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Tag: new

0 Canada’s MARBLE GHOSTS Drop New Video “False Heroes” For Debut Self-Titled EP Out Now!

  • March 1, 2024
  • by Asher
  • · Marble Ghosts · Music News

NEWS RELEASE

Montreal, QC – March 1, 2024

Canada’s MARBLE GHOSTS Drop New Lyric Video “False Heroes” For Debut Self-Titled EP Out Now!

L-R – Paul R. Champagne (Bass), Adam Hansen (Guitar, Backing Vocals), Dylan Gunnell (Vocals), Jérôme Renaud (Drums)

Photo Credit – Lisa Thompson (Dark Moon Productions)

​

Dropping their debut self-titled EP this Friday, March 1st, Ottawa, Canada’s Marble Ghosts are presenting their latest video for their track “False Heroes”, the second to last song on the release that is a sludgy verse mixed with a towering harmony-laced chorus and a powerful, thundering instrumental end.

Lyrically, “False Heroes” is aimed at the institutions of old and those who continue to prop them up. Originally titled Marble Ghosts, the name was changed when the band realized that it was the perfect name for the band itself.

They explain further about the song:

“In the current culture, where some believe we should return to a golden past, False Heroes counters that with a resounding NO. The song seeks to eviscerate male privilege, divisive hateful religious figures, but most of all, the ghosts of the past, still seen as trailblazers and nation builders. Inspired by the dismantling of controversial statutes worldwide, but specifically, the downing of the statue of John A. MacDonald, Canada’s first PM and the architect of the residential school system, False Heroes is a warning against romanticizing and celebrating figures whose mindsets were at their core harmful and led in many cases to abusive and criminal acts.”

Watch and listen to the lyric video “False Heroes” via its premiere on Bravewords HERE.

Recently emerging onto the Canadian metal scene with a distinctive sound and a fierce commitment to challenging societal norms, Marble Ghosts comprises a dynamic lineup that uniquely blends genres and generations, featuring a death metal drummer, an old-school metal bassist, a grunge-influenced singer, and a metalcore guitar player. This eclectic mix not only defines their sound but also underscores the band’s commitment to breaking musical boundaries.

Despite being a relatively new band, Marble Ghosts demonstrates a clear musical direction. Their first EP showcases five compelling songs that highlight their diverse influences and styles. As a band, they embrace generational differences, allowing their music to evolve organically as they grow more comfortable with each other.

Explaining the origin of their band name, Marble Ghosts draws inspiration from historical figures revered by some as pioneers and trailblazers but who also committed terrible crimes. The band seeks to call out the tradition that these effigies represent. Their music is recommended for fans of Shinedown, Saint Asonia, and Three Days Grace.

Marble Ghosts’ debut EP is due out on March 1, 2024.

Digital – https://marbleghosts.bandcamp.com/album/marble-ghosts-2

​

EP preview – https://youtu.be/QZzpK6x6PK0

​

For those in the Ottawa area, Marble Ghosts are hosting their EP release show on February 29 2024 at The 27 Club. Info here.

Track Listing:​
1. Old School (3:10)
2. Lie to Me (4:22)
3. Alone (4:03)
4. False Heroes (4:33)
5. End of the World (3:58)
EP Length: 20:07

More info: Facebook.com/marbleghosts | Instagram.com/marbleghostsofficial​

-30-

—
ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780
jon[@]ashermediarelations[.]com
Facebook @AsherMediaRelations
Instagram @AsherMedia
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0 Canada’s Macabre Metallers BLOOD OPERA Announce Album “Songs in the Key of Death” Out End of Feb 2024; Album Guests Morgan Lander (Kittie), Maurizio Guarini (Goblin)

  • February 5, 2024
  • by Asher
  • · Blood Opera · Music News · Uncategorized

NEWS RELEASE

Montreal, QC – February 5, 2024

Canada’s Macabre Metallers BLOOD OPERA Announce Album “Songs in the Key of Death” Out End of Feb 2024

Album Guests Morgan Lander (Kittie), Maurizio Guarini (Goblin)

Track Voice Over Guests – Tony Todd (Candyman), Adrienne Barbeau (The Fog), Linnea Quigley (The Return of the Living Dead), Michael Berryman (The Hills Have Eyes, X-Files, Star Trek)

Top L-R – RIP Junk (Guitar, Vocals), Damien Deathgasm (Bass, Vocals)
Bottom L-R – Max Murder Lead Vocals), Muerto McBrains (Drums, Programming)
Photo Credit – Craig Leonard (Billy Bones)

They were born in blood, conceived in Hell, and reanimated by accident! Bent on cannibalizing the entire human race, Toronto, Canada’s Blood Opera has already infected whole populations with their raunchy and often controversial live displays of violence, gore, and perverse sexual acts! Having feasted on human flesh with bands such as GWAR and being endorsed by the zombie Godfather himself, George A. Romero, these purveyors of so-called “Dead Metal” have quickly become Canada’s number one horror metal act. They are riled up and ready to release their first full-length album “Songs in the Key of Death” on February 24th and to prime listeners for the bloodbath, they have released two video singles “The Gates of Hell” featuring guest keyboards by Maurizio Guarini (Goblin) and “Be My Victim” featuring a voice-over by actor Tony Todd (Candyman), which they share in further detail:

“The Gates of Hell was inspired by the cult film of the same name. Another heavy track brings in more modern influences and progressions. It features guest keyboard work by Goblin’s Maurizio Guarini. “Be My Victim” is a bonus track from 2022 and features actor Tony Todd and is based on the film Candyman. As it is an older song it features a couple of members no longer in the band but as it is an important song for us we wanted to include it. Fans of Ghost will dig this keyboard and chorus-driven rocker.”

On “Songs in the Key of Death”, Blood Opera wants to pay tribute to the genre films they love and mix metal with the macabre. The band was originally to be the live musicians for a proposed Return of the Living Dead musical that unfortunately did not come to fruition.

With powerful operatic vocals, sleazy guitar riffs, and blasphemous lyrics inspired by some of the scariest movies ever made, one thing is for sure- if the gates of Hell are left open, it could mean the end of all humanity!

Due out on February 24, 2024, the fiendish feeding frenzy of “Songs in the Key of Death” is recommended for fans of GWAR, Dokken, and WASP and is available for album pre-order at https://bloodopera.bandcamp.com.

Lyric Video – The Gates of Hell ft. guest keyboards Maurizio Guarini (Goblin) – https://youtu.be/XtL3rOlqB6Q

​

Music Video – By My Victim ft. voice-over by Tony Todd (Candyman) – https://youtu.be/-WFjtFmdFW4

​

Spotify – https://spoti.fi/4bjem7z

​

Track Listing:​
1. Just Keep Digging (1:04)
2. Feeding Frenzy (3:49) ft. guest vocals Morgan Lander (Kittie) and voice-over by Linnea Quigley (The Return of the Living Dead)
3. Don’t Go Out Tonight (3:06)
4. Fight to Survive (3:53) ft. voice-over by Michael Berryman (The Hills Have Eyes, X-Files, Star-Trek)
5. A Waste of Good Suffering (3:55)
6. The Gates of Hell ft. guest keyboards Maurizio Guarini (Goblin) (4:51)
7. Breaking News (0:58)
8. Killer Klowns From Outer Space (Cover) (4:19)
9. The Ballad of Father Malone (4:11) ft. voice-over by Adrienne Barbeau (The Fog, Escape From New York)
10. Brundlefly (4:34)
11. Damien (5:11)
12. Be My Victim ft. voice-over by Tony Todd (Candyman) (Bonus Track) (3:59)
13. The Band of the Living Dead (0:30)
14. The Key of Death (0:43)
Album Length: 45:09

More Info: https://bloodopera.ca​

-30-

“Toronto’s very own, Blood Opera primed the audience for the forthcoming onslaught…Blood Opera, local purveyors of the horror business, celebrating debauchery by toasting the crowd with a ceremonious Blood Chug!” – John Gallant (Live in Limbo)

“Blood Opera’s new single, “Be My Victim,” is a serious rock n’ roll homage to many aspects of the original Candyman film, including the nostalgia of playing scary childhood games, and the fear of losing complete control.” – Rue Morgue​
—
ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780
jon[@]ashermediarelations[.]com
Facebook @AsherMediaRelations
Instagram @AsherMedia
Tweet @AsherMedia

0 Norway’s Féleth Now Streaming Their Technical Melodic Death Metal Album “Divine Blight” (Mixed and Mastered by Christian Donaldson (Cryptopsy))

  • November 10, 2022
  • by Asher
  • · Feleth · Music News

NEWS RELEASE

Montreal, QC – November 10, 2022

 

Norway’s Féleth Now Streaming Their Technical Melodic Death Metal Album “Divine Blight”

Mixed and Mastered by Christian Donaldson (Cryptopsy)

Féleth, from northern Norway, is now streaming their second album “Divine Blight”, which they see as a solid step up from 2020’s “Depravity”. They take on real-life events and put them to provocative music best described as melodic death metal with a healthy dose of technical death metal added in. The lyrical themes are often inspired by things that vocalist Espen Dagenborg finds massively wrong such as politicians waging war, being greedy, and also how humans can be extremely hateful against others. Then again there are also songs that are somewhat purely fictional, mostly showcasing his lyrical style.

As Féleth was the continuation of a former thrash metal band, IronBound, it’s natural to say that they started out as a thrash death band. As the then-young boys started to discover the joys of death metal the sound evolved more toward that. Along with the newfound joy came the struggle, for death metal wasn’t easy to play. After finally mastering the ways of death metal and having released “Depravity” disaster struck. The now not-so-young boys had developed a taste for technical death metal and big hooks. When the time came to work on “Divine Blight” they already had a handful of finished songs to choose from, each one a work of art – melodic, technical, brutal art. The band comments:

“After getting signed with our new label “Rob Mules Records” and playing some pretty sick gigs at both Buktafestivalen and Tons of Rock, we’re super stoked to release our new album “Divine Blight”. It was a long and tedious process of selecting, practicing, and recording, but the result will speak for itself. Our best album thus far. It’s a collection of stories based on the dystopian path humanity is set on. We felt that throughout this new journey of an album we’ve refined our songwriting and successfully achieved a style that’s not only ass-whoppingly brutal, but also more complex emotionally and lyrically. It is clear that we’ve got multiple influences and styles throughout the album which all contribute to a massive sonic package. It’s definitely a death metal album with some subtle takes on some of its many subgenres. Two and half years after our debut “Depravity” we’re ready to present ‘DIVINE BLIGHT’.”

The album was mixed and mastered by Christian Donaldson (Cryptopsy) and the album artwork was done by Kahinienn Graphix. The Northern Norwegian technical death rock is recommended for fans of Fit For An Autopsy, Inferi, and Soreption.

The album “Divine Blight” comes out on November 11, 2022, and can be heard in full before its official release on Metal-Rules HERE.

Music Video – Majesty – https://youtu.be/yce26-EGFMI​

Visualizer – Avarice – https://youtu.be/E2J3NnHAmsk​

Lyric Video – USA ft. Petter Carlsen – https://youtu.be/7jURKrmgt0M​

Track Listing:​
1. Majesty – 03:46
2. Caretaker – 03:58
3. Riven – 03:51
4. En Elskovsdans – 03:10
5. The Serpent – 03:32
6. Casanova – 03:35
7. Deadlands – 04:26
8. Absence – 04:09
9. USA – 05:32 ft. gust vocals Petter Carlsen
10. Avarice – 05:33
Album Length: 41:37

Album Credits:​
All songs performed by Féleth
Guest vocalist Petter Carlsen on USA
All songs written by Féleth
Produced by Féleth
Mixed and Mastered by Christian Donaldson
Assistant Engineer Jonathan Mazzeo
Album Artwork by Kahinienn Graphix

Live and Album Lineup:​
Espen Dagenborg – Vocals
Thomas Nyvoll – Guitar
Alexander Stamnes – Guitar
Brage Ingebrigtsen Westgaard – Bass
Aleksander Alsen – Drums

For more info:​
​Facebook.com/FelethBand
​
​Instagram.com/felethband​

– 30 –

““Majesty” is an exciting introduction to the differing styles and techniques that Féleth intertwine in their songwriting, drawing together ingredients from technical and melodic death metal in a white-hot rush that nevertheless is home to some bone-smashing grooves. “Avarice” puts those genre ingredients on display again, but expands the musical palette and makes the song an even ore multi-faceted and atmospheric experience. With no room to gasp a breath, the song explodes in a flurry of fleet-fingered, fret-leaping guitar work, neck-cracking drumming, and flame-throwing vocal intensity. But groaning chords and shrill, eerie melodic overtones also create dark and deleterious moods, building tension and fear. While the vocals are utterly unhinged in their madness (and doubled in the chorus for extra intensity), squirming guitar arpeggios create a different dimension of insanity, coupled with agony, and martial drum patterns and a misery-steeped closing solo add to the song’s relentless dynamism. On top of all that, the song also punches like a heavyweight fighter.” – No Clean Singing (Divine Blight 2022)

“Feleth is gaining a name for itself despite only being around for a couple of years. They are developing their sound and their technical ability rapidly and this release shows that development, especially in songwriting where they bring different elements in to add color. An excellent example of melodic/technical death metal and worth anyone’s hard-earned cash.” – My Global Mind (Divine Blight 2022)

“Depravity the newest album from Feleth is one brutal album full of riffs and hooks to keep even the most particular entertained. Feleth mix the roots of the Norwegian metal scene, with the death metal tone they strive for to create some well crafted blackened death metal, similar to that of Shadow of Intent.” – Metal Injection (Depravity 2020)
​
“With a melting pot of ideas, yet rooted in delivering a head-smashing and neck-destroying style of metal, Féleth are aggressive newcomers to a scene that constantly looks to surprise… Féleth deliver heavy and extreme noise so very well.” 9/10 – Games, Brrraaains & A Head-Banging Life (Depravity 2020)
​
“straight up heaviness and brutality, tech offerings and melodic atmopsheres, and enjoyable groove.” – Dead Rhetoric (Depravity 2020)
​
“Féleth: Transcends the traditional limits of the genre…” – Permafrost.today (Depravity 2020)
​
“9/10 “Féleth offer an edge-of-your-seat experience that is both fresh and captivating.” – Metal Inferno (Depravity 2020)
​
“Féleth does death metal fast and aggressive, reigning in their impressive technical chops for maximum impact, keeping their riffs (and songs, for that matter) relatively short and to the point. They strike a pretty even balance between chunky chords and caustic melodies, most of which are designed to coax headbanging than to impress with virtuosity. The album is front-loaded with catchy bangers, saving the more technical and weird bits for the latter half.” – Tolet Ov Hell (Depravity 2020)
​
—
ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780 | jon[@]ashermediarelations[.]com
Facebook @AsherMediaRelations | Instagram @AsherMedia | Tweet @AsherMedia
(Rockshots Records, Extreme Metal Music, Armstrong MF, Loud As Hell, Metalocalypstick, Decimate MF, Electric Highway Fest, Wacken Metal Battle Canada/USA, Hyperspace MF, Le FestEvil)

 

0 Guitarist Frankie C. (Vesperia) Unleashes New Shredding Playthrough “Life By Fire”; Debut EP “Cellular Damascus” Out Now!

  • May 16, 2019
  • by Asher
  • · Frankie C. · Music News

(contact info below)

NEWS RELEASE

Montreal, QC – May 16, 2019

For fans of Marty Friedman, Steve Vai, Joe Satriani, Buckethead, Tony MacAlpine

Guitarist Frankie C. (Vesperia) Unleashes New Shredding Playthrough “Life By Fire”

Debut EP “Cellular Damascus” Out Now!

Frankie C., known for his guitar work in Canadian symphonic death metal band Vesperia recently released his side project entitled “Cellular Damascus” this past March. An instrumental solo project that came to light after he was crowned champion of season one of “Shredders of Metal” presented by Banger TV. The EP is technical, groovy and energetic, and lets the listener focus on the guitar work that he takes great pride in orchestrating.

Posting his next playthrough video in support of his debut, Frankie C. explains ‘Life By Fire’:

“This song is quite a lot of fun to play. There are many exciting melodic themes as well as head banging sections and a lot of notes! To me this song is evil but fun.”

Watch ‘Life By Fire’ at the following link: https://youtu.be/-t8wzZ2aNe8

Previous playthroughs:
‘Fall of The Hammer’: https://youtu.be/ScxRxFp-QUs
‘Cellular Damascus’: https://youtu.be/aCocz8CQCso

Frankie C. adds:

“I want fans to have fun listening to ‘Cellular Damascus’. I wanted to create interesting melodic phrases, but still have heavy riffs to headbang along with, shred hard, but not lose sight of the music and try to have a clear mix where things aren’t overly processed but all instruments/parts are still clear and audible.”

All four tracks on this debut flow together and show off excellent musicianship. Excited to be focusing on more solo work in the future, Frankie C. has confirmed another release in the future.

“Cellular Damascus” is now out as of March 13, 2019, and available for stream and download on Bandcamp, Spotify, Youtube, iTunes.

Track Listing:
1. So It Begins (1:06)
2. Fall Of The Hammer (2:55)
3. Cellular Damascus (3:14)
4. Life By Fire (3:19)
EP Length:

For more info:

Facebook: https://www.facebook.com/frankiecshred

Youtube: https://www.youtube.com/user/arps7 
Instagram: https://www.instagram.com/frankiecshred

Bio:

Cellular Damascus is the instrumental solo project from Vesperia’s Frankie Caracci. Looking to try something new and forge his wide array of influences together to make something that is uniquely his own.

The first release, the self-titled EP (2019), introduces fans to the melodic and technical headbanging music on which Caracci solely wrote, performed and produced. Influenced but guitar mavericks such as Jeff Loomis, Joe Satriani, Jason Becker, and Michael Romeo and genres such as modern and classic heavy metal thrash, prog and death metal there is an assortment of features in each track that keep the listener on their toes and attentive to the music.

– 30 –

—

ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780 | asher@ashermediarelations.com
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0 EPK – Dire Peril – Dire Peril – The Extraterrestrial Compendium (2018)

  • September 4, 2018
  • by Asher
  • · Dire Peril · EPKs

Dire Peril – The Extraterrestrial Compendium (LP) (2018)

Release Date: November 9, 2018

Label & distribution: Divebomb Records

For Fans of Iced Earth, Blind Guardian, Symphony X, and Iron Maiden

PR Rep – Jon Asher – ashermedia(@)gmail.com

DirePeril.com |  Facebook | Youtube | Bandcamp

iTunes | Spotify | Amazon | DP Online Store | Divebomb Records

Download High Res Photo | Download High Res Album Cover

“Power metal kings, Songs about sci-fi movies, What more do you need? ” – Metal Injection

“It’s the rare power metal record where the artist is as confident in handling its subtle, reserved material as it is its neck-thrashing, riff-centric centerpieces, and Dire Peril manages both aesthetics with more care than the bulk of bands in its genre. As far as straightforward power metal goes, this may well be the very best that 2018 has to offer. ” – Angry Metal Guy

“a sci-fi infused power metal monster. Ashcraft adds a more galloping, Iced Earth, huge and grand guitar riffing to the mix and of course Yelland’s vocals are phenomenal.” – Metal Marks The Spot

” Dire Peril’s first full-length album is an excellent display of American power metal.”  – Indy Metal Vault

“Bulletproof songwriting, soaring vocals, tremendous solos, exceptional song-to-song variety, and an uncanny ability to be both a little bit tongue-in-cheek and deadly serious at the same time: what in the goddamn hell more could you ask for? This is a marvelous album. ” – Your Last Rites

“this may well be the best Power Metal has to offer in 2018.” – Metal-Temple

“With their full-length debut, The Extraterrestrial Compendium, they have gone above and beyond my expectations, producing one of the best power metal albums of the year, which manages to be both very dynamic and consistently engaging throughout. I especially recommend it for fans of the harder hitting, more guitar driven side of power metal, as there’s a ton of thrash influence here, as well as a fair bit of classic heavy metal and some slight prog leanings. Everything is done well, with vocalist John Yelland giving the best performance of his career, and overall, it’s an amazing album from start to finish.” – My Global Mind

““in its conceptual and musical depth, Dire Peril’s The Extraterrestrial Compendium is rather epic and entertaining guitar-forward power metal…power metal and sci-fi go together like beer and pizza. Get it. You won’t be disappointed.” – Dangerdog Music Reviews

“DIRE PERIL prove that America still has great talent in the Power Metal realm” – Metal-Temple.com


“a wonderful album that will take you on an intergalactic journey through many popular sci fi movies. It is an album that is full of melodic vocals and kick ass guitars. ” – Baby Dolls and Razor Blades


Seven Kingdom Tour Dates w/ Dire Peril
Nov 14 – Cobra Lounge – Chicago, IL
Nov 15 – Riot Room – Kansas City, MO
Nov 17 – Rockhouse Bar & Grill – El Paso, TX
Nov 18 – Rail Club – Ft. Worth, TX
Nov 19 – Come And Take It Live – Austin, TX
Nov 20 – Southport Hall – New Orleans, LA

 

 The Extraterrestrial Compendium (LP) (2018)

Release Date: November 9, 2018
Label & Distribution: Divebomb Records

Track Listing:

01 – Yautja (Hunter Culture)
02 – Planet Preservation
03 – Enemy Mine
04 – The Visitor
05 – Total Recall
06 – Queen of the Galaxy*
07 – Roughnecks
08 – Blood in the Ice
09 – Heart of the Furyan
10 – Altair IV: The Forbidden Planet
11 – Always Right Here
12 – Journey Beyond the Stars**

*Features Brittney Slayes
**Features Arjen Anthony Lucassen

Album Credits:
• All songs performed by: Dire Peril
• All songs written by: Jason Ashcraft and John Yelland excepting Queen of the Galaxy by Jason Ashcraft and Norman Skinner and Journey Beyond the Stars by Jason Ashcraft, John Yelland and Norman Skinner
• Produced by: Jason Ashcraft
• Mixed by: Carlos Alvarez (Dirty Viking Audio Productions)
• Mastered by: Brett Caldas Lima (Tower Studio)
• Album Artwork by: Gwen Vibancos

Album Band Line Up: 
Jason Ashcraft (Guitar, bass)
John Yelland (Vocals)
Featuring Brittney Slayes as guest vocalist on Queen of the Galaxy
Featuring Arjen Anthony Lucassen as a guest 

Live Band Line Up: 
Jason Ashcraft (Rhythm Guitars)
John Yelland (Vocals)
Chelsea McMasters (Bass)
Steven Soderberg (Lead Guitars)
Tom Tierney (Drums)

Discography:
2018 – The Extraterrestrial Compendium 
2016 – The Astronomical Queen of Space and Time (EP Compilation)

L-R –  Jason Ashcraft (rhythm, lead, acoustic, bass guitars) & John Yelland (vocals)

SHORT BIO:

Dire Peril was an idea that goes as far back as Jason Ashcraft’s (guitars, bass) high school years. The band’s name was inspired by a PC game he used to play, called “Vampire: The Masquerade – Bloodline”, which has stuck with him ever since.

Originally formed in 2009, the band went on to create three EPs: Astronomical Minds, Queen of the Galaxy and Through Time and Space, and proceeded to play a handful of local shows, as well as a few out of town gigs. In 2015, feeling like things just weren’t as they should be, Ashcraft decided to take a step back and take a hard look at where the band was headed.

Inspired by all manner of science fiction, especially classic sci-fi movies, Dire Peril regrouped as a double piece; Ashcraft was joined by singer John Yelland, and together they began working on the debut album titled “The Extraterrestrial Compendium,” set for release on November 9, 2018. Recruiting a live line up enabled them to start playing live shows including an upcoming North American tour with Seven Kingdoms allowing the American sci-fi power metal band to reach its final form and share their dark, aggressive adventure with the masses.

 

LONG BIO:

Dire Peril was an idea that goes as far back as Jason Ashcraft’s (guitars, bass) highschool years. The band’s name was inspired by a PC game he used to play, called “Vampire: The Masquerade – Bloodline”, which has stuck with him ever since. Originally formed in 2009 as the name under which Ashcraft used to perform covers, the band wouldn’t see it’s true form until around 2012, when Jason joined forces with the Bay Area powerhouse vocalist Norman Skinner.

The band went on to create three EPs: Astronomical Minds, Queen of the Galaxy and Through Time and Space, and proceeded to play a handful of local shows, as well as a few out of town gigs. In 2015, feeling like things just weren’t as they should be, Ashcraft decided to take a step back and take a hard look at where the band was headed.

Inspired by all manner of science fiction, especially classic sci-fi movies, Dire Peril regrouped as a two piece; Ashcraft was joined by singer John Yelland, and together they began working on the debut album titled “The Extraterrestrial Compendium,” set for release on November 9, 2018.

‘The Extraterrestrial Compendium’ bases each one of its 12 songs on classic sci-fi movies including Predator, Total Recall, Starship Troopers, and E.T. and features guests Brittany Slayes (Unleash the Archers) and Arjen Anthony Lucassen (Ayreon).

Recruiting a live line up enabled them to start playing live shows including large North American tours with Sirenia and Unleash the Archers plus most recently supporting Seven Kingdoms this coming November on select USA tour dates. The American sci-fi power metal band is close to reaching its final form and is now ready to share their dark, aggressive adventure with the masses.

 

Shared Stage with:

Sirenia, Threat Signal, Valinor Excelsior, and Winter’s Wake

Tours and Festivals:
2018 – Sirenia NA Tour (April)
2018 – Seven Kingdoms NA Tour (November)

0 The Mountain Man Vs. CanadianBeats

  • April 14, 2016
  • by Asher
  • · The Mountain Man

http://canadianbeats.ca/2016/04/14/review-the-mountain-man/

0 The Mountain Man Vs. Planet Mosh

  • March 29, 2016
  • by Asher
  • · The Mountain Man · Uncategorized

THE MOUNTAIN MAN Offer Free Download ‘Bloodlust’ via Yell Magazine; EP Due Out March 25th

0 EPK – Wormwitch -Coffin Birth

  • January 18, 2016
  • by Asher
  • · WORMWITCH

WORMWITCH – Coffin Birth – Single (2016)

Press contact: Cara Ashbey | 587.989.1741 | caraashbey@gmail.com

Release Date: TBA

For fans of At The Gates, Entombed, and Disfear

Soundcloud | Facebook |  Youtube

Sales link: Bandcamp

Download High Resolution Photo | Download EP Cover | Download Logo

promo white

Left to right: Colby Hink (guitar) Robin Harris (bass/vocals) and Max Vüst (drums)

Photo Credit: Ed Abarca

Biography

From the rain-swept city of Vancouver come Wormwitch; the result of strain, both musically and mentally, becoming possessed by black metal instrumentals, rock and roll roots, and depressive lyrics. The black metal three-piece is the brainchild of former members of local hardcore act Dead Hand (2013-2015). Wormwitch is Colby Hink (guitar), Max Vüst (drums), and Robin Harris (bass & vocals). The songs are treated as unearthed bones, first they are arranged and named, then a story is developed based on the fractures and cuts, and finally the song is complete.

The band has been constantly swinging like a pendulum further and further right, as if the far left was classic punk rock and the right being blasphemous black metal. Wormwitch have been and will continue to become enveloped in European influences tinged with the slightest hint of rock and roll. The band consists of just three instruments, but somehow combines them all to create a catastrophous sound.

Each song is built to prey upon listeners as if taking in their energy and maintaining a deadly grip. The band’s goal is to engage the audience both instrumentally and emotionally as if to exhaust them. “The Long Defeat,” is the first EP discharged from the collective mind of Wormwitch. The band is currently drafting their sophomore release which has yet to be named. They are also releasing their rogue single titled “Coffin Birth” focusing on nature taking charge and sacrificing and renewing itself, all in an effort to destroy the blight of man.

Coffin Birth Cover

EP: Coffin Birth – EP (2016

Lyrics for single: COFFIN BIRTH

Artwork: Luciana Nedelea – Artworks

All songs written and performed by: Wormwitch
Mixed and produced by: Matthew Roach
Mastered by: Brad Boatright Audiosiege

Album Band/Live Line Up: Robin Harris, Colby Hink, Max Vüst

Mapl and socan-white

Discography

2015 – The Long Defeat – EP

0 NEWS: LAUGH AT THE FAKES Post New Lyric Video ‘Killing Time’ From Upcoming Album ‘Dethrone The Crown’ Due Out November 14th

  • October 24, 2014
  • by Asher
  • · Laugh At The Fakes

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For Interview, Album Requests, Media List contact

Jon Asher – Music Publicist – ashermedia [AT] gmail.com

Radio Promotions – radiotrackingashermedia [AT] gmail.com

# 514.581.5780 – www.ashermediarelations.com

 

NEWS RELEASE

Montreal, QC – October 24, 2014

ALBUM PROMOS FOR MEDIA COVERAGE (ex. feature, interview, album review, airplay, contests / cd give aways, etc) CAN BE REQUESTED HERE

(R.I.Y.L. = Iron Maiden, Dio, Skull Fist, Cauldron, Black Sabbath, Judas Priest, Megadeth, ACDC, Opeth, ACDC, Soundgarden, Led Zeppelin)

EPK | Press Photo | Album Cover Download | Album Lyrics

LaughAtTheFakes.com | Facebook | Twittter @ LaughAtTheFakes | Reverbnation

Soundcloud | Youtube | Last.FM | CBC Radio 3 | Instagram

Sales Links: Bandcamp | iTunes | Amazon | CD Baby

LAUGH AT THE FAKES Post New Lyric Video ‘Killing Time’ From Upcoming Album ‘Dethrone The Crown’ Due Out November 14th

Laugh At The Fakes – Dethrone The Crown

1. Not Like Me (6:27)

2. Death Awaits(4:52)

3. Cut To The Chase (3:36)

4. Killing Time (6:14)

5. Fighting Dirty (5:38)

6. Got No Regrets(4:03)

7. Harmonica Playing Man (6:15)

8. And I (6:56)

9. Dethrone The Crown (5:14)

Album Length: 49:14

         With a name as unique and identifiable as their sound, Toronto, ON’s LAUGH AT THE FAKES is a band that challenges the trends of today’s rock and metal scene. Since the bands inception in 2010, LATF has combined elements of metal, hard rock, and prog to create an unmistakable sound. Debuting their six song EP ‘One Night Only’ in 2011, they return in 2014 with their latest offering ‘Dethrone The Crown’ their first full length produced by Greg Dawson and mastered by Andy VanDette (Rush, Dream Theatre, Kid Rock, Deep Purple, Bruce Dickenson, Bif Naked). Due out on November 14th, the band have posted a new lyric video for their first single ‘Killing Time’, which can be viewed at the following link below.

In additional news, LATF recently supported Blaze Bayley (ex-Iron Maiden) during Indie Week in Toronto on October 17th and will be performing onOctober 24th in London, ON at The Richmond Tavern in promotion of their upcoming album ‘Dethrone The Crown’. Tickets and show details can be foundhere.

Lyric Video – Killing Time – http://youtu.be/arQgxHBCYg0

Killing Time – Song Stream:

Youtube: http://youtu.be/xY7gRIRUO2Q

Soundcloud: https://soundcloud.com/laughatthefakes/killing-time

Bandcamp: http://laughatthefakes.bandcamp.com/track/killing-time
About: 
“Laugh At The Fakes” features Everett Mason (Vocals and Guitar), Galen Weir (bass), Kevin Daliri (guitar) and Chris Avalos (drums).
Their debut six-song EP ‘One Night Only’ was released in 2011 and their 2014 follow-up full-length album, Dethrone the Crown, is scheduled to drop this fall on November 14th. Produced by Greg Dawson and mastered by Andy VanDette (Rush, Dream Theatre, Kid Rock, Deep Purple, Bruce Dickenson, Bif Naked) is a “no filler riffs, just money riffs”, as vocalist / guitarist Mason puts it, “the record deals with today’s most newsworthy topics: War, guns, murder and corruption. It’s real, it’s raw and, of course, it’s honest.’
Touring across Canada, the Toronto-based group has built a solid following with music that’s geared to stand the test of time. Heavy, melodic, crushing and catchy – Laugh at the Fakes is all that and more.
– 30 –

“It’s like they are a hard rock band that likes to explore their thrashy-side too. I love it because I enjoy the catchy melodic vocals but at the same time I can bang my head pretty seriously too. You don’t hear albums like this one very often, if at all. I can’t really think of anything that comes close to being like this album as a whole. ”- Rock Music Critic 

“I’ll admit, I laughed at the band name when I first heard it, but these guys are no joke.” – Gruesomeviews.com

“Laugh At The Fakes debut EP One Night Only proves that Melodic Vocals still can reign supreme in Metal albums.” – Kingston Music Reviews 

“The first attraction to hit the stage was Rock/Metal band LAUGH AT THE FAKES, from Toronto, Ontario. Those guys play a nice mix of Rock N’ Roll, Hard Rock and Heavy Metal, very old school but with a more polished sounding, and they surely entertained everyone already at Hard Rock Café before 9pm.” – The Headbanging Moose (concert review Indie Week 2014)

0 NEWS: Montreal Groove Metal BORNBROKEN Posts New Lyric Video ‘Watch The World Unwind’ Featuring New Vocalist And Drummer

  • October 17, 2014
  • by Asher
  • · BornBroken

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For Interview, Album Requests, Media List contact

Jon Asher – Music Publicist – ashermedia [AT] gmail.com

Radio Promotions – radiotrackingashermedia [AT] gmail.com

# 514.581.5780 – www.ashermediarelations.com

 

NEWS RELEASE

Montreal, QC – October 17, 2014

ALBUM PROMOS FOR MEDIA COVERAGE (ex. feature, interview, album review, airplay, contests / cd give aways, etc) CAN BE REQUESTED HERE

(R.I.Y.L. = Pantera, Slayer, Hatebreed, Lamb of God, Sepultura, Ektomorf)

EPK | Press Photo

Tour Dates | BrokenMusic.ca (Under Construction)| Facebook

Twitter | Youtube | Reverbnation | Soundcloud | Bandcamp

Montreal Groove Metal BORNBROKEN Posts New Lyric Video ‘Watch The World Unwind’ Featuring New Vocalist And Drummer

 NEW Line Up = L-R = Steve Burns (Drums), Tommy Vaillancourt (Bass), Jeff Boisvert (Vocals), Mike Decker (Guitar), Simon Savard (Guitar)

(Photo Credit: Eric Sanchez)

New Lyric Video = BornBroken – Watch The World Unwind

http://youtu.be/IFkwIiKAopM 

(video created by Roberto Napolitano Studio)

Song Stream Links:

Bandcamp – http://bornbroken.bandcamp.com/track/watch-the-world-unwind 

Soundcloud – http://soundcloud.com/bornbrokenmusic/watch-the-world-unwind-single-2014 

Youtube – http://youtu.be/YY6_GExA45o 

     Recently announcing their new line up with extreme vocalist Jeff Boisvert (ex-Forbidden Sin) and the ferocious drumming of Steve Burns (Mythosis). Montreal, QC groove metal band BORNBROKEN is proud to unleash to fans their new lyric video for ‘Watch The World Unwind’, the line ups first track recorded and produced by Chris Donaldson (Cryptopsy).

Guitarist Mike Decker comments:

“We’re happy to have had this opportunity to give our fans a bigger better taste of the new single with this lyric video. Not only can you hear the cry, but you can see it now!!! Thanks again “the broken” fans for being loyal, kind and most of all METAL to the CORE!!!!”

The new BornBroken line up will also be performing their first show supporting The Agonist on November 7th in Montreal, QC at Foufounes Electriquesalongside Ogenix, Red Skies and Temptist. For show and ticket info, please visit the following link here.

BornBroken‘s 2013 debut album ‘The Healing Powers of Hate’ is now streaming at the following link: http://soundcloud.com/bornbrokenmusic/sets/thehealingpowersofhate

About the album:

BornBroken‘s debut album ‘The Healing Powers of Hate’ was released in June 2013. The album was fan voted as Album of The Week (June 10th, 2013) on Revolver Magazine, along with debuting #8 on Canadian College Loud Charts, plus was named one of the best unsigned Heavy Metal Bands for June 2013 by Drago’s Dungeon on About.com – Heavy Metal. They have also received great admiration from Yell Magazine! quoting ‘This is a debut metal album of epic proportions. If it’s not the Canadian metal album of the year, it’s certainly in the running for Canadian debut metal album.’ and TheFrontRowReport.com quoting ‘BornBroken may be the best metal band you probably haven’t heard of. Those who love hard, heavy, angry metal are in for a treat and may find a new favorite in BornBroken.’.

About the band:

BornBroken was formed with one simple mission in mind: Help the masses find a voice, a face, an “X” that marks the spot through the sounds of beating skins, metal strings and broken chords.

After months of writing and hours spent in the studio, BornBroken managed to take every emotion they felt, put it to music, build off of past battle scars and create a record where listeners will feel they are part of the storyline.

On their debut album, The Healing Powers of Hate, BornBroken play out not only what life has given them but also what they want to give back: truth, integrity, perseverance, loyalty and faith in humanity’s struggle for equality.

To order their incredibly designed physical copy plus comic illustrated booklet (pic below), please visit the following link http://bornbroken.bandcamp.com.

BornBroken-The Healing Powers of Hate

Track Listing: The Healing Powers of Hate –

1 – Can’t Quiet The Riot
2 – Old News
3 – Anger of The Day
4 – I Will Rise
5 – Control
6 – It Has Begun
7 – Birth of The Broken
8 – Bleed The Sky
9 – Reborn From The Ashes
10 – The Healing Powers of Hate

Album Line Up:
Simon Savard – Guitar
Jesus Salazar – Vocals
Tommy Vaillancourt – Bass
Mike Decker – Guitar
Brian Craig – Drums

For more info, tour dates and updates on BornBroken, please visit these links.

http://bornbroken.bandcamp.com/

http://www.facebook.com/bornbroken

http://www.twitter.com/bornbroken

EPK – https://ashermediarelations.com/epks/epk-bornbroken-the-healing-powers-of-hate-2013-release-date-june-4-2013/

– 30 –

Highlight: #10 on Top 20 for July 2013 – Canadian College Loud Charts (Earshot)

Highlight: #17 on Top 20 for June 2013 – Canadian College Loud Charts (Earshot)

Highlight:  #10 on Top 10 – For The Week Ending: Tuesday, August 20, 2013 – Canadian College Loud Charts (Earshot)

Highlight:  #6 on Top 10 – For The Week Ending: Tuesday, July 30, 2013 – Canadian College Loud Charts (Earshot)

Highlight:  #10 on Top 10 – For The Week Ending: Tuesday, July 16, 2013 – Canadian College Loud Charts (Earshot)

Highlight: #10 on Top 10 – For the Week of July 9, 2013 – Canadian College Loud Charts (Earshot)

Highlight: #9 on Top 10 – For the Week of July 2, 2013 – Canadian College Loud Charts (Earshot)

Highlight: #8 on Top 10 – For the Week of June 18, 2013 – Canadian College Loud Charts (Earshot)

Revolver Magazine – Album of The Week – June 10, 2013  

The Healing Powers of Hate – #10 on Top 20 of 2013 Albums – Metal Made In Canada

The Healing Powers of Hate – #10 Album of 2013 – Musik Universe

The Healing Powers of Hate – Album of The Year 2013 – Québec-Métal

The Healing Powers of Hate – #4 Album of 2013 – Made In Quebec Metal

Nominated for Best and Upcoming Band for 2013 – Radio Riff

Named discovery of the year 2012 – Musique d’une nation

Named discovery of the year 2012 – Québec-Métal

Voted 2nd best show of 2012 in Montreal – Québec-Métal

Voted 2nd best show of 2012 in Montreal – Ondes Choc

“Montreal’s BornBroken simply go for the throat and never let up. Their debut record The Healing Powers of Hate is a no holds barred punch to the face. Combining the aggression of Lamb of God with the riffs of Pantera makes for a modern day polished metal release. A concept record based around mankind’s ability to overcome adversity and rise up against it, the message is powerful and thought provoking.” – About.com – Heavy Metal – Drago’s Dungeon: June 2013 The Month’s Best Unsigned Heavy Metal Bands

“BornBroken may be the best metal band you probably haven’t heard of. Those who love hard, heavy, angry metal are in for a treat and may find a new favorite in BornBroken. Their latest album, The Healing Powers of Hate, is the perfect combination of heavy meets melodic and combines what you’d hear from Lamb of God, Hatebreed and Five Finger Death Punch into one powerful, melodic, fist-pounding metal experience. There’s not one dull moment here and any metal head should at least check this album out. Rating: 8.5/10″ – TheFrontRowReport

“These extreme metallers have done an amazing job of combining death and thrash without treading on melodic death too much…The quality of the recording is also up to standards, including some gravity blasts that’ll have you shouting, “fuck yeah!”…This is a debut metal album of epic proportions. If it’s not the Canadian metal album of the year, it’s certainly in the running for Canadian debut metal album.” – 4/5 – Yell Magazine 

“‘The Healing Power of Hate’ is a well executed album, tight and well produced, at times with strong hardcore influence. I liked the strong profile that the drums took, the guitar breaks were exciting and all the way through the vocals were first rate. The time taken to create it is very evident in the final result.” 4.5/5 – MetalTalk

“From the Canadian Mecca of metal, Montreal, comes upstart antagonists of aggression BornBroken and their debut The Healing Powers of Hate. From the opening moments of lead track “Can’t Quiet the Riot” it’s obvious these boys aim to take their hybrid of groove metal and metalcore and jam it right down your throat. Drawing heavily from the likes of Pantera and Lamb of God, the first meal of the day is a pit-ready anthem. Working off catchy as fuck, breakdown inflected riffs BornBroken mercilessly pound the listener to pulp. There is absolutely no doubt people leave a BornBroken show with injuries.” – Hellbound

“Montreal Metalheads spawn a beast of a debut album…Over the years, there has been the odd occasion when a debut album has really struck me between the eyes, knocked me to the ground and given a damn good slapping (in the musical sense of course). Here is the latest in that line, an album of intense and brutal passion mixed with a groove based element that had me hooked from track one.” – Planet Mosh

“This album is 44 minutes of pure adrenaline infused death-thrash metal at its finest. The Healing Powers Of Hate captures the voice of ‘the broken’ and grants an identity to the thousands of so called misfits that struggle to find a place in our society. Marching to the sounds of brutal bass, slamming percussion, high-speed guitar solos and violently powerful vocals, the broken shall rise.” – LouderThanHell – 5/5

“The Healing Power of Hate is a great example of why Canadian metal is regarded around the world as being of very high quality: Because, quite simply, it is”. – GoetiaMetal

“It’s aggressive, fierce, and well-crafted” – Bloody Underated

“I especially liked the guitars’ tone and the bass omnipresence, which add a thick extra layer of heaviness to the overall sound and prevent the album from feeling too polished or light. A well-crafted album without frills: as I mentioned above, BornBroken is not here to be cute but instead to knock you out with a direct hit in the face and they achieve this perfectly.” – Metal Made In Canada

“I was sucked in after the first couple of songs and if I had a label I would sign them in a heartbeat! I understand that this release was self-produced and if that is the case these boys are ten steps ahead of the game and will have labels banging through their doors in no time.” – XplosiveMetal

“Many of the hooks and riffs are excellent, they absolutely destroy my speakers, and the bedroom mosh commences.” – MetalStorm

“this record succeeds because it is so damn fun to listen to and the aggression seems just 2nd nature to these guys.” – Imhotep

“I thoroughly enjoyed “The Healing Powers of Hate”. It’s got breakdowns, screaming solos and funky bass, three of my favourite things. I also liked the way the band incorporated other non-musical features, such as the sounds of sirens and spoken lyrics. It’s hard to hate on this album, despite the healing powers the emotion offers. ” – Metal Temple

“The Healing Powers Of Hate is the debut release from these up-and-comers and is loaded with hard-hitting riffs and even heavier breakdowns. With this album BornBroken have resurrected the intense metallic sounds of bands the likes of A Life Once Lost, Hatebreed, Nora, and Arise And Ruin that once dominated the North American metal scene. It’s wonderful to hear a band like BornBroken bringing back what some might consider the peak sound of modern metal.” – PureGrainAudio.com

“Pour percer le domaine du groove métal, tu dois avoir de bons… grooves! Et Bornbroken t’en sert dans bouche à grands coups de louche, toutes très pleines ! Groupe émergeant de la scène québécoise, cette troupe de Montréalais replace les pièces de certains puzzles laissées au sol par des groupes comme Pantera,Lamb of God et Hatebreed car en plus d’être métal et groové, on sent une petite corde bien tendue vers le hardcore métallisée…Si je m’entrainais au gym, question d’augmenter le volume de façon exponentielle de mon chest et de mes bras, c’est sur du Bornbroken que je le ferais!” – MusikUniverse

“Musically, BornBroken are a more solid, and extremely heavy, lot. Simon Savard and Mike Decker’s surging, Dimebag Darrell-inspired grooves hit like haymakers throughout, aided by the sort of dry, ultra-punchy production Terry Date used to achieve such brutal majesty with Pantera, Unearth, Deftones and on White Zombie’s Astro Creep: 2000. The sound here is huge – especially for a self-released effort – clear and quite pummeling.” – Metal-Rules

“It’s not often when you find yourself deep inside of a storyline with an album especially a Metal album, and this is exactly where you find yourself being drowned in throughout The Healing Powers of Hate. Every lyric and every song has a purpose and sheds the tearing storyline that is BornBroken. Throughout every well timed riff through the endless pounding of the skins and through each scream and Growl BornBroken brings you down to their deep hell and shows you their vision through The Healing Powers Of Hate.” – KingstonMusicReviews

“BornBroken deserves broad attention. They’ve already made a very big impression in their native Montreal, both for their live performances as well as their music in general. I honestly don’t know that much about the Montreal metal scene, but I do know that it is getting bigger and more competitive. For these guys to emerge as a local favorite suggests something of their overall quality. Give this one a spin.” SeaofTranquility – 4/5

“BornBroken’s Healing Powers Of Hate is a powerful album that falls in line with the likes of Pantera, Lamb Of God, and Hatebreed with some thrash inspirations from the likes of Testament, and Slayer.” – Emurg.com

“I must say that BornBroken’s amalgamation of melodeath, metalcore and modern thrash works very well. It is well balanced and captures only the good aspects of these three genres, reminding us that, despite all the not-so-interesting bands that roam the three genres, melodeath, metalcore and modern thrash do have a lot to offer…Fans of Pro-Pain, Lamb of God, Killswitch Engage, Machine Head and a wide variety of modern metal bands should definitely check out this potent debut album.” – 4/5 – MetalMusicArchives

“What BornBroken have done here is create an album that ticks pretty much every box on the seriously heavy tick sheet, managing to put together an album which is heavy, melodic, dark, haunting, and yet uplifting at the same time. Representing the pain and angst that went into making it, this album will connect with your soul, and remind you of what heavy is.” – Loud-Stuff.com

“I was digging these guys all the way through and just wanted to keep playing the album over and over again. If you were to mixed elements of PANTERA, SEPULTURA, HATEBREED, SLAYER, LAMB OF GOD, HAVOK & SLIPKNOT together you would end up with BornBroken. They have been building up a following of fans in Canada and now are ready for the world. They have a fan for life in me now!” Beowolf Reviews

“The track Control has a super hooky melodic line that rides over a thicker groove.  It really fills my body with warmth while also making my blood boil.  This echoes with a bit of Gothenburg stylistic trappings without going overboard.  It really is a tasty riff.” – Nocturnal Cult

“Il y a un certain buzz à l’entour de The Healing Powers Of Hate et pour cause, le premier album de BornBroken est l’album de la semaine sur le site de Revolver Magazine. Tout un honneur et c’est amplement mérité. Ça me manquait d’entendre du bon groove métal et cette formation de Montréal excelle dans ce domaine. Imagine un mélange de Pantera et Lamb Of God avec une voix hardcore à la Hatebreed et ça te donne une bonne idée du style que propose BornBroken.

Ce qui frappe à la première écoute est la qualité de la réalisation. T’as l’impression qu’il y a des blocs de ciment qui sortent de tes speakers tellement le son est sec et puissant. J’aime particulièrement l’attaque de la batterie qui me rappelle celle de Vinnie Paul sur Reinventing the Steel. C’est une bonne référence en passant…Si tu apprécies les bons solos de guitares, cet album en est plein, j’adore entre autres ceux à la Slayer sur la pièce It Has Begun. BornBroken ne cache pas ses influences mais livre la marchandise avec une confiance déconcertante.” – 8/10 – Boulevard Brutal

“So watch for it. Listen to it. These Montreal Metal Thrash-core compadres are definitely onto something different, and not only with regard to the local scene, but for Metal in general. The BornBroken boys are biting off as much as they can chew by creating a heavy-duty concept album, fusing the powers of all their influences and generating a sound that fluctuates between latter day Sepultura and mid-career Lamb of God.” – BetweenTheHorns.ca

“J’avouerais que l’ensemble de cet album constitue une production des plus solides. Ils nous offrent une musique qui montre un groupe mature qui a bien travaillé et retravaillé ses compositions pour respecter l’esprit thrashcore mais sans que celles-ci soient toujours construites selon le même pattern …  Si Metallica est une inspiration pour beaucoup de groupes, c’est du côté plus sombre du thrash que BORNBROKEN puisent la sienne. On sentira tout au long de l’album les influences dont ils se réclament eux-mêmes (Slayer,Pantera) alors que du côté core, ils mentionnent Hatebreed et Parkway Drive. Je peux également rajouter du Sepultura en masse et des trucs plus vieux comme du Sick of it all ou duBiohazard.” – OndesChocs

“…At the first look, the album looks like a collector’s item.”
“…The Healing Powers of Hate as a sound comparable to the big names of the industry…I have the strong impression that everything was thought of on this CD. It’s a very well done album from A to Z. The Healing Powers of Hate from BornBroken is nothing less then a must!!” – Musique D’Une Nation

“BornBroken is the future of Québec Metal, with 10 titles to discover, even on stage, since the group demonstrates an uncanny and totally uncommon, energetic stage presence. They have poured their guts into the making of this introductory album, their own monies and a wealth of professionalism, which must be recognized. Bravo for an excellent album that one just doesn’t tire of listening to.” – Québec-Métal

“…le disque est marqué au fer rouge d’une intensité menaçante qui n’épargnera aucun tympan.’’- Bande à part (Radio-Canada)

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