EPK – Protosequence – Biophagous (EP) (2017) |

Protosequence – Biophagous (EP)

For Fans of Abiotic, early- Fallujah, The Faceless

Release Date: August 18, 2017

Contacts: Manager – Cara Ashbey – cara@odessamusicmgmt.com

Publicist – Jon Asher – ashermedia(@)gmail.com

Download Band Press Photo | Download EP Cover | Download EP Lyrics

“Edmonton’s Protosequence perform an agile balancing act on the new song “Shepherd” we’re bringing you from their forthcoming EP, Biophagus, a high-wire performance that deftly straddles a stylistic divide without ever losing their path forward.” No Clean Singing

“In the vein of bands like All Shall Perish & Born of Osiris, Protosequence kick proceedings off with the furiously tech riffing of Parasitic, a wild & untamed slab of death metal. That is until a surprising tempo change that brings in some keyboards & more classic metal sounding guitar solo. It’s a damn strong start, one that leaves you wondering just what more Biophagous has to offer.” – Games, Braaaiiins And A Headbanging Life

“Protosequence is an act of quality over quantity. I get seriously lost in their music, be it through a spine-damaging headbanging session (“DFL”) or stretch of melodic introspection (“Shepherd”). Biophagous offers up another nice showcase of the band’s skill across a variety of substyles and paces.” – Metal Trenches

“Biophagus is of another caliber, every aspect of it is flawless, and will not only be in my playlist but should be in everyone else’s as well. Whatever you do, do not sleep on this band. Make sure you pick up Biophagus when it releases August 18th! ” – Blood Rock Media

“Incorporating elements from deathcore, technical death metal, and, yes, even djent, Protosequence manages to maintain the listener’s interest while developing an identity that is not only unique to Canada, but to the world. ” – It Djents

“Traversing between djent and technical progressive metal” – Somberlane

“You can compare Protosequence to as many modern metal bands as you want but they’re deserve being called more than “just another scene band”. “Schizophrene’ is more than solid and the new EP will be worth the wait on this showing. Cracking modern tech-death.” – This Noise Is Ours

“This EP is bursting with technical hooks and ripping solos that take more than a few cues from the technical death metal camp. In fact, if we consider a spectrum between these genres, I would say that Schizophrene falls closer to groups like The Zenith Passage than Whitechapel. Also, mad props for the seemless shifts between melodic and harsh riffs while maintaining aggression in the vocals.” – Metal Trenches (EP Review Schizophrene)

“Musically speaking, they share as much in common with Periphery as they do with Lost Soul. While there will be some who are turned off by the noise gates and the disparity of the chunky lows and the sharp highs, I think it’s one of the band’s biggest strengths. It represents the merging of two very technical subgenres and presents each of them in the context of the other. It’s kind of a hard thing to explain without listening; check out “Guardian” and follow it up with “Darkness Weeps” for the best illustration of this dichotomy.” – Toilet ov Hell (EP Review Schizophrene)

Biophagous EP
Release Date: August 18, 2017

[Download EP Cover]
[Download EP Lyrics]

Track Listing:
1. Parasitic (4:42)
2. DFL (3:42)
3. Shepherd (5:02)
4. The Hate Subsides (4:08)
EP Length: 17:35

EP Credits:
– Guitars tracked by Tylor Dory
– Pre-production drums with Peter Zawalski
– Piano on ‘Parasitic’ written and recorded by Tylor Dory
– Guest Vocals on ‘DFL’ by Diaro Irvine
– Bass written by Ryan Schaffler
– Vocals and drums recorded by Greg Wright at Hillbilly Wizard Sound
– Editing, Mixing and Mastering by Chris Foster at First Strike Recordings
– Artwork and CD layout design by Erskine Designs
– Band Photo by Ryan Wiesner at Trivium Photography

EP Line Up:
Ryan Schaffler (Bass)
Kyle Hunter (Guitar)
Joseph McKee (Vocals)
Logan Vars (Drums)
Dylan Parker (Guitar and Vocals)

Live Band Line Up:
Dylan Parker – Guitar Vocals
Logan Vars Drums
Josh Hahn – Vocals
Jacob Teeple – Bass

Discography:
2016 – Schizophrene (EP)

Shared Stage with:
Protest The Hero, Kataklysm, Ne Obliviscaris, Black Crown Initiate, Archspire, The Schoenberg Automaton, Our Last Crusade, Death Toll Rising, Tylor Dory Trio, The Noumenon, Plaguebringer, Tides of Kharon, W.M.D., Apollyon, The Faceless, Angelmaker

Festivals:
2017 – Metallion
2015 – Breakdown For Break-fest 2015

L-R: Dylan Parker – Guitar, Vocals, Logan Vars – Drums, Josh Hahn – Vocals, Jacob Teeple – Bass

Photo-credit: Ryan Wiesner @ Trivium Photography

Protosequence was formed in the spring of 2014 by 5 guys who shared the same goal: create an array of songs that reflected each of them personally. As autumn approached that year, the band started to play in Edmonton, as well as Central and Southern Alberta. Releasing their debut 4 song EP “Schizophrene” in January of 2016, they quickly established a name for themselves in the Edmonton and area metal scene. Bassist Ryan Schaffler left the band in early 2017, with Jacob Teeple filling the vacancy seamlessly. After taking to the road, completing a 10 day tour of Western Canada in June, they hit the studio and released their sophomore 4 song EP “Biophagous” in August of 2017. 2018 saw Protosequence solidify and expand their following around Western Canada. Playing Armstrong and Metallion Festival, touring through BC, as well as sharing the stage with touring acts like The Faceless, Angelmaker, Ingested, Signs of the Swarm, Bodysnatcher, and others. In August, vocalist Joe McKee announced his retirement from Protosequence, with guitarist Kyle Hunter following suit a few weeks later. Protosequence quickly added Josh Hahn to the mix on vocals after seeing him perform with his previous band, Seraphic Nihilist. Shortly after Metallion Festival, the band convinced him to move from Prince George, BC, to the motherland: Edmonton, Alberta. With no luck finding a replacement guitarist, the band pressed on into writing mode.

EPK – Protosequence – Biophagous (EP) (2017)

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