56
4. Kindness for Weakness – 3:21
5. Sweet Jessie James – 2:42
6. Pass Through Filters – 4:50
7. The Living Lens – 3:37
Album Length: 25:34

For more info: LittleKingtunes.com

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“Talk about the album as a whole, it’s one hell of an experience of Melodic Rock, with elements of metal, there is Power, Heaviness, Melodic, and a lot of progressive materials added to this album, making this an awesome release. The songwriting is something known from Little King, the album had is concept of writing from the Covid Situation of the last two years on the unrest in the US. A short album but very much listenable, especially for the fans of Little Rock, this is not something you want to miss.” – Metal Heads Forever Magazine (Amuse De Q – 2021)

“There are just some artists that when you sit down to chat to you soon realise that they are such great people that you’d love them as a friend. HEAVY Magazine’s Dave Griffiths recently discovered that when he sat down to chat to Ryan Rosoff the frontman of Little King.

The conversation not only got deep as they spoke about the band using the loneliness and depression they felt during the lockdowns into the songs on their new album, Amuse De Q, but then also swung around to another passion they both – Aussies in the NBA. Yes when you sit back to listen to this interview, be prepared to not only hear some talk about the legendary hard rock of Little King but also chat about Joe Ingles, Kyrie Irving and Patty Mills… oh and a lot of Brooklyn Nets talk.” – Heavy Mag (Amuse De Q – 2021)

“The measure of the album, and the band, are demonstrated for me on “Internal Smut”. The track is one of two instrumentals, although to be fair “Moving On” is more of an introduction to “Nineteen Strong”, into which it segues seamlessly. Not all rock bands can really hit hard with instrumentals, but Little King manage it with “Internal Smut”. It’s every bit as good as the last rock instrumental to make such an impression on me, Rush’s “The Main Monkey Business” from Snakes & Arrows. High praise indeed! Little King are not Rush – not yet at any rate – but in Legacy of Fools they have produced an album that fans of that band, and of others, will enjoy very much.” – Sea of Tranquilty (Legacy of Fools – 2008)

“Having put out four full length LPs and two EPs in 24 years, this latest offering, “Occam’s Foil”, is an entertaining five song piece that shows off a savvy awareness of the current state of affairs and has some fun showing off their musical and vocal prowess. This band defies genre typing. No two songs really fit the same mold. There’s a heavier rock song, one with Caribbean influences, an instrumental, a mid-tempo rocker, and one with a really nice string arrangement. This is a bold mixture that works well together, despite the obvious disparity. “Occam’s Foil”, is a bold piece of work put out in 2019 via Mad Bell Records…. This is very good record with something for everyone. 9/10″ – Metal-Temple (Occam’s Foil – 2019)

“In just these 5 tracks Little King is able to show listeners a glimpse of their musical reach. They are able to touch on a variety of musical sounds, while never sacrificing the authenticity of theirselves. This album as a whole may not be for everyone, but there are definitely tracks that anyone could enjoy, and coming from a 5 track EP that is quite the accomplishment. ” – You Make The Scene (Occam’s Foil – 2019)

“Occam’s Foil is further proof that a trio can take on the best of rock music – and any genre- and create a grand sound like no other. Lend them your ears…it’s worth the leap and if you’re a fan of Alice In Chains, Blind Melon, The Mavericks and more – you’ll want to add these tracks to your musical library.” – Indie Pulse Magazine (Occam’s Foil – 2019)

“One of many thickly alluring aspects of the EP is the real individuality of songs to each other” – Ring Master Reviews (Occam’s Foil – 2019)

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0 Quebec’s UNPUNISHED’s New Video “Shattered in Disarray” Marks Their Fierce Evolution + Quebec Tour Dates + New EP “Echoes of History” Out Sept 2025

August 19, 2025
by Asher
· Music News · Unpunished

NEWS RELEASE

Montreal, QC – August 19, 2025

Quebec’s UNPUNISHED’s New Video “Shattered in Disarray” Marks Their Fierce Evolution

Sophomore EP “Echoes of History” Out Sept 2025

Quebec Tour Dates (Quebec City, Trois-Rivieres, Montreal)

L-R – Pierre-Luc Defoy (Guitar, Back Vocals), Jean-Christophe Magnan (Vocals), Alex Brochu-Meloche (Bass, Back Vocals), Justin Lefebvre (Drums), Dean Pavicic (Guitar)

Photo Credit – Julien Bouffard

Quebec City’s rising metalcore force Unpunished returns with a gripping new single and music video, “Shattered in Disarray,” premiering exclusively on TheCirclepit. This marks the band’s third single in support of their upcoming sophomore EP, “Echoes of History,” set for release on September 5th, 2025.

Slower, darker, and emotionally raw, “Shattered in Disarray” dives deep into the psyche of someone confronting the wreckage of their own life. The song explores themes of regret, failure, and the haunting question: Is redemption still possible, or is it too late? With a melodic chorus riff and three distinct guitar solo sections, the track captures the emotional turbulence of its lyrics, inviting listeners to reflect on their own missteps and the hope of healing.

“It’s a song about realizing you’ve failed the ones you love. It’s about facing the consequences and wondering if there’s still a way out,” adds the band.

Watch and listen to “Shattered in Disarray” via TheCirclePit at https://youtu.be/Yr5pD6tPuas

Spotify – https://open.spotify.com/artist/2V8YKy50wVSJ6e5B9SPwrx

Written over two years during a period of personal upheaval for each band member, “Echoes of History”, produced by drummer Justin Lefebvre, is a testament to Unpunished’s resilience and creative evolution. The five-track EP showcases a diverse sonic palette, blending 2000s metalcore roots with melodic death metal riffs, deathcore breakdowns, and melodic choruses. Each track delivers a unique blend of emotion and musical identity, making the record a deeply immersive experience. Lyrically, the band explores human flaws, mental health, and social injustice, crafting songs that are both personal and powerful.

“We wanted each song to have its own flavor. No formulas, no repetition, just raw emotion and musical diversity,” says the band.

Drawing inspiration from metal giants like As I Lay Dying, Parkway Drive, Trivium, and The Black Dahlia Murder, Unpunished blends melodic, intense, aggressive, and diverse elements into a sound that’s unmistakably their own.

Pre-order “Echoes of History” (out Sept 5th) at https://unpunished.bandcamp.com.

Previous Singles:

Lyric Video – “Burn the Traitors” ft. Alex Leblanc (ex-Fracturus, ex-Neuraxis, ex-Mass Murder Messiah) – https://youtu.be/uJO4s8QDxng

“As Water Fills My Lungs” – https://youtu.be/HvyJu1Mo3uk

In additional news, Unpunished will be performing a series of show dates in the province of Quebec, listed below. Fans can anticipate a tight, high-energy live performance, with a dynamic setlist that mirrors the EP’s emotional and musical range.

Unpunished – Echoes of History EP Launch Tour w/ Concessions, Deadwood, In Disarray, Observants, Terror Symphony:

Sept 20 – Quebec City, QC – L’Anti Bar – info

Sept 27 – Trois Rivieres, QC – Taverne Royale – info

Oct 10 – Montreal, QC – Piranha Bar – info

Track Listing:
1. As Water Fills My Lungs – 4:49
2. Plague of Our Race – 4:39
3. Shattered in Disarray – 5:06
4. Echoes of History – 4:52
5. Burn the Traitors ft. Alex Leblanc – 4:38
EP Length: 24:06

Recording Credits:
• All songs performed by: Unpunished
• All songs written by: Unpunished
• Produced, mixed, and mastered by: Justin Lefebvre
• Album Artwork by: I And I Art
• Member of SOCAN
• Canadian Content (MAPL)

EP Recording and Live Line Up:
Jean-Christophe Magnan (vocals)
Justin Lefebvre (drums)
Alex Brochu-Meloche (bass, back vocals)
Pierre-Luc Defoy (guitar, backing vocals)
Dean Pavicic (guitar)

More info: Facebook.com/Unpunishedband | Instagram.com/unpunished_band

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“UNPUNISHED Ignites Metalcore Scene with New Single “Burn the Traitors”… “Burn the Traitors” showcases guest vocalist Alex Leblanc, enhancing the track with his formidable experience. UNPUNISHED describes this single as their most brutal offering yet, leaning heavily into melodic death metal territory, devoid of clean vocals. The relentless intensity is punctuated by a captivating, melodic chorus and a strategically paced guitar solo, offering listeners a brief respite before plunging into the explosive climax.” – See Rock Live

“Le groupe de metalcore qui contient des sonorités de deathcore et death metal, Unpunished, a dévoilé une couleur plus agressive avec son nouvel extrait ¨Burn The Traitors¨, titre qui est collaboré au niveau vocal par Alex Leblanc de Fracturus (Ancien Mass Murder Messiah / Neuraxis).” – Grizzly Media

“It’s all this musical baggage that Alex Leblanc (Fracturus, ex-Mass Murder Messiah, ex-Neuraxis) brings to this new song UNPUNISHED. As a collaborator, of course, but he allows us to give another dimension to their sound which leans more towards melodic death this time. The intensity of the song growl from Jean-Christophe Magnan takes up much more space and gives new weapons to UNPUNISHED. At times we feel like we have a mix between Amon Amarth, Soilwork and Killswitch Engage. To discover!” – Metal Universe (2023 – Burn the Traitors – single)

“Unpunished comes to us with an EP that will please fans of metalcore from the good years combined with the more modern melodic side. The vocal playing between clear and « growl » is effective, especially on the title track « Shadows And Dust ». The guitar riffs are eye-catching and that’s one of the things that introduced me to metalcore in the mid-2000s, and we’re well served with this EP. They knew how to bring their personal touch to their influences, and that is what makes « Shadows And Dust» so effective.” – Metal Universe (2022 – Shadows and Dust EP)

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ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
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