Tag: guitar

0 REALITY GREY Unleashes Shredding Guitar Playthrough For “Preachers of Hatred”

June 15, 2021
by Asher
· Music News · Reality Grey

NEWS RELEASE

Montreal, QC – June 15, 2021

For fans of Soilwork, As I Lay Dying, Scar Symmetry, Lamb of God, Unearth

REALITY GREY Unleashes Shredding Guitar Playthrough For “Preachers of Hatred”

Playthrough Premiere via TechnicalMusicReview

New Album “Beneath This Crown” Out Now!

Pictured L-R:
Alex Giustino (Bass)
Anto Addabbo (Guitars)
Tommy Montenegro (Vocals)
Alberto Pinto (Guitars)
Francesco Inchingolo (Drums)

Italy’s Reality Grey‘s fourth album “Beneath This Crown” was released just this past May via Blood Blast Distribution, powered by Nuclear Blast and Believe Digital. Offering a sonic assault of extreme melodic metal over the course of thirteen relentless tracks, the record follows 2014’s “Define Redemption” (Bakerteam/Scarlet Records).

On this new record, fans are treated to the band’s “most innovative and modern record we have ever made”. They went beyond everything they have done in the past both musically and lyrically. Reality Grey was able to develop their most experimental side.

“The album has very different feels throughout the track listing; every song is a stand-alone story as we never liked to copy ourselves on and on. The writing process has been heavily influenced by movie soundtracks, especially sci-fi soundtracks,’ something that goes beyond a classic heavy metal song. We wanted to get very personal and original with this album and I think we nailed it!” adds the band.

Continuing to support the album’s release, Reality Grey guitarists Anto Addabbo and Alberto Pinto are sharing their latest shredding playthrough for “Preacher’s of Hatred”, the most brutal song on the record; the fast thrash gives way to a groovy and jazzy pre-chorus.

The playthrough can be viewed via its premiere on TechnicalMusicReview HERE.

The music video “Preachers of Hatred” (which has reached over 100,000 views) can also be seen at https://youtu.be/yexnBZLDVyE

Aggressive and technical, Reality Grey is recommended for fans of As I Lay Dying, Scar Symmetry, and Lamb of God,

“Beneath This Crown” is available at the following link – https://backl.ink/144305702

Previous Videos:
Powerblast – https://youtu.be/s3pSFUFZzSI
Multidimensional Hollow – https://youtu.be/4hDxsTop8Fs
Daybreakers – https://youtu.be/spOgWpdGcwY
The Void – https://youtu.be/nUnldMsfKDA
The Fury – https://youtu.be/hFEyqEh00Os

Track Listing:
1. Legion (Intro) (1:51)
2. Fade In Fear (4:44)
3. Kings of Nothing (5:18)
4. Preachers of Hatred (4:05)
5. Daybreakers (5:37)
6. Powerblast (4:09)
7. Multidimensional Hollow (4:16)
8. The Fury (4:01)
9. Dreaming (Feat. Milly Florio from End Of Skyline) (5:13)
10. Reascent (4:01)
11. Beneath This Crown (5:28)
12. Indelible Stains (3:39)
13. The Void (4:34)
Album Length: 57:03

For more info:
Facebook.com/RealityGrey
Instagram.com/realitygrey
EPK

Reality Grey is supported by the Programmazione Puglia Sounds Record – 2020/2021 and REGIONE PUGLIA FSC 2014/2020 – Patto per la Puglia Investiamo nel vostro futuro.

About:
Hailing from South Italy, Reality Grey stands tall in the Italian metal scene. Formed in 2004, Reality Grey began their quest to redefine melodic death metal. As a tight-knit 5 piece band, Reality Grey incorporates a modern hybrid of extreme music: melody, brutality; blending complex, yet catchy songwriting. Fearsome death growls & clean vocals give way to razor-sharp guitar riffs and fusion-oriented solos, Reality Grey set out to create something all their own.

With the release of the debut full-length album “Darkest Days Are Yet To Come” in 2006, in the heat of the melodic death metal revolution, Reality Grey managed to secure their first record deal with Razar Ice Records USA. Songs like “Reality Grey” and “Never again” racked up hundreds of thousands plays on the old MySpace allowing the band to tour, gaining popularity well beyond the Italian borders. Following up with EP “Day Zero”, Reality Grey began to push their own boundaries. Ferocious, yet melodic, with a no-holds-barred songwriting attitude. Songs like “Day Zero” and “Slavery” emerged the band’s experimental side, synths, melancholic pianos, and acoustic guitars; perfectly fused with intoxicating sonic aggression.

After years of non-stop touring alongside bands like Deicide, Unearth, Municipal Waste, Sadist, Malevolent Creation, and more, the critically acclaimed “Define Redemption” is released by Bakerteam/Scarlet Records; sending the band on their first headline tour in Japan. Reality Grey, now having been featured on worldwide publications Metal Injection, Metal Hammer UK, Metal Temple, and Metal.de, released 2018’s “The Void”. Reviewed as “a complete and total aural devastation…” that “will blow your speaker out” by Metal Injection.

Reality Grey has completed work on their upcoming full-length due out May 7th 2021 (Blood Blast Distribution powered by Nuclear Blast). Looking ahead with tours and festival appearances on their sights, Reality Grey will continue to push ambitiously, earning their place among the pantheon of heavy music.

Now, having inked a worldwide deal with Extreme Management Group (EMG), the band says “We’re thrilled to announce that we have started working with Extreme Management Group! Definitely the right place for us. Big news is coming very soon. Stay tuned!” EMG said, “We are excited to be working with Reality Grey. They have some really fantastic music. We expect big things to come from this partnership.”.

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“Melodic, aggressive and catchy, this track adds (Multidimensional Hollow) well placed synths and ambiance to an already well rounded sound, making it complex without being overcomplicated. The new album shows a marked evolution in the band’s sound, something that will intrigue current fans and entice new ones.” – Metal Injection

“Beneath this Crown, a creative step forward in their combination of NWOAHM from the early aughts, At the Gates-inspired metalcore and Scandinavian-flavoured melodic death metal.” – Decibel Magazine

“There’s a steadfastness to Reality Grey that’s vital to the music they make. While many bands have tried, floundered, and failed at the art of metalcore and melodeath, the Italian five-piece embrace the genre with full-throated fury. At the same time, they never sound beholden to the genre, incorporating electronic sounds and rhythms to their music that illustrate their willingness to change and incorporate new influences for the betterment of their sound. In a sometimes uncertain world, this band know what they’re about.” – We Are The Pit

“Reality Grey should be able to easily ensnare modern metal and melodeath fans with a release like this one.” – Dead Rhetoric

“If there is something like a constant in REALITY GREY’s approach to Metal then it is their drive to vary their sound and their progression towards new styles and vibes in their music. As a result, the new album “Beneath This Crown” is probably best described as a mix of melodic Metalcore, melodic Death Metal with a portion of progressive elements. The album has a fast and aggressive start with “Fade In Fear” and “Preachers Of Hatred”… REALITY GREY deliver an upgrade to previous albums and their eagerness to experiment with their sound is clearly to recognize on the album. This gives their music an own character and makes them distinctive from other Metal bands. The album is very well produced. “Beneath This Crown” will make all fans of REALITY GREY happy and I am sure that the music of the new album will help to win a lot of new fans.” – 8/10 Metal Temple

“The desire to go wild in a pit somewhere while singing your heart out is just as strong on Kings of Nothing and Preachers of Hatred. Undeniably brutal, a guitar solo thrown in the former and the drumming reaching inhuman levels of speed on the latter, these tracks are awesome.” – Games, Brrraaains & A Head-Banging Life
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0 Knecht Revisits Classic Video Games With Progressive Metal Cover of “Overture (Excerpt From Halo Reach)”, Self-Titled Debut EP Out July 16th

June 10, 2021
by Asher
· Knecht · Music News

NEWS RELEASE

Montreal, QC – June 10, 2021

For fans of Haken, Dream Theater, Porcupine Tree, Plini, Liquid Tension Experiment

Knecht Revisits Classic Video Games With Progressive Metal Cover of “Overture (Excerpt From Halo Reach)”

Self-Titled Debut EP Out July 16th

Pictured – Joseph Knecht – Photo credit – Tristan Ahearn

New Jersey’s Joseph Knecht is releasing his debut EP, a self-titled record that is a concise sample of the music he has been writing over the past couple of years. A well-versed musician, he plays both originals and covers in a wide range of genres, primarily focusing on progressive metal. His first single off this upcoming EP is “Overture (Excerpt From Halo Reach)”, a dramatic rendition of the theme from the classic video game. He explains why he chose the track:

“This is my cover of the Overture from the game Halo Reach. It’s a much more hard-hitting aggressive take on the original. It’s part of a song composed by Martin O’ Donnell. My idea was to take the original which was for orchestra and rearrange it for a prog metal band. The original is such a cool-sounding piece and every time I’d hear it I’d always imagine a metal version. When I got my 8 string and decided to make this EP, covering this song and taking advantage of the extended range of the instrument seemed like the perfect fit.”

The six-track EP takes a wide sampling of Knecht’s skills and presents them to the listener in a concise, yet varied audio experience. All instruments on “Knecht” were written and played by Knecht save for the drums, which are played by session musician Jason Stewart. The EP was mixed and mastered by Charles-Henry Volk.

Knecht is a lifelong musician, picking up piano at the age of five, since then he has learned to play guitar and bass and attended Berklee College of Music.

Predominantly prog with a hint of groove, “Knecht” is recommended for fans of Haken, Black Label Society, and Deep Purple.

“Overture (Excerpt From Halo Reach)” can be heard at the following links:

YouTube – https://youtu.be/wXg0SuMSqEQ
Spotify – https://spoti.fi/3pzbHPv

”Knecht” will be available on all digital platforms on July 16, 2021.

Track Listing:
1. Transformation (4:50)
2. Tabernacle Jam (3:50)
3. Working Title (4:42)
4. Overture (Excerpt From Halo Reach) (3:42)
5. Summer Nights (3:16)
6. Destruction (5:09)
EP Length: 25:31

EP Recording Line Up:
Joseph Knecht – Guitar, Bass and Keyboards
Drums – Jason Stewart

EP Credits:
• All songs performed by: Joseph Knecht and Jason Stewart
• All songs written by: Joseph Knecht
• Produced by: Joseph Knecht
• Mixed by: Charles-Henry Volk
• Mastered by: Charles-Henry Volk
• Member ASCAP

For more info:
Instagram.com/joeknecht.exe
Facebook
EPK

About:
Joseph Knecht, from Tabernacle, New Jersey, USA, has been playing music since he was a small child. He started out with piano when he was five and picked up the guitar a year later. Bass came along in high school and he attended Berklee College of Music to further his music education.

Looking to share the music he was writing and playing, he created his instrumental solo project Knecht, where he plays everything from classic rock to more modern progressive metal. He performs originals and covers as well as teaches private guitar lessons.

With influences rooted mainly in progressive and groove metal, he replaces vocals with sweeping, complex guitar melodies that are written like vocal melodies. A typical song starts with the rhythm, for him the rhythm guitars by themselves should be interesting and be able to garner attention through the piece. While he is doing this, he is thinking about what he might want the other instruments to be doing as well as keyboard sounds if there will be keyboards. For the drums, he will program a track for writing and recording purposes, but ultimately leaves it wide open for Jason Stewart.

Knecht’s debut self-titled EP is available on July 16, 2021. It features Jason Stewart on drums and was mixed and mastered by Charles-Henry Volk.

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0 Reality Grey Guitarist Anto Addabbo Shares The Power of Shred In Playthrough Premiere of “Multidimensional Hollow” via GearGods

April 22, 2021
by Asher
· Music News · Reality Grey

NEWS RELEASE

Montreal, QC – April 22, 2021

For fans of Soilwork, As I Lay Dying, Scar Symmetry, Lamb of God, Unearth

Reality Grey Guitarist Anto Addabbo Shares The Power of Shred In “Multidimensional Hollow” Playthrough

Playthrough Premiere via GearGods

“Beneath This Crown” Out May 7, 2021

Pictured L-R:
Alex Giustino (Bass)
Anto Addabbo (Guitars)
Tommy Montenegro (Vocals)
Alberto Pinto (Guitars)
Francesco Inchingolo (Drums)

Reality Grey has been making their rounds through the Italian metal scene since 2004, spending many years touring Europe and playing alongside bands such as Deicide and Municipal Waste along with three well-received full-lengths under their belts. This coming May 7th, they will be adding a new album “Beneath This Crown” to their legacy.

Until they can hit the stage again, Reality Grey hopes that “Beneath This Crown” will tide over fans with its aggressive, melodic vocals and razor-sharp guitar solos. According to them, the creative process for this release has been very meticulous and nothing has been left to chance. On this offering, the music has affected the lyrics; there is a lot of anger and a bit of sadness.

Over these last few months, in lead up to the album’s release, they have unveiled a few singles; one of those is the very melodic and complex“Multidimensional Hollow”, which features fast guitar solos and an epic finale.

Today, the band has teamed up with GearGods to showcase the shred on “Multidimensional Hollow” with a new guitar playthrough by Anto Addabbo, which can be viewed HERE.

Guitarist Anto Addabbo describes his thoughts on the track:

“When I wrote this song I was listening to a lot of sci-fi soundtracks from movies and I think it influenced how the track came together at the end, it has different feels throughout its length. Lyrically the song is about the struggle to succeed in life. Things don’t always go like you hope they will and not everyone knows how to cope with failure.”

Born in 1979, Anto Addabbo is a guitar player, songwriter, arranger, producer, and performer led into the music scene by pure passion and commitment.

Known as a vanguard of the Italian metal scene for his passionate and technical guitar technique, blending his love for the aggression of metal with the melodic phrasing of rock/fusion, Anto Addabbo is the founder of modern metal powerhouse Reality Grey, being now an endorsed artist for popular brands like Jackson Guitars, EMG Pickups, and MooerAudio.

From their debut in 2006, Reality Grey has enjoyed success as a ‘Modern Extreme Metal’ band, an assessment they both appreciate and challenge as they quest to define and pioneer their own signature sound in the metal scene.

Release after release, Reality Grey has proven to be a tight five-piece able to break the melodic death metal dogmas, producing a challenging and inviting hybrid of modern metal in its pure form: melody, brutal and complex.

Recommended for fans of As I Lay Dying, Scar Symmetry, and Lamb of God, “Beneath This Crown” will be out via Blood Blast Distribution, powered by Nuclear Blast as of May 7, 2021.

Album pre-save – https://backl.ink/144305702

Track Listing:
1. Legion (Intro) (1:51)
2. Fade In Fear (4:44)
3. Kings Of Nothing (5:18)
4. Preachers Of Hatred (4:05)
5. Daybreakers (5:37)
6. Powerblast (4:09)
7. Multidimensional Hollow (4:16)
8. The Fury (4:01)
9. Dreaming (Feat. Milly Florio from End Of Skyline) (5:13)
10. Reascent (4:01)
11. Beneath This Crown (5:28)
12. Indelible Stains (3:39)
13. The Void (4:34)
Album Length: 57:03

For more info:
Facebook.com/RealityGrey
Instagram.com/realitygrey
EPK

Reality Grey is supported by the Programmazione Puglia Sounds Record – 2020/2021 and REGIONE PUGLIA FSC 2014/2020 – Patto per la Puglia Investiamo nel vostro futuro.

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“Reality Grey give off a viciousness and expertise hard to find in other bands. The instrumental expertise of each component is absolute, slighting touching tech-death side of acts like The Faceless but remaining ‘catchy’ in their complexity” – Metal Hammer

“It’s complete and total aural devastation with some seriously chunky moments, so it lives right up to what you’d expect a song called “The Void” to do.” – Metal Injection

“Reality Grey will serve the world of metal excellently both as an all round, no nonsense, metal act and as a brigde band for younger fans of heavy music” – Metalunderground.at
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0 Malice Divine Bring Forth The Jubilant “Triumphant Return” Off Upcoming Debut Album Out Feb 19th, Vocal/Guitar Playthrough Premiere via GearGods

February 3, 2021
by Asher
· Malice Divine · Music News

NEWS RELEASE

Montreal, QC – February 3, 2021

For fans of Dissection, Skeletonwitch, Death, Wintersun, Immortal

Malice Divine Bring Forth The Jubilant “Triumphant Return” Off Upcoming Debut Album

Vocal/Guitar Playthrough Premiere via GearGods

Self-Titled Album Out February 19, 2021

Ric Galvez – Vocals/Guitar/Bass – Photo Credit – Deborah Lawrence

The one-man act of Toronto’s Malice Divine brings to you the third and final single “Triumphant Return” from the upcoming debut self-titled album.

“Triumphant Return” is the least dark song on the self-titled and also the most uplifting song on the album overall. It still retains the aggressiveness that is present throughout the other eight songs on the offering.

Ric Galvez explains the track in his own words:

“The last of the three singles to be released before the full album, Triumphant Return is by far the most uplifting song on the album. As the song title implies, I was aiming to create a very triumphant feeling from the music with this song. The lyrics of the song further amplify the feeling of triumph that is inherent to this song, dealing with the theme of overcoming all obstacles that you face in life and bouncing back stronger than ever.”

The lyrics explored on the self-titled album are actually quite personal and deal with Ric Galvez’s thoughts and feelings regarding his life experiences. They are an outlet for self-expression, while also exploring topics such as spirituality and psychology with an underlying theme of personal empowerment.

The self-titled debut album was recorded at Monolithic Productions in Oshawa, Ontario by Tyler Williams beginning in January 2020. After the recording process had concluded, the album was re-amped and mixed by Tyler Williams and then Mastered by Lasse Lammert of LSD-Studio in Germany. This album is an excellent example of time during the Covid-19 pandemic being put to good use.

Melodic and captivating with a good blend of heavy styles, Malice Divine is recommended for fans of Death, Dissection, and Immortal.

“Triumphant Return” can be heard via its vocal/guitar playthrough premiere on GearGods HERE.

The full album “Malice Divine” drops on February 19, 2021.

Pre-save on digital platforms here.

First single – “In Time” – YouTube (vocal/guitar playthrough)
Second single – “Malicious Divinity” – YouTube (vocal/guitar playthrough)

Track Listing:
1. Somnium Lucidus (2:00)
2. Quantum Manifestation (7:11)
3. Malicious Divinity (5:54)
4. Triumphant Return (5:35)
5. Into Subconscious Depths (8:02)
6. Ancient Visions (6:14)
7. In Time (8:11)
8. Intuitive Realization (3:40)
9. The Transcendence Of Isolation (9:46)
Album Length: 56:37

More Info:
Facebook.com/malicedivineband
Instagram.com/malicedivineofficial
EPK

About:

Toronto, Canada’s Malice Divine is a solo project contrived by Ric Galvez who had always had the dream of entire creative control. He wanted to expand beyond being known as just as a lead guitarist. Ric Galvez has played in local bands previously and was a contestant on Banger TV’s Shredders of Metal Seasons 1 & 2.

Ric Galvez has a major in music from York University and through Malice Divine he shows off his prowess across instruments. His lyrics are inspired by psychology, and spirituality, as well as personal experiences especially those involving the overcoming of obstacles and hardships using the resulting verses as a form of empowerment.

The first offering from Malice Divine, a self-titled full length, comes in 2021 with Dylan Gowan (Vesperia, Iomair) playing session drums. There are plans to flesh out a live lineup for Divine Malice when the time is right.

What people can expect from seeing Malice Divine live is highly aggressive black and death metal inspired music with shreddy and virtuosic guitar solos adding a melodic layer that isn’t common in the genre.

Malice Divine’s self-titled debut album is due out February 19, 2021.

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0 IMMORTAL GUARDIAN Guitarist / Keyboardist Shares Epic Cover Video “Cliffs of Dover” (Eric Johnson)

February 3, 2021
by Asher
· Immortal Guardian (M-Theory Audio) · Music News

NEWS RELEASE

Montreal, QC – February 3, 2021

For fans of Iron Maiden, Helloween, Symphony X, Kamelot, Marty Friedman, Dragonforce

IMMORTAL GUARDIAN Guitarist / Keyboardist Shares Epic Cover Video “Cliffs of Dover” (Eric Johnson)

Progressive/Power Metal Quartet Immortal Guardian’s Concept Album “Psychosomatic” Out February 12, 2021
via M-Theory Audio

IMMORTAL GUARDIAN is (L-R):
Gabriel Guardian (Guitars/Keyboards)
Carlos Zema (Vocals)
Joshua Lopez (Bass)
Justin Piedimonte (Drums)

IMMORTAL GUARDIAN guitarist/keyboardist Gabriel Guardian, well known on the YouTube universe for his incredible multi-instrumental cover videos, is sharing his latest rendition of Eric Johnson‘s Grammy Award winning single “Cliffs of Dover”, which can be viewed HERE.

Gabriel Guardian adds:

“I’ve always been absolutely fascinated by this song. It’s one of a kind in its composition, tone, phrasing, and all around badassery. Eric Johnson, you sir are a genius. Thank you for inspiring me as a young Texan guitarist. I covered this song in my 8th-grade talent show and from then to even now, it never got any easier, but my passion and feeling towards every note felt the same! I love how some songs with no lyrics can pull so much emotion and nostalgia outta me. Happy to have finally had the time and skill to do a proper video for this epic song.”

After winning over new audiences with their acclaimed 2018 debut full-length “Age of Revolution” and touring relentlessly alongside fellow shredders such as Marty Friedman, Powerglove, and Exmortus, IMMORTAL GUARDIAN gathered in Las Vegas last year to begin recording their second album. As the spread of COVID-19 and the subsequent pandemic began to ensue, each member of the band retreated to their respective hometowns. With shutdowns around the world being enforced, the band completely scrapped the record that they had been working on and were heavily inspired to write and create a new thematic record about their emotions surrounding current events.

“Psychosomatic” is a product of the extraordinary events of 2020. The result is a truly multi-national record, with guitarist/keyboardist Gabriel Guardian remaining in Las Vegas, vocalist Carlos Zema recording his vocals from his home in Brazil, new drummer Justin Piedimonte joining the band from his hometown in Montreal, Canada, and new bassist Joshua Lopez remaining in IMMORTAL GUARDIAN‘s native Texas.

The group, founded by Gabriel Guardian, whose uncanny ability to play guitar and keyboard simultaneously has been showcased on MTV’s “Amazingness” along with his unique dual-instrument covers of classics by the likes of Iron Maiden, Pantera, and Guns N’ Roses have garnered hundreds of thousands of views on YouTube and have been built upon the band’s following through multiple self-released EPs before signing with M-Theory Audio for the 2018 release of their first full-length record, “Age of Revolution”. The band has also performed live alongside some of the biggest names in metal, including Judas Priest, Dragonforce, Kamelot, Symphony X, Sonata Arctica, Slayer, Metal Church, Soilwork and Steve Vai, and in countries such as Brazil and Russia, and during high-profile performances at ESPN’s X Games, South By Southwest and the Fun Fun Fun Fest.

“Psychosomatic” is the next step in IMMORTAL GUARDIAN’s evolution while still capturing the band’s exhilarating trademark melding of melodic power metal with progressive/shred tendencies.

Digital pre-save, CD and limited-edition purple vinyl pre-orders for “Psychosomatic”, which will be released by M-Theory Audio on February 12, 2021 are available now at http://smarturl.com/immortalguardian.

First Single – “Read Between The Lines” – YouTube (Lyric Video)
Second Single – “Lockdown” – YouTube (Music Video)
Third Single – “Clocks” – YouTube (Music Video)

Track Listing:
1. Psychosomatic (5:33)
2. Read Between The Lines (6:01)
3. Lockdown (4:12)
4. Phobia (6:13)
5. Clocks (5:12)
6. Self-Isolation (0:39)
7. Goodbye To Farewells (5:50)
8. Candlelight (5:24)
9. Find A Reason (7:00)
10. New Day Rising (5:56)
Album Length: 52:06

Album cover art by Nathalia Suellen (Secret Sphere, Almah, Dark Moor).

For more info:
M-theoryaudio.com
ImmortalGuardian.net
Facebook.com/igmetal
Instagram.com/immortal_guardian
Twitter.com/igmetal
EPK

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“With this album (Psychosomatic) Immortal Guardian should no longer be seen as a promising band. Not only have they shown that they have an enormous compositional quality and an elite technical level, they have also shown that they are a band that faces difficulties and that they have all the will to continue. Making a high-quality second album two years after their dazzling debut tells us about the enormous inner power these musicians have.” – Metal Rules

“Psychosomatic is the impressive new full-length album from North American power metal act Immortal Guardian. Every song is listenable on its own, and over the course of the entire album there’s a good track-to-track ebb and flow. I strongly recommend ‘Psychosomatic’ and would like to rate it highly overall… super talented musicians who have put out a fantastic second album in Psychosomatic – the music here is consistently first rate and that will never change.” – The Great Metal Debate

“Holy fucking shit, man. Talk about epic… Immortal Guardian make some seriously epic symphonic power metal that throws in elements from all over the metal spectrum. We have power metal highs and death metal screams on top of keyboards and even some djenty staccato riffs here and there. It’s a different take on epic metal and it’s definitely something that will interest you… I’m not sure I’ve heard anything quite this varied before but I’ve gotta say I dig it.” – Metal Sucks

““…vocalist Carlos Zema (ex-Outworld) has an amazing range and more passion for delivering heavy words than 98% of active power vocalists out there.” – Your Last Rites

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0 Video: Chris Broderick Shreds Guest Solo From Without Mercy’s New Album “Seismic”

December 17, 2020
by Asher
· Music News · Without Mercy

NEWS RELEASE

Montreal, QC – December 17, 2020

For fans of Cattle Decapitation, Meshuggah, Whitechapel, Pantera, Decapitated

Video: Chris Broderick Shreds Guest Solo From Without Mercy’s New Album “Seismic”

New Album “Seismic” Out Now!
Featuring guests Jeff Loomis (Arch Enemy, ex-Nevermore), Chris Broderick (Act of Defiance, ex-Megadeth, ex-Jag Panzer)

L-R – Ryan Loewen (Bass) DJ Temple (Guitars) Alex Friis (Vocals) Matt Helie (Drums)
Photo Credit: Shimon Karmel

Unleashing their beast of an album “Seismic” on November 20th, Without Mercy assaulted fans with their latest behemoth of nine assaulting grooving death metal tracks that even include special guests Jeff Loomis (Arch Enemy) on opening track “Thunderbird” and Chris Broderick (Act of Defiance) on “Disinfect The Soul”. Both showcase their undeniable shred talents for each guest solo and today, Without Mercy is sharing the playthrough clip for Broderick‘s contribution.

Without Mercy guitarist, DJ Temple adds:

“Imagine looking up to a guitarist for years and one day they answer a guitar question in a blog for you. Then next they email you and you guys become friends. Now imagine that guitarist loves your new record and plays a guest solo on it. That’s the path that this took and went down and I’m still in shock that it happened. Broderick gave a shit and really took his time to put together something impressive and tasteful all At the same time. His approach to guitar is so Intellectual and it just represents an unreal amount of talent and charisma. He brought this song to another level.”

Watch Chris Broderick‘s video on Without Mercy‘s YouTube channel HERE.

And Jeff Loomis‘ solo video can be viewed here.

Without Mercy‘s new album “Seismic” is distributed by Bloodblast Distribution (powered by Nuclear Blast) and follows the band’s 2016 EP “Moucchido”. The vast majority of the material for “Seismic” was written and rewritten multiple times over the past four years. Honed and tightened over tours and live performances, Without Mercy were unwilling to place “filler” to enhance anything. They came at this album with the best of everything they had after their inspirations were doing the same. The band shares their thoughts on the full length:

“We are beyond stoked to have our new album “Seismic” see the light of day. This album represents 4 years of solid work ethic and unwillingness to compromise even in the slightest. We’re trying to give the listeners and fans of the band a chance to hear what tenacity can sound like. Lyrics that are an honest take on issues, riffs that have been refined over time, drum parts and rhythms that are not standard or washed out. Even the mixing team behind it has a resume as long as your arm. We pushed ourselves in every field of this record and now that it’s here, we can relive those moments with all of you.”

For fans of Cattle Decapitation, Pantera, and Decapitated, “Seismic” is available on all digital platforms HERE.

Physical CD available Withoutmercyband.com.

Spotify playlist add HERE.

Music Videos:
Uprooted – YouTube
Disinfect The Soul – YouTube

Track Listing:
1. Thunderbird (ft. Jeff Loomis) (4:53)
2. Abysmal (5:42)
3. Left Alone (4:00)
4. Wiindigo (4:55)
5. Disinfect The Soul (ft. Chris Broderick) (7:18)
6. The Disaster (3:52)
7. Possessed (4:04)
8. I Break The Chain (4:44)
9. Uprooted (4:58)
Album Length: 44:29

For more info:
Withoutmercyband.com
Facebook.com/withoutmercyband
Instagram.com/withoutmercyband
EPK

– 30 –

“Without Mercy’s New Album Is A Whirlwind of Sonic Punishment” – The Pit

“Overall, two elements really struck me here…one was the level of intensity, and the other the level of musicianship from the band. How they can remain unsigned is a mystery to me. They play with such a tight synergy that it’s almost like they can finish each other’s sentences before they even open their mouth.” – Metal Temple

“While the heavy metal name generator might have had something to do with what this meaty metal unit called themselves, you can’t say it doesn’t fit. Without Mercy are pretty damn *ahem* merciless and to cap that off, their new album is so aptly titled. Seismic…a relentless powerhouse that is akin to tectonic plates smashing into each other. There is no fucking mercy and it’s fucking glorious. Excuse the swearing but that’s how this album makes you feel. It makes you feel like a beast. It makes you feel capable of taking on the world. It’s chunky, it’s thick, it’s chokingly devastating and undoubtedly one to be remembered.” – Games, Brrraaains & A Head-Banging Life

“A merciless Vancouver-based Death and Thrash Metal unity is ready to strike us all once again with their newest opus, representing four years of solid work ethic and unwillingness to compromise even in the slightest.” – The Headbanging Moose

“Without Mercy’s music is made for a wide audience. Seismic will please as much to pure violence lovers, as a crowd that fight following the catchy groove.” – Acta Infernalis

—

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0 TALES OF THE TOMB Shares Guitar Playthrough ‘Mermaid In A Manhole’ via V13.net

May 27, 2020
by Asher
· Music News · Tales of The Tomb

(contact info below)

NEWS RELEASE

Montreal, QC – May 27, 2020

For fans of Macabre, At The Gates, Cannibal Corpse, Dying Fetus, Psychological Horror Metal / Death Metal / Murder Metal

TALES OF THE TOMB Shares Guitar Playthrough ‘Mermaid In A Manhole’ Off Conspiracy EP “Volume Two: Mendacium”

Tales Of The Tomb (L-R): Trez Thomas (Guitar and Vocals), Corey Skerlak (Guitar and Vocals)

Photo Credit – Kylee Thompson Photography

Edmonton death metal duo Tales of The Tomb are sharing with fans their latest guitar playthrough for ‘Mermaid In A Manhole’. The song is a bonus track that comes off of the band’s latest EP “Volume Two: Mendicium” unleashed this past September. The EP itself is a collection of narratives surrounding government cover-ups, national lies, and the heinous crimes committed amongst the shadows. It’s also a vicious bite of grinding blast beats, technical shredding accompanied by venomous guttural lows.

Today, guitarist Corey Skerlak has put together a new playthrough for the song, which is one of many more videos being released by the band in the coming weeks.

Behold the shredding via the video’s premiere on V13.net HERE.

The band explains the story behind the bonus track in further detail:

“‘Mermaid In A Manhole’ is the only song we have written that is truly-fictional. Based on a Japanese horror film Mermaid in a Manhole. The song focuses on a painter that is suffering from depression, who disembowels his wife while in a psychotic state. The story of the song ‘Mermaid in a Manhole’ does not really fit into our conspiracy theme we have for this EP. This is why we decided to list it as a bonus track to give it a proper release and the band had no plans to write more true-fiction based songs. Sonically we tried to recreate the psychosis the painter was going through, we wanted to represent the chaos that must have been going on in the painter’s mind to have brought himself to murder his wife. There is a sample at the end of the song, which has the sound of chopping and a man speaking in Japanese. This is audio taken right from the movie at the part where the painter is sitting on the ground covered in blood chopping up the remains of his mermaid saying, “My Mermaid, My Mermaid is dead.”

“Volume Two: Mendicium” was mixed and mastered by Cryptopsy guitarist and head engineer/owner at The Grid Studios Christian Donaldson along with featuring artwork by Tony Midi of Tonymidi Artworks. The EP is available on Bandcamp, Spotify, Apple Music.

Track Listing:
1. The Nightmare Hall (4:05)
2. Faul (3:02)
3. The Sinful Messiah (4:14)
4. Dyatlov Pass Incident (3:52)
5. Nine Eleven (4:46)
6. Mermaid In A Manhole (3:33)
EP Length: 23:44

More info:
Facebook
Instagram
EPK

About:

Unified by the desire to have the grotesque power of 90’s era death and murder metal, Tales of The Tomb started as a thought that grew into an insatiable need to make extreme music. Tales Of The Tomb was created in October 2013 from founder Corey Skerlak (guitar, vocals) out of inspiration from the original murder metal band Macabre.

Much of their inspiration is drawn from the hideous crimes and conspiracies of the world. Retelling stories of the dark hidden secrets and victims from such crimes. This was the inspiration for the name Tales of The Tomb.

– 30 –

“Overall, I recommend this album to death metal fans of all varieties. It is a fun album with a lot of great riffs. Also, I highly recommend reading the lyrics and learning about the conspiracy theories behind the songs.” – Metal Temple

“Volume Two: Mendacium is six songs of punishing metal fit for listeners with the heaviest of taste. Whether you’re spending time carving pumpkins or watching slasher movies this Halloween season, be sure to make room on your playlist for Tales of the Tomb.” – Surviving The Golden Age

” Their new, independently released EP is heavy as ice and laced up with razor-sharp production. Volume Two: Mendacium is a non-stop frosty riff fest, delivered on a moose-poutine platter of awesome production thanks to the Canucks over at The Grid. Slapshot your wallets & pick up this death metal gem.” – TrveNorth Reviews

“The need to head bang is strong with this one, and it made for an excellent addition to my Death Metal library.” – New-Transcendence

“All in all, Tales of the Tomb’s latest installment is a rather subtle tale that is more akin to a destructive musical journey through morbid lyrical themes and passages.” – Metal Trenches

—

ASHER MEDIA RELATIONS
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0 Tech-Metal FROGG Share The Shred On “Ancient Rain” Guitar Playthrough; Debut EP “A Reptilian Dystopia” Out Jan 17, 2020

December 23, 2019
by Asher
· FROGG · Music News

(contact info below)

NEWS RELEASE

Montreal, QC – December 23, 2019

For fans of Obscura, Arsis, Born of Osiris, Kalmah, The Zenith Passage

Tech-Metal FROGG Share The Shred On “Ancient Rain” Guitar Playthrough

Debut EP “A Reptilian Dystopia” Out Jan 17, 2020

Fresh out of Stamford, Connecticut, USA, comes FROGG, a creative and modern blend of metal that is both dark and melodic. Set to release their debut EP “A Reptilian Dystopia” on January 17, 2020, the band is sharing their wicked video of shred in the guitar playthrough for their first single ‘Ancient Rain’ unleashed earlier this December. The track is fast, technical and powerful with brutal riffs and malicious gutturals. One of the 4 punchy tracks that are just the beginning of what FROGG has to offer.

Watch the playthrough (without vocals) for “Ancient Rain” on YouTube or Facebook.

Song stream for the full track on YouTube HERE and Spotify.

FROGG has been in the works for years in the mind of Sky Moon Clark and over the years he has been inoculating a stash of riffs, licks, and raw emotion, which will now be poured out into the world. As the band puts it, “it’s a fiery punch to the gut”.

Clark adds:

“Our EP is kind of our raw sound put on a plate without much refinement, but it’s still the basic punch and flavor FROGG has to offer. Just think of the EP as our base, while our in-the-works Album I (expected 2021/2022) will be a more fleshed-out form of FROGG with an emphasized focus on the overall songs start to finish.”

Metal fans looking for something new and creative, especially fans of Obscura, Arsis and Born of Osiris will be able to appreciate FROGG and “A Reptilian Dystopia”.

EP Pre-order here.

Track Listing:
1. Ancient Rain (3:23)
2. Nuclear Storm (2:05)
3. DNA (7:29)
4. Ranidaphobia (3:47)
EP Length: 16:45

For more info:
Facebook.com/Froggband
Instagram @ Froggband
Twitter @OfficialFrogg
EPK

About:

FROGG is a modern technical metal band located in Stamford, USA with influences stemming from Obscura, Arsis, and Born of Osiris.

The concept behind FROGG is simple: create modern heavy music while striving to show off some originality in an often, over-processed genre. FROGG’s main ambition is to hit the live circuit in NYC and its surroundings with a perfected performance and bolstered line-up.

FROGG started as your typical high school band with founder Sky Moon Clark and co-founder at the time, Ryan Panny blasting off primarily Children of Bodom covers for fun. FROGG was later revitalized by Clark, during his time at Berklee College of Music.

Through his time at Berklee, Clark experimented with different projects while continuing to funnel different guitar-centric song ideas and riffs into the archives that would later come to fruition with the next reincarnation of FROGG.

In 2019, the overstocked stash of riffs, licks, and raw emotion was ready to be poured out into the world what was a one-man project bloomed with the addition of Siebe Sol Sijpkens (bass); Anthony Barrone (drums) and Liam Zintz-Kunkel (rhythm guitars) to record the first EP.

With performance in mind, FROGG delivers an authentic live sound with no backup tracks, just raw, practiced musicianship. The dark and melodic band promises something hot, original and intense and the debut album “A Reptilian Dystopia” is slated for release in 2020.

– 30 –

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0 Canadian Guitar Prog PYRAMIDS ON MARS Premieres Full Stream of Third Album “Edge of The Black” via Bravewords

December 19, 2019
by Asher
· Music News · Pyramids On Mars

(contact info below)

NEWS RELEASE

Montreal, QC – December 19, 2019

For fans of Joe Satriani, Rush, Yngwie J Malmsteen, Steve Vai

Canadian Guitar Prog PYRAMIDS ON MARS Premieres Full Stream of Third Album “Edge of The Black”

Guitarist Kevin Estrella’s project Pyramids On Mars has a new album being released on December 21, 2019, entitled “Edge of the Black”. This third full length from Pyramids On Mars offers up an aural palette of intense instrumental progressive shredding rock that’s emotional, provocative and 4-dimensional.

Teaming up with Bravewords, Pyramids On Mars is premiering the album’s full stream before it officially drops HERE.

Estrella adds:

“On ‘Edge of The Black’, I wanted to put emphasis on songwriting and telling a story. The emphasis is not just on the lead guitar melody, but on the band as a whole. Harmonic variations on repeating themes are strongly utilized; like rhyming phrases in spoken language that allows easier accurate retelling of the original story. This idea of repeating music phrases/themes so the audience can easily recall it and hum it all the way home.

Many people would think that being an instrumental guitarist that I must listen to a lot of guitar players. On the contrary, I do not. Yes, I was originally influenced by guitar players like Joe Satriani and Yngwie Malmsteen and spent many years learning their style. But my own sense of identity has come from the music I am most passionate about, which is Baroque Classical Music. I am a huge Yngwie Malmsteen fan. I spent two years, in fact, listening to nothing, but Malmsteen and studied his style. But I did not want to become another Malmsteen clone. I realized that in order to play like him, I had to listen to his influences. My life changed when I started listening to Bach, Vivaldi, and Paganini. It was like hearing music for the very first time. I listen to mostly classical music these days.

When you listen to Edge of the Black, most of the guitar melodies are actually violin melodies. And many of them are found in my online instructional guitar lessons. There are a few other people who inspired Edge of the Black. You will hear Iron Maiden, Rammstein and Queen influences. Some of the bass parts are inspired by Steve Harris (Iron Maiden) and John Deacon (Queen).

Personally ‘Edge of The Black’ sounds like if Joe Satriani and Yngwie Malmsteen joined Rush.”

“Edge of the Black” follows Pyramids On Mars‘ two previous albums and was written, composed and performed solely by Kevin Estrella who cites influences from musical greats including J.S Bach and Antonio Vivaldi along with today’s guitar virtuosos Yngwie Malmsteen and Joe Satriani. “Edge of the Black” pays homage to these artists while still maintaining Estrella’s own creative flair. Estrella shares his thoughts on the album

“Edge of The Black” pre-order available on Bandcamp.

Track Listing:
1. Blood Moon 5:42
2. Nacht Waffen 6:56
3. Song of Light 5:44
4. F-22 Raptor 5:53
5. The Ambassador 4:57
6. Mercury Magnetar 4:58
7. Arcturian Rain 4:38
8. Time to Believe 4:40
9. Arioso Lullaby 4:39
10. Whale Song 4:28
Album Length: 52:40

For more info:
PyramidsOnMars.com
Facebook
Instagram

About:

Every once in a while there comes along a band that is so different or unique, you would think they were dropped on Earth from another planet. Pyramids On Mars is one of those bands. What first catches you, is that they are an instrumental band. A combination of elements such as hard rock, industrial, metal and psychedelic rock: and then the lead guitar comes soaring in. Well crafted, beautiful, melodic phrases so catchy and memorable they will be stuck in your head for the rest of the day.

Pyramids On Mars is the solo project of guitarist Kevin Estrella. He wanted to do something musically different that would stand out from the crowd. Estrella’s musical style is very similar to world-renowned rock guitarist Joe Satriani, so much so that Estrella has nicknamed himself the “Satriani of the North.”

“Of course Satriani has had a huge influence on me,” he says “But he (Satriani) does more of a bluesy thing whereas I am more influenced by classical music. I absolutely love the Baroque classical composers J.S Bach and Antonio Vivaldi who are my biggest musical influences.

Estrella recorded, produced, engineered and mastered his debut album, self-titled “Pyramids On Mars” in 2013. Since then, he has been capturing music industry attention-getting international radio airplay in the U.S, Canada, South America, and Europe. He is a regular guest on Brian ‘the hammer’ Jackson radio (Los Angeles) to over 4 million listeners and a weekly speaker on Real Rock Radio (Chicago).

– 30 –

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ASHER MEDIA RELATIONS

Jon Asher – Music Publicist
#.514.581.5780
asher[@]ashermediarelations[.]com
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0 TALES OF THE TOMB Shreds Tech Death Metal In Guitar Playthrough ‘Nine Eleven’; New EP “Volume Two: Mendacium” Out Now!

December 13, 2019
by Asher
· Music News · Tales of The Tomb

(contact info below)

NEWS RELEASE

Montreal, QC – December 13, 2019

For fans of Macabre, At The Gates, Cannibal Corpse, Dying Fetus, Psychological Horror Metal / Death Metal / Murder Metal

TALES OF THE TOMB Shreds Tech Death Metal In Guitar Playthrough ‘Nine Eleven’

New EP “Volume Two: Mendacium” Out Now!

Tales Of The Tomb (L-R): Trez Thomas (Guitar and Vocals), Corey Skerlak (Guitar and Vocals)

Photo Credit – Kylee Thompson Photography

Unleashing their latest EP “Volume Two: Mendicium” this past September, Edmonton death metal duo Tales of Tomb are sharing with fans and technical guitar shredders their new playthrough video for the track ‘Nine Eleven’ via its premiere on TechnicalMusicReview HERE.

The band explains the story behind the track:

“Very few people (if any) are unaware of the tragic events that unfolded on Sept 11. 2001. We originally wrote this song for the last show of another Edmonton local band called Villainizer. When starting to plan out the second EP we wanted to have a concept like our first one. With songs like Nine Eleven and Faul wrote this point. We look common factors were in the songs and came to the conspiracy/lies concept. This EP is an important installment that embodies the fundamentals of the band — the reality is more horrifying than fiction. This is a concept EP based on the Latin word Mendacium — meaning untruth and or to be lied to. The first single Nine Eleven is just that — presenting a version of tragic historical events from various angles and the alleged truths that were presented. The intention of each song is to unmask the deception forced upon the masses pushing them to challenge their own perception of reality.”

Painting their canvas of extreme music with inspirations of real-life stories of murder, conspiracy, supernatural horror, and terror, Tales of The Tomb‘s new EP “Volume Two: Mendicium” is a vicious bite of grinding blast beats, technical shredding accompanied by venomous guttural lows. Inspired by true events, the duo offer up gore-filled lyrics with a quivering soundscape. The EP was mixed and mastered by Cryptopsy guitarist and head engineer/owner at The Grid Studios Christian Donaldson along with featuring artwork by Tony Midi of Tonymidi Artworks.

“Volume Two: Mendicium” is available on Bandcamp, Spotify, Apple Music.

Previous Videos:
‘The Sinful Messiah’ here.
‘The Nightmare Hall’ here.
‘Nine Eleven’ here.
‘Dyatlov Pass’ here.
‘Mermaid In A Manhole’ here.

Track Listing:
1. The Nightmare Hall (4:05)
2. Faul (3:02)
3. The Sinful Messiah (4:14)
4. Dyatlov Pass Incident (3:52)
5. Nine Eleven (4:46)
6. Mermaid In A Manhole (3:33)
EP Length: 23:44

More info:
Facebook
Instagram
EPK

About:

– 30 –

“RIYL: Serial killers and death metal. Now, many of you may think the two already go hand in hand, but new dimensions of depravity are opened when you take the murderous criminals Macabre and Church of Misery have been glorifying forever and backdrop it with noise more akin to Cannibal Corpse Fist-****ing At The Gates. Or Vice Versa.” – Decibel Magazine

“It’s got a European death metal feel to it, and while it’s definitely heavy, it’s centerpiece is a melodic guitar solo. If the rest of the EP, out on November 27th, is anything like the first taste of it, signals Tales of the Tomb as a band we’ll be hearing more – Metal Insider

“Grooves entwine and work their way under the skin like toxic vines, whilst the body of the song strolls with a deceitful calm as much hued in more classic metal essences as it is in death metal voracity.” – RingMaster Review

“Volume One: Morpras stands as a melodic treat fans of cold sounding death metal, melodic or otherwise, will definitely get a kick out of.” – Apochs Metal Review

Prairie Finalist for Wacken Metal Battle Canada 2016

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