Tag: death

0 Streaming Now! Toronto’s MALICE DIVINE Coat Empowerment In Black Metal Textures In “Everlasting Ascendancy”

January 26, 2023
by Asher
· Malice Divine · Music News

NEWS RELEASE

Montreal, QC – January 26, 2023

Streaming Now! Toronto’s MALICE DIVINE Coat Empowerment In Black Metal Textures In “Everlasting Ascendancy”

“Everlasting Ascendancy” is the second album from Canada’s one-man black metal project Malice Divine, following up their much acclaimed self-titled debut in 2021. Able to work freely without creative impediments, Ric Galvez has poured his passion into this album and it shows. A lot of the songs have complex song structures, but there is also a lot of catchiness and melody to make this album a very memorable listen, nonetheless. He shares his excitement for the release:

“I am incredibly excited to finally have the sophomore Malice Divine album “Everlasting Ascendancy” released into the world! With this album, I am aiming to have the listener feel empowered and inspired to go after what they want in life and not settle for less. The message of Malice Divine is one of empowerment and that message can be found throughout all 8 tracks on “Everlasting Ascendancy” in some shape or form. I poured my heart and soul into this album, which will be apparent both musically and lyrically. Despite the music obviously being extreme metal, that doesn’t stop me from writing about very personal matters. All in all, I am incredibly proud of this album, and I can’t wait for everyone to hear it!”

“Everlasting Ascendancy” is a dynamic experience while also being an overall more aggressive album than the first one, especially in the vocal delivery. There are still plenty of melody and classical guitar sections, which is a major part of Malice Divine’s sound. The solos on this album are even more virtuosic than before as well.

All songs on “Everlasting Ascendancy” were written by Galvez who enlisted session drummer Dylan Gowan (Vesperia, Birds of Bellwoods, Co-Host We’re Talkin Drums, Overkill Reviewer Banger TV) to hammer them out. The album was produced and mixed by Tyler Williams (Sludgehammer, Monolithic Productions) and mastered by Jamie King (Between the Buried and Me, The Contortionist, Scale The Summit). The album artwork was done by Eka Saputra (Psychopart).

Malice Divine intends to deliver a listening experience that is highly memorable and one that will leave the listener feeling empowered and wanting to listen to it again and again. They are recommended for fans of Watain, Thulcandra, and Dissection.

Listen to “Everlasting Ascendancy” in full via its album stream premiere on MetalInsider HERE.

“Everlasting Ascendancy” will be released on January 27, 2023.

Pre-Save the album here: https://distrokid.com/hyperfollow/malicedivine/everlasting-ascendancy-2

Guitar Playthrough Video – Silenced Judgement – https://youtu.be/1txFo60rUKI

Lyric Video – Everlasting Ascendancy https://youtu.be/-F-J7OKMskA

Track Listing:
1. Silenced Judgement (4:10)
2. Apparitions Of Conquest (8:22)
3. Usurping The Paragon (6:07)
4. At One With Infinity (6:06)
5. Parasitic Demons (5:39)
6. Reclaimed Strength (5:31)
7. Illusions Of Fragmentation (8:39)
8. Everlasting Ascendancy (8:10)
Album Length: 52:44

Album Recording Credits:
• All songs performed by: Malice Divine
• All songs written by: Ric Galvez
• Produced by: Tyler Williams
• Mixed by: Tyler Williams
• Mastered by: Jamie King
• Album Artwork by: Eka Saputra (Psychopart)
• Canadian Content (MAPL)

Album Band Lineup:
Ric Galvez – Vocals/Guitars/Bass
Dylan Gowan – Drums (Session)

For more info: Facebook.com/malicedivineband | Youtube.com/malicedivine | Instagram.com/malicedivineofficial

About: Toronto, Canada’s Malice Divine is a solo project conceived by Ric Galvez, who had always had the dream of being the leader of his own project. He wanted to expand beyond being known as just a lead guitarist, into also being known as a songwriter, vocalist, and frontman. Ric has played in local bands previously and was a contestant on Banger TV’s Shredders of Metal Seasons 1 & 2.

Ric has a major in music from York University, and through Malice Divine he shows off his vocal, guitar, and bass prowess. His lyrics are inspired by psychology, spirituality, as well as personal experiences that involve the overcoming of obstacles and hardships, using the resulting verses as a form of empowerment.

The second offering from Malice Divine, entitled “Everlasting Ascendancy”, will be released in early 2023. Once again it features Ric Galvez on Vocals, Guitars, & Bass, as well as Dylan Gowan (Vesperia, Banger TV) playing session drums. Malice Divine is also currently transitioning from being a solo project into being a band effort, and is set to start performing live in 2023. What people can expect from seeing Malice Divine live is highly aggressive black and death metal-inspired music, with shreddy and virtuosic guitar solos that add a melodic layer that isn’t common in the genre.

Malice Divine’s sophomore album “Everlasting Ascendancy” is set to be released on January 27th, 2023.

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“This is one of the first albums to come out this year and it is this strong. So as we gather our thoughts for AOTY 2022, an early contender for 2023 kicked this year off right! This album is essential. You’re welcome!” – Metal-Rules (2023 – Everlasting Ascendancy)

“Slaves of shred will have another reason to bow down in 2023 because Toronto-based Malice Divine will be releasing their second album Everlasting Ascendancy on January 27th. As lots of people already know, the man behind this project — Ric Galvez — has made a name for himself as a guitar virtuoso, and if anything, he elevates his skill to even greater heights on Everlasting Ascendancy. But as the album’s title track that we’re premiering today (through a lyric video) demonstrates quite convincingly, the songs aren’t just excuses to show off, but are instead well-crafted pieces that display dynamism, inspiring melodies, and the kind of hard-charging ferocity that creates primal reactions.” – NoCleanSinging (2023 – Everlasting Ascendancy)

“The solos and those vocals just emit black metallic sparks and they eat into my ear canals. Watain and Dissection merge here with his own style. An explosive mix does the honors and every track is a feast. “Eight songs long” always surprising variety. A very successful album. A uniform porridge was absolutely not touched here. The cover is like an invitation card. “Come and listen to this beast”. A great start to my first review of the year.” – Hellfire-Magazin (2023 – Everlasting Ascendancy)

“Malice Divine hop back and forth between coming off like a death metal band doing covers of stuff they’ve recorded as a black metal band and coming off like a black metal band doing covers of stuff they’re recorded as a death metal band.”- Decibel Magazine (2021 – Self-titled album)

“Whether you’re into death metal, progressive metal, or epic metal, this album ticks all of those boxes effortlessly.” – Powerplay Magazine (2021 – Self-titled album)

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ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780 | jon[@]ashermediarelations[.]com
Facebook @AsherMediaRelations | Instagram @AsherMedia | Tweet @AsherMedia(Rockshots Records, Extreme Metal Music, Armstrong MF, Loud As Hell, Metalocalypstick, Decimate MF, Electric Highway Fest, Wacken Metal Battle Canada/USA, Hyperspace MF, Le FestEvil)

0 THE CONVALESCENCE Release Claymation Video For “No Survivors” ft. CARNIFEX’s Scott Ian Lewis + USA Tour Dates w/ Casket Robbery, Ignominious

January 26, 2023
by Asher
· Music News · The Convalescence

NEWS RELEASE

Montreal, QC – January 26, 2023

THE CONVALESCENCE Release Claymation Video For “No Survivors” ft. CARNIFEX’s Scott Ian Lewis

March 2023 USA Tour Dates w/ Casket Robbery, Ignominious

The Convalescence is a five-member symphonic deathcore band formed in Toledo, USA in early 2011. The Convalescence blends black metal/horror theatrics with intense death metal style blast beats and shredding guitar along with brutal slamming breakdowns and catchy melodies. Since their inception, they have amassed an impressive discography including five full-length albums, and have toured extensively across the planet. The latest from them is the single “No Survivors” featuring Scott Ian Lewis of Carnifex accompanied by a claymation music video. Vocalist Keith Wampler details the single and the upcoming album:

“The single is one of the hardest-hitting songs we’ve ever released. The lyrics and video were inspired by the Alien films, and having Scott doing some nasty guest vocals really helped give it the brutality we were looking for. We played it live throughout our recent European Tour and absolutely loved the energy it brings to the stage. We’re looking forward to this one being a part of our live show for many tours to come. This new album is basically like one big horror movie, song by song each one tells a story. Each one is brutal in its own way.”

The Convalescence expects the album will be received well by the fans, as they do their very best to step things up on each record. They worked with producer Jason Suecof on this one at Audiohammer Studios in Florida who has worked with most of their favorite bands (The Black Dahlia Murder, Carnifex, Deicide, Job For A Cowboy) and they were beyond stoked he was down to do the recording with them. In their opinion, they’ve created the heaviest The Convalescence album so far. The full-length was mastered by Christian Donaldson (Cryptopsy) and is expected for release summer 2023.

Filthy, brutal, and symphonic, The Convalescence is recommended for fans of Carnifex, The Black Dahlia Murder, and Chelsea Grin.

Listen and watch to “No Survivors” ft. Carnifex’s Scott Ian Lewis at https://youtu.be/YQVSCu57aSs

In additional news, The Convalescence will be hitting the road this coming March for the “No Survivors Tour” with support from Casket Robbery and Ignominious. Tickets and info are available at Tconband.com.

The Convalescence – No Survivors Tour w/ Casket Robbery, Ignominious
3/10 – Jackson, MI @ The Music Box
3/11 – Toledo, OH @ Main Street Bar & Grill
3/12 – New Haven, IN @ Carl’s Tavern
3/13 – Louisville, KY @ Mag Bar
3/14 – Overland Park, KS @ Vivo Live Events
3/15 – Tulsa, OK @ The Whittier Bar
3/16 – Fort Worth, TX @ The Rail Club DFW
3/17 – San Antonio, TX @ Bonds Rock Bar
3/18 – Houston, TX @ House Of Blues
3/19 – New Orleans, LA @ Gasa Gasa
3/20 – Pensacola, FL @ The Handlebar
3/21 – Sanford, FL @ West End Trading Co.
3/22 – Murfreesboro, TN @ Crossroads
3/23 – Knoxville, TN @ Brickyard Bar & Grill
3/24 – Lakewood, OH @ The Foundry
3/25 – Chesterfield, MI @ Diesel Concert Lounge

For more info:
http://tconband.com
https://www.facebook.com/theconvalescence
https://www.instagram.com/theconvalescenceofficial
https://twitter.com/tconband

About: The Convalescence is a five-member symphonic deathcore band formed in Toledo, OH in early 2011. The Convalescence blends black metal/horror theatrics with intense death metal style blast beats and shredding guitar along with brutal slamming breakdowns and catchy melodies. The band tours nearly non-stop racking up nearly 1,000 live performances across nine countries.

The Convalescence has released four full-length albums, two EPs, and two stand-alone singles resulting in over one million plays on Spotify and Youtube each. The band also released two documentaries via Amazon Prime Video in 2020 supported by a sold-out movie theatre screening of them both in Maumee, OH on October 30, 2020. The band recently finished recording their fifth full-length album with producer Jason Suecof at Audiohammer Studios with a projected release in 2023.

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ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780 | jon[@]ashermediarelations[.]com
Facebook @AsherMediaRelations | Instagram @AsherMedia | Tweet @AsherMedia
(Rockshots Records, Extreme Metal Music, Armstrong MF, Loud As Hell, Metalocalypstick, Decimate MF, Electric Highway Fest, Wacken Metal Battle Canada/USA, Hyperspace MF, Le FestEvil)

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0 Rockshots Records – EMBRYO New Video “Darkest Lights” ft. Drummer George Kollias (Nile) Off Forthcoming Album “A Vivid Shade on Misery” Out March 2023

January 17, 2023
by Asher
· Embryo (Rockshots Records) · Music News

NEWS RELEASE

Montreal, QC – January 17, 2023

Rockshots Records – EMBRYO New Video “Darkest Lights” ft. Drummer George Kollias (Nile)

New Album “A Vivid Shade on Misery” Out March 17th

Italian melodic death Embryo is sharing the first glimpse of brutality from their forthcoming fifth album “A Vivid Shade on Misery”, which features the band’s recruitment of international drumming powerhouse George Kollias (Nile) for its recording. Due out on March 17th, 2023 via Rockshots Records, Embryo shares its first single “Darkest Lights” accompanied by a music video. The track is melodic, but with an unforgettable groove.

Watch and listen to “Darkest Lights” at the following links:

Digital – https://bfan.link/darkest-lights

“A Vivid Shade on Misery” follows the band’s 2017’s “A Step Beyond Divinity” (Art Gates Records), 2015’s Self-Titled (logic(il)logic Records) that featured Fleshgod Apocalypse’s drummer Francesco Paoli, 2010’s “No God Slave” and their 2006 debut “Chaotic Age”.

Since the band’s inception, Embryo has toured across Europe with Melechesh, Keep of Kalessin, Tribulation, Nile, Immolation, Ragnarok, Monuments of Misanthropy, and Suffocation along with performing on festivals such as Masters of Rock (CZ), and Total Metal Festival (Italy).

Embryo began writing their fifth offering in 2020 with George Kollias and entered the Domination Studio in July 2021 with producer Simone Mularoni, and engineer Simone Bertozzi.

Monolithic, intense, powerful, technical, and melodic this new album features eight brand new tracks and is another concept album like its predecessor “A Step Beyond Divinity”. The band is inspired by historical Italian figures of the Renaissance era and their tormented lives, their absolute genius, and the gifts they gave to the world. While the previous album “A Step Beyond Divinity” was inspired by Leonardo Da Vinci, this new work is totally inspired by Michelangelo Merisi alias Caravaggio, an Italian painter active in Rome for most of his artistic life.

“With “A Vivid Shade on Misery” we want to have listeners dive into our world by giving them brutal and atmospheric music melted together in the way we love to do plus having Kollias drum on this new album, one of the best drummers in the world, is just an absolute honour. Overall, fans will find this album has the “Embryo” matrix, there’s no doubt about that. It will be a more direct record and its songs make up a pattern that takes the listener on a journey through torments and anxieties, but which at the same time gives him pure energy.” adds the band.

From the band’s first album “Chaotic Age” (2006) to today, Embryo‘s music has evolved over the years. On the first record, they were more brutal and messier, now their compositions are much more “thought out” and brilliant. If they had to use one word to describe their compositional evolution they would say “sharp”.

Recommended for fans of Strapping Young Lad, Meshuggah, Fear Factory, Death, and Dimmu Borgir, Embryo will be sharing singles and videos in the coming months in lead up to the record’s release.

Album pre-order – https://bit.ly/Embryo_CD

Current Line-Up:
Roberto Pasolini – Vocals
Eugenio Sambasile – Guitars
Simone Solla – Keyboards
Gabriel Pignatta – Bass
George Kollias – Drums (guest)

Track Listing:
1. Pride – 3:58
2. Highest Fame – 4:19
3. Darkest Lights – 4:01
4. The Seed of Lividity – 4:02
5. MMDC – 5:04
6. Medusa – 4:18
7. Vanitas – 3:59
8. Concrete Visionary – 3:29
Album Length: 33:13

A Vivid Shade On Misery album credits:
The album was recorded in July 2021 @ Domination Studio – San Marino
Technicians: Simone Mularoni, Simone Bertozzi.
Mixed and Mastered by Simone Mularoni.
Drums recorded @ George Kollias Studio

For more info:
https://www.rockshots.eu
http://www.embryo-online.com
https://www.facebook.com/EMBRYO.DeathMetal
https://www.instagram.com/embryo_official
https://www.twitter.com/EMBRYOmetalband

About: After a couple of self-produced works and a first album (“Chaotic Age”) Embryo found its sound and recorded “No God Slave” (2010) with producer Simone Mularoni. The album received very good reviews and led the band to play new gigs in Switzerland, Germany, and Italy and be part of Kung Fu Factory’s Supremacy MMA videogame soundtrack with 2 songs. In 2014 Embryo first recorded a promo at Atomic Stuff Studio with Oscar Burato, then, in May, the band recorded the new self-titled cd at Domination Studio with Simone Mularoni. During the summer they played the main stage at Masters of Rock in the Czech Republic and Total Metal Festival in Italy. In October Embryo signed a deal with logic(il)logic Records for the release of the album and the reissue of “No God Slave” with some bonus tracks. In December the band made a little tour in Eastern Europe. The new album “Embryo” came out on the 10th of February 2015. The album received great reviews worldwide and Embryo started a European tour in May with Melechesh, Keep of Kalessin, and Tribulation. After a great show at MetalFest in the Czech Republic in July, the band joined Nile and Suffocation for the second part of their European tour in September. In 2016 the band has been part of the second leg of the “What Should Not Be Unearthed” Nile tour with Melechesh and Mithridatic. Embryo finished the recordings of the new album in January at Domination Studios again with guru Simone Mularoni. The band played at the 2017 edition of MetalFest in the Czech Republic on Sunday, June 4th, and signed a deal with Art Gates Records for the release of the 4th studio album “A Step Beyond Divinity” which came out on the 27th of October 2017 in Spain and the 24th of November 2017 in the rest of the world. The album has been enthusiastically reviewed entering the 2017 best albums of the year charts in various webzines all over the world. In November 2019 the band joined “The Last Atonement European tour” supporting Immolation, Ragnarok, and Monuments of Misanthropy for all the shows. In December the band released a free download digital EP including the new song Misguided legacy and three live songs taken from a live show of the band. In 2020 the famous drummer George Kollias (Nile) joined Embryo in the writing of the new album. The band entered again Domination Studio in July 2021 to record the brand new fifth album “A Vivid Shade On Misery”, which will be released in early 2023, anticipated by the video of the new song “Darkest Lights”. Stay tuned!

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ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780 | jon[@]ashermediarelations[.]com
Facebook @AsherMediaRelations | Instagram @AsherMedia | Tweet @AsherMedia
(Rockshots Records, Extreme Metal Music, Armstrong MF, Loud As Hell, Metalocalypstick, Decimate MF, Electric Highway Fest, Wacken Metal Battle Canada/USA, Hyperspace MF, Le FestEvil)

0 Canada’s NOMAD Combine A Ballad With Groovy Death Metal In “Revolution” Off “The Mountain” Out March 2023; Mastered by Christian Donaldson (Cryptopsy)

January 16, 2023
by Asher
· Music News · Nomad

NEWS RELEASE

Montreal, QC – January 19, 2022

Canada’s NOMAD Combine A Ballad With Groovy Death Metal In “Revolution” Off “The Mountain” Out March 2023

Mastered by Christian Donaldson (Cryptopsy)

L-R – Josh MacDonald (Bass), Matt Johnstone (Guitar/Vocals), Bretton Melanson, (Drums/Vocals), Jeff Mabb (Guitar/Vocals)
Photo Credit – Chris Geistlinger

Nomad is a progressive death metal band from British Columbia’s Okanagan Valley in Canada who are excited to finally be releasing their debut album “The Mountain” this coming March. “Revolution” is the second single off the album and it is their most dynamic offering, featuring clean vocals and harmonies for the first half with a crushing ass kicking at the end. It’s a call to action, a challenge to take making the world a better place into your own hands. They comment on the track:

“The first half is our “ballad” with clean vocals, and the second half is rocking out to one hell of a sludge/groove riff, start light, go heavy, it’s kind of our “One”. The lyrics call for a revolution, a societal change, redistribution of wealth, symbiosis with nature, and to stop messing up the damn planet so our kids have a decent world to live in. The album title comes from the final line of the song, and the “fuck you” is directed to those that put profits over the preservation of our planet.”

Nomad is still early in their career and has cycled through different singers who have each brought their own style to the table and impacted the music in their own ways. Their new shared vocals setup, where three of the four musicians are vocalists, really lets them combine different styles taking the best of what they’ve had in the past from an old-school raw sound to a more refined modern sound.

The progressive melodic groove/death metal is recommended for fans of Lamb of God, Pantera, and Sepultura.

Listen to “Revolution” via its premiere on NoCleanSinging HERE.

“The Mountain” is due out on March 3, 2023, and was mixed by drummer Bretton Melanson and mastered by Christian Donaldson (Cryptopsy). It is recommended for fans of Gojira, Lamb of God, and Pantera.

Album pre-order (CD, Digital) – Nomadbc.bandcamp.com

Previous single – “Burning Alive” – https://youtu.be/N4uKBAfxc4c

Track Listing:
1. Burning Alive (4:30)
2. Haunted (6:00)
3. Revolution (6:05)
4. Relentless (6:09)
5. A Lonely Wanderer (5:08)
6. Blood Moon (9:40)
7. Rise in the Fall (6:20)
8. Processor (6:56)
9. Choke (8:52)
Album Length: 59:38

Album Credits:
– All songs written and performed by Nomad.
– Additional writing contributions by past members:
Kasey Klassen
Lorne Valliers
Dylan Heska
Justin Kleinsasser
– Mixed by Bretton Melanson
– Mastered by Christian Donaldson
– Album Artwork by: Angela Grimmuza/ Art Of Grimmuza
– MAPL – Canadian Content

Album and Live lineup:
Bretton Melanson: Drums/Vocals
Matt Johnstone: Guitar/Vocals
Jeff Mabb: Guitar/Vocals
Josh MacDonald: Bass

For more info: Facebook.com/nomadmetal | Instagram.com/nomadbandbc

About: Nomad is a dynamic, progressive death metal band from the Okanagan Valley in British Columbia, Canada and consists of drummer/vocalist Bretton Melanson; guitarist/vocalist Matt Johnstone; guitarist/vocalist Jeff Mabb; plus bassist Josh MacDonald. Kickstarted by Johnstone who was looking for an outlet, he approached Melanson and since the material felt right and with their previous history playing together, the ball was rolling. Over a few years, there was a lineup flux, with each additional leaving their mark on the material. Ultimately, they then recruited Mabb as a second guitarist and MacDonald on bass, and working collaboratively, they weave their melodic, groovy death metal.

Looking to avoid the violence and gore tropes that are quite prominent in metal music, they tend to tell stories based on fictional characters, historical events, science fiction, and astrophysics. Each member adds their own flair to the songs, imprinting their distinct influences.

When they hit the stage, the audience is greeted by multiple vocalists that deliver a massive wall of layered sound, integrated sound effects, and a well-thought-out visual element. They played Canada’s prominent Armstrong Metalfest in 2016-2019 and performed alongside bands such as Kataklysm, Origin, Soulfly, and Alestorm. They are releasing their debut album “The Mountain” in 2023.

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ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780 | jon[@]ashermediarelations[.]com
Facebook @AsherMediaRelations | Instagram @AsherMedia | Tweet @AsherMedia
(Rockshots Records, Extreme Metal Music, Armstrong MF, Loud As Hell, Metalocalypstick, Decimate MF, Electric Highway Fest, Wacken Metal Battle Canada/USA, Hyperspace MF, Le FestEvil)

0 ALL ELSE FAILS Presents Music Video For Their Cover Of Death’s “Crystal Mountain” Off “The Incident at Black Lake”

January 12, 2023
by Asher
· All Else Fails · Music News

NEWS RELEASE

Montreal, QC – January 12, 2023

ALL ELSE FAILS Presents Music Video For Their Cover Of Death’s “Crystal Mountain”

New EP “The Incident at Black Lake” Out Now!

L-R: – Coco Lee ( Bass / Vocals ) Nelson Collins – Lee ( Drums ) Barrett Klesko ( Vocals / Guitar ) John Saturley ( Guitar )
Photo Credit – Barrett Klesko – FadeBack Studios United

Canada’s All Else Fails have been working on their latest EP “The Incident at Black Lake” for the last two years and released it this past September. Intended to be listened to as a whole, it is a personal foray into the darkness of depression and the torment of addiction. To round the EP out, the final track is a cover of “Crystal Mountain” originally performed by Death.

According to Chuck Schuldiner, the song deals with the troubles they had with their former neighbours in Florida. Religious bigots, they lived in their ‘crystal mountain’ and stood against everyone else. While attending church regularly they disapproved and criticized all those around them. Schuldiner quips:

“Religion certainly isn’t a bad thing, but if it serves to make somebody feel better while hurting others and then go to church to beseech God for forgiveness on Sunday morning…I guess it doesn’t work very well (laugh).”

All Else Fails shares their thoughts on the track:

“This is a song we love and felt that we could cover faithfully at its core, while adding our own twists to its soundscape, to justify its existence. Lyrically it speaks to religious oppression on a personal and community level.”

Guitarist/vocalist Barrett Klesko wrote his parts while being submerged in the darkest, most distressed headspace he has ever been in resulting in the intensely dark “The Incident at Black Lake”. He cites that through the fog and sensation of reality warping around him, he somehow found clarity in his writing. He thinks this EP is beautiful, there is elegance in darkness; it’s sad because he knows the turmoil and pain it took to write it, and that it’s powerful because it’s the first time he has truly been honest in his music.

Technical, melodic, and haunting, the EP is recommended for fans of Revocation, Soilwork, and Fleshgod Apocalypse.

The video for “Crystal Mountain” can be seen and heard via its premiere on TheCirclePit – https://youtu.be/Fx5mMMgOZy0

The EP “The Incident at Black Lake” was released on September 30, 2022.

“The Incident at Black Lake” is available at Allelsefails.bandcamp.com, Spotify, Apple Music.

Music Video – I, Defiler – https://youtu.be/RwNjIFc6aPY

Music Video – Devour the Sun ft. Seedy Mitchell – https://youtu.be/2npL3dWJifo

Track Listing:
1. I, Defiler (5:48)
2. Devour the Sun (8:24) ft. Seedy Mitchell
3. Flesh /Excess /Wealth (5:36)
4. Crystal Mountain (5:19)
EP Length: 25:09

All Else Fails is:
Barrett Klesko – Vocals, Guitar
John Saturley – Guitar
Coco Lee – Bass, Vocals
Nelson Collins-Lee – Drums

About:

Over the last 15 years, Edmonton, Alberta based award-winning metal band All Else Fails has become a cornerstone of the melodic heavy metal community in Canada. Combining intense riffs, intricate rhythm sections, brutal guttural screams, and melodic yet unusual vocal lines paired with relevant and relatable lyrics, All Else Fails’ message resonates with us all.

Formed in 2006 with the release of their self-titled EP, All Else Fails has gone on to release 9 studio albums, many of which have garnered awards and nominations from across the Canadian music industry and have propelled the band into live performances all over the world, including their massively successful tour of India in 2017.

For the past two years, the band has been hard at work writing their new EP “The Incident at Black Lake.” A deeply personal, brutally honest, and staggeringly complex take on the reality-bending mental struggles of vocalist and founder, Barrett Klesko (The Misfires, The Order of Chaos). The band is filled out by guitarist John Saturley (The Order of Chaos, Skepsis), bassist and vocalist Coco Lee (Eternal Prophecy), and drummer Nelson Collins-Lee (The 21st Agenda, Skepsis). The EP is produced by Bevin Booth of In the Booth Recordings and engineered at The Electric Treehouse in Edmonton, Alberta.

In 2022, the band is returning to their DIY roots by mindfully abandoning their social media and redirecting their energy to contributing to their local metal scene by building a direct personal connection to their fans and followers, living in line with a humanist philosophy and encouraging a culture of support between artists. All Else Fails’ new single “Flesh /Excess /Wealth” drops in early September with the full EP “The Incident at Black Lake” releasing September 30th. Fans can experience their explosive new live show this fall in Western Canada.

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“The Incident at Black Lake might be “just” a four-track EP by All Else Fails, but its 25 minutes of music are absolutely intense and electrifying, proving why they’re undoubtedly one of the most important names of the Canadian Metalcore scene.” – The Headbanging Moose

“The EP itself is a cyclone of melodic metalcore fire, death metal toxicity and progressive imagination revealing ALL ELSE FAILS at their most open, intense and thrilling.” – The Ringmaster Review

“Being dark in nature, it tells the suffering that Klesko was facing and what he was seeing in his head. While very dark at times, it’s mind-bendingly beautiful to see it from this perspective. And I can’t wait to hear what else the band has to offer.” 4/5 – Metal Epidemic

“Canadian band All Else Fails are out with the EP “The Incident at Black Lake”, and this is a production that probably will be of interest to some fans of progressive metal. While a variety of a core based style of metal is at the heart of the proceedings here, the different vocal tones, the changes and alterations over to atmospheric laden and melodic metal, what might be described as thrash metal as well as some quirky instrument movements and expressive arrangement choices does add what I’d describe as a progressive spirit to the proceedings here… If metalcore with an expressive orientation and progressive aspirations sounds interesting to you, this is an EP you might consider becoming a bit more familiar with.” – Progressor
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ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
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0 CRS Find Melodic Death Metal Success With New Single “The Failure”

January 12, 2023
by Asher
· CRS · Music News

NEWS RELEASE

Montreal, QC – January 12, 2023

CRS Find Melodic Death Metal Success With New Single “The Failure”

CRS – L-R – Tavo Ramirez (Drums), Kello Gonzalez (Bass), Kath Danzig (guest vocals) – Hideki Inukai (Guitar), Sir Oz (Vocals), Francisco Oroz (Guitar)
Photo Credit – Carlos Hemosillo

Hailing from Sonora, Mexico, the death metal act CRS started back in 1991, and since then has been cranking out punishing technical riffs, and evil growls. Their beginning influences were in the realm of technical death metal and death metal, but they have always sought out different song structures and embraced fusion. They have a new single featuring guest vocals from Kath Danzig coming out that takes them in a new direction toward the melodic end of the spectrum. “The Failure” talks about how we, as a human race, have failed. Not caring about tomorrow, nor the young ones, we are a failure. A disgrace to intelligence. How there is no empathy, just emptiness. The band explains further:

“CRS has always wanted to be versatile. We want to offer music that we like, we never think about music styles, but about a good metal song. In the case of “The Failure” we made an exception, we did seek to make a “melodic death metal” since we had never done it before, even though we really like that style. The single has an important message, humanity is a failure and it has screwed up the whole planet. Having a female guttural singer as a guest brings an interesting shine to the band.”

CRS has always loved clean guitar passages and melodic guitar solos, so this time we wanted to compose a full-death melodic song, at least their version. It has a comfortable structure, but without losing the intensity that they have come to be known for. It will still be recognizable for current fans and add a new dimension that will intrigue those who are hearing them for the first time.

“The Failure” wasn´t originally for CRS, but they liked it so much that they kept it. They cite that the freshness comes from the freedom in thinking it was for someone else. With both English and Spanish vocals, it stands out among other songs in the genre. It is recommended for fans of Meshuggah, Fear Factory, and Carcass.

Listen to “The Failure” ft. guest vocals from Kath Danzig via its premiere on NoCleanSinging HERE.

For more info: Facebook.com/crsmetalband | Youtube.com/@CRSBAND | Instagram.com/crsmetalband

About: CRS is a Death Metal band from Sonora, Mexico, formed in 1991 with the name Cirrosis by Francisco “Chucky” Oroz and Sir OZ, are the only original members in the current lineup. Due to their technical capacity to adhere to progressive elements and melodic solos, CRS quickly gained notoriety in the local and national scene. Their live performances were characterized by intensity and fury, becoming a cult band. In 1996, “Joseph Lev” joined the band and they recorded their first demo “La Tierra de la Adicción” which was distributed limitedly. In 1999, CRS entered the studio and recorded the album “Reciclando Desesperación” in Spanish, offering a range of different Death Metal styles, highlighting the quality of its production.

In 2001, CRS decided to break up, and its members continued with their personal and professional projects. In 2014, Concreto Records decided to reissue the album “Reciclando Desesperación” describing it as “The maladaptive sound that disturbed a style in Mexico that can currently give lessons to current modern bands”.

In 2019, CRS returned to record their second studio album “The Collector of Truths” with Concreto Records. Two international musicians play as guests in the album, Kevin Talley (Dying

Fetus, Suffocation, Chimaira), on drums, and Linus Klausenitzer (Obscura, Alkaloid) on bass. In September 2020, CRS recorded a Live Session for the Mexican online festival “Moshfest” which became an EP called “Live in isolotation” featuring Kello Gonzalez on bass, who became an official member on December 2021.

In March 2022, they released a new single titled “The enemy has always been me”. In October 2022, CRS played live after twenty years with the Brazilian band Sepultura. On that same date, Hideki Inukai joined the band on the second guitar.

– 30 –

“Where this album shines the most is in its flow. Throughout its eight tracks, CRS manages to build momentum song after song. There are fast parts and great guitar solos aplenty. However, CRS never slip on their songwriting. It’s an album that’s just always in that groovy death zone. Even when tracks like “The Daydreamer’s Nightmare” takes us into a spaced-out, relaxed solo or others like “The Art of Breathing”, that takes the album down a notch, CRS really lose nothing. They manage to bring a lot of out of their sound. Hell, “A Better Place to Hate” and ” “Tan Lejos de Dios (Nowhere.. But Here)” both have some tasty, thrashy bits to open them up.” – Metal Injection

“Now, as we nearly enter a new decade, CRS have returned with a full-length of groove/death metal with a technical spark. This spark comes in the form of shredding guitar solos and guest spots from drummer Kevin Talley on a few songs and Obscura/Alkaloid bassist Linus Klausenitzer on “The Art Of Breathing.” Those two musicians are at such a high skill level that the listener will immediately recognize their work. Their inclusion gives gravitas to the songs they are on, though the group does fine on their own with tunes like the anthemic “Resistencia” and Meshuggah-esque “Asfixia.” – Heavy Music Headquarters

“… Fast forward to now and the band comes roaring back to life on their sophomore effort The Collector of Truths and it’s a love letter to the time they left behind. Industrial bombast, guttural death metal, and melodically progressive strains of genius all play out in equally large parts over the course of these eight tracks” – Nine Circles

“There is a wonderful sense of pervasive evil that dominates the record from tracks like album opener ‘Asfixia’ to ragers like The Daydreamer’s Nightmare. I love this sense of harsh realities and raw brutality. It gives The Collector Of Truths a sense of authenticity, showing that the band emerged from true struggle to birth this record unto the world.” – Two Guys Metal Review

“CRS, or CIRROSIS, a band that plays their own brand of simplistic, mellow Technical Death Metal. Their debut album “The Collector of Truths” is proof that the genre does not need to be as complex as possible in order to be good. You know those albums that just get better as they play? This record is exactly that, the last few tracks forming the peak, the monumental conclusion.” – Metal Temple
–
ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
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0 MALICE DIVINE Assertive Black Metal Comes To The Front With Title Track Off “Everlasting Ascendancy” Out Jan 2023

January 6, 2023
by Asher
· Malice Divine · Music News

NEWS RELEASE

Montreal, QC – January 6, 2023

MALICE DIVINE Assertive Black Metal Comes To The Front With Title Track Off “Everlasting Ascendancy” Out Jan 2023

Driven by a passion for dark, brutal music and the desire to have full creative control, Toronto’s Ric Galvez created his one-man project Malice Divine. He released a self-titled full-length in 2021 and now with the full intention of starting to play live in 2023, the album “Everlasting Ascendancy” is being unveiled. The title track from this release summarizes everything that Malice Divine is about. It has uplifting lyrics, fast tremolo-picked sections, groovy and heavy riffs, epic melodies and solos, and a classical guitar piece that concludes the song. Galvez comments:

“I am very excited to have the title track of the new album “Everlasting Ascendancy” as the second single. This song has some of my most adventurous guitar work to date. It changes riffs frequently and has 5 guitar solos, which is the highest number of solos that I’ve had in one song as of right now. Lyrically the song is also quite personal to me. Essentially the message of the song is that no matter what life throws at me or what I end up going through, I will always come out on top.”

Galvez knew immediately that this track would be the one to finish the album and it is in good company with the other seven tracks, which include fast-paced ragers that will incite mosh pits, to mid-tempo groovy tracks. There are ferocious guitar solos juxtaposed against exceptional classical guitar work. Lyrical themes range from paranormal phenomena to personal growth. It’s a well-rounded offering, with enough diversity to not get stale and enough cohesion to be listened to from front to back without breaking immersion.

The album is a dynamic experience with its blend of different influences that aren’t found in many other bands; powerful and assertive it is recommended for fans of Watain, Thulcandra, and Dissection.

The album title track “Everlasting Ascendancy” can be heard via its premiere on NoCleanSinging HERE.

“Everlasting Ascendancy” will be released on January 27, 2023.

Album Trailer – https://youtu.be/HtpTgxAtE68

Pre-Save the album here: https://distrokid.com/hyperfollow/malicedivine/everlasting-ascendancy-2

Playthrough Video – “Silenced Judgement” – https://youtu.be/1txFo60rUKI

Album Band Lineup:
Ric Galvez – Vocals/Guitars/Bass
Dylan Gowan – Drums (Session)

For more info: Facebook.com/malicedivineband | Youtube.com/malicedivine | Instagram.com/malicedivineofficial

Malice Divine’s sophomore album “Everlasting Ascendancy” is set to be released on January 27th, 2023.

– 30 –

“Whether you’re into death metal, progressive metal, or epic metal, this album ticks all of those boxes effortlessly.” – Powerplay Magazine

“What exactly does Malice Divine bring to the table? Judging from “In Time” alone, the project brings a great cornucopia of gripping riffs, virtuosic soloing, constantly dynamic rhythms, harrowing vocals, and a talent for interweaving variant melodies that turn out to be memorable, as well as an ability to make such kaleidoscopic music both cohesive and catchy. The opening sequence of riffs begins to establish the pattern, shifting from sensations that are slow, dismal, and perilous to spidery and feverish, and then to cold and cruelly deranged. But that’s just the start of this dark but exhilarating piece.” – No Clean Singing

“My time with Malice Divine has shown me that Ric Galvez is a talented vocalist, guitarist, and songwriter, and fans of blackened and/or melodic death metal are highly encouraged to check it out. Malice Divine has planted their flag squarely on my radar, and I’m excited to see what Galvez comes up with on the next go-around.” – Angry Metal Guy

“Black Metal, Thrash Metal, Death Metal thrown into an insane blender of savage brutality\m/ \m/” – Heavy New York

“his self-titled debut is a very guitar-centric slab of Black/Death that sounds like a mixture of Dissection’s melodic sensibility with Skeletonwitch’s relentless energy. The playing is as sharp and precise as you’d expect it to be, and some of the leads are really superior…” – The Metal Crypt

—
ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780 | jon[@]ashermediarelations[.]com
Facebook @AsherMediaRelations | Instagram @AsherMedia | Tweet @AsherMedia(Rockshots Records, Extreme Metal Music, Armstrong MF, Loud As Hell, Metalocalypstick, Decimate MF, Electric Highway Fest, Wacken Metal Battle Canada/USA, Hyperspace MF, Le FestEvil)

0 Quebec City’s UPON YOUR GRAVE Presents Shredding Playthrough “From Beyond” Off New EP “Gold & Decay” – Mixed and mastered by Chris Donaldson (Cryptopsy)

November 28, 2022
by Asher
· Music News · Upon Your Grave

NEWS RELEASE

Montreal, QC – November 28, 2022

Quebec City’s UPON YOUR GRAVE Presents Shredding Playthrough “From Beyond” Off New EP “Gold & Decay”

New EP “Gold & Decay” Out Now! – Mixed and Mastered by Chris Donaldson (Cryptopsy)

L-R – Yan Pelletier (Bass), Sim Diamond (Lead Guitar), Jordan Jolicoeur (Vocals), Sebastien Gagne (Drums), Alex Bussieres (Rhythm Guitar)
Photo Credit: Etienne Dionne (Mute Drummer)

Quebec death metal Upon Your Grave is sharing with fans their latest shredding playthrough for their “From Beyond” off their recently released EP “Gold & Decay” mixed and mastered by producer Chris Donaldson of Cryptopsy. Genuinely aggressive, full of blazing guitar riffs and an insane solo, the playthrough by guitarists Sim Diamond (finalist on Banger TV’s Shredders of Metal Season 1) and Alex Bussieres can be viewed via Slam Worldwide – https://youtu.be/CIwu_ghM2ck

The band adds about the track:

“From Beyond talks about the event of encountering a being naturally bound from outer space, while we first explore those endless confines after discovering space travel. A monstrosity unbound by our human conceptions of organic possibilities. The vocals range has it all in this one. from gutturals to high pitches, following grandiose agencements on guitars and epic melodic riffing providing a satisfying experience for the ears. All culminating in an epic solo for icing on the cake. It’s a song we had fun creating and enjoy it more and more each time we play it.”

Upon Your Grave‘s latest offering features five tracks that each show off the capabilities of this band that has been around since 2009. Over the years, they have experimented with their sound and are now steady and impressive. A live show involves energy, full-on impact with the crowd, funny moments, and overall a tight performance, that is true to the recordings.

Proving that work ethic and perseverance can truly refine a band’s sound to what they had always been striving for, this new release will be a fresh start for great things to come and is only the beginning of a flourishing career.

Upon Your Grave delivers everything discerning metalheads look for on a record, they incorporate crushing vocals blended with catchy melodies, bad-ass guitar riffs, along with memorable solos. The EP is recommended for fans of Daath, Lamb of God, and The Black Dahlia Murder.

The EP “Gold & Decay” is available at Uponyourgrave.bandcamp.com, Spotify.

Music Video – “Supremacy” – https://youtu.be/Wt4kw3d6bTE

Music Video – “Pandora” – https://youtu.be/zukpcrmhwxE

Lyric Video – “Transcend” – https://youtu.be/-BnBzcjmZJ4E

Show Dates:
Dec 10 – La Source de La Martiniere – Quebec, QC (EP launch show)

Track Listing:
1. Revived (0:40)
2. From Beyond (4:57)
3. Pandora (3:04)
4. Supremacy (4:59)
5. Transcend (5.02)
EP Length: 18:01

EP Lineup:
Yan Pelletier – Bass
Sim Diamond – Lead Guitar
Jordan Jolicoeur – Vocals
Sebastien Gagné – Drums
Alex Bussieres – Rythm Guitar

EP Credits:
– ALL SONGS PERFORMED BY : UPON YOUR GRAVE
– ALL SONGS WRITTEN BY : SIM DIAMOND
– PRODUCED BY : UPON YOUR GRAVE
– MIXED BY : CHRISTIAN DONALDSON
– MASTERED BY : CHRISTIAN DONALDSON
– EP ARTWORK BY : MEIKE HAKKAART

For more info:
https://www.facebook.com/UponYourGrave
https://www.instagram.com/uponyourgrave
https://www.twitter.com/UponYourGrave

Quick EPK – https://wp.me/pciNW-i76

About:
Established in 2009, Quebec, Canada-based death metal act, Upon Your Grave, is finally back swinging.

In 2019, at the dawn of the band’s 10th anniversary, Sim Diamond, Alex Bussieres and Jordan Jolicoeur grasped the opportunity given by the lockdown to start writing and rehearsing for a new album. This is their first effort since the Eponym debut album back in 2013. During their time away from Upon Your Grave, each member stayed active by releasing albums with other projects like Vibrant Heels and Universal Minds. Lead guitarist Sim Diamond also got to be part of Sam Dunn’s Shredders of Metal season 1 and made it all the way to the finals in Toronto. Now adding two new members to the mix, Sebastien Gagné on drums and Yan Pelletier on bass, two good friends from the local band Scars Of Disgrace, the band had found their perfect lineup to go forward.

With the help of a successful GoFundMe campaign, the band was able to go record a new EP with Chris Donaldson of Cryptopsy in March of 2022. this collaboration was the perfect fit that would elevate their performances to a more genuine and aggressive sound. Incorporating crushing vocals blended with catchy melodies, bad-ass guitar riffs and memorable solos that remind us of bands such as Daath, Lamb of God, Sylosis and even All Shall Perish.

Gold & Decay proves that work ethic and perseverance can truly refine a band’s sound to what they had always been striving for. This new release will be a fresh start for great things to come and is only the beginning of a flourishing career.

– 30 –

“Kicking off with a forty-second acoustic intro – ‘Revived’ then immediately goes into ‘From Beyond’ which is a chugging banger of a tune with some serious guitar work and loads of double kick drum action. ‘Pandora’ is more aggressive with a riff Slayer would kill for and watch how it slows to a heavy grind halfway through before things get serious again on ‘Supremacy’ which is rapid and vicious with a superb solo from Sim Diamond, reminding of Rob Dukes era Exodus. ‘Transcend’ is not hippy, trippy as the title would suggest instead it’s all-out brutality with a sing-a-long chorus! Only four tracks, five if you count the intro, they don’t hang about, but they contain some excellent tunes. If this is the direction Upon Your Grave is going then they will be at the top very soon. Let’s have some more soon!” – My Global Mind

“If you like your Death Metal to come in many different flavours, then you should really like this EP, from Quebec City’s Upon Your Grave. The band made a wise choice in getting Cryptopsy guitarist, Chris Donaldson to mix and mastered this release as it’s the showcase for their new sound… and far from just testing the waters with this EP, they’ve just set the bar for everything they do going forward. If you want straight down the middle Death Metal, a slightly brutal edge or the more melodic side of the genre, Upon Your Grave pack it all in, in just under 19 minutes.” – Smorg Mag

“Upon Your Grave is still going strong, and their rage remains alive. Gold & Decay allows musicians to return to the forefront of the scene by affirming their aggressive roots.” – Actain Infernalis

“Finishing the tsunami “Transcend” is an absolute tour de force of modern Groove laden Death Metal with chunky riffs, blast beats and a sublime extended solo from Diamond that is worth the admission fee alone. There are no two ways about it, Upon Your Grave need to get back on the road and then back in the studio with Donaldson at the helm because like a Vampire suffers from a bloodlust, we need to hear more from them… [8/10]” – Metal Noise

“UPON YOUR GRAVE has a lot of energy to extinguish throughout their debut, it consists of great ideas and musical diversities. The band’s passion for traditional Melodic Death Metal is noticed and felt, yet their combination of Rock and progression really benefited their efforts even more. This one is highly recommended, get ready to bang your heard.” – Metal Temple

“You can imagine lead axeman, Sim Diamond, stood side-on with bow-legged enthusiasm, holding his guitar in the air as he scrapes the opening notes to ‘From Beyond’. This song demands a video of the band thrashing at their instruments in an autumnal Canadian woodland wearing fingerless gloves. The main rhythm drips with a ghoulish sense of suspense, and the solo will remind you of ‘Painkiller’ by Judas Priest. Imagine a groove metal band covering Morbid Angel with the guttural vocals of Jungle Rot. Indeed, the Wisconsin quartet are the obvious comparison to the new version of Upon Your Grave. They shower you with an abundance of syncopated palm-mutes and tremolo tags to keep you guessing. How often do you wonder if modern Carcass are a death metal version of Kreator? The same observation rears its head here. Sebastien Gagné’s drums enhance the mix with an extra layer of steel.” – Scream Blast Repeat

—
ASHER MEDIA RELATIONS
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0 Out Now! CDN Records Unleashes Canadian Extreme Thrashers KORROSIVE ‘s New Album “Toxic Apokalypse” On CD + Cassette & Vinyl Coming 2023

November 18, 2022
by Asher
· Korrosive · Music News

NEWS RELEASE

Montreal, QC – November 18, 2022

Out Now! CDN Records Unleashes Canadian Extreme Thrashers KORROSIVE ‘s New Album “Toxic Apokalypse” On CD + Cassette & Vinyl Coming 2023

New Music Video “Fatal Strike”

CDN Records has just unleashed Canadian thrashers Korrosive’s latest album “Toxic Apokalypse” on CD, which is available at https://cdnrecords.com/shop/korrosive-toxic-apokalypse/. The full-length was released digitally on October 7th of this year. and will also be available on cassette and vinyl in 2023 with its release to be determined at a later date.

Korrosive is an unapologetic, and high-octane headbanging unit that has crushed many mosh pits around their hometown of Toronto, ON, and beyond having shared the stage supporting well-known acts such as Havok, Venom Inc., Narcotic Wasteland, Voivod, Exciter, and Accept.

Korrosive is known for pushing the boundaries with its roots in thrash and meshing elements from more extreme metal such as death and grind to break down wall after wall that enters their path.

On Korrosive‘s new Album “Toxic Apokalypse”, fans new and old alike, can feel the aural brute-de-force on the eight-track blitz of pounding headbanging fury. Even though each song on the album is quite different in a way from the others, it’s all uniquely Korrosive. Songs deal with topics of science fiction, armageddon, and “what if” scenarios. For each track on the record, the band pushes them to new levels of velocity and extremity, from ‘Fatal Strike’, which has a ton of blast beats and solos, yet is still unmistakably thrash, to ‘Radioaktive Scourge’, filled with pure aggression, unlike anything they’ve released before. From its speed, the lyrics, and the sheer intensity, this song may be the shortest track on the record, but makes the largest impact and it’s over before you know it. And also strongly recommended is ‘Hail the Hellfire’, perhaps the band’s anthem to the entire “Toxic Apokalypse” album. Written as a reflection of the period when the full-length was being composed, this track discusses the brutality of war and the end result of each and every individual involved in its cause, regardless of side.

The band adds:

“We think the fans will be in for quite a surprise. We literally went all out and pushed the limits. It’s a diabolical, fast, unforgiving armageddon. From slow passages, mid-tempo bangers, hyper-fast blast beats, and the occasional odd-time signature, it’s a ride in extreme thrash unlike anything before. Toxic Apokalypse is an album that will hit you hard, fast, and leave you with a ‘what the f*ck just happened?’ feeling.”

Recommended for fans of Sodom, Kreator, Death, and Sepultura, “Toxic Apokalypse” was produced by Ben Erikson with mastering done by Arthur Rizk (Power Trip, Kreator, Cro-Mags, Municipal Waste, Soulfly). The album artwork was created by the infamous Ed Repka (Dark Angel, Death, Hirax, Megadeth, Suicidal Angels, Venom).

Music Video – Fatal Strike – https://youtu.be/9Y-wVSBgRT4

Lyric Video – Radioaktive Scourge – https://youtu.be/9YZc6iJwsLM

Digital – Korrosivemetal.bandcamp.com, Spotify

Vinyl and cassette pre-order links are to be issued at a later date.

Track Listing:
1. Into Nekropolis 05:28
2. Radioaktive Scourge 01:48
3. The Goddamned 04:47
4. Fatal Strike 03:28
5. Libertad y Muerte 05:15
6. Infernal Onslaught 05:10
7. Hail the Hellfire 04:20
8. Karnage Incarnate 07:39
Album Length (37:55)

Album Credits:
• All songs performed by: Korrosive
• All songs written by: Korrosive
• Produced by: Ben Erikson
• Mixed by: Ben Erikson
• Mastered by: Arthur Rizk
• Album Artwork by: Ed Repka
• Music is Canadian Content (MAPL)

Album and Live Band Lineup:
Rad Zarei – Vocals
Jack Neila – Guitars
Kaveh Afshar – Drums
Derek Solomos – Guitars
Carlos Rodriguez – Bass

For more info:
https://www.facebook.com/korrosivethrash
https://www.instagram.com/korrosivethrash

– 30 –

“If you like your thrash metal with a little San Francisco and a nice helping of Germany, then this is the album for you. “Toxic Apokalypse” is already out on CDN Records from Canada and it’s a must for any metal fan who likes it hard, nasty, and ripping off heads! This is easily in my top five metal albums of 2022.” – Pete Altieri, Murder Metal Mayhem

“It’s an album which is relentless, something that any self-respecting thrash fan would want. And yet, there is some balance to the album. It’s paced well, with the tempo picking up again at the tail end of the album” – UK Thrashers

—
ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780 | jon[@]ashermediarelations[.]com
Facebook @AsherMediaRelations | Instagram @AsherMedia | Tweet @AsherMedia
(Rockshots Records, Extreme Metal Music, Armstrong MF, Loud As Hell, Metalocalypstick, Decimate MF, Electric Highway Fest, Wacken Metal Battle Canada/USA, Hyperspace MF, Le FestEvil)

0 Put Away Your Phone and Disconnect In The Pit w/ NARCOTIC WASTELAND’s Crushing New Video “Victims of the Algorithm”

November 17, 2022
by Asher
· Music News · Narcotic Wasteland

NEWS RELEASE

Montreal, QC – November 17, 2022

Put Away Your Phone and Disconnect In The Pit w/ NARCOTIC WASTELAND’s Crushing New Video “Victims of the Algorithm”

Photo Credit – Andrea Roberts

Recently wrapping up their North American tour supporting legendary German speed metallers ACCEPT, Narcotic Wasteland founded by guitarist Dallas Toler-Wade is sharing their assaulting new single “Victims of the Algorithm” with a music video premiere on Decibel Magazine HERE.

The track is a crushing speed storm of death thrash, with its visceral vocals, and a demolishing blast beat war to annihilate the mosh pit. The song is the first time drummer/ vocalist Joseph Howard collaborated with Wade.

“I had the music done for an untitled track that I already recorded in the studio, but I didn’t have lyrics written yet, then Joseph showed me lyrics he wrote called Victims of the Algorithm and after I read them, I knew they were the perfect match for this song. To break it down, Victims of the Algorithm is about a lot of things, but for me, after reading Howard’s lyrics, it’s mostly about putting down our phones and breaking free from this ridiculous round of existence we have created for ourselves. Disconnecting from the daily neurotypical absurdities and enjoying life in the moment.” says Wade.

The music video was created by Kenji Tsunami of Tsunami films. Footage for the video was captured at the Thirsty Axe in Ukiah, CA, and at the band’s rehearsal space in San Francisco, CA.

“I think Kenji really captured our live prowess very well!! It has a very gritty punk rock feel to it, and fits the song and its meaning perfectly,” adds Wade.

“Victims of the Algorithm” will be featured on Narcotic Wasteland‘s forthcoming 2023 album via Megaforce Records (release date to be determined). The single was recorded with engineer, and producer Erik Schultek who is no stranger to the band having recorded drums, engineered and produced their self-titled debut album. The band’s 2023 album will be the follow-up to their sophomore full-length 2017’s “Delirium Tremens”.

Stream for “Victims of the Algorithm” available on https://orcd.co/nwvota

Inspired mostly by thrash metal and classic heavy metal, Narcotic Wasteland is becoming more thrash and speed and less death metal and getting better at writing material that is meaningful and powerful. They are recommended for fans of Vader, Death, The Crown, Autopsy, Pestilence, and Nile.

Previous singles:

“Morality and the Wasp” – https://youtu.be/fXThLKTP-xI

“The Best Times Have Passed” – https://youtu.be/U6kB087hGyY

For more info:

https://www.narcoticwasteland.com
http://www.facebook.com/narcoticwasteland
https://www.instagram.com/narcoticwastelandofficial
https://twitter.com/Narco_Wasteland

About:

Narcotic Wasteland started as a side project Dallas Toler-Wade had been working on the past few years when he was not touring or in the writing/studio with metal heavyweights “Nile.”

‘So I just started writing some songs kind of more in the style of things I was playing before my time in Nile. The more we started working on these demos the more we wanted to complete an album and take it to the stage!!! Our observation of what was going on in parts of the town we grew up in and in other parts of the world fueled a new level of angst for me personally.” DTW

– 30 –

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ASHER MEDIA RELATIONS
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#.514.581.5780 | jon[@]ashermediarelations[.]com
Facebook @AsherMediaRelations | Instagram @AsherMedia | Tweet @AsherMedia
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