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Tag: guitar

0 Multi-Instrumentalist MATT MILLER Shred-Bliminal Video For Expansive Single “Abominable Sands” + New Album “Monument of Velocity” Out Now!

  • November 16, 2022
  • by Asher
  • · Matt Miller · Music News

NEWS RELEASE

Montreal, QC – November 16, 2022

 

Multi-Instrumentalist MATT MILLER Shred-Bliminal Video For Expansive Single “Abominable Sands”

New Album “Monument of Velocity” Out Now!

Matt Miller – Photo Credit – Tony Reviere

Akademia-Award-winning producer, engineer, and songwriter Matt Miller side-steps these industry achievements to embark on something deeply introspective and personal; a transcendent, reactionary and vile personage embodying soaring progressive melodies and captivating crushing rhythms which engulf the listener in black clouds of desperation and shimmering hope. His album “Monument of Velocity” takes you on a journey and makes a bold statement. He intends for the songs on the album to come across as scenes from a movie. His single “Abominable Sands” captures that vibe excellently and can now be watched on TechnicalMusicReview. Miller comments on the album:

“With “Monument of Velocity” I set out to push my creative limits by not relying on any preconceived notions and letting each song unfold as its own entity. Which in turn actually created a stronger continuity between the tracks. By writing the majority of the album without a guitar in hand I was able to think outside the box and come up with more interesting melodies and more dynamic rhythms. This process allowed me to achieve a greater level of melodicism and generate a stronger emotional response.”

“Monument of Velocity” initially had a different title and was not going to be a Matt Miller release and some of the songs were written with vocals in mind and were not going to be instrumental, however, it turned out to be the sixth of seven powerful albums in his discography. It contains eight tracks full of technical and progressive metal eliciting feelings of suspense, and tension while being fun, melodic, and brutally heavy.

Miller’s melodic and relentless music has a wide range of influences and is recommended for fans of Jeff Loomis, Necrophagist, and Obscura.

The shredtastic video for “Abominable Sands” can be seen and heard via TechnicalMusciReview HERE.

“Monument of Velocity” was released on July 19, 2022, via Blood Blast Distribution (powered by Nuclear Blast and Believe Digital) and is available on Spotify, Bandcamp, Apple Music.

Music Video – The Obscurantist – https://youtu.be/5PJQpqLZSz4​

Guitar playthrough – Coral Sword – https://youtu.be/wQ18boWD4G0​

Music Video – The Acheron – https://youtu.be/bKkMTLG2dPo​

​

Track Listing​
1. The Fissure (1:01)
2. Abominable Sands (3:13)
3. The Obscurantist (3:18)
4. Monument of Velocity (4:32)
5. Coral Sword (3:27)
6. Sacred Geometry (3:32)
7. Acheron (3:15)
8. Human Race Against Time (3:38)
Album Length: 25:59

For more info:​
​https://mattmillerhhakmusi.wixsite.com/mattm​
​https://www.facebook.com/profile.php?id=100052177364686​
​https://www.instagram.com/mattmiller630​

EPK – https://wp.me/pciNW-itE​

Booking – Extreme Management Group
Mark Kloeppel – emg.markkloeppel[@]gmail[.]com

About:
Akademia-Award-winning producer, engineer, and songwriter MATT MILLER side-steps these industry achievements to embark on something deeply introspective and personal; a transcendent, reactionary and vile personage embodying soaring progressive melodies and captivating crushing rhythms which engulf the listener in black clouds of desperation and shimmering hope.
​
Drawing upon the gut-wrenching timed-precision of European death metal stalwarts NECROPHAGIST and SPAWN OF POSSESSION, MATT MILLER progressively blends this approach with deep synthetic and symphonic atmospheres like that of DEVIN TOWNSEND, often arriving at surprisingly emotive and heart-clenching metallic passages like that of RIVERS OF NIHIL.
​
Calling upon other single-member death metal projects such as PUTRID PILE or INSIDIOUS DECREPANCY, the live performance can best be described as a reclaiming and repainting of the earth by a relentlessly sweeping and deranged berzerker appealing to the vast minions of the extreme music. The combination of elements within MATT MILLER distills the traditions of the international metal realm, the progressive atmospheres of modernity, and reactions to a vile world into a single unrelenting persona of despair and vengeance.
​
MATT MILLER’s first self-produced instrumental EP came in 2017, drawing on influences from classic metal bands such as MEGADETH and IRON MAIDEN to shredders like YNGWIE MALMSTEEN and PAUL GILBERT, while combining a technical death metal approach to create a maximum intensity music with a frenetic and frantic feel and ferocious atmosphere. Since then, and a few releases into this brief career, MATT MILLER boasts 12,000 consistent monthly listeners on Spotify before hitting the international touring circuit. This was garnered from his 2017 EP, the 2021 self-released ‘Decrepit Shed’ LP, the ‘Reekomposer/Decomposer’ covers double LP, as well as the ‘8E’s’ 1980’s themed covers LP.
​
In 2022 Matt released the formidable original instrumental LP Monument of Velocity on Blood Blast Distribution. Matt also toured supporting Rings of Saturn on the CYBER SHRED TOUR 2022. 29 shows encompassing the continental United States. Matt has released the cover LP Only What the Light Allows through Blood Blast Distribution as well.
​
Matt Miller hails from the rain soaked northern Oregon Coast; influenced by the natural foreboding environment. Moving into the present, MATT MILLER has joined up with Extreme Management Group to spread a singularly relentless auditory mind-bend.

– 30 –

​

—
ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780 | jon[@]ashermediarelations[.]com
Facebook @AsherMediaRelations | Instagram @AsherMedia | Tweet @AsherMedia
(Rockshots Records, Extreme Metal Music, Armstrong MF, Loud As Hell, Metalocalypstick, Decimate MF, Electric Highway Fest, Wacken Metal Battle Canada/USA, Hyperspace MF, Le FestEvil)

0 Multi-Instrumentalist MATT MILLER Guitar Playthrough Video For “Coral Sword” Off New Album “Monument Of Velocity” Out Now!

  • September 22, 2022
  • by Asher
  • · Matt Miller · Music News

NEWS RELEASE

Montreal, QC – September 21, 2022

Multi-Instrumentalist MATT MILLER Guitar Playthrough Video For “Coral Sword” Off “Monument Of Velocity”

New Album “Monument of Velocity” Out Now!

Matt Miller – Photo Credit – Tony Reviere

Akademia-Award-winning producer, engineer, and songwriter Matt Miller side-steps these industry achievements to embark on something deeply introspective and personal; a transcendent, reactionary and vile personage embodying soaring progressive melodies and captivating crushing rhythms which engulf the listener in black clouds of desperation and shimmering hope. “Monument of Velocity” is the third original album from Miller, who also has four cover albums out. He set out to push his creative limits and share his passion with the world. The single “Coral Sword” now has a playthrough video being released, so fans can see him up close and personal, working his magic. He comments on the track and the album:

“Monument of Velocity takes you on a journey and makes a bold statement. I like to think of the songs on the album as scenes from a movie. By writing the majority of the album without a guitar in hand I was able to think outside the box and come up with more interesting melodies and more dynamic rhythms. This process allowed me to achieve a greater level of melodicism and generate a stronger emotional response. “Coral Sword” is a song that was written based upon the creation myth of the islands of Japan.”

Even though Miller’s music is instrumental, he likes to think of the guitar as a voice. Which in turn makes him ask what is the guitar saying? He is able to easily convey emotion, tone, and a story even without the use of vocals. Throughout his releases, his music has developed a more modern sound in both the music and the production. Musically the songs are more well written and a lot of the ideas he writes are being accurately represented. He is always trying to push himself as a musician and this is reflected in his discography.

Influenced primarily by technical and progressive death metal with a dash of power metal and symphonic metal as well, Matt Miller’s music is recommended for fans of Obscura, Dragon Force, and Racer X.

The guitar playthrough video for “Coral Sword” can be viewed and heard at https://youtu.be/wQ18boWD4G0

​

“Monument of Velocity” was released on July 19, 2022 via Blood Blast Distribution (powered by Nuclear Blast and Believe Digital) and available on Spotify, Bandcamp, Apple Music.

Music Video – The Obscurantist – https://youtu.be/5PJQpqLZSz4

​

Track Listing​
1. The Fissure (1:01)
2. Abominable Sands (3:13)
3. The Obscurantist (3:18)
4. Monument of Velocity (4:32)
5. Coral Sword (3:27)
6. Sacred Geometry (3:32)
7. Acheron (3:15)
8. Human Race Against Time (3:38)
Album Length: 25:59

For more info:​
​https://mattmillerhhakmusi.wixsite.com/mattm​
​https://www.facebook.com/profile.php?id=100052177364686​
​https://www.instagram.com/mattmiller630​

EPK – https://wp.me/pciNW-itE​

Booking – Extreme Management Group
Mark Kloeppel – emg.markkloeppel[@]gmail[.]com

About:
Akademia-Award-winning producer, engineer, and songwriter MATT MILLER side-steps these industry achievements to embark on something deeply introspective and personal; a transcendent, reactionary and vile personage embodying soaring progressive melodies and captivating crushing rhythms which engulf the listener in black clouds of desperation and shimmering hope.
​
Drawing upon the gut-wrenching timed-precision of European death metal stalwarts NECROPHAGIST and SPAWN OF POSSESSION, MATT MILLER progressively blends this approach with deep synthetic and symphonic atmospheres like that of DEVIN TOWNSEND, often arriving at surprisingly emotive and heart-clenching metallic passages like that of RIVERS OF NIHIL.
​
Calling upon other single-member death metal projects such as PUTRID PILE or INSIDIOUS DECREPANCY, the live performance can best be described as a reclaiming and repainting of the earth by a relentlessly sweeping and deranged berzerker appealing to the vast minions of the extreme music. The combination of elements within MATT MILLER distills the traditions of the international metal realm, the progressive atmospheres of modernity, and reactions to a vile world into a single unrelenting persona of despair and vengeance.
​
MATT MILLER’s first self-produced instrumental EP came in 2017, drawing on influences from classic metal bands such as MEGADETH and IRON MAIDEN to shredders like YNGWIE MALMSTEEN and PAUL GILBERT, while combining a technical death metal approach to create a maximum intensity music with a frenetic and frantic feel and ferocious atmosphere. Since then, and a few releases into this brief career, MATT MILLER boasts 12,000 consistent monthly listeners on Spotify before hitting the international touring circuit. This was garnered from his 2017 EP, the 2021 self-released ‘Decrepit Shed’ LP, the ‘Reekomposer/Decomposer’ covers double LP, as well as the ‘8E’s’ 1980’s themed covers LP.
​
In 2022 Matt released the formidable original instrumental LP Monument of Velocity on Blood Blast Distribution. Matt also toured supporting Rings of Saturn on the CYBER SHRED TOUR 2022. 29 shows encompassing the continental United States. Matt has released the cover LP Only What the Light Allows through Blood Blast Distribution as well.
​
Matt Miller hails from the rain soaked northern Oregon Coast; influenced by the natural foreboding environment. Moving into the present, MATT MILLER has joined up with Extreme Management Group to spread a singularly relentless auditory mind-bend.

– 30 –

​

—
ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780 | jon[@]ashermediarelations[.]com
Facebook @AsherMediaRelations | Instagram @AsherMedia | Tweet @AsherMedia
(Rockshots Records, Extreme Metal Music, Armstrong MF, Loud As Hell, Metalocalypstick, Decimate MF, Electric Highway Fest, Wacken Metal Battle Canada/USA, Hyperspace MF, Le FestEvil)

0 Canada’s Deformatory Unleash Guitar Playthrough “Within The Astral Abscess”, Playthrough Premiere via GearGods

  • September 27, 2021
  • by Asher
  • · Deformatory · Music News

NEWS RELEASE

Montreal, QC – September 27, 2021

Canada’s Deformatory Unleash Guitar Playthrough “Within The Astral Abscess”

Playthrough Premiere via GearGods

New Album “Inversion of the Unseen Horizon” Out Now!

Canadian death metal duo Deformatory, helmed by Charlie Leduc (Guitars & Vocals) and Neil Grandy (Drums) recently unleashed their third full-length, “Inversion of the Unseen Horizon”. This newest death metal offering contains 9 relentlessly brutal tracks wrapped in a beautifully complex concept, designed to overwhelm & entice the senses.

Today, in support of the record, guitarist Charlie Leduc is giving a behind-the-scenes look at his guitar prowess with a new playthrough for the album’s opening track “Within The Astral Abscess” via its premiere on GearGods HERE.

Leduc’s adds about the track:

“Within The Astral Abscess is such a fun and relentless song to play. It’s got a little bit of everything tossed into it, mostly because it was written in a single-take jam session. There’s just no stopping the energy that comes through when smashing these riffs out. The unorthodox song structure and variations in the vibe throughout the track makes it a perfect warm-up song and one hell of an album opener.”

Deformatory has been a maelstrom of devastation since 2010, assaulting all in their wake with relentless sonic brutality.

Rising from the depths of Ottawa, Canada, Deformatory has been delivering their crushing brand of extreme metal to live, screaming, and sweaty audiences across the provinces of Ontario & Quebec as a headlining band along with being a supporting act for Cryptopsy, Obscura, Napalm Death, Archspire, Beyond Creation, Fuck The Facts, Gorod and more.

With over a decade of crafting a maniacal and unconventional approach to extreme metal, they have garnered the devotion of fans worldwide since their debut EP “A Prelude Of…” in 2011, which has been followed by two full-length albums “In The Wake of Pestilence” (Independent, 2013) and “Malediction” (CDN Records, 2016). Through CDN Records, they have also released a cover of Deicide’s infamous song “Once Upon The Cross” and a split album with Blood of Christ entitled “Bilateral Carnage” both in 2018.

Now in 2021, they bring forth a new hellstorm with their third full-length entitled “Inversion of The Unseen Horizon”, which will be their first as a duo featuring Charlie Leduc (Guitars & Vocals) and Neil Grandy (Drums).

The nine-track album is an assault for the masses that reaches all corners of the extreme metal spectrum from straight-up death to old-school black metal, all to encourage a maniacal frenzy, which even includes a guest appearance from Jon Levasseur (ex-Cryptopsy, None So Vile-era), a very admired guitar player in the genre and influence for the band.

Recommended for fans of Hate Eternal, Cryptopsy, and Morbid Angel, “Inversion of the Unseen Horizon” was released on September 3rd and can be enjoyed on CD, Vinyl, Cassette and digital download at http://deformatory.bandcamp.com

Previous Videos:
In The Embervoid Where Dead Stars Reign – https://youtu.be/7M5DSSNg3fY
Beyond The Abhorrence – https://youtu.be/Hj9B4QPJ-YI
Impaled Upon The Carrionspire ft. Jon Levasseur (ex-Cryptopsy) – https://youtu.be/03VlbpSDNmU
Summoning The Cosmic Devourer – https://youtu.be/FIdlOiOR1Zs
Deciphering The Archetype – https://youtu.be/lY0qvjL7Hkc


Track Listing:
Chapter I – INCEPTION: THE CYRU’XILEAN NEXUS
1. Within The Astral Abscess (5:20)
2. Behold, The Apex of Decay (4:36)
3. Enginieering The Wvrmhorde (4:39)

Chapter II – INCURSION: THE PROTOTYPAL ESCHATON
4. Summoning The Cosmic Devourer (7:13)
5. Masticated By An Infinite Shadow (4:30)
6. In The Embervoid Where Dead Stars Reign (3:52)

Chapter III – INVERSION: THE HORIZONTAL REFLECTION
7. Deciphering The Archetype (3:53)
8. Impaled Upon The Carrionspire (5:01) (Classical guitar and solos by Jon Levasseur (ex-Cryptopsy))
9. Beyond The Abhorrence (4:13)
Album Length: 43:21

Album Band Line Up:
Charlie Leduc – Guitars & Vocals
Neil Grandy – Drums

For more info:
Deformatory.ca
Facebook.com/deformatory
Instagram.com/deformatory
EPK

– 30 –

“A maniacal riff-fest colliding with pulverizing drumming and grotesquely executed vocals, Impaled Upon The Carrionspire is a memorable journey into a modern death metal portal of chaos. This is beyond a brutal wall of sound; it’s an experience that hooks you in, and guides you through everything you can expect to hear on the new album.” – Metal Injection

“Let’s cut to the chase: Imagine filling a syringe with unadulterated adrenaline, sticking it straight into your carotid artery, and jamming the plunger down with as much force as you can muster. That’s the effect of listening to Deformatory’s “Beyond the Abhorrence“. Driven by the mad weaponry of drummer Neil Grandy‘s almost relentless double-kick barrage and the rabid monstrosity of Charlie Leduc‘s cavernous bellowing, the song is a non-stop attack of mind-mutilating, pulse-pumping savagery. Leduc unleashes a plethora of macabre riffs and mutated leads, creating a multitude of frightening yet electrifying sensations, none of which are connected to a sane mind.” – No Clean Singing

“”Summoning the Cosmic Devourer,” being almost seven minutes long and just jam-packed with insanity, feels like it devoured other, lesser songs to become a terrifying megalith of riff after riff after riff. Dashing from one tempo to another with no warning, the song’s askew progressions illustrate sneering triumph and cosmic indifference with punishingly clear double-bass work to keep the tempo firmly in the mortal plane. This vile ceremony of riffs is intense and immediate enough to warrant constant attention, but it also seems to ooze with discordant mystery—each jarring and jagged chord hints at a terror outside our understanding. ” – Invisible Oranges

“those seeking the most brutal and battery ram-like extremity, Deformatory checks off all of the boxes that you’d like it to: strong musicianship and soloing, intense riffs and vocals, and just enough melody to keep it from going completely unhinged.” – Dead Rhetoric

“Inversion Of The Unseen Horizon consolidates Deformatory’s position as one of the finest acts in the Canadian metal scene.” – Heavy Music Headquarters

—

ASHER MEDIA RELATIONS

Jon Asher – Music Publicist
#.514.581.5780
jon[@]ashermediarelations[.]com
Facebook @AsherMediaRelations
Instagram @AsherMedia
Tweet @AsherMedia

0 REALITY GREY Unleashes Shredding Guitar Playthrough For “Preachers of Hatred”

  • June 15, 2021
  • by Asher
  • · Music News · Reality Grey

NEWS RELEASE

Montreal, QC – June 15, 2021

For fans of Soilwork, As I Lay Dying, Scar Symmetry, Lamb of God, Unearth

REALITY GREY Unleashes Shredding Guitar Playthrough For “Preachers of Hatred”

Playthrough Premiere via TechnicalMusicReview

New Album “Beneath This Crown” Out Now!

Pictured L-R:
Alex Giustino (Bass)
Anto Addabbo (Guitars)
Tommy Montenegro (Vocals)
Alberto Pinto (Guitars)
Francesco Inchingolo (Drums)

Italy’s Reality Grey‘s fourth album “Beneath This Crown” was released just this past May via Blood Blast Distribution, powered by Nuclear Blast and Believe Digital. Offering a sonic assault of extreme melodic metal over the course of thirteen relentless tracks, the record follows 2014’s “Define Redemption” (Bakerteam/Scarlet Records).

On this new record, fans are treated to the band’s “most innovative and modern record we have ever made”. They went beyond everything they have done in the past both musically and lyrically. Reality Grey was able to develop their most experimental side.

“The album has very different feels throughout the track listing; every song is a stand-alone story as we never liked to copy ourselves on and on. The writing process has been heavily influenced by movie soundtracks, especially sci-fi soundtracks,’ something that goes beyond a classic heavy metal song. We wanted to get very personal and original with this album and I think we nailed it!” adds the band.

Continuing to support the album’s release, Reality Grey guitarists Anto Addabbo and Alberto Pinto are sharing their latest shredding playthrough for “Preacher’s of Hatred”, the most brutal song on the record; the fast thrash gives way to a groovy and jazzy pre-chorus.

The playthrough can be viewed via its premiere on TechnicalMusicReview HERE.

The music video “Preachers of Hatred” (which has reached over 100,000 views) can also be seen at https://youtu.be/yexnBZLDVyE

Aggressive and technical, Reality Grey is recommended for fans of As I Lay Dying, Scar Symmetry, and Lamb of God,

“Beneath This Crown” is available at the following link – https://backl.ink/144305702

Previous Videos:
Powerblast – https://youtu.be/s3pSFUFZzSI
Multidimensional Hollow – https://youtu.be/4hDxsTop8Fs
Daybreakers – https://youtu.be/spOgWpdGcwY
The Void – https://youtu.be/nUnldMsfKDA
The Fury – https://youtu.be/hFEyqEh00Os


Track Listing:
1. Legion (Intro) (1:51)
2. Fade In Fear (4:44)
3. Kings of Nothing (5:18)
4. Preachers of Hatred (4:05)
5. Daybreakers (5:37)
6. Powerblast (4:09)
7. Multidimensional Hollow (4:16)
8. The Fury (4:01)
9. Dreaming (Feat. Milly Florio from End Of Skyline) (5:13)
10. Reascent (4:01)
11. Beneath This Crown (5:28)
12. Indelible Stains (3:39)
13. The Void (4:34)
Album Length: 57:03

For more info:
Facebook.com/RealityGrey
Instagram.com/realitygrey 
EPK

Reality Grey is supported by the Programmazione Puglia Sounds Record – 2020/2021 and REGIONE PUGLIA FSC 2014/2020 – Patto per la Puglia Investiamo nel vostro futuro.

About:
Hailing from South Italy, Reality Grey stands tall in the Italian metal scene. Formed in 2004, Reality Grey began their quest to redefine melodic death metal. As a tight-knit 5 piece band, Reality Grey incorporates a modern hybrid of extreme music: melody, brutality; blending complex, yet catchy songwriting. Fearsome death growls & clean vocals give way to razor-sharp guitar riffs and fusion-oriented solos, Reality Grey set out to create something all their own.

With the release of the debut full-length album “Darkest Days Are Yet To Come” in 2006, in the heat of the melodic death metal revolution, Reality Grey managed to secure their first record deal with Razar Ice Records USA. Songs like “Reality Grey” and “Never again” racked up hundreds of thousands plays on the old MySpace allowing the band to tour, gaining popularity well beyond the Italian borders. Following up with EP “Day Zero”, Reality Grey began to push their own boundaries. Ferocious, yet melodic, with a no-holds-barred songwriting attitude. Songs like “Day Zero” and “Slavery” emerged the band’s experimental side, synths, melancholic pianos, and acoustic guitars; perfectly fused with intoxicating sonic aggression.

After years of non-stop touring alongside bands like Deicide, Unearth, Municipal Waste, Sadist, Malevolent Creation, and more, the critically acclaimed “Define Redemption” is released by Bakerteam/Scarlet Records; sending the band on their first headline tour in Japan. Reality Grey, now having been featured on worldwide publications Metal Injection, Metal Hammer UK, Metal Temple, and Metal.de, released 2018’s “The Void”. Reviewed as “a complete and total aural devastation…” that “will blow your speaker out” by Metal Injection.

Reality Grey has completed work on their upcoming full-length due out May 7th 2021 (Blood Blast Distribution powered by Nuclear Blast). Looking ahead with tours and festival appearances on their sights, Reality Grey will continue to push ambitiously, earning their place among the pantheon of heavy music.

Now, having inked a worldwide deal with Extreme Management Group (EMG), the band says “We’re thrilled to announce that we have started working with Extreme Management Group! Definitely the right place for us. Big news is coming very soon. Stay tuned!” EMG said, “We are excited to be working with Reality Grey. They have some really fantastic music. We expect big things to come from this partnership.”.

– 30 –

“Melodic, aggressive and catchy, this track adds (Multidimensional Hollow) well placed synths and ambiance to an already well rounded sound, making it complex without being overcomplicated. The new album shows a marked evolution in the band’s sound, something that will intrigue current fans and entice new ones.” – Metal Injection

“Beneath this Crown, a creative step forward in their combination of NWOAHM from the early aughts, At the Gates-inspired metalcore and Scandinavian-flavoured melodic death metal.” – Decibel Magazine

“There’s a steadfastness to Reality Grey that’s vital to the music they make. While many bands have tried, floundered, and failed at the art of metalcore and melodeath, the Italian five-piece embrace the genre with full-throated fury. At the same time, they never sound beholden to the genre, incorporating electronic sounds and rhythms to their music that illustrate their willingness to change and incorporate new influences for the betterment of their sound. In a sometimes uncertain world, this band know what they’re about.” – We Are The Pit

“Reality Grey should be able to easily ensnare modern metal and melodeath fans with a release like this one.” – Dead Rhetoric

“If there is something like a constant in REALITY GREY’s approach to Metal then it is their drive to vary their sound and their progression towards new styles and vibes in their music. As a result, the new album “Beneath This Crown” is probably best described as a mix of melodic Metalcore, melodic Death Metal with a portion of progressive elements. The album has a fast and aggressive start with “Fade In Fear” and “Preachers Of Hatred”… REALITY GREY deliver an upgrade to previous albums and their eagerness to experiment with their sound is clearly to recognize on the album. This gives their music an own character and makes them distinctive from other Metal bands. The album is very well produced. “Beneath This Crown” will make all fans of REALITY GREY happy and I am sure that the music of the new album will help to win a lot of new fans.” – 8/10 Metal Temple

“The desire to go wild in a pit somewhere while singing your heart out is just as strong on Kings of Nothing and Preachers of Hatred. Undeniably brutal, a guitar solo thrown in the former and the drumming reaching inhuman levels of speed on the latter, these tracks are awesome.” – Games, Brrraaains & A Head-Banging Life
—

ASHER MEDIA RELATIONS

Jon Asher – Music Publicist
#.514.581.5780
jon[@]ashermediarelations[.]com
Facebook @AsherMediaRelations
Instagram @AsherMedia
Tweet @AsherMedia

0 Knecht Revisits Classic Video Games With Progressive Metal Cover of “Overture (Excerpt From Halo Reach)”, Self-Titled Debut EP Out July 16th

  • June 10, 2021
  • by Asher
  • · Knecht · Music News

NEWS RELEASE

Montreal, QC – June 10, 2021

For fans of Haken, Dream Theater, Porcupine Tree, Plini, Liquid Tension Experiment

Knecht Revisits Classic Video Games With Progressive Metal Cover of “Overture (Excerpt From Halo Reach)”

Self-Titled Debut EP Out July 16th


Pictured – Joseph Knecht – Photo credit – Tristan Ahearn


New Jersey’s Joseph Knecht is releasing his debut EP, a self-titled record that is a concise sample of the music he has been writing over the past couple of years. A well-versed musician, he plays both originals and covers in a wide range of genres, primarily focusing on progressive metal. His first single off this upcoming EP is “Overture (Excerpt From Halo Reach)”, a dramatic rendition of the theme from the classic video game. He explains why he chose the track:

“This is my cover of the Overture from the game Halo Reach. It’s a much more hard-hitting aggressive take on the original. It’s part of a song composed by Martin O’ Donnell. My idea was to take the original which was for orchestra and rearrange it for a prog metal band. The original is such a cool-sounding piece and every time I’d hear it I’d always imagine a metal version. When I got my 8 string and decided to make this EP, covering this song and taking advantage of the extended range of the instrument seemed like the perfect fit.”

The six-track EP takes a wide sampling of Knecht’s skills and presents them to the listener in a concise, yet varied audio experience. All instruments on “Knecht” were written and played by Knecht save for the drums, which are played by session musician Jason Stewart. The EP was mixed and mastered by Charles-Henry Volk.

Knecht is a lifelong musician, picking up piano at the age of five, since then he has learned to play guitar and bass and attended Berklee College of Music.

Predominantly prog with a hint of groove, “Knecht” is recommended for fans of Haken, Black Label Society, and Deep Purple.

“Overture (Excerpt From Halo Reach)” can be heard at the following links:

YouTube – https://youtu.be/wXg0SuMSqEQ
Spotify – https://spoti.fi/3pzbHPv

”Knecht” will be available on all digital platforms on July 16, 2021.

Track Listing:
1. Transformation (4:50)
2. Tabernacle Jam (3:50)
3. Working Title (4:42)
4. Overture (Excerpt From Halo Reach) (3:42)
5. Summer Nights (3:16)
6. Destruction (5:09)
EP Length: 25:31

EP Recording Line Up:
Joseph Knecht – Guitar, Bass and Keyboards
Drums – Jason Stewart

EP Credits:
• All songs performed by: Joseph Knecht and Jason Stewart
• All songs written by: Joseph Knecht
• Produced by: Joseph Knecht
• Mixed by: Charles-Henry Volk
• Mastered by: Charles-Henry Volk
• Member ASCAP

For more info:
Instagram.com/joeknecht.exe
Facebook
EPK

About:
Joseph Knecht, from Tabernacle, New Jersey, USA, has been playing music since he was a small child. He started out with piano when he was five and picked up the guitar a year later. Bass came along in high school and he attended Berklee College of Music to further his music education.

Looking to share the music he was writing and playing, he created his instrumental solo project Knecht, where he plays everything from classic rock to more modern progressive metal. He performs originals and covers as well as teaches private guitar lessons.

With influences rooted mainly in progressive and groove metal, he replaces vocals with sweeping, complex guitar melodies that are written like vocal melodies. A typical song starts with the rhythm, for him the rhythm guitars by themselves should be interesting and be able to garner attention through the piece. While he is doing this, he is thinking about what he might want the other instruments to be doing as well as keyboard sounds if there will be keyboards. For the drums, he will program a track for writing and recording purposes, but ultimately leaves it wide open for Jason Stewart.

Knecht’s debut self-titled EP is available on July 16, 2021. It features Jason Stewart on drums and was mixed and mastered by Charles-Henry Volk.

– 30 –

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0 Reality Grey Guitarist Anto Addabbo Shares The Power of Shred In Playthrough Premiere of “Multidimensional Hollow” via GearGods

  • April 22, 2021
  • by Asher
  • · Music News · Reality Grey

NEWS RELEASE

Montreal, QC – April 22, 2021

For fans of Soilwork, As I Lay Dying, Scar Symmetry, Lamb of God, Unearth

Reality Grey Guitarist Anto Addabbo Shares The Power of Shred In “Multidimensional Hollow” Playthrough

Playthrough Premiere via GearGods

“Beneath This Crown” Out May 7, 2021

Pictured L-R:
Alex Giustino (Bass)
Anto Addabbo (Guitars)
Tommy Montenegro (Vocals)
Alberto Pinto (Guitars)
Francesco Inchingolo (Drums)


Reality Grey has been making their rounds through the Italian metal scene since 2004, spending many years touring Europe and playing alongside bands such as Deicide and Municipal Waste along with three well-received full-lengths under their belts. This coming May 7th, they will be adding a new album “Beneath This Crown” to their legacy.

Until they can hit the stage again, Reality Grey hopes that “Beneath This Crown” will tide over fans with its aggressive, melodic vocals and razor-sharp guitar solos. According to them, the creative process for this release has been very meticulous and nothing has been left to chance. On this offering, the music has affected the lyrics; there is a lot of anger and a bit of sadness.

Over these last few months, in lead up to the album’s release, they have unveiled a few singles; one of those is the very melodic and complex“Multidimensional Hollow”, which features fast guitar solos and an epic finale.

Today, the band has teamed up with GearGods to showcase the shred on “Multidimensional Hollow” with a new guitar playthrough by Anto Addabbo, which can be viewed HERE.

Guitarist Anto Addabbo describes his thoughts on the track:

“When I wrote this song I was listening to a lot of sci-fi soundtracks from movies and I think it influenced how the track came together at the end, it has different feels throughout its length. Lyrically the song is about the struggle to succeed in life. Things don’t always go like you hope they will and not everyone knows how to cope with failure.”


Born in 1979, Anto Addabbo is a guitar player, songwriter, arranger, producer, and performer led into the music scene by pure passion and commitment.

Known as a vanguard of the Italian metal scene for his passionate and technical guitar technique, blending his love for the aggression of metal with the melodic phrasing of rock/fusion, Anto Addabbo is the founder of modern metal powerhouse Reality Grey, being now an endorsed artist for popular brands like Jackson Guitars, EMG Pickups, and MooerAudio.

From their debut in 2006, Reality Grey has enjoyed success as a ‘Modern Extreme Metal’ band, an assessment they both appreciate and challenge as they quest to define and pioneer their own signature sound in the metal scene.

Release after release, Reality Grey has proven to be a tight five-piece able to break the melodic death metal dogmas, producing a challenging and inviting hybrid of modern metal in its pure form: melody, brutal and complex.

Recommended for fans of As I Lay Dying, Scar Symmetry, and Lamb of God, “Beneath This Crown” will be out via Blood Blast Distribution, powered by Nuclear Blast as of May 7, 2021.

Album pre-save – https://backl.ink/144305702

Previous Videos:
Powerblast – https://youtu.be/s3pSFUFZzSI
Multidimensional Hollow – https://youtu.be/4hDxsTop8Fs
Daybreakers – https://youtu.be/spOgWpdGcwY
The Void – https://youtu.be/nUnldMsfKDA
The Fury – https://youtu.be/hFEyqEh00Os


Track Listing:
1. Legion (Intro) (1:51)
2. Fade In Fear (4:44)
3. Kings Of Nothing (5:18)
4. Preachers Of Hatred (4:05)
5. Daybreakers (5:37)
6. Powerblast (4:09)
7. Multidimensional Hollow (4:16)
8. The Fury (4:01)
9. Dreaming (Feat. Milly Florio from End Of Skyline) (5:13)
10. Reascent (4:01)
11. Beneath This Crown (5:28)
12. Indelible Stains (3:39)
13. The Void (4:34)
Album Length: 57:03

For more info:
Facebook.com/RealityGrey
Instagram.com/realitygrey 
EPK

Reality Grey is supported by the Programmazione Puglia Sounds Record – 2020/2021 and REGIONE PUGLIA FSC 2014/2020 – Patto per la Puglia Investiamo nel vostro futuro.

About:
Hailing from South Italy, Reality Grey stands tall in the Italian metal scene. Formed in 2004, Reality Grey began their quest to redefine melodic death metal. As a tight-knit 5 piece band, Reality Grey incorporates a modern hybrid of extreme music: melody, brutality; blending complex, yet catchy songwriting. Fearsome death growls & clean vocals give way to razor-sharp guitar riffs and fusion-oriented solos, Reality Grey set out to create something all their own.

With the release of the debut full-length album “Darkest Days Are Yet To Come” in 2006, in the heat of the melodic death metal revolution, Reality Grey managed to secure their first record deal with Razar Ice Records USA. Songs like “Reality Grey” and “Never again” racked up hundreds of thousands plays on the old MySpace allowing the band to tour, gaining popularity well beyond the Italian borders. Following up with EP “Day Zero”, Reality Grey began to push their own boundaries. Ferocious, yet melodic, with a no-holds-barred songwriting attitude. Songs like “Day Zero” and “Slavery” emerged the band’s experimental side, synths, melancholic pianos, and acoustic guitars; perfectly fused with intoxicating sonic aggression.

After years of non-stop touring alongside bands like Deicide, Unearth, Municipal Waste, Sadist, Malevolent Creation, and more, the critically acclaimed “Define Redemption” is released by Bakerteam/Scarlet Records; sending the band on their first headline tour in Japan. Reality Grey, now having been featured on worldwide publications Metal Injection, Metal Hammer UK, Metal Temple, and Metal.de, released 2018’s “The Void”. Reviewed as “a complete and total aural devastation…” that “will blow your speaker out” by Metal Injection.

Reality Grey has completed work on their upcoming full-length due out May 7th 2021 (Blood Blast Distribution powered by Nuclear Blast). Looking ahead with tours and festival appearances on their sights, Reality Grey will continue to push ambitiously, earning their place among the pantheon of heavy music.

Now, having inked a worldwide deal with Extreme Management Group (EMG), the band says “We’re thrilled to announce that we have started working with Extreme Management Group! Definitely the right place for us. Big news is coming very soon. Stay tuned!” EMG said, “We are excited to be working with Reality Grey. They have some really fantastic music. We expect big things to come from this partnership.”.

– 30 –


“Melodic, aggressive and catchy, this track adds (Multidimensional Hollow) well placed synths and ambiance to an already well rounded sound, making it complex without being overcomplicated. The new album shows a marked evolution in the band’s sound, something that will intrigue current fans and entice new ones.” – Metal Injection

“Beneath this Crown, a creative step forward in their combination of NWOAHM from the early aughts, At the Gates-inspired metalcore and Scandinavian-flavoured melodic death metal.” – Decibel Magazine

“Reality Grey give off a viciousness and expertise hard to find in other bands. The instrumental expertise of each component is absolute, slighting touching tech-death side of acts like The Faceless but remaining ‘catchy’ in their complexity” – Metal Hammer

“It’s complete and total aural devastation with some seriously chunky moments, so it lives right up to what you’d expect a song called “The Void” to do.” – Metal Injection

“Reality Grey will serve the world of metal excellently both as an all round, no nonsense, metal act and as a brigde band for younger fans of heavy music” – Metalunderground.at  
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0 Malice Divine Bring Forth The Jubilant “Triumphant Return” Off Upcoming Debut Album Out Feb 19th, Vocal/Guitar Playthrough Premiere via GearGods

  • February 3, 2021
  • by Asher
  • · Malice Divine · Music News

NEWS RELEASE

Montreal, QC – February 3, 2021

For fans of Dissection, Skeletonwitch, Death, Wintersun, Immortal

Malice Divine Bring Forth The Jubilant “Triumphant Return” Off Upcoming Debut Album

Vocal/Guitar Playthrough Premiere via GearGods

Self-Titled Album Out February 19, 2021


Ric Galvez – Vocals/Guitar/Bass – Photo Credit – Deborah Lawrence

The one-man act of Toronto’s Malice Divine brings to you the third and final single “Triumphant Return” from the upcoming debut self-titled album.

“Triumphant Return” is the least dark song on the self-titled and also the most uplifting song on the album overall. It still retains the aggressiveness that is present throughout the other eight songs on the offering.

Ric Galvez explains the track in his own words:

“The last of the three singles to be released before the full album, Triumphant Return is by far the most uplifting song on the album. As the song title implies, I was aiming to create a very triumphant feeling from the music with this song. The lyrics of the song further amplify the feeling of triumph that is inherent to this song, dealing with the theme of overcoming all obstacles that you face in life and bouncing back stronger than ever.”

The lyrics explored on the self-titled album are actually quite personal and deal with Ric Galvez’s thoughts and feelings regarding his life experiences. They are an outlet for self-expression, while also exploring topics such as spirituality and psychology with an underlying theme of personal empowerment.

The self-titled debut album was recorded at Monolithic Productions in Oshawa, Ontario by Tyler Williams beginning in January 2020. After the recording process had concluded, the album was re-amped and mixed by Tyler Williams and then Mastered by Lasse Lammert of LSD-Studio in Germany. This album is an excellent example of time during the Covid-19 pandemic being put to good use.

Melodic and captivating with a good blend of heavy styles, Malice Divine is recommended for fans of Death, Dissection, and Immortal.

“Triumphant Return” can be heard via its vocal/guitar playthrough premiere on GearGods HERE. 

The full album “Malice Divine” drops on February 19, 2021.

Pre-save on digital platforms here.

First single – “In Time” – YouTube (vocal/guitar playthrough)
Second single – “Malicious Divinity” – YouTube (vocal/guitar playthrough)


Track Listing:
1. Somnium Lucidus (2:00)
2. Quantum Manifestation (7:11)
3. Malicious Divinity (5:54)
4. Triumphant Return (5:35)
5. Into Subconscious Depths (8:02)
6. Ancient Visions (6:14)
7. In Time (8:11)
8. Intuitive Realization (3:40)
9. The Transcendence Of Isolation (9:46)
Album Length: 56:37

More Info:
Facebook.com/malicedivineband
Instagram.com/malicedivineofficial
EPK

About:

Toronto, Canada’s Malice Divine is a solo project contrived by Ric Galvez who had always had the dream of entire creative control. He wanted to expand beyond being known as just as a lead guitarist. Ric Galvez has played in local bands previously and was a contestant on Banger TV’s Shredders of Metal Seasons 1 & 2.

Ric Galvez has a major in music from York University and through Malice Divine he shows off his prowess across instruments. His lyrics are inspired by psychology, and spirituality, as well as personal experiences especially those involving the overcoming of obstacles and hardships using the resulting verses as a form of empowerment.

The first offering from Malice Divine, a self-titled full length, comes in 2021 with Dylan Gowan (Vesperia, Iomair) playing session drums. There are plans to flesh out a live lineup for Divine Malice when the time is right.

What people can expect from seeing Malice Divine live is highly aggressive black and death metal inspired music with shreddy and virtuosic guitar solos adding a melodic layer that isn’t common in the genre.

Malice Divine’s self-titled debut album is due out February 19, 2021.

– 30 –

—

ASHER MEDIA RELATIONS

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0 IMMORTAL GUARDIAN Guitarist / Keyboardist Shares Epic Cover Video “Cliffs of Dover” (Eric Johnson)

  • February 3, 2021
  • by Asher
  • · Immortal Guardian (M-Theory Audio) · Music News

NEWS RELEASE

Montreal, QC – February 3, 2021



For fans of  Iron Maiden, Helloween, Symphony X, Kamelot, Marty Friedman, Dragonforce

IMMORTAL GUARDIAN Guitarist / Keyboardist Shares Epic Cover Video “Cliffs of Dover” (Eric Johnson)

Progressive/Power Metal Quartet Immortal Guardian’s Concept Album “Psychosomatic” Out February 12, 2021
via M-Theory Audio


IMMORTAL GUARDIAN is (L-R):
Gabriel Guardian (Guitars/Keyboards)
Carlos Zema (Vocals)
Joshua Lopez (Bass)
Justin Piedimonte (Drums)

IMMORTAL GUARDIAN guitarist/keyboardist Gabriel Guardian, well known on the YouTube universe for his incredible multi-instrumental cover videos, is sharing his latest rendition of Eric Johnson‘s Grammy Award winning single “Cliffs of Dover”, which can be viewed HERE.



Gabriel Guardian adds:

“I’ve always been absolutely fascinated by this song. It’s one of a kind in its composition, tone, phrasing, and all around badassery. Eric Johnson, you sir are a genius. Thank you for inspiring me as a young Texan guitarist. I covered this song in my 8th-grade talent show and from then to even now, it never got any easier, but my passion and feeling towards every note felt the same! I love how some songs with no lyrics can pull so much emotion and nostalgia outta me. Happy to have finally had the time and skill to do a proper video for this epic song.”

After winning over new audiences with their acclaimed 2018 debut full-length “Age of Revolution” and touring relentlessly alongside fellow shredders such as Marty Friedman, Powerglove, and Exmortus, IMMORTAL GUARDIAN gathered in Las Vegas last year to begin recording their second album. As the spread of COVID-19 and the subsequent pandemic began to ensue, each member of the band retreated to their respective hometowns. With shutdowns around the world being enforced, the band completely scrapped the record that they had been working on and were heavily inspired to write and create a new thematic record about their emotions surrounding current events.

“Psychosomatic” is a product of the extraordinary events of 2020. The result is a truly multi-national record, with guitarist/keyboardist Gabriel Guardian remaining in Las Vegas, vocalist Carlos Zema recording his vocals from his home in Brazil, new drummer Justin Piedimonte joining the band from his hometown in Montreal, Canada, and new bassist Joshua Lopez remaining in IMMORTAL GUARDIAN‘s native Texas.

The group, founded by Gabriel Guardian, whose uncanny ability to play guitar and keyboard simultaneously has been showcased on MTV’s “Amazingness” along with his unique dual-instrument covers of classics by the likes of Iron Maiden, Pantera, and Guns N’ Roses have garnered hundreds of thousands of views on YouTube and have been built upon the band’s following through multiple self-released EPs before signing with M-Theory Audio for the 2018 release of their first full-length record, “Age of Revolution”. The band has also performed live alongside some of the biggest names in metal, including Judas Priest, Dragonforce, Kamelot, Symphony X, Sonata Arctica, Slayer, Metal Church, Soilwork and Steve Vai, and in countries such as Brazil and Russia, and during high-profile performances at ESPN’s X Games, South By Southwest and the Fun Fun Fun Fest.

“Psychosomatic” is the next step in IMMORTAL GUARDIAN’s evolution while still capturing the band’s exhilarating trademark melding of melodic power metal with progressive/shred tendencies.

Digital pre-save, CD and limited-edition purple vinyl pre-orders for “Psychosomatic”, which will be released by M-Theory Audio on February 12, 2021 are available now at http://smarturl.com/immortalguardian.

First Single – “Read Between The Lines” – YouTube (Lyric Video)
Second Single – “Lockdown” – YouTube (Music Video)
Third Single – “Clocks” – YouTube (Music Video)


Track Listing:
1. Psychosomatic (5:33)
2. Read Between The Lines (6:01)
3. Lockdown (4:12)
4. Phobia (6:13)
5. Clocks (5:12)
6. Self-Isolation (0:39)
7. Goodbye To Farewells (5:50)
8. Candlelight (5:24)
9. Find A Reason (7:00)
10. New Day Rising (5:56)
Album Length: 52:06

Album cover art by Nathalia Suellen (Secret Sphere, Almah, Dark Moor).

For more info:
M-theoryaudio.com
ImmortalGuardian.net
Facebook.com/igmetal
Instagram.com/immortal_guardian
Twitter.com/igmetal
EPK

– 30 –

“With this album (Psychosomatic) Immortal Guardian should no longer be seen as a promising band. Not only have they shown that they have an enormous compositional quality and an elite technical level, they have also shown that they are a band that faces difficulties and that they have all the will to continue. Making a high-quality second album two years after their dazzling debut tells us about the enormous inner power these musicians have.” – Metal Rules

“Psychosomatic is the impressive new full-length album from North American power metal act Immortal Guardian. Every song is listenable on its own, and over the course of the entire album there’s a good track-to-track ebb and flow. I strongly recommend ‘Psychosomatic’ and would like to rate it highly overall… super talented musicians who have put out a fantastic second album in Psychosomatic – the music here is consistently first rate and that will never change.” – The Great Metal Debate

“Holy fucking shit, man. Talk about epic… Immortal Guardian make some seriously epic symphonic power metal that throws in elements from all over the metal spectrum. We have power metal highs and death metal screams on top of keyboards and even some djenty staccato riffs here and there. It’s a different take on epic metal and it’s definitely something that will interest you… I’m not sure I’ve heard anything quite this varied before but I’ve gotta say I dig it.” – Metal Sucks

““…vocalist Carlos Zema (ex-Outworld) has an amazing range and more passion for delivering heavy words than 98% of active power vocalists out there.” – Your Last Rites

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0 Video: Chris Broderick Shreds Guest Solo From Without Mercy’s New Album “Seismic”

  • December 17, 2020
  • by Asher
  • · Music News · Without Mercy

NEWS RELEASE

Montreal, QC – December 17, 2020



For fans of Cattle Decapitation, Meshuggah, Whitechapel, Pantera, Decapitated

Video: Chris Broderick Shreds Guest Solo From Without Mercy’s New Album “Seismic”

New Album “Seismic” Out Now!
Featuring guests Jeff Loomis (Arch Enemy, ex-Nevermore), Chris Broderick (Act of Defiance, ex-Megadeth, ex-Jag Panzer)

L-R – Ryan Loewen (Bass) DJ Temple (Guitars) Alex Friis (Vocals) Matt Helie (Drums)
Photo Credit: Shimon Karmel

Unleashing their beast of an album “Seismic” on November 20th, Without Mercy assaulted fans with their latest behemoth of nine assaulting grooving death metal tracks that even include special guests Jeff Loomis (Arch Enemy) on opening track “Thunderbird” and Chris Broderick (Act of Defiance) on “Disinfect The Soul”. Both showcase their undeniable shred talents for each guest solo and today, Without Mercy is sharing the playthrough clip for Broderick‘s contribution.

Without Mercy guitarist, DJ Temple adds:

“Imagine looking up to a guitarist for years and one day they answer a guitar question in a blog for you. Then next they email you and you guys become friends. Now imagine that guitarist loves your new record and plays a guest solo on it. That’s the path that this took and went down and I’m still in shock that it happened. Broderick gave a shit and really took his time to put together something impressive and tasteful all At the same time. His approach to guitar is so Intellectual and it just represents an unreal amount of talent and charisma. He brought this song to another level.”

Watch Chris Broderick‘s video on Without Mercy‘s YouTube channel HERE.

And Jeff Loomis‘ solo video can be viewed here.

Without Mercy‘s new album “Seismic” is distributed by Bloodblast Distribution (powered by Nuclear Blast) and follows the band’s 2016 EP “Moucchido”. The vast majority of the material for “Seismic” was written and rewritten multiple times over the past four years. Honed and tightened over tours and live performances, Without Mercy were unwilling to place “filler” to enhance anything. They came at this album with the best of everything they had after their inspirations were doing the same. The band shares their thoughts on the full length:

“We are beyond stoked to have our new album “Seismic” see the light of day. This album represents 4 years of solid work ethic and unwillingness to compromise even in the slightest. We’re trying to give the listeners and fans of the band a chance to hear what tenacity can sound like. Lyrics that are an honest take on issues, riffs that have been refined over time, drum parts and rhythms that are not standard or washed out. Even the mixing team behind it has a resume as long as your arm. We pushed ourselves in every field of this record and now that it’s here, we can relive those moments with all of you.”

For fans of Cattle Decapitation, Pantera, and Decapitated, “Seismic” is available on all digital platforms HERE.

Physical CD available Withoutmercyband.com.

Spotify playlist add HERE.

Music Videos:
Uprooted – YouTube
Disinfect The Soul – YouTube


Track Listing:
1. Thunderbird (ft. Jeff Loomis) (4:53)
2. Abysmal (5:42)
3. Left Alone (4:00)
4. Wiindigo (4:55)
5. Disinfect The Soul  (ft. Chris Broderick) (7:18)
6. The Disaster (3:52)
7. Possessed (4:04)
8. I Break The Chain (4:44)
9. Uprooted (4:58)
Album Length: 44:29

For more info:
Withoutmercyband.com
Facebook.com/withoutmercyband
Instagram.com/withoutmercyband
EPK

– 30 –

“Without Mercy’s New Album Is A Whirlwind of Sonic Punishment” – The Pit

“Overall, two elements really struck me here…one was the level of intensity, and the other the level of musicianship from the band. How they can remain unsigned is a mystery to me. They play with such a tight synergy that it’s almost like they can finish each other’s sentences before they even open their mouth.” – Metal Temple

“While the heavy metal name generator might have had something to do with what this meaty metal unit called themselves, you can’t say it doesn’t fit. Without Mercy are pretty damn *ahem* merciless and to cap that off, their new album is so aptly titled. Seismic…a relentless powerhouse that is akin to tectonic plates smashing into each other. There is no fucking mercy and it’s fucking glorious. Excuse the swearing but that’s how this album makes you feel. It makes you feel like a beast. It makes you feel capable of taking on the world. It’s chunky, it’s thick, it’s chokingly devastating and undoubtedly one to be remembered.” – Games, Brrraaains & A Head-Banging Life

“A merciless Vancouver-based Death and Thrash Metal unity is ready to strike us all once again with their newest opus, representing four years of solid work ethic and unwillingness to compromise even in the slightest.” – The Headbanging Moose

“Without Mercy’s music is made for a wide audience. Seismic will please as much to pure violence lovers, as a crowd that fight following the catchy groove.” – Acta Infernalis

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0 TALES OF THE TOMB Shares Guitar Playthrough ‘Mermaid In A Manhole’ via V13.net

  • May 27, 2020
  • by Asher
  • · Music News · Tales of The Tomb

(contact info below)

NEWS RELEASE

Montreal, QC – May 27, 2020

For fans of Macabre, At The Gates, Cannibal Corpse, Dying Fetus, Psychological Horror Metal / Death Metal / Murder Metal

TALES OF THE TOMB Shares Guitar Playthrough ‘Mermaid In A Manhole’ Off Conspiracy EP “Volume Two: Mendacium”

Tales Of The Tomb (L-R): Trez Thomas (Guitar and Vocals), Corey Skerlak (Guitar and Vocals)

 Photo Credit – Kylee Thompson Photography

Edmonton death metal duo Tales of The Tomb are sharing with fans their latest guitar playthrough for ‘Mermaid In A Manhole’. The song is a bonus track that comes off of the band’s latest EP “Volume Two: Mendicium” unleashed this past September. The EP itself is a collection of narratives surrounding government cover-ups, national lies, and the heinous crimes committed amongst the shadows. It’s also a vicious bite of grinding blast beats, technical shredding accompanied by venomous guttural lows.

Today, guitarist Corey Skerlak has put together a new playthrough for the song, which is one of many more videos being released by the band in the coming weeks.

Behold the shredding via the video’s premiere on V13.net HERE.

The band explains the story behind the bonus track in further detail:

“‘Mermaid In A Manhole’ is the only song we have written that is truly-fictional. Based on a Japanese horror film Mermaid in a Manhole. The song focuses on a painter that is suffering from depression, who disembowels his wife while in a psychotic state. The story of the song ‘Mermaid in a Manhole’ does not really fit into our conspiracy theme we have for this EP. This is why we decided to list it as a bonus track to give it a proper release and the band had no plans to write more true-fiction based songs. Sonically we tried to recreate the psychosis the painter was going through, we wanted to represent the chaos that must have been going on in the painter’s mind to have brought himself to murder his wife. There is a sample at the end of the song, which has the sound of chopping and a man speaking in Japanese. This is audio taken right from the movie at the part where the painter is sitting on the ground covered in blood chopping up the remains of his mermaid saying, “My Mermaid, My Mermaid is dead.”

“Volume Two: Mendicium” was mixed and mastered by Cryptopsy guitarist and head engineer/owner at The Grid Studios Christian Donaldson along with featuring artwork by Tony Midi of Tonymidi Artworks. The EP is available on Bandcamp, Spotify, Apple Music.

Track Listing:
1. The Nightmare Hall (4:05)
2. Faul (3:02)
3. The Sinful Messiah (4:14)
4. Dyatlov Pass Incident (3:52)
5. Nine Eleven (4:46)
6. Mermaid In A Manhole (3:33)
EP Length: 23:44

More info:
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Unified by the desire to have the grotesque power of 90’s era death and murder metal, Tales of The Tomb started as a thought that grew into an insatiable need to make extreme music.  Tales Of The Tomb was created in October 2013 from founder Corey Skerlak (guitar, vocals) out of inspiration from the original murder metal band Macabre.

Much of their inspiration is drawn from the hideous crimes and conspiracies of the world. Retelling stories of the dark hidden secrets and victims from such crimes. This was the inspiration for the name Tales of The Tomb.

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“Overall, I recommend this album to death metal fans of all varieties. It is a fun album with a lot of great riffs. Also, I highly recommend reading the lyrics and learning about the conspiracy theories behind the songs.” – Metal Temple

“Volume Two: Mendacium is six songs of punishing metal fit for listeners with the heaviest of taste. Whether you’re spending time carving pumpkins or watching slasher movies this Halloween season, be sure to make room on your playlist for Tales of the Tomb.” – Surviving The Golden Age

” Their new, independently released EP is heavy as ice and laced up with razor-sharp production. Volume Two: Mendacium is a non-stop frosty riff fest, delivered on a moose-poutine platter of awesome production thanks to the Canucks over at The Grid. Slapshot your wallets & pick up this death metal gem.” – TrveNorth Reviews

“The need to head bang is strong with this one, and it made for an excellent addition to my Death Metal library.” – New-Transcendence

“All in all, Tales of the Tomb’s latest installment is a rather subtle tale that is more akin to a destructive musical journey through morbid lyrical themes and passages.” – Metal Trenches

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