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Tag: premiere

0 Arizona Prog LITTLE KING Reveals First Single “Catch and Release” From 8th Studio Album “Lente Viviente” Out Sept 2025

  • August 21, 2025
  • by Asher
  • · Little King · Music News

NEWS RELEASE

Montreal, QC – August 21, 2025

Arizona Prog LITTLE KING Reveals First Single “Catch and Release” From 8th Studio Album “Lente Viviente” Out Sept 2025

L-R – David Hamilton (Bass, Cello), Ryan Rosoff (Guitar, Vocals), Tony Bojorquez (Drums)

Photo Credit – Damien Becerra

Tucson, AZ’s Little King is thrilled to share fresh details about their upcoming 8th studio album, “Lente Viviente, set for release on Friday, September 26, 2025. The record features seven new micro-epics of progressive and hard rock with hooks and strong melodies. Each song is essentially complex and involved, but comes in under 4 minutes, except “Pass Through Filters.” At the same time, the complexity gives way to space and breath…the push and pull of each song works in a way to bring the listener back again and again for a full audio experience. These songs make you think, make you bob your head, and hopefully make you hit the ”Add to Library” button!

“I think this will be BY FAR our biggest release. The playing, songwriting, and production are our greatest accomplishments. New players on drums and bass, plus a new studio, have really elevated this project. I want people to take a short, mind-blowing journey…like Musical DMT. We are aiming to hit all the notes and emotions…the dynamic range of this record will push and pull from the first note to the last,” adds Ryan Rosoff (Guitar, Vocals).

Lyrically, “Lente Viviente” (Spanish for “Living Lens,” a play on Rosoff’s Video Memoir production company, LivingLens Memoirs) explores the delicate dance between memory and presence, perception and truth. The songs span a wide emotional arc—from reflections on childhood and lasting friendship (“Catch and Release,” “Dawn Villa”) to meditations on immigration and identity (“Who’s Illegal?”), aging and addiction (“Pass Through Filters”), and the blurred line between strength and vulnerability (“Kindness for Weakness”). At its core, the album asks how we see ourselves—and each other—through the ever-shifting lens of time, emotion, and experience. Tied together by dynamic arrangements and textured performances, “Lente Viviente” is both personal and universal, an honest portrait of life’s sharp edges and soft light.

Lente Viviente was recorded from April to June 2025, at Cimamusic in Tucson, AZ, by Ricky Wascher Tavares, making it the first Little King record to be tracked outside of Texas. The album was mixed in July of 2025 at Command Space Audio in Los Angeles by Daniel Salcido, who also mixed Amuse De Q in 2021 and the recent singles “Amber Waves GoodBye” and “Silver Tongue” (both from 2023). The record was then mastered by Maor Appelbaum at Maor Appelbaum Mastering.

Today, the band unveils their first single, “Catch and Release”, a nostalgic trip down the Yellowstone River and back in time to a place under the Big Sky that remains etched in our memories.

Rosoff explains the track:

“I grew up fly fishing in Montana and Northern California with my dad, grandfather, and brother. It was a special time, and the metaphors for light and reflection are strong in this song. (“Polarized,” for example, refers to glasses that allow one to see underwater, making it easier to see a trout coming from the deep to slurp a dry fly.) For my birthday last year, I went fishing on the Yakima River with my dad (“Len,” also a play on the word “lens,” apropos of everything). It brought back a flood of memories and the realization that I am so much happier on a river with my dad (or, as I sing in the song, my son and daughter, who both love to fly fish but don’t get to do it often.) But the overall sentiment of the tune is a reflection on fishing with my dad and how much I prefer that to, say, city life. Other references include “Ten and Two,” “False Casting,” “Bigger Sky” (Montana is known as “Big Sky Country”), and on and on…”

Watch and listen to the lyric video for “Catch and Release” via its premiere on Bravewords HERE.

Recommended for fans of Rush, Porcupine Tree, Pink Floyd, Muse, Led Zeppelin, Little King’s “Lente Viviente” is available for pre-order/digital pre-save (out Sept 26th) at (insert link)

Track Listing:​
1. Catch and Release – 3:22
2. Dawn Villa – 3:42
3. Who’s Illegal? – 3:56
4. Kindness for Weakness – 3:21
5. Sweet Jessie James – 2:42
6. Pass Through Filters – 4:50
7. The Living Lens – 3:37
Album Length: 25:34

For more info: LittleKingtunes.com​
​

-30-

“Talk about the album as a whole, it’s one hell of an experience of Melodic Rock, with elements of metal, there is Power, Heaviness, Melodic, and a lot of progressive materials added to this album, making this an awesome release. The songwriting is something known from Little King, the album had is concept of writing from the Covid Situation of the last two years on the unrest in the US. A short album but very much listenable, especially for the fans of Little Rock, this is not something you want to miss.” – Metal Heads Forever Magazine (Amuse De Q – 2021)

“There are just some artists that when you sit down to chat to you soon realise that they are such great people that you’d love them as a friend. HEAVY Magazine’s Dave Griffiths recently discovered that when he sat down to chat to Ryan Rosoff the frontman of Little King.

The conversation not only got deep as they spoke about the band using the loneliness and depression they felt during the lockdowns into the songs on their new album, Amuse De Q, but then also swung around to another passion they both – Aussies in the NBA. Yes when you sit back to listen to this interview, be prepared to not only hear some talk about the legendary hard rock of Little King but also chat about Joe Ingles, Kyrie Irving and Patty Mills… oh and a lot of Brooklyn Nets talk.” – Heavy Mag (Amuse De Q – 2021)

“The measure of the album, and the band, are demonstrated for me on “Internal Smut”. The track is one of two instrumentals, although to be fair “Moving On” is more of an introduction to “Nineteen Strong”, into which it segues seamlessly. Not all rock bands can really hit hard with instrumentals, but Little King manage it with “Internal Smut”. It’s every bit as good as the last rock instrumental to make such an impression on me, Rush’s “The Main Monkey Business” from Snakes & Arrows. High praise indeed! Little King are not Rush – not yet at any rate – but in Legacy of Fools they have produced an album that fans of that band, and of others, will enjoy very much.” – Sea of Tranquilty (Legacy of Fools – 2008)

“Having put out four full length LPs and two EPs in 24 years, this latest offering, “Occam’s Foil”, is an entertaining five song piece that shows off a savvy awareness of the current state of affairs and has some fun showing off their musical and vocal prowess. This band defies genre typing. No two songs really fit the same mold. There’s a heavier rock song, one with Caribbean influences, an instrumental, a mid-tempo rocker, and one with a really nice string arrangement. This is a bold mixture that works well together, despite the obvious disparity. “Occam’s Foil”, is a bold piece of work put out in 2019 via Mad Bell Records…. This is very good record with something for everyone. 9/10″ – Metal-Temple (Occam’s Foil – 2019)

“In just these 5 tracks Little King is able to show listeners a glimpse of their musical reach. They are able to touch on a variety of musical sounds, while never sacrificing the authenticity of theirselves. This album as a whole may not be for everyone, but there are definitely tracks that anyone could enjoy, and coming from a 5 track EP that is quite the accomplishment. ” – You Make The Scene (Occam’s Foil – 2019)

“Occam’s Foil is further proof that a trio can take on the best of rock music – and any genre- and create a grand sound like no other. Lend them your ears…it’s worth the leap and if you’re a fan of Alice In Chains, Blind Melon, The Mavericks and more – you’ll want to add these tracks to your musical library.” – Indie Pulse Magazine (Occam’s Foil – 2019)

“One of many thickly alluring aspects of the EP is the real individuality of songs to each other” – Ring Master Reviews (Occam’s Foil – 2019)

—
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0 Quebec’s UNPUNISHED’s New Video “Shattered in Disarray” Marks Their Fierce Evolution + Quebec Tour Dates + New EP “Echoes of History” Out Sept 2025

  • August 19, 2025
  • by Asher
  • · Music News · Unpunished

NEWS RELEASE

Montreal, QC – August 19, 2025

Quebec’s UNPUNISHED’s New Video “Shattered in Disarray” Marks Their Fierce Evolution

Sophomore EP “Echoes of History” Out Sept 2025

Quebec Tour Dates (Quebec City, Trois-Rivieres, Montreal)

L-R – Pierre-Luc Defoy (Guitar, Back Vocals), Jean-Christophe Magnan (Vocals), Alex Brochu-Meloche (Bass, Back Vocals), Justin Lefebvre (Drums), Dean Pavicic (Guitar)

Photo Credit – Julien Bouffard

Quebec City’s rising metalcore force Unpunished returns with a gripping new single and music video, “Shattered in Disarray,” premiering exclusively on TheCirclepit. This marks the band’s third single in support of their upcoming sophomore EP, “Echoes of History,” set for release on September 5th, 2025.
​
Slower, darker, and emotionally raw, “Shattered in Disarray” dives deep into the psyche of someone confronting the wreckage of their own life. The song explores themes of regret, failure, and the haunting question: Is redemption still possible, or is it too late? With a melodic chorus riff and three distinct guitar solo sections, the track captures the emotional turbulence of its lyrics, inviting listeners to reflect on their own missteps and the hope of healing.
​
​“It’s a song about realizing you’ve failed the ones you love. It’s about facing the consequences and wondering if there’s still a way out,” adds the band.

Watch and listen to “Shattered in Disarray” via TheCirclePit at https://youtu.be/Yr5pD6tPuas

​Spotify – https://open.spotify.com/artist/2V8YKy50wVSJ6e5B9SPwrx​

​Written over two years during a period of personal upheaval for each band member, “Echoes of History”, produced by drummer Justin Lefebvre, is a testament to Unpunished’s resilience and creative evolution. The five-track EP showcases a diverse sonic palette, blending 2000s metalcore roots with melodic death metal riffs, deathcore breakdowns, and melodic choruses. Each track delivers a unique blend of emotion and musical identity, making the record a deeply immersive experience. Lyrically, the band explores human flaws, mental health, and social injustice, crafting songs that are both personal and powerful.
​
​“We wanted each song to have its own flavor. No formulas, no repetition, just raw emotion and musical diversity,” says the band.

Drawing inspiration from metal giants like As I Lay Dying, Parkway Drive, Trivium, and The Black Dahlia Murder, Unpunished blends melodic, intense, aggressive, and diverse elements into a sound that’s unmistakably their own.

Pre-order “Echoes of History” (out Sept 5th) at https://unpunished.bandcamp.com.

Previous Singles:

Lyric Video – “Burn the Traitors” ft. Alex Leblanc (ex-Fracturus, ex-Neuraxis, ex-Mass Murder Messiah) – https://youtu.be/uJO4s8QDxng

​“As Water Fills My Lungs” – https://youtu.be/HvyJu1Mo3uk

​In additional news, Unpunished will be performing a series of show dates in the province of Quebec, listed below. Fans can anticipate a tight, high-energy live performance, with a dynamic setlist that mirrors the EP’s emotional and musical range.

Unpunished – Echoes of History EP Launch Tour w/ Concessions, Deadwood, In Disarray, Observants, Terror Symphony:

Sept 20 – Quebec City, QC – L’Anti Bar – info​

Sept 27 – Trois Rivieres, QC – Taverne Royale – info​

Oct 10 – Montreal, QC – Piranha Bar – info​

Track Listing:​
1. As Water Fills My Lungs – 4:49
2. Plague of Our Race – 4:39
3. Shattered in Disarray – 5:06
4. Echoes of History – 4:52
5. Burn the Traitors ft. Alex Leblanc – 4:38
EP Length: 24:06

Recording Credits:​
• All songs performed by: Unpunished
• All songs written by: Unpunished
• Produced, mixed, and mastered by: Justin Lefebvre
• Album Artwork by: I And I Art
• Member of SOCAN
• Canadian Content (MAPL)

EP Recording and Live Line Up:​
Jean-Christophe Magnan (vocals)
Justin Lefebvre (drums)
Alex Brochu-Meloche (bass, back vocals)
Pierre-Luc Defoy (guitar, backing vocals)
Dean Pavicic (guitar)

More info: Facebook.com/Unpunishedband | Instagram.com/unpunished_band​

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“UNPUNISHED Ignites Metalcore Scene with New Single “Burn the Traitors”… “Burn the Traitors” showcases guest vocalist Alex Leblanc, enhancing the track with his formidable experience. UNPUNISHED describes this single as their most brutal offering yet, leaning heavily into melodic death metal territory, devoid of clean vocals. The relentless intensity is punctuated by a captivating, melodic chorus and a strategically paced guitar solo, offering listeners a brief respite before plunging into the explosive climax.” – See Rock Live

“Le groupe de metalcore qui contient des sonorités de deathcore et death metal, Unpunished, a dévoilé une couleur plus agressive avec son nouvel extrait ¨Burn The Traitors¨, titre qui est collaboré au niveau vocal par Alex Leblanc de Fracturus (Ancien Mass Murder Messiah / Neuraxis).” – Grizzly Media

“It’s all this musical baggage that Alex Leblanc (Fracturus, ex-Mass Murder Messiah, ex-Neuraxis) brings to this new song UNPUNISHED. As a collaborator, of course, but he allows us to give another dimension to their sound which leans more towards melodic death this time. The intensity of the song growl from Jean-Christophe Magnan takes up much more space and gives new weapons to UNPUNISHED. At times we feel like we have a mix between Amon Amarth, Soilwork and Killswitch Engage. To discover!” – Metal Universe (2023 – Burn the Traitors – single)

“Unpunished comes to us with an EP that will please fans of metalcore from the good years combined with the more modern melodic side. The vocal playing between clear and « growl » is effective, especially on the title track « Shadows And Dust ». The guitar riffs are eye-catching and that’s one of the things that introduced me to metalcore in the mid-2000s, and we’re well served with this EP. They knew how to bring their personal touch to their influences, and that is what makes « Shadows And Dust» so effective.” – Metal Universe (2022 – Shadows and Dust EP)

—
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0 Canada’s HARVESTED Demonstrates Technical Mastery in “Synaptic Confusion” Play-Through Video; New Album “Dysthymia” Out Aug 1st

  • July 15, 2025
  • by Asher
  • · Harvested · Music News

NEWS RELEASE

Montreal, QC – July 15, 2025

Canada’s HARVESTED Demonstrates Technical Mastery in “Synaptic Confusion” Play-Through Video

New Album “Dysthymia” Out August 1st, 2025

Album Line-up: (L-R) – Jacob Collins – Drums, Vitto Oh – Guitars, Mitchi Dimitriadis – Guitars, Adam Semler – Vocals, Eric Forget – Bass

Photographer Credit: Kristen Semler

technical death metal outfit Harvested showcases their instrumental prowess with a band play-through video for “Synaptic Confusion”, ahead of their August 1st album release “Dysthymia”. The performance video highlights the intricate musicianship that defines the band’s approach to extreme metal. They comment on the track:

“This is one of our groovier tracks that also really focuses on melody. This one grabs onto you from the beginning till the end. This track describes someone who can’t tell the difference between a dream and reality. Our amalgamation of styles and influences can be heard in this album, and we can’t wait to present it to the world, considering the 2022 EP did so well, and it was just our debut.”

“Synaptic Confusion” ushers in the band’s evolution, featuring the complex drumwork of Jacob Collins, whose ‘old-school death metal feel with a modern touch’ provides intricate yet aggressive grooves that anchor the composition. Guitarist Mitchi Dimitriadis delivers the kind of technical riffing that draws comparisons to modern technical death metal innovators while maintaining the raw aggression of classic death metal. The interplay between Eric Forget’s bass work and the overall rhythmic foundation demonstrates why the band takes pride in ‘being tight and showcasing our musical capabilities’.

The play-through format of the video allows viewers to witness the band’s technical execution firsthand, reinforcing their reputation for seamless integration of multiple death metal subgenres. From technical death metal complexity to brutal death metal aggression and old-school death metal foundation, “Synaptic Confusion” encapsulates the diverse influences that make “Dysthymia” such a compelling release. It is recommended for fans of Dying Fetus, Cattle Decapitation, and Decapitated.

Watch and listen to the playthrough for “Synaptic Confusion” via its premiere on NoCleanSinging HERE.

Spotify Album pre-save – https://distrokid.com/hyperfollow/harvested1/dysthymia​

Album pre-order (out August 1st) – https://harvested.bandcamp.com​

Music Video “Harvested” – https://youtu.be/geF_C-Qn_7s​

Lyric Video “The Infestation” – https://youtu.be/XwQ1bs7NdZw​

Track Listing:​
1. Harvested (3:28)
2. Repressed Neurosis (3:32)
3. Unending Madness (3:21)
4. Synaptic Confusion (3:30)
5. Designed Dilemma (3:18)
6. Gathered and Deluded (3:00)
7. Voices of the Void (3:16)
8. Unanchored (3:51)
9. The Infestation (4:36)
Album Length: 31:55

Album Credits:​
Artwork by: CJ Bertram
All songs written and produced by: Harvested
Mixed and Mastered by: (Joe Lyko) Darkmoon Productions

Album Band Lineup:​
Adam Semler – Vocals
Mitchi Dimitriadis – Guitars
Vitto Oh – Guitars
Eric Forget – Bass
Jacob Collins – Drums

Live Band Lineup:​
Adam Semler – Vocals
Mitchi Dimitriadis – Guitars
Vitto Oh – Guitars
Eric Forget – Bass
Nick Rodgers – Drums

More info: Facebook.com/harvested666 | Instagram.com/harvestedband​

– 30 –

“Canadian death metal band Harvested announce their new album Dysthymia, out August 1. The record will be their first release since their 2022 demo and blends technical, brutal and old-school death metal into a sound all their own.” – Decibel Magazine

“The Ottawa, Canada-based death metal band’s full-length demo of 2025 does the job. As evidenced by the cover artwork and title – Dysthymia refers to a persistent depression – the theme here is mental illness. Songs like Repressed Neurosis, Unending Madness and Synaptic Confusion tell the tale. One thing remains steadfast: the band’s sound comes across as Cannibal Corpse meets Cryptopsy meets Suffocation. The lyrics mention “human waste” at one point. The aforementioned Synaptic Confusion is a highlight with a gigantic chord and a loud bass. Gathered And Deluded is another good one. It has nifty speed riffing. Designed Dilemma delivers a delicious solo. This is meat and potatoes death metal that is tight and accomplished… this is the type of release death metal fans would cherish.” – Metallian.com

Press from 2022 Self-Titled EP:

​MetalSucks – 10 Modern Canadian Death Metal Bands – “Ottawa’s Harvested present mental illness and the sometimes-deplorable actions resulting from it with their debut EP, Harvested. Harvested describe themselves as a modern death metal band with ‘90s and early ‘2000s influences, though what you’ll notice when listening is that Harvested are, probably due to the members’ prior history in the scene, skilled songwriters who don’t sacrifice catchiness for brutality. Songs like “Bludgeoned” skip the pleasantries and grab you by the nuts from the first second, though the torturous massage that follows is one you’ll be coming back to.” – MetalSucks

#11 – Harvested – Top 20 – August 2022 Loud Charts (Earshot)

#13 – Harvested – Top 20 – June 2022 Loud Charts (Earshot)

“From the first notes of first track ‘Apathetic’ you realize that these men are a serious bet to get a place in the death metal scene, with solid riffs and powerful rhythmic base, also melodic but not soft solo… I like this EP very much, it has all parts you need to listen to death metal: brutality, technical, good execution, guttural, screams, and growls, blast beats, double bass drums parts, virtuous parts and most important, good songs, it’s a sample of how to make everything fit correctly.” 4.5/5 – Brutalism

“There are very few things that are more exciting within the world of music than a good debut. A solid start for a band is something that should get every fan of the style of music the group plays jacked for what could hopefully be a long and fruitful career. Proficient debuts give you something to jam out to in the present but also hope for the future. Take my word for it, the self-titled debut EP from Ottawa-based Harvested (out May 7) is just that type of invigorating release.” – Metal Plague

“Thrashing guitars, blasting drums, and intense, chesty vocals start and end each track. Recording quality and production is good, allowing each of the instruments to cut through the mix… there is a tremendous amount of potential in this band, and I’d absolutely love to hear more from them. I certainly hope that in the coming years, the pace doesn’t slow or abate, as this EP ought to be on any tech-death fan’s radar for mid-2022.” – Metal Epidemic

“Each one of these cuts is something of a short, sharp shock at around the 210 second mark, while other bands could trim some fat and loose a chorus and verse, Harvested go straight for the jugular live and direct, leaving you wanting that extra chorus and verse which is testament to how good their debut really is. A clean and crisp high quality recording, if we were wine drinkers we would say it goes down like a glass of Chenin Blanc but chances are that if you had a glass in your hand, it would be smashed on the floor in your rush to get to the pit for this. ” – Metal Noise

“From the way closer ‘Bereavement’ comes to a thunderous close, you can just FEEL the energy of what is still to come. ‘Harvested’ is a good start, but I know this band have more in them and I look forward to what comes next. But if you need your head caved in for sixteen and a half minutes, Harvested can sort you right out.” – The Killchain Blog

“For a record that’s only fifteen minutes, the tracks on Harvested’s self-titled waste no time in establishing their barbarous quality. Among the style of tech, groove and dissonance, Harvested definitely went for the grooves! The members definitely know their roots and aren’t afraid to pay homage to them. The production quality has an old-school touch to it, which adds a raw vicious quality to the overall soundscape the band has painted. The abominable monstrosity that takes birth, mixed in with serious topics of Mental Illness accounts for a remorseless experience. While this might just be the starting point for Harvested, their self-titled EP establishes their grounds in the extreme realm of metal – all we can do now is wait and watch for what Harvested has to offer next! ” – Metal Genesis

“Five tracks in all with not a single entry which disappoints those who wish for their audio to incite movement. With quality like this on offer scouts should be scrambling over themselves in hopes to represent. I’m expecting future releases to propel the act to the lips of an excitable many.” – Cult Metal Flix

“Non-stop heaviness from start to finish. Every song has a different experience yet they all have memorable and catchy riffs that engage the listener” – Eric Morotti (Drummer of Suffocation)

—
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0 FAMOUS STRANGERS’ New Video “L.S.C.” Explores Beauty and Danger, Intimacy and Destruction + Festival Dates (Armstrong MetalFest, Loud As Hell Open Air)

  • June 26, 2025
  • by Asher
  • · Famous Strangers · Music News

NEWS RELEASE

Montreal, QC – June 26, 2025

Canada’s FAMOUS STRANGERS’ New Video “L.S.C.” Explores Beauty and Danger, Intimacy and Destruction

+ Festival Dates – Armstrong MetalFest (July 11- 12), Loud As Hell Open Air (Aug 1-3)

L-R – Jeff Kittlitz (Guitar, Vocals) | Braden Sustrik (Bass) | Brian “Beej” Jolly (Drums) | Amanda Keirnan (Lead Vocals, Lyrics)

Edmonton, Canada’s Famous Strangers, unravels their new music video for their latest single “L.S.C.” as they gear up for perfmances at this year’s festival appearances at Armstrong Metal Fest (Armstrong, BC – July 11-12) and Loud As Hell Open Air (Drumheller, AB – Aug 1-3) along with upcoming tour dates to be announced.

As one of the first songs that all four of them in Famous Strangers wrote together from start to finish, the track is raw and intense. It represents exactly where they are as a band right now: fearless in their songwriting and unafraid to blend melody with brutality.

“L.S.C. is meant to take you on a ride. It starts soft, like it is letting you in slowly, and then it flips the switch. The heaviness hits out of nowhere. It grabs you, shakes you, and then drags you through the rest of the track without letting go. It eases you in, then completely takes over, and by the time it is done, it feels like it has drained the life out of you in the best way,” adds guitarist Jeff Kittilitz.

Lyrically, the song is told from the perspective of a female figure who is part human and part spider. It is inspired by the mating behavior of black widows, where attraction, intimacy, and destruction all collide. At its core, it is about obsession, power, and survival. It speaks to the emotional weight of wanting something that was never meant to be yours, and the strength it takes to pull yourself back from that edge.

“What we hope is that this song opens people up a little, even if it’s not what they usually listen to. There’s so much music out there that people miss out on because they’re stuck in one genre or one mindset. We’re trying to break through that and just write what feels real, no matter what it sounds like. We are about being fearless in our songwriting. Put everything on the table, be yourself, and don’t hold back. That’s the energy they’re trying to give people when they press play,” says Kittilitz.

Famous Strangers has had a healthy and steady evolution. Since their earlier singles in 2024, Famous Strangers have started to lock in with each other creatively and naturally found a sound that they can all stand behind. It flows and feels more cohesive, and everyone in the band feeds off each other in a way that keeps pushing the songs to a new level.

Watch and listen to the music video for “L.S.C.” via its premiere on Decibel Magazine HERE.

Spotify – https://spoti.fi/4kNbe7F​

Previous Singles:

Music Video – I’ll See You In The Stars” – https://youtu.be/OtdfaMp4Hec​

George – https://youtu.be/fz85ChqELO4​

Deepstar – https://youtu.be/00jujvck9sM​

More info:

​Famousstrangersband.com

​Facebook.com/profile.php?id=61559110131774

​Instagram.com/famousstrangersband

​Tiktok.com/@famousstrangersband

About: Since their formation in 2023, Famous Strangers‘ signature blend of haunting melodies, powerful vocals, and immersive soundscapes has captivated listeners. The band brings together accomplished musicians whose past experiences in various musical projects have shaped their collective sound. Their diverse influences converge in a unique sonic experience characterized by atmospheric instrumentals and a dynamic vocal approach that seamlessly shifts between melodic and aggressive. They are recommended for fans of Halestorm, Judas Priest, Dio, and Arch Enemy.

-30-

“Haunting, Stirring and Impactful…those words just keep going through our mind as we take in the new single “I’ll See You In The Stars” from Famous Strangers. This one is quite unique with a powerful intensity that is full of rhythm and achieves the rare feat of fury as a pure form of beauty. We really dig this one and you can catch it on your Home for the Best New Rock…” – WJOE – Findlay’s Home for Rock & Roll

—
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0 Canadian Death Metal HARVESTED Announces New Album “Dysthymia” With Devastating Music Video “Harvested”

  • June 12, 2025
  • by Asher
  • · Harvested · Music News · Uncategorized

NEWS RELEASE

Montreal, QC – June 12, 2025

Canadian Death Metal HARVESTED Announces New Album “Dysthymia” With Devastating Music Video “Harvested”

“Dysthymia” Out August 1st, 2025

Album Line-up: (L-R) – Jacob Collins – Drums, Vitto Oh – Guitars, Mitchi Dimitriadis – Guitars, Adam Semler – Vocals, Eric Forget – Bass

Photographer Credit: Kristen Semler

Canadian death metal quartet Harvested is proud to announce their new album “Dysthymia”, set for release on August 1st, 2025. The nine-track record showcases the band’s evolution from their 2022 demo debut, delivering a devastating blend of technical death metal, brutal death metal, and old-school stylings. The album announcement comes alongside a music video for the record’s opening track, “Harvested”, offering fans their first glimpse into the dark psychological landscape that defines “Dysthymia”. The band comments on the track:

“The single represents what the band is about. The old-school death metal influences and the dark realities of mental illness put someone through a tortured experience. This was the first song we worked on for this album and played live, which set the bar for the remaining material. We realized that we were onto something special, and the sheer brute force of the track compelled us to make our current music video.”

‘Harvested’ maintains the brutality from the demo but shifts toward exploring the psychological aspects of mental illness rather than relying solely on gore. It’s heavier, more aggressive, and showcases the band’s musical abilities in ways they’ve never presented before.

Recorded over nearly three years, “Dysthymia” features the core lineup of Mitchi Dimitriadis (guitars), Adam Semler (vocals), Eric Forget (bass), and Jacob Collins (drums). The album was produced by Harvested with mixing and mastering by Joe Lyko of Darkmoon Productions, achieving a modern sound while staying rooted in the foundational elements of death metal.

Recommended for fans of Cannibal Corpse, Suffocation, and Dying Fetus, Harvested has crafted an album that is both technically proficient and devastatingly brutal.

Watch and listen to the first single and music video “Harvested” via its premiere on Decibel Magazine HERE.

Spotify pre-save – https://distrokid.com/hyperfollow/harvested1/dysthymia​

Album pre-order (out August 1st) – https://harvested.bandcamp.com​

Track Listing:​
1. Harvested (3:28)
2. Repressed Neurosis (3:32)
3. Unending Madness (3:21)
4. Synaptic Confusion (3:30)
5. Designed Dilemma (3:18)
6. Gathered and Deluded (3:00)
7. Voices of the Void (3:16)
8. Unanchored (3:51)
9. The Infestation (4:36)
Album Length: 31:55

Album Credits:​
Artwork by: CJ Bertram
All songs written and produced by: Harvested
Mixed and Mastered by: (Joe Lyko) Darkmoon Productions

Album Band Lineup:​
Adam Semler – Vocals
Mitchi Dimitriadis – Guitars
Vitto Oh – Guitars
Eric Forget – Bass
Jacob Collins – Drums

Live Band Lineup:​
Adam Semler – Vocals
Mitchi Dimitriadis – Guitars
Vitto Oh – Guitars
Eric Forget – Bass
Nick Rodgers – Drums

More info: Facebook.com/harvested666 | Instagram.com/harvestedband​

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Press from 2022 Self-Titled EP:

​MetalSucks – 10 Modern Canadian Death Metal Bands – “Ottawa’s Harvested present mental illness and the sometimes-deplorable actions resulting from it with their debut EP, Harvested. Harvested describe themselves as a modern death metal band with ‘90s and early ‘2000s influences, though what you’ll notice when listening is that Harvested are, probably due to the members’ prior history in the scene, skilled songwriters who don’t sacrifice catchiness for brutality. Songs like “Bludgeoned” skip the pleasantries and grab you by the nuts from the first second, though the torturous massage that follows is one you’ll be coming back to.” – MetalSucks

#11 – Harvested – Top 20 – August 2022 Loud Charts (Earshot)

#13 – Harvested – Top 20 – June 2022 Loud Charts (Earshot)

“From the first notes of first track ‘Apathetic’ you realize that these men are a serious bet to get a place in the death metal scene, with solid riffs and powerful rhythmic base, also melodic but not soft solo… I like this EP very much, it has all parts you need to listen to death metal: brutality, technical, good execution, guttural, screams, and growls, blast beats, double bass drums parts, virtuous parts and most important, good songs, it’s a sample of how to make everything fit correctly.” 4.5/5 – Brutalism

“There are very few things that are more exciting within the world of music than a good debut. A solid start for a band is something that should get every fan of the style of music the group plays jacked for what could hopefully be a long and fruitful career. Proficient debuts give you something to jam out to in the present but also hope for the future. Take my word for it, the self-titled debut EP from Ottawa-based Harvested (out May 7) is just that type of invigorating release.” – Metal Plague

“Thrashing guitars, blasting drums, and intense, chesty vocals start and end each track. Recording quality and production is good, allowing each of the instruments to cut through the mix… there is a tremendous amount of potential in this band, and I’d absolutely love to hear more from them. I certainly hope that in the coming years, the pace doesn’t slow or abate, as this EP ought to be on any tech-death fan’s radar for mid-2022.” – Metal Epidemic

“Each one of these cuts is something of a short, sharp shock at around the 210 second mark, while other bands could trim some fat and loose a chorus and verse, Harvested go straight for the jugular live and direct, leaving you wanting that extra chorus and verse which is testament to how good their debut really is. A clean and crisp high quality recording, if we were wine drinkers we would say it goes down like a glass of Chenin Blanc but chances are that if you had a glass in your hand, it would be smashed on the floor in your rush to get to the pit for this. ” – Metal Noise

“From the way closer ‘Bereavement’ comes to a thunderous close, you can just FEEL the energy of what is still to come. ‘Harvested’ is a good start, but I know this band have more in them and I look forward to what comes next. But if you need your head caved in for sixteen and a half minutes, Harvested can sort you right out.” – The Killchain Blog

“For a record that’s only fifteen minutes, the tracks on Harvested’s self-titled waste no time in establishing their barbarous quality. Among the style of tech, groove and dissonance, Harvested definitely went for the grooves! The members definitely know their roots and aren’t afraid to pay homage to them. The production quality has an old-school touch to it, which adds a raw vicious quality to the overall soundscape the band has painted. The abominable monstrosity that takes birth, mixed in with serious topics of Mental Illness accounts for a remorseless experience. While this might just be the starting point for Harvested, their self-titled EP establishes their grounds in the extreme realm of metal – all we can do now is wait and watch for what Harvested has to offer next! ” – Metal Genesis

“Five tracks in all with not a single entry which disappoints those who wish for their audio to incite movement. With quality like this on offer scouts should be scrambling over themselves in hopes to represent. I’m expecting future releases to propel the act to the lips of an excitable many.” – Cult Metal Flix

“Non-stop heaviness from start to finish. Every song has a different experience yet they all have memorable and catchy riffs that engage the listener” – Eric Morotti (Drummer of Suffocation)

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0 MORNINGSTVR Unveils Black Metal “The Last Of The Northern Kingdoms” Music Video For New Album “A Fate Engraved” Out June 2025

  • March 21, 2025
  • by Asher
  • · Morningstvr · Music News

NEWS RELEASE

Montreal, QC – March 21, 2025

MORNINGSTVR Unveils Black Metal “The Last Of The Northern Kingdoms” Music Video

New Album “A Fate Engraved” Out June 2025

​

Following the announcement of his upcoming album “A Fate Engraved”, synth-based black metal artist Morningstvr has released the first single “The Last of the Northern Kingdoms”, and an accompanying music video. The nearly five-minute track showcases the Morningstvr’s signature blend of cold, atmospheric synths, thunderous drums, and anguished vocals that have become hallmarks of his distinctive sound. He comments on the single:

“The Last of the Northern Kingdoms: is the lead song on this album, it gives reference to one of Tolkien’s works thus telling the story of my origins. This one stood out to me as the lead song because of its epic changes in the song, the emotion it gives along with how heavy it became as I finished writing it.”

“The Last of the Northern Kingdoms” has overarching themes of medieval lore, ancient battles, and fallen empires. Sam Tchortov, the Russian American musician behind Morningstvr, crafts a narrative that bridges his previous work “In Memoriam of the Blvck Wind” with this new chapter in his “Unholy Trinity” saga. The visual aesthetic of the music video complements the music’s frigid atmosphere, depicting desolate winter scapes and crumbling medieval architecture that reinforce the track’s themes of lost glory and forgotten kingdoms.

Drawing from his diverse influences including Darkthrone, Hulder, and JRR Tolkien’s works, Tchortov has created a piece that stands as both a powerful single and an integral part of the larger narrative that “A Fate Engraved” aims to tell.

Watch and listen to the music video for “The Last of the Northern Kingdoms” via its premiere on Metal-Rules HERE. ​

“A Fate Engraved” is set for release on June 20, 2025.

Album Trailer – https://youtu.be/5sztPKjZ42E​

Track Listing:​
1. Beyond the Cold Wastes – 3:15
2. Black Metal Wytch – 3:45
3. Born to frolic in a Scandinavian Forest – 3:07
4. When Mountains Behold Tombs of Nine – 4:01
5. War Chant – 2:01
6. The Last of the Northern Kingdoms – 4:47
7. Dethroned – 4:09
8. The Black Forest – 2:33
9. Her Eyes in Winter Fog – 3:58
10. Ride Forth, Knights of the Pale Moon – 4:05
11. Funeral Moon – 4:32
12. Whispers of a Nameless Fear 03:57
Album Length: 44:15

Album Credits:​
Mastered by: Morningstvr
Album artwork by: Carly Craft, Morningstvr
Lineup: Morningstvr – Vocals, Synths, Guitars, Drums, Production
LIVE Lineup: Morningstvr

More info: https://linktr.ee/morningstvr​

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0 SVNTH Unveils Its Blackgaze “Perfume” From New Album “Pink Noise Youth” Out April 2025

  • February 27, 2025
  • by Asher
  • · Music News · SVNTH

NEWS RELEASE

Montreal, QC – February 27, 2025

SVNTH Unveils Its Scent of Blackgaze “Perfume” From New Album “Pink Noise Youth” Out April 2025

L – R – Jacopo Fagiolo – Guitars, Alessandro Canzoneri – Drums, Rodolfo Ciuffo – Bass, Vocals, Sitar, Valerio Primo – Samples, Percussion, Alessandro De Falco – Guitars

Photo Credit – Arianna Savo

Italian experimental metal outfit SVNTH will be coronating their new album “Pink Noise Youth” on These Hands Melt Records this coming April 2025. Unveiling their first single “Cinnamon Moon” this past January, the quintet in offering its next scent of blackgaze with “Perfume”. The track is carried by catchy and emotional guitar melodies with captivating singing, classic song structure and lyrics about nostalgia and moments that will never come back. It mixes elements of alternative rock and post-metal for a sound reminiscent of Alcest, Nothing and Smashing Pumpkins.

Listen to “Perfume” via its premiere on Bravewords HERE.

Single Artwork for “Perfume”

“Pink Noise Youth” is SVNTH‘s fourth studio album to follow their 2020 “Spring in Blue”. This new full-length demonstrates SVNTH‘s continued evolution, deliberately transcending genre boundaries by combining elements of hardcore, metal, shoegaze, and post-rock with unexpected instrumental choices. The album promises to take listeners on a cohesive journey through its carefully crafted track sequence, maintaining the band’s tradition of creating conceptually unified works.

“This album is also full of new things, starting from a consistent line-up change of more than half of the band, the introduction of many new instruments such as electric Indian sitar, clean singing, classical and 12 strings guitars and in addition songwriting goes back to a more traditional song in opposition to the more suite-like approach of the previous album. People will surely welcome it with curiosity.” adds the band.

The music of SVNTH has always been aiming to give the listener emotional vibes. This record in particular is conceptually based on exploring late youth emotions and the music is created for reflecting such instability.

Recommended for fans of Deafheaven, Alcest, and Agalloch, “Pink Noise Youth” is due out on April 18, 2025, on Vinyl, CD, and Digital via These Hands Melt Records and is available for pre-order / pre-save at https://lnk.to/SVNTH​

First single “Cinnamon Moon” at the following links:

Lyric Video – https://youtu.be/0hpPr0mFxQs​

Spotify – https://spoti.fi/3PWfwMK​

Album Cover – Pink Noise Youth – Artwork by Tryfar

Track Listing:​
1. Inhale – 1:31
2. Cinnamon Moon – 5:18
3. Perfume – 4:19
4. Elephant – 6:49
5. Narrow, Narrow – 5:35
6. Exhale – 4:33
7. Winter Blues – 4:32
8. Nairobi Lullaby – 4:37
Album Length: 37:18

Album Credits:​
All music and lyrics written by Rodolfo Ciuffo
Performed by Rodolfo Ciuffo, Alessandro De Falco, Valerio Primo and Alessandro Canzoneri
Guitar solos on “Elephant”, “Exhale” and “Nairobi Lullaby” written by Alessandro De Falco
Recorded, mixed and produced by Alessandro De Falco
Mastered by Angel Marcloid at Angel Hair Studio
Photography by Alexandru Cozlan, modeling by alteaaetla_sg
Album Artwork by Tryfar

More info: https://linktr.ee/svnthband​

About:

With a various background of musical influences and artistic inspirations, SVNTH (written all caps and pronounced “Seventh”, formerly “Seventh Genocide”) from Rome, Italy has been shaping a unique equilibrium of sounds through the years moving across a huge variety of directions on the palette of contemporary alternative music to create a distinctive soundtrack for inner emotions, life scenarios, and existentialist questioning. Expanding the energy of black and post-metal over the mellow and contemplative boundaries of shoegaze, art pop, and cinematic post-rock.

From the vivid early black gaze melodies of the debut “Breeze of Memories” (2015) to the long song structures with acoustic overtures and Godspeed You! Black Emperor inspired sections of the monumental “Toward Akina” (2017); SVNTH confirms this more complex approach on the double LP “Spring in Blue” (2020), the childhood chapter of a trilogy of colors based on emotions in different phases of life.

The upcoming “Pink Noise Youth” (2025) gets back to a more traditional song format, introducing a unique use of Indian sitar, and an array of acoustic instruments and singing expressions, which develops SVNTH to a one-of-a-kind sound and personality.

As of today, the band has done several tours and single shows all over Europe and in the USA touching even non-frequently toured countries such as Albania and Turkey and performing at notable festivals like Rockstadt and Frantic Fest, bringing a defining cathartic live energy.

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“This is arguably SVNTH’s defining effort to date, and will hopefully see them gain a foothold within the scene at large…” – Distorted Sound Magazine (2020 – Spring in Blue)

“”The music seems to wail and mournfully murmur like spirits who have lost their way in a shimmering desert world. Those lonesome laments unfold into a momentum of neck-snapping beats, raking chords, and high, harrowing shrieks” – No Clean Singing (2020 – Spring in Blue)

“SVNTH sets out in hopes of bridging the rift of a jealous god, welding genres into music that can appeal to all sensibilities, without sacrificing integrity (or intensity)” – Toilet ov Hell (2020 – Spring in Blue)

“”Distortions, speed and sinister atmosphere as the tradition black imposes but also delicate chiselations from which a light filters that suggests possible trajectories capable of questioning the dictatorship of matter, Spring in Blue is an album that is not afraid to face the recognized columns of Ercole gender and to push it far beyond 8.5/10” – Grind On The Road

“an interesting take on black metal, delving deeper into psychedelia and post-rock influences on new EP SVNTH. Though the tremolo-picked guitar playing and blast beats accompanied by howled screams still remain, they are met with shimmering melodies, ambient stretches and Pink Floyd-esque guitars.” – Decibel Magazine (2018 – EP SVNTH)

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0 Streaming Now! Prog Collective LUNAR Unveils Groundbreaking Concept Album “Tempora Mutantur”

  • January 30, 2025
  • by Asher
  • · Lunar · Music News

NEWS RELEASE

Montreal, QC – January 31, 2024

Streaming Now! Prog Collective LUNAR Unveils Groundbreaking Concept Album “Tempora Mutantur”

ft. members Helion Prime, Beholder, Vis Mystica, Mokili Wa, Nordic Frost, Outloud, Double Vision

Fourth Studio Album “Tempora Mutantur” Out Jan 2025 via Saibot Reigns Records

Making Live Debut at Hyperspace Metal Festival 2025 (Vancouver, BC) – April 11th

Top 1st Row – Ryan Price – Bass, Alex Bosson – Drums
Middle 2nd Row – Connor McCray – Lead Guitar, Chandler Mogel – Clean Vocals
Bottom 3rd Row – Carlos Alvarez – Rhythm Guitar, Brian Lewis – Growl Vocals, Anthony Stahl – Keyboards

Sacramento, USA’s progressive metal pioneers LUNAR are set to release their most ambitious project to date, “Tempora Mutantur” on January 31, 2025. A meticulously crafted concept album that explores the intricate passages of time, personal transformation, and emotional landscapes, the record represents a milestone in the band’s continuing musical evolution. They comment on the release:

“We’re very excited to present our new album “Tempora Mutantur” to the world! This album is more thematic rather than conceptual like the last album. This album deals with something everyone can relate to and no one can escape: the passing of time. As we get older, our perspective changes, we gain some things, and lose others… sometimes the things and ones we love. And we struggle and fight along the way.”

Lunar hopes that fans will be able to resonate with the album and find some solace in it as it is highly relatable to the theme of time passing. Continued and driven by drummer and primary songwriter Alex Bosson (Helion Prime, Planeswalker) after the passing of co-band founder Ryan Erwin in 2018, the album is the result of a deeply personal and introspective creative process.

The album’s eight tracks weave a complex narrative that explores themes of seasonal change as metaphors for personal growth, mental health, and the passage of time. From the opening track to the three-part title suite that closes the album, Lunar demonstrates its unique ability to transform personal struggles into universal musical statements that resonate with listeners on multiple levels. The album is recommended for fans of Haken, Tool, and Porcupine Tree.

Listen to the album stream premiere of “Tempora Mutantur” via Decibel Magazine HERE.

​

Lunar‘s fresh lineup features guitarists Carlos Alvarez and Connor McCray (Vis Mystica) along with keyboardist Anthony Stahl plus album guests Wayne Ingram (Wildrun), Joe Gullace (Thank You Scientist), and Sam Vallen (Caligula’s Horse).

A studio project since first conceived in 2014, LUNAR will make its live debut next year at the 2025 Hyperspace Metal Festival in Vancouver, BC, Canada on April 11th. Info here.

LUNAR’s “Tempora Mutantur” will be available from Saibot Reigns Records as of January 31st, 2025.

Album pre-order – http://lunarbandofficial.bandcamp.com/​

Videos:

“Watch The Weather Change” – https://youtu.be/WKdnZD_DJsE​

“Weakening Winter Touch” – https://youtu.be/0in2WNVshGM​

“Spring In My Step – https://youtu.be/mtOhnwOpK_0​

“Fall Back Into Old Habits” – https://youtu.be/J4jTMq-XaTY​

(Album Artwork by Ed Bosson)

Track Listing:​
1. A Summer To Forget – 6:37
2. Fall Back Into Old Habits – 11:16 ft. guest guitar solo by Wayne Ingram (Wilderun)
3. Seasonal Interlude – 4:47
4. Weakening Winter Touch – 8:46
5. Spring In My Step – 7:26
6. Tempora Mutantur: Part I – Passage of Time – 3:12 ft. guest guitar solo by Sam Vallen (Caligula’s Horse)
7. Tempora Mutantur: Part II – Broken Pendulum – 3:47
8. Tempora Mutantur: Part III – Watch The Weather Change – 4:51
Album Length: 50:45

Album Credits:​
Performance and Writing credits – full info HERE.
Produced by: Alex Bosson
Mixed by: Carlos Alvarez
Mastered by: Tony Lindgren

Album Main Lineup:​
Chandler Mogel – Clean Vocals
Brian Lewis – Growl Vocals
Carlos Alvarez – Rhythm Guitar
Connor McCray – Lead Guitar
Ryan Price – Bass
Alex Bosson – Drums
Anthony Stahl – Keyboards

Live Lineup:​
Chandler Mogel – Clean Vocals
Brian Lewis – Growl Vocals
Jordan Price – Guitars
Ryan Price – Bass
Alex Bosson – Drums

For more info: Facebook.com/lunarbandofficial | Instagram.com/lunarbandofficial | X.com/LunarBandOffcl | Spotify​

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“It’s really well done technically by a band that clearly cares about their music and can play.” – Rock The Joint Mag (The Illusionist 2023)

“If I had one word to describe this album, it would be this one: whirlwind… “The Illusionist” is an album that is living. From its jazzy highs to its heavy metal lows, this album is constantly on its toes, never repeating itself and never, ever growing complacent. A wonderful whirlwind indeed. 9/10” – Ever Metal

“I feel like Lunar has captured the balance between accessibility and technicality very well. I hear many of the same elements in their sound that, when employed well, make bands like Dream Theater, King Crimson, Voïvod and even Sigh so engaging. I love when an album comes out of nowhere (for me, anyway) and makes this much of an impression.” – The Metal Crypt

“As I said at the start, when I heard this album I was immediately grabbed by it. The story works nicely, it is very character based and features plenty of emotions which as a listener I certainly could relate to. The music is terrific with all the players putting in excellent performances and the instrumentation used in a clever way to match all that is going on with the lead character. There are moments of heavy prog as well as metal, but melody runs through the heart of it. The fact that some of the people in the band have never met or even been in the same room together is remarkable as it sounds like everyone was on the same hymn sheet and it doesn’t sound pieced together. That is a great credit to the writing, arranging as well as all the musicians doing their parts to the benefit of the whole piece. An absolutely delightful as well as enjoyable album.” – CGCM Rock Radio

“The concept is that there are songs that are angry, songs that are confused, songs that are depressing, and everywhere in between. Styles on the album run the gambit from Progressive Metal with melodic vocals, to moments of Jazz, to cookie monster Thrash…. The musicianship is solid on all of the parts, with some excellent performances, notably vocalist Chandler Mogel… it does warrant checking out for Prog-Metal fans that like a mix of growler and melodic vocals.” – Metal Express Radio

“The Illusionist again is at the highest level of the progsphere, Bosson’s continuation of the Lunar name, honouring his co-founder and friend, through the medium of progressive metal, is an advantageous endeavour. 9/10” – Musipedia of Metal
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0 YESTERDAY’S HERO New Video “What I Needed” Off Debut Album “Ways To Hate” Out Now!

  • January 24, 2025
  • by Asher
  • · Music News · Yesterday's Hero

NEWS RELEASE

Montreal, QC – January 25, 2025

YESTERDAY’S HERO New Video “What I Needed” Off Debut Album “Ways To Hate” Out Now!

Ohio alternative metal Yesterday’s Hero has a new music video to offer up to fans for their track “What I Needed” featured on their debut album “Ways To Hate”. It is a hooky distorted riffing song, guitarist Tony Smith wrote it with his son playing the drums. A Rise Against-inspired banger. It’s a song that is medication for the wounds that we’ve all been dealt.

“Waking up to the realization that not everything is as it seems and really accepting that. It’s what a lot of us need to move forward in life. Sometimes in the middle of a struggle, you may not realize it’s “What I Needed”. adds Smith.

Watch and listen to “What I Needed” via its premiere on Ghost Cult Magazine HERE.

Yesterday’s Hero is a good time band. They have more fun out at the shows than they probably should. They are no choir boys and they bring that signature sound with their first full-length “Ways To Hate”. It was purposely recorded in analog to give you a real album experience and not just singles spread out. The tracklisting was designed for each song to complement the next from beginning to end along with feeling the music and its emotions of struggling with a bleeding heart at the end of a tumultuous relationship

A fusion of high-energy grooves with timeless melodies to get your blood pumping and moshing in the pit, Yesterday’s Hero is recommended for fans of Chevelle, Rise Against, Killswitch Engage, Godsmack, and Seether.

Released on November 24, 2023, “Ways To Hate” is available on all digital platforms at https://distrokid.com/hyperfollow/yesterdayshero/ways-to-hate and https://yesterdayshero.bandcamp.com (CD/digital).

Previous Videos:

Ways To Hate – https://youtu.be/TYftddOAhlA​

Bounce – https://youtu.be/G0P7nnW8wzU​

Track Listing:​
1- Killing Me (3:43)
2- What I Needed (4:06)
3- Ways to Hate (3:38)
4- Bounce (4:12)
5- Be (3:46)
6- Road of Doom (5:26)
7- Life’s So Good (3:46)
Album Length: 28:36

Band Lineup Live and Recording​
Chris Neller – Vocals
Nathan Fike – Lead Guitar
Tony Smith – Guitar
Bill Mizen – Bass
Byron Ferguson – Live Drums and Recorded Drums on track 2. What I Needed, 3. Ways to Hate, 4. Bounce
Jesse Elkins – Recorded Drums on track 1. Killing Me, 5. Be, 6. Road of Doom, and 7. Life’s So Good

More info: Yesterdaysheroband.com | Facebook.com/YesterdaysHeroBand | Instagram.com/hero_yesterdays​

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“This is a great album…. they all sound awesome, being the perfect blend of the early 2000s alt-metal sound and a more modern take, almost bordering on Phil Campbell at times. And, as similar as it all was, I would happily take a lot more of it. Seven tracks just wasn’t enough for me! It sounds great and I think these guys are going to be a big deal soon, if this album is anything to go off!” – Overtone Magazine​
​
​“If you’re a real mensch, then you know when it’s your time to bounce, like the boys in Yesterday’s Hero. The hard rockers are happy to unveil their new music video for “Bounce,” off of their new record, Ways To Hate. The seven-track effort was self-released late last month and checks all the boxes of a no-nonsense, riff-rocking good time. There probably isn’t anywhere more rock n’ roll to record a music video than a car shop, which the band selected as the location of this badass new video clip. The primary riff featured in “Bounce” is one of the first the Ohio quartet conceived for this new record. In a sense, the riff dictated the subject matter of the song, with the band feeling that it really “bounced.” Feeding off of this energy, the song came about rather naturally and cohesively.” – V13​
​
​“”When it comes to big riffs, ‘Bounce’ by Yesterday’s Hero doesn’t sell the listener short. Its main thrust sounds like a stoner rock band channelling an old Fugazi tune; the muted riff on the verse adds a sharp edge beneath a great vocal, and exploding into a huge chorus, the band are able to convey a timeless post-grunge sound that sounds massive beneath an enthusiastic hook. If that wasn’t enough, a slow heavy breakdown drawing from a blend of groove metal and hardcore influences increases the tension at the track’s end, ensuring these four minutes leave most rock fans more than satisfied.” – Real Gone Rocks

“The song (Killing Me) is a straightforward alt-metal rager for fans of the late-90s/early-2000s nu-metal scene. The video follows a series of drawings to create a dark and mysterious noir-type atmosphere. ” – New Noise Magazine

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0 Prog Collective LUNAR Confronts Personal Struggles in “Fall Back Into Old Habits” Lyric Video From New Album “Tempora Mutantur” Out Jan 31st

  • January 23, 2025
  • by Asher
  • · Lunar · Music News

NEWS RELEASE

Montreal, QC – January 23, 2024

Prog Collective LUNAR Confronts Personal Struggles in “Fall Back Into Old Habits” Lyric Video

ft. members Helion Prime, Beholder, Vis Mystica, Mokili Wa, Nordic Frost, Outloud, Double Vision

Fourth Studio Album “Tempora Mutantur” Out Jan 2025 via Saibot Reigns Records

Making Live Debut at Hyperspace Metal Festival 2025 (Vancouver, BC) – April 11th

Top 1st Row – Ryan Price – Bass, Alex Bosson – Drums
Middle 2nd Row – Connor McCray – Lead Guitar, Chandler Mogel – Clean Vocals
Bottom 3rd Row – Carlos Alvarez – Rhythm Guitar, Brian Lewis – Growl Vocals, Anthony Stahl – Keyboards

Sacramento, USA’s progressive metal visionaries LUNAR shares their new lyric video for “Fall Back Into Old Habits”, delivering a powerful exploration of personal patterns and emotional cycles. As the third preview of their upcoming concept album “Tempora Mutantur”, the track promises to be a visceral examination of human vulnerability, showcasing the band’s unique ability to transform personal struggles into universal musical experiences. Drummer Alex Bosson comments on the single:

“This is, I think, the longest, and maybe the “heaviest” song for Lunar thus far. Mostly features the growl vocals from Brian Lewis (although there is some of Chandler’s beautiful voice on here too). Lots of double basses, and multiple shreddy guitar solos (including one from Wildrun’s Wayne Ingram).”

Lyrically, “Fall Back Into Old Habits” deals with addiction, or anything we do that can give us temporary relief to help us get through rough moments, but ultimately have terrible long-term effects on ourselves. The 11-minute epic represents Lunar‘s commitment to creating music that is therapeutically honest and musically innovative.

“Fall Back Into Old Habits” continues Lunar’s tradition of creating progressive metal that challenges listeners to confront their inner landscapes. It is recommended for fans of Haken, Tool, and Porcupine Tree.

Watch and listen to the video for “Fall Back Into Old Habits” via its premiere on MetalAddicts HERE. ​

Founded by drummer Alex Bosson (Helion Prime, Planeswalker) and Ryan Erwin who passed away in 2018, LUNAR continues in his memory. This fourth full-length “Tempora Mutantur” follows 2023’s “The Illusionist” and features a fresh lineup with the addition of guitarists Carlos Alvarez and Connor McCray (Vis Mystica) along with keyboardist Anthony Stahl plus album guests Wayne Ingram (Wildrun), Joe Gullace (Thank You Scientist) and Sam Vallen (Caligula’s Horse).

A collaboration of musical minds, and with anything LUNAR does; “Tempora Mutantur” is an emotional thematic listening experience with ups and downs musically and lyrically dealing with the passing of time and the effects it has on us physically and mentally.

LUNAR’s “Tempora Mutantur” is due out on January 31, 2025, from Saibot Reigns Records.

Album pre-order – http://lunarbandofficial.bandcamp.com/​

Previous Singles

“Watch The Weather Change” – https://youtu.be/WKdnZD_DJsE​

“Weakening Winter Touch” – https://youtu.be/0in2WNVshGM​

“Spring In My Step – https://youtu.be/mtOhnwOpK_0​

A studio project since first conceived in 2014, LUNAR will make its live debut next year at the 2025 Hyperspace Metal Festival in Vancouver, BC, Canada on April 11th. Info here.

(Album Artwork by Ed Bosson)

Track Listing:​
1. A Summer To Forget – 6:37
2. Fall Back Into Old Habits – 11:16 ft. guest guitar solo by Wayne Ingram (Wilderun)
3. Seasonal Interlude – 4:47
4. Weakening Winter Touch – 8:46
5. Spring In My Step – 7:26
6. Tempora Mutantur: Part I – Passage of Time – 3:12 ft. guest guitar solo by Sam Vallen (Caligula’s Horse)
7. Tempora Mutantur: Part II – Broken Pendulum – 3:47
8. Tempora Mutantur: Part III – Watch The Weather Change – 4:51
Album Length: 50:45

Album Credits:​
Performance and Writing credits – full info HERE.
Produced by: Alex Bosson
Mixed by: Carlos Alvarez
Mastered by: Tony Lindgren

Album Main Lineup:​
Chandler Mogel – Clean Vocals
Brian Lewis – Growl Vocals
Carlos Alvarez – Rhythm Guitar
Connor McCray – Lead Guitar
Ryan Price – Bass
Alex Bosson – Drums
Anthony Stahl – Keyboards

Live Lineup:​
Chandler Mogel – Clean Vocals
Brian Lewis – Growl Vocals
Jordan Price – Guitars
Ryan Price – Bass
Alex Bosson – Drums

For more info: Facebook.com/lunarbandofficial | Instagram.com/lunarbandofficial | X.com/LunarBandOffcl | Spotify​

– 30 –

“It’s really well done technically by a band that clearly cares about their music and can play.” – Rock The Joint Mag (The Illusionist 2023)

“If I had one word to describe this album, it would be this one: whirlwind… “The Illusionist” is an album that is living. From its jazzy highs to its heavy metal lows, this album is constantly on its toes, never repeating itself and never, ever growing complacent. A wonderful whirlwind indeed. 9/10” – Ever Metal

“I feel like Lunar has captured the balance between accessibility and technicality very well. I hear many of the same elements in their sound that, when employed well, make bands like Dream Theater, King Crimson, Voïvod and even Sigh so engaging. I love when an album comes out of nowhere (for me, anyway) and makes this much of an impression.” – The Metal Crypt

“As I said at the start, when I heard this album I was immediately grabbed by it. The story works nicely, it is very character based and features plenty of emotions which as a listener I certainly could relate to. The music is terrific with all the players putting in excellent performances and the instrumentation used in a clever way to match all that is going on with the lead character. There are moments of heavy prog as well as metal, but melody runs through the heart of it. The fact that some of the people in the band have never met or even been in the same room together is remarkable as it sounds like everyone was on the same hymn sheet and it doesn’t sound pieced together. That is a great credit to the writing, arranging as well as all the musicians doing their parts to the benefit of the whole piece. An absolutely delightful as well as enjoyable album.” – CGCM Rock Radio

“The concept is that there are songs that are angry, songs that are confused, songs that are depressing, and everywhere in between. Styles on the album run the gambit from Progressive Metal with melodic vocals, to moments of Jazz, to cookie monster Thrash…. The musicianship is solid on all of the parts, with some excellent performances, notably vocalist Chandler Mogel… it does warrant checking out for Prog-Metal fans that like a mix of growler and melodic vocals.” – Metal Express Radio

“The Illusionist again is at the highest level of the progsphere, Bosson’s continuation of the Lunar name, honouring his co-founder and friend, through the medium of progressive metal, is an advantageous endeavour. 9/10” – Musipedia of Metal
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