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Montreal, QC – May 27, 2020
For fans of Macabre, At The Gates, Cannibal Corpse, Dying Fetus, Psychological Horror Metal / Death Metal / Murder Metal
TALES OF THE TOMB Shares Guitar Playthrough ‘Mermaid In A Manhole’ Off Conspiracy EP “Volume Two: Mendacium”
Tales Of The Tomb (L-R): Trez Thomas (Guitar and Vocals), Corey Skerlak (Guitar and Vocals)
Photo Credit – Kylee Thompson Photography
Edmonton death metal duo Tales of The Tomb are sharing with fans their latest guitar playthrough for ‘Mermaid In A Manhole’. The song is a bonus track that comes off of the band’s latest EP “Volume Two: Mendicium” unleashed this past September. The EP itself is a collection of narratives surrounding government cover-ups, national lies, and the heinous crimes committed amongst the shadows. It’s also a vicious bite of grinding blast beats, technical shredding accompanied by venomous guttural lows.
Today, guitarist Corey Skerlak has put together a new playthrough for the song, which is one of many more videos being released by the band in the coming weeks.
Behold the shredding via the video’s premiere on V13.net HERE.
The band explains the story behind the bonus track in further detail:
“‘Mermaid In A Manhole’ is the only song we have written that is truly-fictional. Based on a Japanese horror film Mermaid in a Manhole. The song focuses on a painter that is suffering from depression, who disembowels his wife while in a psychotic state. The story of the song ‘Mermaid in a Manhole’ does not really fit into our conspiracy theme we have for this EP. This is why we decided to list it as a bonus track to give it a proper release and the band had no plans to write more true-fiction based songs. Sonically we tried to recreate the psychosis the painter was going through, we wanted to represent the chaos that must have been going on in the painter’s mind to have brought himself to murder his wife. There is a sample at the end of the song, which has the sound of chopping and a man speaking in Japanese. This is audio taken right from the movie at the part where the painter is sitting on the ground covered in blood chopping up the remains of his mermaid saying, “My Mermaid, My Mermaid is dead.”
“Volume Two: Mendicium” was mixed and mastered by Cryptopsy guitarist and head engineer/owner at The Grid Studios Christian Donaldson along with featuring artwork by Tony Midi of Tonymidi Artworks. The EP is available on Bandcamp, Spotify, Apple Music.
1. The Nightmare Hall (4:05)
2. Faul (3:02)
3. The Sinful Messiah (4:14)
4. Dyatlov Pass Incident (3:52)
5. Nine Eleven (4:46)
6. Mermaid In A Manhole (3:33)
EP Length: 23:44
Unified by the desire to have the grotesque power of 90’s era death and murder metal, Tales of The Tomb started as a thought that grew into an insatiable need to make extreme music. Tales Of The Tomb was created in October 2013 from founder Corey Skerlak (guitar, vocals) out of inspiration from the original murder metal band Macabre.
Much of their inspiration is drawn from the hideous crimes and conspiracies of the world. Retelling stories of the dark hidden secrets and victims from such crimes. This was the inspiration for the name Tales of The Tomb.
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“Overall, I recommend this album to death metal fans of all varieties. It is a fun album with a lot of great riffs. Also, I highly recommend reading the lyrics and learning about the conspiracy theories behind the songs.” – Metal Temple
“Volume Two: Mendacium is six songs of punishing metal fit for listeners with the heaviest of taste. Whether you’re spending time carving pumpkins or watching slasher movies this Halloween season, be sure to make room on your playlist for Tales of the Tomb.” – Surviving The Golden Age
” Their new, independently released EP is heavy as ice and laced up with razor-sharp production. Volume Two: Mendacium is a non-stop frosty riff fest, delivered on a moose-poutine platter of awesome production thanks to the Canucks over at The Grid. Slapshot your wallets & pick up this death metal gem.” – TrveNorth Reviews
“The need to head bang is strong with this one, and it made for an excellent addition to my Death Metal library.” – New-Transcendence
“All in all, Tales of the Tomb’s latest installment is a rather subtle tale that is more akin to a destructive musical journey through morbid lyrical themes and passages.” – Metal Trenches
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