Vancouver Veteran Punks KILL MATILDA Reunite For Benefit Show For Goldie – Aug 15th @ The Waldorf
Vancouver veteran punk band Kill Matilda is reuniting after 10 years for one special night to help friends and their young daughter named Goldie, in raising funds to help with costs for her rare, undiagnosed genetic disorder.
“HI EVERYONE! Long time no see …. Hope y’all have been hanging in there! We are pleased to announce that for ONE NIGHT ONLY, Dusty, Dave, and Marcus (plus Lina from Dusty Pines on bass!) will reanimate the band from the grave for a good cause! Our pal Jeff has a daughter named Goldie with complex medical needs, and their family needs support from our community. Get yer tix at The Invisible Orange, buy merch (all KM merch will be on sale by donation with proceeds going to Goldie’s family), and rock out with us and the other excellent bands.” – Dusty Chipura, Kill Matilda.
Kill Matilda is a female-fronted punk/rock/metal band formed in 2008 in Vancouver, British Columbia. Led by the fierce and charismatic Dusty Chipura, the group is known for its explosive live performances, horror punk aesthetics, and unapologetic DIY spirit. Their sound fuses punk rock, metal, and garage thrash, often wrapped in zombie apocalypse themes.
The band gained early attention with their single She’s A Killer, which aired on MuchLoud, and went on to release several records, including Zombie Apocalypse (2011), #PUNK#ZOMBIE#ROCKNROLL (2014), and Songs of Survival (2015), produced by GGGarth Richardson. Kill Matilda toured extensively across Canada, the U.S., and Mexico, playing over 180 shows and sharing stages with acts like Guttermouth, Die Mannequin, and Powerman 5000.
Despite personal challenges—including health issues and lineup changes—the band remained resilient and continued to perform until going on hiatus in 2015. Dusty Chipura is also a published writer and advocate, adding depth to the band’s punk ethos and cultural impact
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NYC’s CHAKA Unleashes Ferocious Music Video “It’s Not Human” Ahead of First Full-Length Album “Amplifying the Past”
NYC heavy trio CHAKA has dropped their thunderous new single “It’s Not Human”, a primal assault of groove and aggression that marks the first release from their upcoming debut full-length album, “Amplifying the Past”,due out later this year.
Formed as a studio project and now evolved into a live sonic force, CHAKA has deep roots in Queens’ metal and hardcore scene. Founding bassist and vocalist Mark Sokoll, a veteran of bands like Darkside NYC and Terminal Confusion, is joined by longtime friends Mike C. (ex-White Trash) on drums and Frank P. (Lost Cause) on guitar. The band also collaborates remotely with Ireland-based guitarist Ty Canon, a childhood friend whose riffs continue to shape their recordings.
Lyrically, “It’s Not Human” presents a sonic excavation. The song delves into the real-life discovery of a Neanderthal tooth, a pivotal moment in tracing the human genome.
“It’s about evolution, science, and ancient ancestry,” says Sokoll. “We’ve always drawn inspiration from human origins, military history, and authors like Arthur C. Clarke and Carl Sagan.”
Musically, the track is a relentless juggernaut—starting abruptly, rushing forward with thrash intensity, then shifting to a dreamy tone before returning to a pummeling close.
The single’s artwork visually echoes this evolutionary theme, featuring crossed primitive weapons behind a grotesque DNA helix, flanked by dueling skulls—one ancient, one modern.
Listen to “It’s Not Human” now on all major streaming platforms.
Set for release later this year, “Amplifying the Past” represents CHAKA‘s most dynamic and collaborative work to date.
“This record expands on our earlier sound but lets the songs breathe more. We want listeners to feel like they’ve been on a cathartic, headbanging ride,” adds Sokoll.
The band’s style is best described in five words: Primal. Loud. Heavy. Aggressive. Groovy. Drawing on influences like Black Sabbath, Carnivore, Motorhead, and Celtic Frost, CHAKA delivers raw, no-frills metal with a scientific twist.
On stage, CHAKA amplifies their sound even further. Fans can expect not just volume, but presence.
“We’re a loud trio—maybe even louder than four or five-piece bands. We’re all in our 50s, but we don’t hold back.”
Despite geographical distance—band members live in New York, New Jersey, and Ireland—CHAKA thrives on modern file-sharing and old-school chemistry as the trio has known each other for over 40 years. That connection fuels their sound.
More singles and videos will follow as the band finalizes the LP. CHAKA also promises future EPs and extended releases, all staying true to their mission: creating music that’s as thoughtful as it’s heavy.
“CHAKA unleashes the primal force of the past with a single “It’s Not Human.”… Hardly any other underground thrash formation from New York has fought for its place in the metal underground as uncompromisingly as CHAKA. Since the rough debut EP „Neanderthal Tales“ (2019) the quartet plows constantly through the clubs of Queens, Brooklyn and Long Island. Creative Motor is bassist and singer Mark Sokoll, flanked by guitar heavy workers Frank Principe, Drum Berserker Mike Caldarella and studio all-rounders Ty Canon from Ireland. Their trademark: guitars like volcanic rock, drums like thunderous avalanches and a bass that makes every heater vibrate.” – Blattturbo
“If “Musth” and “Mister Brink” are any indication, ‘Amplifying the Past’ will not only stand alongside the genre’s greats — it may very well cast a shadow over them. It’s a work born of memory but aimed at the future, one boot planted in the blood-soaked soil of history, the other crashing down with glorious defiance. CHAKA isn’t just amplifying the past — they’re weaponizing it! – Jam Sphere
Neanderthal Tales EP Reviews 2020:
“To my understanding, this is a side project of Darkside (NYC) bassist Mark Sokoll , and it is quite the shock to the system. While elements of Doom and Hardcore rear their heads throughout this rather short 4 song EP, the main strain showing glaring prominance is the sludgy, speaker fraying, super amped metal that raises the eyebrows & the adreneline for sure.” – Guillotine Zine
“The sludgy bass sounds of “Flak” give it a dirty raw sound that combines the sounds of Motorhead with Crowbar and Cro-Mags to create a blood-and-thunder affair, with Sokoll playing the Cave Man throughout and it is beer-drinking good fun. The uptempo drive of the track keeps the fires burning and the sonics are less primitive than meet the eye (ear)… A couple of neat tempo shifts move from a slower Doom-laden sound to a raw, Hardcore-Punk one with a fuzzy bass sound that is abrasive enough to be on a Black Metal album.” – Metal Noise
“I read the lyrics to the songs before I actually listened to the music, and was astonished at just how well-written the content was on that end… Mark Sokoll’s lyrics are witty, thoughtful, and clever… CHAKA has several strong components going for them beyond the theme. Mark Sokoll’s vocal performance is passionate and vibrant…The bass-heavy tones are refreshing for the genre. CHAKA rinsed away my skepticism and misgivings. Neanderthal Tales is more than anything else, proof that originality can still be found in the foundational Metal genres.” – Contaminated Tones
“Ladies and gentlemen the year is 2020 and with the new year comes the birth of the latest rock sub-genre…. CAVE METAL! Mark Sokoll… bassist of Darkside NYC (as well as the highly-underrated Terminal Confusion from way back in the day) is the main brain behind this four0song, ten minute debut which has its share of backstories… “Flak” leads off (check out the video) with a fuzzy bass and some straight outta da cave styled vocals. With so many styles of metal out there to be had cave metal is not that bad of a self-description to be honest with you. What I like about “Neanderthal Tales”is that these songs mix shit up… there is no singular pattern that they stick to. Just for that this EP gets some bonus points.” – In Effect Hardcore Magazine
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w/ BORN OF OSIRIS, HAVOK, GLYPH, RIOT CITY, THE BROWNING, VIRVUM and more!
Armstrong, BC, Canada – 15 Years of Mountain Moshing In The Okanagan!
“It’s one of the premier festivals of its kind in Canada, showcasing the biggest names in local, national, and international heavy metal music.” – Vancouver Sun
Celebrating 15 Years of mountain moshing in British Columbia’s Okanagan Valley, Armstrong MetalFest’s conquering 2025 lineup with BORN OF OSIRIS, HAVOK, GLYPH, RIOT CITY, THE BROWNING, VIRVUM, and lots more from across Canada and beyond will descend on Armstrong, BC on July 11th and 12th at the Hassen Arena, for two days of moshing, headbanging, and camping.
All tickets provide general admission and grant access to the festival grounds, camping area, and arena from 9:00 AM on Friday, July 11, 2025, until 10:00 AM on Sunday, July 13, 2025. Free camping is included.
Armstrong MetalFest 2025 Schedule
Headlining opening night, Friday, July 11th, Denver thrashers HAVOK are no strangers to the mosh pits, these veterans have unleashed five studio albums – Burn (2009), Time Is Up (2011), Unnatural Selection (2013), Conformicide (2017), V (2020) – and recently surprised fans this past November with the EP “New Eyes”. Music Video – Death Is An Illusion – https://youtu.be/hkUgz-DeFAo
Also supporting the Friday night stage, the Pacific Northwest’s Glyph (ft. members fromGatekeeper, Greyhawk, Hjelvik), which is not just a heavy metal band, they are a crew of intergalactic mercenaries escaping a dying planet in their spaceship, the VSS Dragonlord. Clearly, Glyph isn’t just writing songs, they’re building worlds and they bring it forth in their latest album “Honor, Power, Glory” released in March 2024. Lyric Video – March of the Northern Clan (feat. Nathan Harrison) – https://youtu.be/htSyUb25wD4
Another highlight for Friday is the screaming heavy metal from Calgary’s speed demons Riot City, who bring forth theirsteel, spikes, and leather! A youthful band that represents the new face of Canadian metal. An amalgam of ripping and hot heavy metal, created in pure and youthful madness, their bullet belts feature two full-length albums, “Electric Elite” (2022), “Burn The Night” (2019), and their latest live album, “Live in Newcastle” (2023). Album Stream – Electric Elite – https://youtu.be/j3hA1nrG7M0
Saturday, July 12th will be headlined by international tour de force, progressive deathcore titans, Chicago’s BORN OF OSIRIS. The group is signed to Sumerian Records and has released seven full-length albums and two EPs. Their album, A Higher Place, reached number 73 on the Billboard 200. Their second full-length album, The Discovery, debuted at 87 on the Billboard 200. The band unveiled their latest single “In Desolation” this past August. Visualizer – In Desolation – https://youtu.be/9OyMRRAq9fI
Also featured on Saturday is AMF alumni Kansas City’s THE BROWNING who will be unleashing their unique eclectic blend of electronicore and deathcore. This past November, they released their sixth album, “OMNI,” which features 10 powerful tracks, including collaborations with Nik Nocturnal and the eponymous song with THE DEFECT. Music Video – OMNI (feat. THE DEFECT) – https://youtu.be/VhyuduP3MdY
Performing for the first time at AMF and adding to the nostalgia of Saturday night, VIRVUM, progressive/technical death metal all the way from Zürich, Switzerland, that many in Canada have been waiting a long time to witness. There’s no better place to see them along with the backdrop of the Canadian Rockies than at AMF 2025. The Cypher Supreme – https://youtu.be/9W9Kp38I9yY
Other treasured highlights of this year’s fest not to miss are Montreal, QC up-and-coming thrashers DROWNING IN BLOOD, who are notorious pit mongers and have made quite a name for themselves in Eastern Canada. Vancouver’s GRAVEMASS might be a new band, but they feature some seriously experienced metalheads from Zimmers Hole, The Golers, Punch Drunk, 3 Inches of Blood, and Revocation. Switzerland’s technical death/black metal Stortregn delivers a mix of charging riffs, blast beats, and brutality that leaves the listener begging for more. The Defect is an electronic rock/metal project created by husband and wife duo – Jonny McBee (The Browning) and Moon McBee. Their debut album “Death X Destiny” was released on February 7, 2025, under the record label FiXT. From the Salish lands of Spokane, WA, Hísemtuks Hími•n introduces their Indigenous melodic black metal of hard-hitting riffs, fast-paced drumming, and a lot of melody. This project has strong roots in the Spokane Tribe/Nez Perce. Most songs are about Native American mythology, history, and folklore.
AMF 2025 Lineup:
Havok (Denver, CO)
Born of Osiris (Chicago, IL)
Glyph (Seattle, WA)
Riot City (Calgary, AB)
The Browning (Kansas City, KS)
Virvum (Zürich, Switzerland)
Atavistia (Vancouver, BC)
Drowning In Blood (Montreal, QC)
Convictions (Fremont, OH)
Scalding (Vancouver, BC)
Syryn (Calgary, AB)
Stortregn (Geneva, Switzerland)
The Defect (Kansas City, KS)
Gravemass (Vancouver, BC)
Lover (Calgary, AB)
Yegg (Vancouver Island, BC)
Hísemtuks Hími•n (Spokane, WA)
The Spruce Moose (Edmonton, AB)
Volt (Fort McMurray, AB)
Jisei (Vancouver, BC)
Nomad (Okanagan Valley, BC)
Planetkiller (Kelowna, BC)
Shackled To The Throne (Edmonton, AB)
The Cadavor Dog (High River, AB)
Famous Strangers (Edmonton, AB)
Valley of Despair (Edmonton, AB)
Naitaka (Kelowna, BC)
FloodGate (Kelowna, BC)
In addition to the performing bands, Armstrong Metal Fest is bringing back the following on-site activities: Yeti Games, Metal Madness Market, and Thrash Wrestling.
Please Note: Camping – RV / Non-Hookup RV / Vehicle Passes: Make sure to reserve your vehicle spot to get the best location on the grounds. A fee is required for a weekend pass per vehicle in addition to your day or weekend pass. RV hookups include water and power. If you choose to park your vehicle outside the camping area in the main parking lot, then a vehicle pass is not required.
About: Since 2009 (minus pause years 2020 and 2021 due to the Covid pandemic), West Metal Entertainment and Armstrong Metalfest have not only fostered the talent of hundreds of local bands, but have imported well-known, international acts to the quiet, little Canadian town of Armstrong, British Columbia.
Each year hundreds of metal music fans from Canada and the USA descend into the picturesque Okanagan Valley and under the blistering sun, they spend three days camping, taking in a tonne of heavy metal fun over two days, spectating wrestling events, participating in scavenger hunts, and catching up with their extended metal family.
The festival has seen such renowned headliners as Kataklysm, Cattle Decapitation, Archspire, Nekrogoblikon, Origin, Rivers of Nihil, Warbinger, Fallujah, Striker, and Beyond Creation as well as emerging artists from across North America. At the end of the revelry, the festival disappears without a trace, leaving the landscape as pristine as it has always been.
West Metal Entertainment is a non-profit society that not only puts on the Armstrong Metal Festival every year in Armstrong, B.C. but also gives bands opportunities to play at different venues throughout the region including all-ages shows, to encourage musical passion in kids as well as adults.
Partners:
WCMFA
AlumaPro Welding & Fabrication Ltd
Vox and Hops
Rancho Vignola
Creative BC
Province of BC
Shepherds Hardware
Askews Foods
ACE Containers
Asher Media Relations
Staggs Head
Sunbelt Rentals
Bravewords
V13
Metal-Rules
Absolute Underground Mag
Broken Neck Radio
Ghost Cult Magazine
This Day In Metal
Valstar Electric
Voets
What the press is saying:
“Armstrong Metalfest brings aggressive music to the North Okanagan” – Global BC News
Kelowna Now: Armstrong Metal Festival Co-founder reflects on a decade of metal – Video Interview here.
CHBC – Global Okanagan: Metalheads celebrate a decade of gathering in Armstrong – Video Interview here.
Global Okanagan – Armstrong Metalfest brings aggressive music to the North Okanagan – Video here.
“In the past, metalheads had to travel to Germany to experience the rush of a big festival, such as Wacken Open Air. But local headbangers decided to bring that feeling home with Armstrong Metalfest.” – Vernon Morning Star
“Go Big or Stay at Home: Armstrong has that welcoming feeling for a rock show.” – The Valley Voice
“To witness such a gathering of talent is an absolute privilege, and for that fact alone, I will certainly be returning to Armstrong Metal Fest.” – Beatroute BC
“This festival is now going to be my yearly must-go-to event and if you’re a metal head that hasn’t attended or a curious metal voyeur, do yourself a favour and check it out, you will not regret it.” – Abort Mag
“The Armstrong Metalfest is one such event and has grown from its initial, humble beginnings seven years ago to be a regular mainstay, with its south-central BC location making for a popular summertime destination for fans and bands alike.” – Decibel Mag
Named one of the out-of-town music festivals worth the trip by The Vancouver Sun
“For metalheads, this is a great vacation where groups of all sizes can enjoy their favourite musical genre in a fun, energized environment. Not to mention, the camping!” – The Permanent Rain Press
“From farm to stadium: Armstrong Metal Fest’s humble beginnings” – Info News
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Norwegian Thrash TONIC BREED Drops Explosive New Single “Anew” Featuring Chris Adler of Lamb of God
Tonic Breed’s new single “Anew” features Grammy-winning drummer Chris Adler — in what frontman Patrik K. Svendsen calls the most Lamb of God-style drumming he’s heard from Adler since his days in the band.
Tonic Breed, the metal project led by Norwegian musician Patrik K. Svendsen, is set to release its highly anticipated new single, “Anew,” on June 19, 2025. This high-octane track features Chris Adler, the iconic drummer of Lamb of God, lending his blistering rhythms to the song. The collaboration is expected to set the metal world on fire as Tonic Breed blends its signature thrash sound with Adler‘s unmatched drumming prowess. The song was also mixed and mastered by acclaimed producer Machine, who also handled Lamb of God’s “Ashes of the Wake” and “Sacrament”.
Chris Adler comments:
“I was quite curious when I got an email — and some riffs — from Patrik. He’s done some cool shit and I was flattered to be on his radar… I researched it for a minute and agreed. We did have to take a minute to both feel good about what this would be — meaning I beat up his song like a fucking Rocky movie — but I knew it had the parts and strength. It’s been a privilege to work with Patrik. Humbling. You’ll know what I mean when you hear it.”
Svendensen adds:
“I originally sent over a rough demo of the song, a storm of riffs strung together with placeholder drums and a suggested structure. We worked together on a new structure for the song, and Chris took the lead on shaping it into something far more unique and effective than my original draft. To me, this is the most Lamb of God-style drumming I’ve heard from Chris since he was in Lamb of God. I’m sure some metal guitarists would kill to hear Chris Adler’s drumming behind their riffs — I’ve been lucky enough to experience that firsthand.”
“Anew” will be available for streaming across all major platforms, including Spotify, Apple Music, and YouTube, on June 19th, 2025. The release of “Anew” marks a new milestone in the band’s career, as they prepare for their upcoming album, which promises more collaborations and even more explosive metal tracks to follow past high-profile collaborations, which already include Dirk Verbeuren (Megadeth), Björn Strid (Soilwork), Michael Gilbert (Flotsam and Jetsam).
About Tonic Breed:
Tonic Breed is a Norwegian thrash and heavy metal one-man music project by Patrik K. Svendsen. Until 2019, Tonic Breed was originally a four-piece band, established in Sarpsborg, Norway, in 2006. As of 2022, Tonic Breed has released three albums and one EP. Today, Tonic Breed is constantly reinventing itself in songwriting and guest collaborations.
About Chris Adler:
Chris Adler is a world-renowned drummer and founding member of the legendary American heavy metal band Lamb of God. With a career spanning decades, Adler is recognized for his technical precision, groundbreaking style, and massive influence on the heavy metal genre.
Discography:
– 2025 – Anew (single)
– 2025 – The Die Is Cast (single) (ft. guest guitar solo Michael Gilbert (Flotsam and Jetsam)
– 2025 – The Charge (single w/ Darkroot)
– 2024 – Outsold – LP – 10th Anniversary Edition
– 2022 – Fuel the Fire – EP (ft. guests Dirk Verbeuren (Megadeth), Bernt Jansen (Artch/Wig Wam), Björn Strid (Soilwork), Martin Skriubakken (Endezzma), Oliver Palotai (Kamelot)
– 2018 – Install Memory – LP
– 2014 – Outsold – LP
– 2010 – On the Brink of Destruction
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“This is a collection of songs you need to hear, so what are you waiting for? [8/10]” – Metal Noise (2022 – Fuel The Fire)
“The guest musicians really came together on this EP, it’s real luxury material. In short, it is a great return of Patrick as he has been throughout his career with Tonic Breed. If you are fans of Metallica, Testament, Pantera or Slayer, listening to «Fuel the Fire» it is essential this year. Without a doubt I will follow the career of this One Man Band with great interest.” – Broken Tomb (2022 – Fuel The Fire)
“Tonic Breed show that the embers have not gone out and this EP gives them a good old poking, tossing them around and letting the heat build-up. ” – Metal Digest (2022 – Fuel The Fire)
“Tonic Breed reinforces my growing belief that music, and particularly metal, can one day survive and even thrive without need of the corporate machine.” – Metal Disciple (2014 – Outsold – LP)
“For an unsigned act Outsold has one of the best productions I have heard in a long time. Simply put it’s a fantastic album.” – Teeth of the Divine (2014 – Outsold – LP)
“TONIC BREED could easily advance up the ranks thanks to this impressive release.” – Metal Temple (2014 – Outsold – LP)
“10/10. Album of the year 2014.” – The Metal Review (2014 – Outsold – LP)
“For an unsigned act Outsold has one of the best productions I have heard in a long time. Simply put it’s a fantastic album.” – Teeth of the Divine (2014 – Outsold – LP)
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Bottom – L-R – Fred Barros (Guitar), Diego Santiago (Bass)
Photography: Kevin Eisenlord, Anderson Hildebrando
After seventeen years of anticipation, Brazilian death metal stalwarts Ophiolatry have officially released their new album “Serpent’s Verdict” today (June 6th, 2025) through WormHoleDeath Records. Available now on all major digital platforms and in physical formats, this landmark release represents both a triumphant return and an evolutionary leap forward for one of extreme metal’s most brutal underground acts.
“Serpent’s Verdict” stands as a complete sonic ritual—a brutal, immersive descent into cycles of destruction, revenge, and rebirth. Rooted in themes of ancestral pain, war defiance, and spiritual reckoning, the album fuses relentless death metal with primal energy drawn from indigenous Amazonian spiritual traditions. Each track functions as a chapter in a larger narrative, combining aggressive riffs, guttural vocals, and tribal rhythms that pay homage to ancient warrior cultures. The band comments:
“This album pushes our technical and compositional limits while maintaining the speed and aggression that defines Ophiolatry. The riffs are intricate but wild, combining relentless blast rhythms with haunting atmospheric passages. The drums are faster and more precise than ever, while the guitars weave a mix of crisp precision and crushing heaviness. The vocals convey pure ferocity, from guttural growls to visceral screams that echo the intensity of the lyrics. While we pursue a new approach, the essence of Ophiolatry remains intact: ruthless, dark, and unapologetically extreme.”
Citing a brutal process in the creation of the album, the band describes it as ‘a communion between the band and the artist, a shared trance where sound and image feed each other’. The result is an album that honors the band’s brutal death metal roots while expanding their sonic palette into more atmospheric and thematically rich territory. It is recommended for fans of Suffocation, Morbid Angel, and Death.
Album Recording Credits:
All songs performed and composed by Ophiolatry.
Mastering: Dan Swanö – http://www.unisound.se
Artwork: LouLou – http://www.louloufineart.com
Pre-Production: Steve Rumpli & Ophiolatry
Production, Recording & Mixing: Diego Santiago
Studio: Satori Estudio
Photography: Kevin Eisenlord, Anderson Hildebrando
Graphic Layout: Beto Mustafa
Album Band Line Up:
Jaime Veron – Lead Vocals
Diego Santiago – Bass
George “Dog” Duarte – Drums
Fred Barros – Guitars
“On this new record, the band bring their traditonal Brazilian influence and their heavy, atmospheric approach together to create something new. All the songs on the record come together to tell a story. ” – Decibel Magazine (2025 – Seprent’s Verdict)
“Blending technical brutality with tribal rhythms and ritualistic atmosphere, “Jesus Complex” tackles themes of religious indoctrination and spiritual hypocrisy. Serpent’s Verdict marks Ophiolatry’s long-awaited return following 2008’s Transmutation.” – Metal Insider (2025 – Seprent’s Verdict)
“One good turn deserves another and so having punched us full in the face with first single “Death Tour“, Brazilian Death Metal force Ophiolatry kick us in the guts with “Jesus Complex“. Both tracks take pride of place on the bands upcoming new album “Serpent’s Verdict“, a 6th June release via WormHoleDeath Records. Introducing views to the ritualistic atmosphere that is said to run through the album, the track explores themes of religious manipulation and spiritual corruption with tribal rhythms adding to the bands signature technical brutality.” – Metal Noise (2025 – Seprent’s Verdict)
“Each song adds something unique or subtly deviates from the previous one, underscoring the band’s versatility and craftsmanship. With ‘Serpent’s Verdict’, Ophiolatry proves that they are completely back – stronger, deeper, and more creative than ever. 9/10” – Arrow Lords of Metal (2025 – Seprent’s Verdict)
““Serpent’s Verdict” of Ophiolatry it’s the new face of the band, it’s unlike any of their past albums, and that’s best of all, Death Metal with a 90s flavor, but it has all the power of our times in style, and with that you are already guaranteed many pogo and monstrous parts on your speakers. Very good. 8.7/10” – Hardsounds.it (2025 – Seprent’s Verdict)
“the new guitarist smokes and shreds with a fury and the new vocalist is perfectly suited for this style.” – Mystification Zine (2025 – Seprent’s Verdict)
“Brutal death metal, a smidge of a blackened death too” – WORT 89.9 FM – The Mosh Pit (Madison, WI) (2025 – Seprent’s Verdict)
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NIGHT’S EDGE Unveils Sinister Crushing Single “Smite” Off New Album “The World That Never Was” Out Aug 2025
+ East Coast USA Tour Dates (VA/MD/PA/NY)
Set to release their fourth full-length “The World That Never Was” this coming August 21st, 2025, Baltimore, MD’s NIGHT’S EDGE is unveiling their third single “Smite” accompanied by a lyric video in preview to the record.A sinister mid-tempo crusher, “Smite” is as headbangable as it is danceable. With unpredictable changes, Latin Choirs, and soaring synths, “Smite” is an invitation to the Night’s Edge cult.
“”This is one of our heaviest songs and will be a staple of the live show for years to come. We wrote it intending to make a heavy song that satisfies both the headbangers and the dancers in the crowd. When coming up with a BPM, Brian was inspired by songs like Slipknot’s Custer, which is as heavy and aggressive as it is danceable. Our plan worked, playing this song live leads to all-out brawls in the pit while people do the Macarena on the sidelines; it’s a good time,” adds Brian Haran (Vocals, Bass, Keys, Programming)
Watch and listen to the lyric video for “Smite” via its premiere on Metal Insider HERE.
Their fourth full-length, “The World That Never Was,” is a statement of songcraft and lyricism. The album flows and progresses clearly as it explores the concept of self-identity and the loss thereof. Moments of melancholy, anger, wonder, and plenty of crushing riffs elicit the stank face. Each single shows a different side of the album.
“‘The World That Never Was’ is packed with different elements of rock and metal combined with the distinct Night’s Edge sound. Fans of alternative metal, symphonic metal, and even pop punk will have something to enjoy from this album,” says Haran.
Since their inception in 2018, the band has gone through a few changes in lineup and sound, and has progressed significantly from their debut in 2019. Falling under the umbrella of Alternative Metal, Night’s Edge‘s sound is hard to pin down. Incorporating influences from gothic metal, progressive rock, and nu metal, the band’s music is equal parts heavy and poppy, soaked in synthesizers and drama. Lyrics breach topics including isolation, dissociation, and the romantic, approaching themes common to the human experience from a cerebral angle that complements the band’s emotionally evocative music.
“The World That Never Was” follows releases Strangers – LP (2023), Night’s Edge – EP (2022), The Darkest Side of Dreams – LP (2020), and Shades of Dusk – LP (2019) andis recommended for fans of Coheed and Cambria, Avantasia, System of a Down, HIM, and Deftones.
Upcoming Show Dates:
06/07 – Granny’s – Winchester, VA
06/28 – Cafe 611 – Frederick, MD
07/11 – Union Vapes – Scranton, PA
07/12 – Psychic Garden – Rochester, NY
07/18 – The Depot – Baltimore, MD
07/19 – Century – Philadelphia, PA
08/23 – Roachfest – Hollywood, MD
Album Artwork by Eden Wormwood
Track Listing:
1. Someone To Stay (4:11)
2. If You Loved Me (3:51)
3. Man of Many Faces (4:23)
4. Love Fiction (4:14)
5. Wish You Wouldn’t (4:09)
6. Overdue For Destruction (2:50)
7. Smite (3:46)
8. Ataecina (5:08)
9. Shapes In Grey Space I: Reaching (7:43)
10. Shapes In Grey Space II: Soaring (2:41)
11. Shapes In Grey Space III: Separating (5:23)
Total Length: 48:32
Recording and Live Line Up:
Brian Haran – Vocals, Bass, Keys, Programming
Damian Remmell – Guitars
Dan Hunt – Drums
Streaming Now! AUTUMN LIES BURIED New EP “Mob Mentality” via Exitus Stratagem Records
+ THE HELLHOWLER TOUR (NC/GA/FL/TN/IN) w/ Casket Robbery, My Own Will
L-R – Perry Jones – Guitar, Cole Hill – Drums, Kaelin Wilkins – Vocals, Cane Potter – Guitar, Marcus Nettles – Bass
Photographer Credit – Cody Petty
Extreme metal outfit Autumn Lies Buried is proud to announce the release of their highly anticipated “Mob Mentality” EP, available worldwide starting June 6th, 2025. The release coincides with the first date of the Hell Howler Tour, where the band will share stages with Casket Robbery across the United States. The EP delivers the band’s signature blend of extreme metal styles with a powerful social message. The band comments:
“Mob Mentality is a reiteration of what we were talking about in previous songs like Inhuman Skin. The common people have been trained to think they are powerless to change their course in life. They think that the hands of the powerful will hold them down generation after generation, and that’s “Just the way it is. Well, we are preaching sin with Mob Mentality, and by sin, we mean Strength In Numbers. We cannot be held down if we band together against the grifters, charlatans, oppressors, and connivers. Burn it all.”
‘The EP is a call to arms against injustice. Fuel for the fire that cleanses,’ the band continues. All members contributed to the writing process, with each individual taking responsibility for fine-tuning and lyrics, followed by collaborative adjustments. This democratic approach to songwriting reflects the band’s commitment to their message of collective action and solidarity.
Autumn Lies Buried delivers an anti-fascist message with their music while still maintaining a fun and jovial environment for all present at their live shows. Fans can expect breakneck energy with a positive message, if not a bit violent sometimes. The band just wants to have fun and wants the same for everyone there. The Hell Howler Tour runs from June 6th to June 15th, giving fans across the United States the opportunity to experience Autumn Lies Buried’s notoriously energetic live performances. They are recommended for fans of Tech N9ne, The Acacia Strain, and Twisted Insane.
Listen to the full stream premiere for “Mob Mentality” on Decibel Magazine HERE.
Edmonton, Canada’s Famous Strangers, is proud to unveil their fourth single entitled “L.S.C.” as they gear up for perfmances at this year’s festival appearances at Decimate Metalfest (Millet, AB – June 13-14), Armstrong Metal Fest (Armstrong, BC – July 11-12) and Loud As Hell Open Air (Drumheller, AB – Aug 1-3) along with upcoming tour dates to be announced.
“L.S.C..”is meant to take you on a ride. It starts soft, like it is letting you in slowly, and then it flips the switch. The heaviness hits out of nowhere. It grabs you, shakes you, and then drags you through the rest of the track without letting go. It eases you in, then completely takes over, and by the time it is done, it feels like it has drained the life out of you in the best way.
“LSC is one of the most intense and personal songs we’ve released. It digs deep into power, obsession, and emotional survival, all wrapped in a sound that’s meant to hit you hard and stay with you. It is heavy, emotional, and completely unhinged in the best way. Come get some,” adds guitarist Jeff Kittilitz.
Famous Strangers wants fans’ listening experience to be unpredictable, emotional, and honest. This single, and everything they have been working on, doesn’t stick to one lane. They jump from the heaviest riffs they can come up with to slow, bluesy, chilled-out moments. It’s all over the place, and they know not everyone is going to be into that…and that’s okay.
What they hope is that it opens people up a little, even if it’s not what they usually listen to. There’s so much music out there that people miss out on because they’re stuck in one genre or one mindset. Famous Strangers are trying to break through that and just write what feels real, no matter what it sounds like. They are about being fearless in their songwriting. Put everything on the table, be yourself, and don’t hold back. That’s the energy they’re trying to give people when they press play.
Famous Strangers has had a healthy and steady evolution. Since their earlier singles in 2024, Famous Strangers have started to lock in with each other creatively and naturally found a sound that they can all stand behind. It flows and feels more cohesive, and everyone in the band feeds off each other in a way that keeps pushing the songs to a new level.
About: Since their formation in 2023, Famous Strangers‘ signature blend of haunting melodies, powerful vocals, and immersive soundscapes has captivated listeners. The band brings together accomplished musicians whose past experiences in various musical projects have shaped their collective sound. Their diverse influences converge in a unique sonic experience characterized by atmospheric instrumentals and a dynamic vocal approach that seamlessly shifts between melodic and aggressive. They are recommended for fans of Halestorm, Judas Priest, Dio, and Arch Enemy.
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“Haunting, Stirring and Impactful…those words just keep going through our mind as we take in the new single “I’ll See You In The Stars” from Famous Strangers. This one is quite unique with a powerful intensity that is full of rhythm and achieves the rare feat of fury as a pure form of beauty. We really dig this one and you can catch it on your Home for the Best New Rock…” – WJOE – Findlay’s Home for Rock & Roll
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NASTYVILLE New Music Video “Rockin’ Through The Night”
New Album “Rebirth” Out June 2025
Following the release of “Power To The People“, Italian hard rockers Nastyville return with their brand-new single “Rocking Through The Night”, available now on all digital platforms. The track is the second single from the band’s upcoming full-length album “Rebirth“, due out on June 6th, 2025, via Rockshots Records.
Described by the band as “the essence of our will to move forward, to leave the past behind and redefine our sound”, “Rocking Through The Night” is a hard rock statement loaded with attitude, fire, and the desire to break free. Massive old-school riffs meet a cutting-edge rhythm section and a soaring vocal performance, capturing the raw power of a band that’s found its voice again.
The track, along with the entire “Rebirth” album, was recorded at Ivorytears Music Works Recording Studio (Somma Lombardo, VA), produced by the band and mixed and engineered by Alessandro Del Vecchio (Hardline, Vanden Plas, Revolution Saints, Giant).
To accompany the release, Nastyville has also unveiled the official music video for “Rocking Through The Night”, available now at:
LISTEN: https://lnk.to/OLUlqP
VIDEO: https://youtu.be/Cd-fZ_OSuyk
Formed in 2012, Nastyville has built its name on gritty, no-frills rock rooted in glam and street metal, enriched by years of touring and sharing stages with acts like Skid Row, Crashdïet, Steel Panther, and The Dead Daisies. “Rebirth” marks not just a return but a redefinition, pushing the band toward a more powerful, personal, and evolved sound.
For fans of: Skid Row, Crashdïet, Hardcore Superstar, Steel Panther, The Dead Daisies.
TRACK LISTING:
1. The Journey Of Rebirth
2. Power To The People
3. Run Wild, Rev High!
4. Rocking Through The Night
5. Unstoppable (Sia Cover)
6. We Give It All
7. Miss You
8. Yellow Schoolbus
9. Stay Out, Stay Out
10. Sex O’ Clock
11. Rock’n’Roll Experience
NASTYVILLE Line Up:
Marco Luraschi (Mark Lee): Vocals
David Visin (Dave Wild): Guitars
Christian De Gaudenzi (Dega): Guitars
Carlo Giordano (The Horv): Bass
Christian Tabita (Chris Tabeat): Drums
CREDITS: Produced by NASTYVILLE
Recorded at IVORYTEARS MUSIC WORKS RECORDING STUDIO, SOMMA LOMBARDO (VA)
Mixed and Engineered by Alessandro Del Vecchio
ABOUT:
Nastyville is an Italian hard rock band formed in 2012 by drummer Danny Boy and guitarist David “Dave Wild,” with the aim of refreshing the rock genre. The first studio album, “Viva Hell-A” (released in 2015), features old-fashioned guitar riffs and the flavor of the best street/glam rock with Lex on vocals, Kruska on bass guitar, and Manuel on guitar. After Lex and Kruska left, the band continued its journey with Marco “Mark Lee” on vocals and Fabian Anderchen on bass guitar, releasing in 2017 their second studio album, “Glam Caramel”. This album, marked by heavier sounds, gave the band the opportunity to open the Italian tour dates for Skid Row, Crashdïet, Enuff Z’Nuff, Adam Bomb, John Corabi, Simon Wright, and many others. “Songs of Threesome”, released in 2022, was their third studio album and featured a new lineup with Christian “Dega” on guitar and Paul “Cannibal” (ex-Thee S.T.P.) on bass guitar.
In 2023, founding member and drummer Danny Boy and bassist Paul left the band and were soon replaced by Christian “Chris Tabeat” on drums and Carlo “The Horv” on bass guitar. After the release of the two singles “Red Black…Or Green?” and “Livin’ in A Mess”, the band with its new lineup consisting of Marco “Mark Lee” on vocals, David “Dave Wild” on guitar, Christian “Dega” on guitar, Christian “Chris Tabeat” on drums and Carlo “The Horv” on bass guitar, worked tirelessly on new studio material. The year 2024 was a very good year when the band played many dates across Italy and abroad. The opening act for Steel Panther in Milan (Alcatraz) deserves special mention. The band spent the last months of the year working on a brand-new album, entering the studio in December to start recording their fourth studio album under the supervision of producer, singer, and songwriter Alessandro Del Vecchio.
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Meshing styles like post-metal, gothic/doom, punk, post-hardcore/screamo, post-rock, shoegaze, black/death metal, and alternative rock, Italian experimental metal outfit SVNTH‘sfourth studio album, “Pink Noise Youth,” is ready for its coronation on April 18th, 2025, via These Hands Melt Records.
Before it officially unleashes digitally and physically (CD / Vinyl), SVNTH has teamed up with Decibel Magazine for the album’s full-stream premiere, which can be heard HERE.
The band comments on the release of “Pink Noise Youth”:
“If the previous record Spring in Blue was about facing life’s struggles from a childhood perspective, Pink Noise Youth is based on exploring awareness as an adult in late youth, trying to give a voice to a generation emotionally unstable and chaotic as pink noise. It is the second part of the band’s own “trilogy of colors”. Musically, we intended to stay outside of genres and labels where elements of hardcore, metal, shoegaze, post-rock, and unconventional instrumentation such as electric indian sitar, classical, and 12-string guitars are blended in the same pot. People will surely welcome it with curiosity.”
Vocalist and bassist Rodolfo Ciuffo adds:
“Lyrically, most of the inspiration comes from personal life events, relationships, and conversations with people and reflections about existential topics; in several cases, it also comes from movies and books.”
Following SVNTH‘s 2020 “Spring in Blue”, “Pink Noise Youth” demonstrates the band’s continued evolution, deliberately transcending genre boundaries. The album promises to take listeners on a cohesive journey through its carefully crafted track sequence, maintaining the band’s tradition of creating conceptually unified works. The music from SVNTH has always aimed to give the listener emotional vibes. This record, in particular, is conceptually based on exploring late youth emotions, and the music created reflects such instability.
Recommended for fans of Deafheaven, Alcest, and Agalloch, “Pink Noise Youth” is due out on April 18, 2025, on Vinyl, CD, and Digital via These Hands Melt Records and is available for pre-order / pre-save at https://lnk.to/SVNTH
The musical versatility of SVNTH’s sound can be witnessed live in April and May with tour dates in Italy, Germany, the Netherlands, Belgium, the UK, and Switzerland (dates listed below).
SVNTH – Pink Noise Youth EU Tour:
April 17 – Bologna, Italy – Alchemica
April 18 – Milan, Italy – Legend Club
April 19 – Rome, Italy – Traffic Live
May 7 – Pfaffenhofen am der lim, Germany – Stockerhof
May 8 – Bamberg, Germany – UpYours
May 9 – Cologne, Germany – Valhalla
May 10 – Delft, Netherlands – OJV de Koornbeurs
May 11 – Ypres, Belgium – Art Vort’n Vis
May 12 – London, UK – Moor Beer Co
May 14 – Zurich, Switzerland – Ebrietas
Album Cover – Pink Noise Youth – Artwork by Tryfar
With a various background of musical influences and artistic inspirations, SVNTH (written all caps and pronounced “Seventh”, formerly “Seventh Genocide”) from Rome, Italy has been shaping a unique equilibrium of sounds through the years moving across a huge variety of directions on the palette of contemporary alternative music to create a distinctive soundtrack for inner emotions, life scenarios, and existentialist questioning. Expanding the energy of black and post-metal over the mellow and contemplative boundaries of shoegaze, art pop, and cinematic post-rock.
From the vivid early black gaze melodies of the debut “Breeze of Memories” (2015) to the long song structures with acoustic overtures and Godspeed You! Black Emperor inspired sections of the monumental “Toward Akina” (2017); SVNTH confirms this more complex approach on the double LP “Spring in Blue” (2020), the childhood chapter of a trilogy of colors based on emotions in different phases of life.
The upcoming “Pink Noise Youth” (2025) gets back to a more traditional song format, introducing a unique use of Indian sitar, and an array of acoustic instruments and singing expressions, which develops SVNTH to a one-of-a-kind sound and personality.
As of today, the band has done several tours and single shows all over Europe and in the USA touching even non-frequently toured countries such as Albania and Turkey and performing at notable festivals like Rockstadt and Frantic Fest, bringing a defining cathartic live energy.
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“Do you dig blackgaze, in the vein of Deafheaven and Alcest? What about post-hardcore? What about a mixture of the two?! Well my dears, you’re in a bit of luck, because the Italian experimental band Svnth just released their new single “Cinnamon Moon.” Give it a lil listen” – Metal Sucks
“This is not music that settles into one feeling; it is an album that lives in the tension between them, where grief fuels rebellion, where pain and resilience are inseparable, and where every song feels like a battle between destruction and redemption. In the end, it does not leave the listener broken, but neither does it offer false comfort. It does not promise that everything will be okay, but it does promise that the struggle is worth something. It is an album that carries both the weight of sorrow and the fire of defiance, the burden of grief and the light of something that refuses to die. 9/10″ – Metal-Temple (2025 – Pink Noise Youth)
“SVNTH‘s penchant for stylistic amalgamation and intra-song change is revealed again in “Narrow, Narrow“. In its opening phase a lilting guitar gently and mysteriously rings, gilded in reverb, eventually paired with a gritty and growling bass chewing gravel way down below. It’s an entrancing but still somewhat menacing overture, but you can begin to feel the intensity and turmoil build as that phase evolves and the music in the upper reaches begins to swarm and sear and the drums start hammering. And then, with the briefest pause, the band shift, and charge. As the rhythm section surges, the guitars still brilliantly ring but pulsate like hot blood in the veins, and the vocals are even more scorching. The bassist seizes attention here, but so do the vocals as they change to mid-ranging singing with a gloomy cast. Yet the fiery race resumes, fierce but also stricken, and then accelerates even more. The guitars writhe and wail; the somber but soulful singing returns; the bass fervently throbs; the screams join in; keyboards ring as if yearning; and the music builds to a distressing finale. Considered in the context of the new album’s conceptual theme, it channels (at least to this writer) senses of wistfulness and remembrance, but also of loss and grief, and a kind of rage over the unfairness of losing something or someone that can’t be recovered, and can’t be explained as anything that makes sense.” – No Clean Singing
“This is arguably SVNTH’s defining effort to date, and will hopefully see them gain a foothold within the scene at large…” – Distorted Sound Magazine (2020 – Spring in Blue)
“SVNTH sets out in hopes of bridging the rift of a jealous god, welding genres into music that can appeal to all sensibilities, without sacrificing integrity (or intensity)” – Toilet ov Hell (2020 – Spring in Blue)
“”Distortions, speed and sinister atmosphere as the tradition black imposes but also delicate chiselations from which a light filters that suggests possible trajectories capable of questioning the dictatorship of matter, Spring in Blue is an album that is not afraid to face the recognized columns of Ercole gender and to push it far beyond 8.5/10” – Grind On The Road
“an interesting take on black metal, delving deeper into psychedelia and post-rock influences on new EP SVNTH. Though the tremolo-picked guitar playing and blast beats accompanied by howled screams still remain, they are met with shimmering melodies, ambient stretches and Pink Floyd-esque guitars.” – Decibel Magazine (2018 – EP SVNTH)
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