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Tag: Whitechapel

0 Montreal’s [Evertrapped] Share Behind The Scenes Video “Making of Sorrow (Nothing More In Between)”; Offer New Album “The Last Extinction” For Only $1 via Bandcamp

  • June 29, 2020
  • by Asher
  • · Evertrapped · Music News

(contact info below)

NEWS RELEASE

Montreal, QC – June 29, 2020

For fans of Arch Enemy, Persefone, Whitechapel, Death, Fleshgod Apocalypse

Montreal’s [Evertrapped] Share Behind The Scenes Video “Making of Sorrow (Nothing More In Between)”

Offer New Album “The Last Extinction” For Only $1 via Bandcamp


L-R – Frederick Dupuis (Guitar), Vincent Benoit (Guitar), James Brookes (Vocals), Eric Lemirs (Drums), John Yates (Bass)
Photo Credit: Frederick Blanchette

Prior to unleashing their fourth studio album “The Last Extinction” this past May, Montreal melodic death metal quintet [EVERTRAPPED] shared the music video for the single “Sorrow (Nothing More In Between)”. Today, the band is showing fans the behind the scenes shooting of the video, which was filmed at the top of a high rise building in downtown Montreal during a very hot and humid day.

Watch the band’s endurance during the “Making of Sorrow (Nothing More In Between)” HERE.

The music video for “Sorrow (Nothing More In Between)” can be viewed HERE.

[Evertrapped]’s new album “The Last Extinction” is also being offered by the band for download on Bandcamp for only $1 HERE along with it available on Spotify and Apple Music.

Released on May 22, 2020, “The Last Extinction” is a mix of the band’s sound that was defined on “The Anomaly” (2012) and “Under The Deep” (2015). With influences ranging from death metal to melodic death primarily, along with some classic thrash and speed metal, which explains their technicality and diversity sonically, the album overall will give fans a very heavy post-apocalypse feel. It’s meant to mix the dark and light of the end of all things. Fans of Arch Enemy, Persefone, Whitechapel, Death, and Fleshgod Apocalypse will feel the whirlwind of aggression.

Vocalist James Brookes adds:

“The album overall has a very heavy post-apocalypse feel. It’s meant to mix the dark and light of the end of all things. For example, how the end would bring about great darkness so to speak in our minuscule occupied area of the universe, but at the same time it brings about this unexpected sense of bittersweet relief. Some songs are more down to earth in their subject matter but none the less written in an abstract way, whereas others take a more third-person look at this apocalyptic feel from a universal standpoint. I suppose the genre of the lyrics would be an equal mix of science fiction, fantasy, and dystopia.”

Since 2007, [Evertrapped] has brought together their collective experience from the Montreal metal scene to create their heavy brand of melodic death metal. The guitarists Frederick Dupuis (ex-Daggerfalls) and Vincent Benoit hammer out raw guitar while drummer Eric Lemire (ex-Apocalypsys, ex-Ice Castle) pummels the drums. Their versatile frontman James Brookes (ex-Ammonia, ex-One Final Moment, Continuum) easily alternates between strong clear vocals and low bellowing screams giving listeners the illusion of more than one vocalist. John Yates (ex-AraPacis) weaves together each song with his driving bass lines to keep the energy of the punishing track at an all-time high.

Their lyrics come from two places. One from the dark and exaggerated metaphors for things actually based on personal events. The other is lyrics that are only loosely based in reality and have an almost fantasy-like appeal. Sometimes the reality can be based on what could be the actual state of the world as it is or an image of a future where the world is on the brink of an apocalypse. The overall idea is that the lyrics are not meant to be understood at face value in any way. It’s an art form that’s open to interpretation by the listener.

Track Listing:
1. Sorrow (Nothing More In Between) (7:35)
2. Truth Behind Disorder (5:30)
3. Across The Disease (5:49)
4. Titan (5:52)
5. The First Machine (5:59)
6. The Last Extinction (6:10)
7. Illusion (7:08)
8. Stillborn Era (5:26)
9. Learning To Kill (7:52)
Album Length:  57:24

For more info:
Evertrapped.com
Facebook.com/evertrapped
Instagram.com/evertrapped/
EPK

– 30 –

“If you’re looking for some heavy Lamb Of God vibes, heavier than the newer Lamb Of God has to offer, this is the band you’ve been needing in your life. The main chunk of the song(Sorrow (Nothing More In Between)) is straight to the point heavy metal. Harsh, aggressive, and ready to go.” – Metal Injection

“Canada’s Evertrapped show mainstream appeal to their music and come out with an aggressive, yet melodic mindset on their 4th release. The songs are alternative metal in nature and feature an accessible sound. They are abrasive in an almost hardcore manner, but manage to be simplistic at the same time. The Last Extinction is pleasing to listen to, but heavy enough to have a more metallic appeal… Evertrapped should appeal to a variety of music fans.” – Heavy Music Headquarters“The Canadian band needs very little time to demonstrate their interpretation of melodic extreme metal. Unlike the polished styles of the subgenre, this is a bit nastier, more rambunctious, with a certain groove/thrash anger. It is melodic extreme metal but with a grimy, dirty street anger or toughness.” – The Metal Bulletin

“The fourth album from [Evertrapped] will charm a lot of people who are into melodic death metal.” – Grimm Gent

” These guys cover several bases sonically at the same time, giving them an edge – and an unexpected addition to my summer listening!” 100 Percent Rock

—

ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780
asher[@]ashermediarelations[.]com
Facebook @AsherMediaRelations
Instagram @AsherMedia
Tweet @AsherMedia

0 Seattle Progressive Melodic Death Metal DRAEMORA Share Guitar Playthrough “Guilt” via GearGods

  • June 11, 2020
  • by Asher
  • · Draemora · Music News

(contact info below)

NEWS RELEASE

Montreal, QC – June 11, 2020

 

Seattle Progressive Melodic Death Metal DRAEMORA Share Guitar Playthrough “Guilt” via GearGods

Debut EP “Awakening” Out June 26th via Ultra Nast Records


 

Relatively new to the Seattle metal scene, Draemora is comprised of seasoned musicians who, despite COVID-19 slowing their debut, are ready to show the nation and the world their EP “Awakening” on June 26, 2020, via Ultra Nast Records.

The EP, lyrically, is about battling with drugs and alcohol, and the long journey out of that hell. Heavy, prodigious and heartfelt, vocalist/guitarist Terry Jenkins notes his personal attachments to the lyrics he writes:

“The lyrics come right out of the pages of my life, the things I went through, and how I got through them. Music is a huge outlet for me to dump the good times, bad times, and everything else in between. The majority of the lyrics are a culmination of direct excerpts from letters, poems, and life experiences from the period between May 2018 and August 2019. It was a very intense time in my life.”

Today, the band is excited to share the guitar playthrough for their latest single ‘Guilt’. The track starts off with vocals and a guitar, but quickly changes gears and enters areas that can be compared to “Alien”-era Strapping Young Lad moments. It’s very powerful and intense.

Guitarist Terry Jenkins adds:

“If you love Mesa/Boogie Rectifiers, Telecasters, and Melodic Death Metal with huge epic riffs you are going to really enjoy this playthrough! I enjoy playing this song very much and it’s my pleasure to share it on Gear Gods! What an honor! If you have additional comments feel free to ask in the comments and I’ll do my best to answer them!! Word!”

Recommended for fans of Strapping Young Lad, Whitechapel, and Nevermore; watch the playthrough for “Guilt” via its premiere on GearGods HERE.

Song stream of ‘Guilt’ HERE.

Draemora‘s first single is available ‘Home’ HERE.

Spotify, Apple Music, iTunes, Google Play pre-save HERE.

Track Listing:
1. Home (3:27)
2. Dead Inside (3:09)
3. Guilt (3:20)
4. Reckoning (3:53)
5. Legion of Scum (3:34)
EP Length: 17:25

Band Line Up:
Terry Leroy Jenkins – Guitar / Clean Vocals
Taylor Wood – Vocals
Max Taylor – Guitar
Jared Connelie – Drums

EP Credits:
– All instrument parts and Vocal parts including lyrics were written, arranged, and Produced by Terry Leroy Jenkins
– Drum performance – Jared Connelie
– Vocal Performances – Terry Leroy Jenkins and Taylor Wood
– Guitar and Bass Performances – Terry Leroy Jenkins
– Mixing – Terry Leroy Jenkins – Ultra Nast Productions
– Mastering – Erman Hemidovic / Systematic Productions
– Album Artwork – Sarah Estrella

For more info:
Draemora.com
Facebook.com/Draemoramusic
Instagram.com/draemoramusic
EPK

About:

Draemora was formed in November 2019 in the Seattle, USA area by Terry Jenkins (vocals/guitar) after his separation from his previous band Odyssian. Seeing it as an opportunity to take a chance and try something different, he wrote a handful of songs with lyrics and demoed them out at his house. These demos attracted the attention of soon to be bandmate, ex-Jesus Wears Armani drummer Jared Conelie and ex-Odyssian vocalist Taylor Wood.

After fleshing out the demos with their own personal touches on the songs, Jenkins found local guitar player Max Taylor and set out to record the 5 song EP “Awakening”.

The EP is nothing short of heavy, melodic metal infused with honest and heartfelt lyrics; This combination works perfectly with the band’s mission to evoke an intense emotional and spiritual experience that brings out the raw emotions that are suppressed all day in normal day to day lives.

“This EP lyrically is all about battles with drugs and alcohol and the long journey out of that hell.  I feel that it will connect with anyone who has ever had mental problems, family problems, or experienced relationships falling apart. I didn’t want to come across as disingenuous, or contrived and wrote about things that I really went through and put my life and my problems out there for anyone to interact with as they wish. I think this recording is intense and beautiful.  It’s angry and sad and uplifting and I think is a reflection of a human living in modern-day society.” says Jenkins.

With a slight pause in the band’s plans due to the 2020 COVID-19 pandemic, Draemora is already working away on a full-length album to follow and getting ready for when they can pummel crowds live with their heavy melodic brand of progressive death metal.

Their debut EP “Awakening” is due out June 26, 2020 via Ultra Nast Records and will be available on all major digital platforms.

– 30 –

—

ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780
asher[@]ashermediarelations[.]com
Facebook @AsherMediaRelations
Instagram @AsherMedia
Tweet @AsherMedia

0 Seattle Progressive Death Metal DRAEMORA Premiere Single “Guilt” via GhostCultMag; Debut EP “Awakening” Out June 26th via Ultra Nast Records

  • June 1, 2020
  • by Asher
  • · Draemora · Music News

(contact info below)

NEWS RELEASE

Montreal, QC – June 1, 2020

For fans of Whitechapel, Lamb of God, Mastodon, Strapping Young Lad

Seattle Progressive Death Metal DRAEMORA Premiere Single “Guilt” via GhostCultMag

Debut EP “Awakening” Out June 26th via Ultra Nast Records

Relatively new to the Seattle metal scene, Draemora is comprised of seasoned musicians who, despite COVID-19 slowing their debut, are ready to show the nation and the world their EP “Awakening” on June 26, 2020, via Ultra Nast Records.

The EP, lyrically, is about battling with drugs and alcohol, and the long journey out of that hell. Heavy, prodigious and heartfelt, vocalist/guitarist Terry Jenkins notes his personal attachments to the lyrics he writes:

“The lyrics come right out of the pages of my life, the things I went through, and how I got through them. Music is a huge outlet for me to dump the good times, bad times, and everything else in between. The majority of the lyrics are a culmination of direct excerpts from letters, poems, and life experiences from the period between May 2018 and August 2019. It was a very intense time in my life.”

Today, the band is excited to present their next single ‘Guilt’. The track starts off with vocals and a guitar, but quickly changes gears and enters areas that can be compared to “Alien”-era Strapping Young Lad moments. It’s very powerful and intense.

The band elaborates more:

“The lyrics are loosely about how hard we all struggle to keep up appearances to people we are friends and acquaintances with while we are churning inside from fear that if we were to tell them what we really felt, or how we viewed sociological constructs and political stances that they would discard us as a friend. Feeling like your wrong is a common feeling in society these days.  Social media is great as it has in some ways kept us all closer to each other, but in a lot of ways, it has destroyed some of our ability to tolerate our fellow humans on the earth that may not agree with us, as we can just delete them and block their opinion quite literally from our life.  The message of the song is that you should not feel guilty for disagreeing with another person, just make sure you aren’t perpetuating your own pain by being intolerant of other’s views as well.”

Recommended for fans of Strapping Young Lad, Whitechapel, and Nevermore; the single “Guilt” is available via its premiere on GhostCultMag HERE. 

Dramora‘s first single is available ‘Home’ HERE.

Spotify pre-save here.

Track Listing:
1. Home (3:27)
2. Dead Inside (3:09)
3. Guilt (3:20)
4. Reckoning (3:53)
5. Legion of Scum (3:34)
EP Length: 17:25

Band Line Up:
Terry Leroy Jenkins – Guitar / Clean Vocals
Taylor Wood – Vocals
Max Taylor – Guitar
Jared Connelie – Drums

EP Credits:
– All instrument parts and Vocal parts including lyrics were written, arranged, and Produced by Terry Leroy Jenkins
– Drum performance – Jared Connelie
– Vocal Performances – Terry Leroy Jenkins and Taylor Wood
– Guitar and Bass Performances – Terry Leroy Jenkins
– Mixing – Terry Leroy Jenkins – Ultra Nast Productions
– Mastering – Erman Hemidovic / Systematic Productions
– Album Artwork – Sarah Estrella

For more info:
Draemora.com
Facebook.com/Draemoramusic
Instagram.com/draemoramusic
EPK

About:

Draemora was formed in November 2019 in the Seattle, USA area by Terry Jenkins (vocals/guitar) after his separation from his previous band Odyssian. Seeing it as an opportunity to take a chance and try something different, he wrote a handful of songs with lyrics and demoed them out at his house. These demos attracted the attention of soon to be bandmate, ex-Jesus Wears Armani drummer Jared Conelie and ex-Odyssian vocalist Taylor Wood.

After fleshing out the demos with their own personal touches on the songs, Jenkins found local guitar player Max Taylor and set out to record the 5 song EP “Awakening”.

The EP is nothing short of heavy, melodic metal infused with honest and heartfelt lyrics; This combination works perfectly with the band’s mission to evoke an intense emotional and spiritual experience that brings out the raw emotions that are suppressed all day in normal day to day lives.

“This EP lyrically is all about battles with drugs and alcohol and the long journey out of that hell.  I feel that it will connect with anyone who has ever had mental problems, family problems, or experienced relationships falling apart. I didn’t want to come across as disingenuous, or contrived and wrote about things that I really went through and put my life and my problems out there for anyone to interact with as they wish. I think this recording is intense and beautiful.  It’s angry and sad and uplifting and I think is a reflection of a human living in modern-day society.” says Jenkins.

With a slight pause in the band’s plans due to the 2020 COVID-19 pandemic, Draemora is already working away on a full-length album to follow and getting ready for when they can pummel crowds live with their heavy melodic brand of progressive death metal.

Their debut EP “Awakening” is due out June 26, 2020 via Ultra Nast Records and will be available on all major digital platforms.

– 30 –

—

ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780
asher[@]ashermediarelations[.]com
Facebook @AsherMediaRelations
Instagram @AsherMedia
Tweet @AsherMedia

0 Montreal’s [Evertrapped] Streaming New Album “The Last Extinction” via Decibel Mag

  • May 21, 2020
  • by Asher
  • · Evertrapped · Music News

(contact info below)

NEWS RELEASE

Montreal, QC – May 21, 2020

For fans of Arch Enemy, Persefone, Whitechapel, Death, Fleshgod Apocalypse

Montreal’s [Evertrapped] Streaming New Album “The Last Extinction” via Decibel Mag

Due Out May 22nd, Album Pre-Order ONLY $1

L-R – Frederick Dupuis (Guitar), Vincent Benoit (Guitar), James Brookes (Vocals), Eric Lemirs (Drums), John Yates (Bass)
Photo Credit: Frederick Blanchette

Set to unleash their fourth studio album “The Last Extinction”, Montreal melodic death metal quintet [EVERTRAPPED] has teamed with Decibel Magazine for the release’s full stream premiere before it officially drops on May 22, 2020.

Listen to “The Last Extinction” in full HERE.

“The Last Extinction” is a mix of the band’s sound that was defined on “The Anomaly” (2012) and “Under The Deep” (2015). With influences ranging from death metal to melodic death primarily, along with some classic thrash and speed metal, which explains their technicality and diversity sonically, the album overall will give fans a very heavy post-apocalypse feel. It’s meant to mix the dark and light of the end of all things. Fans of Arch Enemy, Persefone, Whitechapel, Death, and Fleshgod Apocalypse will feel the whirlwind of aggression.

Vocalist James Brookes adds:

“The album overall has a very heavy post-apocalypse feel. It’s meant to mix the dark and light of the end of all things. For example, how the end would bring about great darkness so to speak in our minuscule occupied area of the universe, but at the same time it brings about this unexpected sense of bittersweet relief. Some songs are more down to earth in their subject matter but none the less written in an abstract way, whereas others take a more third-person look at this apocalyptic feel from a universal standpoint. I suppose the genre of the lyrics would be an equal mix of science fiction, fantasy, and dystopia.”

Since 2007, [Evertrapped] has brought together their collective experience from the Montreal metal scene to create their heavy brand of melodic death metal. The guitarists Frederick Dupuis (ex-Daggerfalls) and Vincent Benoit hammer out raw guitar while drummer Eric Lemire (ex-Apocalypsys, ex-Ice Castle) pummels the drums. Their versatile frontman James Brookes (ex-Ammonia, ex-One Final Moment, Continuum) easily alternates between strong clear vocals and low bellowing screams giving listeners the illusion of more than one vocalist. John Yates (ex-AraPacis) weaves together each song with his driving bass lines to keep the energy of the punishing track at an all-time high.

Their lyrics come from two places. One from the dark and exaggerated metaphors for things actually based on personal events. The other is lyrics that are only loosely based in reality and have an almost fantasy-like appeal. Sometimes the reality can be based on what could be the actual state of the world as it is or an image of a future where the world is on the brink of an apocalypse. The overall idea is that the lyrics are not meant to be understood at face value in any way. It’s an art form that’s open to interpretation by the listener.

[Evertrapped]’s new album “The Last Extinction” will be available for stream and download on Spotify and Apple Music as of May 22nd.

The album pre-order is available FOR ONLY $1 on Bandcamp HERE.

Music Video ‘Sorrow (Nothing More In Between) ‘ HERE.
Lyric Video ‘Truth Behind Disorder’ HERE.

Track Listing:
1. Sorrow (Nothing More In Between) (7:35)
2. Truth Behind Disorder (5:30)
3. Across The Disease (5:49)
4. Titan (5:52)
5. The First Machine (5:59)
6. The Last Extinction (6:10)
7. Illusion (7:08)
8. Stillborn Era (5:26)
9. Learning To Kill (7:52)
Album Length:  57:24

For more info:
Evertrapped.com
Facebook.com/evertrapped
Instagram.com/evertrapped/
EPK

– 30 –

“If you’re looking for some heavy Lamb Of God vibes, heavier than the newer Lamb Of God has to offer, this is the band you’ve been needing in your life. The main chunk of the song(Sorrow (Nothing More In Between)) is straight to the point heavy metal. Harsh, aggressive, and ready to go.” – Metal Injection

‘’Those looking for melodic death metal on the heavier end of the spectrum need apply here…be ready to pump some fists, bang some heads, and reminisce back to a time when melodic death metal wasn’t all about clean, poppy choruses – just raw and memorable carnage.’’  – Dead Rhetoric

“I’ve played with some of the best metal drummers in the world and I’d put you up alongside them any day!” – Jeff Waters (Annihilator guitarist)

 “Evertrapped, and as they lay their claim as one of the front runners of melodic death metal in all of the land” – Bucket List Music Reviews

‘’This is Headbanging 101, take your seat.’’  – Metal Trenches

‘’It’s clear these guys are not followers. They make their own brand of Melodic Death.’’  – Metal France

‘’If you want your dose of Melodic Death to be as brutal as possible, you won’t be disappointed with Under The Deep.’’ – Metal Universe

‘’Under The Deep is a full-throttle melodic death metal release that endlessly descends into new layers of carnage as the album progresses.’’  – Worship Metal

—

ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780
asher[@]ashermediarelations[.]com
Facebook @AsherMediaRelations
Instagram @AsherMedia
Tweet @AsherMedia

0 Seattle Progressive Death Metal DRAEMORA Premiere Single “Home” via TheCirclePit; Debut EP “Awakening” Out June 26th via Ultra Nast Records

  • May 15, 2020
  • by Asher
  • · Draemora · Music News

(contact info below)

NEWS RELEASE

Montreal, QC – May 15, 2020

For fans of Whitechapel, Lamb of God, Mastodon, Strapping Young Lad

Seattle Progressive Death Metal DRAEMORA Premiere Single “Home” via TheCirclePit

Debut EP “Awakening” Out June 26th via Ultra Nast Records


 

Relatively new to the Seattle metal scene, Draemora is comprised of seasoned musicians who, despite COVID-19 slowing their debut, are ready to show the nation and the world their EP “Awakening” on June 26, 2020, via Ultra Nast Records.

The EP, lyrically, is about battling with drugs and alcohol, and the long journey out of that hell. Heavy, prodigious and heartfelt, vocalist/guitarist Terry Jenkins notes his personal attachments to the lyrics he writes:

“The lyrics come right out of the pages of my life, the things I went through, and how I got through them. Music is a huge outlet for me to dump the good times, bad times, and everything else in between. The majority of the lyrics are a culmination of direct excerpts from letters, poems, and life experiences from the period between May 2018 and August 2019. It was a very intense time in my life.”

The single “Home” is the most technical song on the EP; energetic and powerful, it’s the first song on the album and sets the mood for the duration of the record. The lyrical content is dark and moody, the music is ferocious and impactful. Jenkins goes into detail:

“A lot of us reach for substances, to put off having to deal with things and unfortunately some never get out of that brutal cycle and erase themselves from the earth, I have known a few souls that didn’t make it. I wanted the song to convey the message that in a world that is so dark and brutal sometimes there is always hope for those who want to find it, and you don’t have to destroy yourself to figure that out.”

Recommended for fans of Strapping Young Lad, Whitechapel, and Nevermore; the single “Home” is available via its premiere on TheCirclePit‘s Youtube HERE.

Spotify pre-save here.

Track Listing:
1. Home (3:27)
2. Dead Inside (3:09)
3. Guilt (3:20)
4. Reckoning (3:53)
5. Legion of Scum (3:34)
EP Length: 17:25

Band Line Up:
Terry Leroy Jenkins – Guitar / Clean Vocals
Taylor Wood – Vocals
Max Taylor – Guitar
Jared Connelie – Drums

EP Credits:
– All instrument parts and Vocal parts including lyrics were written, arranged, and Produced by Terry Leroy Jenkins
– Drum performance – Jared Connelie
– Vocal Performances – Terry Leroy Jenkins and Taylor Wood
– Guitar and Bass Performances – Terry Leroy Jenkins
– Mixing – Terry Leroy Jenkins – Ultra Nast Productions
– Mastering – Erman Hemidovic / Systematic Productions
– Album Artwork – Sarah Estrella

For more info:
Draemora.com
Facebook.com/Draemoramusic
Instagram.com/draemoramusic
EPK

About:

Draemora was formed in November 2019 in the Seattle, USA area by Terry Jenkins (vocals/guitar) after his separation from his previous band Odyssian. Seeing it as an opportunity to take a chance and try something different, he wrote a handful of songs with lyrics and demoed them out at his house. These demos attracted the attention of soon to be bandmate, ex-Jesus Wears Armani drummer Jared Conelie and ex-Odyssian vocalist Taylor Wood.

After fleshing out the demos with their own personal touches on the songs, Jenkins found local guitar player Max Taylor and set out to record the 5 song EP “Awakening”.

The EP is nothing short of heavy, melodic metal infused with honest and heartfelt lyrics; This combination works perfectly with the band’s mission to evoke an intense emotional and spiritual experience that brings out the raw emotions that are suppressed all day in normal day to day lives.

“This EP lyrically is all about battles with drugs and alcohol and the long journey out of that hell.  I feel that it will connect with anyone who has ever had mental problems, family problems, or experienced relationships falling apart. I didn’t want to come across as disingenuous, or contrived and wrote about things that I really went through and put my life and my problems out there for anyone to interact with as they wish. I think this recording is intense and beautiful.  It’s angry and sad and uplifting and I think is a reflection of a human living in modern-day society.” says Jenkins.

With a slight pause in the band’s plans due to the 2020 COVID-19 pandemic, Draemora is already working away on a full-length album to follow and getting ready for when they can pummel crowds live with their heavy melodic brand of progressive death metal.

Their debut EP “Awakening” is due out June 26, 2020 via Ultra Nast Records and will be available on all major digital platforms.

– 30 –

—

ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780
asher[@]ashermediarelations[.]com
Facebook @AsherMediaRelations
Instagram @AsherMedia
Tweet @AsherMedia

0 Montreal’s [Evertrapped] Offering $1 Pre-Order For New Album “The Last Extinction” Due Out May 22nd

  • May 11, 2020
  • by Asher
  • · Evertrapped · Music News

(contact info below)

NEWS RELEASE

Montreal, QC – May 11, 2020

For fans of Arch Enemy, Persefone, Whitechapel, Death, Fleshgod Apocalypse

Montreal’s [Evertrapped] Offering $1 Pre-Order For New Album “The Last Extinction” Due Out May 22nd


L-R – Frederick Dupuis (Guitar), Vincent Benoit (Guitar), James Brookes (Vocals), Eric Lemirs (Drums), John Yates (Bass)
Photo Credit: Frederick Blanchette

Set to unleash their fourth studio album “The Last Extinction” on May 22, 2020, Montreal melodic death metal quintet [EVERTRAPPED] are offering up pre-order of the upcoming full-length for only $1.

“We figured since the most accessible place for music now is online and has been for a while, we just said the hell with it, sell it for a buck. We just want people to hear and love it. So enjoy folks, it’s the closest thing to free!” says vocalist James Brookes.

The album pre-order is available on Bandcamp HERE.

The release’s two first two singles are also streaming at the following links:

Music Video ‘Sorrow (Nothing More In Between) ‘ HERE.


Lyric Video ‘Truth Behind Disorder’ HERE.

“The Last Extinction” is a mix of the band’s sound that was defined on “The Anomaly” (2012) and “Under The Deep” (2015). With influences ranging from death metal to melodic death primarily, along with some classic thrash and speed metal, which explains their technicality and diversity sonically, the album overall will give fans a very heavy post-apocalypse feel. It’s meant to mix the dark and light of the end of all things. Fans of Arch Enemy, Persefone, Whitechapel, Death, and Fleshgod Apocalypse will feel the whirlwind of aggression.

Since 2007, [Evertrapped] has brought together their collective experience from the Montreal metal scene to create their heavy brand of melodic death metal. The guitarists Frederick Dupuis (ex-Daggerfalls) and Vincent Benoit hammer out raw guitar while drummer Eric Lemire (ex-Apocalypsys, ex-Ice Castle) pummels the drums. Their versatile frontman James Brookes (ex-Ammonia, ex-One Final Moment, Continuum) easily alternates between strong clear vocals and low bellowing screams giving listeners the illusion of more than one vocalist. John Yates (ex-AraPacis) weaves together each song with his driving bass lines to keep the energy of the punishing track at an all-time high.

Their lyrics come from two places. One from the dark and exaggerated metaphors for things actually based on personal events. The other is lyrics that are only loosely based in reality and have an almost fantasy-like appeal. Sometimes the reality can be based on what could be the actual state of the world as it is or an image of a future where the world is on the brink of an apocalypse. The overall idea is that the lyrics are not meant to be understood at face value in any way. It’s an art form that’s open to interpretation by the listener.

[Evertrapped]’s new album “The Last Extinction” will be also available for stream and download on Spotify and Apple Music as of May 22nd.

Track Listing:
1. Sorrow (Nothing More In Between) (7:35)
2. Truth Behind Disorder (5:30)
3. Across The Disease (5:49)
4. Titan (5:52)
5. The First Machine (5:59)
6. The Last Extinction (6:10)
7. Illusion (7:08)
8. Stillborn Era (5:26)
9. Learning To Kill (7:52)
Album Length:  57:24

For more info:
Evertrapped.com
Facebook.com/evertrapped
Instagram.com/evertrapped/
EPK

– 30 –

“If you’re looking for some heavy Lamb Of God vibes, heavier than the newer Lamb Of God has to offer, this is the band you’ve been needing in your life. The main chunk of the song(Sorrow (Nothing More In Between)) is straight to the point heavy metal. Harsh, aggressive, and ready to go.” – Metal Injection

‘’Those looking for melodic death metal on the heavier end of the spectrum need apply here…be ready to pump some fists, bang some heads, and reminisce back to a time when melodic death metal wasn’t all about clean, poppy choruses – just raw and memorable carnage.’’  – Dead Rhetoric

“I’ve played with some of the best metal drummers in the world and I’d put you up alongside them any day!” – Jeff Waters (Annihilator guitarist)

 “Evertrapped, and as they lay their claim as one of the front runners of melodic death metal in all of the land” – Bucket List Music Reviews

‘’This is Headbanging 101, take your seat.’’  – Metal Trenches

‘’It’s clear these guys are not followers. They make their own brand of Melodic Death.’’  – Metal France

‘’If you want your dose of Melodic Death to be as brutal as possible, you won’t be disappointed with Under The Deep.’’ – Metal Universe

‘’Under The Deep is a full-throttle melodic death metal release that endlessly descends into new layers of carnage as the album progresses.’’  – Worship Metal

—

ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780
asher[@]ashermediarelations[.]com
Facebook @AsherMediaRelations
Instagram @AsherMedia
Tweet @AsherMedia

0 Montreal’s [Evertrapped] Premiere Video ‘Truth Behind Disorder’ via TheCirclePit; New Album “The Last Extinction” Out May 22nd

  • April 24, 2020
  • by Asher
  • · Evertrapped · Music News

(contact info below)

NEWS RELEASE

Montreal, QC – April 24, 2020

For fans of Arch Enemy, Persefone, Whitechapel, Death, Fleshgod Apocalypse

Montreal’s [Evertrapped] Premiere Video ‘Truth Behind Disorder’ via TheCirclePit

New Album “The Last Extinction” Out May 22nd

L-R – Frederick Dupuis (Guitar), Vincent Benoit (Guitar), James Brookes (Vocals), Eric Lemirs (Drums), John Yates (Bass)
Photo Credit: Frederick Blanchette

Melodic death metallers [EVERTRAPPED] will be unleashing their fourth studio album “The Last Extinction” on May 22, 2020. The Montreal based five-piece intentionally wrote their band name with enclosed brackets to signify the trappings of modern life for all of us and how people, despite their best attempts to break out of the mold are still affixed to a simple controlled existence and futility.

Their forthcoming full length is a mix of the band’s sound that was defined on “The Anomaly” (2012) and “Under The Deep” (2015). With influences ranging from death metal to melodic death primarily, along with some classic thrash and speed metal, which explains their technicality and diversity sonically, the album overall will give fans a very heavy post-apocalypse feel. It’s meant to mix the dark and light of the end of all things. Fans of Arch Enemy, Persefone, Whitechapel, Death, and Fleshgod Apocalypse will feel the whirlwind of aggression.

Today the band is sharing the lyric video for their second single ‘Truth Behind Disorder’ via its premiere on The Circle Pit’s YouTube channel HERE.

The band explains the track:

“This song was written almost as a story that explores the negative effects of oppression towards advanced thinking. For the most part, more specifically, the oppression of organized religious groups. As the chorus of the song mentions ‘holy men,’ it kind of gives it away. But mostly depicts said negative effects as being the truth behind why the world, in some cases, is in such chaos. And the story ends with a conclusion suggesting one school of thought that if this is allowed to continue, and in this case suggests that if we continue this way, well you might as well give up now and be prepared to watch half the world burn because that’s the more likely outcome.”

Since 2007, [Evertrapped] has brought together their collective experience from the Montreal metal scene to create their heavy brand of melodic death metal. The guitarists Frederick Dupuis (ex-Daggerfalls) and Vincent Benoit hammer out raw guitar while drummer Eric Lemire (ex-Apocalypsys, ex-Ice Castle) pummels the drums. Their versatile frontman James Brookes (ex-Ammonia, ex-One Final Moment, Continuum) easily alternates between strong clear vocals and low bellowing screams giving listeners the illusion of more than one vocalist. John Yates (ex-AraPacis) weaves together each song with his driving bass lines to keep the energy of the punishing track at an all-time high.

Their lyrics come from two places. One from the dark and exaggerated metaphors for things actually based on personal events. The other is lyrics that are only loosely based in reality and have an almost fantasy-like appeal. Sometimes the reality can be based on what could be the actual state of the world as it is or an image of a future where the world is on the brink of an apocalypse. The overall idea is that the lyrics are not meant to be understood at face value in any way. It’s an art form that’s open to interpretation by the listener.

[Evertrapped]’s new album “The Last Extinction” will be available for stream and download on Spotify, Bandcamp and Apple Music as of May 22nd.

Music Video ‘Sorrow (Nothing More In Between) ‘ HERE.

Track Listing:
1. Sorrow (Nothing More In Between) (7:35)
2. Truth Behind Disorder (5:30)
3. Across The Disease (5:49)
4. Titan (5:52)
5. The First Machine (5:59)
6. The Last Extinction (6:10)
7. Illusion (7:08)
8. Stillborn Era (5:26)
9. Learning To Kill (7:52)
Album Length:  57:24

For more info:
Evertrapped.com
Facebook.com/evertrapped
Instagram.com/evertrapped/
EPK

– 30 –

“If you’re looking for some heavy Lamb Of God vibes, heavier than the newer Lamb Of God has to offer, this is the band you’ve been needing in your life. The main chunk of the song(Sorrow (Nothing More In Between)) is straight to the point heavy metal. Harsh, aggressive, and ready to go.” – Metal Injection

‘’Those looking for melodic death metal on the heavier end of the spectrum need apply here…be ready to pump some fists, bang some heads, and reminisce back to a time when melodic death metal wasn’t all about clean, poppy choruses – just raw and memorable carnage.’’  – Dead Rhetoric

“I’ve played with some of the best metal drummers in the world and I’d put you up alongside them any day!” – Jeff Waters (Annihilator guitarist)

 “Evertrapped, and as they lay their claim as one of the front runners of melodic death metal in all of the land” – Bucket List Music Reviews

‘’This is Headbanging 101, take your seat.’’  – Metal Trenches

‘’It’s clear these guys are not followers. They make their own brand of Melodic Death.’’  – Metal France

‘’If you want your dose of Melodic Death to be as brutal as possible, you won’t be disappointed with Under The Deep.’’ – Metal Universe

‘’Under The Deep is a full-throttle melodic death metal release that endlessly descends into new layers of carnage as the album progresses.’’  – Worship Metal

—

ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780
asher[@]ashermediarelations[.]com
Facebook @AsherMediaRelations
Instagram @AsherMedia
Tweet @AsherMedia

0 Montreal’s [Evertrapped] Premiere Music Video “Sorrow (Nothing More In Between)” via MetalInjection; New Album “The Last Extinction” Out May 22nd

  • April 2, 2020
  • by Asher
  • · Evertrapped · Music News

(contact info below)

NEWS RELEASE

Montreal, QC – April 2, 2020

For fans of Arch Enemy, Persefone, Whitechapel, Death, Fleshgod Apocalypse

Montreal’s [Evertrapped] Premiere Music Video “Sorrow (Nothing More In Between)” via MetalInjection

New Album “The Last Extinction” Out May 22nd

L-R – Frederick Dupuis (Guitar), Vincent Benoit (Guitar), James Brookes (Vocals), Eric Lemirs (Drums), John Yates (Bass)
Photo Credit: Frederick Blanchette

Metal Injection premiere’s [EVERTRAPPED]’s new music video ‘Sorrow (Nothing More In Between)’, which comes from their new album “The Last Extinction” due out May 22, 2020.

Watch the video HERE.

A playthrough of  ‘Sorrow (Nothing More In Between)’ will take the listener through a variety of sub-genres, primarily melodic death metal, but with the occasional flourish of thrash and speed metal. The video accompanying the single is a great visual addition to see the band in action. The lyrical theme is about being on the receiving end (or lack thereof) of a connection between two people where one knows they aren’t giving enough yet persist. A situation that is relatable to all.

“The Last Extinction” is the fourth album from the Montreal, Canada melodic death metal band; it is a mix of the sound that was defined on “The Anomaly” (2012) and “Under The Deep” (2015). A blend of both straight to the throat heavy gutturals, rampaging metal and the softer, clean vocals and warm, melodic riffs, the band explains the progression in their own words:

“When it gets heavy, it gets really heavy but there are plenty of parts that open up and give way to clear vocals or a nice blend of gutturals and cleans and in some cases, some types of riffs that [Evertrapped] has never really experimented with before. Each song takes the listener on a quasi-progressive death metal adventure, but every now and then keeps coming back to simpler catchy riffs made for some hardcore headbanging.”

For fans of Arch Enemy, Persefone, and Whitechapel, [Evertrapped]’s new album will be available for stream and download on Spotify, Bandcamp and Apple Music as of May 22nd.


Track Listing:
1. Sorrow (Nothing More In Between) (7:35)
2. Truth Behind Disorder (5:30)
3. Across The Disease (5:49)
4. Titan (5:52)
5. The First Machine (5:59)
6. The Last Extinction (6:10)
7. Illusion (7:08)
8. Stillborn Era (5:26)
9. Learning To Kill (7:52)
Album Length:  57:24

For more info:
Evertrapped.com
Facebook.com/evertrapped
Instagram.com/evertrapped/
EPK

– 30 –

‘’Those looking for melodic death metal on the heavier end of the spectrum need apply here…be ready to pump some fists, bang some heads, and reminisce back to a time when melodic death metal wasn’t all about clean, poppy choruses – just raw and memorable carnage.’’  – Dead Rhetoric

“I’ve played with some of the best metal drummers in the world and I’d put you up alongside them any day!” – Jeff Waters (Annihilator guitarist)

 “Evertrapped, and as they lay their claim as one of the front runners of melodic death metal in all of the land” – Bucket List Music Reviews

‘’This is Headbanging 101, take your seat.’’  – Metal Trenches

‘’It’s clear these guys are not followers. They make their own brand of Melodic Death.’’  – Metal France

‘’If you want your dose of Melodic Death to be as brutal as possible, you won’t be disappointed with Under The Deep.’’ – Metal Universe

‘’Under The Deep is a full-throttle melodic death metal release that endlessly descends into new layers of carnage as the album progresses.’’  – Worship Metal

—

ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780
asher[@]ashermediarelations[.]com
Facebook @AsherMediaRelations
Instagram @AsherMedia
Tweet @AsherMedia

0 Montreal’s [Evertrapped] Reveal Track Listing, Artwork For New Album ‘The Last Extinction” Out May 22nd

  • March 25, 2020
  • by Asher
  • · Evertrapped · Music News

(contact info below)

NEWS RELEASE

Montreal, QC – March 25, 2020

For fans of Arch Enemy, Persefone, Whitechapel, Death, Fleshgod Apocalypse

Montreal’s [Evertrapped] Reveal Track Listing, Artwork For New Album “The Last Extinction” Out May 22nd

L-R – Frederick Dupuis (Guitar), Vincent Benoit (Guitar), James Brookes (Vocals), Eric Lemirs (Drums), John Yates (Bass)
Photo Credit: Frederick Blanchette

 

Montreal, QC’s brutal melodic death five-piece [Evertrapped] is revealing the artwork and track listing for their fourth studio album “The Last Extinction” set for release on May 22, 2020. The album marks the band’s return to follow up their highly praised 2015 album “Under The Deep” and showcases their darkest, almost apocalyptic overtone compared to previous releases.

With influences ranging from death metal to melodic death primarily, along with some classic thrash and speed metal, “The Last Extinction” overall will give fans a very heavy post-apocalypse feel. It’s meant to mix the dark and light of the end of all things. Fans of Arch Enemy, Persefone, Whitechapel, Death and Fleshgod Apocalypse will feel the whirlwind of aggression.

The band’s lyrics come from two places. One from the dark and exaggerated metaphors for things actually based on personal events, the other is lyrics that are only loosely based in reality and have an almost fantasy-like appeal. Sometimes the reality can be based on what could be the actual state of the world as it is or an image of a future where the world is on the brink of an apocalypse, which can even relate to the current global situation created by Covid 19 that has affected so many.

Vocalist James Brookes explains the album in further detail:

“Our new album ‘Last Extinction’ is almost an amalgamation of what we did on “The Anomaly” (2012) and “Under The Deep” (2015). On “The Anomaly” there was room for some clear vocals and it had an overall softer sound (within the confines of death metal) whereas “Under The Deep” went straight for the throat with very little room to stop and breathe and no clean vocals at all. Either way works just fine, but this new album “The Last Extinction” offers both of these aspects. When it gets heavy, it gets really heavy but there are plenty of parts that open up and give way to clear vocals or a nice blend of gutturals and clean and in some cases, some types of riffs that [Evertrapped] has never really experimented with before. Each song takes the listener on a quasi-progressive death metal adventure, but every now and then keeps coming back to simpler catchy riffs made for some hardcore headbanging.”

The band’s name is intentionally written with enclosed brackets to signify the trappings of modern life for all of us and how people, despite their best attempts to break out of the mold are still affixed to a simple controlled existence and futility.

To listen to previous releases by [Evertrapped], please visit their Bandcamp.

2015 Music Video – ‘Underneath The Deep’ here.


Track Listing:
1. Sorrow (Nothing More In Between) (7:35)
2. Truth Behind Disorder (5:30)
3. Across The Disease (5:49)
4. Titan (5:52)
5. The First Machine (5:59)
6. The Last Extinction (6:10)
7. Illusion (7:08)
8. Stillborn Era (5:26)
9. Learning To Kill (7:52)
Album Length:  57:24

For more info:
Evertrapped.com
Facebook.com/evertrapped
Instagram.com/evertrapped/
EPK

– 30 –

‘’Those looking for melodic death metal on the heavier end of the spectrum need apply here…be ready to pump some fists, bang some heads, and reminisce back to a time when melodic death metal wasn’t all about clean, poppy choruses – just raw and memorable carnage.’’  – Dead Rhetoric

“I’ve played with some of the best metal drummers in the world and I’d put you up alongside them any day!” – Jeff Waters (Annihilator guitarist)

 “Evertrapped, and as they lay their claim as one of the front runners of melodic death metal in all of the land” – Bucket List Music Reviews

‘’This is Headbanging 101, take your seat.’’  – Metal Trenches

‘’It’s clear these guys are not followers. They make their own brand of Melodic Death.’’  – Metal France

‘’If you want your dose of Melodic Death to be as brutal as possible, you won’t be disappointed with Under The Deep.’’ – Metal Universe

‘’Under The Deep is a full-throttle melodic death metal release that endlessly descends into new layers of carnage as the album progresses.’’  – Worship Metal

—

ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780
asher[@]ashermediarelations[.]com
Facebook @AsherMediaRelations
Instagram @AsherMedia
Tweet @AsherMedia

0 TripleMurder Premiere Full Stream of Debut EP “Pre-Meditated” Before Its Official Release Sept 20th

  • September 18, 2019
  • by Asher
  • · Music News · Triple Murder

(contact info below)

NEWS RELEASE

Montreal, QC – September 18, 2019

For fans of Lamb of God, Whitechapel, Thy Art Is Murder, Black Dahlia Murder

TripleMurder Premiere Full Stream of Debut EP “Pre-Meditated” Before Its Official Release Sept 20th

L-R: Zachary Le May -Drums, Erich Mueller – Bass, Mike Eron – Vocals, Maxwell Fortin-Proulx – Guitar

Photo Credit: Jessy Dwyer @ Beyond The Pit

Set to drop their debut EP “Pre-Meditated” on Friday, September 20th, 2019, Ottawa’s TripleMurder is here to make listeners question what they think about pigeonholing bands into sub-genres by offering everything from chunky groovy riffs, blast beats, to breakdowns and two-steps along with everything in between. They refuse to be set into one specific genre and consistently break rules over the course of their debut six-song EP. From their track ‘Eyes Of Judgement’ being a homage to their hardcore/death metal roots with a melodic spin to their song ‘Boogeyman’ being a more complex punch with intricate breakdowns and more experimental guitar and drum work. Their lyrical themes involve the state of the human race, politics and social media scares to just everyday life and human interactions. TripleMurder explains the release further:

“We believe that it should be received as a wake-up call to the metal industry that you don’t have to confine yourself to a certain subgenre of metal to write heavy tunes. It’s all about having fun and showing off everybody’s musical tastes in the band.”

The EP’s exclusive full stream is available today on Metal-Rules and can be heard at the following link HERE.

Pre-order of “Pre-Meditated” is available on Bandcamp and TripleMurder.com plus streaming on Spotify.

Plus check out their assaulting music video ‘Cannibalistic’ https://youtu.be/XTofU04B23I

And if you’re in the Ottawa region, you can catch TripleMurder bring their brilliant display of headbanging, power stomping, and in-your-face live show to one of these stages listed below.

Show Dates:
Sept 28 – Pembroke, ON – Nelson Street Pub
Oct 9 – Ottawa, ON – The Brass Monkey w/ Jinjer, The Browning
Nov 8 – Ottawa, ON – Mavericks


Track Listing:
1. Boogeyman (4:03)
2. Eyes Of Judgement (3:52)
3. Sacrifice (3:23)
4. Crawl ft. Eric Forget (A Scar For The Wicked) (3:31)
5. Ready To Bleed (4:41)
6. Cannibalistic (4:24)
EP Length: 23:57

For More Info:
TripleMurder.com
Facebook
Instagram
EPK

– 30 –

Musically, the track (Crawl) is a mix of seething guitar bursts and brutish pounding grooves, jagged jabbing chords and squirming arpeggios, vicious shrieks and carnivorous roars. It’s part racing melee and part methodical, pile-driving punishment. It also includes a fluid yet freakish guitar solo that spirals upward in mad ecstasy, as well as clean vocals intermixed with the cacophony of harsh roaring and screaming in a way that lends a sorrowful dimension to the music, and you’ll come to a closing sequence that will provide good exercise for your neck and a good clobbering for your skull. (The song includes guest vocals by Eric Forget of A Scar For the Wicked.)” – No Clean Singing

 

“The biggest problem with this EP is quite simply that it is far too short. What we have here is a brutal album oozing with passion. Each song has a really nice evolution that keeps each song fresh and never falling into overbearing repetition. There is also a variety of styles shown off here that is great to hear.” – Uber Rock

“Never to be put in a box or pigeon holed, TripleMurder uses their heavy eclectic sound to produce variety and diversity. There is a lot that TripleMurder has to offer within their six track EP titled Pre-Meditated. From groove filled riffs, to heavy break downs, to searing solos, to varied vocals and more, TripleMurder packs this EP to the bursting point. Through six offerings, Pre-Meditated provides a wickedly heavy yet entirely memorable and entertaining listen.” – Cadaver Garden

“With tunes such as “Boogieman”, “Sacrifice” and “Ready to Bleed”, this EP rocks hard and heavy from start to finish.” – The Metal Channel

“With bolstered yells, thrashing guitars, and a tasteful blend of both modern and metal sounds Pre-Meditated, the debut EP of TripleMurder, shows a promising future for the Canadian metal band.” – Boston Rock Radio

—

ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780 | asher@ashermediarelations.com
Facebook @AsherMedia | Tweet @AsherMedia | Instagram @AsherMedia

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