Tag: album

0 Rockshots Records – DREAMYTH Unveils Title Track “Aletheia” ft. Herbie Langhans (Firewind, Avantasia) Off Forthcoming Mythology Album Out April 2023

January 26, 2023
by Asher
· Dreamyth (Rockshots Records) · Music News

NEWS RELEASE

Montreal, QC – January 26, 2023

Rockshots Records – DREAMYTH Unveils Title Track “Aletheia” ft. Herbie Langhans (Firewind, Avantasia) Off Forthcoming Mythology Album Out April 2023

Rockshots Records is proud to announce their signing of Spanish power melodic metal Dreamyth for the release of their debut album “Aletheia” on April 14, 2023. Combining heavy riffs, epic and majestic orchestrations, modern synths, and stunning vocal and harmonies with finesse like no one else, the band delivers high caliber album with special guests Ralf Scheepers (Primal Fear), Herbie Langhans (Firewind, Avantasia), Bob Katsionis (ex-Firewind) and Eduardo Guilló (Sun of the Dying, Crusade of Bards). Dreamyth intends to conquer the heart of metal fans all around the world.

Formed in 2020 by guitarist and composer Adrián Carrero (Crusade of Bards) and drummer David Macarrilla. Dreamyth crafted its name by combining the words “Dream” and “Myth”, which they described as “a new world beyond imagination where its Myths and legends are real”. Andrea Carrero completed the core of the project after singing on all the song demos (released and unreleased). Soon after they were joined by Paolo Andreotti (Crusade of Bards) and second vocalist Dani G.

Band co-founder Adrián Carrero’s passion for classical history and culture, especially his stories about mythology in different cultures influences the lyrics that accompany the band’s compositions. Everything takes place in a new world where they are the Gods, Aletheia.

The concept album transports fans to a new world “ALETHEIA”, and the myth and legends that surround it are sometimes approached from a philosophical point of view.

“The idea was born from the need to give a new approach to the way of telling the myths of our world. Over the years, these stories derived from cultural traditions or legends, which have a deep symbolic meaning and usually involve a lesson, have been shared in different ways and have always generated a certain curiosity and inspiration in society. Luckily, there are tons of myths and legends and often many variations of the same core story between different cultures.” adds Adrián Carrero.

This first album focuses on the creation of this new world and its beginning, giving rise to a polytheistic culture where the band members are the most revered Gods with different attributes. In this approach, the band makes its own reinterpretation of some classical myths (including references to some of the most famous Greek mythologies) mixed with different personal experiences and concerns. With two lead vocals, the record brings a constant contrast, giving more life to the melodies and strengthening specific parts with numerous backing vocals. Apart from them, the first-class guests bring much more musical variety, and metal fans will be surprised and in their comfort zone at the same time with this album. Epic and catchy melodies mixed with a powerful instrumental background.

The musical composition of the album is clearly influenced by the great power metal and symphonic groups, some of the band members’ favorite genres. “Aletheia” incorporates flourished power, pop, metal, and rock songs combined with incredible storytelling of a mythical, and unique world filled with wonderful shades of “light in the dark.” On it, you can see a lot of guitars with doubled melodies, keyboards interacting with these melodies, epic orchestrations with a high level of detail, a lot of contrasts… music with a big amount of different sounds, from intimate ballads with only acoustic instruments to furious riffs leading to epic or darkness places.

Adrián Carrero adds, “The band and I are so excited to bring you the first chapter of our story! We’ve been working really hard on all this music, making the stories connect and the music itself reflect the plot of each. It’s definitely the most time we’ve spent on a musical project and the first time I’m leading all the work, from the first song ideas to the lyrics. We hope people enjoy it as much as we did forging it.”

The band’s first single to unveil off the debut full-length is the title track, which features Herbie Langhans (Firewind, Avantasia).

“This tune was one of the first songs to stay in our head, and soon in yours too, one of the songs that undoubtedly had to be on the album. Melodic, heavy with a dose of epic choruses but simple. It was always one of our favorites, but thanks to Herbie Langhans and his outstanding performance he has elevated it to a level that is hard to beat. We think we have all managed to capture in it our strength, desire, and enthusiasm for this new adventure we are starting.” says Adrián Carrero.

Listen to “Aletheia” ft. Herbie Langhans (Firewind, Avantasia) at the following links:

Dreamyth is recommended for fans of Avantasia, Firewind, and Beast in Black.

Album pre-order – https://bit.ly/AletheiaCD

Track Listing:
1. Creatio Ex Nihilo (Intro) – 1:10
2. Odyssey – 4:02
3. Aletheia – 5:03
4. In this Nightmare – 4:27
5. The Curse of the Erinyes – 3:55
6. Dreamland – 6:18
7. Firelove – 7:22
8. Fairytale – 4:55
9. My Delight – 4:55
10. Down to the Moon – 5:19
11. In Aeternum (Outro) – 2:27
12. Cuento de Hadas (Bonus track) – 4:56
Album Length: 54:54

Album Credits (music, cover/art, production):
MUSIC by Adrián Carrero
PRODUCED by Adrián Carrero and Dani G
ARTWORK, LOGOTYPE, SYMBOL and SLEEVE DESIGN by Gustavo Sazes
PHOTOSHOOT by NAT ENEMEDE (Make Up by YOLUANA)
SPECIAL GUESTS
RALF SCHEEPERS vocals on “DREAMLAND”
HERBIE LANGHANS vocals on “ALETHEIA”
EDUARDO GUILLÓ growl vocals on “ODYSSEY” and “THE CURSE OF THE ERINYES”
BOB KATSIONIS keyboard solo on “DREAMLAND”

For more info: Rockshots.eu | Instagram.com/dreamyth.official | Facebook.com/DreamythOfficial | Twitter.com/Dreamyth_ | Tiktok.com/@dreamythofficial

About: Dreamyth is a Spanish power melodic metal project officially created in 2020 by Adrián Carrero and David Macarrilla. They crafted the name by combining the words “Dream” and “Myth”, which they described as “a new world beyond imagination where its Myths and legends are real”. Andrea Carrero completed the base of the project after singing all the song demos (released and unreleased).

Combining heavy riffs, epic and majestic orchestrations, modern synths, and stunning vocal and harmonies with finesse and like no one else, delivered with high production values and first-class guests like Ralf Scheepers (Primal Fear), Herbie Langhans (Firewind, Avantasia) and Bob Katsionis (ex-Firewind), Dreamyth intend to conquer the heart of the metal fans all around the world.

“Do you think you know all the tales? Maybe not… not in this world. Ladies and gentlemen, welcome to the Dream Show, welcome to my land, please, welcome… To Dreamyth”

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—
ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780 | jon[@]ashermediarelations[.]com
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(Rockshots Records, Extreme Metal Music, Armstrong MF, Loud As Hell, Metalocalypstick, Decimate MF, Electric Highway Fest, Wacken Metal Battle Canada/USA, Hyperspace MF, Le FestEvil)

0 Bravewords Presents Medevil’s “Among Thieves” Off Upcoming “Mirror In The Darkness” Out April 2023

January 25, 2023
by Asher
· Medevil · Music News

NEWS RELEASE

Montreal, QC – January 25, 2023

Bravewords Presents Medevil’s “Among Thieves” Off Upcoming “Mirror In The Darkness” Out April 2023

L-R – Brett Gibbs (Guitar) | Eric Wesa (Bass) | Liam Collingwood (Vocals) | Chris Malcolmson (Drums) | Gary Cordsen (Guitar)

Photo Credit: Matthew Collingwood

Medevil is a highly energetic, fast-paced metal band known for its tight songwriting, intense stage presence, and roaring vocals. Back in 2016, they released their debut album “Conductor of Storms” and this year they are following it up with “Mirror In The Darkness”, which is dedicated to their late drummer Chris Malcolmson whose drums are recorded on the album. Their first single is “Among Thieves”, a straight-shooting thrashy metal song – with some interesting twists – that bridges the gap sonically between the two albums. Fans of the first album should appreciate this song. A triplet feels with unrelenting riffs, and catchy bass lines, that are brought to life through Liam Collingwood’s vocals and lyrical themes relating to greed, and stealing time (whether your own or someone else’s). The band comments:

“We are extremely excited to put this one out as the first taste of the new album. This song is definitely the thrashiest, which should connect a lot with people who enjoyed “Conductor of Storms”. It has probably the toughest riffs on the album, with all the riffs and layout here written by Gary, and keeps the energy high throughout. We feel like it’ll be a fan favourite live since there are some sections that are easy to chant, and the time changeup keeps it feeling interesting near the end. The lyrics talk about the greed living around us all, from any era, whether is financial greed or stealing someone’s time away from them.”

“Mirror In The Darkness” definitely has its singles that can be pulled out and enjoyed individually, but Medevil suggests that the best way to get the intended listening experience is to play it front to back in a sitting. They spent a lot of time considering the flow of the album, from fast and energetic to dark and brooding, so there is a lot of variety that will come from a fully engaged listen.

Progressive and powerful, Medevil is recommended for fans of Mastodon, Metal Church, and Accept.

Listen to “Among Thieves” via its premiere on Bravewords HERE.

“Mirror in the Darkness” comes out on April 7, 2023.

Album teaser – https://youtu.be/ljUlC7DPt40

Album pre-order – https://medevil.bandcamp.com

Upcoming Events:
March 24 – Chilliwack, BC – Flashback Brewing Co. (Album Listening Party)
April 13 – Vancouver, BC – Fox Cabaret – Hyperspace Metal Fest – info

Track Listing:
1. Dead Before Birth (6:18)
2. Among Thieves (5:00)
3. Pray for Me (6:35)
4. The Signal (7:22)
5. Smoke and Mirrors (1:48)
6. Weight of the Crown (4:18)
7. Mirror in the Darkness (8:31)
8. Gateways (2:41)
9. Veiled (3:56)
10. No Peace in Rest (9:23)
Album Length: 55:58

Album Recording Lineup:
Liam Collingwood – Vocals
Gary Cordsen – Lead Guitar
Brett Gibbs – Rhythm Guitar, Lead Guitar & Backup Vocals
Eric Wesa – Bass & Backup Vocals
Chris Malcolmson – Drums

For more info: Facebook.com/medevilband | Twitter.com/MedevilMusic | YouTube | Instagram.com/medevilofficial

About: Medevil is a highly energetic, fast-paced metal band known for its tight songwriting, intense stage presence, and roaring vocals. They are one of the few metal bands coming out of Chilliwack BC and hold that title proud as they have earned much praise and respect since their inception in 2014. As one of the 6 national finalists of the 2015 Wacken Metal Battle Canada, they are becoming more and more renowned throughout the country; their fame attaining them a following in their local town and across through to Vancouver.

Their music could be described as “power thrash” with half of their set being chorus-driven, and the other half focusing on blistering fast riffs. Influences for the band include Iron Maiden, Megadeth, and Metal Church. Their fast but catchy songs keep the crowd chanting throughout the set, and leave them wanting more. Liam Collingwood, the band’s singer, keeps the band image in theme with the songs while on stage and will wear thematic outfits when the mood demands it.

The band was founded on January 13, 2014, by Eric Wesa (bass), as well as brothers Liam (vocals) and Ross Collingwood (drums). It only took two months after the band’s inception before the boys found the ultimate guitar duo they were looking for, Gary Cordsen and Brett Gibbs. Once the lineup was solidified, they wasted no time performing shows and begin their musical journey. As a band, Medevil has two common goals; to explore their musical talents, and continue performing live for their fast-growing fanbase.

– 30 –

“Perfectly situated to please fans of classic heavy metal, Conductor Of Storms is very strong debut from the young Medevil.” – The Monolith (2016)

“Rejoice metalheads! Chiliwackian power thrashers, Medevil, has created a top-notch debut full-length album entitled Conductor Of Storms”. – Bravewords (2016)

“Play it loud, play it fast as heavy metal world has found another new soldier to carry on the flag in the form of “Medevil”” – Planet Caravan (2016)

“Conductor of Storms is one of the most complete, fully-formed and damn near perfect debut albums I’ve ever heard from a young heavy metal band. Tracks like Escape – a blustering, no-holds-barred mashup of Metal Church, Megadeth and Overkill – are just so mature, so faultlessly executed and so, well, heavy metal, it beggars belief that they are not being delivered by a band that’s been in the game for thirty years.” – Sentinel Daily (2016)

“Riding out of the cold wastes of western Canada on warhorses of steel comes Medevil with their amazing, self-released debut album Conductor of Storms. Bruising Traditional Heavy Metal is what these guys play and they play it well. Monstrous riffs and pounding, organic drums underscore the powerful vocals and intricate solos. The band has a taste for things epic, so no love songs or cliché odes to the Metal lifestyle here.” – Metal Crypt (2016)

0 Minimalist Drone Collides With Dreary Doom In “Wither” Off THEY GRIEVE’s New Album “To Which I Bore Witness” Out Feb 2023 via Silent Pendulum Records

January 25, 2023
by Asher
· Music News · They Grieve

NEWS RELEASE

Montreal, QC – January 25, 2022

Minimalist Drone Collides With Dreary Doom In THEY GRIEVE’s “Wither”

New Album Out Feb 2023 via Silent Pendulum Records

Produced by Topon Das (F*ck The Facts)

Photo Credit – Nick Shaw

“To Which I Bore Witness” is the second release from Canada’s post-metal duo They Grieve. Intended to be an introspective journey, it is meant to be depressing. The listener will be confronted with sad, loud music that’s not meant to cross into anger. The latest single is “Wither”, the album opener, which happened to be written twice. The band explains in detail:

“The decision to scrap the original version in its entirety was anxiety-inducing at first, but clearly feels like the right decision now that everything is said and done. We spent a lot of time fine-tuning the last half of the song, and the ending was one of our favourite parts to write—in fact, it is still one of our favourite parts to play live. Writing this song really forced us to get more comfortable with not only using samples in a live context, but also with blending and balancing tones and dynamics at the same time to ensure everything hits in the right place. Without our electronics, we would need 5 or 6 guitarists to pull this off on stage.”

The band’s first EP was written quickly out of excitement for their new project. At first, they didn’t quite know what the band would end up being. Since then they have honed their sound and that is reflected in this new offering, which listeners will find more refined and nuanced. They slowed down, got heavier, leaned more into their drone, minimalist, and doom influences, and steered away from the colder, noisier moments on the first EP. They also note that the production level is much better thanks to Topon Das (F*ck The Facts) at Apartment Two Studio along with mastering done by Dave Williams at Eight Floors Above and additional tracks recorded by Alex Jakimczuk at Uppercut Studios. The album artwork was done by Pascale Arpin.

They Grieve took a long time to fine-tune these songs. Several of them were completely finished and even performed live before they eventually re-wrote them from the ground up. They actively collaborate on each song leaning into their individual strengths.

Self-described as tense atmospheres and sad riffs, “To Which I Bore Witness” and the single “Wither” is recommended for fans of Bell Witch, Thou, and Year of No Light. The album is being released on February 24, 2023, via Silent Pendulum Records.

Watch and listen to the video for “Wither” via its premiere on DoomedandStoned HERE.

Digital pre-save – https://distrokid.com/hyperfollow/theygrieve/wither

Album pre-order:

– https://silentpendulumrecords.com/products/they-grieve-lp

– https://silentpendulumrecords.bandcamp.com/album/to-which-i-bore-witness

Music Video – “To Which I Bore Witness” – https://youtu.be/MV5DMP0rERE

Album teaser – https://youtu.be/I2x696h8LCw

Track Listing:
1. Wither (7:12)
2. Under the Weight (7:23)
3. If Light Should Appear (7:00)
4. To Which I Bore Witness (6:43)
5. Guided (3:18)
6. Weakness (8:01)
Album Length: 39:40

Album Band Lineup:
Gary Thibert: Guitars, Bass, Vocals
Deniz Güvenç: Drums, Synthesizers, Piano, Vocals

Album Recording Credits:
• All songs performed by: Deniz Guvenc & Gary Thibert
• All songs written by: Deniz Guvenc & Gary Thibert
• Produced by: Topon Das at Apartment 2 Studios
• Mixed by: Topon Das at Apartment 2 Studios
• Mastered by: Dave Williams at Eight Floors Above
• Album Artwork by: Pascale Arpin
• Additional tracks recorded by Alex Jakimczuk at Uppercut Studios

For more info:
www.facebook.com/theygrieve
www.instagram.com/theygrieve

About: They Grieve is a two-piece doom, drone, and post-metal band based in Ottawa, Canada. Drawing influence from both minimalist ambient music and down-tempo metal, they blend warm synthesizers, electronics, and lofty guitar drones into mournful hymns and monolithic dirges with urgency, tension, and weight.

Members Gary Thibert and Deniz Güvenç formed They Grieve in 2015 with the intent to experiment with new forms and processes for songwriting, collaboration, and improvisation. Their first EP, I Made My Sacrifice Accordingly, was self-recorded and self-released in late 2016. In 2018, it was re-released with an added bonus track and accompanying music video through Transcending Records.

They Grieve are set to release their first full-length album entitled To Which I Bore Witness. Recorded at Apartment 2 with Topon Das of Fuck the Facts, this album presents a marked change in the band’s sound. Moving away from the harsh-noise influence on their first album, To Which I Bore Witness unveils a much more refined approach to texture and atmosphere while simultaneously shifting to a slower, heavier pace.

Employing a nuanced sense of harmony, the result is an emotional, dynamic, and doom-laden take on post-metal.

– 30 –

“In the song (To Which I Bore Witness) itself, the music lumbers like a wounded leviathan, staggering ahead with terrific heaviness through corrosive chords and pounding drums — and unexpectedly, it also gets significantly louder, all the better to crush the listener into submission. Enhancing the daunting atmosphere of the music, the vocals scar the senses with harsh howls of ruinous torment, and a guitar wails in bitter grief. Suddenly, just as the video’s protagonist lands on a barren beach (to meet her other self), the music dramatically changes. A slow piano melody ethereally rings in moody but mesmerizing fashion above a humming bass and steady beats. That interlude only seems to magnify the bruising impact of what follows it. The piano still rings, but the rough reverberations that surround it abrade like heavy-grit sandpaper, and the screams reach new heights of harrowing intensity. The drums boom, the chords scrape and moan, the feeling of immense desolation becomes staggering. The protagonist buries the box she removed from within forest roots and wanders away, alone.” – No Clean Singing

“As you can probably imagine from the song titles, They Grieve are not a happy band. The duo infuse a lifetime’s worth of depression and darkness into their music, drawing inspiration from acts like Grieve, Amarok and Burning Witch.” – Decibel Magazine (All That a Body Can Suffer off I Made My Sacrifice Accordingly)

“[…] a surprisingly nuanced take on sludge metal.” – Dreams of Consciousness

“Previously I had compared the music to an introspective journey. This feels more like sinking into quicksand.” – Metal Trenches (I Made My Sacrifice Accordingly)

0 ODINFIST’s Conjures Up Heavy Metal Magic In “Metalmancer” Off Upcoming “Remade In Steel” Out March 2023

January 23, 2023
by Asher
· Music News · Odinfist

NEWS RELEASE

Montreal, QC – January 25, 2023

Odinfist Conjures Up Heavy Metal Magic In “Metalmancer”

New Album “Remade In Steel” Out March 2023

Hailing from British Columbia’s Okanagan Valley in Canada, Odinfist is a high-flying, guitar-playing, crowd-chanting traditional heavy metal band that’s been around for 16 years, bringing elements of power metal, thrash metal, and the new wave of British heavy metal together. They’ve already amassed seven albums and now they are adding “Remade In Steel” to their impressive discography. The second single they have coming at ya in advance of the album is “Metalmancer”. Drenched in classic 80s metal riffs with some hair metal influences in the verses, the lyrics describe a protagonist as they’re being exposed to new ideas and how they can forge a new path in life. The guitar solos are fucking sick, boys, Odinfist explains, they continue:

“This one is unique because it has completely different riffs for the first verse and second verse, and both riffs make a reappearance at the end of the song. The chorus is a pretty simple, but driving riff, with one of Justin’s patented melodies over top. There’s a big, stompy, half-time feel breakdown in the middle that leads into a gnarly solo section. While the song structure isn’t totally conventional, it’s still a catchy, rockin’ tune with a melodic, shout-along chorus.”

The band continues to share that over the course of their musical careers, they’ve always prioritized making music that they enjoy and want to listen to first. Each album is a snapshot of where they were mentally, creatively, and socially– but they’ve always wanted to explore new spaces within the genre and try to push into places they hadn’t been before. “Remade in Steel” is true to Odinfist’s roots in traditional heavy metal, offering its listeners the same energy and sound that they’ve come to expect from the band, but still shows off the band’s love for discovery.

Listen to “Metalmancer” via its premiere on Metal-Rules HERE. 

A smorgasbord of different metal genres across six heavy metal tracks, “Remade In Steel” is recommended for fans of Riot City, Eternal Champion, and Cauldron. the album is due out on March 10, 2023, and is available for pre-order at https://odinfist.bandcamp.com/album/remade-in-steel

Previous single: “Riffmaster” – https://youtu.be/uJyYAEJxxvY

Track Listing:
1. Riffmaster – 6:28
2. Metalmancer – 4:36
3. Remade in Steel – 5:16
4. Allfather – 6:52
5. Deadline – 5:16
6. Masquerade – 8:34
Album Length: 37:02

Album Recording Credits:
• All songs performed by: Odinfist
• All songs written by: Odinfist
• Produced by: Shane Bouthillier
• Mixed by: Shane Bouthillier
• Mastered by: Shane Bouthillier
• Album Artwork by: Art of Grimmuza
• Canadian Content (MAPL)

Album and Live Band Line Up:
Tyler Anderson – Lead Vocals and Guitar
Bradley Caulien – Drums
Justin Ketterer – Guitar and Backing Vocals
Jesse Valstar – Bass

For more info: Facebook.com/Odinfist | Instagram.com/odinfist.official

About: Odinfist has been bringing heavy metal to the Okanagan Valley for sixteen years, and has participated in a variety of major shows and festivals across Western Canada. They have played with a variety of other bands such as Kataklysm, Thor, 3 Inches of Blood, etc. Members of Odinfist are also very involved with the Okanagan Metal scene. The band is all about fun, melodic heavy metal that you mosh, party, or just have a good time to, with a relentlessly energetic and entertaining live show.

– 30 –

“…pure and hard Heavy Metal, from the old school, in the purest style of IRON MAIDEN, JUDAS PRIEST, and other bands of the well-known NWOBHM…” – Necromance Magazine

“Odinfist has a damn good grasp on the metal jugular without ruining the authenticity of the medium.” – Metalpsalter

“They capture the old school sound better than most of the competition, without a doubt” – Foul Feast Webzine

0 Out Now! Prepare For OUR LAST CRUSADE’s New Groovy Deathcore Album “Death Wins”

January 20, 2023
by Asher
· Music News · Our Last Crusade (Shattered Earth Records)

NEWS RELEASE

Montreal, QC – January 20, 2023

Out Now! Prepare For OUR LAST CRUSADE’s New Groovy Deathcore Album “Death Wins”

L-R: Our Last Crusade Current Line Up | Keifer Hicks (Bass) | Adrian Parcioaga (Vocals) | Brady Schmidt (Guitar) | Kyle Prusky (Guitar)
Photographer Credit: Jared Prusky

Our Last Crusade hails from Calgary, Alberta, Canada, and utilizes extended-range instruments to craft its take on modern deathcore. They have their third album “Death Wins” ready for listeners and the band suggests that it is their most complete work to date with a dialed-in sound that should see fans moshing in their living rooms.

“Death Wins” is a compilation of stories (either from books, movies, mythology, or original fiction that vocalist Adrian Parcioaga came up with) in which humanity in some shape or form is trying to defeat, control, or master death, trying to outwit their own mortality, but in each case death inevitably wins. Sonically, you’ll hear the Our Last Crusade signature sound – modern, punchy, percussive guitars, ambient leads, with plenty of grooves, breakdowns, and riffs galore. The band shares what fans can expect:

“Our sound has constantly been adapting and evolving and each album we release has an identity of its own. Death Wins is no different in that regard, but our writing feels much more mature on this effort as we had a large period of experimentation during the covid pandemic which allowed us to branch out and explore what we really wanted to define ourselves. This album feels much more emotive, the vocals at least aren’t heavy for the sake of heavy anymore, they have purpose and you can feel the emotions expressed within. We’ve introduced more energy, more melody, and more diversity in our latest offering, tying the tracks together with a common theme and allowing ourselves the time to be fully satisfied with the end result.”

Our Last Crusade pride itself on putting on a bombastic, frenetic live performance full of unrivaled energy, whether it’s to ten people or hundreds, they have always left an impression on the stage and made their presence known. The album was mixed, mastered and produced by guitarist Kyle Prusky at Apex Audio, Parcioaga helped produce it and also did the album artwork. It is recommended for fans of August Burns Red, After The Burial, and The Acacia Strain.

“Death Wins” is out as of January 20, 2023 via Shattered Earth Records, and can be heard in full via TheCirclePit – https://youtu.be/7VgxId6zSD8

Digital – http://www.linktr.ee/OurLastCrusade

Music Videos:

Track Listing:
1. Heatvision [feat. Terence Thiessen] – (4:12)
2. Deathbound [feat. Beau Danger] – (4:06)
3. Thulcandra – (3:39)
4. Purified – (3:38)
5. Nomad [feat. Cory Halvorsen] – (4:26)
6. Martyr Market [feat. Benjø Agustin] – (3:25)
7. Flowerhead – (4:40)
8. For the World is Hollow and I Have Touched the Sky – (3:54)
9. VØID CVLT – (4:32)Album Length: 36:34

Our Last Crusade is:
Adrian Parcioaga – Vocals
Brady Schmidt – Guitar
Keifer Hicks – Bass
Kyle Prusky – Guitar

Album Recording Credits:
• All songs performed by: Adrian Parcioaga, Brady Schmidt, Keifer Hicks, Kyle Prusky
• All songs written by: Adrian Parcioaga, Brady Schmidt, Keifer Hicks, Kyle Prusky, Samuel Bassani, Steven Swanky
• Produced by: Kyle Prusky at Apex Audio, Adrian Parcioaga
• Mixed by: Kyle Prusky at Apex Audio
• Mastered by: Kyle Prusky at Apex Audio
• Album Artwork by: Adrian Parcioaga
• Member of SOCAN
• Canadian Content (MAPL)

About: Our Last Crusade hails from Calgary, Alberta, Canada, and utilizes extended-range instruments to craft its take on modern deathcore. With influences from the local hardcore sound the area is known for, and inspirations such as After The Burial, The Acacia Strain, and The Black Dahlia Murder, the band has constantly shifted and has never been afraid to experiment, resulting in a sound that is hard to fit into a single box. Our Last Crusade pride itself on putting on a bombastic, frenetic live performance full of unrivaled energy, whether it’s to ten people or hundreds, they have always left an impression on the stage and made their presence known. Having conquered the local scene for the past decade, the band recently went out on their first tour through British Columbia and seeks to expand their reach far beyond through their signing to the new record label Shattered Earth Records. “We want to play the music we love for as many people as possible. This is our crusade.”

– 30 –

Unsubscribe | Update your profile | Montreal, QC

0 Canada’s NOMAD Combine A Ballad With Groovy Death Metal In “Revolution” Off “The Mountain” Out March 2023; Mastered by Christian Donaldson (Cryptopsy)

January 16, 2023
by Asher
· Music News · Nomad

NEWS RELEASE

Montreal, QC – January 19, 2022

Canada’s NOMAD Combine A Ballad With Groovy Death Metal In “Revolution” Off “The Mountain” Out March 2023

Mastered by Christian Donaldson (Cryptopsy)

L-R – Josh MacDonald (Bass), Matt Johnstone (Guitar/Vocals), Bretton Melanson, (Drums/Vocals), Jeff Mabb (Guitar/Vocals)
Photo Credit – Chris Geistlinger

Nomad is a progressive death metal band from British Columbia’s Okanagan Valley in Canada who are excited to finally be releasing their debut album “The Mountain” this coming March. “Revolution” is the second single off the album and it is their most dynamic offering, featuring clean vocals and harmonies for the first half with a crushing ass kicking at the end. It’s a call to action, a challenge to take making the world a better place into your own hands. They comment on the track:

“The first half is our “ballad” with clean vocals, and the second half is rocking out to one hell of a sludge/groove riff, start light, go heavy, it’s kind of our “One”. The lyrics call for a revolution, a societal change, redistribution of wealth, symbiosis with nature, and to stop messing up the damn planet so our kids have a decent world to live in. The album title comes from the final line of the song, and the “fuck you” is directed to those that put profits over the preservation of our planet.”

Nomad is still early in their career and has cycled through different singers who have each brought their own style to the table and impacted the music in their own ways. Their new shared vocals setup, where three of the four musicians are vocalists, really lets them combine different styles taking the best of what they’ve had in the past from an old-school raw sound to a more refined modern sound.

The progressive melodic groove/death metal is recommended for fans of Lamb of God, Pantera, and Sepultura.

Listen to “Revolution” via its premiere on NoCleanSinging HERE.

“The Mountain” is due out on March 3, 2023, and was mixed by drummer Bretton Melanson and mastered by Christian Donaldson (Cryptopsy). It is recommended for fans of Gojira, Lamb of God, and Pantera.

Album pre-order (CD, Digital) – Nomadbc.bandcamp.com

Previous single – “Burning Alive” – https://youtu.be/N4uKBAfxc4c

Track Listing:
1. Burning Alive (4:30)
2. Haunted (6:00)
3. Revolution (6:05)
4. Relentless (6:09)
5. A Lonely Wanderer (5:08)
6. Blood Moon (9:40)
7. Rise in the Fall (6:20)
8. Processor (6:56)
9. Choke (8:52)
Album Length: 59:38

Album Credits:
– All songs written and performed by Nomad.
– Additional writing contributions by past members:
Kasey Klassen
Lorne Valliers
Dylan Heska
Justin Kleinsasser
– Mixed by Bretton Melanson
– Mastered by Christian Donaldson
– Album Artwork by: Angela Grimmuza/ Art Of Grimmuza
– MAPL – Canadian Content

Album and Live lineup:
Bretton Melanson: Drums/Vocals
Matt Johnstone: Guitar/Vocals
Jeff Mabb: Guitar/Vocals
Josh MacDonald: Bass

For more info: Facebook.com/nomadmetal | Instagram.com/nomadbandbc

About: Nomad is a dynamic, progressive death metal band from the Okanagan Valley in British Columbia, Canada and consists of drummer/vocalist Bretton Melanson; guitarist/vocalist Matt Johnstone; guitarist/vocalist Jeff Mabb; plus bassist Josh MacDonald. Kickstarted by Johnstone who was looking for an outlet, he approached Melanson and since the material felt right and with their previous history playing together, the ball was rolling. Over a few years, there was a lineup flux, with each additional leaving their mark on the material. Ultimately, they then recruited Mabb as a second guitarist and MacDonald on bass, and working collaboratively, they weave their melodic, groovy death metal.

Looking to avoid the violence and gore tropes that are quite prominent in metal music, they tend to tell stories based on fictional characters, historical events, science fiction, and astrophysics. Each member adds their own flair to the songs, imprinting their distinct influences.

When they hit the stage, the audience is greeted by multiple vocalists that deliver a massive wall of layered sound, integrated sound effects, and a well-thought-out visual element. They played Canada’s prominent Armstrong Metalfest in 2016-2019 and performed alongside bands such as Kataklysm, Origin, Soulfly, and Alestorm. They are releasing their debut album “The Mountain” in 2023.

– 30 –

0 Rockshots Records – Return To AVALAND – New Album “The Legend of the Storyteller” ft. Guests From TSO, Edguy, Sortilège Out March 2023; Streaming First Single “Crimson Tyranny”

January 16, 2023
by Asher
· Avaland (Rockshots Records) · Music News

NEWS RELEASE

Montreal, QC – January 16, 2023

Rockshots Records – Return To AVALAND – New Album “The Legend of the Storyteller” Out March 2023

Streaming First Single “Crimson Tyranny”

Album Guests Zak Stevens (ex-Savatage/TSO), Madie (ex-Nightmare/Faith In Agony), Pierre “Cara” Carabalona (Eltharia),
Ivan Castelli (Lionsoul), Angèle Macabiès, Jens Ludwig (Edguy), Bruno Ramos (Sortilège/ex-Manigance)

The mystical world of Avaland returns in 2023 with the fantasy symphonic power metal band’s sophomore full-length “The Legend of the Storyteller” due out on March 31st, 2023 via Rockshots Records following their 2021 debut “Theater of Sorcery”.

Compared to its predecessor, “The Legend Of The Storyteller” is heavier and is a much more epic power metal record full of anthems upon anthems for fans to chant to as they are taken on a journey over twelve theatric tracks. The record also hears double vocal duties from Adrien G. Gzagg and Jeff Kanji along with album guests that include Zak Stevens (ex-Savatage/TSO), Madie (ex-Nightmare/Faith In Agony), Pierre “Cara” Carabalona (Eltharia), Ivan Castelli (Lionsoul), Angèle Macabiès, Jens Ludwig (Edguy) and Bruno Ramos (Sortilège/ex-Manigance).

Lead by Adrien G. Gzagg (Autor/Composer/Lead Singer/Synths and Orchestrations), the album’s storyline is aprequel to the band’s first album “Theater of Sorcery” as he explains further:

“This album, as the first one, is a journey, a trip out of our world, into the universe of Avaland. We enjoy seeing Avaland as a great saga, as a movie, or series. We feel like listening to Avaland is like watching Game Of Thrones, The Lord Of The Rings, or reading comics, it’s an escape from everyday life. For this album, we took a lot of inspiration from Game Of Thrones and Arthurian Myths. We love fantasy and mythologies and we also find ourselves having a great fascination for alchemy and esoterism. Time is also a great subject, it’s mystical… in fact, time will be at the center of this saga. This new opus is showing a heavier and darker atmosphere of Avaland’s theatrical universe. Are you ready to be part of “The Legend Of The Storyteller”?”

Avaland‘s first single in support of “The Legend Of The Storyteller” is entitled “Crimson Tyranny” (feat. Cara, Madie & Zak Stevens).

“This song is the first one I composed for this album. It defines the atmosphere for this new album: darker than “Theater Of Sorcery”, but also more epic, especially with its mighty chorus (with some Blind Guardian influences). It’s a mind-sticking song, beware of this infernal hook “Crimson! Tyranny!”. The title of the song is a tribute to “In the Court of the Crimson King” by King Crimson.” adds Adrien G. Gzagg.

Listen to “Crimson Tyranny” (feat. Cara, Madie & Zak Stevens) at the following links:

In additional news, Avaland will be touring Europe during spring 2023 supporting legendary bands Rhapsody Of Fire and Sortilège.

Avaland is recommended for fans of Savatage, Angra, Avantasia, Symphony X, and Queen.

Album pre-order – https://bit.ly/StorytellerCD

Album Pre Save – https://bfan.link/the-legend-of-the-storyteller

Track Listing:
1. The Vision – 2:03
2. Crimson Tyranny – 6:45
3. Insurrection – 4:42
4. To Be The King – 4:34
5. Secret Night – 3:24
6. Kingslayer – 4:10
7. The Gift – 4:48
8. Out Of The Fog – 5:11
9. Betrayers – 5:23
10. Madness Of The Wise – 5:27
11. You’ll Be The Legend – 5:17
12. Lies – 10:29
(Bonus Track – La Folie Du Sage)
Album Length: 1:02:19

Avaland is:
Adrien G. Gzagg (Autor/Composer/Lead Singer/Synths and Orchestrations)
Jeff Kanji (Lead Singer/Additional Voices and Guitars)
Lucas Martinez (Guitars)
Camille Souffron (Bass)
Leo Mouchonay (Drums)

For more info:
Rockshots.eu
Avaland-themetalopera.com
Facebook.com/avaland.metal.opera
Instagram.com/avaland_metal_opera
Twitter.com/AvalandMetal

0 CRS Find Melodic Death Metal Success With New Single “The Failure”

January 12, 2023
by Asher
· CRS · Music News

NEWS RELEASE

Montreal, QC – January 12, 2023

CRS Find Melodic Death Metal Success With New Single “The Failure”

CRS – L-R – Tavo Ramirez (Drums), Kello Gonzalez (Bass), Kath Danzig (guest vocals) – Hideki Inukai (Guitar), Sir Oz (Vocals), Francisco Oroz (Guitar)
Photo Credit – Carlos Hemosillo

Hailing from Sonora, Mexico, the death metal act CRS started back in 1991, and since then has been cranking out punishing technical riffs, and evil growls. Their beginning influences were in the realm of technical death metal and death metal, but they have always sought out different song structures and embraced fusion. They have a new single featuring guest vocals from Kath Danzig coming out that takes them in a new direction toward the melodic end of the spectrum. “The Failure” talks about how we, as a human race, have failed. Not caring about tomorrow, nor the young ones, we are a failure. A disgrace to intelligence. How there is no empathy, just emptiness. The band explains further:

“CRS has always wanted to be versatile. We want to offer music that we like, we never think about music styles, but about a good metal song. In the case of “The Failure” we made an exception, we did seek to make a “melodic death metal” since we had never done it before, even though we really like that style. The single has an important message, humanity is a failure and it has screwed up the whole planet. Having a female guttural singer as a guest brings an interesting shine to the band.”

CRS has always loved clean guitar passages and melodic guitar solos, so this time we wanted to compose a full-death melodic song, at least their version. It has a comfortable structure, but without losing the intensity that they have come to be known for. It will still be recognizable for current fans and add a new dimension that will intrigue those who are hearing them for the first time.

“The Failure” wasn´t originally for CRS, but they liked it so much that they kept it. They cite that the freshness comes from the freedom in thinking it was for someone else. With both English and Spanish vocals, it stands out among other songs in the genre. It is recommended for fans of Meshuggah, Fear Factory, and Carcass.

Listen to “The Failure” ft. guest vocals from Kath Danzig via its premiere on NoCleanSinging HERE.

For more info: Facebook.com/crsmetalband | Youtube.com/@CRSBAND | Instagram.com/crsmetalband

About: CRS is a Death Metal band from Sonora, Mexico, formed in 1991 with the name Cirrosis by Francisco “Chucky” Oroz and Sir OZ, are the only original members in the current lineup. Due to their technical capacity to adhere to progressive elements and melodic solos, CRS quickly gained notoriety in the local and national scene. Their live performances were characterized by intensity and fury, becoming a cult band. In 1996, “Joseph Lev” joined the band and they recorded their first demo “La Tierra de la Adicción” which was distributed limitedly. In 1999, CRS entered the studio and recorded the album “Reciclando Desesperación” in Spanish, offering a range of different Death Metal styles, highlighting the quality of its production.

In 2001, CRS decided to break up, and its members continued with their personal and professional projects. In 2014, Concreto Records decided to reissue the album “Reciclando Desesperación” describing it as “The maladaptive sound that disturbed a style in Mexico that can currently give lessons to current modern bands”.

In 2019, CRS returned to record their second studio album “The Collector of Truths” with Concreto Records. Two international musicians play as guests in the album, Kevin Talley (Dying

Fetus, Suffocation, Chimaira), on drums, and Linus Klausenitzer (Obscura, Alkaloid) on bass. In September 2020, CRS recorded a Live Session for the Mexican online festival “Moshfest” which became an EP called “Live in isolotation” featuring Kello Gonzalez on bass, who became an official member on December 2021.

In March 2022, they released a new single titled “The enemy has always been me”. In October 2022, CRS played live after twenty years with the Brazilian band Sepultura. On that same date, Hideki Inukai joined the band on the second guitar.

– 30 –

“Where this album shines the most is in its flow. Throughout its eight tracks, CRS manages to build momentum song after song. There are fast parts and great guitar solos aplenty. However, CRS never slip on their songwriting. It’s an album that’s just always in that groovy death zone. Even when tracks like “The Daydreamer’s Nightmare” takes us into a spaced-out, relaxed solo or others like “The Art of Breathing”, that takes the album down a notch, CRS really lose nothing. They manage to bring a lot of out of their sound. Hell, “A Better Place to Hate” and ” “Tan Lejos de Dios (Nowhere.. But Here)” both have some tasty, thrashy bits to open them up.” – Metal Injection

“Now, as we nearly enter a new decade, CRS have returned with a full-length of groove/death metal with a technical spark. This spark comes in the form of shredding guitar solos and guest spots from drummer Kevin Talley on a few songs and Obscura/Alkaloid bassist Linus Klausenitzer on “The Art Of Breathing.” Those two musicians are at such a high skill level that the listener will immediately recognize their work. Their inclusion gives gravitas to the songs they are on, though the group does fine on their own with tunes like the anthemic “Resistencia” and Meshuggah-esque “Asfixia.” – Heavy Music Headquarters

“… Fast forward to now and the band comes roaring back to life on their sophomore effort The Collector of Truths and it’s a love letter to the time they left behind. Industrial bombast, guttural death metal, and melodically progressive strains of genius all play out in equally large parts over the course of these eight tracks” – Nine Circles

“There is a wonderful sense of pervasive evil that dominates the record from tracks like album opener ‘Asfixia’ to ragers like The Daydreamer’s Nightmare. I love this sense of harsh realities and raw brutality. It gives The Collector Of Truths a sense of authenticity, showing that the band emerged from true struggle to birth this record unto the world.” – Two Guys Metal Review

“CRS, or CIRROSIS, a band that plays their own brand of simplistic, mellow Technical Death Metal. Their debut album “The Collector of Truths” is proof that the genre does not need to be as complex as possible in order to be good. You know those albums that just get better as they play? This record is exactly that, the last few tracks forming the peak, the monumental conclusion.” – Metal Temple
–
ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780 | jon[@]ashermediarelations[.]com
Facebook @AsherMediaRelations | Instagram @AsherMedia | Tweet @AsherMedia
(Rockshots Records, Extreme Metal Music, Armstrong MF, Loud As Hell, Metalocalypstick, Decimate MF, Electric Highway Fest, Wacken Metal Battle Canada/USA, Hyperspace MF, Le FestEvil)

0 Canada’s Alienatör Look At Current Events Through Hardcore Sludge In “The Less Dead” + New Album “Regrets” Out Now!

January 12, 2023
by Asher
· Alienator · Music News

NEWS RELEASE

Montreal, QC – January 12, 2022

Canada’s Alienatör Look At Current Events Through Hardcore Sludge In “The Less Dead”

New Album “Regrets” Out Now!

(L to R) Sean Skillen – Bass/Back-up Vocals, Brad King – Guitar/Vocals, Simon Paquette – Drums
Photo Credit – Peter David Wragg

Alienatör is a sludge metal band from Ontario, Canada that combines punk, hardcore, and noise rock elements into a stripped-down package, full of razor-sharp riffs and memorable hooks. They have recently released their second album, “Regrets”, which is a grim postcard from the depths of the human psyche. Their darkest release yet, it is a reaction to years of deep political turmoil, the erosion of truth, as well as personal politics of grief, loss, and struggle. It’s an album that touches on personal and social themes. Flourishes of melody drenched in a caustic sludge, painted in shades of black. The music video for “The Less Dead” gives a glimpse of the band performing live, channeling all their energy and passion into their art. They describe the theme behind the song:

“The “less dead,” is a term for those that are considered less of a priority for police investigations and therefore are easy victims for predators – sex workers, people of color, the poor, etc. Written before the George Floyd murder but certainly reinforced by it. The closest to a straight-ahead punk song on the album. Simon’s tom work in the bridge really elevates it.”

The video for “The Less Dead” can be viewed via its premiere on Decibel Magazine HERE.

Alienatör started out very sludgy but as they mature they are cobbling bits of different heavy styles together, juxtaposing very fast, thrashy stuff with slower doomy stuff. They slowly forged their own sound which carries a lot of the energy of punk and post-hardcore but still has a heavy edge.

“Regrets” is bleak and abrasive but with moments of calm, melody, and beauty to juxtapose against the ugliness. It is dark, cathartic and explores personal themes of discontent, racism, and abuse of power in Canada and the erosion of truth we’ve seen in modern times. It is recommended for fans of Jesus Lizard, Unsane, and Melvins.

“Regrets” available on Spotify, Alienator.bandcamp.com (CD)

Previous music videos can be seen on the band’s YouTube here.

Track Listing:
1. Revisionist History – 2:10
2. Loss Leader – 4:03
3. Blood Red Blood – 3:08
4. Regrets – 3:44
5. The Priest – 5:30
6. The Less Dead – 1:56
7. Flat Earth Society – 2:51
8. Irreconcilable – 2:59
9. Your Funeral – 3:20
10. Wounded Birds – 4:10
11. Dark Matters – 4:09
Album Length: 38:04

Album Recording Credits:
– All songs performed by: Alienator
– Music by Alienator
– Lyrics by Brad King
– Produced by: Sean Skillen
– Mixed by: Sean Skillen
– Mastered by: Brad Boatright
– Album Artwork by: Peter David Wragg
– Member of SOCAN
– Canadian Content (MAPL)

Album and Live Line Up:
Brad King – Vocals, Guitar
Sean Skillen – Bass, Vocals
Simon Paquette – Drums

For more info:
Exitmusicstudio.ca/alienator
Facebook.com/alienatorband
Instagram.com/alienatorband

About: Hailing from Thunder Bay, ON, Canada, Alienatör is a sludge metal band that combines punk, hardcore, and noise rock elements into a stripped-down package, full of razor-sharp riffs and memorable hooks.

Their debut album, “Pariahs,” released in 2109 moves from fast and aggressive to slow and swampy with touches of experimental weirdness. Many of the lyrics are about how we numb ourselves to the pain and disappointment of everyday life.

Fast forward to 2022, and the band is ready to unleash their follow-up, entitled “Regrets,” which introduces new drummer Simon Paquette to the fold. The album is bleak and abrasive, with moments of calm, melody, and beauty to juxtapose against the ugliness. Raw, uncompromising, and dark, it is emotionally heavy music that reflects a chaotic time in history.

– 30 –

“Noisy post-hardcore sludge, full of energy and rage… a genuine ass-kicker of a record.” – Decibel

“Aggression is the name of the game in the latest offering from Thunder Bay, Ontario crew ALIENATÖR. Brad King (guitar, vox), Sean Skillen (bass, vox), and Simon Paquette (drums) pack a big wallop for a band of three. Their sound is a hash of sludge, hardcore, noise, and crust, with a message that’s urgent and dire… Regrets plays out like a nervous breakdown, but a damned exhilarating one.” – Doomed and Stoned

“Dark, powerful and honest.” – Metal Noise.

“Music that will leave you feeling elated even if it’s covered in so much dirt and slime.” – GBHBL

“If you’re after something heavy and different, go for this because this is impressive.” – My Global Mind

—
ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780
jon[@]ashermediarelations[.]com
Facebook @AsherMediaRelations
Instagram @AsherMedia
Tweet @AsherMedia

0 Rockshots Records – Australia’s NOTHING SACRED Unleash “Drone” Off Forthcoming EP “Leviathan” Out Feb 2023

January 12, 2023
by Asher
· Music News · Nothing Sacred (Rockshots Records)

NEWS RELEASE

Montreal, QC – January 12, 2022

Rockshots Records – Australia’s NOTHING SACRED Unleash “Drone” Off Forthcoming EP “Leviathan” Out Feb 2023

Set to unleash their new EP “Leviathan” this coming February via Rockshots Records to follow their first album in 30 years entitled “No Gods” released in 2021, Australia’s Nothing Sacred are sharing their second single “Drone”.

“The lyrics were written around the current situation in Ukraine and the atrocities of modern warfare. It’s sad that nowadays we still find excuses where it’s alright to take other people’s lives and land. I’m not sure how this is ok and it’s heartbreaking that it can still happen today. Again this is by no means an attack on the good people of Russia. What’s happening is no more their fault than it is ours.” comments drummer Sham.

Listen to “Drone” at the following links

YouTube – https://youtu.be/BaG_fxlBAdk

Spotify, Apple Music – https://bfan.link/drone-2

Fans of Nothing Sacred will notice on the band’s forthcoming EP “Leviathan” that there has been a lineup change that now sees the return of Chris Stark taking the reins as lead vocalist, replacing James Davies. Stark had previously sung with the band for a number of years and has now returned in time to lay down the vocal tracks for their next monster.

The EP “Leviathan” is a mix of new and older tracks that builds on what the band did with the album “No Gods”. It has plenty of riffs, killer solos, and big melodies from vocalist Chris Stark. The EP also includes the song “Sudden Death”, a thrashy unreleased track that was a mainstay during the band’s live gigs in the mid-’80s plus re-recordings of a few tracks from the band’s first album “Let Us Prey” and two new songs. All the new songs were written in group sessions with everyone jamming, throwing around riffs and arrangements into the mix. Overall, the EP is a blend of old and new, and something they could get done without a follow-up taking too long.

Album Pre-order – https://bit.ly/LeviathanCD

Digital – https://bfan.link/leviathan-1

First single / Title track “Leviathan”

Music Video – https://youtu.be/zgLYldc8b60

Track Listing:
1. Leviathan – 3:27
2. Drone – 4:35
3. Guardian – 3:40
4. SirMegma – 3:02
5. Sudden Death – 2:29
6. DroneTrance – 4:33
EP Length: 21:49

Nothing Sacred is:
Stu Bedford – Guitar
Chris Stark – Vocals
Karl Lean – Bass
Sham – Drums
George Larin – Guitar

For more info: Rockshots.eu | Facebook.com/NothingSacredMetal | Instagram.com/nothingsacredaustralia | Nothingsacredau.bandcamp.com

About: Conceived in Melbourne in 1983, Nothing Sacred went on hiatus for two decades. During the 80s, the heavy metal band unleashed their EP “Deathwish”, which catapulted them as one of the most sought-after pit makers with the record’s title track becoming a classic within the Australian metal scene. Three years later in 1988, Nothing Sacred unleashed the full-length entitled “Let Us Prey” on Cleopatra Records. Unfortunately a year after that LP’s release, the band disbanded in 1989. Lead guitarist Mark Woolley, bassist Karl Lean, and drummer Sham went on to contribute to Hobbs’ Angel of Death‘s early work in the late 1980s. Woolley also appeared on Hobbs’ first self-titled album in 1988. Vocalist Mick Burnham later joined the short-lived Melbourne band Seizure in 1993.

Although their tenure was short-lived, Nothing Sacred still remains an underground metal phenomenon in Australia. Songs from the Deathwish EP still get airplay on several Australian metal radio programs.

In 2012, Nothing Sacred performed a series of 30th anniversary shows with Ross Percy (Ion Drive, Little House Godz) joining George Larin on guitar that included a support slot for the ex-Iron Maiden vocalist’s Paul Di’AnnoP/Blaze Bayley Australian tour. Despite the success, the band agreed not to continue and returned to retirement.

In 2015, the band decided to re-activate with a lineup of Sham, Karl Lean, George Larin, Ross Percy, and new vocalist Chris Stark. A slot on Melbourne’s Brewtality Metal Festival received positive reviews before the band embarked on a short tour of Japan (That footage was released in 2021 as a part of a 3 disc boxset), which inspired them to continue and lead the band to headline day one of the Steel Assassins Festival in Sydney.

Line-up changes again slowed the band, James Davies was recruited for vocals along with Stu Bedford on guitar. From there, the band spent most of 2019 and 2020 writing and recording, what was their first full-length in over 30 years. Entitled “No Gods”, the record witnessed Nothing Sacred‘s resurrection to the metal world. The album peaked on the Australian iTunes metal charts in October 2021 at #4 along with metal media outlets giving multiple praising reviews.

Now ready to follow up “No Gods”, Nothing Sacred has gone through another lineup change swapping singer James Davies out with the return of Chris Stark. Chris had sung with the band previously for a number of years and has now returned in time to lay the vocal tracks down on their next release “Leviathan” set for release in February 2023 via Rockshots Records.

– 30 –

Australian iTunes charts, October 2021. No Gods #4 in the Metal charts.

“The highly infectious intensity this album began with has not diminished in any way shape or form. And if you ask me – the thirty-year wait for a new album has been well and truly worth it.” – Metal Roos – 4.5 / 5 – No Gods

“Dramatic speed changes with a dense rhythm section. Powerful vocals with that speed metal scream added to the top. They are definitely very good at what they do.” – Metal Epidemic – 4 / 5 – No Gods

“Excellent production but above all the perfect rhythmic synchrony between the powerful riffs and the war machine called Sham behind the skins … A record for those who inevitably feel strong and ready to never back down. A great Job.” – Metal Wave (Italy) – No Gods

“ ‘No Gods’ is full of dark, yet energetic riffs with a vocal style that is easy to understand yet doesn’t sound whiny or too dramatically sorrowful.” – Brutalism.com

“In their decades amiss from the public NOTHING SACRED has managed to keep under wraps a form that manages to sound contemporary yet as well offers the classical indulgences of Thrash roots.” – Metal Temple

“Time may have marched on, but with ‘No Gods’, the band pick up almost exactly where they left off 30 years ago … there is a lot of quality here and a real chemistry bubbling beneath that surface.” – Metal Digest

“Overall, if you are a fan of US power metal, more melodic thrash metal and, of course, power-thrash, you should check this album out” – Metal Music Archives – 4 / 5 – No Gods

“This new album, “No Gods” is a culmination of musical experience and renewed energy … a band who have nothing to prove and are just enjoying the creativity.” – UK Thrasher

“If you ever come across this EP (“Deathwish”) , do not hesitate to get it! It’s essential listening for lovers of obscure old school metal.” – Encyclopedia Metallum

–
ASHER MEDIA RELATIONS
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