Tag: new

0 Out Now! Ophidian Memory Unleashes New Melodic Death Album “Carrion Lord”

September 27, 2024
by Asher
· Music News

NEWS RELEASE

Montreal, QC – September 27, 2024

Ophidian Memory Unleashes New Melodic Death Album “Carrion Lord”

Melodic death metal project Ophidian Memory, the brainchild of Blake Lamoureux, is set to release its latest album “Carrion Lord” on September 27th, 2024. Ophidian Memory, hailing from Des Moines, USA, is known for its innovative approach to metal, using melodic death metal as a foundation to incorporate elements of black metal, thrash, progressive metal, and metalcore. “Carrion Lord” continues this tradition, offering a heavier and more unrelenting sound compared to its predecessor “Our Shattered Garden”. Lamoureux comments:

“Carrion Lord is the most ambitious and brutal Ophidian Memory release to date. The lyrics portray themes of deception, sacrifice, undreamt horror, and war. Musically the death and black metal notches have been turned all the way up, while the progressive notch has been turned down greatly until late in the album, giving a reprieve to the listener for a slight moment until the record ultimately closes with a ripping epic finishing track.”

The album is best experienced as a front-to-back listening journey, with each track offering a unique blend of subgenres that keeps the listener engaged throughout. Lyrically, “Carrion Lord” delves deeper into the fictional universe of “Existence”, a dark fantasy epic created by Lamoureux that has become the cornerstone of Ophidian Memory‘s conceptual approach.

On this album, Ophidian Memory has moved away from the progressive metal feel, choosing to take on a darker and heavier tone which reflects the brutal narrative this time around. Expect lots of unhinged vocals, riffs for days, and oppressive drums. For those who love extreme metal of all decades, in the vein of The Black Dahlia Murder, Behemoth, and Blood Red Throne, this one’s for you.

“Carrion Lord” is available at the following links:

Album Stream – https://youtu.be/Vf5F9SW1eA4

Bandcamp – https://ophidianmemory.bandcamp.com/

Spotify – https://spoti.fi/3BiMNxv

Track Listing:
1. The Mausoleum – (5:13)
2. Hunger Of Your Deceased Deity – (4:52)
3. A Jewel In Grocinia – (5:23)
4. Fleshbinding Ritual- (4:08)
5. Carrion Lord – (5:19)
6. The Murder On Warforged Soil – (6:17)
7. Hollowed – (3:50)
8. Sculptors Of Seraphic Tributes- (11:14)
9. Kept From Dust – (4:22)
10. Bloodborne – (4:40)

More Info: https://www.instagram.com/ophidianmemory/

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ASHER MEDIA RELATIONS
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0 Canada’s MARBLE GHOSTS Drop New Video “False Heroes” For Debut Self-Titled EP Out Now!

March 1, 2024
by Asher
· Marble Ghosts · Music News

NEWS RELEASE

Montreal, QC – March 1, 2024

Canada’s MARBLE GHOSTS Drop New Lyric Video “False Heroes” For Debut Self-Titled EP Out Now!

L-R – Paul R. Champagne (Bass), Adam Hansen (Guitar, Backing Vocals), Dylan Gunnell (Vocals), Jérôme Renaud (Drums)

Photo Credit – Lisa Thompson (Dark Moon Productions)

Dropping their debut self-titled EP this Friday, March 1st, Ottawa, Canada’s Marble Ghosts are presenting their latest video for their track “False Heroes”, the second to last song on the release that is a sludgy verse mixed with a towering harmony-laced chorus and a powerful, thundering instrumental end.

Lyrically, “False Heroes” is aimed at the institutions of old and those who continue to prop them up. Originally titled Marble Ghosts, the name was changed when the band realized that it was the perfect name for the band itself.

They explain further about the song:

“In the current culture, where some believe we should return to a golden past, False Heroes counters that with a resounding NO. The song seeks to eviscerate male privilege, divisive hateful religious figures, but most of all, the ghosts of the past, still seen as trailblazers and nation builders. Inspired by the dismantling of controversial statutes worldwide, but specifically, the downing of the statue of John A. MacDonald, Canada’s first PM and the architect of the residential school system, False Heroes is a warning against romanticizing and celebrating figures whose mindsets were at their core harmful and led in many cases to abusive and criminal acts.”

Watch and listen to the lyric video “False Heroes” via its premiere on Bravewords HERE.

Recently emerging onto the Canadian metal scene with a distinctive sound and a fierce commitment to challenging societal norms, Marble Ghosts comprises a dynamic lineup that uniquely blends genres and generations, featuring a death metal drummer, an old-school metal bassist, a grunge-influenced singer, and a metalcore guitar player. This eclectic mix not only defines their sound but also underscores the band’s commitment to breaking musical boundaries.

Despite being a relatively new band, Marble Ghosts demonstrates a clear musical direction. Their first EP showcases five compelling songs that highlight their diverse influences and styles. As a band, they embrace generational differences, allowing their music to evolve organically as they grow more comfortable with each other.

Explaining the origin of their band name, Marble Ghosts draws inspiration from historical figures revered by some as pioneers and trailblazers but who also committed terrible crimes. The band seeks to call out the tradition that these effigies represent. Their music is recommended for fans of Shinedown, Saint Asonia, and Three Days Grace.

Marble Ghosts’ debut EP is due out on March 1, 2024.

Digital – https://marbleghosts.bandcamp.com/album/marble-ghosts-2

EP preview – https://youtu.be/QZzpK6x6PK0

For those in the Ottawa area, Marble Ghosts are hosting their EP release show on February 29 2024 at The 27 Club. Info here.

Track Listing:
1. Old School (3:10)
2. Lie to Me (4:22)
3. Alone (4:03)
4. False Heroes (4:33)
5. End of the World (3:58)
EP Length: 20:07

More info: Facebook.com/marbleghosts | Instagram.com/marbleghostsofficial

-30-

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ASHER MEDIA RELATIONS
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0 Canada’s Macabre Metallers BLOOD OPERA Announce Album “Songs in the Key of Death” Out End of Feb 2024; Album Guests Morgan Lander (Kittie), Maurizio Guarini (Goblin)

February 5, 2024
by Asher
· Blood Opera · Music News · Uncategorized

NEWS RELEASE

Montreal, QC – February 5, 2024

Canada’s Macabre Metallers BLOOD OPERA Announce Album “Songs in the Key of Death” Out End of Feb 2024

Album Guests Morgan Lander (Kittie), Maurizio Guarini (Goblin)

Track Voice Over Guests – Tony Todd (Candyman), Adrienne Barbeau (The Fog), Linnea Quigley (The Return of the Living Dead), Michael Berryman (The Hills Have Eyes, X-Files, Star Trek)

Top L-R – RIP Junk (Guitar, Vocals), Damien Deathgasm (Bass, Vocals)
Bottom L-R – Max Murder Lead Vocals), Muerto McBrains (Drums, Programming)
Photo Credit – Craig Leonard (Billy Bones)

They were born in blood, conceived in Hell, and reanimated by accident! Bent on cannibalizing the entire human race, Toronto, Canada’s Blood Opera has already infected whole populations with their raunchy and often controversial live displays of violence, gore, and perverse sexual acts! Having feasted on human flesh with bands such as GWAR and being endorsed by the zombie Godfather himself, George A. Romero, these purveyors of so-called “Dead Metal” have quickly become Canada’s number one horror metal act. They are riled up and ready to release their first full-length album “Songs in the Key of Death” on February 24th and to prime listeners for the bloodbath, they have released two video singles “The Gates of Hell” featuring guest keyboards by Maurizio Guarini (Goblin) and “Be My Victim” featuring a voice-over by actor Tony Todd (Candyman), which they share in further detail:

“The Gates of Hell was inspired by the cult film of the same name. Another heavy track brings in more modern influences and progressions. It features guest keyboard work by Goblin’s Maurizio Guarini. “Be My Victim” is a bonus track from 2022 and features actor Tony Todd and is based on the film Candyman. As it is an older song it features a couple of members no longer in the band but as it is an important song for us we wanted to include it. Fans of Ghost will dig this keyboard and chorus-driven rocker.”

On “Songs in the Key of Death”, Blood Opera wants to pay tribute to the genre films they love and mix metal with the macabre. The band was originally to be the live musicians for a proposed Return of the Living Dead musical that unfortunately did not come to fruition.

With powerful operatic vocals, sleazy guitar riffs, and blasphemous lyrics inspired by some of the scariest movies ever made, one thing is for sure- if the gates of Hell are left open, it could mean the end of all humanity!

Due out on February 24, 2024, the fiendish feeding frenzy of “Songs in the Key of Death” is recommended for fans of GWAR, Dokken, and WASP and is available for album pre-order at https://bloodopera.bandcamp.com.

Lyric Video – The Gates of Hell ft. guest keyboards Maurizio Guarini (Goblin) – https://youtu.be/XtL3rOlqB6Q

Music Video – By My Victim ft. voice-over by Tony Todd (Candyman) – https://youtu.be/-WFjtFmdFW4

Spotify – https://spoti.fi/4bjem7z

Track Listing:
1. Just Keep Digging (1:04)
2. Feeding Frenzy (3:49) ft. guest vocals Morgan Lander (Kittie) and voice-over by Linnea Quigley (The Return of the Living Dead)
3. Don’t Go Out Tonight (3:06)
4. Fight to Survive (3:53) ft. voice-over by Michael Berryman (The Hills Have Eyes, X-Files, Star-Trek)
5. A Waste of Good Suffering (3:55)
6. The Gates of Hell ft. guest keyboards Maurizio Guarini (Goblin) (4:51)
7. Breaking News (0:58)
8. Killer Klowns From Outer Space (Cover) (4:19)
9. The Ballad of Father Malone (4:11) ft. voice-over by Adrienne Barbeau (The Fog, Escape From New York)
10. Brundlefly (4:34)
11. Damien (5:11)
12. Be My Victim ft. voice-over by Tony Todd (Candyman) (Bonus Track) (3:59)
13. The Band of the Living Dead (0:30)
14. The Key of Death (0:43)
Album Length: 45:09

More Info: https://bloodopera.ca

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“Toronto’s very own, Blood Opera primed the audience for the forthcoming onslaught…Blood Opera, local purveyors of the horror business, celebrating debauchery by toasting the crowd with a ceremonious Blood Chug!” – John Gallant (Live in Limbo)

“Blood Opera’s new single, “Be My Victim,” is a serious rock n’ roll homage to many aspects of the original Candyman film, including the nostalgia of playing scary childhood games, and the fear of losing complete control.” – Rue Morgue
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ASHER MEDIA RELATIONS
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0 Norway’s Féleth Now Streaming Their Technical Melodic Death Metal Album “Divine Blight” (Mixed and Mastered by Christian Donaldson (Cryptopsy))

November 10, 2022
by Asher
· Feleth · Music News

NEWS RELEASE

Montreal, QC – November 10, 2022

Norway’s Féleth Now Streaming Their Technical Melodic Death Metal Album “Divine Blight”

Mixed and Mastered by Christian Donaldson (Cryptopsy)

Féleth, from northern Norway, is now streaming their second album “Divine Blight”, which they see as a solid step up from 2020’s “Depravity”. They take on real-life events and put them to provocative music best described as melodic death metal with a healthy dose of technical death metal added in. The lyrical themes are often inspired by things that vocalist Espen Dagenborg finds massively wrong such as politicians waging war, being greedy, and also how humans can be extremely hateful against others. Then again there are also songs that are somewhat purely fictional, mostly showcasing his lyrical style.

As Féleth was the continuation of a former thrash metal band, IronBound, it’s natural to say that they started out as a thrash death band. As the then-young boys started to discover the joys of death metal the sound evolved more toward that. Along with the newfound joy came the struggle, for death metal wasn’t easy to play. After finally mastering the ways of death metal and having released “Depravity” disaster struck. The now not-so-young boys had developed a taste for technical death metal and big hooks. When the time came to work on “Divine Blight” they already had a handful of finished songs to choose from, each one a work of art – melodic, technical, brutal art. The band comments:

“After getting signed with our new label “Rob Mules Records” and playing some pretty sick gigs at both Buktafestivalen and Tons of Rock, we’re super stoked to release our new album “Divine Blight”. It was a long and tedious process of selecting, practicing, and recording, but the result will speak for itself. Our best album thus far. It’s a collection of stories based on the dystopian path humanity is set on. We felt that throughout this new journey of an album we’ve refined our songwriting and successfully achieved a style that’s not only ass-whoppingly brutal, but also more complex emotionally and lyrically. It is clear that we’ve got multiple influences and styles throughout the album which all contribute to a massive sonic package. It’s definitely a death metal album with some subtle takes on some of its many subgenres. Two and half years after our debut “Depravity” we’re ready to present ‘DIVINE BLIGHT’.”

The album was mixed and mastered by Christian Donaldson (Cryptopsy) and the album artwork was done by Kahinienn Graphix. The Northern Norwegian technical death rock is recommended for fans of Fit For An Autopsy, Inferi, and Soreption.

The album “Divine Blight” comes out on November 11, 2022, and can be heard in full before its official release on Metal-Rules HERE.

Music Video – Majesty – https://youtu.be/yce26-EGFMI

Visualizer – Avarice – https://youtu.be/E2J3NnHAmsk

Lyric Video – USA ft. Petter Carlsen – https://youtu.be/7jURKrmgt0M

Track Listing:
1. Majesty – 03:46
2. Caretaker – 03:58
3. Riven – 03:51
4. En Elskovsdans – 03:10
5. The Serpent – 03:32
6. Casanova – 03:35
7. Deadlands – 04:26
8. Absence – 04:09
9. USA – 05:32 ft. gust vocals Petter Carlsen
10. Avarice – 05:33
Album Length: 41:37

Album Credits:
All songs performed by Féleth
Guest vocalist Petter Carlsen on USA
All songs written by Féleth
Produced by Féleth
Mixed and Mastered by Christian Donaldson
Assistant Engineer Jonathan Mazzeo
Album Artwork by Kahinienn Graphix

Live and Album Lineup:
Espen Dagenborg – Vocals
Thomas Nyvoll – Guitar
Alexander Stamnes – Guitar
Brage Ingebrigtsen Westgaard – Bass
Aleksander Alsen – Drums

For more info:
Facebook.com/FelethBand
Instagram.com/felethband

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““Majesty” is an exciting introduction to the differing styles and techniques that Féleth intertwine in their songwriting, drawing together ingredients from technical and melodic death metal in a white-hot rush that nevertheless is home to some bone-smashing grooves. “Avarice” puts those genre ingredients on display again, but expands the musical palette and makes the song an even ore multi-faceted and atmospheric experience. With no room to gasp a breath, the song explodes in a flurry of fleet-fingered, fret-leaping guitar work, neck-cracking drumming, and flame-throwing vocal intensity. But groaning chords and shrill, eerie melodic overtones also create dark and deleterious moods, building tension and fear. While the vocals are utterly unhinged in their madness (and doubled in the chorus for extra intensity), squirming guitar arpeggios create a different dimension of insanity, coupled with agony, and martial drum patterns and a misery-steeped closing solo add to the song’s relentless dynamism. On top of all that, the song also punches like a heavyweight fighter.” – No Clean Singing (Divine Blight 2022)

“Feleth is gaining a name for itself despite only being around for a couple of years. They are developing their sound and their technical ability rapidly and this release shows that development, especially in songwriting where they bring different elements in to add color. An excellent example of melodic/technical death metal and worth anyone’s hard-earned cash.” – My Global Mind (Divine Blight 2022)

“Depravity the newest album from Feleth is one brutal album full of riffs and hooks to keep even the most particular entertained. Feleth mix the roots of the Norwegian metal scene, with the death metal tone they strive for to create some well crafted blackened death metal, similar to that of Shadow of Intent.” – Metal Injection (Depravity 2020)

“With a melting pot of ideas, yet rooted in delivering a head-smashing and neck-destroying style of metal, Féleth are aggressive newcomers to a scene that constantly looks to surprise… Féleth deliver heavy and extreme noise so very well.” 9/10 – Games, Brrraaains & A Head-Banging Life (Depravity 2020)

“straight up heaviness and brutality, tech offerings and melodic atmopsheres, and enjoyable groove.” – Dead Rhetoric (Depravity 2020)

“Féleth: Transcends the traditional limits of the genre…” – Permafrost.today (Depravity 2020)

“9/10 “Féleth offer an edge-of-your-seat experience that is both fresh and captivating.” – Metal Inferno (Depravity 2020)

“Féleth does death metal fast and aggressive, reigning in their impressive technical chops for maximum impact, keeping their riffs (and songs, for that matter) relatively short and to the point. They strike a pretty even balance between chunky chords and caustic melodies, most of which are designed to coax headbanging than to impress with virtuosity. The album is front-loaded with catchy bangers, saving the more technical and weird bits for the latter half.” – Tolet Ov Hell (Depravity 2020)
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ASHER MEDIA RELATIONS
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(Rockshots Records, Extreme Metal Music, Armstrong MF, Loud As Hell, Metalocalypstick, Decimate MF, Electric Highway Fest, Wacken Metal Battle Canada/USA, Hyperspace MF, Le FestEvil)

0 Guitarist Frankie C. (Vesperia) Unleashes New Shredding Playthrough “Life By Fire”; Debut EP “Cellular Damascus” Out Now!

May 16, 2019
by Asher
· Frankie C. · Music News

(contact info below)

NEWS RELEASE

Montreal, QC – May 16, 2019

For fans of Marty Friedman, Steve Vai, Joe Satriani, Buckethead, Tony MacAlpine

Guitarist Frankie C. (Vesperia) Unleashes New Shredding Playthrough “Life By Fire”

Debut EP “Cellular Damascus” Out Now!

Frankie C., known for his guitar work in Canadian symphonic death metal band Vesperia recently released his side project entitled “Cellular Damascus” this past March. An instrumental solo project that came to light after he was crowned champion of season one of “Shredders of Metal” presented by Banger TV. The EP is technical, groovy and energetic, and lets the listener focus on the guitar work that he takes great pride in orchestrating.

Posting his next playthrough video in support of his debut, Frankie C. explains ‘Life By Fire’:

“This song is quite a lot of fun to play. There are many exciting melodic themes as well as head banging sections and a lot of notes! To me this song is evil but fun.”

Watch ‘Life By Fire’ at the following link: https://youtu.be/-t8wzZ2aNe8

Previous playthroughs:
‘Fall of The Hammer’: https://youtu.be/ScxRxFp-QUs
‘Cellular Damascus’: https://youtu.be/aCocz8CQCso

Frankie C. adds:

“I want fans to have fun listening to ‘Cellular Damascus’. I wanted to create interesting melodic phrases, but still have heavy riffs to headbang along with, shred hard, but not lose sight of the music and try to have a clear mix where things aren’t overly processed but all instruments/parts are still clear and audible.”

All four tracks on this debut flow together and show off excellent musicianship. Excited to be focusing on more solo work in the future, Frankie C. has confirmed another release in the future.

“Cellular Damascus” is now out as of March 13, 2019, and available for stream and download on Bandcamp, Spotify, Youtube, iTunes.

Track Listing:
1. So It Begins (1:06)
2. Fall Of The Hammer (2:55)
3. Cellular Damascus (3:14)
4. Life By Fire (3:19)
EP Length:

For more info:

Facebook: https://www.facebook.com/frankiecshred

Youtube: https://www.youtube.com/user/arps7
Instagram: https://www.instagram.com/frankiecshred

Bio:

Cellular Damascus is the instrumental solo project from Vesperia’s Frankie Caracci. Looking to try something new and forge his wide array of influences together to make something that is uniquely his own.

The first release, the self-titled EP (2019), introduces fans to the melodic and technical headbanging music on which Caracci solely wrote, performed and produced. Influenced but guitar mavericks such as Jeff Loomis, Joe Satriani, Jason Becker, and Michael Romeo and genres such as modern and classic heavy metal thrash, prog and death metal there is an assortment of features in each track that keep the listener on their toes and attentive to the music.

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0 EPK – Dire Peril – Dire Peril – The Extraterrestrial Compendium (2018)

September 4, 2018
by Asher
· Dire Peril · EPKs

Dire Peril – The Extraterrestrial Compendium (LP) (2018)

Release Date: November 9, 2018

Label & distribution: Divebomb Records

For Fans of Iced Earth, Blind Guardian, Symphony X, and Iron Maiden

PR Rep – Jon Asher – ashermedia(@)gmail.com

DirePeril.com | Facebook | Youtube | Bandcamp

iTunes | Spotify | Amazon | DP Online Store | Divebomb Records

Download High Res Photo | Download High Res Album Cover

“Power metal kings, Songs about sci-fi movies, What more do you need? ” – Metal Injection

“It’s the rare power metal record where the artist is as confident in handling its subtle, reserved material as it is its neck-thrashing, riff-centric centerpieces, and Dire Peril manages both aesthetics with more care than the bulk of bands in its genre. As far as straightforward power metal goes, this may well be the very best that 2018 has to offer. ” – Angry Metal Guy

“a sci-fi infused power metal monster. Ashcraft adds a more galloping, Iced Earth, huge and grand guitar riffing to the mix and of course Yelland’s vocals are phenomenal.” – Metal Marks The Spot

” Dire Peril’s first full-length album is an excellent display of American power metal.” – Indy Metal Vault

“Bulletproof songwriting, soaring vocals, tremendous solos, exceptional song-to-song variety, and an uncanny ability to be both a little bit tongue-in-cheek and deadly serious at the same time: what in the goddamn hell more could you ask for? This is a marvelous album. ” – Your Last Rites

“this may well be the best Power Metal has to offer in 2018.” – Metal-Temple

“With their full-length debut, The Extraterrestrial Compendium, they have gone above and beyond my expectations, producing one of the best power metal albums of the year, which manages to be both very dynamic and consistently engaging throughout. I especially recommend it for fans of the harder hitting, more guitar driven side of power metal, as there’s a ton of thrash influence here, as well as a fair bit of classic heavy metal and some slight prog leanings. Everything is done well, with vocalist John Yelland giving the best performance of his career, and overall, it’s an amazing album from start to finish.” – My Global Mind

““in its conceptual and musical depth, Dire Peril’s The Extraterrestrial Compendium is rather epic and entertaining guitar-forward power metal…power metal and sci-fi go together like beer and pizza. Get it. You won’t be disappointed.” – Dangerdog Music Reviews

“DIRE PERIL prove that America still has great talent in the Power Metal realm” – Metal-Temple.com

“a wonderful album that will take you on an intergalactic journey through many popular sci fi movies. It is an album that is full of melodic vocals and kick ass guitars. ” – Baby Dolls and Razor Blades

Seven Kingdom Tour Dates w/ Dire Peril
Nov 14 – Cobra Lounge – Chicago, IL
Nov 15 – Riot Room – Kansas City, MO
Nov 17 – Rockhouse Bar & Grill – El Paso, TX
Nov 18 – Rail Club – Ft. Worth, TX
Nov 19 – Come And Take It Live – Austin, TX
Nov 20 – Southport Hall – New Orleans, LA

The Extraterrestrial Compendium (LP) (2018)

Release Date: November 9, 2018
Label & Distribution: Divebomb Records

Track Listing:

01 – Yautja (Hunter Culture)
02 – Planet Preservation
03 – Enemy Mine
04 – The Visitor
05 – Total Recall
06 – Queen of the Galaxy*
07 – Roughnecks
08 – Blood in the Ice
09 – Heart of the Furyan
10 – Altair IV: The Forbidden Planet
11 – Always Right Here
12 – Journey Beyond the Stars**

*Features Brittney Slayes
**Features Arjen Anthony Lucassen

Album Credits:
• All songs performed by: Dire Peril
• All songs written by: Jason Ashcraft and John Yelland excepting Queen of the Galaxy by Jason Ashcraft and Norman Skinner and Journey Beyond the Stars by Jason Ashcraft, John Yelland and Norman Skinner
• Produced by: Jason Ashcraft
• Mixed by: Carlos Alvarez (Dirty Viking Audio Productions)
• Mastered by: Brett Caldas Lima (Tower Studio)
• Album Artwork by: Gwen Vibancos

Album Band Line Up:
Jason Ashcraft (Guitar, bass)
John Yelland (Vocals)
Featuring Brittney Slayes as guest vocalist on Queen of the Galaxy
Featuring Arjen Anthony Lucassen as a guest

Live Band Line Up:
Jason Ashcraft (Rhythm Guitars)
John Yelland (Vocals)
Chelsea McMasters (Bass)
Steven Soderberg (Lead Guitars)
Tom Tierney (Drums)

Discography:
2018 – The Extraterrestrial Compendium
2016 – The Astronomical Queen of Space and Time (EP Compilation)

L-R – Jason Ashcraft (rhythm, lead, acoustic, bass guitars) & John Yelland (vocals)

SHORT BIO:

Originally formed in 2009, the band went on to create three EPs: Astronomical Minds, Queen of the Galaxy and Through Time and Space, and proceeded to play a handful of local shows, as well as a few out of town gigs. In 2015, feeling like things just weren’t as they should be, Ashcraft decided to take a step back and take a hard look at where the band was headed.

Inspired by all manner of science fiction, especially classic sci-fi movies, Dire Peril regrouped as a double piece; Ashcraft was joined by singer John Yelland, and together they began working on the debut album titled “The Extraterrestrial Compendium,” set for release on November 9, 2018. Recruiting a live line up enabled them to start playing live shows including an upcoming North American tour with Seven Kingdoms allowing the American sci-fi power metal band to reach its final form and share their dark, aggressive adventure with the masses.

LONG BIO:

Dire Peril was an idea that goes as far back as Jason Ashcraft’s (guitars, bass) highschool years. The band’s name was inspired by a PC game he used to play, called “Vampire: The Masquerade – Bloodline”, which has stuck with him ever since. Originally formed in 2009 as the name under which Ashcraft used to perform covers, the band wouldn’t see it’s true form until around 2012, when Jason joined forces with the Bay Area powerhouse vocalist Norman Skinner.

The band went on to create three EPs: Astronomical Minds, Queen of the Galaxy and Through Time and Space, and proceeded to play a handful of local shows, as well as a few out of town gigs. In 2015, feeling like things just weren’t as they should be, Ashcraft decided to take a step back and take a hard look at where the band was headed.

Inspired by all manner of science fiction, especially classic sci-fi movies, Dire Peril regrouped as a two piece; Ashcraft was joined by singer John Yelland, and together they began working on the debut album titled “The Extraterrestrial Compendium,” set for release on November 9, 2018.

‘The Extraterrestrial Compendium’ bases each one of its 12 songs on classic sci-fi movies including Predator, Total Recall, Starship Troopers, and E.T. and features guests Brittany Slayes (Unleash the Archers) and Arjen Anthony Lucassen (Ayreon).

Recruiting a live line up enabled them to start playing live shows including large North American tours with Sirenia and Unleash the Archers plus most recently supporting Seven Kingdoms this coming November on select USA tour dates. The American sci-fi power metal band is close to reaching its final form and is now ready to share their dark, aggressive adventure with the masses.

Shared Stage with:

Sirenia, Threat Signal, Valinor Excelsior, and Winter’s Wake

Tours and Festivals:
2018 – Sirenia NA Tour (April)
2018 – Seven Kingdoms NA Tour (November)

0 The Mountain Man Vs. CanadianBeats

April 14, 2016
by Asher
· The Mountain Man

http://canadianbeats.ca/2016/04/14/review-the-mountain-man/

0 The Mountain Man Vs. Planet Mosh

March 29, 2016
by Asher
· The Mountain Man · Uncategorized

THE MOUNTAIN MAN Offer Free Download ‘Bloodlust’ via Yell Magazine; EP Due Out March 25th

0 EPK – Wormwitch -Coffin Birth

January 18, 2016
by Asher
· WORMWITCH

WORMWITCH – Coffin Birth – Single (2016)

Press contact: Cara Ashbey | 587.989.1741 | caraashbey@gmail.com

Release Date: TBA

For fans of At The Gates, Entombed, and Disfear

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Sales link: Bandcamp

Download High Resolution Photo | Download EP Cover | Download Logo

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Left to right: Colby Hink (guitar) Robin Harris (bass/vocals) and Max Vüst (drums)

Photo Credit: Ed Abarca

Biography

From the rain-swept city of Vancouver come Wormwitch; the result of strain, both musically and mentally, becoming possessed by black metal instrumentals, rock and roll roots, and depressive lyrics. The black metal three-piece is the brainchild of former members of local hardcore act Dead Hand (2013-2015). Wormwitch is Colby Hink (guitar), Max Vüst (drums), and Robin Harris (bass & vocals). The songs are treated as unearthed bones, first they are arranged and named, then a story is developed based on the fractures and cuts, and finally the song is complete.

The band has been constantly swinging like a pendulum further and further right, as if the far left was classic punk rock and the right being blasphemous black metal. Wormwitch have been and will continue to become enveloped in European influences tinged with the slightest hint of rock and roll. The band consists of just three instruments, but somehow combines them all to create a catastrophous sound.

Each song is built to prey upon listeners as if taking in their energy and maintaining a deadly grip. The band’s goal is to engage the audience both instrumentally and emotionally as if to exhaust them. “The Long Defeat,” is the first EP discharged from the collective mind of Wormwitch. The band is currently drafting their sophomore release which has yet to be named. They are also releasing their rogue single titled “Coffin Birth” focusing on nature taking charge and sacrificing and renewing itself, all in an effort to destroy the blight of man.

Coffin Birth Cover

EP: Coffin Birth – EP (2016

Lyrics for single: COFFIN BIRTH

Artwork: Luciana Nedelea – Artworks

All songs written and performed by: Wormwitch
Mixed and produced by: Matthew Roach
Mastered by: Brad Boatright Audiosiege

Album Band/Live Line Up: Robin Harris, Colby Hink, Max Vüst

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Discography

2015 – The Long Defeat – EP

0 NEWS: LAUGH AT THE FAKES Post New Lyric Video ‘Killing Time’ From Upcoming Album ‘Dethrone The Crown’ Due Out November 14th

October 24, 2014
by Asher
· Laugh At The Fakes

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For Interview, Album Requests, Media List contact

Jon Asher – Music Publicist – ashermedia [AT] gmail.com

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# 514.581.5780 – www.ashermediarelations.com

NEWS RELEASE

Montreal, QC – October 24, 2014

ALBUM PROMOS FOR MEDIA COVERAGE (ex. feature, interview, album review, airplay, contests / cd give aways, etc) CAN BE REQUESTED HERE

(R.I.Y.L. = Iron Maiden, Dio, Skull Fist, Cauldron, Black Sabbath, Judas Priest, Megadeth, ACDC, Opeth, ACDC, Soundgarden, Led Zeppelin)

EPK | Press Photo | Album Cover Download | Album Lyrics

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Sales Links: Bandcamp | iTunes | Amazon | CD Baby

LAUGH AT THE FAKES Post New Lyric Video ‘Killing Time’ From Upcoming Album ‘Dethrone The Crown’ Due Out November 14th

Laugh At The Fakes – Dethrone The Crown

1. Not Like Me (6:27)

2. Death Awaits(4:52)

3. Cut To The Chase (3:36)

4. Killing Time (6:14)

5. Fighting Dirty (5:38)

6. Got No Regrets(4:03)

7. Harmonica Playing Man (6:15)

8. And I (6:56)

9. Dethrone The Crown (5:14)

Album Length: 49:14

With a name as unique and identifiable as their sound, Toronto, ON’s LAUGH AT THE FAKES is a band that challenges the trends of today’s rock and metal scene. Since the bands inception in 2010, LATF has combined elements of metal, hard rock, and prog to create an unmistakable sound. Debuting their six song EP ‘One Night Only’ in 2011, they return in 2014 with their latest offering ‘Dethrone The Crown’ their first full length produced by Greg Dawson and mastered by Andy VanDette (Rush, Dream Theatre, Kid Rock, Deep Purple, Bruce Dickenson, Bif Naked). Due out on November 14th, the band have posted a new lyric video for their first single ‘Killing Time’, which can be viewed at the following link below.

In additional news, LATF recently supported Blaze Bayley (ex-Iron Maiden) during Indie Week in Toronto on October 17th and will be performing onOctober 24th in London, ON at The Richmond Tavern in promotion of their upcoming album ‘Dethrone The Crown’. Tickets and show details can be foundhere.

Lyric Video – Killing Time – http://youtu.be/arQgxHBCYg0

Killing Time – Song Stream:

Youtube: http://youtu.be/xY7gRIRUO2Q

Soundcloud: https://soundcloud.com/laughatthefakes/killing-time

Bandcamp: http://laughatthefakes.bandcamp.com/track/killing-time

About:

“Laugh At The Fakes” features Everett Mason (Vocals and Guitar), Galen Weir (bass), Kevin Daliri (guitar) and Chris Avalos (drums).

Their debut six-song EP ‘One Night Only’ was released in 2011 and their 2014 follow-up full-length album, Dethrone the Crown, is scheduled to drop this fall on November 14th. Produced by Greg Dawson and mastered by Andy VanDette (Rush, Dream Theatre, Kid Rock, Deep Purple, Bruce Dickenson, Bif Naked) is a “no filler riffs, just money riffs”, as vocalist / guitarist Mason puts it, “the record deals with today’s most newsworthy topics: War, guns, murder and corruption. It’s real, it’s raw and, of course, it’s honest.’

Touring across Canada, the Toronto-based group has built a solid following with music that’s geared to stand the test of time. Heavy, melodic, crushing and catchy – Laugh at the Fakes is all that and more.

– 30 –

“It’s like they are a hard rock band that likes to explore their thrashy-side too. I love it because I enjoy the catchy melodic vocals but at the same time I can bang my head pretty seriously too. You don’t hear albums like this one very often, if at all. I can’t really think of anything that comes close to being like this album as a whole. ”- Rock Music Critic

“I’ll admit, I laughed at the band name when I first heard it, but these guys are no joke.” – Gruesomeviews.com

“Laugh At The Fakes debut EP One Night Only proves that Melodic Vocals still can reign supreme in Metal albums.” – Kingston Music Reviews

“The first attraction to hit the stage was Rock/Metal band LAUGH AT THE FAKES, from Toronto, Ontario. Those guys play a nice mix of Rock N’ Roll, Hard Rock and Heavy Metal, very old school but with a more polished sounding, and they surely entertained everyone already at Hard Rock Café before 9pm.” – The Headbanging Moose (concert review Indie Week 2014)

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