Tag: shred

0 Multi-Instrumentalist MATT MILLER Shred-Bliminal Video For Expansive Single “Abominable Sands” + New Album “Monument of Velocity” Out Now!

November 16, 2022
by Asher
· Matt Miller · Music News

NEWS RELEASE

Montreal, QC – November 16, 2022

Multi-Instrumentalist MATT MILLER Shred-Bliminal Video For Expansive Single “Abominable Sands”

New Album “Monument of Velocity” Out Now!

Matt Miller – Photo Credit – Tony Reviere

Akademia-Award-winning producer, engineer, and songwriter Matt Miller side-steps these industry achievements to embark on something deeply introspective and personal; a transcendent, reactionary and vile personage embodying soaring progressive melodies and captivating crushing rhythms which engulf the listener in black clouds of desperation and shimmering hope. His album “Monument of Velocity” takes you on a journey and makes a bold statement. He intends for the songs on the album to come across as scenes from a movie. His single “Abominable Sands” captures that vibe excellently and can now be watched on TechnicalMusicReview. Miller comments on the album:

“With “Monument of Velocity” I set out to push my creative limits by not relying on any preconceived notions and letting each song unfold as its own entity. Which in turn actually created a stronger continuity between the tracks. By writing the majority of the album without a guitar in hand I was able to think outside the box and come up with more interesting melodies and more dynamic rhythms. This process allowed me to achieve a greater level of melodicism and generate a stronger emotional response.”

“Monument of Velocity” initially had a different title and was not going to be a Matt Miller release and some of the songs were written with vocals in mind and were not going to be instrumental, however, it turned out to be the sixth of seven powerful albums in his discography. It contains eight tracks full of technical and progressive metal eliciting feelings of suspense, and tension while being fun, melodic, and brutally heavy.

Miller’s melodic and relentless music has a wide range of influences and is recommended for fans of Jeff Loomis, Necrophagist, and Obscura.

The shredtastic video for “Abominable Sands” can be seen and heard via TechnicalMusciReview HERE.

“Monument of Velocity” was released on July 19, 2022, via Blood Blast Distribution (powered by Nuclear Blast and Believe Digital) and is available on Spotify, Bandcamp, Apple Music.

Music Video – The Obscurantist – https://youtu.be/5PJQpqLZSz4

Guitar playthrough – Coral Sword – https://youtu.be/wQ18boWD4G0

Music Video – The Acheron – https://youtu.be/bKkMTLG2dPo

Track Listing
1. The Fissure (1:01)
2. Abominable Sands (3:13)
3. The Obscurantist (3:18)
4. Monument of Velocity (4:32)
5. Coral Sword (3:27)
6. Sacred Geometry (3:32)
7. Acheron (3:15)
8. Human Race Against Time (3:38)
Album Length: 25:59

For more info:
https://mattmillerhhakmusi.wixsite.com/mattm
https://www.facebook.com/profile.php?id=100052177364686
https://www.instagram.com/mattmiller630

EPK – https://wp.me/pciNW-itE

Booking – Extreme Management Group
Mark Kloeppel – emg.markkloeppel[@]gmail[.]com

About:
Akademia-Award-winning producer, engineer, and songwriter MATT MILLER side-steps these industry achievements to embark on something deeply introspective and personal; a transcendent, reactionary and vile personage embodying soaring progressive melodies and captivating crushing rhythms which engulf the listener in black clouds of desperation and shimmering hope.

Drawing upon the gut-wrenching timed-precision of European death metal stalwarts NECROPHAGIST and SPAWN OF POSSESSION, MATT MILLER progressively blends this approach with deep synthetic and symphonic atmospheres like that of DEVIN TOWNSEND, often arriving at surprisingly emotive and heart-clenching metallic passages like that of RIVERS OF NIHIL.

Calling upon other single-member death metal projects such as PUTRID PILE or INSIDIOUS DECREPANCY, the live performance can best be described as a reclaiming and repainting of the earth by a relentlessly sweeping and deranged berzerker appealing to the vast minions of the extreme music. The combination of elements within MATT MILLER distills the traditions of the international metal realm, the progressive atmospheres of modernity, and reactions to a vile world into a single unrelenting persona of despair and vengeance.

MATT MILLER’s first self-produced instrumental EP came in 2017, drawing on influences from classic metal bands such as MEGADETH and IRON MAIDEN to shredders like YNGWIE MALMSTEEN and PAUL GILBERT, while combining a technical death metal approach to create a maximum intensity music with a frenetic and frantic feel and ferocious atmosphere. Since then, and a few releases into this brief career, MATT MILLER boasts 12,000 consistent monthly listeners on Spotify before hitting the international touring circuit. This was garnered from his 2017 EP, the 2021 self-released ‘Decrepit Shed’ LP, the ‘Reekomposer/Decomposer’ covers double LP, as well as the ‘8E’s’ 1980’s themed covers LP.

In 2022 Matt released the formidable original instrumental LP Monument of Velocity on Blood Blast Distribution. Matt also toured supporting Rings of Saturn on the CYBER SHRED TOUR 2022. 29 shows encompassing the continental United States. Matt has released the cover LP Only What the Light Allows through Blood Blast Distribution as well.

Matt Miller hails from the rain soaked northern Oregon Coast; influenced by the natural foreboding environment. Moving into the present, MATT MILLER has joined up with Extreme Management Group to spread a singularly relentless auditory mind-bend.

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(Rockshots Records, Extreme Metal Music, Armstrong MF, Loud As Hell, Metalocalypstick, Decimate MF, Electric Highway Fest, Wacken Metal Battle Canada/USA, Hyperspace MF, Le FestEvil)

0 REALITY GREY Unleashes Shredding Guitar Playthrough For “Preachers of Hatred”

June 15, 2021
by Asher
· Music News · Reality Grey

NEWS RELEASE

Montreal, QC – June 15, 2021

For fans of Soilwork, As I Lay Dying, Scar Symmetry, Lamb of God, Unearth

REALITY GREY Unleashes Shredding Guitar Playthrough For “Preachers of Hatred”

Playthrough Premiere via TechnicalMusicReview

New Album “Beneath This Crown” Out Now!

Pictured L-R:
Alex Giustino (Bass)
Anto Addabbo (Guitars)
Tommy Montenegro (Vocals)
Alberto Pinto (Guitars)
Francesco Inchingolo (Drums)

Italy’s Reality Grey‘s fourth album “Beneath This Crown” was released just this past May via Blood Blast Distribution, powered by Nuclear Blast and Believe Digital. Offering a sonic assault of extreme melodic metal over the course of thirteen relentless tracks, the record follows 2014’s “Define Redemption” (Bakerteam/Scarlet Records).

On this new record, fans are treated to the band’s “most innovative and modern record we have ever made”. They went beyond everything they have done in the past both musically and lyrically. Reality Grey was able to develop their most experimental side.

“The album has very different feels throughout the track listing; every song is a stand-alone story as we never liked to copy ourselves on and on. The writing process has been heavily influenced by movie soundtracks, especially sci-fi soundtracks,’ something that goes beyond a classic heavy metal song. We wanted to get very personal and original with this album and I think we nailed it!” adds the band.

Continuing to support the album’s release, Reality Grey guitarists Anto Addabbo and Alberto Pinto are sharing their latest shredding playthrough for “Preacher’s of Hatred”, the most brutal song on the record; the fast thrash gives way to a groovy and jazzy pre-chorus.

The playthrough can be viewed via its premiere on TechnicalMusicReview HERE.

The music video “Preachers of Hatred” (which has reached over 100,000 views) can also be seen at https://youtu.be/yexnBZLDVyE

Aggressive and technical, Reality Grey is recommended for fans of As I Lay Dying, Scar Symmetry, and Lamb of God,

“Beneath This Crown” is available at the following link – https://backl.ink/144305702

Previous Videos:
Powerblast – https://youtu.be/s3pSFUFZzSI
Multidimensional Hollow – https://youtu.be/4hDxsTop8Fs
Daybreakers – https://youtu.be/spOgWpdGcwY
The Void – https://youtu.be/nUnldMsfKDA
The Fury – https://youtu.be/hFEyqEh00Os

Track Listing:
1. Legion (Intro) (1:51)
2. Fade In Fear (4:44)
3. Kings of Nothing (5:18)
4. Preachers of Hatred (4:05)
5. Daybreakers (5:37)
6. Powerblast (4:09)
7. Multidimensional Hollow (4:16)
8. The Fury (4:01)
9. Dreaming (Feat. Milly Florio from End Of Skyline) (5:13)
10. Reascent (4:01)
11. Beneath This Crown (5:28)
12. Indelible Stains (3:39)
13. The Void (4:34)
Album Length: 57:03

For more info:
Facebook.com/RealityGrey
Instagram.com/realitygrey
EPK

Reality Grey is supported by the Programmazione Puglia Sounds Record – 2020/2021 and REGIONE PUGLIA FSC 2014/2020 – Patto per la Puglia Investiamo nel vostro futuro.

About:
Hailing from South Italy, Reality Grey stands tall in the Italian metal scene. Formed in 2004, Reality Grey began their quest to redefine melodic death metal. As a tight-knit 5 piece band, Reality Grey incorporates a modern hybrid of extreme music: melody, brutality; blending complex, yet catchy songwriting. Fearsome death growls & clean vocals give way to razor-sharp guitar riffs and fusion-oriented solos, Reality Grey set out to create something all their own.

With the release of the debut full-length album “Darkest Days Are Yet To Come” in 2006, in the heat of the melodic death metal revolution, Reality Grey managed to secure their first record deal with Razar Ice Records USA. Songs like “Reality Grey” and “Never again” racked up hundreds of thousands plays on the old MySpace allowing the band to tour, gaining popularity well beyond the Italian borders. Following up with EP “Day Zero”, Reality Grey began to push their own boundaries. Ferocious, yet melodic, with a no-holds-barred songwriting attitude. Songs like “Day Zero” and “Slavery” emerged the band’s experimental side, synths, melancholic pianos, and acoustic guitars; perfectly fused with intoxicating sonic aggression.

After years of non-stop touring alongside bands like Deicide, Unearth, Municipal Waste, Sadist, Malevolent Creation, and more, the critically acclaimed “Define Redemption” is released by Bakerteam/Scarlet Records; sending the band on their first headline tour in Japan. Reality Grey, now having been featured on worldwide publications Metal Injection, Metal Hammer UK, Metal Temple, and Metal.de, released 2018’s “The Void”. Reviewed as “a complete and total aural devastation…” that “will blow your speaker out” by Metal Injection.

Reality Grey has completed work on their upcoming full-length due out May 7th 2021 (Blood Blast Distribution powered by Nuclear Blast). Looking ahead with tours and festival appearances on their sights, Reality Grey will continue to push ambitiously, earning their place among the pantheon of heavy music.

Now, having inked a worldwide deal with Extreme Management Group (EMG), the band says “We’re thrilled to announce that we have started working with Extreme Management Group! Definitely the right place for us. Big news is coming very soon. Stay tuned!” EMG said, “We are excited to be working with Reality Grey. They have some really fantastic music. We expect big things to come from this partnership.”.

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“Melodic, aggressive and catchy, this track adds (Multidimensional Hollow) well placed synths and ambiance to an already well rounded sound, making it complex without being overcomplicated. The new album shows a marked evolution in the band’s sound, something that will intrigue current fans and entice new ones.” – Metal Injection

“Beneath this Crown, a creative step forward in their combination of NWOAHM from the early aughts, At the Gates-inspired metalcore and Scandinavian-flavoured melodic death metal.” – Decibel Magazine

“There’s a steadfastness to Reality Grey that’s vital to the music they make. While many bands have tried, floundered, and failed at the art of metalcore and melodeath, the Italian five-piece embrace the genre with full-throated fury. At the same time, they never sound beholden to the genre, incorporating electronic sounds and rhythms to their music that illustrate their willingness to change and incorporate new influences for the betterment of their sound. In a sometimes uncertain world, this band know what they’re about.” – We Are The Pit

“Reality Grey should be able to easily ensnare modern metal and melodeath fans with a release like this one.” – Dead Rhetoric

“If there is something like a constant in REALITY GREY’s approach to Metal then it is their drive to vary their sound and their progression towards new styles and vibes in their music. As a result, the new album “Beneath This Crown” is probably best described as a mix of melodic Metalcore, melodic Death Metal with a portion of progressive elements. The album has a fast and aggressive start with “Fade In Fear” and “Preachers Of Hatred”… REALITY GREY deliver an upgrade to previous albums and their eagerness to experiment with their sound is clearly to recognize on the album. This gives their music an own character and makes them distinctive from other Metal bands. The album is very well produced. “Beneath This Crown” will make all fans of REALITY GREY happy and I am sure that the music of the new album will help to win a lot of new fans.” – 8/10 Metal Temple

“The desire to go wild in a pit somewhere while singing your heart out is just as strong on Kings of Nothing and Preachers of Hatred. Undeniably brutal, a guitar solo thrown in the former and the drumming reaching inhuman levels of speed on the latter, these tracks are awesome.” – Games, Brrraaains & A Head-Banging Life
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ASHER MEDIA RELATIONS

Jon Asher – Music Publicist
#.514.581.5780
jon[@]ashermediarelations[.]com
Facebook @AsherMediaRelations
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0 Tech-Metal FROGG Share The Shred On “Ancient Rain” Guitar Playthrough; Debut EP “A Reptilian Dystopia” Out Jan 17, 2020

December 23, 2019
by Asher
· FROGG · Music News

(contact info below)

NEWS RELEASE

Montreal, QC – December 23, 2019

For fans of Obscura, Arsis, Born of Osiris, Kalmah, The Zenith Passage

Tech-Metal FROGG Share The Shred On “Ancient Rain” Guitar Playthrough

Debut EP “A Reptilian Dystopia” Out Jan 17, 2020

Fresh out of Stamford, Connecticut, USA, comes FROGG, a creative and modern blend of metal that is both dark and melodic. Set to release their debut EP “A Reptilian Dystopia” on January 17, 2020, the band is sharing their wicked video of shred in the guitar playthrough for their first single ‘Ancient Rain’ unleashed earlier this December. The track is fast, technical and powerful with brutal riffs and malicious gutturals. One of the 4 punchy tracks that are just the beginning of what FROGG has to offer.

Watch the playthrough (without vocals) for “Ancient Rain” on YouTube or Facebook.

Song stream for the full track on YouTube HERE and Spotify.

FROGG has been in the works for years in the mind of Sky Moon Clark and over the years he has been inoculating a stash of riffs, licks, and raw emotion, which will now be poured out into the world. As the band puts it, “it’s a fiery punch to the gut”.

Clark adds:

“Our EP is kind of our raw sound put on a plate without much refinement, but it’s still the basic punch and flavor FROGG has to offer. Just think of the EP as our base, while our in-the-works Album I (expected 2021/2022) will be a more fleshed-out form of FROGG with an emphasized focus on the overall songs start to finish.”

Metal fans looking for something new and creative, especially fans of Obscura, Arsis and Born of Osiris will be able to appreciate FROGG and “A Reptilian Dystopia”.

EP Pre-order here.

Track Listing:
1. Ancient Rain (3:23)
2. Nuclear Storm (2:05)
3. DNA (7:29)
4. Ranidaphobia (3:47)
EP Length: 16:45

For more info:
Facebook.com/Froggband
Instagram @ Froggband
Twitter @OfficialFrogg
EPK

About:

FROGG is a modern technical metal band located in Stamford, USA with influences stemming from Obscura, Arsis, and Born of Osiris.

The concept behind FROGG is simple: create modern heavy music while striving to show off some originality in an often, over-processed genre. FROGG’s main ambition is to hit the live circuit in NYC and its surroundings with a perfected performance and bolstered line-up.

FROGG started as your typical high school band with founder Sky Moon Clark and co-founder at the time, Ryan Panny blasting off primarily Children of Bodom covers for fun. FROGG was later revitalized by Clark, during his time at Berklee College of Music.

Through his time at Berklee, Clark experimented with different projects while continuing to funnel different guitar-centric song ideas and riffs into the archives that would later come to fruition with the next reincarnation of FROGG.

In 2019, the overstocked stash of riffs, licks, and raw emotion was ready to be poured out into the world what was a one-man project bloomed with the addition of Siebe Sol Sijpkens (bass); Anthony Barrone (drums) and Liam Zintz-Kunkel (rhythm guitars) to record the first EP.

With performance in mind, FROGG delivers an authentic live sound with no backup tracks, just raw, practiced musicianship. The dark and melodic band promises something hot, original and intense and the debut album “A Reptilian Dystopia” is slated for release in 2020.

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Jon Asher – Music Publicist
#.514.581.5780 | asher[@]ashermediarelations[.]com
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0 Canadian Guitar Prog PYRAMIDS ON MARS Premieres Full Stream of Third Album “Edge of The Black” via Bravewords

December 19, 2019
by Asher
· Music News · Pyramids On Mars

(contact info below)

NEWS RELEASE

Montreal, QC – December 19, 2019

For fans of Joe Satriani, Rush, Yngwie J Malmsteen, Steve Vai

Canadian Guitar Prog PYRAMIDS ON MARS Premieres Full Stream of Third Album “Edge of The Black”

Guitarist Kevin Estrella’s project Pyramids On Mars has a new album being released on December 21, 2019, entitled “Edge of the Black”. This third full length from Pyramids On Mars offers up an aural palette of intense instrumental progressive shredding rock that’s emotional, provocative and 4-dimensional.

Teaming up with Bravewords, Pyramids On Mars is premiering the album’s full stream before it officially drops HERE.

Estrella adds:

“On ‘Edge of The Black’, I wanted to put emphasis on songwriting and telling a story. The emphasis is not just on the lead guitar melody, but on the band as a whole. Harmonic variations on repeating themes are strongly utilized; like rhyming phrases in spoken language that allows easier accurate retelling of the original story. This idea of repeating music phrases/themes so the audience can easily recall it and hum it all the way home.

Many people would think that being an instrumental guitarist that I must listen to a lot of guitar players. On the contrary, I do not. Yes, I was originally influenced by guitar players like Joe Satriani and Yngwie Malmsteen and spent many years learning their style. But my own sense of identity has come from the music I am most passionate about, which is Baroque Classical Music. I am a huge Yngwie Malmsteen fan. I spent two years, in fact, listening to nothing, but Malmsteen and studied his style. But I did not want to become another Malmsteen clone. I realized that in order to play like him, I had to listen to his influences. My life changed when I started listening to Bach, Vivaldi, and Paganini. It was like hearing music for the very first time. I listen to mostly classical music these days.

When you listen to Edge of the Black, most of the guitar melodies are actually violin melodies. And many of them are found in my online instructional guitar lessons. There are a few other people who inspired Edge of the Black. You will hear Iron Maiden, Rammstein and Queen influences. Some of the bass parts are inspired by Steve Harris (Iron Maiden) and John Deacon (Queen).

Personally ‘Edge of The Black’ sounds like if Joe Satriani and Yngwie Malmsteen joined Rush.”

“Edge of the Black” follows Pyramids On Mars‘ two previous albums and was written, composed and performed solely by Kevin Estrella who cites influences from musical greats including J.S Bach and Antonio Vivaldi along with today’s guitar virtuosos Yngwie Malmsteen and Joe Satriani. “Edge of the Black” pays homage to these artists while still maintaining Estrella’s own creative flair. Estrella shares his thoughts on the album

“Edge of The Black” pre-order available on Bandcamp.

Track Listing:
1. Blood Moon 5:42
2. Nacht Waffen 6:56
3. Song of Light 5:44
4. F-22 Raptor 5:53
5. The Ambassador 4:57
6. Mercury Magnetar 4:58
7. Arcturian Rain 4:38
8. Time to Believe 4:40
9. Arioso Lullaby 4:39
10. Whale Song 4:28
Album Length: 52:40

For more info:
PyramidsOnMars.com
Facebook
Instagram

About:

Every once in a while there comes along a band that is so different or unique, you would think they were dropped on Earth from another planet. Pyramids On Mars is one of those bands. What first catches you, is that they are an instrumental band. A combination of elements such as hard rock, industrial, metal and psychedelic rock: and then the lead guitar comes soaring in. Well crafted, beautiful, melodic phrases so catchy and memorable they will be stuck in your head for the rest of the day.

Pyramids On Mars is the solo project of guitarist Kevin Estrella. He wanted to do something musically different that would stand out from the crowd. Estrella’s musical style is very similar to world-renowned rock guitarist Joe Satriani, so much so that Estrella has nicknamed himself the “Satriani of the North.”

“Of course Satriani has had a huge influence on me,” he says “But he (Satriani) does more of a bluesy thing whereas I am more influenced by classical music. I absolutely love the Baroque classical composers J.S Bach and Antonio Vivaldi who are my biggest musical influences.

Estrella recorded, produced, engineered and mastered his debut album, self-titled “Pyramids On Mars” in 2013. Since then, he has been capturing music industry attention-getting international radio airplay in the U.S, Canada, South America, and Europe. He is a regular guest on Brian ‘the hammer’ Jackson radio (Los Angeles) to over 4 million listeners and a weekly speaker on Real Rock Radio (Chicago).

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ASHER MEDIA RELATIONS

Jon Asher – Music Publicist
#.514.581.5780
asher[@]ashermediarelations[.]com
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0 TALES OF THE TOMB Shreds Tech Death Metal In Guitar Playthrough ‘Nine Eleven’; New EP “Volume Two: Mendacium” Out Now!

December 13, 2019
by Asher
· Music News · Tales of The Tomb

(contact info below)

NEWS RELEASE

Montreal, QC – December 13, 2019

For fans of Macabre, At The Gates, Cannibal Corpse, Dying Fetus, Psychological Horror Metal / Death Metal / Murder Metal

TALES OF THE TOMB Shreds Tech Death Metal In Guitar Playthrough ‘Nine Eleven’

New EP “Volume Two: Mendacium” Out Now!

Tales Of The Tomb (L-R): Trez Thomas (Guitar and Vocals), Corey Skerlak (Guitar and Vocals)

Photo Credit – Kylee Thompson Photography

Unleashing their latest EP “Volume Two: Mendicium” this past September, Edmonton death metal duo Tales of Tomb are sharing with fans and technical guitar shredders their new playthrough video for the track ‘Nine Eleven’ via its premiere on TechnicalMusicReview HERE.

The band explains the story behind the track:

“Very few people (if any) are unaware of the tragic events that unfolded on Sept 11. 2001. We originally wrote this song for the last show of another Edmonton local band called Villainizer. When starting to plan out the second EP we wanted to have a concept like our first one. With songs like Nine Eleven and Faul wrote this point. We look common factors were in the songs and came to the conspiracy/lies concept. This EP is an important installment that embodies the fundamentals of the band — the reality is more horrifying than fiction. This is a concept EP based on the Latin word Mendacium — meaning untruth and or to be lied to. The first single Nine Eleven is just that — presenting a version of tragic historical events from various angles and the alleged truths that were presented. The intention of each song is to unmask the deception forced upon the masses pushing them to challenge their own perception of reality.”

Painting their canvas of extreme music with inspirations of real-life stories of murder, conspiracy, supernatural horror, and terror, Tales of The Tomb‘s new EP “Volume Two: Mendicium” is a vicious bite of grinding blast beats, technical shredding accompanied by venomous guttural lows. Inspired by true events, the duo offer up gore-filled lyrics with a quivering soundscape. The EP was mixed and mastered by Cryptopsy guitarist and head engineer/owner at The Grid Studios Christian Donaldson along with featuring artwork by Tony Midi of Tonymidi Artworks.

“Volume Two: Mendicium” is available on Bandcamp, Spotify, Apple Music.

Previous Videos:
‘The Sinful Messiah’ here.
‘The Nightmare Hall’ here.
‘Nine Eleven’ here.
‘Dyatlov Pass’ here.
‘Mermaid In A Manhole’ here.

Track Listing:
1. The Nightmare Hall (4:05)
2. Faul (3:02)
3. The Sinful Messiah (4:14)
4. Dyatlov Pass Incident (3:52)
5. Nine Eleven (4:46)
6. Mermaid In A Manhole (3:33)
EP Length: 23:44

More info:
Facebook
Instagram
EPK

About:

Unified by the desire to have the grotesque power of 90’s era death and murder metal, Tales of The Tomb started as a thought that grew into an insatiable need to make extreme music. Tales Of The Tomb was created in October 2013 from founder Corey Skerlak (guitar, vocals) out of inspiration from the original murder metal band Macabre.

Much of their inspiration is drawn from the hideous crimes and conspiracies of the world. Retelling stories of the dark hidden secrets and victims from such crimes. This was the inspiration for the name Tales of The Tomb.

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“RIYL: Serial killers and death metal. Now, many of you may think the two already go hand in hand, but new dimensions of depravity are opened when you take the murderous criminals Macabre and Church of Misery have been glorifying forever and backdrop it with noise more akin to Cannibal Corpse Fist-****ing At The Gates. Or Vice Versa.” – Decibel Magazine

“It’s got a European death metal feel to it, and while it’s definitely heavy, it’s centerpiece is a melodic guitar solo. If the rest of the EP, out on November 27th, is anything like the first taste of it, signals Tales of the Tomb as a band we’ll be hearing more – Metal Insider

“Grooves entwine and work their way under the skin like toxic vines, whilst the body of the song strolls with a deceitful calm as much hued in more classic metal essences as it is in death metal voracity.” – RingMaster Review

“Volume One: Morpras stands as a melodic treat fans of cold sounding death metal, melodic or otherwise, will definitely get a kick out of.” – Apochs Metal Review

Prairie Finalist for Wacken Metal Battle Canada 2016

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ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780 | asher[@]ashermediarelations[.]com
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0 Canadian Guitar Prog PYRAMIDS ON MARS Next Single ‘The Ambassador’ Off Upcoming Album Out Dec 21st

December 13, 2019
by Asher
· Music News · Pyramids On Mars

(contact info below)

NEWS RELEASE

Montreal, QC – December 12, 2019

For fans of Joe Satriani, Rush, Yngwie J Malmsteen, Steve Vai

Canadian Guitar Prog PYRAMIDS ON MARS Next Single ‘The Ambassador’ Off Upcoming Album Out Dec 21st

Guitarist Kevin Estrella’s project Pyramids On Mars has a new album being released on December 21, 2019, entitled “Edge of the Black”. The full length offers up an aural palette of intense instrumental progressive shredding rock that’s emotional, provocative and 4-dimensional.

Teaming up with MusicLegends.ca, Pyramids On Mars is premiering the next single ‘The Ambassador’ here.

Estrella explains the track in further detail:

“The idea for The Ambassador was actually sparked from the guitar it was played on. It is played on a Signature ‘Aurora’ Guitar. Built by the Signature Guitar Company sometime around 1987. Alex Lifeson of Rush made the guitar famous playing it exclusively for the albums “Hold Your Fire” and “Show of Hands”. Alex designed the guitar, along with Russ Heinl. What makes it unique is the balance of Basswood (from a rare variety found only in Quebec) and has the three active single-coil pickups, giving the guitar a very unique: clear, bright yet warm distinctive sound. No guitar sounds like it. It was meant to be the ultimate Superstrat. It’s almost like an acoustic guitar on hyperdrive. Only 500 Signatures were ever made. My Signature Aurora is quite unique. The original owner purchased it from Steve’s Music Store in Toronto back in the late eighties. It was a floor model. It doesn’t even have a serial number. It is quite the collector’s item.

The Ambassador was written by-that-guitar. I didn’t write the song, the Signature guitar did.

Speaking of Rush, the song is heavily influenced by Rush’s early works from the eighties. The concert video Show of Hands comes to mind was a huge influence on the Edge of the Black sound, particularly in the songs The Ambassador and Arcturian Rain.

The theme of the song is about an Ambassador who has been selected from Earth, chosen to be a spokesperson for the people of Earth. Scientists found a way to open a portal to another galaxy and he was chosen to go through it and hopefully meet some Extraterrestrial nation on the other side.

Some other interesting things come to mind in the song. The guitar solo is doing some interesting combinations of two-note per string sweep picking, combined with string skipping arpeggios a-la Paul Gilbert style. The solo ends in a nice diatonic extension arpeggio legato phrasing. These and other techniques I teach on my online instructional guitar lessons https://pyramidsonmarsguitarlessons.pivotshare.com/“

Following Pyramids On Mars’ two previous albums, “Edge of the Black” was written, composed and performed solely by Kevin Estrella who cites influences from musical greats including J.S Bach and Antonio Vivaldi along with today’s guitar virtuosos Yngwie Malmsteen and Joe Satriani. “Edge of the Black” pays homage to these artists while still maintaining Estrella’s own creative flair. Estrella shares his thoughts on the album:

“On Edge of The Black, I wanted to put emphasis on songwriting and telling a story. The emphasis is not just on the lead guitar melody, but on the band as a whole. Harmonic variations on repeating themes are strongly utilized; like rhyming phrases in spoken language that allows easier accurate retelling of the original story. This idea of repeating music phrases/themes so the audience can easily recall it and hum it all the way home.”

“Edge of The Black” pre-order available on Bandcamp.

Singles:
‘F-22 Raptor’ here.
‘Song of Light’ here.
‘Nacht Waffen’ here.

For more info:
PyramidsOnMars.com
Facebook
Instagram

About:

Every once in awhile there comes along a band that is so different or unique, you would think they were dropped on Earth from another planet. Pyramids On Mars is one of those bands. What first catches you, is that they are an instrumental band. A combination of elements such as hard rock, industrial, metal and psychedelic rock: and then the lead guitar comes soaring in. Well crafted, beautiful, melodic phrases so catchy and memorable they will be stuck in your head for the rest of the day.

– 30 –

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ASHER MEDIA RELATIONS

Jon Asher – Music Publicist
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0 Canadian Guitar Prog PYRAMIDS ON MARS Shreds ‘Nacht Waffen’ Off Upcoming Album Out Dec 21st

December 5, 2019
by Asher
· Music News · Pyramids On Mars

(contact info below)

NEWS RELEASE

Montreal, QC – December 5, 2019

For fans of Joe Satriani, Rush, Yngwie J Malmsteen, Steve Vai

Canadian Guitar Prog PYRAMIDS ON MARS Shreds ‘Nacht Waffen’ Off Upcoming Album Out Dec 21st

Teaming up with MetalRules.com, Pyramids On Mars is premiering the next single ‘Nacht Waffen’, a track influenced by Estrella’s love for the band Rammstein and fascination for Germany’s Secret Space Program as he explains further.

“There are a lot of interesting things going on with Nacht Waffen. First being, the song is heavily influenced by Rammstein. I am a huge Rammstein fan. The title Nacht Waffen is about the Secret Space Program (SSP). Nacht Waffen (Dark Fleet in German) is the breakaway society that evolved after WWII when Germany lost the war. The Nazi’s had already reverse engineered UFO’s from extraterrestrial technology and built their own fleet of flying saucers called Haunebu II. Because of my deep connection in the UFO community, I have been pulled into the SSP world. I am friends with many veterans like Penny Bradley who are outspoken about the program.

But there are other interesting things going on in the song. Its an instrumental song, but the verse is actually speaking in a tonal language. It is saying “DO YOU HEAR ME.” How is this possible? You will need to visit www.pyramidsonmars.com and listen to the radio interviews about my ongoing extraterrestrial contact and how they downloaded me with the Tonal Language of the Whales.

Truth is stranger than fiction.”

Listen to ‘Nacht Waffen’ HERE.

“Edge of The Black” pre-order available on Bandcamp.

Singles:
‘F-22 Raptor’ here.
‘Song of Light’ here.

For more info:
PyramidsOnMars.com
Facebook
Instagram

About:

Every once in awhile there comes along a band that is so different or unique, you would think they were dropped on Earth from another planet. Pyramids on Mars is one of those bands. What first catches you, is that they are an instrumental band. A combination of elements such as hard rock, industrial, metal and psychedelic rock: and then the lead guitar comes soaring in. Well crafted, beautiful, melodic phrases so catchy and memorable they will be stuck in your head for the rest of the day.

Pyramids on Mars is the solo project of guitarist Kevin Estrella. He wanted to do something musically different that would stand out from the crowd. Estrella’s musical style is very similar to world-renowned rock guitarist Joe Satriani, so much so that Estrella has nicknamed himself the “Satriani of the North.”

Estrella recorded, produced, engineered and mastered his debut album, self-titled “Pyramids on Mars” in 2013. Since then, he has been capturing music industry attention-getting international radio airplay in the U.S, Canada, South America, and Europe. He is a regular guest on Brian ‘the hammer’ Jackson radio (Los Angeles) to over 4 million listeners and a weekly speaker on Real Rock Radio (Chicago).

– 30 –

—

ASHER MEDIA RELATIONS

Jon Asher – Music Publicist
#.514.581.5780
asher[@]ashermediarelations[.]com
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Instagram @AsherMedia
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0 Vancouver Prog KOSM Shred “The Esoteric Order” In New Guitar Playthrough via GearGods

January 7, 2019
by Asher
· KOSM · Music News

(contact info below)

NEWS RELEASE

Montreal, QC – January 7, 2019

For fans of Tool, Mastodon, Gojira, The Agonist, Periphery, A Perfect Circle

Vancouver Prog KOSM Shred “The Esoteric Order” In New Guitar Playthrough via GearGods

Out Now! H.P. Lovecraft Inspired Album “Cosmonaut”

L-R – Jessie Grace – Vocals, Mike Slater – Guitar, Erik Leonhard – Guitar, Michael ‘Pastrami’ Mastracci – Bass, Sterling Paterson – Drums

Photo credit – Justin Forster

Vancouver progressive metal band KOSM is sharing their latest guitar playthrough for their track “The Esoteric Order”. The playthrough showcases the dual shredding of KOSM‘s guitarist Erik Leonoard and Mike Slater who play Kiesel and PRS guitars respectively, along with using a blend of Mesa/Boogie Triple Rectifiers and Scuffham Digital Amps. The ambient sounds heard at the end of the track are created with a combination of the El Capistan dTape Delay pedal by Strymon and the Afterneath Reverb pedal by Earthquaker Devices.

Watch the shredding via GearGods.net at http://geargods.net/playthrough/kosm-esoteric-order-playthrough/

The track is third single off of KOSM‘s debut full length “Cosmonaut” released this past November and is influenced from the cosmic-horror of H.P. Lovecraft and classic science-fiction of others; the album and song tell the story of a cosmonaut’s transformative journey through time and space.

The band adds:

“Cosmonaut is a concept album loosely based on the weird-fiction of HP Lovecraft, and borrowing concepts from the science-fiction of Frank Herbert, and Roger Zelazny. The album follows a cosmonaut on a cosmic journey through time and space; from the earthly confines of mortal life, to ascendancy as an immaterial and omnipotent being. The cosmonaut’s journey is essentially symbolic, serving as a commentary on the human experience: a journey from confusion and anger, to transcendence and self-understanding.”

“Cosmonaut” is available on all major digital platforms Bandcamp, iTunes, Spotify, Amazon, Google Play.

Lyric Video – “The Esoteric Order” – https://youtu.be/Q03AbR7tY_A

Music Video “Ancient Heart” – https://youtu.be/6G8arglKdxc

“Ocean Planet” (Gojira Vover) – https://youtu.be/NK1YVys22YE

Track Listing:
1. Space Mead (6:07)
2. Cosmonaut (5:27)
3. Colossus (6:38)
4. Wolves Upon The Throne (5:46)
5. The Esoteric Order (6:23)
6. Farseer (6:40)
7. Ancient Heart (5:23)
8. Fiefdom In The Sky (2:15)
9. Omnipresence (4:36)
10. Monarch (7:16)
11. Umbrakinesis (5:23)
12. Wza – Y’ei (4:20)
Album Length: 1:06:21

KOSM is:
Erik Leonhard – Guitar
Mike Slater – Guitar
Jessie Grace – Vocals
Sterling Paterson – Drums
Michael Mastracci – Bass

For more info:
https://kosmband.com
https://www.facebook.com/kosmofficialband
https://twitter.com/officialkosm
https://www.instagram.com/kosmofficial
EPK – https://wp.me/pciNW-bus

– 30 –

“Vancouver’s KOSM kick the door in with Cosmonaut, their monstrous full-length debut. Brace yourself for a satisfying trip through an exciting mountain range of cascading, meaty riffs, swelling rises and heady drops, all led by the powerful, soaring vocals of the dynamic Jessie Grace. ” – Beatroute BC

“KOSM cite Tool, Gojira and Mastodon as three of their main influences, and all three can be heard loud and clear on their new album, Cosmonaut. The technical, progressive musicianship of Tool meets the crushing grooves and rhythmic vocals of Gojira, and Mastodon’s ear for riffy, thunderous prog are all present on Cosmonaut, which features some of the most technical metal I’ve heard this year outside of, you know, technical death metal. ” – Decibel Magazine

“The song (Ancient Heart) itself, which swings between some appetizingly heavy progressive riffs and aggressive growls and more melodic moments (with clean singing behind them). A tough band to place in that regard, but one certainly worth seeking out as they continue to expand their sound.” – DeadRhetoric

“KOSM does a solid job of mixing technicality, mood and groove. They have all sorts of dual guitar sections, and very psychedelic and moody parts on “Cosmonaut” as well. They’re a well versed band with all kinds of moods and changes engaging your ears every split second. ” – Technical Music Review

“KOSM definitely show enough potential with this release to be a band that should be on your scopes.” – Noizze UK

” Kosm’s Cosmonaut isn’t bland: it’s the pleasing sound of a band following their own inner vision.” 9/10 – Hellbound

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0 Omega Crom Announce Summer Shred Tour Dates

June 11, 2010
by Asher
· Uncategorized

Vancouver ripping metallers Omega Crom announce their Summer Shred tour dates presented by RockstarWeekly.com in support of their debut album Blood, Steel and Fire released earlier this year on Reversed Records. This will be Omega Crom’s second Canadian tour this year in support of BSF, which features a progressive blend of power metal, aggressive death, thrash and shredding.

“OC is stoked to tear up the stage with friends and fans on our 2010 Summer Shred Canadian Tour! We’ll be debuting some searing new material as well as scorching tracks from our current album Blood, Steel and Fire. So come down, grab a beer and let’s rip it up!” commented vocalist / guitarist Johnny Ketlo.

In addition to kicking off the Summer Shred tour, Omega Crom is offering up its killer track “The Passing of Azazel” for free download available at www.ReversedRecords.com.

Facebook Event – http://www.facebook.com/event.php?eid=123714701000382&ref=ts

Upcoming Tour Dates (more dates to be announced)

July 23 – Pogue Mahone, Kamloops BC w/ Kobra and the Lotus

July 24 – The Branding Iron, Armstrong BC

July 25 – Third, Prince George, BC (all ages)

July 26 – Better Than Freds, Grand Prairie, AB

July 29 – The Taphouse, St. Albert, AB

July 30 – The Canmore Hotel, Canmore, AB

July 31 – Dickens Pub, Calgary, AB

August 2 – Filthy McNasty’s (Metal Monday’s), Edmonton, AB

August 5 – Parthenon Pizza, Brandon, MB

August 6 – The Zoo, Winnipeg, MB

August 7 – Black Pirates, Thunder Bay, ON – Zombie Walk Fest

August 9 – Serbian Center, Sudbury, ON

August 10 – Moon Over Marin, London, ON

August 12 – The Coach and Horses, Windsor, ON

August 13 – Siesta Nouveaux, Toronto, ON

August 14 – Piranha Bar – Montreal, QC

August 15 – Bar Le Magog, Sherbrooke, QC

August 18 – Kilroys, Thunder Bay, ON – Murder Fest

August 19 – Rideout Community Club – Kenora, ON

August 20 – The North Hill Inn, Brandon, MB

August 28 – Voodoo’s, Penticton, BC

– 30 –

OMEGA CROM – BLOOD, STEEL & FIRE (REVERSED RECORDS)

Release Date – April 5, 2010

Links: OmegaCrom.com ReversedRecords.com Myspace Facebook Twitter Youtube Reverbnation CBC 3 iLike

Buy Links: ReversedRecords Store iTunes CD Baby

Omeg Crom – “Capturing The Onslaught” Promo Vid – http://www.youtube.com/watch?v=iWvz1OZR3d8

“A metallic jambalaya, the band are clearly interested in varying their attack to include everything from black metal’s eerie atmosphere to death-y chug riffs and rumbling undercurrent.” – Exclaim!

“Omega Crom are one of Vancouver’s best kept secrets, now ready to thrash , kick, and punch your lights out! Heavy Metal Maniacs with their new cd release Blood, Steel and Fire.” – CKCU 89.1FM (Ottawa) – Pure Radio Kaos

“Fearless in its pursuit of shredding, Omega Crom explodes with promise, ripping open the heavens and plundering the thunder therein. ” – FFWD Weekly (Calgary)

“Blood, Steel and Fire is a damn good record that will have you snapping your neck with reckless abandon in no time at all.”– PuregrainAudio.com

“On “Prisoner” and subsequent tracks, these guys just show a disturbing level of talent and ferocity, keeping you banging your head for last half hour of the disc (that’s several minutes longer than a typical Slayer album!). – Hollywood Music Examiner

“As soon as “Battlefield” kicked in I couldn’t help but start nodding my head. The driving drums and shredding guitars instantly had me hooked” – TheNewReview.net – 4/5

“Omega Crom’s new CD “Blood Steel and Fire” is a testament to hard work and heavy music.” – L.A. Beat

“Omega Crom’s ‘Blood, Steel & Fire’ is an impressive debut.” – Confront Magazine

“Canadian “ripping metal” juggernaut…For their debut album, “Blood, Steel and Fire,” it’s a metal revolution.” – 4/5 – CWG Magazine

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