Tag: music

0 Doomed and Stoned Premiere – Exitus Stratagem Records – AITTALA Is Now Streaming Genre Defying, Eclectic Doom Album “Live to Regret”

November 4, 2022
by Asher
· Aittala (Exitus Stratagem Records) · Music News

NEWS RELEASE

Montreal, QC – November 4, 2022

Exitus Stratagem Records – AITTALA Is Now Streaming Genre Defying, Eclectic Doom Album “Live to Regret”

“Live to Regret” Out November 7th

L-R – AITTALA – Gary ‘Smith’ Zeus (Drums), Eric Aittala (Guitar/Vox), Ali Lugo (Bass)
Photo Credit – Formont Photography

Aittala has been around since 1991 and in that time has developed a sound that is unique, progressive, and memorable. With a solid core of doom metal, they add hints of power metal, sludge, and traditional metal, a feast of variety that is on full display in their upcoming seventh album “Live to Regret”. Lyrically, the album chronicles a chaotic period of time for members of the band personally as well as the global events happening in parallel. The band comments on the album:

“Aittala is extremely excited for the fans to hear the new album “Live to Regret”. The pandemic was a stressful time for everyone, but it’s even much more stressful when you’re dealing with an unhealthy relationship that’s full of tension and animosity on a daily basis. A lot of toxic energy fueled the writing of the album and became something of a way to cleanse the spirit of the toxicity. We hope the fans hear the pain, pleasure, and passion that went into the writing of these songs. I think they’ll connect with these songs more than prior albums because they are more personal. Overall, we’re very pleased with how the album turned out. It’s definitely the best Aittala album yet and we look forward to building on it in the future!”

The album has eleven tracks, each defying the limits of genre rules. There is the thrash-inspired track “Cannibals” that confronts the tightening grip of governmental monitoring and control. The sludgy “Big Brother” – is about the devolution/zombification of the human race due to technology. The smoky stoner infused “Never Forget” talks about dealing with a toxic person along with many more.

For Aittala, only enough songs are written for an album, so they don’t have the problem of having to select certain songs over others. During the songwriting process, only the best songs get past the idea stage, then they are developed and refined until the song is complete. As far as how much more music fans can expect, there are no plans to stop writing and releasing new material.

An eclectic mix of metal, “Live to Regret” is recommended for fans of Baroness, Crowbar, and Katatonia.

Listen to the album in full via its premiere on Doom And Stoned HERE.

“Live to Regret” will be available on November 7, 2022, via Exitus Stratagem Records and was produced by Eric Aittala and John E. Wooten IV, who also mixed the record along with mastering by Dave Harris at Studio B Mastering. Album artwork by Mariano Pugliese.

Album pre-order: https://hypeddit.com/aittala/livetoregret

Music Video – Collateral Damage – https://youtu.be/Foh__WSHD4o

Lyric Video – Live to Regret – https://youtu.be/i-f-XCrJEy0

Track Listing:
1. Live to Regret – 2:49
2. Collateral Damage – 3:22
3. War of Attrition – 3:18
4. Saint – 3:35
5. Cannibals – 3:56
6. Betrayed – 3:26
7. Big Brother – 4:45
8. Dancing with Disaster – 3:35
9. Never Forget – 3:36
10. Well Enough Alone – 5:03
11. Juliet (2022) – 5:24
Album Length: 42:56

For more info:
https://www.exsrmusic.com
http://www.aittala.com
https://www.facebook.com/aittalamusic
https://www.instagram.com/aittalamusic

About: The music of AITTALA (pronounced ‘EYE-tah-la’) crosses many metal genres; it’s hard to put it into just one category. The sound infuses elements of classic heavy metal, doom, progressive, power, thrash, and hard rock with lyrics drawing inspiration from the darker side of the human condition. The AITTALA sound has been cited for being unique which is no easy feat in the metal genre.

The first version of AITTALA was formed in 1991 while Eric Aittala was living in Holland. With fellow American Tim on vocals and Dutch bandmates Ed (drums) and Jon (bass), the band became a staple of the Dutch metal scene.

With the release of the 3-song EP ‘Selling Heaven’ in summer of 1993, AITTALA opened for such bands as THE GATHERING and SADIST. Unfortunately, as the demo started to create a buzz in the underground European metal scene, Eric had to return to the US and disbanded AITTALA.

Over the next decade or so, Eric played in numerous bands (TRIBE, MAGNETHEAD, DWELL) and lost focus on AITTALA.

Near the end of the 00’s, Eric decided it was time to refocus his efforts on the AITTALA brand. From 2009 to 2016, AITTALA released 4 full-length albums: ‘Bed of Thorns’ (2009), ‘Haunt Your Flesh’ (2011), ‘Effigy’ (2014) and ‘American Nightmare’ (2016). Each album showcasing a natural progression of song writing and lyrical content but retaining the core AITTALA sound and evolving it.

In 2019, AITTALA signed with Curtain Call Records and released the band’s fifth full-length album ‘False Pretenses’. It was ten brand new songs that not only continued the song writing evolution of heavier but catchy songs, but also sonically. AITTALA used an entirely different approach for the recording, mixing and mastering to create the best AITTALA album to date.

The current lineup of AITTALA consists of Gary ‘Zeus’ Smith (THE FIFTH, ex-MR BLACKWELL) on drums and Ali Lugo (ex-AGE OF DESPAIR) on bass.

They continue to write, record and tour to bring AITTALA to the masses with plans in 2022 to unleash their sixth studio album entitled “Live To Regret” to be released by label Exitus Stratagem Records.

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“This platter is heavy melodic ear candy that drips with deep and mesmeric face-melting tones and grinding rhythms.” (Live to Regret) – The Metal Gods Meltdown

“The band’s sound is difficult to pigeonhole because they incorporate a variety of styles. The common element in all the songs is the potent groove. On tracks like “Black Coffin” and “Afterthought” stoner/doom is at the forefront, while songs such as “Disowned” have a more traditional metal vibe. There are progressive influences on “How Much Longer,” while the closer “Debt” is a piano based ballad. Even with so many disparate styles, Aittala bring everything together into a cohesive whole.” – Heavy Music Headquarters

“I would describe them as an eclectic Doom Metal band, although their sound is a bit tough to define. That’s ultimately a good thing though, and I enjoy the refreshment of something different. My only major complaint is that on some songs, the vocals and lyrics are so drawn out that they become a little boring and you end up waiting a bit for something cool to happen. The good news is something cool usually does end up happening” – Metal-Temple

“In the metal world, bands can start to sound the same and Aittala steps outside of the box. With clear crisp vocals, grinding rhythms and well executed leads, this band is definitely in a league of their own.” – The Metal Channel

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ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780 | jon[@]ashermediarelations[.]com
Facebook @AsherMediaRelations | Instagram @AsherMedia | Tweet @AsherMedia
(Rockshots Records, Extreme Metal Music, Armstrong MF, Loud As Hell, Metalocalypstick, Decimate MF, Electric Highway Fest, Wacken Metal Battle Canada/USA, Hyperspace MF, Le FestEvil)

0 Streaming Now! SEVENTH STATION’s “Heal The Unhealed” – An Eclectic Progressive Experience of Sweeps, Heavy Riffs, and Intricate Melodies

November 4, 2022
by Asher
· Music News · Seventh Station

NEWS RELEASE

Montreal, QC – November 4, 2022

Streaming Now! SEVENTH STATION’s “Heal The Unhealed” – An Eclectic Progressive Experience of Sweeps, Heavy Riffs, and Intricate Melodies

New Album “Heal the Unhealed” Out November 7th

Seventh Station is a progressive metal band based in Slovenia, who are excited to announce their second album “Heal the Unhealed”. The record is an international effort – rehearsed and recorded through five different studios in three continents ranging from the United States, Slovenia, and Turkey. A new level of musicality and artistic expression blends magnificent sweeps, heavy riffs, and intricate melodies together, creating an eclectic proggy frame for personal topics.

The band comments on the album:

“After two years of delay due to the crazy pandemic, we are more than happy to release our new album “Heal the Unhealed” and share it with the rest of the world. This hidden gem was on the shelf way too long and its timing couldn’t be more appropriate. Reflecting on historical events and their psychologies through the album, we can see that history doesn’t change but repeats in variations, as the war in the east keeps raging in the present.”

In advance of the album’s official release on November 7th, Seventh Station has teamed up with AllAboutTheRock for its full-stream premiere.

Listen HERE.

Seventh Station expects that fans will be pleased with the latest offering, as compositionally, performance and production-wise they believe they have done some of their absolute best work to this day. Crafted meticulously, the band looks at it like a novel or a movie and suggests there’s a lot to discover even after the first pass of listening.

Seventh Station has put great effort into its compositions and performances, taking them to the next level with a wider palette of colors. From dreamy atmospheres to technical madnesses, it’s a musically diverse record. According to guitarist Dmitri Alperovich, the writing on the album and recording of it was his way to fight with the demons of his past and roots. “Heal The Unhealed” was mixed, and mastered by Matej Gobec at The Cosmosonic Studios, and the album artwork was done by Tal Asulin, it is recommended listening for fans of Opeth, Pain of Salvation, and Frank Zappa.

“Heal The Unhealed” will be available on November 7, 2022.

The album pre-order is available at http://www.seventh-station.com.

Music Video – All Hail the Moustache – https://youtu.be/-upgWRhKqz0

Music Video – The Heart of a Nation (Nadia) – https://youtu.be/q8dbzZbTHgY

Music Video – The Ruthless Koba (Studio Version) – https://youtu.be/mcVnIpq4oS8

Tour Dates:
08.12 – Club Wakum – Graz, Austria
09.12 – Orto Bar – Ljubljana, Slovenia
10.12 – Hard Place – Zagreb, Croatia

Track Listing:
1. Unspoken Thoughts (07:37)
2. Seven Digits (07:36)
3. The Heart of a Nation (Nadia) (12:27)
4. The Ruthless Koba (05:19)
5. All Hail the Moustache (12:04)
6. A Final Bow (13:41)
Album Length: 58:47

Album Recording and Live Band Lineup:
– Dmitri Alperovich – Guitar
– Eren Basbug – Keyboards
– Davidavi Dolev – Vocals
– Jure Lopatic – Bass
– Grega Plamberger – Drums and Percussion

For more info:
Facebook.com/SeventhStation
Instagram.com/seventhstationofficial

About: Seventh Station is a progressive metal band based in Slovenia, led by Israeli Guitarist Dmitri Alperovich and Turkish Keyboardist Eren Başbuğ. Constructing their sound by fusing progressive metal with contemporary classical music, the band’s new album Healed the Unhealed is their second full-length record, released independently. Featuring an international lineup, Davidavi “Vidi” Dolev (Vocals), Jure Lopatic (Bass), and Grega Plamberger (Drums). On their new record, Seventh Station adds to their “on the edge” performances and compositions more blood, more sweat, and more tears.

Formed between the Academy of Music & Dance in Jerusalem and Berklee College of Music in Boston, Seventh Station released its debut album Between Life and Dreams in 2016. After relocating to Europe and a few line-up changes, Alperovich and Başbuğ knew no borders in the search for uncompromising compositions and musical executors, progressive and challenging. After several tours between the Middle East and post-Yugoslavia, the band gathered together on recording ‘Heal the Unhealed’. Inspired by the Second World War and the Soviet Union, the album is an hour-long reflection in the eyes of Alperovich, who was born in Minsk, Belarus, moved to Israel and eventually found his way to Slovenia. Featuring surrealistic epos, harnessing the band’s skillful abilities in order to express Kafkaesque situations, Heal the Unhealed examines resemblances between dictatorships and the personality disorders of an artist.

Seventh Station is now gearing up for their upcoming record Heal the Unhealed released on November 7th, 2022, along with a supporting tour through Europe and the Middle East, to be announced later this Fall.

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“This album creates and destroys barriers, making a point to invoke drama about the Second World War. The band has explored every aspect of orchestration in the form of King Crimson and dements the Frank Zappa sound that bombards the listener. They present complex arrangements and deep intricate movements. These are both alienating and perfect forms of musical momentum. Each phase has been constructed by the composer to invoke the sonic dissonance of the Stalin era of the Soviet Union.” – Caved Weller Music

“The guys definitely show that they are a very up-and-coming, well-thought-out Progressive Metal band”. – MetalUnderground.at

“Between Life and Dreams is not a typical progressive metal album, in its musical structure the listener can find elements of classical music and find intensive, delicate motive work in each song”. – Lady Obscure

“This is a combination of old and new influences, including those from musicians that are classically trained. This results in music that has a lot going on, with so many different styles involved that it would be pointless to try and list them all” – Wonderbox Metal

“Many of their creations are inspired from classical music compositions in which they mix their own virtuoso inputs of modern and progressive metal. Believe me, the album will open your ears fully and lead you into the magical world of fantasy between two worlds, the reality and the dreams.” – Paranoid Webzine

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ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780 | jon[@]ashermediarelations[.]com
Facebook @AsherMediaRelations
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0 Dive Into A Futuristic World And Question Your Existence With “Inner Skepticism” Off Opus Arise’s “The Network”

November 3, 2022
by Asher
· Music News · Opus Arise

NEWS RELEASE

Montreal, QC – November 3, 2022

Dive Into A Futuristic World And Question Your Existence With “Inner Skepticism” Off Opus Arise’s “The Network”

L-R – Derek Ho – Cello (live only), Matthew Logan – Drums, Violin II, Ellen Smith – Viola, Michelle Gao – Violin I, Kyle Hagen, Shawn Hillman – Guitar, Cello, Matthew Hannah – Keyboards

Photo Credit Jade Weekes

Vancouver, Canada’s Opus Arise is an orchestral metal ensemble that brings together classical strings and metal rhythms to create luscious soundscapes to dissonant chaos.

Their newest album, “The Network” teleports listeners into a cyberpunk world filled with neon lights, and punctuated with progressive riffs. The last album “Revelation” was released in 2016, and since then, they have taken a more orchestral direction using a string quintet and planning to incorporate more orchestral instruments. Within the cyberpunk world, research is conducted to find the correlation between chord progressions and the manipulation of space and time. The band explains further and details the first single “Inner Skepticism”:

“The combination of frequencies opens a wormhole into a future setting that blindsides the character. In this place, people have unseen technology and seem indifferent to his presence. This is the album opener that brings the listener into the world of “The Network”, an atmospheric opening into a bombastic tour de force. Tons of progressive riffing and virtuosic musicianship in this piece.”

The instrumental album is eight tracks long for a total running time of just over forty minutes. It is the result of many influences, especially prog, metal, classical, orchestral, electronic, and video game music combined into one strange form by nine members who met through orchestras and university. The vision and compositions by Drummer/Violinist Matthew Logan with the assistance of founding member Shawn Hillman are now being finally brought to life.

Taking their inspiration from classical symphonies, movies, and video game soundtracks as well as neo-classical even extreme genres like black and death, Opus Arise creates music that will challenge the listener. They are recommended for fans of Animals As Leaders, Liquid Tension Experiment, Planet X, and Scale The Summit.

The video for “Inner Skepticism” is available via its premiere on SpaceUntravel – https://youtu.be/rZxGd-0tumE

Album pre-order – https://opusarise.bandcamp.com

Track Listing:
1) Inner Skepticism – 5:50
2) Electric Jungle – 6:02
3) Antimatter – 3:22
4) Digital Soundscape – 4:38
5) Reminiscence – 5:21
6) Change – 5:23
7) Timeshift – 5:21
8) The Unanswered Question – 5:13
Album Length: 41:13

Album Band Lineup:
Shawn Hillman Guitar, Cello on “Digital Soundscape”
James Readman: Guitar
Daniel Carmago: Bass Guitar (Tracks 1-3, 5-7)
Matthew Logan: Drums, Violin II
Matthew Hannah: Keyboards
Michelle Gao: Violin I
Ellen Smith: Viola
Darrell Bennett: Cello
Kyle Hagen: Contrabass, Bass Guitar (Track 8)

For more info:
https://www.facebook.com/opusarise
https://www.instagram.com/opusarise
https://twitter.com/OpusArise

EPK – https://wp.me/pciNW-iFB

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ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780 | jon[@]ashermediarelations[.]com
Facebook @AsherMediaRelations | Instagram @AsherMedia | Tweet @AsherMedia(Rockshots Records, Extreme Metal Music, Armstrong MF, Loud As Hell, Metalocalypstick, Decimate MF, Electric Highway Fest, Wacken Metal Battle Canada/USA, Hyperspace MF, Le FestEvil)

0 Voodu Announce Crushing, Varied Debut Single “Pictures” Off Upcoming Album

November 3, 2022
by Asher
· Music News · Voodu

NEWS RELEASE

Montreal, QC – November 3, 2022

Voodu Announce Crushing, Varied Debut Single “Pictures” Off Upcoming Album

Voodu is an American modern metal band from Los Angeles, USA. They got started during the pandemic, and now, with their debut album in the works, they are excited to introduce themselves to fans. The first look at who Voodu is comes through the groove-oriented single “Pictures”. It starts on a thick bassline and builds up from there before exploding into the song’s main riff. It dynamically bounces between quieter verses and explosively loud choruses. No part of the song is identical to another. Every verse, chorus, and the bridge is different in one way or another. The band shares their thoughts on the release:

“Pictures came from a place of confusion and despair. In its composition, the sense of spiraling into disarray and apathy before being consumed with anger and angst came naturally in its progression. We joke that it’s as “prog” as we get, between the verse starting on the 2 of a 4 count and chorus starting on the 4, the meter change from 4/4 to 7/4 in the bridge, and the key change at the end. While the song is far from “prog”, in many ways those elements fit in the song’s composition in a way we didn’t realize made total sense. They catch you off guard the same way the lyrics allude to being confused between what’s real and what’s made up. It is both a cry for help and an apathetic plea of defeat. The push and pull between “help me” and “leave me alone”. It’s begging to be numb or ambivalent to the pain caused by the confusion and doubt of one’s own self or the world around them.”

The forthcoming yet-to-be-titled album is a high-energy group of songs that are meant to walk fans through a vast range of emotions. Even the slightly slower or more emotional songs still have heavily distorted guitars and melodically aggressive vocals. It covers a wide range of subjects from feelings of self-doubt, toxic relationships, people who abuse power, the duality of human nature, and addiction. Voodu hopes that their first offering will resonate with people on a visceral level, in a way they haven’t heard before.

Chick full of a wide assortment of influences, Voodu makes music that will appeal to a wide audience. One of the bands they cite is Linkin Park, who introduced them to this kind of music. It’s the comparison they get most often, due to similarities in voice and the electronic element. Thus far, they have made fans out of the most dedicated of metalheads, as well as the “I don’t usually listen to heavy music” people and everyone in between. They are especially recommended for fans of Rammstein, Linkin Park, and Alice In Chains.

Listen to “Pictures” via its premiere on Spaceuntravel – https://youtu.be/ABcpckNPeR8

For more info:
https://www.facebook.com/Vooduband
https://www.instagram.com/vooduband
EPK – https://wp.me/pciNW-izW

About: Voodu is an American modern metal band from Los Angeles, California. Formed in 2021, the group formed amidst the chaos of the 2020 pandemic. The band consists of five members: Eddie Troy, Vinny Amico, Paul Burns, Ollie Williams, and Sean Aikins.

Voodu plays an aggressive style of music, blending elements from a wide range of metal and electronic subgenres, with attention-grabbing imagery through irreverent and visceral metaphors. They are known for their energetic and engaging live performances. They have managed to fill every venue they’ve played with loyal fans, prior to releasing the first single. The band considers themselves five equal parts of a whole, set out to subvert expectations, break the conventions of heavy music, and bring people together under the banner of raw visceral emotion.

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ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780 | jon[@]ashermediarelations[.]com
Facebook @AsherMediaRelations | Instagram @AsherMedia | Tweet @AsherMedia
(Rockshots Records, Extreme Metal Music, Armstrong MF, Loud As Hell, Metalocalypstick, Decimate MF, Electric Highway Fest, Wacken Metal Battle Canada/USA, Hyperspace MF, Le FestEvil)

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0 Rockshots Records – Tolkien-Inspired Power Metallers RuinThrone Unveil Their Dark Lord Single “The Past Is Yet To Come”; New Album “The Unconscious Mind Of Arda” Out Jan 2023

November 3, 2022
by Asher
· Music News · RuinThrone

NEWS RELEASE

Montreal, QC – November 3, 2022

Rockshots Records – Tolkien-Inspired Power Metallers RuinThrone Unveil Their Dark Lord Single “The Past Is Yet To Come”

New Album “The Unconscious Mind Of Arda” Out Jan 2023

Italian fantasy power metallers RuinThrone will be releasing their new J.R.R. Tolkien-inspired album “The Unconscious Mind Of Arda” due out January 13th, 2023 via Rockshots Records to follow their debut album “Urban Ubris” and EP “Leaden Field”.

The album itself has been composed of stories inspired by Tolkien’s poems, his “Legendarium”. The band hopes the concepts they wrote can be “messengers” of reflection for their listeners, turning in a better awareness of their daily life.

“With this album, we think we reached our own identity. Back in the early years, we started with a classic German power metal style, but year by year we changed and matured musically. This is why we use 7-string guitars with 1/2 step-down tuning, extreme vocals, etc. For this new record, we also focused on an alternative point of view of some stories written by Tolkien. We thought it would have been interesting to explore not only some interesting characters and heroes but also the mind of the main villains.” adds guitarist Nicolò de Maria.

Today, Ruinthrone reveal the second single “The Past Is Yet To Come” accompanied by a lyric video.

“If I think about that time when I wrote these lyrics suddenly the enthusiasm and the writing ease come to my mind. Long story short the song tells about the fear of death. I imagined that even a king at some point has to confront himself with this thought: “my life will come to an end, my consciousness will fade away, and nothing will mean anything cause I won’t be anymore.”. The power of writing can change this feeling. All of a sudden fate is tamed if you sign a contract with the Dark Lord. In exchange for immortality, the king agrees to turn into a Nazgûl and make a Mephistophelian agreement. My vision of the circle of life and death is similar to Nietzsche’s one of the Eternal Recurrence. The weight of immortality turns into ages and events happening over and over in the same way. The main character begins to understand why death is a gift of Iluvatar, not a curse.” says vocalist Haedus.

Watch and listen to “The Past Is Yet To Come” – https://youtu.be/rjemjwlMLZ8

Digital – https://bfan.link/the-past-is-yet-to-come

“The Unconscious Mind Of Arda” is mixed and mastered by Giuseppe Orlando (sound tech for Rhapsody of Fire) at the Outer Sound Studios.

The album is due out on January 13th, 2023, and is available for pre-order at the following link – https://bit.ly/RuinThrone_CD

First single:

Music Video – “Earendil” – https://youtu.be/Wr9PXgAgm64

Digital – https://bfan.link/earendil

Track Listing:
1 – Prologue – 2:19
2 – The Dreamweaver – 5:14
3 – I Am The Night – 4:50
4 – Earendil – 4:49
5 – The Past Is Yet To Come – 8:00
6 – Where Wise Men Stop – 1:17
7 – In Penumbra – 6:38
8 – The Eldest – 5:24
9 – Blessed By Loneliness – 4:23
10 – For Those Who Remain 9:54
11 – Where You Belong – 2:34
Alum Length: 55:26

RuinThrone are:
Vocals: Haedus
Drums: Francesco Comerci
Guitar: Nicolò de Maria
Guitar: Luca Grossi
Bass: Alessandro Finocchiaro
Keyboard: Giorgio Mannucci

For more info:
https://www.rockhots.eu
http://ruinthrone.altervista.org
https://www.facebook.com/RuinThrone
https://www.instagram.com/ruinthrone.official

About:

RuinThrone was founded in 2009 in Rome, Italy by Adriano Strinati, Haedus and Alessandri Finocchiaro. Soon after, Giorgio Mannucci (keyboards), Nicolò De Maria (guitars), and Francesco Comerci (drums) joined the band. The sound of RuinThrone is inspired by German and American metal bands like Blind Guardian, Helloween, Iced Earth, and Nevermore, but they have their own distinguishable dark and modern character.

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ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780 | jon[@]ashermediarelations[.]com
Facebook @AsherMediaRelations | Instagram @AsherMedia | Tweet @AsherMedia
(Rockshots Records, Extreme Metal Music, Armstrong MF, Loud As Hell, Metalocalypstick, Decimate MF, Electric Highway Fest, Wacken Metal Battle Canada/USA, Hyperspace MF, Le FestEvil)

0 Streaming Now! Violin Prog Metal Montreal’s CYDEMIND Explore Instrumental Creativity With The “The Descent”

November 2, 2022
by Asher
· Cydemind · Music News

NEWS RELEASE

Montreal, QC – October 11, 2022

Streaming Now! Violin Prog Metal Montreal’s CYDEMIND Explore Instrumental Creativity With The “The Descent”

Sophomore Album “The Descent” Out Nov 4th

L-R – Camille Delage (piano and keyboards), Kevin Paquet (guitars), Olivier Allard (Violin), Nico Damoulianos (Bass), Alexandre Dagenais (Drummer)

Montreal, Canada’s Cydemind is a progressive metal band backed with a violin instead of vocals and they are now ready to offer up their sophomore album “The Descent” due out on Friday, November 4th, 2022 to follow their highly praised 2017 debut album “Erosion”, which was produced by Christian Donaldson (Cryptospy).

“With Erosion, we were young and were still trying to define our own sound, which is why we previously chose producer Chris Donaldson (Cryptopsy, The Agonist, Beyond Creation), who had considerable experience under his belt. This time around, the band has made a decision to lean toward self-production. Although we’ve encountered obstacles along the way, as well as significant delays, we couldn’t be prouder of the final product.” says drummer Alexander Dagenais.

Today, before “The Descent” officially releases, the band has teamed up with MetalInsider for the album’s full stream premiere, which can be heard at the following link HERE.

“The Descent” is seven new songs created for a listening experience that’s just under 60 minutes and meant to be heard from beginning to end. Cydemind presents the album to be heard on multiple listens to capture the recurrent themes, sometimes hidden, sometimes obvious, but in the end, the band really wants to reward prog fans to dive into the concept of the record ranging from obsessions and the abysses into which the human mind can plunge itself into.

Kevin Paquet explains further:

“Structurally, the album really represents a descent into hell. The first track, Obsessions, acts as an opening. There are rhythmic and melodic motifs from each track on the album. The opening melody acts a bit like the leitmotif of the obsession (whichever it is) and comes up several times throughout the album. Subsequently, the album continues with Hoax, which incorporates several elements of funk. As the name suggests, you should not expect the album to respect that tone; on the contrary, the music gradually turns into something much darker and complex.”

Commented by such outlets as TheProgSpace “Cydemind “Breach” The Walls of Normality With Next Violin Prog Metal Single” and Everything IS Noise “There Isn’t Any “Hoax” in the Quality of the Latest Cydemind Single”, Cydemind‘s new album definitely brings the band to another level in terms of writing and playing, and they’re pretty confident their fans, new and old will think the same. Compared to their first full-length “Erosion”, which was mainly focused around metal. The Descent explores new colors within the metal genre as well as integrates new styles and sounds.

The main songwriters for “The Descent” were Kevin Paquet (guitars) and Olivier Allard (Violin), but as a unit, all members still discussed with each other, making sure everyone’s input was satisfied. When the songs were done, drummer Dage (Alexandre Dagenais) creates his parts on top of everything.

Recommended for fans of prog bands and artists like Dream Theater, Symphony X, Haken, Tigran Hamasyan, and Avishai Cohen, Cydemind’s new album “The Descent” will be out on November 4th, 2022.

The album was mixed by Simon L’Espérance (Karcius) and mastered by Tony Lindgren (Fascination Street Studios). The cover art for the album was created by Alexander Dagenais.

Album Order – https://cydemind.bandcamp.com

Singles:

Hoax – Music Video – https://youtu.be/WVZO2-gig6w
Breach – Music Video – https://youtu.be/M72GMAKHoF8

Show Dates:

November 18 – Montreal, QC – Theatre Plaza – Info (Album Launch Show w/ Karcius)

Track Listing:
1. Obsessions – 8:56
2. Hoax – 6:11
3. Breach – 5:00
4. Call Of The Void – 8:25
5. Hemlock -13:44
6. Slumber – 4:30
7. The Last Stone – 12:17
Album Length: 59:06

Cydemind is:
Olivier Allard (Violins)
Alexandre Dagenais (Drums)
Camille Delage (Keyboards/Piano)
Nico Damoulianos (Bass)
Kevin Paquet (Guitars)

For more info:
http://www.cydemind.com
http://www.facebook.com/cydemind
http://www.instagram.com/cydemind

– 30 –

“Violin metal shredders, Cydemind, has just released a beautiful new video for their “Winter” single, using the gorgeous backdrop of Quebec, Canada. The neo-classical prog track showcases the amazing abilities of this young band on the rise, with captivating hooks that’ll leave you awestruck and hitting up their Bandcamp page for more!” – Metal Injection

“The instrumental band puts the violin front and center, which is strange (if not unheard of) in and of itself. They’ve also released a sweet cover of Vivaldi’s “L’inverno” (“Winter”), from The Four Seasons, which is definitely the first time in the 12+ years of MetalSucks that we’ve had to type that sentence… and they’ve done so when we’re just about a week away from the first day of spring, which was a ballsy decision. And on top of all of that, they made a really, really beautiful video for the track out on the frozen tundras of Québec. Do they have tundras in Québec? Whatever. The video looks really cool. Also, cold. I got mild frostbite just watching it.” – Metal Sucks

“presented what will easily be among the top prog metal albums of the year…” – Metal Underground

“An epic album in every sense of the word” – Games, Brrraaains & A Head-Banging Life

“Cydemind have shown me two things on this debut album: they’re damn good musicians, and they have the ability to write compelling music that sticks with you. ” – Angry Metal Guy

—
ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780 | jon[@]ashermediarelations[.]com
Facebook @AsherMediaRelations | Instagram @AsherMedia | Tweet @AsherMedia
(Rockshots Records, Extreme Metal Music, Armstrong MF, Loud As Hell, Metalocalypstick, Decimate MF, Electric Highway Fest, Wacken Metal Battle Canada/USA, Hyperspace MF, Le FestEvil)

0 SUPERMODEL TAXIDERMY Have Video Out For Thrashy New Single “Blood Painted Dash”

November 2, 2022
by Asher
· Music News · Supermodel Taxidermy

NEWS RELEASE

Montreal, QC – November 2, 2022

SUPERMODEL TAXIDERMY Have Video Out For Thrashy New Single “Blood Painted Dash”

L-R – Reilly Williams – Drums, Shawn Maynard – Vocals/ Guitar, Michael Cheney – Bass/ Vocals

Photo Credit – Cole Williams

Heavy hitting, aggressive and fun, Canada’s Supermodel Taxidermy takes skate punk, hardcore, and thrash to the next level with loud riffs, catchy lyrics, and infectious energy. They released an EP “A Whorer Story” this past January and maintaining that momentum have a new standalone single “Blood Painted Dash” ready for ears and eyes.

The band expects a solid reception from their fans as it’s a continuation of what “A Whorer Story” was built on – every song has a new feeling and represents different aspects of us all. They are dedicated to building entertaining stories as well as writing hard-hitting riffs and beats. For new listeners, there is a shock factor with the topics they’ve chosen to write about. They detail the track:

“’Blood Painted Dash’ is a story about 3 hellbent teens that end up dying from their own recklessness due to drugs & alcohol, causing themselves to crash a car over a cliff. The kicker here though is that they wake up dead in the morgue having to piece together in terror what they have done. The subtle story we are pushing with this song is don’t drive under the influence…because you just may wake up dead!”

This single is a gory taste of what is to come in the new music that Supermodel Taxidermy is working on right now. They anticipate having an album ready for next year which spans topics of current societal issues and fun pop culture stuff such as horror movies. That record is a collaboration of 3 like minds and passionate musicians.

Supermodel Taxidermy started during the pandemic, it was a way for Maynard to keep sane and get ideas out of his head that had been in contemplation for a while. He wrote the songs and recorded the demos before reaching out to the studio and musicians he used to record the EP. After the restrictions were lifted, he started jamming these songs with various artists until he came across the guys that are now in the band.

Best described as thrashy skate punk meets Slayer, Supermodel Taxidermy is recommended for fans of Iron Reagan, D.R.I., and Suicidal Tendencies.

The music video “Blood Painted Dash” can be seen and heard via its premiere on TheCirclePit at https://youtu.be/7w8AsOL6L08

Digital – Supermodeltaxidermy.bandcamp.com, Spotify, Apple Music.

Supermodel Taxidermy is:
Shawn Maynard – Guitar & Vocals
Michael Cheney – Bass & Back Up Vocals
Reilly Williams – Drums

Single Credits:
•All songs performed by: Supermodel Taxidermy
•All songs written by: Shawn Maynard
•Produced by: Rob Lawless
•Mixed by: Terry Paholek
•Mastered by: Terry Paholek
•Single Artwork by: Art Shebats
•Members of SOCAN
•Canadian Content (MAPL)

For more info:
https://www.facebook.com/supermodelmodeltaxidermy
https://www.instagram.com/supermodeltaxidermy

– 30 –

“‘A Whorer Story’ sounds like a crossover album, fans of the genre are bound to get on board with it and whilst there isn’t anything really new, it does set the stage for the remainder of their career.” – Metal Digest

0 Hunting Giants Release Video For Aggressive, Relentless “Mantle” Off “Mythos” New Album “Mythos” Out Now!

October 28, 2022
by Asher
· Hunting Giants · Music News

NEWS RELEASE

Montreal, QC – October 28, 2022

Hunting Giants Release Video For Aggressive, Relentless “Mantle” Off “Mythos”

New Album “Mythos” Out Now!

L-R – Corey Wharton (Bass), Bradley Trivett (Guitar), Daniel Beavington (Drums), Stephen Atkey (Vocals)
Photographer Credit – Bradley Trivett

Canada’s Hunting Giants have long been working on their recent album “Mythos”, which was released in September. A full-fledged journey for the listener into wild worlds punctuated with devious riffs, distinctive vocals, and captivating lyrics, they continue to offer an escape with the lyric video for “Mantle”. A monster of a track, all instruments and vocals come in on the same first beat. An allusion to a toxic relationship, we follow the story of a man who makes a pact with an unknown force who claims to be subservient to him. The band continues to explain:

“While the vocals and instruments roar with aggressive verses and a theatrically inspired chorus, the deity demands to be re-payed for the boons she has bestowed upon her subject. As the track breaks down into the bridge, he dismembered himself to feed her. This is a mirror to those who sacrifice pieces of themselves for another who only seeks to use them. The song comes to a conclusion with the instruments playing the intro riff while it is accented by a feral vocal roar.”

Watch and listen to “Mantle” via its premiere on AllAboutTheRock HERE.

According to the band, “Mythos” is the crowning achievement of their musical work as a band and they are incredibly excited to share it. The album is the product of years of writing and recording while gigging and enduring as a band under quarantine. The members of Hunting Giants all came from, and are inspired by, progressive rock and metal bands where songs would often pass the ten-minute mark. However, they desired to keep their own music concise and to the point, intentionally lacking much of the excess material that so often padded run-times of songs in the progressive rock-metal genre. Simple and clean lines are given priority over complicated abstractions that only challenge the player in an athletic way, provided that it serves the music.

They continue to explain that listenability rules over impressing instrumentalists and the form that every section of the music takes is defined entirely by how it needs to be. Each song becomes a life of its own that slowly emerges from an ocean of subconscious possibility. They are recommended listening for fans of Audioslave, Muse, and Tool.

CD order – https://huntinggiants.com/product-category/mythos-albums/

Digital – Huntinggiants.bandcamp.com, Apple Music, Spotify.

Music Video – “Ancient Text” – https://youtu.be/NkEQ6m8bzx4

Music Video – “Ritual” – https://youtu.be/FIXK6sHK1eQ

Lyric Video – “Too Big To Kill” – https://youtu.be/PYpMZHkPvAg

Animated Video – “Whispers” – https://youtu.be/kdD8AO-r4_U

Track Listing:
1. Mythos – 3:28
2. Ancient Text – 3:18
3. Too Big To Kill – 3:06
4. Rituals – 3:57
5. Among Thieves – 5:28
6. Whispers – 2:16
7. Vanguard – 2:54
8. Mantle – 3:19
9. Kindred – 4:05
10. Epitaph – 1:09
11. Into Stone – 4:55
12. Remnant – 4:00
13. King of Ashes – 2:52
Album Length: 44:49

Hunting Giants is:
Corey Wharton – Bass Guitar
Stephen Atkey – Vocals
Bradley Trivett – Guitar
Daniel Beavington – Drums

For more info:
HuntingGiants.com
Facebook.com/huntinggiantsband
Instagram.com/huntinggiantsband
Twitter.com/huntinggiants

About:
Hunting Giants is a four-piece heavy rock band from Vancouver, BC, Canada.

This unique group of musicians offers a spectacular visuals-driven live performance that exceeds both the precise ferocity of their recordings and the highest expectations of an energized audience looking for something recognizably different. Their music is both refreshing and familiar, serving well as the musical backdrop for one’s ongoing discovery of meaning in life and self.

Hunting Giants was started in 2017 with Bradley Trivett assembling the first musical themes and combining the percussive expertise of Daniel Beavington with the explosive rhythmic prowess of Corey J. Wharton into the foundation of a team set to discover and dominate the most enormous sounds and daunting massive ideas they could find. Led by the visionary passion and styling of frontman Stephen Atkey, Hunting Giants is poised to deliver an incredible auditory and visual experience.

“Hunting Giants stake their claim as a powerful new force in the Pacific Northwest metal scene…this band is absolutely one you’ll want to keep an eye on.” – Wail Magazine

Discography:
2022 – Mythos – LP
2018 – Skyward Eyes – EP

Shared Stage with:
Unleash the Archers, Wednesday 13, Ophelia Falling, Kayas, Vessel, Sick Logic, Dark Stone

– 30 –

“A glorious adventure is about to begin, starting right here today! Heavy metallers Hunting Giants are debuting their brand new music video for “Rituals,” the first single from their upcoming album Mythos. The song indicates the zeal and the ambition that the band is bringing towards this new record, due for release on September 30th. The “Rituals” video matches the flat-out intensity of the song, one that discusses necromancy and the harshness of hatred and shame.” – V13

“It’s not often that a band is described as ‘a blend of modern hard rock, progressive rock/metal and grunge influences,’ but that is indeed a fitting description of Vancouver’s Hunting Giants” – Bravewords

“Let me say this first, HUNTING GIANTS from Vancouver are REALLY freaking good. These guys are relatively new but they are tighter and more accomplished man many veteran bands.” – Rock You Show

“This is an album (Mythos) that you’ll want to wander through thanks to their technical proficiency and the production value.” – Metal Roos

“a solid listen, and a fairly unique combination of a few different styles. It’s mostly heavy enough for Metal fans, and mostly melodic enough for fans like myself who appreciate a good hook.” – Metal Temple

—
ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780
jon[@]ashermediarelations[.]com
Facebook @AsherMediaRelations
Instagram @AsherMedia
Tweet @AsherMedia
(Rockshots Records, Extreme Metal Music, Armstrong MF, Loud As Hell, Metalocalypstick, Decimate MF, Electric Highway Fest, Wacken Metal Battle Canada/USA, Hyperspace MF, Le FestEvil)

0 Out Now! Canadian Thrashers TRISKELYON New Album “Downfall” via Moribund Records + New Video “Hunger”

October 28, 2022
by Asher
· Music News · Triskelyon

NEWS RELEASE

Montreal, QC – October 28, 2022

Out Now! Canadian Thrashers TRISKELYON New Album “Downfall” via Moribund Records + New Video “Hunger”

New Album “Downfall” Out October 2022 via Moribund Records

Canadian melodic power thrashers Triskelyon’s debut album “Downfall” is now out as October 28th, 2022 via Moribund Records.

For its release day, the band is sharing their latest lyric video for the track “Hunger”

Watch and listen to “Hunger” – https://youtu.be/zAh9PJcDC-o

Band founder Geoff Waye adds:

“The big day for Triskelyon is here! To think, almost one year ago this time is when I first began the idea of starting this project and less than a year later and the full-length album is not only done, but is coming out on the legendary label Moribund Records! I’m very grateful for the opportunity to release this album thanks to them and to Odin from Moribund who has been awesome to work with. Thanks to all the album guests who made this dream a reality, and to Michael Small for doing a killer job mixing and mastering the album. Thanks as well to Jon Asher for being the PR god that he is. Please check out the singles and videos including today’s new release for the track “Hunger”. If you like what you hear, please buy a CD, your support would be greatly appreciated!”

Founded by Geoff Waye, guitarist for Artach and Category VI, Triskelyon was conceived in late 2021 as a studio-only project. By January 2022, the band featuring contributions from vocalists Pete Healey and Marlee Ryley (Hyperia), along with drum programming by Raul Marques (Burning Torment) made their introduction to the metal world with a 3-track self-titled EP.

Composed and written mostly by Geoff Waye, with drum programming provided by Raul Marques, “Downfall” sees the band’s next evolution as their first full length and it utilizes a myriad of both male and female guest vocalists from Oberon, Hyperia, Catagory VI and Incidium. “Downfall” has a range and depth of sound unique in today’s modern thrash metal scene, setting the band ahead and apart from the hordes of young new acts. Triskelyon also features guest bass appearances from members of Afterforever and Category VI, making Triskelyon a veritable supergroup of the Canadian metal scene.

Depicting a nature taking over post-apocalyptic view of our ever-screwed-up world, Triskelyon keeps with 80’s thrash tradition employing world-ending yet self-empowering socially conscious lyrical themes. From straight-up 80’s thrashers like “Odyssey (Blessed by Steel)”, to the power metal laced “Find A Way”, and more anthemic thrash tracks such as “Hunger” and “Willful Ignorance”, “Downfall” is sure to satiate even the most discriminating old-school and modern thrash metal fan alike! The album even features a unique and thrashing rendition of the Billy Idol song “Nobody’s Business”.

Album was mixed/mastered by Michael Small with the post-apocalyptic cover art by IvaanMR11.

With “Downfall”, Triskelyon deliver an amazing headbanging album that harkens back to the old-school days of such luminaries as Forbidden, Agent Steel, Sentinel Beast, Détente, Overkill, and Testament.

Triskelyon‘s debut album “Downfall” is available at the following links:

Online ordering:
CD: http://www.moribundcult.com/product/DEAD297.html
Digital: https://triskelyon.bandcamp.com/album/downfall

Music Video – “Balance of Terror” ft. Marie Jackman (Category VI) – https://youtu.be/V0TR8G5oV4g

Lyric Video – “Odyssey (Blessed By Steel)” ft. Marlee Ryley (Hyperia) – https://youtu.be/Z3VWW9YpxIs

Track Listing:
1. Hunger (3:01))
2. Find a Way (4:05))
3. Odyssey (Blessed By Steel) (3:34))
4. Willful Ignorance (4:14))
5. A Time of War (4:03))
6. Balance of Terror (4:22))
7. Apex Predator (4:12))
8. Indifference (4:37))
9. Nobody’s Business (Billy Idol cover) (3:54))

Album Credits:
Tracks 1-3 are originally from self-titled demo/EP, the new versions have all been re-recorded bass and have been remixed and remastered.
All songs and lyrics written by Geoff Waye.
All guitars by Geoff Waye.
All drum programming by Raul Marques.
Additional guests:
Dwayne Pike – Bass (tracks 1, 2, 3, 5, 6, 8, 9)
Pete Healey – Vocals (tracks 1, 2, 5, 9)
Marlee Ryley – Vocals (tracks 3, 7)
Amanda Jackman – Vocals (tracks 4, 6)
Des Mason – Vocals (track 4)
Keith Jackman – Bass (track 7)
Darrin Pope – Bass (track 4)
Ellim – Vocals ( track 8 )

For more info:
Triskelyon.bandcamp.com
Facebook.com/Triskelyonmetal

– 30 –

“The three songs have the rage, heaviness and some rawness you expect from thrash, but also the melody and speed you’ll find in the more aggressive and harsher forms of power metal (no flowery stuff here, people). Pete’s vocals definitely are more of the aggressive heavy/power metal variety while Marlee shakes the hell out of the speakers with a more aggressive and harsher, yet high-pitched style.” – The Metal Crypt

“This is the kind of band that really plays that pure, raw, seething thrash metal that I love.” – Wings of Death

“Classic heavy thrash, catchy quick stuff with big screamy vox! Great stuff!” – WORT 89.9FM – Mosh Pit Radio – Madison, WI

“The EP thunders around the listener’s ears with a massive, powerful sound and gripping guitar riffs, but is also arranged with great attention to detail. Geoff Waye also acts as lead guitarist in the melodic as well as brute playing with pinpoint accuracy… Thrash fans who expect more than just head banging should remember the name TRISKELYON.” – PowerMetal.de

“What does Melodic Thrash sound like? Well in the eyes (and ears) of Geoff Waye it sounds like Thrash with influences of Traditional Metal, so you have plenty of heavy chugging Thrash riffs, separated by Traditional Metal bridges and big choruses. Opening cut “Hunger” sounds like a classic Anthrax cut from the “Spreading The Disease” era, with Iron Maiden influences all over it and Pete Healey’s higher pitched vocals only enhancing that nostalgic feel.” – Metal Noise

—
ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780
jon[@]ashermediarelations[.]com
Facebook @AsherMediaRelations
Instagram @AsherMedia
Tweet @AsherMedia

0 BC’s Mountain Shaking ARMSTRONG METALFEST Open Band Submissions For 2023 Lineup!

October 27, 2022
by Asher
· Armstrong Metal Fest · Music News

NEWS RELEASE

Montreal, QC – October 27, 2022

BC’s Mountain Shaking ARMSTRONG METALFEST Open Band Submissions For 2023 Lineup!

July 14-15 – Armstrong, BC, Canada

Watch the official video recap of AMF 2019 here.
(video created by Mayne Brand Productions)

AMF Spotify Playlist 2022 Lineup here.

Canada’s mountain-shaking extreme music festival Armstrong MetalFest is launching the band submissions for their 2023 lineup with applications opening on November 1st and ending on November 30th at 11:59 pm PST.

Bands interested in performing at the festival can apply at https://armstrongmetalfest.ca/contact/band-submissions/

After their most successful event to date in 2022, which saw the festival’s highest attendance on record along with marking AMF‘s return after a two-year hiatus due to the Covid pandemic, the 2023 edition will be held on July 14th and 15th at the Hassen Arena in Armstrong, BC.

Hosted in British Columbia’s Okanagan valley with the Canadian Rockies as a specular backdrop, the 2022 gathering of metalheads witnessed Spokane, WA deathcore titans ENTERPRISE EARTH headline the festival along with Vancouver’s cult-loved pyro maniacs ZIMMERS HOLE and progressive death kings NECK of THE WOODS. AMF also presented a very special performance from Kelowna’s OMNIA NIHIL (formerly Apollyon) in memory of beloved vocalist Matt Depper who suddenly passed away this past January. A total of 28 bands from across Western Canada and the USA fueled the moshpit for much-needed music therapy.

Tickets for AMF 2023 and camping along with the lineup will be announced at a later date.

Festival co-organizers Jesse Valtsar adds:

“Mark it down on the calendar, we have huge plans to make 2023 the biggest event to date! With the success of 2022, we are going to continue the momentum right into next year! We are planning out our headliners and dreaming up new ways to make Metalfest the best!”

Since 2009 (minus pause years 2020 and 2021 due to the Covid pandemic), West Metal Entertainment and Armstrong Metalfest have not only fostered the talent of hundreds of local bands, but have imported well-known, international acts to the quiet, little Canadian town of Armstrong, British Columbia.

Each year up to 700 metalheads from Canada and the USA descend into the picturesque Okanagan Valley and under the blistering sun they spend three days camping, taking in over 30 bands, participating in wrestling events, scavenger hunts, and catching up with their metal family.

The festival has seen such renowned headliners as Kataklysm, Cattle Decapitation, Archspire, Nekrogoblikon, and Beyond Creation as well as emerging artists from across North America. At the end of the revelry, the festival disappears without a trace, leaving the landscape as pristine as it has always been.

West Metal Entertainment is a non-profit society that not only puts on Armstrong Metal Festival every year in Armstrong, B.C., but gives bands opportunities to play different venues throughout the region including all-ages shows, to encourage musical passion in kids as well as adults.

For more info:
Armstrongmetalfest.ca
Facebook
Instagram
Twitter

Festival Press Materials HERE.

2022 Sponsors / Partners:
Legion HQ
West Metal Entertainment
WCMFA
BC Arts Council
Rancho Vignola
Mason Henniger
Nor-Val Rentals
Exclaim!
Askew’s Foods
Armstrong Tourism
Creative BC
Swag Merch
Bravewords
Absolute Underground Mag
Broken Neck Radio
V13
Metal-Rules
Trash Talk w/ Nate
Posteblocke Media
Asher Media Relations

What the press is saying:

Kelowna Now: Armstrong Metal Festival Co-founder reflects on a decade of metal – Video Interview here.

CHBC – Global Okanagan: Metalheads celebrate a decade of gathering in Armstrong – Video Interview here.

“In the past, metalheads had to travel to Germany to experience the rush of a big festival, such as Wacken Open Air. But local headbangers decided to bring that feeling home with Armstrong Metalfest.” – Vernon Morning Star

“Go Big or Stay at Home: Armstrong has that welcoming feeling for a rock show.” – The Valley Voice

“To witness such a gathering of talent is an absolute privilege, and for that fact alone, I will certainly be returning to Armstrong Metal Fest.” – Beatroute BC

“This festival is now going to be my yearly must-go-to event and if you’re a metal head that hasn’t attended or a curious metal voyeur, do yourself a favour and check it out, you will not regret it.” – Abort Mag

“The Armstrong Metalfest is one such event and has grown from its initial, humble beginnings seven years ago to be a regular mainstay, with its south-central BC location making for a popular summertime destination for fans and bands alike.” – Decibel Mag

Named one of the out-of-town music festivals worth the trip by The Vancouver Sun

“For metalheads, this is a great vacation where groups of all sizes can enjoy their favourite musical genre in a fun, energized environment. Not to mention, the camping!” – The Permanent Rain Press

– 30 –

—

ASHER MEDIA RELATIONS

Jon Asher – Music Publicist
#.514.581.5780
jon[@]ashermediarelations[.]com
Facebook @AsherMediaRelations
Instagram @AsherMedia
Tweet @AsherMedia

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