Tag: music

0 Vancouver’s HUNTING GIANTS Cast Away The Pain of The Past w/ Video “Kindred” Off New Album “Mythos” Out Now!

January 6, 2023
by Asher
· Hunting Giants · Music News

NEWS RELEASE

Montreal, QC – January 6, 2023

Vancouver’s HUNTING GIANTS Cast Away The Pain of The Past w/ Video “Kindred”

New Album “Mythos” Out Now!

L-R – Corey Wharton (Bass), Bradley Trivett (Guitar), Daniel Beavington (Drums), Stephen Atkey (Vocals)
Photographer Credit – Bradley Trivett

Canadian progressive grunge rockers Hunting Giants are sharing their next video for the track “Kindred” off their latest album “Mythos” released this past November. “Mythos” is the new crowning achievement from Hunting Giants who have put in many years of musical work, writing, and recording while gigging and enduring quarantine as a band during the Covid pandemic. The album’s goal is to grab listeners and amaze them with intricate woven stories, energetic riffs, and distinctive vocals. The album is meant to be an adventure, with each track having its own flavour and setting; the songs are worlds unto themselves. All of the music on the release contribute to a listening experience that is much more than the sum of its parts. The material is an addictive encounter that will keep you coming back.

The band explains in further detail about “Kindred”:

“Opening up with the flight of guitars as they soar over a pounding bass riff, this song is about casting away the pain and trauma of the past and coming together as allies with those whom we once saw as enemies. The open chords of the chorus leave room for the bass and percussion to accent the coming riff as the vocal sing about the power of unification. The bridge drops into a monologue where our protagonist is faced with one final challenge. This gives way to a last verse where we as the listener are given the choice to decide what happens in our futures. The triumphant outro hints of Queens of the Stone Age as the vocal harmonies ease into a final harmonized note.”

Listen to “Kindred” at https://youtu.be/I-VaQeZiBbI

Hunting Giants is recommended for those who enjoy 90s grunge, heavy rock, and prog, especially fans of Alice In Chains, I Mother Earth, Soundgarden, Tool, and Audioslave.

“Mythos” is available on CD and digital at the following links:

CD order – https://huntinggiants.com/product-category/mythos-albums/

Digital – Huntinggiants.bandcamp.com, Apple Music, Spotify.

Previous music videos can be viewed on Hunting Giants‘ YouTube channel HERE.

Track Listing:
1. Mythos – 3:28
2. Ancient Text – 3:18
3. Too Big To Kill – 3:06
4. Rituals – 3:57
5. Among Thieves – 5:28
6. Whispers – 2:16
7. Vanguard – 2:54
8. Mantle – 3:19
9. Kindred – 4:05
10. Epitaph – 1:09
11. Into Stone – 4:55
12. Remnant – 4:00
13. King of Ashes – 2:52
Album Length: 44:49

Hunting Giants is:
Corey Wharton – Bass Guitar
Stephen Atkey – Vocals
Bradley Trivett – Guitar
Daniel Beavington – Drums

For more info:
HuntingGiants.com
Facebook.com/huntinggiantsband
Instagram.com/huntinggiantsband
Twitter.com/huntinggiants

About:
Hunting Giants is a four-piece heavy rock band from Vancouver, BC, Canada. This unique group of musicians offers a spectacular visuals-driven live performance that exceeds both the precise ferocity of their recordings and the highest expectations of an energized audience looking for something recognizably different. Their music is both refreshing and familiar, serving well as the musical backdrop for one’s ongoing discovery of meaning in life and self.

Hunting Giants was started in 2017 with Bradley Trivett assembling the first musical themes and combining the percussive expertise of Daniel Beavington with the explosive rhythmic prowess of Corey J. Wharton into the foundation of a team set to discover and dominate the most enormous sounds and daunting massive ideas they could find. Led by the visionary passion and styling of frontman Stephen Atkey, Hunting Giants is poised to deliver an incredible auditory and visual experience.

Discography:
2022 – Mythos – LP
2018 – Skyward Eyes – EP

– 30 –

“A glorious adventure is about to begin, starting right here today! Heavy metallers Hunting Giants are debuting their brand new music video for “Rituals,” the first single from their upcoming album Mythos. The song indicates the zeal and the ambition that the band is bringing towards this new record, due for release on September 30th. The “Rituals” video matches the flat-out intensity of the song, one that discusses necromancy and the harshness of hatred and shame.” – V13

“It’s not often that a band is described as ‘a blend of modern hard rock, progressive rock/metal and grunge influences,’ but that is indeed a fitting description of Vancouver’s Hunting Giants” – Bravewords

“If you’re tired of reading about the same old bands over and over again look no further. Its time to get excited about music again! Hunting Giants is a breath of fresh air! They are keeping the metal alive with their euphonious new sound. They hail from Canada where a lot hot new bands are burgeoning onto the music scene. Every song off their new album, Mythos is incendiary and their new album is a must have in your music collection.” – Metal Lair

“There are some fine songs on here like ‘Ancient Text’, ‘Too Big Too Kill’ and ‘Vanguard’… Guitarist Bradley Trivett has a neat line in big crunchy riffs and singer Stephen Atkey has a great voice. This will appeal to those who like Muse or Alice in Chains…” – Powerplay Mag UK

“Let me say this first, HUNTING GIANTS from Vancouver are REALLY freaking good. These guys are relatively new but they are tighter and more accomplished man many veteran bands.” – Rock You Show

“This is an album (Mythos) that you’ll want to wander through thanks to their technical proficiency and the production value.” – Metal Roos

“a solid listen, and a fairly unique combination of a few different styles. It’s mostly heavy enough for Metal fans, and mostly melodic enough for fans like myself who appreciate a good hook.” – Metal Temple

“Mythos’ features a very 1990s vibe, offering elements of nostalgia as well as a contemporary feel. They can go hard or ease back, adding theatre and energy in a single song (‘Vanguard’), and then draw deep on emotions (‘Mantle’). It’s a heady mix that runs alongside the overall story line in the album. ‘Mythos’ isn’t an album that will appeal to all. Certainly, those whose tastes veer towards the heavier end of the metal spectrum may baulk at it. It should however, appeal to a wide range of fans, who will be able to appreciate the textured and layered songs and the ambition of a band who have delivered a fine release.” – The Razor’s Edge

“a sonically pleasing experience that had a few unusual stylistic fusions. Most of the time, it’s strong enough for Metal enthusiasts as well as being melodic enough for people like myself who adore theatricality. Additionally, they demonstrated some excellent playing.” – Ever Metal UK

“Hunting Giants: Will grab listeners and amaze them.” – Permafrost Today

“There is a lot to discover here. The sound of the varied album is also well controlled and the rhythm section really bangs.” – Saitenkult

—
ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780
jon[@]ashermediarelations[.]com
Facebook @AsherMediaRelations
Instagram @AsherMedia
Tweet @AsherMedia
(Rockshots Records, Extreme Metal Music, Armstrong MF, Loud As Hell, Metalocalypstick, Decimate MF, Electric Highway Fest, Wacken Metal Battle Canada/USA, Hyperspace MF, Le FestEvil)

0 MALICE DIVINE Assertive Black Metal Comes To The Front With Title Track Off “Everlasting Ascendancy” Out Jan 2023

January 6, 2023
by Asher
· Malice Divine · Music News

NEWS RELEASE

Montreal, QC – January 6, 2023

MALICE DIVINE Assertive Black Metal Comes To The Front With Title Track Off “Everlasting Ascendancy” Out Jan 2023

Driven by a passion for dark, brutal music and the desire to have full creative control, Toronto’s Ric Galvez created his one-man project Malice Divine. He released a self-titled full-length in 2021 and now with the full intention of starting to play live in 2023, the album “Everlasting Ascendancy” is being unveiled. The title track from this release summarizes everything that Malice Divine is about. It has uplifting lyrics, fast tremolo-picked sections, groovy and heavy riffs, epic melodies and solos, and a classical guitar piece that concludes the song. Galvez comments:

“I am very excited to have the title track of the new album “Everlasting Ascendancy” as the second single. This song has some of my most adventurous guitar work to date. It changes riffs frequently and has 5 guitar solos, which is the highest number of solos that I’ve had in one song as of right now. Lyrically the song is also quite personal to me. Essentially the message of the song is that no matter what life throws at me or what I end up going through, I will always come out on top.”

Galvez knew immediately that this track would be the one to finish the album and it is in good company with the other seven tracks, which include fast-paced ragers that will incite mosh pits, to mid-tempo groovy tracks. There are ferocious guitar solos juxtaposed against exceptional classical guitar work. Lyrical themes range from paranormal phenomena to personal growth. It’s a well-rounded offering, with enough diversity to not get stale and enough cohesion to be listened to from front to back without breaking immersion.

The album is a dynamic experience with its blend of different influences that aren’t found in many other bands; powerful and assertive it is recommended for fans of Watain, Thulcandra, and Dissection.

The album title track “Everlasting Ascendancy” can be heard via its premiere on NoCleanSinging HERE.

“Everlasting Ascendancy” will be released on January 27, 2023.

Album Trailer – https://youtu.be/HtpTgxAtE68

Pre-Save the album here: https://distrokid.com/hyperfollow/malicedivine/everlasting-ascendancy-2

Playthrough Video – “Silenced Judgement” – https://youtu.be/1txFo60rUKI

Track Listing:
1. Silenced Judgement (4:10)
2. Apparitions Of Conquest (8:22)
3. Usurping The Paragon (6:07)
4. At One With Infinity (6:06)
5. Parasitic Demons (5:39)
6. Reclaimed Strength (5:31)
7. Illusions Of Fragmentation (8:39)
8. Everlasting Ascendancy (8:10)
Album Length: 52:44

Album Recording Credits:
• All songs performed by: Malice Divine
• All songs written by: Ric Galvez
• Produced by: Tyler Williams
• Mixed by: Tyler Williams
• Mastered by: Jamie King
• Album Artwork by: Eka Saputra (Psychopart)
• Canadian Content (MAPL)

Album Band Lineup:
Ric Galvez – Vocals/Guitars/Bass
Dylan Gowan – Drums (Session)

For more info: Facebook.com/malicedivineband | Youtube.com/malicedivine | Instagram.com/malicedivineofficial

About: Toronto, Canada’s Malice Divine is a solo project conceived by Ric Galvez, who had always had the dream of being the leader of his own project. He wanted to expand beyond being known as just a lead guitarist, into also being known as a songwriter, vocalist, and frontman. Ric has played in local bands previously and was a contestant on Banger TV’s Shredders of Metal Seasons 1 & 2.

Ric has a major in music from York University, and through Malice Divine he shows off his vocal, guitar, and bass prowess. His lyrics are inspired by psychology, spirituality, as well as personal experiences that involve the overcoming of obstacles and hardships, using the resulting verses as a form of empowerment.

The second offering from Malice Divine, entitled “Everlasting Ascendancy”, will be released in early 2023. Once again it features Ric Galvez on Vocals, Guitars, & Bass, as well as Dylan Gowan (Vesperia, Banger TV) playing session drums. Malice Divine is also currently transitioning from being a solo project into being a band effort, and is set to start performing live in 2023. What people can expect from seeing Malice Divine live is highly aggressive black and death metal-inspired music, with shreddy and virtuosic guitar solos that add a melodic layer that isn’t common in the genre.

Malice Divine’s sophomore album “Everlasting Ascendancy” is set to be released on January 27th, 2023.

– 30 –

“Malice Divine hop back and forth between coming off like a death metal band doing covers of stuff they’ve recorded as a black metal band and coming off like a black metal band doing covers of stuff they’re recorded as a death metal band.”- Decibel Magazine

“Whether you’re into death metal, progressive metal, or epic metal, this album ticks all of those boxes effortlessly.” – Powerplay Magazine

“What exactly does Malice Divine bring to the table? Judging from “In Time” alone, the project brings a great cornucopia of gripping riffs, virtuosic soloing, constantly dynamic rhythms, harrowing vocals, and a talent for interweaving variant melodies that turn out to be memorable, as well as an ability to make such kaleidoscopic music both cohesive and catchy. The opening sequence of riffs begins to establish the pattern, shifting from sensations that are slow, dismal, and perilous to spidery and feverish, and then to cold and cruelly deranged. But that’s just the start of this dark but exhilarating piece.” – No Clean Singing

“My time with Malice Divine has shown me that Ric Galvez is a talented vocalist, guitarist, and songwriter, and fans of blackened and/or melodic death metal are highly encouraged to check it out. Malice Divine has planted their flag squarely on my radar, and I’m excited to see what Galvez comes up with on the next go-around.” – Angry Metal Guy

“Black Metal, Thrash Metal, Death Metal thrown into an insane blender of savage brutality\m/ \m/” – Heavy New York

“his self-titled debut is a very guitar-centric slab of Black/Death that sounds like a mixture of Dissection’s melodic sensibility with Skeletonwitch’s relentless energy. The playing is as sharp and precise as you’d expect it to be, and some of the leads are really superior…” – The Metal Crypt

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ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780 | jon[@]ashermediarelations[.]com
Facebook @AsherMediaRelations | Instagram @AsherMedia | Tweet @AsherMedia(Rockshots Records, Extreme Metal Music, Armstrong MF, Loud As Hell, Metalocalypstick, Decimate MF, Electric Highway Fest, Wacken Metal Battle Canada/USA, Hyperspace MF, Le FestEvil)

0 Rockshots Records – France’s Manigance Release New Music Video For Title Track Off English Version of New Album “The Shadows Ball (Les Bal Des Ombres)” Out Feb 2023

January 6, 2023
by Asher
· Manigance (Rockshots Records) · Music News

NEWS RELEASE

Montreal, QC – January 6, 2022

Rockshots Records – France’s Manigance Release New Music Video For Title Track Off English Version of New Album “The Shadows Ball (Les Bal Des Ombres)” Out Feb 2023

Rockshots Records will be releasing the English version of France’s Manigance‘s latest album “The Shadows Ball (Les Bal Des Ombres)” on February 24th, 2023. The original francophone version was released on March 18, 2022.

Today, the band presents their first English music video for the album’s title track, which can be viewed at https://youtu.be/lWoGUusvcvY

The band adds about the track:

“In a baroque and burlesque atmosphere, I invite those who fight to stop fighting to get nothing, to come and build with me a better life and elsewhere, beyond life. A soul’s immortal.” – Carine Pinto (vocals/lyrics)

“A big riff with a simple structure to get to the essence of the singing melody. Carine’s vocals are particularly good with pop influences. A very nice solo from Lionel with twin guitars.” – François Merle (guitar)

What started out as a cover band to doing full fledge originals and being garnered “Best French Group of 2003” by Hard Rock Magazine and triumphing on the stage at Hellfest (Live video), “The Shadows Ball” is the band’s eighth studio album and first to be sung in English by new vocalist Carine Pinto who replaced Didier Delsaux in 2018. The band made the decision to to do English songs as they wanted to make their music more accessible to foreign audiences in preparation for their 2023 European tour with Rhapsody of Fire in March.

“This album contains different songs from the Manigance standards. We have shortened the songs and worked on the arrangements. We think we can play a lot of these songs in our shows. It’s a sign that the fans should enjoy these songs. They are adapted to be played live. We have evolved in our writing process. The songs are still very rich, but the structure is simpler. We also listen to the latest productions to offer a modern album with a current sound.” adds guitarist François Merle.

The new album features twelve tracks that are inspired by Pinto’s lyrics from personal and intimate emotions, but also can relate to most listeners, from the betrayal of a friend, the burning of Notre Dame Cathedral (Paris – France), climate change, violence against the LBGT community, confinement during COVID, and domestic violence.

“The Shadows Ball” is recommended for fans of heavy metal and bands like Battle Beast and Accept.

Album pre-save – https://bfan.link/theshadowsball

CD pre-order – https://bit.ly/theshadowsballCD

Music Videos from French Version of “The Shadows Ball (Les Bal Des Ombres)”

– Haute Trahison (High Treason) – https://youtu.be/hzF0KwzkpnQ

– Huis Clos (End of Lock Up) – https://youtu.be/4B-gb_6fo9M

– Le Bal des Ombres (The Shadows Ball) – https://youtu.be/6p3CzFIbTSM

Track Listing:
1. Odyssey – 1:23
2. Cold Blood – 4:24
3. All Your Excesses – 4:28
4. End of Lock Up – 4:26
5. The Shadows Ball – 5:14
6. Death Warrant – 4:01
7. High Treason – 4:48
8. Eternity – 4:36
9. At Gates of Memory – 4:42
10. In Spite of Everything – 4:42
11. Dawn of The New Fight – 4:49
12. Forgotten Survivor – 4:34
Album Length: 52:12

For more info:
https://www.rockshots.eu
https://www.facebook.com/MANIGANCE.Official
https://www.instagram.com/manigance.official
https://twitter.com/Manigance64

– 30 –

—
ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780 | jon[@]ashermediarelations[.]com
Facebook @AsherMediaRelations | Instagram @AsherMedia | Tweet @AsherMedia
(Rockshots Records, Extreme Metal Music, Armstrong MF, Loud As Hell, Metalocalypstick, Decimate MF, Electric Highway Fest, Wacken Metal Battle Canada/USA, Hyperspace MF, Le FestEvil)

0 Saudi One Man Prog DUSK Shares First Single “Lethal Perspectives” ft. Aaron Harris (Solemn Vision) Off First Full-Length “Spectrums” Out February 2023

January 6, 2023
by Asher
· DUSK · Music News

NEWS RELEASE

Montreal, QC – January 6, 2022

Saudi One Man Prog DUSK Shares First Single “Lethal Perspectives” ft. Aaron Harris (Solemn Vision)

New Album “Spectrums” Out February 2023

Saudi Arabia’s one-man prog metal unit DUSK (from the mind of Meshari Sangora) is unveiling the first single “Lethal Perspectives” ft. Aaron Harris (Solemn Vision) from the upcoming full-length entitled “Spectrums”. The album follows two previously unleashed EPs “To Where I Belong” (2021) and “Ascension” (2020) along with multiple stand-alone singles that were used to introduce the project’s music to the world in 2020.

The album’s first single talks about someone who suffers from Megalomania and is a message to remind them that they are not a god. DUSK goes into further detail about how the track came to be.

“I got to know Aaron Harris, the vocalist for Solemn Vision from my friend Gigi Arabia of Heavy Arabia. She pitched Aaron to me when we were looking for a vocalist for Lethal Perspective, and as soon as I heard Aaron’s vocals I knew he was a perfect fit for the album. He’s got a raw scream that can really get you hyped! and with what I had in mind for songs on the album, I knew that he be the right fit and he sure did deliver vocally and lyrically 100 percent!”

The single can be heard at https://youtu.be/rcOw6G0VgKE

Digital (Spotify, Bandcamp, Apple Music) – https://distrokid.com/hyperfollow/dusk14/lethal-perspectives-feat-aron-harris

For “Spectrums”, DUSK recruited various many guests such as Saudi musicians Khalid C (Entropia) and Abdulrahman Elghazali (who was a featured guest on EP ‘To Where I Belong”) along with international artists such as Aaron Harris of the New York death metal based band Solemn Vision and the great Jaani Peuhu, previously known as a member of Swallow The Sun and his current band Ianai. The album features 12 tracks and is a multi-lingual expression with various songs sung by its contributors in English, German, Finnish, and Arabic.

DUSK comments on the forthcoming album:

“As a musician and one of the pioneers in the local Saudi Scene, I wanted to bring more creativity to the game and make this project an inspiration standpoint to the new upcoming bands and musicians who look up to me both locally and internationally, so right then and there, I decided to make this album into two different themes, something that will speak to every music lover out there, from the heavy and raw guitar tones to the Synth-ish spacy sounds that ease the listener to a very dynamic and emotional ride.”

Once a college DJ in UAE, that time in his life lead to his rediscovery of all forms of metal and was just the beginning of creating his own music as a self-taught musician and producer. DUSK created the new album to be listened to as Side A and Side B. The first half of the album (Side A) is aggressively sounding, and more guitar-focused and has a build-up of more hostility to each track while the listener moves forward. The second half (Side B) aims for a new sound from DUSK infusing more of the electric/EDM-ish sound where it’s more focused and digitized sounding and widely more appealing to the non-metal listener, all while keeping the same aggression level building up with each track.

“I wanted to bring more to the table and make this album a possible gateway to new audiences and perhaps fans from both sides, the metal heads & the non-metal listeners. I think all people who enjoy music will be interested in it, with all that has been added and all the different genres mixed in. What I’m trying to do with this record is to make everyone experience their own feelings and their own journey, the topics for this project are big and very stretched, some of the topics deal with real issues like betrayal and disposition, Love, Hate, and Hope.” adds DUSK

Recommended for fans of Currents, Born of Osiris, Novelists, and Deftones, along with everything under the vein of progressive metal, metalcore, and djent, “Spectrums” will be released on all digital platforms including vinyl on February 17th, 2023.

The album was fully written & recorded at Dusk’s studio with the mixing and mastering done by Tom Haberland of Crushing Waves Studio. Album artwork created by Giannis Nakos from Remedy Studios.

Album pre-order – https://dusk94.bandcamp.com/

Track Listing:
1. The World We Used To Know ft. Abzy & Khalid C – 5:42
2. Digging Deeper ft. Alex Hamilton – 4:05
3. Breath In, Breath Out ft. Adnan – 4:20
4. Hatred ft. Alex Hamilton – 3:12
5. Lethal Perspectives ft. Aron Harris – 3:02
6. Agnes Of Rome ft. Abzy – 5:00
7. Burning In My Mind ft. Moe Steiger – 3:31
8. Karma Will Find You ft. Moe Steiger – 4:19
9. Someone To Trust ft. Jon Thomas – 3:38
10. Only You ft. Jaani Peuhu – 5:39
11. Celestials ft. Iman Ahmed & Abudlrahman Elghazali – 4:37
12. Absence Of Full (Album Outro) – 2:18
Album Length: 50:00

For more info:
Facebook.com/Officialdusk94
Instagram.com/official__dusk
Twitter.com/Official__Dusk

About Album Guests: Abzy, Khalid C, Alex Hamilton, Adnan, Aaron Harris, Moe Steiger, Jon Thomas, Jaani Peuhu, Iman Ahmed, Abdulrahman Elghazali

1- ABZY is a Self-taught singer-songwriter who started in 2007 Located In Kuwait city. Band (WAZIN), SOLO Project (SARAI)

2 – Khalid C is an electric guitar player located in Riyadh, Saudi Arabia, and is one of the founders of the band Entropia along with his new rock solo project Astrofrog.

3 – Adnan Mryhi is a singer and a Twitch streamer located In Dubai, UAE, Adnan also helped and still helping to build the Metal Scene in the UAE since 2006. Solo Project (Unmuted)

4- Alex Hamilton is a Canadian musician who operates Nova Nine Productions and offers session musician services, mixing/ mastering, and recording. His band is Wazmo.

5- Aaron Harris also known as AceSirBell is the vocalist for the band Solemn Vision and the band telochvovin666 and the founder of Visionary Booking, a booking company focused on helping out-of-town bands break into NYC, and build lasting connections through different scenes.

6- Jaani Peuhu is a Finnish musician, producer and songwriter. Jaani has worked with artists like Before the Dawn, Swallow The Sun, To/Die/For, Thunderstone, Wiidakko and Anna Eriksson. More info – https://en.wikipedia.org/wiki/Jaani_Peuhu

7-Iman Ahmed is an Arab/British singer and bass player who is the founder of Unicorn Squad – a global music community for unsigned artists and bands within the rock/ metal/alternative scene.

8-Abdulrahman Elghazali is an electric guitar player located in Riyadh, Suadi Arabia, previously featured on the “To Where I Belong EP” and a guitar player for the local thrash metal band Dune.

9-Moe Steiger is a session vocalist located in Germany. Editing and mixing engineer.

10- Jon Thomas is a singer, songwriter, guitarist, and session musician based in Canada.

11. Jonathan Hammond has solo projects Dark Horse and Thrifted Souls.

– 30 –

0 Shores Of Null Begin Another Gloomy Chapter With “Nothing Left To Burn” Off “The Loss Of Beauty” Out March 2023

December 22, 2022
by Asher
· Music News · Shores of Null (Spikerot Records)

NEWS RELEASE

Montreal, QC – December 22, 2022

Shores Of Null Begin Another Gloomy Chapter With “Nothing Left To Burn”

New Album “The Loss Of Beauty” Out March 2023

Rome’s Shores of Null has a fourth album coming out next year, to expand their discography of melancholic doom. “The Loss Of Beauty” goes back to the usual full-length structure with different tracks, after the immersive experience of 2020’s “Beyond The Shores (On Death And Dying)”, which consisted of a single 38-minute track. Each of the upcoming singles released in anticipation of the release are accompanied by a series of videos by Sanda Movies. The first single is “Nothing Left To Burn”, which the band comments on:

“This song was originally written in 2018 and recorded in 2019, with the intent of releasing it the next year, but then we changed our minds and released “Beyond The Shores” instead. So this song was kept secret until today, almost frozen in time, and it’s so cathartic to be finally sharing it with you, both song and video, which is by far the most complex visual piece we’ve ever done, and for this, we must thank Martina and the Sanda Movies crew for the amazing work. It is a song about the burden of life, its endless struggles, and suffering, with the awareness that our existence is only transitory”.

Watch and listen to the music video for “Nothing Left To Burn” – https://youtu.be/wuP14Dgx4F4

Those who have been following Shores Of Null from the very beginning know that their influences touch many genres, and those who loved “Quiescence” and “Black Drapes For Tomorrow” won’t be disappointed. The band considers “The Loss Of Beauty” to be the natural evolution of those records, while “Beyond The Shores (On Death And Dying)” represents a slight detour from the main road. Those who have known them from “Beyond The Shores” might find this new offering a bit different, faster in tempo, but still very gloomy and melancholic.

“The Loss Of Beauty” is melancholic dark metal with a wide range of influences, from gothic metal to doom metal and melodic black/death metal, with frequent use of vocal harmonies and deep growls. It is recommended for fans of Paradise Lost, Amorphis, and Enslaved.

“The Loss Of Beauty” is due out March 24th, 2023.

Album pre-order (Digital, CD, Vinyl) – https://linktr.ee/thelossofbeauty

Track Listing:
1. Transitory – 1:20
2. Destination Woe – 4:52
3. The Last Flower – 4:59
4. Darkness Won’t Take Me – 4:14
5. Nothing Left To Burn – 4:55
6. Old Scars – 4:23
7. The First Son – 2:17
8. A Nature In Disguise – 6:26
9. My Darkest Years – 4:56
10. Fading As One – 5:19
11. A New Death Is Born – 4:54
Album Length: 48:40
Bonus Tracks (CD and digital only)
12. Underwater Oddity – 4:18
13. Blazing Sunlight – 1:57

Shores Of Null is:
Davide Straccione – Vocals
Gabriele Giaccari – Guitars
Raffaele Colace – Guitars
Matteo Capozucca – Bass
Emiliano Cantiano – Drums

For more info: Spikerot.com/ | Shoresofnull.com | Facebook.com/shoresofnull | Instagram.com/shoresofnull | Twitter.com/shoresofnull

About: Shores of Null stand out from their contemporaries with their ability to blend seemingly disparate elements into their sound, overwhelmingly heavy and soothing at the same time: blackened aggression stands alongside gothic-doom sections without either sounding out of place. Their music can be both melancholic yet majestic, made of chorale-like guitar textures across the instrument’s entire range, sustained by a powerful rhythmic section and punctuated by a refined mixture of clean and growled vocals, along with extensive use of pleasing vocal harmonies which have become the band’s trademark through the years.

The Rome-based metal band has been an unwavering presence within the metal underground since their musical outset in 2013, churning out three impressive records: the melodic and somber “Quiescence” (Candlelight, 2014), the darker and more complex “Black Drapes For Tomorrow” (Candlelight/Spinefarm, 2017), and finally their most ambitious work to date “Beyond The Shores (On Death And Dying)” (Spikerot Records, 2020), a 38-minute long opus which continues to prove the band’s willingness to go off the beaten path while creating their ultimate doom manifesto.

The band’s fourth album “The Loss Of Beauty”, recorded during the same sessions of “Beyond The Shores”, is expected to be released in March of 2023.

– 30 –

Shores of Null continues to impress and expand upon their doomy sound. An epic-length track worthy to sit amongst the best of these ventures (Edge of Sanity, Insomnium). Emotionally fulfilling and musically satisfying all at once.” – Dead Rhetoric (Best-of 2020)

“this album definitely is one of the best Doom Metal pieces I had the pleasure to look at in 2020. Once you plunge into its astonishing flow, there will be no escape from that majestic march through soaring soundscapes to those tear-drenched horizons.” – Rock Music Raider (Best of 2020)

“it’s certainly ambitious (video for “Beyond the Shores (On Death and Dying)”), but if you have the time, it’s worth the watch. Steeped in quality and excellent videography, it definitely deserves the attention for the amount of effort used.” – Metal Injection

“Shores of Null rolled the dice with Beyond the Shores (On Death and Dying) and delivered in a big fucking way… Shores of Null have crafted something special; a heart-wrenchingly emotive and beautiful journey of sorrow, anguish, pain, and acceptance. Beyond the Shores (On Death and Dying) is a splendidly sombre, brilliantly written opus of commanding death-doom that demands attention.” – Teeth of The Divine

“this album is phenomenal, both in terms of concept and its monumental delivery… with this magnum opus [Shores Of Null] have proved their position front and centre as depressed doom-titans…” – The Sleeping Shaman

“Beyond The Shores (On Death and Dying)” is a near perfect, monumental achievement of doom. I can’t imagine any fan of the style not finding something here to enjoy.” – Metal Temple

“An enchanting, gloomy opus.” – Moshville Times

“A single track of incredibly well-realised melodic doom metal, layered with all sorts of treats and nuanced delivery.” – Wonderbox Metal

“A piece of delicious despair, delivered on a platter of storm-ridden and excellently executed Doom Metal. A record that left anybody else in the genre in 2020 quaking in their wake.” – Rock Music Raider

“their most intricate and brooding work to date… grandiose emotional impact.” – Metal Storm

0 Streaming Now! Vancouver Orchestral Metal Ensemble OPUS ARISE’s Instrumental Cyberpunk Epic “The Network”

December 1, 2022
by Asher
· Music News · Opus Arise

NEWS RELEASE

Montreal, QC – December 1, 2022

Streaming Now! Vancouver Orchestral Metal Ensemble OPUS ARISE’s Instrumental Cyberpunk Epic “The Network”

New Album “The Network” Out December 2nd

L-R – Derek Ho – Cello (live only), Matthew Logan – Drums, Violin II, Ellen Smith – Viola, Michelle Gao – Violin I, Kyle Hagen, Shawn Hillman – Guitar, Cello, Matthew Hannah – Keyboards

Photo Credit Jade Weekes

Vancouver, Canada’s Opus Arise is an orchestral metal ensemble that brings together classical strings and metal rhythms to create luscious soundscapes to dissonant chaos. Their newest album, “The Network” teleports listeners into a cyberpunk world filled with neon lights, and punctuated with progressive riffs. This cyberpunk-inspired world has an intricate plot surrounding research involving chord progressions that manipulate space and time. The band comments on the album:

“After many years that seemed like forever, we’re extremely excited to release our follow-up “The Network”. Thanks to the experience and wisdom of Maor Appelbaum, we’re very stoked that we brought the album to what it needed to be after much trial and error. We hope everyone will enjoy this journey through this Cyberpunk-inspired world!”

The eight-track album is just over forty minutes in length, it was produced and mastered by Maor Appelbaum; mixed by Ryan Shepard, and the album artwork was done by Daniel Reyes. The nine players on the album bring forth their skills on guitar, cello, bass, drums, violin, keyboards, viola, and contrabass in a sometimes collaborative effort, which is primarily composed and scored by Matthew Logan and Matthew Hannah. The writing and the recording have been in the works for some time, the drums were recorded in a mansion back in 2018 where the original rehearsal space was, and the same location was used to film the music videos for the singles “Reminiscence”, “Change” and “Inner Skepticism”.

“The Network” has a modern metal influence and different composers from their first album. It is best described as orchestral neo-classical instrumental progressive metal. Fans who enjoy Powerglove, Scale The Summit, and Animals As Leaders should be the first to dive into a futuristic world where one’s existence is questioned.

Due out on December 2nd, 2022, “The Network” can be heard in full via its premiere on TheProgSpace HERE.

Album pre-order – https://opusarise.bandcamp.com

Music Video – Inner Skepticism – https://youtu.be/MGW5MWi_F5g

Music Video – Reminiscence – https://youtu.be/9RCg0TOf9Bo

Music Video – Change – https://youtu.be/trkqH_Ye-3M

Track Listing:
1) Inner Skepticism – 5:50
2) Electric Jungle – 6:02
3) Antimatter – 3:22
4) Digital Soundscape – 4:38
5) Reminiscence – 5:21
6) Change – 5:23
7) Timeshift – 5:21
8) The Unanswered Question – 5:13
Album Length: 41:13

Album Band Lineup:
Shawn Hillman Guitar, Cello on “Digital Soundscape”
James Readman: Guitar
Daniel Carmago: Bass Guitar (Tracks 1-3, 5-7)
Matthew Logan: Drums, Violin II
Matthew Hannah: Keyboards
Michelle Gao: Violin I
Ellen Smith: Viola
Darrell Bennett: Cello
Kyle Hagen: Contrabass, Bass Guitar (Track 8)

For more info:
https://www.facebook.com/opusarise
https://www.instagram.com/opusarise
https://twitter.com/OpusArise

EPK – https://wp.me/pciNW-iFB

– 30 –

—
ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780 | jon[@]ashermediarelations[.]com
Facebook @AsherMediaRelations | Instagram @AsherMedia | Tweet @AsherMedia(Rockshots Records, Extreme Metal Music, Armstrong MF, Loud As Hell, Metalocalypstick, Decimate MF, Electric Highway Fest, Wacken Metal Battle Canada/USA, Hyperspace MF, Le FestEvil)

0 High Fells Offer Release Through Angry Riffs and Blackened Howls In “Catharsis”

November 25, 2022
by Asher
· High Fells · Music News

NEWS RELEASE

November 25, 2022

High Fells Offer Release Through Angry Riffs and Blackened Howls In “Catharsis”

L-R – Chris Szymankiewicz – Guitar, Nick Smith – Vocals / Guitar, Jeremiah Maynard – Drums, Erik McEwen – Bass
Photo Credit – Vance Valenzuela

Texas’ High Fells goes against the grain in regards to live blackened metal performance, they are longtime listeners of all different walks of music, and together they are proudly releasing their debut album “Catharsis” with they claim to be a journey between pure agony and anger, with a dash of hopelessness. It’s an emotional journey with sick riffs in which the lyrical content and the overall feeling of this album hit on a ton of mental and emotional wellness topics and the lack thereof. The band continues to explain:

“We are incredibly excited to debut our album “Catharsis” – the first of many to come. We’re excited to share it for many reasons, but primarily because it’s been such fun to write and perform, experimenting with styles and genres we’ve never fully committed to in other bands. The journey you’ll be taking over the course of 40 minutes will be a thought-provoking, visceral experience that will shed some light on mental illness and depressive episodes, something still a stigma in our current society.”

High Fells hopes that listeners can find something to relate to, something that will inspire them or helps convey emotions into words. They aim to shroud their lyrics with punishing riffs and blast beats that will ideally charm the listener.

Initially, High Fells set out to be a melodic black metal band, but as time has passed on and as they have played with more bands they love, the direction steered back towards death metal with that blackened flavor. Across the nine tracks, they bring ass-beating riffs with high-quality recordings.

Melodic, depressing, and angry, “Catharsis” is recommended for fans of Hath, Decapitated, and Sorrow Plagues.

Listen to “Catharsis” in full via TheCirclePit at https://youtu.be/JJ83eInk6fU

Digital streaming and downloads are available on Highfells.bandcamp.com, Spotify.

Music Video – Where They Call My Name – https://youtu.be/iWoznIVS4aY

Track Listing:
1. Lingering – 3:56
2. Strangled – 4:04
3. Apparition of Fear – 3:38
4. Hypoxian – 4:08
5. A Summon – 3:22
6. Hiraeth – 6:52
7. Fall With the Sun – 3:01
8. Reaping Discontent – 4:31
9. Where They Call My Name – 5:45
Album Length: 39:14

Album Credits:
• All songs performed by: High Fells
• All songs written by: High Fells
• Produced by: Nathan Wackett / Clay Schroeder / Nick Smith / Michael Briggs
• Mixed and Mastered by: Nathan Wackett
• Album Artwork by: Dawid Figielek

Album and Live Band Lineup:
Nick Smith – Guitar / Vocals
Chris Szymankiewicz – Guitar
Jeremiah Maynard – Drums
Erik McEwen – Bass / Backing Vocals

For more info: Highfells.com | Facebook.com/highfellstx | Twitter.com/highfellstx | Instagram.com/highfells

About:

Birthed during a particularly cold winter, High Fells grew to something more than a jam session over the first year of our COVID nightmare. The uncertainty and tumultuous nature of these times allowed fears and pains to fester. Expressing and letting go of our greatest sufferings through music is all we seek – a catharsis in audible form.

Having shared the stage with multiple international acts, High Fells goes against the grain in regards to live blackened metal performance – whether it be colorful guitars or an emphasis on having FUN, expect to have a good time among the shrieks, riffs, and blast beats.

– 30 –

“There’s warmth and beauty to be found beyond the expected genre conventions if you know where to look.” – Eric Grubbs, CentralTrack magazine

“The song… “Where They Call My Name” proves that High Fells are worth taking very seriously indeed (even if the band clearly don’t take themselves too seriously)… The passion that floods through the searing screams and ravaging roars adds to the song’s wrenching severity.” – NOCLEANSINGING

“I have seen their name pop up a lot recently due to them being on a good number of local shows as well as being opening acts for national tours. These dudes play some killer blackened death that got the crowd into right from the first note… “Even for a newer band, these guys were tight and on point.” – VOX AND HOPS

0 Canada’s Alienatör Are Now Streaming Politically Charged Album “Regrets”

November 24, 2022
by Asher
· Alienator · Music News

NEWS RELEASE

Montreal, QC – November 24, 2022

Canada’s Alienatör Are Now Streaming Politically Charged Album “Regrets”

New Album “Regrets” Out Nov 25th

(L to R) Sean Skillen – Bass/Back-up Vocals, Brad King – Guitar/Vocals, Simon Paquette – Drums
Photo Credit – Peter David Wragg

Alienatör is a sludge metal band from Thunder Bay, Canada that combine punk, hardcore, and noise rock elements into a stripped-down package, full of razor-sharp riffs and memorable hooks. They are now streaming their second album “Regrets”, which promises to be darker, more focused, and more intense than their first.

Composed during the claustrophobia of the 2020 election and the global pandemic, “Regrets” channels rage while the lyrics express alienation, grief, pain, and disgust at the state of the modern world. The band comments on the album:

“Regrets is a grim postcard from the depths of the human psyche. Our darkest release yet, it is a reaction to years of deep political turmoil, the erosion of truth, as well as personal politics of grief, loss, and struggle. It’s an album that touches on personal and social themes. Flourishes of melody drenched in a caustic sludge, painted in shades of black. We still have some blistering fast punk-influenced tunes but we’re branching out and showing our songwriting depth.”

Within “Regrets” are eleven heavy-hitting songs with enough variety to keep even the most discerning metalheads interested. From the odd time signatures in the off-kilter “Revisionist History” that speaks of the erosion of truth in our public discourse and the dangerous narcissists who create their own reality to the bleak history being told in “Irreconcilable” that is equal in both horrific subject matter and dynamic riffs, there is something for everyone on this record.

The record was produced and mixed by bassist/vocalist Sean Skillen, mastered by Brad Boatright and the album artwork was done by Peter David Wragg. Aggressive and emotional, it is recommended for fans of Neurosis, Botch, and Jesus Lizard.

“Regrets” drops officially on Friday, November 25th, and can be heard in full via its album stream premiere on Doomed & Stoned HERE.

Album pre-order – https://alienator.bandcamp.com

Music Video – The Priest – https://youtu.be/TJxF6Qs3Bws

Track Listing:
1. Revisionist History – 2:10
2. Loss Leader – 4:03
3. Blood Red Blood – 3:08
4. Regrets – 3:44
5. The Priest – 5:30
6. The Less Dead – 1:56
7. Flat Earth Society – 2:51
8. Irreconcilable – 2:59
9. Your Funeral – 3:20
10. Wounded Birds – 4:10
11. Dark Matters – 4:09
Album Length: 38:04

Album Recording Credits:
– All songs performed by: Alienator
– Music by Alienator
– Lyrics by Brad King
– Produced by: Sean Skillen
– Mixed by: Sean Skillen
– Mastered by: Brad Boatright
– Album Artwork by: Peter David Wragg
– Member of SOCAN
– Canadian Content (MAPL)

Album and Live Line Up:
Brad King – Vocals, Guitar
Sean Skillen – Bass, Vocals
Simon Paquette – Drums

For more info:
Exitmusicstudio.ca/alienator
Facebook.com/alienatorband
Instagram.com/alienatorband

About: Hailing from Thunder Bay, ON, Canada, Alienatör is a sludge metal band that combines punk, hardcore, and noise rock elements into a stripped-down package, full of razor-sharp riffs and memorable hooks.

Their debut album, “Pariahs,” released in 2109 moves from fast and aggressive to slow and swampy with touches of experimental weirdness. Many of the lyrics are about how we numb ourselves to the pain and disappointment of everyday life.

Fast forward to 2022, and the band is ready to unleash their follow-up, entitled “Regrets,” which introduces new drummer Simon Paquette to the fold. The album is bleak and abrasive, with moments of calm, melody, and beauty to juxtapose against the ugliness. Raw, uncompromising, and dark, it is emotionally heavy music that reflects a chaotic time in history.

– 30 –

“Noisy post-hardcore sludge, full of energy and rage… a genuine ass-kicker of a record.” – Decibel

“This band is burly, grimy, and the sonic manifestation of discontent. If it’s motivational music you seek, back away slowly. Alienatör ply their trade in the margins of metal, with elements of sludge, noise rock, hardcore, heavy metal, and crust punk. Listeners of Pariahs, the band’s debut full-length, will hear shades of Unsane, Red Fang, Cursed, Kvelertak, Acid Bath, and Cancer Bats, among other guitar-heavy acts by whom sophistication and polish are eschewed.” – Lambgoat

“Pariahs shows Alienatör firing all of their creative cylinders and marks a multifaceted, all-consuming sludge opera delivered with convincing force and accents.” – Idioteq

“Gritty, high-octane sludge…” – Metal Trenches

“From beginning to end Alienatör offers up a truly murky, chunky yet noise filled sound that tears at your ear drums, but in the best possible way. Each track is a madhouse of artery stopping, head banging sludge and noise rock that you cannot simply turn away from.” – Cadaver Garden

“Alienator are miserable and they’d like you to join them.” – Lambgoat

—
ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780
jon[@]ashermediarelations[.]com
Facebook @AsherMediaRelations
Instagram @AsherMedia
Tweet @AsherMedia

0 Atmosphere, Metal And Classical Intersect In Orchestral Metal Ensemble OPUS ARISE’s (ft. members of Svneatr, Thousand Arrows, Ysgaroth) Cyberpunk “Change”

November 18, 2022
by Asher
· Music News · Opus Arise

NEWS RELEASE

Montreal, QC – November 18, 2022

Atmosphere, Metal And Classical Intersect In Orchestral Metal Ensemble OPUS ARISE’s (ft. members of Svneatr, Thousand Arrows, Ysgaroth) Cyberpunk “Change”

New Album “The Network” Out December 2nd

L-R – Derek Ho – Cello (live only), Matthew Logan – Drums, Violin II, Ellen Smith – Viola, Michelle Gao – Violin I, Kyle Hagen, Shawn Hillman – Guitar, Cello, Matthew Hannah – Keyboards

Photo Credit Jade Weekes

Vancouver, Canada’s Opus Arise is an orchestral metal ensemble that brings together classical strings and metal rhythms to create luscious soundscapes to dissonant chaos. Their second album “The Network” teleports listeners into a cyberpunk world filled with neon lights, and punctuated with progressive riffs. Compared to their last album “Revelation”, released in 2016, their compositions have become slightly less metal, but they have upped the ante in the string section going from a trio to a quintet. The third single “Change” is a pivotal point in the album, where it is at its heaviest. The band comments on it and the album as a whole:

“The album builds itself up with steady grooves that lead into some of the heaviest moments on the album. We then break into a thoughtful, atmospheric middle section with a triumphant ending that leads to the climax of the album. After many years that seemed like forever, we’re extremely excited to release our follow-up “The Network”. Thanks to the experience and wisdom of Maor Appelbaum, we’re very stoked that we brought the album to what it needed to be after much trial and error. We hope everyone will enjoy this journey through this Cyberpunk-inspired world!”

The eight-track album features a wide arrangement of influences performed by nine members. It was primarily composed by Matthew Logan and Matthew Hannah but former members have also left a bit of material to be used for future albums. They tried many different guitars and tones for this record, and through much trial and error, they finally settled on the John Petrucci Majesty 7 with his Neural DSP, which they will use going forward. They cite that it really allows the space for the strings to come out while still being heavy and crunchy.

Influenced by prog, neo-classical, and even extreme genres like black and death, Opus Arise is recommended for fans of Liquid Tension Experiment, Powerglove, and Scale The Summit.

The video for “Change” can be watched via its premiere on AllAboutTheRock HERE.

Album pre-order – https://opusarise.bandcamp.com

Music Video – Inner Skepticism – https://youtu.be/MGW5MWi_F5g

Music Video – Reminiscence – https://youtu.be/9RCg0TOf9Bo

For more info:
https://www.facebook.com/opusarise
https://www.instagram.com/opusarise
https://twitter.com/OpusArise

EPK – https://wp.me/pciNW-iFB

– 30 –

—
ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780 | jon[@]ashermediarelations[.]com
Facebook @AsherMediaRelations | Instagram @AsherMedia | Tweet @AsherMedia(Rockshots Records, Extreme Metal Music, Armstrong MF, Loud As Hell, Metalocalypstick, Decimate MF, Electric Highway Fest, Wacken Metal Battle Canada/USA, Hyperspace MF, Le FestEvil)

0 Indulge In North East Bistro’s Monster New Single “We Both Lived At Night”

November 18, 2022
by Asher
· Music News · North East Bistro

NEWS RELEASE

Montreal, QC – November 18, 2022

Indulge In North East Bistro’s Monster New Single “We Both Lived At Night”

North East Bistro is one of the oldest bands still hanging around in Montreal, Canada, and has been since the beginning of the millennium. They have released three albums, an EP, and a handful of singles, and have a new single “We Both Lived At Night” ready to present to the world. With influences ranging from Alice in Chains to Iron Maiden to Slipknot to Baroness, they play dynamic rock that will be intriguing to people far and wide. Bassist Ben Forté comments on the single:

“This is the first new song written since “Sing Your Heartache” was released in 2018. It’s our heaviest song so far. It’s also the 1 st single out of 3 from the Sundown sessions. The song was recorded at the Palm Isle Studio by Carl Roberge. He also tracked the guitars and that might be the reason it sounds heavier. We gave him a carte blanche and the result was quite impressive! Carl is an old friend of ours and we wanted to work with him for a long time. I’m a big Misfits, Ghost, and Type O Negative fan and I always wanted to write a “monster” song. And there it is! The song is really about a friend who I never really knew in…daylight time. Only when the sun went down. There we met. Night time only. We both lived that way, like vampires.”

Compared to their previous releases, listeners can expect this latest offering to be much heavier than expected, the band has never gone this far before on the distortion but they maintain a very groovy and melodic sound. In the past, they always had a brass section but for the more recent songs, they worked in a string section instead. They do miss the horns and suggest that they will eventually come back.

When it comes to writing, the words come first and they try to follow the mood of those, rarely does the music come first in North East Bistro. Forté first records some demos with the main core of the song, and the lyrics are usually all done. With an acoustic guitar and vocals, they flesh out the parts and harmonies, and finally the drums. Once satisfied, they hit the studio.

For more than 20 years, North East Bistro has been ripping it up and they are excited to share their latest incarnation. The single “We Both Lived At Night” is dark, melancholic and just in time for Halloween, it is recommended for fans of Ghost, Type O Negative, and The National.

Listen to “We Both Lived At Night” via its premiere on V13 HERE.

For more info:
https://www.facebook.com/NEBMontreal

About: We are one the oldest bands still hanging in Montreal from the beginning of the millennium. With 2 original members left (Ian vocals, Ben bass, guitar, songwriting), we are still making music and recording mostly singles.

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Page 19 of 55

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