Tag: premiere

0 TUMBLEWEED DEALER Creates A Groovy Soundtrack For Alan Moore’s Retelling of Swamp Thing’s Origin w/ “Ghosts Dressed In The Weeds” Off New Album “Dark Green” Out Feb 2025

January 21, 2025
by Asher
· Music News · Tumbleweed Dealer

NEWS RELEASE

Montreal, QC – January 21, 2025

TUMBLEWEED DEALER Creates A Groovy Soundtrack For Alan Moore’s Retelling of Swamp Thing’s Origin w/ “Ghosts Dressed In The Weeds”

New Album “Dark Green” Out February 2025

L-R – Seb Painchaud – Bass & Guitars, Jean-Baptiste Joubaud – Synths & Programming, Angelo Fata – Drums & Percussions

Photo Credit – PAULINE DELABORDE PHOTOGRAPHIE

Set to release their fourth studio album “Dark Green” this February 2025, Montreal, Canada’s instrumental progressive psychedelic groove metal triad Tumbleweed Dealer is sharing their second single “Ghosts Dressed In The Weeds”.

Unlike all other tracks on the record, “Ghosts Dressed In The Weeds” is the band’s first foray into music with vocals as they paired up with Ceschi Ramos, whose versatility matches the group’s genre-bending sound.

Composed specifically for Tumbleweed Dealer to collaborate with Ceschi Ramos. The band first gave it a more repetitive pattern so Ramos could do a 16-bar rap. The trio then wrote the melodies with his voice in mind, and they crafted parts to serve as choruses. Ramos listened to the song over and over again as he wrote down his words. It became a symbiotic experience, which made the writing even more special as it stands alone as the only vocal track among an otherwise instrumental album.

Seb Painchaud explains the track further:

“The lyrics for Ghosts Dressed In Weeds were mostly written by Ceschi Ramos. I wrote the hooks first and let him in on my inspiration for this album: Alan Moore’s re-imagining of Swamp Thing’s origin story. The emphasis is on the moment where Swamp Thing gets dissected and has his worst enemy laugh while he explains to him that he is not a man turned into a plant, but rather a plant that absorbed a dead man’s memories through osmosis. That exact moment is the inspiration for the album. I didn’t want Ceschi to write specifically ABOUT the graphic novel though. It was enough for him to capture the essence of having your whole world turned upside down, your whole self-perception changed. When Swampy receives the news, he freaks out, breaks free, runs away, and lies down in a swamp without moving for over a month. We’ve all had moments where we just wanted to lay down in a marsh and die. We have felt like we didn’t know how to make sense of a revelation that shatters our self-image. My exact words to Ceschi were that he needed to capture that “How do I go on from here?” moment we have all had. And I think he did that perfectly.”

Watch and listen to the lyric video for “Ghosts Dressed In The Weeds” via its premiere on New Noise Magazine HERE.

The new album “Dark Green” is Tumbleweed Dealer‘s effort to capture two essential parts in Alan Moore’s retelling of Swamp Thing’s origin. Firstly, the main character’s struggle and loss of identity. Secondly, they wanted to capture the antagonist’s transformation into nature’s anger towards men.

Each song is meant to feel like a complete journey where listeners are transported to a world where blues, psychedelia, and progressive rock intertwine. It’s been a long-awaited record and marks a bold new chapter for them since 2016’s “TDIII – Tokes, Hatred & Caffeine”. It’s a culmination of their growth as musicians and their desire to create something truly unique. Other notable guests on the album are Zach Strouse’s (Rivers Of Nihil, Burial In The Sky) guest saxophone solo and Antoine Baril’s (Augury, Obliveon) vintage keys for the album’s title track.

“I think the evolution between our third album, and this new one, will surprise some people. We didn’t write a follow-up to our last record. Instead, we incubated the band’s sound and sped up its evolution. If we kept on pace to release an album every year like we did at first, this would’ve been the 10^th one. But we had kids, and that slowed down the process—so this is an evolutionary leap forward that might be jarring. I think that anyone who enjoyed our previous releases will still find what they liked in our sound while enjoying the new variety we’ve brought to it.” says Painchaud.

Due out on February 7, 2025, “Dark Green” is recommended for fans of Elder, Ohm, Camel, Opeth, and Cynic, and is available for album pre-order at https://tumbleweeddealer420.bandcamp.com/album/dark-green

First Single / Title Track – Dark Green – https://youtu.be/L73im_7hOWs

Track Listing:
1. A Distant Figure In The Fog (2:52)
2. Sparks Adrift In The Louisiana Nightsky (3:39)
3. A Plant That Thinks It’s Human (3:34)
4. Becoming One With The Bayou (3:19)
5. Dragged Across The Wetlands (2:56)
6. Dark Green (4:48)
7. Ghosts Dressed In Weeds (5:31)
8. Moss On The Mind (3:13)
9. Body Of The Bog (6:34)
10. A Soul Made Of Sludge (3:49)

Album Recording Credits:
• All songs performed by: Tumbleweed Dealer
• All songs written by: Tumbleweed Dealer
• Produced by: Jean-Baptiste Joubaud
• Mixed by: Jean-Baptiste Joubaud
• Mastered by: Harris Newman
• Album Artwork by: Glenn Le Calvez

Album Band Line Up:
Seb Painchaud – Bass & Guitars
Angelo Fata – Drums & Percussions
Jean-Baptiste Joubaud – Synths & Programming

Guest Musicians:
Antoine Baril – Mellotron, Hammond Organ & Keyboards on tracks 1, 2, 3, 4, 6, 8, 9 & 10
Guillaume Audette – Wurlitzer, Rhodes and Church Organ on tracks 8 & 10
Jocelyn Couture – Trumpet & Flugel Horn on tracks 4, 5, 7 and 9
Loïc Roy-Turgeon – Trombone on tracks 4 and 5
Zach Strouse – Saxophone on track 6
And special guest star Ceschi Ramos as himself on track 7

More info: Facebook.com/TumbleweedDealer | X.com/westernhorror | Instagram.com/tumbleweeddealer

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“The epic song (Dark Green) is a good indication of what the rest of the record holds, which is plenty of blues, psychedelia, and prog rock.” – Decibel Magazine

“Tumbleweed Dealer’s “Dark Green,” the title track from their upcoming album out on February 7th, is a lesson in blending diverse musical influences into a singular, gripping piece. Clocking in at just under five minutes, the song showcases the band’s evolution and fearless creativity by weaving elements of blues, psychedelia, and progressive rock into a dynamic and unpredictable journey. The track builds a narrative through its seamless shifts in tone and texture. From introspective melodies to bursts of raw energy, the track balances complexity with accessibility. Antoine Baril’s vintage keys anchor the composition, giving it a retro flair, while Zach Strouse’s saxophone solo adds an unexpected but welcome layer of richness. Tumbleweed Dealer’s roots in extreme music shine subtly through black metal-inspired melodies and brief flashes of double bass drum that are a nod to their past without overshadowing their current direction. This contrast between intensity and finesse underscores the band’s skill in pushing genre boundaries. “Dark Green” not only introduces the thematic essence of the album but it also captures the spirit of exploration that has defined Tumbleweed Dealer’s evolution.” – Amplify The Noise

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0 Streaming Now! Quebec’s TROLLWAR’s Symphonic Melo-Death EP “Tales from the Frozen Wastes” ft. Guests From Kalmah, Atavistia

November 14, 2024
by Asher
· Music News · Trollwar

NEWS RELEASE

Montreal, QC – November 14, 2024

Streaming Now! Quebec’s TROLLWAR’s Symphonic Melo-Death EP “Tales from the Frozen Wastes”

EP Guests Veli-Matti Kananen (Kalmah), Mattias Sippola (Atavistia)

The wait is over! Quebec symphonic melodic death masters Trollwar are proud to present the full stream premiere of their highly anticipated EP “Tales from the Frozen Wastes”, before its official release on November 15, 2024.

Check out the EP stream premiere on Decibel Magazine HERE.

“Tales from the Frozen Wastes” marks a significant evolution in Trollwar‘s sound, showcasing a perfect blend of their brutal roots with refined symphonic orchestrations and progressive elements. The EP takes listeners on a journey through a dark dimension, exploring themes of fallen deities, the realm of the dead, and the consequences of mortal ambition. The band comments on the changes that can be found on the record:

“I think our EP could be described as a renewal. A renewal of our music and a new maturity for our music. I do think that you can hear it through our songs in this release. The ‘Unseen One’ and ‘In the Fields of Frost’ are both great songs that we wrote a couple of years ago, while ‘Bane of the Underworld’ and ‘The Offering’ are pretty much the new Trollwar that you should expect going forward. These two songs show a clear upgrade of how we write our music.”

This release represents the culmination of years of hard work and musical growth Trollwar has dedicated to their sound. They’ve pushed themselves to create something that’s not just heavy and melodic, but also tells a compelling story through both music and lyrics.

To celebrate the premiere, Trollwar will be hosting a live Q&A session on their official YouTube channel on the release date (Nov 15th). The band will discuss the creation of the EP, share behind-the-scenes stories, and answer fan questions. They are recommended listening for fans of Equilibrium, Wintersun, and Ensiferum.

Due out on November 15th, “Tales from the Frozen Wastes” is available for digital pre-save – https://distrokid.com/hyperfollow/trollwar/tales-from-the-frozen-wastes

Track Listing:
1. Prologue (2:00)
2. The Unseen One (7:05) ft. Keyboard Solo by Veli-Matti Kananen (Kalmah)
3. Bane of the Underworld (5:26)
4. In The Fields of Frost (4:05)
5. The Offering (5:46) ft. Clean Vocal / Choir by Mattias Sippola (Atavistia)
EP Length: 24:24

More info:

Trollwar.wixsite.com/trollwar | Facebook.com/Trollwar | x.com/trollwarqc | Instagram.com/trollwarmetal/

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“Trollwar waste no time lighting a fire under the listener with blazing and darting riffage, booming and battering drums, soaring symphonics, savage snarls, and heroic choral singing. But a finger-tapped guitar also introduces magically swirling melodies; grim vibrating fretwork and heavily jolting grooves throw us into fierce combat; and rippling keyboard tones add to the song’s fantastical glories. The band build toward an extravagant finale, hard-hitting and sky-flying, entirely in keeping with the song’s overarching mythic aura.” (Single – Bane of The Underworld) – No Clean Singing

“No scene outplays another on this vivid EP. From start to finish, the blend of orchestration and metal is curated in a way that the Fantasy plays through, while the harshness of its tale is presented with wicked solos, stunning riffs, and masterful sound. As a Fantasy fanatic, and a metalhead, this EP is a stunning display of talent and imagination, utilizing skill and story to present to us one hell of an adventure. 9/10” – All Father Metal

Top 20 2018 Metal album from Quebec by Metal Universe (Oath of the Storm LP – 2018)

“The whole record is an adventure; the sequencing flows well from song to song and is bumpered nicely by an intro that sets the mood, plus an outro that gently brings things to a close, returning the listener safely back to their respective realities. At the end of the day, I definitely think Trollwar is onto something here; they are proudly waving the folk-metal banner and are destined for big things.” – PureGrainAudio (Oath of the Storm LP – 2018)

”The vocals are abrasively savage, and the swirling keyboard melody is like ear heroin. I can’t help myself — the song pushes too many buttons for me to resist.” – No Clean Singing (Oath of the Storm LP – 2018)

“OATH OF THE STORM has a wave of well-written catchy songs, good production, lots of intensity and power as well, which is something some of the other bands lack. TrollWar is a pretty appropriate name for this enjoyable act and OATH OF THE STORM is one of the more intense Folk Metal albums out this year.” – Metal Rules (Oath of the Storm LP – 2018)

“Overall, this was an outstanding album, for a band that clearly has a lot to offer. What I can’t figure out is why no one has signed them yet? The production is excellent. They have a sophistication and complexity in their sound that few others do, yet each track is very easy to listen to. It’s like you combined the best of the old, IRON MAIDEN, with the best of the new, WINTERSUN, and you have TROLLWAR, with their own unique flair. The melodies are both playful and dangerous, and the entire album is excellent from the opener through the closer. “Oath of the Storm” is a fascinating glimpse into the soul of the band, where they let it all out there for you to enjoy. And enjoy it I did!” – 9/10 – Metal Temple (Oath of the Storm LP – 2018)

”the tracks are face smashing and memorable with enough layers to satisfy even the most tech savvy of you folksters”…….”It’s hard to necessarily give you specifics other than multiple layers of instrumentation, blast beats, keys and symphonic touches with shredding guitar and vocals.”- Folk Metal.NL (Oath of the Storm LP – 2018)

“TROLLWAR deliver “Oath of the Storm”, a strong second work that should not only be interesting for fans of FINNTROLL and ENSIFERUM… The Canadians’ independent, accordion-driven folk black metal proves that real fighting roles don’t just inhabit Scandinavia and the surrounding area. Then a resounding “kippis!” or an elegant “à votre santé!”. 4/5″ – Stormbringer

“Uncompromising and lovable – Oath Of The Storm… Conclusion: “Oath Of The Storm” is an interesting folk metal album and for fans of EQUILIBRIUM or FINNTROLL. TROLLWAR is characterized by good song progression and incredible joy in playing… So if you’re still looking for a Christmas present, you can grab it here without hesitation.” – Metal.de

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0 HELLFIRE 76 New Video “Rags to Rage” Is A Rip Roaring Rock Title Track Off New Album Out End of Nov 2024

November 14, 2024
by Asher
· Hellfire 76 · Music News

NEWS RELEASE

Montreal, QC – November 14, 2024

HELLFIRE 76 New Video “Rags to Rage” Is A Rip Roaring Rock Title Track Off New Album Out End of Nov 2024

North Carolina, USA’s, Southern Metal duo Hellfire 76 has just dropped their rippin’ new video for single “Rags to Rage” the title track from their upcoming first full-length, which hits speakers on November 29th. The song showcases the band’s signature combination of fuzzed-out grooves and occult-themed storytelling, drawing from founding member Von Bury’s New Orleans roots. The band comments on the single:

“Musically, it’s fast and aggressive; lyrically, it’s pretty much an “action/reaction” lyric- each to its own interpretation. Simply put, we wanted a song that kicked down the door right from the start. It’s full of fast grooves with rapid-fire lyrics.”

The two-piece outfit, featuring Von Bury (guitar/bass/organ/vocals) (formerly of the Southern Gothic act LOVESUCKER and the Occult Rock act and Napalm Recording artist BLOODY HAMMERS) and Mike McGuiness (drums) (formerly of the Industrial Metal act FACE THE WORLD), delivers a massive wall of sound that belies their minimal lineup. Recorded in a single take, “Rags to Rage” demonstrates the raw power and precision that has earned Hellfire 76 recognition as one of the heaviest two-piece acts in the local scene.

Looking to branch out further, the act challenges metal and rock fans to indulge with their new music video, which can be seen and heard via its premiere on GhostCultMagazine HERE.

All killer-no filler, this two-piece brings 110% to their album “Rags To Rage”. The overall theme of this record is dark, taboo, spooky, tongue-in-cheek, fuzzed-out southern metal. Von Bury explains further:

“The album RAGS TO RAGE is a continuation of our first release, in that the subject matter is all thought-provoking. As for a lot of music, we want the lyrics to be literal but also open to the listener’s interpretation. Sticking with the theme and ideas of Voodoo, Witchcraft, The Occult, and other oddities. We want to take the listeners on a dark and ominous journey into a place they don’t normally think about.”

For fans of Melvins, Clutch, Killing Joke, and Fu Manchu, “Rags To Rage” is available for album pre-order at https://hellfire76.bandcamp.com.

Previous Music Video – The Omen – https://youtu.be/eKTyZMM-pn8

Track Listing:
1. Rags to Rage – 3:33
2. Steal Your Soul – 3:25
3. 1000 Crimes – 3:38
4. As Above – 3:44
5. The Keepers – 3:40
6. Magic and Religion – 3:23
7. Black Angel – 3:43
8. The Omen – 5:45
Album Length: 30:52

More info: Hellfire76.com | Facebook.com/Hellfire76nc | Instagram.com/hellfire76nc

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“Dark, mysterious, foreboding, yet strangely inviting. This is the latest single (The Omen) from HELLFIRE ‘76, a band that brings together the things you love about heavy music: bold, swinging riffs, gruff manic vocals, crunchy chugging rhythms. “The Omen” has got it all going on, which lyrically “is about how religion uses fear to prey on weak minds to do the dirty work.” – Doomed and Stoned

“Drink the concoction prepared by the band, a cocktail of blood riffs, genuine rhythms and distorted vocals that you can find in the dirtiest pubs in New Orleans! Fans of Kyuss, ZZ Top, Killing Joke, The Melvins and Clutch will be thrilled!” – Heavy Mag

“In the radius of bituminous rhythms, nevertheless animated by a Rock energy, we frankly opt more for cousinage with CLUTCH, a formation that has always been able to evolve between thickness, melody and conciseness. With, as a bonus, these hints of greasy and oily Blues which inject a kind of groove and sap within a Metal which should not silence or ignore its affinities with the severe and groovy Metal proper to Pantera.” – Integral Metal

“Hellfire 76 comes at you hard and heavy and without mercy.” – Doomed Nation

“Hellfire 76, A duo devoted to rampaging Stoner-Doom-Psych-Metal, which swings to dense blues licks that suggest a Triceratops mating with a Sherman Tank!” – Q C Nerve

The Hellfire 76 use the masks of voodoo, witchcraft, the occult and tarot cards to tell us stories of how Evil has taken over our world, ruled by liars, impostors and careerists. People are flooded with a river of lies, perpetrated by governments and the Church, which obscure our view of the Truth.” – Progressive Rock Journal
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0 Exitus Stratagem Records – Streaming Now! THIRTEEN GOATS’ Wild Death Metal Rock Opera “Capricorn Rising” + “Planet of the Goats Tour” w/ FALL OF EARTH

July 11, 2024
by Asher
· Music News · Thirteen Goats

NEWS RELEASE

Montreal, QC – July 11, 2024

Streaming Now! THIRTEEN GOATS’ Wild Death Metal Rock Opera “Capricorn Rising”

“Planet of the Goats Tour” w/ FALL OF EARTH

New Album “Capricorn Rising” Out July 12th, 2024 via Exitus Strategem Records

“It’s really strong. GREAT musicians, great production, as well as a very progressive aspect without losing the darkness.” – Kelly Schaefer, Atheist

L-R: Thirteen Goats Current Lineup | Rob Fitz-Gerald (Lead & Rhythm Guitars, Backing Vocals) | Graham K. Miles (Lead Vocals, Lead & Rhythm Guitars) | Cody Lewichew (Bass, Gang Vocals) | Leonid Verman (Drums, Gang Vocals) – Photo Credit: Kevyn Lilith Hoskin

Vancouver, Canada’s Thirteen Goats are proud to release their second album—the extreme metal rock opera “Capricorn Rising”. It tells the story of their mascot, Shepherd: a goat-skull-wearing Antichrist who raises an army of animals to liberate the earth from humanity’s constant wars and greed. This high-concept narrative is delivered with Thirteen Goats‘ signature blend of infernal riffs, huge hooks, and uniquely theatrical songwriting. They comment on the album:

“We think fans are going to get everything they loved about our first record, only more of it—and more focused. We’re exploring similar themes on this release, but we’ve connected them by weaving a cohesive story throughout these nine tracks that gives more context to the different musical and tonal shifts. And just like on the last record, we haven’t been afraid to break the rules.”

Each song on the album is part of a broader narrative that explores themes of disillusionment, radicalization, and rebellion as Shepherd and his 12 demon goats wage their crusade. Thirteen Goats delivers a unique blend of death and thrash metal, combined with a storytelling approach that takes listeners on a journey through the darkest aspects of both human and animal nature.

Listeners can expect furious riffage, ambitious song structures, and even occasional female guest vocals (courtesy of guest artist Carly Ellen Jones). What they shouldn’t expect is a record that plays it safe or falls neatly into one specific subgenre. Thirteen Goats is recommended for fans of Lamb of God, Carcass, and Mastodon.

Listen to the album’s full stream premiere via Decibel Magazine HERE.

Due out on July 12, 2024, “Capricorn Rising” is available from Exitus Stratagem Records for album pre-order at https://www.exsrmusic.com/store/p/pre-sale-thirteen-goats-capricorn-rising

Music Video – Murder Lives in the Heart – https://youtu.be/hpgqlbehecM

In additional news, following their performance at this year’s Armstrong Metal Fest (July 12/13), Vancouver’s Thirteen Goats announce that they will be hitting the road this July and August for their first major Western Canadian tour. They will be co-headlining the “Planet of the Goats Tour” with Edmonton’s Fall of Earth.

Planet of The Goats Tour – Fall of Earth, Thirteen Goats
July 19 – Red Deer, AB – The Vat
July 20 – Edmonton, AB – Starlite Room
July 21 – Lloydminster, SK – The Sticks
July 23 – Brandon, MB – Eastside Eatery
July 24 – Winnipeg, MB – Bulldog Event Center
July 25 – Regina, SK – The Exchange
July 26 – Lethbridge, AB – The Slice
July 27 – Calgary, AB – Rec Room
July 31 – Kelowna, BC – Dunn Enzies (venue change from Revelry)
Aug 1 – Kamloops, BC -The Blue Grotto
Aug 2 – Penticton, BC – Clancy’s
Aug 3 – Vancouver, BC – The Fox Cabaret

Track Listing:
1. Sign of the Goat (4:53)
2. Murder Lives in the Heart (5:30)
3. A Wolf in Shepherd’s Clothing (4:10)
4. Global Fuckup (3:57)
5. Beheading Zoo (3:44)
6. Permission to Die (3:48)
7. Beating the Disease (4:24)
8. Goats of War (5:25)
9. Animal Kingdom (6:19)

More info: Exsrmusic.com | ThirteenGoats.com

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“What makes this turbocharged song (Sign of The Goat) so damned much diabolical fun is the band’s melding of viscerally compulsive grooves, head-spinning instrumental pyrotechnics, and rapid-fire vocal assaults — and doing so in a way that makes the track highly infectious too. The song vividly intersects with the tech-death sphere through flurries of quickly darting, swirling, and swarming riffage, deliriously cavorting arpeggios, and a multitude of percussive fusillades. As displayed in the video, fingers and limbs fly like the wind, and the guttural barks and hair-raising screams in the vocal department rhythmically eject the violent words just as fast and just as furiously. But, as forecast, the song is also a viscerally groovesome beast. It’s almost relentlessly hard-slugging, but what really stands out are brutish, muscle-galvanizing jackhammer-bursts, the first of which comes only 25 seconds into the track. Another one of those episodes sets itself up as the backdrop for crazed guitar soloing that sounds like the ecstasies of fiends. And we did warn you — this thing is also immediately catchy and enduringly addictive. It comes recommended for fans of Bolt Thrower, Archspire, and Lamb of God.” – NoCleanSinging

What the press said about 2022 album “Servants of the Outer Dark”:

#14 on Top 20 – Loud – Canadain College Radio – August 2022 (Earshot)

“An alchemical style reminiscent of Cannibal Corpse, Misery Index, classic Megadeth, melodic Swe-death, and all eras of Death and Carcass.” – Decibel

“Rips, we’re here for it.” – MetalSucks

“Perfectly marries old school death metal, blackened tendencies, and heavy metal choruses.” – Metal Injection

“THIRTEEN GOATS unapologetically raise the deathcore flag for the new decade and absolutely don’t care what people think.” – Exclaim!

“Think Vulgar Display of Power-era Pantera in a cage match with Cannibal Corpse and Ministry.” – The Georgia Straight

“A gut-punching and head-hooking offering of death metal that borrows liberally from many of the genre’s subsets, as well as bringing in elements of thrash, black metal, and grindcore.” – No Clean Singing

“With a name like THIRTEEN GOATS, it’s gonna be evil. It’s cool, thrashy, blackened groove metal, a little like a Lamb of God sound with a bit more heavy brutality going on and a dash of black metal evilness. Great stuff!” – The Mosh Pit on WORT 89.9 FM (Madison, WI)

“THIRTEEN GOATS make seriously good music and sound like they have a lot of fun doing it. They write great upbeat thrash songs with strong melodies that appropriately sway from sinister to camp and pull it off tremendously. For some classic charcuterie of extreme metal mixed with a bit of tongue in cheek, you’re well looked after here.” – Heavy Mag

“THIRTEEN GOATS is a new strength in the extreme scene.” – Metal Temple

“The starting point of Thirteen Goats and their debut album Servants Of The Outer Dark is death metal, but it doesn’t remain tied to it. They explore all types, including tech death and melodic death metal, and even genres outside of that like thrash, groove, and doom metal. Each song brings out a unique side to the band, whether it’s the politically charged ‘Prisoner’s Anthem’ or the body horror of ‘Sub-Being.’” – Heavy Music Headquarters

“Canada’s THIRTEEN GOATS are incredibly fun to listen to and at multiple points subtly humorous—and, as such, make themselves easily a breath of fresh air within the technical scene. That sense of fun is backed up with very proficient playing and dizzying creativity, far beyond what you would expect from a debuting act’s first full length… Servants of the Outer Dark is an excellent debut full-length from these guys and I can’t wait to hear more!” [9/10] – Metal Observer

“All you need is love? No. All you need is THIRTEEN GOATS. Their debut album has everything your heart could desire in a Metal record, it’s a metaphorical pizza with all the toppings and a better thrill ride of a first crack we defy you to find!” [8.5/10] – Metal Noise

“These guys have the ability and the chops to succeed, whilst channeling bands like Lamb Of God into their output.” – Man of Much Metal

“This is so good.” – Stephen Quinn, The Early Edition (CBC Radio One)

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0 Streaming Now! Halifax’s TURBO’s “Broke And Ugly” Is A Gritty Return To Aggressive, Thrashy Nitro Rock!

July 11, 2024
by Asher
· Music News · Turbo

NEWS RELEASE

Montreal, QC – July 11, 2024

Streaming Now! Halifax’s TURBO’s “Broke And Ugly” Is A Gritty Return To Aggressive, Thrashy Nitro Rock

Halifax, Canada’s Turbo is back and louder than ever with the release of their shiny second album “Broke & Ugly”. Known for their gritty, in-your-face sound, Turbo has once again delivered a raw and powerful collection of tracks that will leave listeners begging for more. Like your disheveled uncle on Christmas morning, Turbo is trashed, pissed off, and sick of your shit, bringing an intensity and energy that is unmatched in today’s music scene. They comment on the release:

“‘Broke and Ugly’ is our second testament to the ups and downs of the rock-and-roll lifestyle, and it comes in swingin’ HARD. The music is raw, greasy, and mean; but it’s also tight, coordinated, and flashy. The lyrics are defiant and visceral, painting a real picture of where Evan’s mind was during the writing process of the album. Themes go from party anthems to drugs, to women of flings-past, to life on the road, and back again. It’s edgy, it’s real, and it’s undeniably Turbo.”

Turbo was created with a singular vision: to create something bigger, badder, and unapologetically aggressive. Evan Frizzle (vocals/guitar), Sylvain Coderre (drums), Lindsey Dicks (guitar), and Henry MacDonald (bass) have poured their hearts and souls into this album, crafting a unique sound that blends thrash, NWOBHM, glam metal, punk rock, and hardcore. The result is an original, aggressive, and varied listening experience that grabs you by the cojones and doesn’t let go.

The album artwork for “Broke & Ugly” was created by a good friend of the band Tim Murray, and perfectly captures the essence of the band’s raw and unfiltered style. The cover depicts a dive-bar nightmare bathroom, filled with Easter eggs from Turbo‘s previous songs and a green hand grabbing for some shit-tickets from a busted-ass urinal. It’s a fitting visual for an album that promises to be a grimy slab of thrash, sleazy, and louder than anything you’ve heard before. Get ready for Turbo‘s distinct flavor and an absolute slaughter in seven tracks. It is recommended for fans of W.A.S.P., Motorhead, and Judas Priest.

Listen to the album’s full stream premiere via Bravewords HERE.

Album order for “Broke and Ugly” due out on July 12th, 2024 is available at https://turboasfvck.bandcamp.com/merch

Music Video – “Down In Mexico” – https://youtu.be/7HousH65t8s

Spotify – https://distrokid.com/hyperfollow/turbo5/down-in-mexcio-pre-release

Track Listing:
1. Ruthless Forever
2. Ignite the Night
3. No Savior
4. Scorpio Garbage Fire
5. PissJugs and Rattlesnakes
6. Nothing to Nowhere
7. Broke & Ugly
8. Down in Mexico
Total Length: 29:12

Lineup:
Evan Frizzle: Vox, Lead & Rhythm Guitar
Lindsey Dicks: Lead & Rhythm Guitar
Henry MacDonald: Bass Guitar
Sylvian Coderre: Drums

For more info:
Facebook.com/TURBOFAF
Instagram.com/turboasfvck

– 30 –

“The cartoon-ish cover art with toxic green/red colors could bring more smiles to the fold – Turbo executing a great crossover sound that stands on the edge of thrash, punk and NWOBHM/heavy metal. Broke & Ugly could be your soundtrack when needing an ideal wind down from your back breaking, seemingly never over work week. 8.5/10” – Dead Rhetoric

“the band is insanely tight, with Frizzle and fellow six stringer Lindsey Dicks really giving it some violence riff wise and soloing like their lives depended on it. Similarly, the rhythm section of Sylvain Coderre (d) and Henry MacDonald take no prisoners and submit to no-one in their ability to hold things together at high velocity. Very impressive. As we get deeper into the twenty first century, bands are running out of ways to repackage, remake and remodel, so the freshness with which Turbo approach the task in hand has to be applauded. This is fun to listen to – and it certainly sounds like the band had fun getting the album down, and sometimes a bit of joie de vivre is all any of us need. But when you are able to mix that in with a killer technique and a sharp ear for a metal tune well, good times await!” – Sentinel Daily

“Turbo’s second full length album is the equivalent of getting into a newly juiced up hotrod, the roof reeled back in, as you’re flooring it down the highway until your smoke trails combust. From start to finish, Turbo live up to their name in droves and then some with energy that cannot be denied and a plethora of tracks that offer much to be remembered. Though boasting a full nine tracks, Broke & Ugly doesn’t even eclipse a full half hour and therefore opens itself up for numerous relistens. It starts up, gets you in the mood to kick some butt, yet doesn’t attempt to overstay its welcome to any degree. For me personally, this style of speed metal can be a vast hit or miss but I thoroughly enjoyed my time with this record, and during its duration I was brought on board with Turbo’s infectious power.” – The Razor’s Edge

“TURBO is Halifax’s answer to Motorhead…” – The East Mag

“It is a thrash metal rollercoaster of a musical ride that grabs you by the dick and doesn’t let go until bust a riff-inspired ear nut.” – Slickster Magazine

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0 OMNIVIDE’s “Cosmic Convergence” Puts A Progressive Metal Spin On Astrophysics Off Debut Album “A Tale of Fire” Out March 2024 + Canadian Tour Dates (NB, NS, QC, ON)

March 5, 2024
by Asher
· Music News · Omnivide

NEWS RELEASE

Montreal, QC – March 5, 2024

Moncton’s OMNIVIDE Put A Progressive Metal Spin On Astrophysics in “Cosmic Convergence”

Debut Full-Length “A Tale Of Fire” Out March 22, 2024

Eastern Canadian Tour Dates (NB, NS, QC, ON)

L-R – Alex Cormier (Bass), Nicolas Pierre Boudreau (Guitar), Samuel Frenette (Guitar & Vocals), Samuel Lavoie (Keyboards), Marc-André Richard (Drums)

Photo Credit – Deepti Suddul – DeeptiSuddul.com

Omnivide, a progressive metal band formed in 2020, is on the cusp of releasing their debut album, “A Tale of Fire,” in March 2024. Comprising members with diverse musical influences, the band aimed to create a unique blend of progressive, death, and symphonic metal. The album is a musical journey, alternating between intense heaviness and beautiful, emotional sections. Omnivide seeks to offer listeners a complete experience, combining excitement, energy, and contrasting emotions throughout the album. The third single “Cosmic Convergence” takes the listener to the end of days, which the band explains in further detail:

“Lyrically, this song is about the Big Crunch, the opposite of the Big Bang, when astrophysicists predict that the universe will stop expanding and instead collapse on itself back to a single, infinitely small and dense point of matter. The lyrics describe this process in a poetic way in the first section of the song, with the final chorus shifting perspectives from that of the universe itself to a single human witnessing this process, with the lines ‘One final cry/Begging not to die/As all we are is swallowed by stars’.”

“Cosmic Convergence” was written by Samuel Frenette and is composed of some fast and technical riffs, some more straightforward, but all very melodic with heavy layers of orchestration, and a lot of clean vocals compared to most songs on the album. This song is extremely high-octane in a melancholic and epic way, that tries to communicate the sense of desperation and urgency of the lyrics, with the song being about the end of the universe.

Dark melodies, groovy punches, distorted chord progressions, screaming vocals, and melodic guitar solos are the key elements in this apocalyptic and epic song. It is recommended for all prog fans, especially those with an interest in Obscura, Alkaloid, and Devin Townsend.

Watch and listen to “Cosmic Convergence” via its lyric video premiere on NoCleanSinging HERE.

Due out on March 22, 2024, “A Tale of Fire” is available for album pre-save at https://linktr.ee/omnivide.

Lyric Video – “Holy Killer” – https://youtu.be/gwIYIHQK_i0

Band Playthrough – “Opulence” – https://youtu.be/cS4yRxU2PWM

Spotify – https://spoti.fi/3HR8e91

Track Listing:
1. Clarity – 6:44
2. Opulence – 4.48
3. Desolate – 7:35
4. A Tale of Fire – 5:05
5. Cosmic Convergence – 5:04
6. Holy Killer – 5:06
7. Death Be Not Proud – 6:32
8. Stoned Dragon – 7:45
Album Length: 48:44

Omnivide – A Tour of Fire
March 29th – Moncton, NB @ Xeroz Arcade/Bar *
March 30th – Fredericton, NB @ The Cap *
April 5th – Saint John, NB @ The Panic Room *
April 6th – Halifax, NS @ Gus’ Pub
April 10 – Edmundston, NB @ Microbrasserie Ateepic
April 11 – Trois-Rivières, QC @ La Taverne Royale
April 12 – Montreal, QC @ Traxide
April 13 – Quebec City, QC @ Source de la Martinière
April 14 – Sherbrooke, QC @ Le Murdoch
April 15 – Oshawa, ON @ The Atria #
April 16 – Guelph, ON @ Red Papaya #
April 17 – Ottawa, ON @ Dominion Tavern #
April 18 – Toronto, ON @ Hard Luck #
April 19 – Waterloo, ON @ Dive Bar #
April 20 – Newmarket, ON @ The Spot #
* With BLEVK
# With Sentiment Dissolve

More info: Omnivide.ca

-30-

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0 NEVER ELECTED Announce Re-Release Of “Turbulent” And First Video Single “All My Life”

March 5, 2024
by Asher
· Music News · Never Elected

NEWS RELEASE

Montreal, QC – March 5, 2024

NEVER ELECTED Announce Re-Release Of “Turbulent” And First Video Single “All My Life”

L-R – Dr. T – Bass, Wesley Meyer- Drums, Sujit Kumar- Vocals, Altan Aydin – Guitar

Photo Credit – Rahul Mukerji

Never Elected, one of Washington D.C.’s most captivating and electrifying acts, is set to rock the airwaves with their latest single “All My Life”, extracted from the re-released album “Turbulent” coming out on April 19th. The single is also a finalist in this year’s 2024 WAMMIES (Washington, D.C.’s version of the Grammy’s) for Best Hard Rock / Metal Single along with their other nominations for Best Hard Rock / Metal Band, and Best Hard Rock / Metal Album.

Known for their thought-provoking material centered around socio-political themes, Never Elected continues to leave an indelible mark on the music scene. “All My Life” follows the lived experiences of the protagonist, a flurry of emotions and rough times, set to catchy music that draws the listener in. The band shares a bit of the story within the track:

“All My Life begins with a rhyme that the artist’s grandma sang to him regularly, mocking his ugly looks as a toddler. It is an unfiltered outpouring of frustration directed at all those who have brought adversity into the artist’s life, spanning different periods and across various aspects. It is a brief rant on the hypocrisy and self-serving agendas exhibited by both, close and extended family.”

Watch and listen to the music video for “All My Life” via its premiere on New Noise Magazine HERE.

The re-released album “Turbulent” is a deep reflection of the tumultuous times experienced by the band’s vocalist. From rocking out to evoking tears, the audience’s reactions to the songs have been diverse and intense, showcasing the emotional depth of Never Elected‘s music.

Formed by the dynamic duo, Sujit Kumar and Altan Aydin, who share a common love for all things grunge and rock ‘n’ roll, the band also features Dr. T on melodic bass riffs and Wesley Meyer, the driving force behind the drums. Despite the challenges posed by the pandemic, the band persevered, recording and releasing two singles and music videos that kept their fans engaged during a period of uncertainty.

Recommended for fans of Foo Fighters, Alice In Chains, and Guns N’ Roses, Never Elected‘s “Turbulent” is due out on April 19th, 2024, and is available for pre-order at https://neverelected.bandcamp.com.

Spotify

Track Listing:
1 – All Rise – 4:56
2 – Hate Breeds Hate – 4:20
3 – It’s Over – 4:06
4 – So Damn Easy – 5:04
5 – Time – 3:55
6 – Stab Me – 3:41
7 – Voice Inside – 5:09
8 – Tolerance Broken – 4:26
9 – All My Life – 2:15
10 – Death Complaint – 5:56
11 – One Of These Days – 4:00
Album Length: 47:52

Never Elected is:
Sujit Kumar – Vocals
Altan Aydin- Guitars
Dr T – Bass
Wesley Meyer – Drums

More info: NeverElected.com

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“It’s really about time that you “Wake Up” and start paying attention to the world around you, including the hard rockers known as Never Elected. The band has just released a visually-stimulating music video to accompany their recent single, a revved-up, riff-driven sonic assault that has been the band’s most successful track since its November 2019 release. “Wake Up” is a preview of what’s to come on the group’s next record which they have been hard at work on this year and are on the verge of completing. If it wasn’t already evident by its title and socio-politically themed lyrics, the hard-hitting music video for “Wake Up” illustrates the fact that the band is out to convey a serious message.” – V13

“After releasing the thought-provoking and socio-politically themed video for their song “Wake Up” last year, Washington, DC’s Never Elected is back with a new video for their song “Where You Belong”. The video touches on yet another serious topic. This time dealing with the struggles of mental health, a topic that is taboo to discuss openly in many cultures.” – All About The Rock

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ASHER MEDIA RELATIONS
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0 Gore House Prod. – FOETAL JUICE Shares Bass Playthrough For “Gruesome” Off New Album “Grotesque” Out Now!

March 5, 2024
by Asher
· Foetal Juice (Gore House Productions) · Music News

NEWS RELEASE

Montreal, QC – March 5, 2024

FOETAL JUICE Shares Bass Playthrough For “Gruesome” Off New Album “Grotesque” Out Now!

(L-R): Lewis Bridges (Bass), Derek Carley (Vocals), Ryan Whittaker (Guitar), Rob Harris (Drums)

Photo Credit – Karen Carley

Unleashing their latest album “Grotesque” on Gore House Productions this past November, UK death grinders Foetal Juice have a new playthrough from bassist Lewis Bridges for the closing track “Gruesome”. In this song, the bass plays almost a solo over the intro riff where Lewis gets to flex his bass playing guns to the world.

Lews Bridges adds about the song:

“This one is where we have really experimented with a clean intro. This is something we have never done before but really enjoyed it when bands like Entombed have done it on albums. The clean intro is influenced by the film Lobster Man From Mars and we just thought it would be good to try a build a song up like that for one. After the intro we wanted it to go straight in as abrupt as we could make it. So, 6/8 blast it was. We wanted the song to be a sort of one after the intro but also make it incredibly groovy with skipping triplets on the guitars and a wandering bass. We are really happy with how this song turned out. “

Watch the bass playthrough for “Gruesome” via its premiere on Bass Musician Magazine HERE.

Foetal Juice’s sound is a melting pot of influences, ranging from death metal and grindcore to black metal, gore, groove, thrash, and even Enya. Their evolution as a band has brought new dimensions to their music, incorporating diverse elements while staying true to their death metal roots.

Notorious for their catalogue of unpleasantries and musical vulgarities, this album promises to be heavier, catchier, faster, and more aggressive than anything they’ve ever done before. It’s a relentless assault on the senses, and Foetal Juice is ready to claim its place in the annals of brutal death metal.

Recommended for fans of Cannibal Corpse, Deicide, and Vomitory, “Grotesque” is a relentless barrage of blast beats, horror and gore that will have you questioning your sanity.

Produced, mixed and mastered by Chris Fielding with the album artwork done by Misanthropic Art, “Grotesque” was released on November 17th, 2023 and is available from Gore House Productions at the following links:

Album order (Cassette/ CD)/Digital) at https://orcd.co/grotesque.

Lyric Video – Legion of the Grotesque – https://youtu.be/NSoU2PuPZHo

Music Video – Ghoul Amongst the Mouldering Dead” – https://youtu.be/3aGbvw-cQL4

Track Listings:
1. Human Beach Master (3:50)
2. Mountain of Gore (3:10)
3.: Legion of the Grotesque (4:45)
4. Ghoul Amongst the Mouldering Dead (3:37)
5. Two Bongs Don’t Make a Right (1:26)
6. Cunt of the Litter (3:19)
7. Cemetery Leachate (4:39)
8. The Walking Groin (3:35)
9. Torn Apart (3:30)
10. F. K. E. O (3:59)
11. Gruesome (5:10)
Album Length: 41:06

More Info:

Gorehouseproductions.com | Facebook.com/GoreHouseProductionsOfficial | Instagram.com/gorehouseproductions

Facebook.com/foetaljuice | Twitter.com/FoetalJuice | Instagram.com/foetaljuice

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“Grotesque is an absolute maelstrom of sound that is satisfyingly punchy, chugging and impactful. It makes you want to hear more.” – Metal Talk

“The main impact of the album is to shoot terrific amounts of voltage straight into your brainstorm, to pump hearts, to convulse muscles, and to suck the wind from your lungs. See for yourselves.” – NoCleanSinging

““Grotesque” by name and definitely by nature this is 40 minutes of joyously twisted groovy Death Metal with hooks for days… in a year of excellent Death Metal it can still go toe to toe with the best of the bunch. This Christmas give someone you love the gift of gore. 8.5/10” – Ever-Metal

“Foetal Juice are recognized for their twisted and brutal amplification of virtuosic and violent musical assault. The album continues, said callous, promising a cataclysmic symphony of ferocity… The track (“Legion of the Grotesque”) moves more like a macabre exploration of the consequences of excessive cosmetic surgery. Despite the grim themes, Foetal Juice’s technical skillset is evident, which enhances the grotesque subjects, similar to writing a horror film. Their music, a relentless blend of grind and death metal, is unapologetic sonic devastation, recommended fans of Vomitory, Napalm Death, and Terrorizer.” – Metal Insider

“In the 3 years since the release of Gluttony, and I must say you have really seen a huge growth from the band and Grotesque is an absolute monster record, well deserving of anyone who has an interest in the genre. It has enough of the hooks and grooves which will be of interest to your more casual death metal fan whilst remaining absolutely mean with a viscous twist for those with a more hardened ear towards the underground.” – The Razor’s Edge

“Grotesque is a stonker of a record, completely worth your time and a strong contender for album of the year. Foetal Juice have made a rod for their own back now, having to try and top this with their next record, which I already look forward to. For now, another few listens to Grotesque will more than tide me over. 10/10” – Musipedia Metal

“with their intense, careening style of chaos hitting the spot time after time. Like a bludgeoning mace to your consciousness, ‘Grotesque’ is one of the more distatefully straightforward pieces of extreme music you’ll hear this year, and it’s all the better for it. A killer effort.” – The Killchain

“Your eyes will water, your ears will bleed, your muscles will ache, your sphincter will tighten, your guts will churn, and you may even vomit. It’s fucking Foetal Juice and it’s fucking Grotesque. Never change you lovable noise-mongers.” – Games, Brrraiiins & A Headgbanging Life

0 THE RISEN DREAD Unleashes Their New Sinister Video “Betrayal”

January 11, 2024
by Asher
· Music News · The Risen Dread

NEWS RELEASE

Montreal, QC – January 11, 2023

THE RISEN DREAD Unleashes Their New Sinister Video “Betrayal”

L-R – William Ribeiro (Guitar) | Marco Feltrin (Vocal) | Mat Maher (Bass)

The Risen Dread is a metal band from Dublin, Ireland who have successfully established themselves as one of the country’s most promising metal acts in recent years. With an EP and a full length already under their belts, they are going to be expanding their discography in the new year, which they tease now with the sinister single and music video “Betrayal”. Guitarist William Ribeiro comments on the single:

“Betrayal, even though I had some of those riffs for a while, is the first song we wrote after the drummer left. We wanted to do the opposite of what we did for our last album, we wanted this track to be straight to the point and not only fast, we wanted it to be aggressive and heavy, with headbanging riffs as well as moshpit parts. I think Betrayal summarizes the dread that rises again from within each band member after this 2023 year. Nothing better than talking about a woman locked up by her mother. Can you imagine how she felt?”

“Betrayal” tells the true story of Blanche Monnier, a socialite who was locked in a tiny room by her mother and brother at age 25 for 25 years in a room without light. Musically, it’s a death metal song, pure and simple with heavy and catchy riffs, fast double bass, and blast beats. As far as their new material goes, this track has a bit of everything. Fans can expect a lot more where it came from, and can also look forward to new elements like the inclusion of choir and orchestra.

The Risen Dread is a powerhouse of death metal and groove metal, and they also draw upon a variety of influences from metalcore to black metal to hone their signature sound. They turn these elements into something fast, heavy, memorable, and accessible. Fans of Lamb Of God, Sepultura, and Deicide.

Watch and listen to the music video for “Betrayal” via its worldwide premiere on Decibel Magazine HERE.

More info: Facebook.com/TheRisenDread | Instagram.com/therisendread

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What the press has said:

“Silent Disease The single drives hard as hell with tons of straightforward grooves and meaty riffs, though with a very pertinent message and accompanying music video” – Metal Injection

“There is a lot for any metal fan to get their teeth stuck into with this impressive release and the fact that this is self produced by the band makes ‘Night Hag’ all the more impressive.” – The Razors Edge

“Night Hag is a banger. One with a lot more depth than you might initially think. Memorable music with all the head-banging trappings you could dream of.” – GBHBL

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0 BLACK DAGGERS Speak To Your Inner Demons w/ New Video “Wasted” Off Debut Concept Record “Phantasmagoria”

November 23, 2023
by Asher
· Black Daggers · Music News

NEWS RELEASE

Montreal, QC – November 23, 2023

BLACK DAGGERS Speak To Your Inner Demons w/ New Video “Wasted”

Debut Concept Record “Phantasmagoria” Out Now!

L-R: Spencer McLeod (Drums), Stanley Sullivan (Rhythm Guitar), Mike Szeles (Bass Guitar), Valentine Vandal (Lead Vox, Lead Guitar)

Photo Credit – Mark Manlapaz (@snapshot_hott on IG)

Releasing their debut album “Phantasmagoria” at the end of this past October, Red Deer, AB, Canada’s Black Daggers are sharing their latest music video for the track “Wasted”. A song written from the point of view of speaking to your inner demons, this track freely switches from one to the other.

“It’s not meant to be clear who is the one speaking at any given point, but it’s a conversation in the mirror. We think this is a relatable concept for people who struggle with their own inner struggles.” adds the band.

The music video for “Wasted” can be seen and heard via its premiere on AllAboutTheRock HERE.

A concept record about a Faustian Bargain gone awry, “Phantasmagoria” sees its protagonist character making a deal with the Devil, which quickly goes wrong when they see their life unraveling. The album is as much about struggling with vices as it is dealing with depression and addiction. The band wanted to really dig into the idea of drug-induced psychosis and explore where that might lead to paranoia and further self-destruction. They think in some ways the character will be relatable to people who’ve dealt with battling their inner demons with mental health issues or lived with addictions.

“We want fans to experience this record by putting on their headphones, closing their eyes and just imagining themselves drifting into this world where nothing is off limits and excess is the norm. The character struggles to cope with their newfound euphoria and it leads them down a dark path of self-destruction. If anything, after listening to this record people get a slightly deeper understanding of the struggles some people face.” says the band.

Self-producing this first full-length, Black Daggers‘ explored different sound textures and ideas, but they also wanted to make sure the record was something they could reproduce live, which they are looking forward to doing in the coming months with plans to play across Alberta and beyond.

“Phantasmagoria” is available on all digital platforms at https://linktr.ee/blackdaggersmusic

Spotify – https://spoti.fi/40gqFML

Track Listing:
1. Best I’ve Got – (4:00)
2. These Broken Bones – (3:46)
3. Surfin’ A Vibe – (4:04)
4. Voices – (4:21)
5. I’m Here – (4:15)
6. Wasted – (3:23)
7. City Limits – (3:07)
8. Carpe Diem – (4:22)
Album Length: 31:22

More info: Blackdaggersmusic.com | Facebook.com/blackdaggersofficial | Instagram.com/blackdaggersmusic | Tiktok.com/@blackdaggersmusic

About: Black Daggers are set to take the hard rock and metal scenes by storm with their electrifying, pulse-pounding sound. Composed of four talented musicians, each bringing their own flair and expertise to the table. With dual guitars that weave intricate, powerful riffs and solos, a thundering bass that lays down the groove, and a drummer who effortlessly keeps the pulse of the band’s heart pounding, the musical talent on display is undeniable. Fronted by a lead vocalist whose voice soars and roars with equal ferocity, Black Daggers is the full package. Drawing inspiration from legendary acts such as Between the Buried and Me, Alice In Chains, Soundgarden, Queens of the Stone Age, Big Wreck, and Mastodon, Black Daggers fuse the raw energy of metal with the melodic sensibilities of hard rock to create a unique, unforgettable sound that transcends genres.

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“The ideas, the story, the connection to the characters are there as if one is reading a book or watching a movie. Phantasmagoria is cohesive in its songs, music, and mood and that cohesiveness of Phantasmagoria is what makes the debut album from Black Daggers brilliant. MUST LISTEN TRACKS: “Best I’ve Got”, “Im Here”, “Wasted”, “City Limits”, “Carpe Diem”” – Amplify The Noise

“Solid. God knows we need more music like this, especially in Canada. If you’re into anything from Alice in Chains and Soundgarden to Mastodon and Big Wreck, this is for you.” – Alan Cross – Undiscovered Gem of the Week – Corus Media

“‘Surfin’ a Vibe’ really conjures a dark, horror-laced image. The raw vocals perfectly capture the feeling of impactful shock rock. I like the bold confidence and furious brutality. It’s well-structured but raucous.” — What CRB thought of ‘Surfin’ a Vibe’

“I really like what they did with the solo coming in a bar early. Really interesting stuff. Song of the night!” – @the_ghosthouse (Twitch)

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