Tag: metal

0 PROG METAL MANIA (Munich, DE) Announces 2025 Lineup w/ SCAR SYMMETRY, DISILLUSION, XAON, OBSIDIOUS, POEM, F.K.Ü. and More!

January 28, 2025
by Asher
· Music News · Prog Metal Mania - Munich

NEWS RELEASE

Montreal, QC – January 28, 2025

PROG METAL MANIA (Munich, DE) Announces 2025 Lineup

w/ SCAR SYMMETRY, DISILLUSION, XAON, OBSIDIOUS, POEM, F.K.Ü. and More!

Festival Artwork by Ryan T Hancock

Offering an exciting mix of established greats as well as emerging, young bands, Prog Metal Mania Festival is making its event debut on May 2nd and 3rd in Munich, Germany at the world-famous Backstage, featuring the headliners SCAR SYMMETRY, DISILLUSION along with OBSIDIOUS, XAON, POEM, and more.

Official Prog Metal Mania Spotify Playlist – https://spoti.fi/4aqkF9p

Shaping up to be a must-attend for Progressive Rock and Metal fans from Germany and beyond, the 2025 inaugural lineup sees 13 bands and one special guest hailing from Sweden, Germany, the UK, France, Greece, Italy, and Lebanon. While each one of them brings something special out of the broad Prog, Metal & Mania spectrum, most haven’t played in the Bavarian capital before or rarely visited Southern Germany until now.

Organizer Katha states: “The idea for Prog Metal Mania came to life through the collaboration of Mostly Metal \m/ & The Progspace and the common wish to bring certain bands on one of Munich’s most prestigious stages for heavy music. Even though it’s a new festival, the response to the first announcements has been overwhelming, grateful for the warm welcome we got within the scene. We’re really happy to have so many fantastic bands on board, and can’t wait to celebrate their music and the festival’s debut with all those Prog Metal Maniacs from near and far!”

Day split tickets and weekend passes are available at the following link HERE.

Friday, May 2nd, 2025 – Doors 13:00, Stage times 13:30 – 23:30
Disillusion
Obsidious
F.K.Ü.
Vulkan
Loch Vostok
Ihlo
Jester’s Tears

Saturday, May 3rd, 2025 – Doors 12:30, Stage times 13:00 – 23:30
Scar Symmetry
Poem
Xaon
Turbulence
Aeons
Soulsplitter
John Macaluso

About The Bands – https://progmetalmania.com/en/Bands/

SCAR SYMMETRY – With legendary guitar wizard Per Nilsson as a driving force, the Swedish band perfectly blends mind-blowing riffs with virtuoso soloing, built up on mighty synth layers, complex yet groovy rhythms, and topped by a vigorous dual vocal attack. Fascinating Metal fans all over the world, they will play their first show in Munich after 12 years!

DISILLUSION – With their special blend of Progressive Death Metal, the German band takes their audience from the top of the world to the end of the sea. By creating dense, multi-layered soundscapes and versatile movements at the forefront of artistic concepts, they already released three rich, fully matured Metal masterpieces.

OBSIDIOUS – Named after black volcanic glass, the group’s moniker exudes something dark, of fiery origin, and metaphorically offers a nearly limitless platform for expression and advancement. Having caught the Extreme Metal scene by storm with their iconic debut in 2022, the international Tech Death powerhouse is set to blow the roof off at Prog Metal Mania 2025!

TURBULENCE – The Lebanese masters of musical story-telling even make a robot dream with their marvelous soundscapes and virtuosic playing, inviting their listeners on captivating, emotional journeys.

JOHN MACALUSO – Born in the US, now living in Italy, the legendary drummer has already played on over 200 albums (ARK, Michael Romeo, Powermad, Yngwie Malmsteen…) and countless tours. He will present a special show for fans of hot rhythms and cool stories with his terrific, versatile playing and some glimpses behind the scenes.

XAON – The French Symphonic Death Metal band spreads its wings on the hunt for nothing less than epicness. By melting the raw energy of Extreme Metal with the finesse and vehemence of a mighty orchestra, their music is absolutely mind-blowing, yet with an amazing sense for details – Brutal and beautiful at the same time.

VULKAN – The Swedish band with the eruptive name offers mesmerizing melodies to immerse yourself in, served on a layer of intriguing rhythms with a true sense for incredibly atmospheric soundscapes.

LOCH VOSTOK – By bringing together raw beauty with complexity and finesse, their music comes along brutal yet with a catchy grooviness, delivering fat choruses, shredalicious solos, and poisonous hooks.

POEM – There’s a certain beauty in melancholy, and the Greek quartet absolutely brings this to the top with its unique, intense compositions. The outstanding voice and expressive performance of singer George Prokopiou make each song a highly emotional experience.

F.K.Ü. – Since there’s a huge overlapping between the Horror and the Metal communities, it seems like a great idea to bring these two beasts together, and F.K.Ü. clearly pull out all the stops on this. Heavily inspired by Freddy Krueger & Co, these four Swedish guys will bring Metal and Mania to Munich.

AEONS – Hailing from the Isle of Man, the Progmetal powerhouse will come to Germany with three albums under their belt, taking their audience from the plains of the American West to ancient Greece, and even to the vast reaches of space with their mighty, musical tales.

SOULSPLITTER – Following their combined musical vision, the German arts collective melts various stylistic splitters into a soulful, new whole. Over the past years, they delved deeper into a specific aspect of their signature sound where heavy guitars and intricate rhythms meet classical piano in a prominent position.

IHLO – The band from Scotland blends modern Progressive Metal with electronic and pop influences to create a sound that is huge musically, emotionally crushing, and full of hooks. Their debut recently got a re-issue via Kscope, and with album No2 showing up on the horizon, they also might bring new music to Munich in May.

JESTER’S TEARS – Even though the name of this Munich-based band might be quickly associated with an album title by Marillion, it is rather the multi-layered symbol for their music, and was actually inspired by Venice and its famous carnival. The five musicians will open Prog Metal Mania with their powerful mix of wonderful playfulness and complex, yet accessible songs.

More info:

https://progmetalmania.com

https://www.facebook.com/ProgMetalMania/

https://www.instagram.com/progmetalmania

https://linktr.ee/progmetalmania

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Festival Press Promotional Packet HERE.

About The Venue – Backstage – Reitknechtstraße 6, 80639 München – www.backstage.eu

Located in the heart of Munich, Backstage is easy to reach by public transport thanks to the S-Bahn station Hirschgarten being pretty close. A chargeable parking space is also available, several hotels are within walking distance.

As all concerts are set on the same stage, there are no overlaps in the playing times so all bands can be experienced. The venue’s beer garden is a great place for lively chats with other music enthusiasts during the breaks while getting drinks and food there.

Festival Links:

Prog Metal Mania will take place on 2 & 3 May 2025 at the Backstage (Werk) in Munich, Germany

Organizer: Mostly Metal Events & PR

For requests please contact info[@]progmetalmania[.]com

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0 Prog Collective LUNAR Confronts Personal Struggles in “Fall Back Into Old Habits” Lyric Video From New Album “Tempora Mutantur” Out Jan 31st

January 23, 2025
by Asher
· Lunar · Music News

NEWS RELEASE

Montreal, QC – January 23, 2024

Prog Collective LUNAR Confronts Personal Struggles in “Fall Back Into Old Habits” Lyric Video

ft. members Helion Prime, Beholder, Vis Mystica, Mokili Wa, Nordic Frost, Outloud, Double Vision

Fourth Studio Album “Tempora Mutantur” Out Jan 2025 via Saibot Reigns Records

Making Live Debut at Hyperspace Metal Festival 2025 (Vancouver, BC) – April 11th

Top 1st Row – Ryan Price – Bass, Alex Bosson – Drums
Middle 2nd Row – Connor McCray – Lead Guitar, Chandler Mogel – Clean Vocals
Bottom 3rd Row – Carlos Alvarez – Rhythm Guitar, Brian Lewis – Growl Vocals, Anthony Stahl – Keyboards

Sacramento, USA’s progressive metal visionaries LUNAR shares their new lyric video for “Fall Back Into Old Habits”, delivering a powerful exploration of personal patterns and emotional cycles. As the third preview of their upcoming concept album “Tempora Mutantur”, the track promises to be a visceral examination of human vulnerability, showcasing the band’s unique ability to transform personal struggles into universal musical experiences. Drummer Alex Bosson comments on the single:

“This is, I think, the longest, and maybe the “heaviest” song for Lunar thus far. Mostly features the growl vocals from Brian Lewis (although there is some of Chandler’s beautiful voice on here too). Lots of double basses, and multiple shreddy guitar solos (including one from Wildrun’s Wayne Ingram).”

Lyrically, “Fall Back Into Old Habits” deals with addiction, or anything we do that can give us temporary relief to help us get through rough moments, but ultimately have terrible long-term effects on ourselves. The 11-minute epic represents Lunar‘s commitment to creating music that is therapeutically honest and musically innovative.

“Fall Back Into Old Habits” continues Lunar’s tradition of creating progressive metal that challenges listeners to confront their inner landscapes. It is recommended for fans of Haken, Tool, and Porcupine Tree.

Watch and listen to the video for “Fall Back Into Old Habits” via its premiere on MetalAddicts HERE.

Founded by drummer Alex Bosson (Helion Prime, Planeswalker) and Ryan Erwin who passed away in 2018, LUNAR continues in his memory. This fourth full-length “Tempora Mutantur” follows 2023’s “The Illusionist” and features a fresh lineup with the addition of guitarists Carlos Alvarez and Connor McCray (Vis Mystica) along with keyboardist Anthony Stahl plus album guests Wayne Ingram (Wildrun), Joe Gullace (Thank You Scientist) and Sam Vallen (Caligula’s Horse).

A collaboration of musical minds, and with anything LUNAR does; “Tempora Mutantur” is an emotional thematic listening experience with ups and downs musically and lyrically dealing with the passing of time and the effects it has on us physically and mentally.

LUNAR’s “Tempora Mutantur” is due out on January 31, 2025, from Saibot Reigns Records.

Album pre-order – http://lunarbandofficial.bandcamp.com/

Previous Singles

“Watch The Weather Change” – https://youtu.be/WKdnZD_DJsE

“Weakening Winter Touch” – https://youtu.be/0in2WNVshGM

“Spring In My Step – https://youtu.be/mtOhnwOpK_0

A studio project since first conceived in 2014, LUNAR will make its live debut next year at the 2025 Hyperspace Metal Festival in Vancouver, BC, Canada on April 11th. Info here.

(Album Artwork by Ed Bosson)

Track Listing:
1. A Summer To Forget – 6:37
2. Fall Back Into Old Habits – 11:16 ft. guest guitar solo by Wayne Ingram (Wilderun)
3. Seasonal Interlude – 4:47
4. Weakening Winter Touch – 8:46
5. Spring In My Step – 7:26
6. Tempora Mutantur: Part I – Passage of Time – 3:12 ft. guest guitar solo by Sam Vallen (Caligula’s Horse)
7. Tempora Mutantur: Part II – Broken Pendulum – 3:47
8. Tempora Mutantur: Part III – Watch The Weather Change – 4:51
Album Length: 50:45

Album Credits:
Performance and Writing credits – full info HERE.
Produced by: Alex Bosson
Mixed by: Carlos Alvarez
Mastered by: Tony Lindgren

Album Main Lineup:
Chandler Mogel – Clean Vocals
Brian Lewis – Growl Vocals
Carlos Alvarez – Rhythm Guitar
Connor McCray – Lead Guitar
Ryan Price – Bass
Alex Bosson – Drums
Anthony Stahl – Keyboards

Live Lineup:
Chandler Mogel – Clean Vocals
Brian Lewis – Growl Vocals
Jordan Price – Guitars
Ryan Price – Bass
Alex Bosson – Drums

For more info: Facebook.com/lunarbandofficial | Instagram.com/lunarbandofficial | X.com/LunarBandOffcl | Spotify

– 30 –

“It’s really well done technically by a band that clearly cares about their music and can play.” – Rock The Joint Mag (The Illusionist 2023)

“If I had one word to describe this album, it would be this one: whirlwind… “The Illusionist” is an album that is living. From its jazzy highs to its heavy metal lows, this album is constantly on its toes, never repeating itself and never, ever growing complacent. A wonderful whirlwind indeed. 9/10” – Ever Metal

“I feel like Lunar has captured the balance between accessibility and technicality very well. I hear many of the same elements in their sound that, when employed well, make bands like Dream Theater, King Crimson, Voïvod and even Sigh so engaging. I love when an album comes out of nowhere (for me, anyway) and makes this much of an impression.” – The Metal Crypt

“As I said at the start, when I heard this album I was immediately grabbed by it. The story works nicely, it is very character based and features plenty of emotions which as a listener I certainly could relate to. The music is terrific with all the players putting in excellent performances and the instrumentation used in a clever way to match all that is going on with the lead character. There are moments of heavy prog as well as metal, but melody runs through the heart of it. The fact that some of the people in the band have never met or even been in the same room together is remarkable as it sounds like everyone was on the same hymn sheet and it doesn’t sound pieced together. That is a great credit to the writing, arranging as well as all the musicians doing their parts to the benefit of the whole piece. An absolutely delightful as well as enjoyable album.” – CGCM Rock Radio

“The concept is that there are songs that are angry, songs that are confused, songs that are depressing, and everywhere in between. Styles on the album run the gambit from Progressive Metal with melodic vocals, to moments of Jazz, to cookie monster Thrash…. The musicianship is solid on all of the parts, with some excellent performances, notably vocalist Chandler Mogel… it does warrant checking out for Prog-Metal fans that like a mix of growler and melodic vocals.” – Metal Express Radio

“The Illusionist again is at the highest level of the progsphere, Bosson’s continuation of the Lunar name, honouring his co-founder and friend, through the medium of progressive metal, is an advantageous endeavour. 9/10” – Musipedia of Metal

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0 Exitus Stratagem Records – THIRTEEN GOATS Open Up The Pit For Glacial Mutilation Metal Festival + “Tour of The Black Flame” w/ OPAL IN SKY, NAMELESS KING + New Album “Capricorn Rising” Out Now!

January 22, 2025
by Asher
· Music News · Thirteen Goats

NEWS RELEASE

Montreal, QC – January 22, 2024

THIRTEEN GOATS Open Up The Pit For Glacial Mutilation Metal Festival

+ Vancouver Island Tour Dates – “Tour of The Black Flame” w/ OPAL IN SKY, NAMELESS KING

New Album “Capricorn Rising” Out Now! via Exitus Strategem Records

“It’s really strong. GREAT musicians, great production, as well as a very progressive aspect without losing the darkness.” – Kelly Schaefer, Atheist

L-R: Thirteen Goats Current Lineup | Rob Fitz-Gerald (Lead & Rhythm Guitars, Backing Vocals) | Graham K. Miles (Lead Vocals, Lead & Rhythm Guitars) | Cody Lewichew (Bass, Gang Vocals) | Leonid Verman (Drums, Gang Vocals) – Photo Credit: Kevyn Lilith Hoskin

Vancouver, Canada’s Thirteen Goats announce they will be performing on this year’s lineup for the Glacial Mutilation Metal Festival being held over three nights in Vancouver, BC from February 20th to 22nd at The Wise Hall. Thirteen Goats will be the festival’s opening band alongside The Hallowed Catharsis (Vancouver, BC), Dawn of Ouroboros (Oakland, CA), Black Pestilence (Calgary, AB), and Rat King (Seattle, WA).

The festival lineup also features Exist (Baltimore, MD), Bonded By Blood (Pomona, CA), Xoth (Seattle, WA), Terrifier (Vancouver, BC), Celestial Wizard (Denver, CO), Nomad (Okanagan, BC), Art of Attrition (Red Deer, AB) and more!

Full details and lineup are available at the following links:

Facebook Event – https://www.facebook.com/events/3676238119297179

Tickets – https://orangetickets.ca/detalles_evento.php?id_evento=1872

In additional news, Thirteen Goats will be storming Vancouver Island, BC in March 2025 for the “Tour of The Black Flame” supporting OPAL IN SKY alongside NAMELESS KING (dates listed below). Thirteen Goats is touring in support of their second album—the extreme metal rock opera “Capricorn Rising” unleashed on Exitus Stratagem Records this past July.

Tour of The Black Flame w/ Opal In Sky, Nameless King, Thirteen Goats
Tickets available at – https://orangetickets.ca/
March 20 – Nanaimo, BC – The Globe
March 21 – Victoria, BC – Phoenix Bar
March 22 – Port Alberni, BC – Rainbow Room
March 23 – Cumberland, BC – Masonic Hall

Thirteen Goats’s “Capricorn Rising,” tells the story of their mascot, Shepherd: a goat-skull-wearing Antichrist who raises an army of animals to liberate the earth from humanity’s constant wars and greed. This high-concept narrative is delivered with Thirteen Goats‘ signature blend of infernal riffs, huge hooks, and uniquely theatrical songwriting.

Each song on the album is part of a broader narrative that explores themes of disillusionment, radicalization, and rebellion as Shepherd and his 12 demon goats wage their crusade. Thirteen Goats delivers a unique blend of death and thrash metal, combined with a storytelling approach that takes listeners on a journey through the darkest aspects of both human and animal nature.

Listeners can expect furious riffage, ambitious song structures, and even occasional female guest vocals (courtesy of guest artist Carly Ellen Jones). What they shouldn’t expect is a record that plays it safe or falls neatly into one specific subgenre. Thirteen Goats is recommended for fans of Lamb of God, Carcass, and Mastodon.

Released on July 12, 2024, “Capricorn Rising” is available from Exitus Stratagem Records at https://www.exsrmusic.com/store/p/pre-sale-thirteen-goats-capricorn-rising

Spotify – https://spoti.fi/41hkue1

Music Videos:

Murder Lives in the Heart – https://youtu.be/hpgqlbehecM

Sign of the Goat – https://youtu.be/D_J3sPkBPxU

A Wolf in Shepherd’s Clothing – https://youtu.be/6J5wSen7Emc

More info: Exsrmusic.com | ThirteenGoats.com

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“It’s really strong. GREAT musicians, great production, as well as a very progressive aspect without losing the darkness.” – Kelly Shaefer from Atheist

“take a spin around the room with Thirteen Goats’ “high-concept narrative” and take on modern metal stylized by everything from Mastodon and Carcass to Cannibal Corpse and Lamb of God.” – Decibel Magazine

“Tinnitist Album of The Week! Thirteen Goats ‘Capricorn Rising’ – Exitus Stratagem Records – https://tinnitist.com/2024/07/11/albums-of-the-week-thirteen-goats-capricorn-rising/

“All in all, on “Capricorn Rising” the gentlemen from the West Coast combine the universal power of North American thrash metal into a versatile, interesting and, above all, powerful record.8/10″ – Power-Metal.de

“What makes this turbocharged song (Sign of The Goat) so damned much diabolical fun is the band’s melding of viscerally compulsive grooves, head-spinning instrumental pyrotechnics, and rapid-fire vocal assaults — and doing so in a way that makes the track highly infectious too. The song vividly intersects with the tech-death sphere through flurries of quickly darting, swirling, and swarming riffage, deliriously cavorting arpeggios, and a multitude of percussive fusillades. As displayed in the video, fingers and limbs fly like the wind, and the guttural barks and hair-raising screams in the vocal department rhythmically eject the violent words just as fast and just as furiously. But, as forecast, the song is also a viscerally groovesome beast. It’s almost relentlessly hard-slugging, but what really stands out are brutish, muscle-galvanizing jackhammer-bursts, the first of which comes only 25 seconds into the track. Another one of those episodes sets itself up as the backdrop for crazed guitar soloing that sounds like the ecstasies of fiends. And we did warn you — this thing is also immediately catchy and enduringly addictive. It comes recommended for fans of Bolt Thrower, Archspire, and Lamb of God.” – NoCleanSinging

“To get some idea of Thirteen Goats’ approach to heavy music, consider that the Straight’s own Mike Usinger once asked readers to imagine “Vulgar Display of Power-era Pantera in a cage match with Cannibal Corpse and Ministry.” That’s a great start, but it doesn’t account for tracks like “Beheading Zoo”, which tops neck-snapping thrash with enough throat-shredding black-metal screams to please even the most discerning Mayhem fan. Or “Murder Lives in the Heart”, which throws a soaring refrain of heaven-sent clean vocals (courtesy of Carly Ellen Jones) into the mix… Capricorn Rising is that rarest of things in today’s world: a true album, with a set of songs designed to be listened to in sequence. Those songs tell the tale of Shepherd, a man so distraught over the state of the world—endless wars, environmental devastation, and other human-made disasters—that he sells his soul for the power to communicate with non-human creatures… Capricorn Rising is a saga replete with scorched-earth mayhem and mass slaughter—something you can bang your head to while pondering your own complicity in the global capitalist exploitation of ecosystems and peoples alike. In other words, it’s basically the perfect LP for our profoundly fucked-up epoch.” – Georgia Straight (Vancouver Weekly)

“they turn on the thrusters for “Beheading Zoo” and “Permission To Die,” closer “Animal Kingdom” is a quasi-ballad with a ferocious second half. ” – Heavy Music Headquarters

“their music gets the blood pumping. Sounding something like Archspire mixed with Blackening-era Machine Head, the tracks on Capricorn Rising are direct and violent. ” – Metal Utopia

“I’d say this is melodic death, some brutal death stuff, melodic music, black metal vox, growns and clean vox too.” – 89.9 WORT FM – The Moshpit (Madison, WI)

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0 VORTEX Announces “Symphony for the Dead” Eastern Canadian Tour w/ France’s XAON – (ON, QC, NB)

January 14, 2025
by Asher
· Music News · Vortex

NEWS RELEASE

Montreal, QC – January 15, 2025

VORTEX Announces “Symphony for the Dead” Eastern Canadian Tour w/ France’s XAON – (ON, QC, NB)

Rimouski, Quebec’s Vortex announces they are pairing up with France’s XAON for an eastern Canadian tour this coming April followed by European dates in October and November.

Entitled “Symphony For The Dead Tour”, the Canadian edition of shows will kick off in Montreal, QC on April 15th and see both bands perform 10 dates across Quebec, Ontario, and New Brunswick with support on select shows from Omnivide, Strigampire, Ulfhednar, and Burning Attic (dates listed below).

The tour will also be in support of VORTEX‘s next release for 2025, a new 5-song EP to follow their third studio album “The Future Remains In Oblivion” released in 2023. That info will be revealed in the coming weeks.

Symphony For The Dead Tour – Vortex + XAON (QC, ON, NB)
April 15 – Montreal, QC – Le Petit Campus ***
April 16 – Edmundston, NB – Ateepic *
April 17 – Saint John, NB – Haven Music Hall and Cafe *
April 18 – Moncton, MB – Xeroz *
April 19 – Rimouski, QC – Coop Le Paradis *
April 22 – Ottawa, ON – The Rainbow
April 23 – Drummondville, QC – La Ste-Paix ****
April 24 – Quebec City, QC – L’Anti ****
April 25 – Saguenay, QC – Microbrasserie Port-Alfred
April 26 – Trois-Rivieres, QC – L’Entite **

* Omnivide
** Strigampire
*** Ulfhednar
**** Burning Attic

About Vortex:

Vortex is a symphonic Death Metal band from Quebec, Canada, and is comprised of seasoned musicians with an abundance of studio and live experience. Their masterful lyric writing is equally matched with their prowess in devising riffs, and orchestrations.

Vortex music is filled with heavy riffing and melodies, technical vocals, and epic soloing. They will transport the listener into a new world and are recommended for fans of Lorna Shore, Shadow of Intent, Dimmu Borgir, and Fleshgod Apocalypse.

In June 2023, Vortex released “The Future Remains In Oblivion”, their third epic concept album set to aggressive and beautiful orchestral melodic death metal with hints of black metal. Each song on the album is one chapter in their well-written sci-fi tale and there is a build-up in intensity and emotion that goes along with the storyline and the lyrics as you traverse the album. VORTEX is gearing up to release a new 5-song EP and hit the road in 2025 alongside the talented band XAON. They will be supporting each other on a tour across Canada in April 2025 and Europe in October-November 2025.

Music Video – The Future Remains In Oblivion – https://youtu.be/rN9fKCm_PkE

Music Video – First Blood – https://youtu.be/Wd-yfIfRRzQ

For more info (Official Website, Socials, Videos, Bandcamp, Spotify, Apple Music): https://linktr.ee/vortexband

About XAON:

XAON. An elusive name born in the Alpine Might. Never quite fitting in any of the numerous galleries metal has to offer, drifting through the extremes whilst juxtaposing finesse and vehemence from an unworldly orchestra, endlessly exploring the vast echoic gloominess of the human mind.

In only a few short years, the combo has managed to step foot on 3 continents through the release of their debut album “The Drift”, notably across Europe with gothic metal monsters SIRENIA and folk metal legends TYR, in Japan with OBSCURA and ARCHSPIRE, in the US with THE VEER UNION, and sharing the stage in festivals across Europe with bands such as MEGADETH, TESTAMENT, EXODUS, GOJIRA, PARADISE LOST, ELUVEITIE and many more. In 2019, XAON came back with their critically acclaimed 2nd album “Solipsis” and raged across Europe with SEPTICFLESH and KRISIUN and distinguished themselves as an extremely powerful live act.

On July 1st, 2022, XAON released their new magnum opus, “The Lethean”, bringing the band’s grandiose aggressiveness to a whole new level, pummeling their way through a cataclysmic atmosphere while reaching a new majestic apotheosis. This record got them to play at the mighty WACKEN OPEN AIR 2023.

Music Video – If I Had Wings – https://youtu.be/OXAA1Flep7Y

Live Video – And Yet I Smile (Wacken Open Air 2023) – https://youtu.be/k6iZZZ9etvA

More info: https://www.xaonmusic.com/

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Canadian College Radio Charts – – August 2023 – top 20 loud – #14 Vortex (earshot)

“#8 on Top 10 Quebec Band 2023 Albums – The Future Remains In Oblivion delivers a solid punch with their intense and well-felt symphonic death metal and, with a quality product like this, they have nothing to envy of the big names in the genre.” – Thorium Mag

“The Future Remains in Oblivion is the collision zone between powdered wig classical and battle jacketed death metal that should hold appeal for fans of Fleshgod Apocalypse, Septicflesh and those who like their Suffocation mixed with Dimmu Borgir.” – Decibel Magazine

“The song’s (The Walls) multi-faceted nature is further revealed in harrowing and haughty growls, jolting chords, and fiery sunbursts of sound, as well as through a swirling melodic guitar solo that spectacularly sends the song into the stratosphere. The song’s finale is itself a full-power spectacle that really gets the adrenaline surging.” – No Clean Singing

“If there’s anything that Vortex nails, it’s drama. Album highlight and banger track “First Blood” is simply massive” – Angry Metal Guy

“For some music is pure escapism but does that still hold true when bands like Canadian Melodic Death Metal monster Vortex whisk the would be listener into a bleak world that is recovering from a devastating cataclysm? Scenes of war and survival are punctuated with harrowing strings, technical riffs, and guttural and Black Metal inspired vocals as the band weave cinematic stories and orchestral touches into their third concept album “The Future Remains In Oblivion”” – Metal Noise

“the title-track The Future Remains In Oblivion, a song that will blow your mind with its insane wall of sounds, background orchestrations, epic passages, striking riffs and solos, and visceral yet intricate drums, resulting in one of the most breathtaking moments of the entire album.” – The Headbanging Moose

“An excellent group that you must discover because of the intensity they are able to show” – Ondes Chocs

“a band that takes great pride in weaving together cinematic stories set to orchestral melodic death metal. Canada’s very own Vortex is prepared to whisk you away to a bleak world that is recovering from a devastating cataclysm in the latest album, The Future Remains In Oblivion.” – Canadian Beats

“The Future Remains In Oblivion est un disque coloré, aux mélodies chaleureuses et aux superbes guitares.
“The Future Remains In Oblivion is a colorful record, with warm melodies and superb guitars.” – Music Waves

“The breakdowns are huge in places. There are big moments where the influences pour through, but are blended with giant choral arrangements and symphonics. It’s absolutely like something out of a Lord of the Rings movie. I love the melodies, the harmonics, and the guitar solos. This is absolutely an album which ought to be part of your listening rotation this month. I was genuinely impressed with quite a bit of the entire album. I think that when you look at this album, the absolute banger of the title tack is 100% worth several spins with the blackened guitar riffs and tremendous choral arrangements.” – Metal Epidemic

“Melodic death, a bit technical and prog” – Mosh Pit Radio WORT 89.9FM (Madison, WI)

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0 Texas’ ABOLISHMENT OF FLESH’s New Music Video “Hater of Man” Explores Disassociating with Society and Reality Off EP “Resurrecting Misanthropy”

January 13, 2025
by Asher
· Abolishment of Flesh · Music News

NEWS RELEASE

Montreal, QC – January 13, 2024

ABOLISHMENT OF FLESH’s New Music Video “Hater of Man” Explores Disassociating with Society and Reality

Latest EP “Resurrecting Misanthropy” Out Now!

Live Lineup – Top Left – Ramon Cazares – Guitars, Vocals – Top Right – Izaak Chavez – Guitar

Bottom Left – Jake Lahniers – Bass, Backing Vocals – Bottom Right – Adrian Galindo – Drums

Texas, USA’s death metal powerhouse Abolishment of Flesh is unshackling their latest music video for their track “Hater of Man” off their latest EP “Resurrecting Misanthropy”, released in 2023 via Blood Bast Distribution.

A relentless barrage of guttural death metal to knock you off your feet, the song is about a child in the womb who senses the rejection and hatred of a drug addict mother. This child grows to become disassociated with society and reality. In the end, the person is consumed with hate for themselves and everyone around them.

Vocalist and Guitarist comments:

“This was another one I wrote almost 10 years ago. The part after the solo was rewritten and re-arranged. The older version was old-school death metal so I wanted to modernize it in a sense. I think it turned out nicely and the riffs are really fun to play.”

Watch and listen to the music video for “Hater of Man” via its premiere on Slam Worldwide at https://youtu.be/KIXiepFhV3g

Abolishment of Flesh’s latest EP “Resurrecting Misanthropy” has a little bit of something for everyone. The band is not just death metal, they throw in some black metal, melody, thrash, groove, and grind. Their sound incorporates several aspects of metal and they don’t just stick to one formula.

With themes rooted in war, violence, disease, corruption, and the systematic collapse of human civilization, Abolishment of Flesh delivers an anti-human message about death and destruction. Although AOF’s violent and grim nature of its lyrics is serious, its main focus is on metal music and creativity.

“Resurrecting Misanthropy” is out now at Abolishmentofflesh.bandcamp.com and Spotify and is recommended for fans of Kataklysm, Suffocation, and Deicide.

Lyric Video “Words Defy Truth” – https://youtu.be/vYJ1LwFnx7M

Track Listing:
1. Words Defy Truth (4:00)
2. Hater of Man (3:23)
3. Disavowed (4:04)

More info: Abolishmentofflesh.com | Facebook.com/abolishmentoffleshofficial | X.com/abolishmenttxdm | Youtube.com/@abolishmentoffleshofficial | Instagram.com/abolishmentoffleshofficial

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“Spiraling and crazed death metal from Amarillo, The Abolishment Of Flesh’s debut proves they aren’t messing around.” – Metal Injection (Inhuman Condition 2018)

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0 Poland’s KINGSPHERE Unveils Powerful Music Video for “Archetype” Off Forthcoming Third Album in 2025

January 10, 2025
by Asher
· Kingsphere · Music News

NEWS RELEASE

Montreal, QC – January 10, 2025

Poland’s KINGSPHERE Unveils Powerful Music Video for “Archetype” Off Forthcoming Third Album in 2025

L-R – Maciej Sobieski (Drums), Kamil Sikorski (Guitar/Vocals), Piotr Miliczek (Vocals), Marek Kula (Guitar), Paweł Kawalec (Bass)

Photo Credit: Mariusz Krzemiński

Modern metal outfit Kingsphere, from Rybnik, Poland, is set to release the music video for their latest single “Archetype”, delivering a memorable metalcore experience that is both aggressive and emotionally vulnerable. The band comments on what listeners can expect:

“It is an intense and dynamic track that captures the essence of our sound. It combines heavy, hard-hitting verses with melodic and emotionally charged choruses, creating a powerful contrast. The energy is elevated by intricate guitar solos that add an electrifying edge and depth to the song. The track also features a mystical bridge, offering a moment of atmosphere and intrigue before diving back into its relentless energy.”

With two albums under their belts, 2012’s Self-Titled and 2022’s “Enigmatic”, Kingsphere’s sound has evolved naturally as they’ve grown as musicians and as a band. In the beginning, they focused on raw energy and heavy riffs, inspired by their love for modern metal. Over time, they’ve started experimenting with more dynamic elements—adding catchier melodies, atmospheric layers, and intricate rhythms—to create a more diverse and unique sound.

“Archetype” is a journey through aggression, melody, and emotion, reflecting both the raw power and the introspective side of the band. It is recommended for anyone who enjoys powerful clean vocals and heavy breakdowns, especially those with an interest in All That Remains, Born Of Osiris, and The Browning.

Watch and listen to the music video for “Archetype” at https://youtu.be/pTfJXcq3DjQ

Spotify – https://spoti.fi/408zE2R

Kingsphere is:
Piotr Miliczek – Vocals
Marek Kula – Guitar
Kamil Sikorski – Guitar / Vocals
Paweł Kawalec – Bass
Maciej Sobieski – Drums

For more info:

https://www.facebook.com/kingspheremetal

https://www.instagram.com/kingspheremetal

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0 Canada’s MARBLE GHOSTS Unleash “Distance Between” A Blistering Anthem For Divided Times Off Sophomore EP “The Greatest Divide” Out April 2025

January 10, 2025
by Asher
· Marble Ghosts · Music News

NEWS RELEASE

Montreal, QC – January 10, 2025

Canada’s MARBLE GHOSTS Unleash “Distance Between” A Blistering Anthem For Divided Times

Sophomore EP “The Greatest Divide” Out May 2025

L-R – Adam Hansen (Guitar), Dylan Gunnell (Vocals), Paulo Ferraz (Bass), Jer Renaud (Drums)

Photographer Credit – Lisa Thompson (Dark Moon Productions)

Marble Ghosts, the Canadian boundary-pushing ensemble known for their distinctive blend of metal, grunge, and punk influences, has announced their highly anticipated second EP “The Greatest Divide” set for release in May 2025. The band comments on the first, explosive single “Distance Between”:

“From the opening lyric of the EP, “Here we are in the greatest divide”, the songs explore the ever-growing rift between almost every part of modern-day society. From the rich and the shrinking middle class to widening gaps in political and religious ideologies, the EP was inspired by our reality.”

Musically, the single shows off its punk-metal roots, never relenting from beginning to end. The biting rapid-fire verses meet the band’s characteristic soaring choruses. The band shows off its guitar chops with a blistering solo that perfectly matches the song’s energy. The song crescendos with another feverish solo over top desperate screams.

The EP and the single are recommended for fans of Alter Bridge, Shinedown, and Saint Asonia.

Listen to “Distance Between” at https://youtu.be/tE-M5vDS_uk

Spotify – https://spoti.fi/40D2I4h

Marble Ghosts’ sophomore EP “The Greatest Divide” will be released on May 23, 2025

Bandcamp pre-order – https://marbleghosts.bandcamp.com/

Album Artwork by:
Marble Ghosts font: Crossfade Productions
EP cover art: Edith Fluet

Track Listing:
1. Distance Between (3:38)
2. Eat the Rich (4:16)
3. Trafficked (The Devil Inside) (4:19)
4. Gloom (4:24)
5. Osmium (4:48)
EP Length: 21:26

Band Line Up (EP)
Dylan Gunnell – Lead Vocals and Lyrics
Adam Hansen – Guitar
Paul R. Champagne – Bass
Jer Renaud – Drums

Band Line Up (Live)
Dylan Gunnell – Lead Vocals
Adam Hansen – Guitar and Backing Vocals
Paulo Ferraz – Bass
Jer Renaud – Drums

More info: Facebook.com/marbleghosts | Instagram.com/marbleghostsofficial

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“Their sound is a unique blend of soft underscoring elements and heavy riffs.” – Decibel Magazine

“When a band is said to be for fans of Shinedown, Breaking Benjamin and Three Days Grace, this puts a lot of pressure on that band to live up to expectations, especially those of lifelong fan of all of those acts. However, Canadian’s Marble Ghosts have produced quite an exciting debut EP that’s made up of a mix of metal genres from metalcore and grunge to death metal. ‘Lie To Me’ has a heavy bass line intro before thick guitar riffs join in. This intensity is matched by the vocals, which seem to be drenched in emotion and this is what makes it a real must listen on the EP. Whilst the lyrics themselves don’t vary much, they don’t need to, because it feels like this track is about putting across a certain atmosphere rather than writing an epic tale. The band do delve into the political in ‘False Heroes’, where they question outdated thinking with such lines as “boys will be boys, all the while accompanied by an unsettling melody in a minor key. They use their own country’s history to influence this song, which the EP artwork and the band’s name are all linking together. 8/10” Powerplay Magazine UK

“End Of The World completes the EP and no lie instantly had us drooling with its air of nagging menace veined by swarthy guitar lures and a tension of creative distraction, an imposing coaxing soon evolving into a full incitement of animated temptation and keen adventure. Grabbing favourite track honours in its greedy fists, the song prowled like a predator and roared with punk dissidence, aligning both to melodic and sonic drama.” – Ring Master Reviews

“Now we have reached our last mention, my number one recommendation for this week’s list of incredible new music from this website of ours. They have recently just emerged on the metal scene with a distinctive sound. I am talking about the Ottawa-based band Marble Ghosts. Unveiling their self-titled EP, showcasing five compelling songs that you can hear across all streaming platforms now.” – ZACH’S PICKS OF THE WEEK – MARCH 4 TO MARCH 9, 2024 – #1 Marble Ghosts – Canadian Beats

“Marble Ghosts deliver a visceral finale with “End of the World.” Reflecting a generation’s disillusionment with the idea of meaningful change and the realisation that their actions may have little impact, the song captures the band’s uncompromising attitude with distinct vocals and a cacophony of heavy and glorious sound. Marble Ghosts, the band and EP, defies hard rock stereotypes and delivers music that reminds us that it’s not all sex drugs and rock-n-roll, but sometimes it’s get up, stand up, rise up, and make the difference you seek.” – Amplify The Noise

“This band is ultra-impressive with razor sharp hard rock, soaring vocals and superior song writing that really makes one stop and take notice of their greatness.” – WJOE- Findlay’s Home for Rock and Roll

“C’est propre et même chiadé, peut être un peu trop à mon goût : il ne faut pas chercher ici un hard rock écrit au feeling la clope au bec et la bière, désaltérant plus qu’il ne faut ses auteurs ! On est sur une musique qui tient plus de groupes comme Breaking Benjamin ou encore Three Days Grace qu’autre chose.” – SoilChronicles

“Fans of 2000’s era hard rock, especially those who were listening to that music during the time period itself, will get the most out of Marble Ghosts’ self-titled debut EP. It’s not impossible to imagine a scenario where Breaking Benjamin, hot off the release of We Are Not Alone, would take this group out as an opening act. Same goes for someone like Alter Bridge when One Day Remains exploded off the success of single “Open Your Eyes.” – Heavy Music HQ

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0 Prog Guitarist Marko Bojkovic Shares An Empowering Message “From Within” Off New Album “Powercore” Out Jan 2025

January 9, 2025
by Asher
· Marko Bojkovic · Music News

NEWS RELEASE

Montreal, QC – January 9, 2025

Prog Guitarist Marko Bojkovic Shares An Empowering Message “From Within”

New Album “Powercore” Out Jan 2025

Set to unleash his latest and eighth studio album “Powercore” toward the end of January 2025, prog guitarist Marko Bojkovic has one more treat for fans with the last single to reveal before the full-length officially drops from Forerunner Recordings.

Entitled “From Within” featuring guest vocals from Gabe Vermund, the track is an empowering composition of progressive, power, and metalcore. Bojkovic states:

“We all have a power within us, and we already have that power! We didn’t get it from training or experience; we just have it! All you have to do to realize you have it is to believe in yourself! This song also has the best guitar solo that I’ve written by far because it’s the perfect showcase for my current style!”

Listen to the single at the following links:

Youtube – https://youtu.be/xPVxzN5K9Lg

Digital – https://distrokid.com/hyperfollow/markobojkovic/from-within-feat-gabe-vermund

Previous Singles “What We Accomplished” ft. Chris Thomas and “Find Your Flame” ft. Johnny Ray (The Mourning), Gabe Vermund, and Chris Thomas (a cover of the song from the video game Sonic Frontier can be heard at the following links:

“Find Your Flame” – https://youtu.be/7ASxCQiOaMU

“What We Accomplished” – https://youtu.be/PGJLE2tzeaE

Spotify

Inspired by his youthful years of playing Sonic Adventure on his Sega Dreamcast and being wondered but its luring soundtrack, Marko Bojkovic over the years has been exploring instrumental guitar sounds, and will be presenting his eighth studio album “Powercore” on January 24th, 2025 on Forerunner Recordings.

Packing the most punch with perfectly combined progressive metal, power metal, metalcore, and djent along with influences from jazz fusion to classical music, Bojkovic‘s new album “Powercore” (named after his own dubbed genre of metal called Progressive PowerCore) is meant to send positive messages such as being able to accomplish anything you set your mind to and believing in yourself. Musically, the album’s guitar solos are among the best he’s ever written. As a small content creator on YouTube and Patreon, Bojkovic has become known on the internet for his economy-picking prowess, which he showcases to excellent use on the songs featured in this full-length. In addition to the guitar work, Bojkovic played all the bass lines on “Powercore” along with recruiting guest vocals from Chris Thomas (growling vocals, clean vocals) and Gabe Vermund (clean vocals).

“This album is me finally channeling my personality in my music! Its predecessor ‘Venom’ represented how I felt at a certain point in my life, and those familiar with that record may be caught a bit off guard given the drastic change in my style, but PowerCore represents how I feel in general! It is meant to be accessible to metal fans and non-metal fans alike. This album is a reflection of how I stay positive in difficult situations, but also has moments of self-reflection, or as Eckhart Tolle calls it “presence.” A lot of metal songs seem to be about sadness and negativity, and while those songs are very cool and heartfelt, metal songs can be positive and inspire the listener to go out and achieve a set goal!” adds Bojkovic.

Recommended for fans of Trivium, Avenged Sevenfold, Periphery, Dream Theater, and Firewind, Marko Bojkovic‘s new album “Powercore” is available for pre-save at the following link – https://distrokid.com/hyperfollow/markobojkovic/powercore

Fans interested in Bojkovic’s Patreon Page to get exclusive content about his guitar playing and techniques, please subscribe at https://www.patreon.com/MarkoBojkovic

Track Listing:
1. Anesthesia (No Easy Way Out) – 3:58
2. From Within – 5:29
3. Sacrifice For Sanity – 3:50
4. What We Accomplished ft. Chris Thomas – 3:17
5. Find Your Flame ft. Johnny Ray (The Mourning) – 4:00
6. Thrown – 5:41
7. To Reminisce – 4:54
Album Length: 31:11

More info: Facebook.com/markobojkovicmusic | Instagram.com/markobojkovicshredsguitar

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“You can do stuff on lead guitar that no one else can do, such as your economy picking.” – Patrick Finster – Producer

“Venom is a very heavy album and I absolutely loved the guitar work. The self-titled track really showcased the heavy riffs and helped set the course for the rest of the album. ‘Maximum Carnage’ also had nice guitar work as well. Hard, heavy, and head bang worthy riffs…. In all I highly recommend this album for fans of bands like Trivium and Meshuggah. With Marko’s guitar work plus the vocals, it’s definitely worth a listen for anyone that enjoys heavy metal, with some screaming vocals.” – Music Crowns

Florida metal guitarist Marko Bojkovic has released his latest album, Venom. Musically, the album is a mixture of progressive metal, death metal, power metal, and thrash metal, with a hint of influence from anime and video game OSTs… Marko’s music is perfect for fans of Trivium, Meshuggah, Allegeaon, Obscura, Dream Theater, Firewind, Sabaton, Powerwolf, Iron Maiden, Kiko Loureiro/Angra, and Leprous.” – Punkerton Records

“I’ve had the pleasure of knowing Marko and mentoring his playing for over 2 years now and can easily see he’s one of the most capable, hardest working and fastest learning guitarists I’ve ever come across!” – Bradley Hall, guitar Youtuber

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0 Exitus Stratagem Records – Hungary’s SIN OF GOD Unleashes Rotting Chaos With New Animated Video “No Return” From Fourth Studio Album “Blood Bound” Out February 2025

January 8, 2025
by Asher
· Music News · Sin of God (Exitus Stratagem Records0

NEWS RELEASE

Montreal, QC – January 8, 2024

Hungary’s SIN OF GOD Unleashes Rotting Chaos With New Animated Video “No Return”

Fourth Studio Album “Blood Bound” Out February 18th, 2025 via Extius Stratagem Records

L-R:: Balázs Botyánszki (drums) / Krisztián Páncél (bass) / Tamás Kis (guitar) / Tamás Schupkégel (vocals)

Photo credit: László Varga/VARESZ.Fotó

Exitus Stratagem Records announces their signing of Hungarian extreme metal masters SIN OF GOD for their fourth studio album “Blood Bound” out February 2025. Following their album “Aenigmata” released in 2016, “Blood Bound” has come a long way from its writing inception in 2019, and unfortunate setbacks with lineup changes and COVID to finally make its way to the studio in 2022/23 with the mixing and mastering done by the super-talented Sam Winslow in 2024.

With influences in thrash, ODM, and blackened and progressive death metal, Sin of God‘s next sacrificial offering will please both old and new-school death metal fans at the same time. This new full-length presents a collection of variations that exhibit brutality and softness. It is something fans have heard in the past from the band but it has never sounded like this.

“We all think fans will love it. It’s somewhat different from its predecessors. It’s more complex and based on modern death metal. We built Blood Bound musically on contrasts. There are amazingly fast parts (260 BPM,) but really slow parts as well.” adds guitarist Tamás Kis.

Exploring our present society, “Blood Bound” resonates with everything surrounding us, from the good and the bad to the beautiful and ugly, to life and death.

“We are in decline and we haven’t got much time before we hit the bottom. There is less and less beauty in our present world. We are rapidly marching towards the rotting chaos. People do nothing about it. They destroy but do not build. So let it be! As you look at our album artwork, it is metaphorically based on humanity’s current state in the light of human history. We wanted it to be realized in the style of Renaissance paintings therefore the contrast is extremely sharp between beauty and uglyness. Pure and evil. Perfect and deformed. There are also religious references, and Biblical characters, too.” says Kis.

“Blood Bound” is not a concept album, but it is united by the pain and rage that boils inside and felt over seven tracks that are simple and raw, yet ferocious and gentle. To give fans their first experience with the album, Sin of God is unveiling the first single “No Return” accompanied by an animated video. The song is about a person who cannot get rid of drugs and sacrifices everything is going to hell.

The band comments:

“No Return is our favorite song on Blood Bound. It is the essence of what we want to express musically and lyrically as well. The fall of our present society. That’s what it’s all about. Our vocalist Tamás Schupkégel wrote the lyrics. On first hearing it is about a drug addict descending into madness, falling into his very own hell which he created from the many pains he experienced and committed towards others during his life. We consume, we devour, we destroy. We create non-existent problems for ourselves while not dealing with the real ones. It’s so comfortable. Sticking our heads in the sand. Only our comfort is important. We are addicted to our ego. While the trees and waters disappear and only the sand remains. The emptiness. The loneliness. The pain. We build our hell. And there is no return!”

Watch and listen to the video from “No Return” via its premiere on Slam Worldwide at https://youtu.be/r9vmBJSdu_U

Digital Single pre-save – https://hypeddit.com/sinofgod/noreturn1

CD pre-order – https://www.exsrmusic.com/store/p/sin-of-god-blood-bound-lp-cd

Recommended for fans of Aborted, Bloodbath, Cattle Decapitation, Cryptopsy, and Psycroptic, Sin of God’s new album “Blood Bound” is due on February 18, 2025, and available for physical pre-order and digital pre-save at the following links:

https://hypeddit.com/sinofgod/bloodbound

Track Listing:
1. Blood Bound (3:52)
2. Black Waves (4:16)
3. No Return (4:58)
4. The Unbelief (4:49)
5. Diabolical Agitation (7:44)
6. Obulus (3:28)
7. Cerebral Malfunction (4:02)
Album Length: 33:09

Album Credits:
Album recorded at: Denevér Hangstúdió, Hungary
Mixed and mastered by Sam Winslow/Sam Winslow Music
Album artwork by Tamás Kis

Album Band Lineup:
Tamás Schupkégel – Vocals
Tamás Kis – Guitar
Michele Gawen Augello – Bass
Balázs Botyánszki – Drums

Live Band Lineup:
Tamás Schupkégel – Vocals
Tamás Kis – Guitar
Krisztián Páncél – Bass
Balázs Botyánszki – Drums

More info:

Exsrmusic.com | Facebook.com/ExSRecords | Instagram.com/exsrmusic

Sinofgod.com | Facebook.com/sinofgodhu | Instagram.com/sinofgodmetal

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“The record is just killer, full of menacing death metal that doesn’t lean too hard into the old- or new-school sound; think a crossbreed of Book of Black Earth, Deicide, and Fleshgod Apocalypse sans opera, and you’ll have some idea of what these guys are like. Modern death metal fans will love the band’s technicality and production, while classic headbangers will dig their atmosphere and badass riffs. Definitely get into them.” – Metalsucks (Aenigmata – 2016)

“Aenigmata is the band’s latest release, a merciless, destructive Death Metal album in its finest form. Inspired by the occult writings of Alchemy and the dissection of the faith in mankind, the album delivers much darkened and more ferocious sounds than the previous releases. Having a close kinship with bands like Morbid Angel, Immolation, Nile, Behemoth, Krisiun, Dead Congregation and the likes in terms of sonority, the opus is a perfect blending of unilluminated Traditional Death Metal & remorseless Brutal/Technical Death Metal. The 09 tracked album is likely to be embraced by the fans of OSDM & Dark Themed Technical Death Metal.” – Extreminal (Aenigmata – 2016)

“The Hungarians from Sinf Of God play high-energy death metal, and when their riffs hit our eardrums, you get the impression that Attila himself is leading the wild hordes, leaving behind fields of destruction strewn with the corpses of enemies.” – KVLT (Aenigmata – 2016)

“There’s very little to complain about “Aenigmata”, it sounds damn good, both from a musical and production perspective. The songs are varied and technical and it took a few spins for the record to settle but that normally is a good thing as it grows for each spin… it’s a solid Death Metal record and with this, I should go easily to it when digging out Brutal music.” – Metal Kaoz – (Aenigmata – 2016)

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0 Out Now! Brian Kingsland (NILE, Imperishable, Enthean) Releases Classical / Spanish Guitar Album “Translation”

January 8, 2025
by Asher
· Brian Kingsland · Music News

NEWS RELEASE

Montreal, QC – January 8, 2025

Out Now! Brian Kingsland (NILE, Imperishable, Enthean) Releases Classical / Spanish Guitar Album “Translation”

Known for his role in extreme metal bands such as NILE, Imperishable, and Enthean, composer /guitarist and vocalist Brian Kingsland is sharing his other passion in music, with his debut classical / Spanish guitar album entitled “Translation” due out on January 8, 2025.

Kingsland‘s musical taste has always been wide from his pursuit of extreme metal to learning blues licks, and jazz theory, to impossible techniques. Classical guitar is another evolution in his musical journey. Beginning private classical studies in the early 2000s, Kingsland performed live many times, but never recorded any of the material. After many years of making heavy metal records, he felt it was time to reinvest in his classical pursuits. Performing compositions from some of his favorite composers Francisco Tarrega, Agustín Barrios Mangoré, Antonio Lauro, Andrés Segovia, Heitor Villa-Lobos, and Isaac Albéniz, the 11-track tribute can be best described as a beautiful and poetic of musical interpretation of some of the world’s greatest classical guitarists.

“I have always been attracted to Spanish and South American classical guitar music. I find it rhythmically diverse and harmonically rich. It has unique challenges that deviate from the traditional classical guitar. I think guitar and music fans alike will enjoy hearing another side of my musical expression,” adds Kingsland.

With classical music, particularly solo performances, it is up to the performer to interpret their vision of the song. Although he or she may not be the author, they’re the vessel for the music to be expressed. Thus, Kingsland believes it is a collaboration, and with “Translation” he wants listeners to join him on a journey through Spain and South America to appreciate the genius of these composers, and be enveloped in these wonderful masterpieces.

“Translation” is available on digital platforms:

YouTube – https://youtube.com/playlist?list=OLAK5uy_liSk-KJEIiEgD3OYfP7_HkBtODWkvcEyo

Spotify – https://spoti.fi/3W6AFYg

Bandcamp – https://briankingsland.bandcamp.com/album/translation

Apple Music – https://apple.co/4fOan40

Track Listing:
1. Capricho Arabe – Francisco Tárrega – (5:26)
2. Choro de saudade – Agustín Barrios Mangoré – (5:52)
3. Vals Op. 8, No.3 – Agustín Barrios Mangoré – (4:32)
4. Julia Florida – Agustín Barrios Mangoré – (3:58)
5. Mazurka Apasionada – Agustín Barrios Mangoré – (6:18)
6. Maria Carolina – Antonio Lauro – (3:18)
7. Vals Venezolano No.3 – Antonio Lauro – (2:33)
8. Estudio sin Luz – Andrés Segovia – (3:00)
9. Prelude 1 – Heitor Villa-Lobos – (4:21)
10. Etude 1 – Heitor Villa-Lobos – (2:36)
11. Zambra Granadina – Isaac Albéniz – (4:50)
Album Length: 47:00

Album Credits:
-All songs performed by Brian Kingsland
-All songs written by Francisco Tarrega, Agustín Barrios Mangoré, Antonio Lauro, Andrés Segovia, Heitor Villa-Lobos, Isaac Albéniz
-Produced by Brian Kingsland
-Mixed by Steve Wilson

-Photo by Casey Coscarelli

-Album artwork by Dan Vadim Von
-Brian Kingsland – Guitarist

More info: https://www.instagram.com/briankingsland

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