Tag: metal

0 SHORES OF NULL Shares New Live In Munich Video “Quiescent” Off New Live Album “Beauty Over Europe” Out May 2025 + Launch Pre-Order + EU Tour Dates

March 28, 2025
by Asher
· Music News · Shores of Null (Spikerot Records) · Uncategorized

NEWS RELEASE

Montreal, QC – March 28, 2025

SHORES OF NULL Shares New Live In Munich Video “Quiescent”

New Live Album “Beauty Over Europe” Out May 2025

+ Launch CD Pre-Order / Digital Pre-Save

+ EU Tour Dates

Italian melancholic dark metal band Shores Of Null are proud to announce the release of their first live album, “Beauty Over Europe”, set to drop on May 9th, 2025 via Sulphur Music / Masked Dead Records.

The live album features 10 tracks recorded during their monumental 2023 European tour with Swallow The Sun, Draconian, and Avatarium. Throughout that tour, Shores of Null performed 35 shows across 18 countries, including Norway, Denmark, Germany, the UK, Ireland, France, Italy, Switzerland, the Netherlands, and Hungary, bringing their critically acclaimed album “The Loss Of Beauty” to the stage.

The live recordings, captured in the cities of Leipzig, Munich, Aschaffenburg, Budapest, and Belfast, preserve the raw and emotive energy of their performances. Each track reflects the band’s ability to blend melancholic melodies with crushing heaviness, offering fans a visceral live experience.

“Beauty Over Europe” is both a celebration of the tour and a gift to all fans of the band. Exactly two years after that unforgettable journey, this live album offers a chance to relive the emotional intensity and true essence of Shores Of Null’s live performances.

Reflecting on the experience, vocalist Davide Straccione shared:

“Our 2023 European tour with Swallow The Sun, Draconian, and Avatarium was one of the most beautiful and intense experiences of my life. Night after night, we poured everything we had into our performances, connecting deeply with audiences across 18 countries. This live album is our way of preserving and sharing that beauty, not only as a gift to those who joined us in the crowd but also for those who couldn’t be there to witness it.”

A live version of their song “Quiescent”, recorded in Munich, is now available on all major streaming platforms and YouTube, accompanied by an exclusive video featuring live and behind-the-scenes footage from the tour.

YouTube – https://youtu.be/DOk616SWofA

Spotify – https://spoti.fi/3DXvwf2

Physical Pre-order: https://maskeddeadrecords.com/product/shores-of-null-beauty-over-europe/

Digital Pre-order: https://shoresofnull.bandcamp.com/album/beauty-over-europe

Spotify Pre-save: https://spoti.fi/4iLDYNJ

Shores of Null has also announced a series of upcoming tour dates, featuring a mix of festival appearances and indoor shows across Italy, Germany, Austria, and the UK (dates listed below).

Setlist:
1. Transitory (Live intro)
2. Destination Woe (Live in Leipzig)
3. Nothing Left To Burn (Live in Leipzig)
4. Quiescent (Live in Munich)
5. The Last Flower (Live in Aschaffenburg)
6. Black Drapes For Tomorrow (Live in Budapest)
7. A Nature in Disguise (Live in Munich)
8. Darkness Won’t Take Me (Live in Belfast)
9. My Darkest Years (Live in Aschaffenburg)
10. Blazing Sunlight (Live Outro)

Live Recording: Matti Kynsijärvi
Mixing and Mastering: Marco Mastrobuono at Bloom Recording Studios

Band:
Davide Straccione – Vocals
Gabriele Giaccari – Guitars, Backing Vocals
Raffaele Colace – Guitars, Backing Vocals
Lorenzo Carlini – Live Bass
Matteo Capozucca – Bass
Emiliano Cantiano – Drums

Shores of Null 2025 Tour Dates:
30.04 – DE Saalfeld – Klubhaus (w/ Décembre Noir, Praise The Plague)
01.05 – DE Dresden – HD (w/ Décembre Noir)
02.05 – DE Berlin – Walpurgisnacht (w/ And Oceans, Heretoir, Décembre Noir)
03.05 – AT Innsbruck – Abyss Bar
11.05 – IT Verona – Isola Rock (w/ Dark Lunacy)
15.06 – IT Lignano Sabbiadoro – Arena Alpe Adria (w/ In Flames, Lacuna Coil)
28.08 – UK London – The Black Heart (w/ The Crawling)
29.08 – UK Leeds – The Fenton (w/ The Crawling)
30.08 – UK Plymouth – One For Sorrow festival (w/ The Crawling and more)
31.08 – UK Bristol – The Gryphon (w/ The Crawling)

For more info: Spikerot.com | Shoresofnull.com

About:

Shores of Null stand out from their contemporaries with their ability to blend seemingly disparate elements into their sound, overwhelmingly heavy and soothing at the same time: blackened aggression stands alongside gothic-doom sections without either sounding out of place. Their music can be both melancholic yet majestic, made of chorale-like guitar textures across the instrument’s entire range, sustained by a powerful rhythmic section and punctuated by a refined mixture of clean and growled vocals, along with extensive use of pleasing vocal harmonies which have become the band’s trademark through the years.

The Rome-based metal band has been an unwavering presence within the metal underground since their musical outset in 2013, churning out a series of impressive records: the melodic and somber “Quiescence” (Candlelight, 2014), the darker and more complex “Black Drapes For Tomorrow” (Candlelight/Spinefarm, 2017), and the ambitious “Beyond The Shores (On Death And Dying)” (Spikerot Records, 2020), a 38-minute long doom manifesto that sees guest appearances of the doom-titans Mikko Kotamäki (Swallow The Sun) and Thomas A.G. Jensen (Saturnus), along with the angelic voice of Elisabetta Marchetti (Inno).

Shores Of Null’s fourth album, “The Loss Of Beauty”, released in March 2023, was hailed as one of the best albums of the year within the genre. The band supported the release with an extensive EU/UK tour alongside Swallow The Sun, Draconian, and Avatarium, followed by standout performances at major festivals like Hellfest, Rock Imperium, and 70000 Tons Of Metal among others, further solidifying their status as one of the rising forces in the metal scene.

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Metal Hammer writers’ top metal albums of 2023 – Edwin McFee – #20 – Shores of Null – The Loss of Beauty

“With The Loss Of Beauty, SHORES OF NULL have produced their second world class record in a row.” – Distorted Sound Mag (9/10)

“The deep, dark, poetic brilliance behind The Loss Of Beauty is undeniable, and Shores Of Null’s doomy melancholic style is especially ideal for those considering themselves fans of Swallow The Sun, Draconian and Saturnus.” – Metal Storm (8,5/10)

“The Loss of Beauty is a morose and often magnificent listen.” – Metal Hammer UK (8/10)

“The Loss of Beauty is an engaging, exquisite, and moving slice of melodic doom that further cements Shores of Null’s esteemed position in the scene.” – Dead Rhetoric (9/10)

“The Loss of Beauty is an incredibly strong and versatile album, on which themes known from genres such as post black metal or post punk are presented in a diverse and varied manner.” – BetreutesProggen (13/15)

“Once again, Shores of Null continue to impress with yet another slab of high-quality doom/death that seems the quintet on an upwards trajectory.” – Angry Metal Guy (4/5)

“With lyrics like “my loneliness will guide me” and “isolation will set us free,” classic doom drumming, and impressive vocals, Shores of Null announce their intent to deliver the best doom album of 2023.” – Noizze UK (9/10)

“Un grato disco de casi una hora de música, donde la melancolía no es predominante, sino lo melódico, y eso es cae a la perfección.” – Metallerium (9.2/10)

“A savourer, en s’aimant. A savourer, l’esprit ouvert aux beautés que l’on croit – ou que l’on relègue au rang d’- insignifiantes et qui sont le sel du monde qui nous entoure. A savourer, tout simplement..” – Soil Chronicles (9/10)

“Shores of Null haben für mich mit The Loss of Beauty einen heißen Anwärter auf mein Album des Jahres veröffentlicht, das ich jedem Fan von melancholischem Metal mit Doom, Gothic, Melodic Death und Black Metal Einflüssen nur wärmstens empfehlen kann! Von mir gibts für dieses Meisterwerk die Höchstnote!.” – Sound Magnet (10/10)

“If “Beyond the Shores (On Death and Dying)” granted them the status of Masters of the Genre, with “The Loss of Beauty” we cannot help but acknowledge their unquestionable talent for creating stunning beauty that goes under your skin, both with music and words.” – Tuonela Magazine

“It is an album with many faces, a true chameleon, that shows the best of heavy, doom, dark, gothic, death, and a pinch of black metal. The musicians of this band are playing at the very highest level and it is unprecedented what this band is capable of.” – Zware Metalen (94/100)

—–
ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
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0 SIEGE PERILOUS Launches Kickstarter For Concept Album “Becoming the Dragon” ft. Guests Fabio Lione and Kristin Starkey

March 17, 2025
by Asher
· Music News · Siege Perilous

NEWS RELEASE

Montreal, QC – March 17, 2025

SIEGE PERILOUS Launches Kickstarter For Concept Album “Becoming the Dragon” ft. Guests Fabio Lione and Kristin Starkey

A narrative-driven punch of epic fantasy power metal featuring incredible guests like Fabio Lione and Kristin Starkey!

L-R – Eric Fischer (Bass) | Mark Girard (Drums) | Shaughnessy McDaniel (Vocals) | Scott Hancock (Guitar) | Cody Martinez (Guitar)

Photo Credit: Underhill Imagery

Unveiling their monumental musical odyssey and EP “Creation’s Call” in August 2024, Denver’s fantasy power metal warriors Siege Perilous unveil plans for their first full-length album.

Entitled “Becoming the Dragon,” the album is the band’s biggest and most ambitious work yet—a cinematic, narrative journey set in a world of warriors, dragons, and destiny. To help Siege Perilous unleash this epic power metal story, the band enlisted two of the most epic voices in the genre: Fabio Lione (Angra, ex-Rhapsody of Fire), a legendary power metal voice, and Kristin Starkey (Twilight Force, Temperance), the powerful contralto who brings her operatic touch to the tale.

A single narrative power metal opera from start to finish, “Becoming the Dragon” is centered around the Child of Prophecy, the hero who slays the dragon, played by Fabio Lione, but then comes to question whether he is truly a hero or simply a pawn of an ancient prophecy. After a journey of self-discovery that takes him across a vast fantasy world he, aided by the mystic Sorceress (Kristin Starkey), takes on the forces of destiny itself to forge a new future.

To bring this concept record to life, Siege Perilous is using Kickstarter and, once again, enlisting the help of power metal fans.

Vocalist Shaughnessy McDaniel comments:

“After the incredible reception we received for ‘Creation’s Call’, we couldn’t wait to bring people what they had been asking for, a full-length album. We are so excited and blown away that we get to work with the legendary Fabio Lione and the absurdly talented Kristin Starkey to bring this fun yet meaningful fantasy story to life, and Kickstarter is such a great way to help an up-and-coming band like Siege Perilous maximize this opportunity. The dream for this album is big! And while we are self-funding about half of it, we need some help to bring this full epic vision to life and to reach its full potential. Heroes of power! Warriors of metal! Keepers of the flame! Join us on an epic quest!”

Check out the exclusive rewards you can receive with your Kickstarter pledges, from Vinyl to classic rewards like CDs, t-shirts, and stickers to a few fun experiences by Siege Perilous.

“If you’ve ever wanted a power metal anthem written about your DnD Campaign, a favorite fantasy story, or a historical epic, now is your opportunity to bring those stories to life with a custom hand-crafted power metal track. This and many other cool rewards can be yours and 100% of the profits from this campaign will go into the production and promotion of “Becoming the Dragon.” We have many stretch goals including enhancing our vinyl, filming great music videos, and more! Thank you for contributing and helping us summon this fantasy into being. Share the campaign, spread the word and together we will continue to keep the dream of heavy metal burning bright!” adds McDaniel.

Siege Perilous Kickstarter “Becoming the Dragon” link at https://www.kickstarter.com/projects/siegeperilous/siege-perilous-becoming-the-dragon-lp-feat-fabio-lione

“Becoming the Dragon” Kickstarter Video – https://youtu.be/np-USBmbzpk

*“Becoming the Dragon” Artwork by Leighton Buxman*

More info: Siegemetal.com | Facebook.com/siegeband | Instagram.com/siegeperilousmetal | Tiktok.com/@siegemetal

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“It gives me great pleasure to tell you that Creation’s Call is a blast. Siege Perilous has succeeded in creating what I would call Epic Power Metal for the Working Man. They don’t waste your time with overlong symphonic interludes between tracks, melodramatic narration, or overproduction that tests the limits of your sanity. The band gets right to the point and pulls you into their epic tales of heroic daring immediately. This is a nice breath of fresh air and if this EP is anything to go by, Siege Perilous has a great future ahead of them. Yes, this could be considered power metal but the no-nonsense approach and urgency to the songwriting makes this release absolutely worth checking out for those of us in the NWOTHM scene. Plus, it’s really just a lot of fun. This one is highly recommended. THENWOTHM SCORE: 9/10” – The NWOTHM

“‘Creation’s Call’ never gets boring, even on Heavy Rotation. Five gifted musicians have succeeded in creating a varied EP. The twin guitar solos are convincing the whole time. It’s just a shame that it ends after twenty-one minutes. It makes you wish for a full-length album. And, of course, a thrilling live performance. 9.3/10” – Metalheads Forever Magazine

“solid power metal style that should satiate any LARP-attendees or Dungeons and Dragons mavens. Keep an eye on this quintet – wield thy sword as they lead the battle charge for more quality power metal from the states. 8/10” – Dead Rhetoric

“There are any number of quality bands like Siege Perilous active right now but the style is popular (and I love it) and these guys are as decent as the next similar act. They lean more the Metal side of the equation using the folk and orchestral moments as flavour, not the main style. CREATION’S CALL is a fine effort and I could easily see them on tour with Brothers Of Metal, All For Metal, Fellowship and other costumed Metal heroes. Worth checking out!” 4/5 – Metal Rules

“Denver metal mob reckon that their goal on “Creation’s Call” was to build a world and tell a story in “three to five minutes.” It’s a world of fantasy, as “Oathsworn” proves, where metal rules and swords are held high. “Across The Rubicon,” however, is delivered with such skill that you can’t resist getting sucked in with them. Shaughnessy McDaniel has a brilliant “metal” voice, roaring on “Sons Of The Verdant,” and guitar duo Scott Hancock and Cody Martinez can knock out a NWOBHM riff like it’s 1982, as the title song underlines. “Brothers Of Five” brings the epic one last time, galloping in proper fashion, and it’ll be interesting to see how Siege Perilous develops. This is one hell of an opening statement, mind you. 8.5/10” – Maximum Volume Music

“Creation’s Call not only highlights Siege Perilous’ dedication to epic storytelling but also emphasises their versatility within the power metal genre. With influences ranging from historical events to high fantasy, this EP offers a rich and varied auditory experience that will captivate fans. Prepare to embark on a grand journey through myth and history as Siege Perilous delivers their latest saga.” – Amplify The Noise

“Creation’s Call it is a cohesive and well-crafted work, where the combination of rich letters in history and fantasy, with a meticulous musical execution, it makes mandatory, regardless of its short duration. [82%]” – Via Nocturna
“Creation’s Call doesn’t get boring even in heavy rotation. Five gifted musicians have created a varied EP. The solos of the twin guitars are convincing across the board. It’s just a shame that it’s over after twenty-one minutes. You want a full-length album. And of course a sweaty live performance. 9.4/10” – Keep On Rocking

“Colorfully mixed NWOTHM/Epic Heavy/Power Metal elixir that appeals to a broad range of fans between ALESTORM, BATTLEROAR, ETERNAL CHAMPION, GATEKEEPER, IRON MAIDEN, RUNNING WILD and WRATHBLADE. Awakens a huge appetite for a full long-play album. On this EP you can clearly see that the band has enormous potential and has already given a great taste of their skills. Conclusion: Strong-looking genretobak that falls out of the usual range! 8,5/10” – FFM-Rock

““Oathsworn” simply explodes out of the gate. The band ratchets every possible dial up to 11 and charges into battle with an epic statement of intent.” – Nine Circles

““Brothers Of The Five” offers classic power metal as you would appreciate it. The strain on the neck muscles is correspondingly high and in some places the number cannot deny a slight Maiden stable smell.” – Hellfire Magazin

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ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
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0 Canadian Power Thrash PHEAR’s New Lyric Video Reigns In A “New World Error” Off New Album “Save Our Souls” (Produced by Jon Howard (Threat Signal)) Out Now!

March 14, 2025
by Asher
· Music News · PHEAR

NEWS RELEASE

Montreal, QC – March 14, 2025

Canadian Power Thrash PHEAR’s New Lyric Video Reigns In A “New World Error”

New Album “Save Our Souls” (Produced by Jon Howard (Threat Signal)) Out Now!

Live Lineup – PHEAR – Alex Zubair – Guitar, Pat Rogers – Guitar, Chris Boshis – Bass Guitar / Backing Vocals, Andrew Suarez – Drums, Patrick Mulock – Vocals

Canadian power thrashers PHEAR have a new lyric video to reign in the “New World Error”. The track is off their second full-length album “Save Our Souls”, which was unleashed this past February from Golden Robot Records.

“New World Error” is a musical and lyrical statement on all the terrible atrocities going on in the world today.

“Humans are sometimes the plague of humanity.” adds the band.

Watch and listen to “New World Error” via its premiere on MetalAddcist HERE.

Produced, mixed, and mastered by Jon Howard (Threat Signal), Phear‘s sophomore album “Save Our Souls” can be best described as their heaviest offering to date and follows the award-winning album “Instanitarium” (2019), and the critically acclaimed EP “The Curse Lives On” (2020).

Extremely passionate, and driven, along with their arena-caliber sound, PHEAR is always thinking of new ways to entertain its fans, and “Save Our Souls” is no exception. Mostly written during the dark times of COVID-19, the record has taken four years to complete. Led by Patrick Mulock and producer Jon Howard in the studio, each musician was pushed hard to get the best out of each of them and they delivered.

“We had a lot of time to craft these songs. We didn’t have any time restraints. We would go into the studio and do three songs at a time. We were very excited to work with Jon Howard (Threat Signal) again. Jon is the sixth member of Phear. The studio experience was great as we fed off each other’s ideas. We pushed each other to get the best performances we could. There are NO FILLERS here. Seven String guitars have played a big part in this. Our sound has grown. The bass guitar on this album is HUGE! The drumming from Mike Harshaw was also very aggressive. If you were to ask me now… This is the heaviest Phear has ever been… for now lol!” adds Mulock.

A listening experience of thrash, prog, and classic metal elements, PHEAR offers a strong balance from infectious choruses to melodic and growling vocals for true heavy metal nostalgia. Their two previous singles, the album’s title track and “Snake” are sure to make fans throw up their hail horns and headbang with a sore neck. Plus the band offers up their cover version of Nevermore‘s “Narcosynthesis”.

PHEAR features Patrick Mulock (Lead Vocals) (Eidolon, Rampage), Pat Rogers (Lead & Rhythm Guitars) (Profaner- 2016 Wacken Metal Battle Canada Champions), Alex Zubair (Lead & Rhythm Guitars) (Burn to Black, Nadar Sadek, Iomair, Nephelium), Andrew Suarez (Drums) (Fatality, The Slyde – 2023 Wacken Metal Battle Canada Champions) and Chris Boshis (Bass) (Conflicted).

Throughout their existence, PHEAR has had the honour of opening for German metal legend UDO DIRSCHNEIFER, THE DEAD DAISIES, and STRYPER, along with performing on a pre-show for icons and heroes IRON MAIDEN in 2019 in Toronto at Budweiser Stage.

Recommended for fans of Iron Maiden, Megadeth, Judas Priest, Dream Theater (prog elements), and Metallica, PHEAR‘s latest album “Save Our Souls”, released on February 13th, 2025, is available from Golden Robot Records at the following link (Spotify, Apple Music, Amazon) – https://orcd.co/save-our-souls

Music Video – Snake – https://youtu.be/zfXS3gVttIQ

Music Video – Save Our Souls – https://youtu.be/IqiOxTc6MMY

Track Listing
1. Aftershock (5:11)
2. Save Our Souls (6:39)
3. Snake (5:26)
4. Narcosynthesis* (5:29) (*Nevermore Cover)
5. New World Error (5:11)
6. Lease on Life (7:02)
7. Bleed (7:57)
8. On Thin Ice (8:20)
9. Delusions (Live) 6:45)
Album Length: 58:03

Album Credits:
All songs performed by: Phear
All songs written by: Phear
*excluding “Narcosynthesis” Written by Nevermore
Produced by: Jon Howard and Phear
Mixed by: Jon Howard and Phear
Mastered by: Jon Howard (Woodward Avenue Studios)
Album Artwork for “Save Our Souls”: Drake Mefestta

Recording Band Line Up:
Patrick Mulock – Lead Vocals
Chris Boshis – Bass Guitars, Backing Vocals
Alex Zubair – Lead Guitar, Rhythm Guitar
Pat Rogers – Lead Guitar, Rhythm Guitar
Mike Harshaw – Drums

Live Band Line Up
Patrick Mulock – Lead Vocals
Chris Boshis – Bass Guitar, Backing Vocals
Alex Zubair – Lead Guitar, Rhythm Guitar
Pat Rogers – Lead Guitar, Rhythm Guitar
Andrew Suarez – Drums

More info:
https://phearofficial.com
https://www.facebook.com/phearband
https://www.instagram.com/spreadthephear

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“This album has a lot of (gillend) guitar playing, an excellent rhythm section and good vocals. Nice use has been made of the distribution over the headset. Due to the verse-chorus structure, some parts are somewhat predictable. Yet it is quite well put together vocally and instrumentally. The choruses in particular stick pleasantly in your head.” – Maxazine.nl

“Thrashy power metal, just a really cool sound from the get go…. and a cover of Nevermore’s Narcosynthesis to give you a little idea of their vibe.” – MoshPit Radio 89.9 FM – Madison, WI

“Part HM, part Power, with a sprinkling of Metalcore, Prog and Thrash, this is stoopid infectious” – Cult Metal Flix

““The Curse Lives On is a testimonial to what power / thrash metal can do to your soul, deep, dark and loud. just crank it up and feel the Phear.” – Bravewords (2020 – The Curse Lives On)

“PHEAR have so much potential and really reminded of bands like NEVERMORE, EIDOLON and late eighties FATES WARNING. You have a top notch singer and a great backing band, they have a lot of potential that’s for sure. A band to look out for in 2020!” – Metal Temple (2020 – The Curse Lives On)

“With the sonic power of IRON MAIDEN, blended with the classic style of JUDAS PRIEST, PHEAR bring to life their monster live shows to the ears of fans across the globe.” – KNAC (2020 – The Curse Lives On)

“The live songs were recorded in Toronto and this recording shows that the band seems to be able to deliver a live show like any good seasoned band. There are good interactions with the crowd, just enough to show a frontman able to get them going without being overbearing and breaking the flow of the show. One can’t help but smile when he goes, “Scream for me Toronto!” in very Bruce Dickinson fashion. I wish I head heard the originals but suffice it to say that their songwriting style is very much influenced by Maiden, though much closer to their post-reunion output that any of the classic ’80s stuff. Bottom line, this is over an hour of cool material kind of anonymized by a nondescript name. Worth checking out if you’re into newer Maiden. This is a band that might go places if they play their cards right. 4/5″ – The Metal Crypt (2020 – The Curse Lives On)

“If you are looking for some great classic sounding metal with fantastic vocals, amazing guitar work, give Phear a listen by checking out both Insanitarium and The Curse Lives On, both available now and catch them live when you get the chance. I guarantee you’ll love it all.” – Metal Master Kingdom

“Mixing the components of the NWOBHM era, blending them and sculpting them around their sound, making this offering by the Canadan-quintet a must in the air-guitar collection.” Metal Temple (2019 – Insanitarium)

“Mississauga-based Phear packs quite a punch on its debut full-length release, Insanitarium, The band’s brand of power/thrash metal is a perfect blend of melody and ferocity.” – Bravewords (2019 – Insanitarium)

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ASHER MEDIA RELATIONS
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0 Aggro-Metal CHÜZO Kick-Off Ontario Tour Dates + New Lyric Video “Bruised and Broken” From EP “M.T.M.D (Maximum Threshold, Minimum Decay)”

March 12, 2025
by Asher
· CHUZO · Music News

NEWS RELEASE

Montreal, QC – March 12, 2025

Montreal Aggro-Metal CHÜZO Kick-Off Ontario Tour Dates + New Lyric Video “Bruised and Broken”

New EP “M.T.M.D (Maximum Threshold, Minimum Decay)” Out Now!

Produced by Kevin Jardine (Slaves On Dope)

L to R: Alex S (Bass), Cristian S (Guitars/Vocals), Mischa M (Vocals), Carlos G (Drums)

Photo Credit @stutteringuzii (Instagram)

Montreal aggro-metal troupe CHÜZO is kicking off their Ontario weekend warrior dates in Oshawa, Toronto, and Hamilton. The tour dates are in support of their latest EP “M.T.M.D (Maximum Threshold, Minimum Decay)” unleashed this past October and produced with Kevin Jardine (Slaves On Dope, Uplift Recording Studio) (dates listed below).

To get fans hyped for the pit, the band is sharing their new lyric video for the intense knock-out track “Bruised and Broken”. The song is about being pushed, provoked, and instigated to the point of no return, and the inevitable result of that subjugated person losing their temper and inflicting red.

Watch and listen to the lyric video for “Bruised and Broken” – https://youtu.be/7TtEhRse1yQ

CHÜZO also performed last week at Wacken Metal Battle Canada‘s third round in Montreal and captured their experience, which can be viewed in the following video – https://youtu.be/fEvpxS5hmWU

The band adds:

“This is a video done by our drummer and editor Carlos Gutierrez, showing the action that happened at the Wacken Metal Battle 2025 at Piranha Bar in Montreal, Quebec. Even though we weren’t victorious, we were very stoked and thankful to perform in this battle. We played one of our best shows, one of our most passionate performances. We thank everyone who was involved with the organization of this metal battle. We thank the bands that played. We especially thank the people who got into our show and the pit. The judges were very cool and fair with their critiques. We put our heart and soul on that stage and we will be doing it again next year.”

TOUR DATES
March 14 – The Atria – Oshawa, ON – info
March 15 – Duffy’s Tavern – Toronto, ON – info
March 16 – Doors Pub – Hamilton, ON – info

CHÜZO‘s new EP “M.T.M.D (Maximum Threshold, Minimum Decay)” is a three-track record that marks the next chapter and a true representation of what the quartet’s sound is meant to be.

“This new EP was to showcase our new lineup with our newest songs that are truly representative of our musical style, a style that we proudly call ‘Aggro-Metal.’ Very aggressive metal songs that have relatable themes that anyone can listen to and understand. This EP is our audio shotgun blast to the world to pay attention to and to mosh intensively during our live sets.” adds guitarist Cristian S.

CHÜZO‘s new lineup features the ensnaring vocals of Taiwanese Brazilian transplant Mischa M joining local first-generation Chilean Canadian and mastermind Cristian S. along with Carlos G from Venezuela and Alex S from Russia who all have found Montreal, Canada to be their home-to-breed their blender of grindcore, Swedish death metal, thrash, and hardcore punk to transform a sub-genre dubbed ‘Aggro Metal’.

The EP’s lyrics are driven by self-reflection and daily struggles. The inspiration for writing comes from life experiences and trying to live past them, especially the traumatic ones. Using all bad energy from bad experiences to create something positive for yourself and the world. This EP speaks of vengeance and the bad side of dedicating your life to achieving your desired revenge despite your own life and sanity. Brutal Social Justice.

For fans of Sepultura (Cavalera Bros era 84-96), At the Gates, Napalm Death, Slipknot, and Fuck the Facts, “M.T.M.D (Maximum Threshold, Minimum Decay)” was released on November 15, 2024.

EP Stream links below:

Bandcamp – https://chuzomtl.bandcamp.com

Digital (Spotify) – https://distrokid.com/hyperfollow/chzo/mtmd

Music Video – “Brand New Cell” – https://youtu.be/CPvB0BhDxbQ

Music Video – “Bruised and Broken” – https://youtu.be/0mVkPAsgN3k

More Info: Instagram.com/chuzo.band | Facebook.com/chuzo.band

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Canadian College Radio Loud Charts – December 2024 – top 20 loud #20 – CHÜZO – M.T.M.D.

“‘A Brazilian vocalist, a Chilean guitarist, a Russian bassist and a Venezuelan drummer walk into a Montreal metal bar’ might sound like the beginning of a borderline funny joke, but it, in a roundabout way, speaks to the christening of thrash, punk, death-beat quartet CHÜZO. The band’s latest EP — M.T.M.D.(Maximum Threshold, Minimum Decay) — is the latest in a long line of releases since forming in 2020 and sees the light of day today. The band has a lot to say about their latest endeavour, but fans of old Sepultura, Napalm Death, At the Gates and Fuck the Facts should find something of interest ” – Decibel Magazine

““Bruised and Broken” is definitely a rager. Mischa and Christian belt out the words in a tandem of furious screams and monstrous roars. Behind them, the song discharges high-speed percussive obliteration and punk beats, a violent churn of high-grit riffage, and bowel-loosening bass-quakes. The band also work in mean-eyed slashing chugs, a brutalizing breakdown that seems to get more thuggish but no less head-hooking as the seconds pass, an explosion of boiling and battering grindcore mayhem, and another hardcore beatdown that’s probably a sure-fire mosh trigger in a live show — with Mischa‘s screaming voice still coming for your throat with no-holds-barred intensity. Just this one song proves that for Chüzo the label “Aggro Metal” isn’t false advertising. It’s a gut-slugging, bone-smashing, vocally blistering, and viciously eviscerating outburst, and it also proves to be a pretty addictive piece of rage-fueled catharsis too. Speaking of live shows, the video gives a good sense of what the band’s live sets are about, and a good sense of how much fun they had beating the shit out of things in that rage cage.” – No Clean Singing

“The band has just released M.T.M.D., an acronym that stands for Maximum Threshold, Minimum Decay, to testify how high the group’s ambitions are. The perspective could at first glance be assimilated to that of the variegated groove metal universe, but on closer inspection there is much more in the folds of the individual songs, characterized by the desire to release vital energy and give voice to impulses, emotions, feelings. The sound matrix is brutal, at times unstoppable, and characterized by the fierce performance of the gritty Mischa Mai microphones: combining power, imagination and a pinch of healthy madness the quartet gave full demonstration of their qualities.” – Rock Hard Italy

“M.T.M.D is a crucial chapter in Chüzo’s evolution, showcasing a lineup that’s finally found its voice. Their journey is a testament to the transformative power of music and the ability to channel personal struggles into a collective outcry for justice.” – Amplify The Noise

“It might be something of a cliché but it remains true; this isn’t simply an EP. It’s a promo for helping Chüzo find a major label for a debut full length… [8/10]” – Metal Noise

“CHÜZO have achieved several things on “MTMD (Maximum Threshold, Minimum Decay)” that other bands dream of for an entire career. On the one hand, the clever balancing act is impressive between old school credibility and new school influences. A factor that plays a striking role in the overall absolutely high-class work is that Canadians walk in a straightforward and focused manner in the ear. The three songs on the EP entitled “MTMD” are fast-paced in nature, mill into the ear canals at massive speed and –’s most important aspect – remains there… The EP is catchy, intense and yet has matured, multi-layered and serious Half-life to be equipped. Conclusion: Check in, buy, leave, killer!” – Metal Division Magazine

“Their common points: knowing how to intelligently mix the best of grindcore mixed with Swedish death, with a touch of hardcore thrash from a punk perspective. Chüzo calls his music, « Aggro Metal ». The theme of their songs, telling their life experiences, shouting their anger at the traumas experienced. The kind of text that allows you to let off steam and make yourself understood even if you have gaps in English. Chüzo is a sort of best of aggressive metal music with this vengeful punk attitude: Chüzo would be a disciple of Napalm Death. Damn their music is good to hear. For fans of Sepultura and the Cavalera brothers, Chüzo is for you, Cristian S. sings with the same kind of vocal intonation as Max C. For Christmas, I would like Chüzo to tour the old continent within the next 2 years. If I had the means, I would participate financially in their future tour. There are small (et larger) concert halls waiting for you. The day we can do a concert at the Kjbi, Chuzo is automatically on the bill” – Margoth PDF Webzine

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0 Newfoundland Blackened Thrash Duo ARTACH Unleash Video “Macha” From New Album “Morrigan…Goddess of War” Out Mid-March 2025

March 11, 2025
by Asher
· Artach · Music News

NEWS RELEASE

Montreal, QC – March 11, 2025

Newfoundland Blackened Thrash Duo ARTACH Unleash Video “Macha”

New Album “Morrigan…Goddess of War” Out Mid-March 2025

Newfoundland, Canada’s black metal duo ARTACH announces the release of their latest album “Morrigan…Goddess of War” due out on March 21st, 2025 via Depressive Illusions Records. This third full length represents the band’s strongest material yet. It’s a relentless assault of blackened thrash metal that captures the intensity and fury the duo have always strived for. From crushing riffs to searing melodies, every track on this release is forged with raw passion.

“We’ve poured everything into this record, and we can’t wait for fans to experience the full force of Morrigan…Goddess of War.” adds Sruthán (Guitar/Bass).

Today, Artach unveils the lead single “Macha”, one of the three songs that are part of the Morrigan trilogy on the album with the songs that also includes “Badb”, and “Nemain”.

Sruthán (Guitar/Bass). explains further:

“Macha, one of the Morrígan, was known for her prophetic visions and her role as a fierce protector of warriors. She is sometimes considered one aspect of the Morrígan, a trio of war goddesses.

The three goddesses, and what elements they represent, that make up the Morrígan in Irish mythology are:
Macha – War, sovereignty, horses.
Badb – Battle, death, chaos.
Nemain – Frenzy, panic, terror.
Together, they represent different aspects of war, fate, and destruction in Celtic mythology.”

Listen to “Macha” via its music video at https://youtu.be/JoEVeBVPaaM

Due out March 21, 2025, CD and Cassette for “Morrigan…Goddess of War” will be available from Depressive Illusions at https://depressiveillusions.com/search/node/Artach

Artach is a two-man black metal band (Sruthán: Guitar/Bass, Fíochmhar: Battery/Vokills/Keys) based in St. John’s, Newfoundland, Canada. Being from the foggiest, snowiest, wettest, windiest, and gloomiest capital city in Canada, one should not be surprised that this fuels the creation of Black Metal. Their inspiration comes from the land, nature, the bleak weather of the Canadian North, and influential black metal bands.

Since the duo’s formation in the spring of 2019, Artach has been consistently releasing new music. The band’s debut album “Chronicles of a Black Winter” was released digitally during February 2020 and later unleashed on physical CD by Depressive Illusions Records. In 2021, the band returned with their next offering “Sworn To Avenge”, a full-length scourge of raw and relentless bruting gloom. In 2024, Artach took an experimental direction with the EP “Sgrios”, which was a black metal spin on industrial metal sounds.

Now in 2025, they unleash their third full length offering with “Morrigan…Goddess of War” for release in mid-March.

Track Listing:
1. Badb – 7:08
2. Macha – 6:06
3. Nemain – 5:17
4. Nefarious – 5:21
5. Nomad – 5:09
6. Hoarfrost – 4:29
7. Cloudminders – 4:46
8. Ride… Die… Immortality – 6:08
Album Length: 44:28

Artach is:
Fíochmhar: Battery/Vokills
Sruthán: Guitar/Bass/Backing Vokills

EP Credits:
Cover art by: Awinita Alm
Album mixed and mastered by Michael Small.

Follow Artach:
https://www.facebook.com/ArtachBlackMetal
https://www.instagram.com/ArtachBlackMetal/
https://www.youtube.com/@artachband709
https://artach.bandcamp.com/

Discography:
2025 – Morrigan…Goddess of War (album)
2024 – Sgrios (EP)
2024 – From The Frozen Vault (EP)
2023 – Hell on Halloween (Single)
2021 – Countess Bathory (Single)
2021 – Sworn to Avenge (album)
2020 – Night Songs (single)
2020 – Chronicles of a Black Winter (album)

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“In my opinion this is another great sounding recording from Artach and if you are a fan of experimental and industrial black metal, you should check out this ep. RECOMMENDED TRACKS INCLUDE “Frozen Factory” and “Atomic Cabaret”. 8 out of 10.” – Occult Black Metal (Sgrios review)

“…offers a unique insight into the inspirations behind Artach with an eclectic and eccentric charm. 7/10” – Metal Noise (Sgrios review)

“With the jagged band name and bleak setting you can look upon the cover and get a taste of what’s in store, then you add in the hooded man with the sword and your ideas may be subverted, perhaps not. This is the real genius of Artach. They are making music that crosses genres; a bit of black metal, death metal, old school horns up fists of air grabbing metal as well.” – Killchain (2021: Sworn to Avenge)

“The song (She Gathers Leaves) is a thrill-ride, but also reveals elements of gothic witchiness. The raw vocals are caught up in a paroxysm of fierce, crazed adoration, venting cold-blooded roars as well as braying, throat-stripping howls and cut-throat screams. The full-throttle drumming is tumultuous, a changing array that hammers, gallops, rocks, thunders, and blasts. Urgently rising chords provide a recurring theme, surrounded by flame-throwing riffs that dart, pulsate, and spasm, drawing on elements of thrash and classic heavy metal as well as black metal. Ecstatically swirling leads further add to the wildness of the song. A mood of mystery does surface in the track’s brief intro, and that mood surfaces again in the song’s back half, leading into a necromantic guitar solo that takes flight in scintillating fashion.” – No Clean Singing (2021: Sworn to Avenge)

“check out Artach for a truly epic journey into the wildernesses that populate the dark fantasy land conjured through their excellent music. This sophomore album tells me that this is a band that will be releasing much good material for years to come and will soon be headlining the epic black metal stages or charts both online and at festivals. An excellent job all round.” – Metal Rules (2021: Sworn to Avenge)

“”Sworn to Avenge is a mind-assaulting record… You’ll hear the influences of classic black metal bands like Venom, early-Bathory as well as elements of the second wave; Immortal, Darkthrone etc. Ugly and uninviting stuff but very satisfying if you enjoy the gloomier side of metal… It’s a mammoth listen and does take its toll, but the array of ideas that Artach showcase does keep things interesting. An hour slips by, the cold has sunk deep into the bones and you’ll be left wondering if you’ll ever be warm again.” – Games, Brrraaains And A Head-Banging Life (2021: Sworn to Avenge)

“Very melodic black metal, yet aggressive and heavy with undeniable influences from plain old straightforward heavy metal, so while things are definitely “black metal”, there’s a lot of discipline at play and this is definitely not your average raw, chaotic black metal. There’s order to the chaos on Sworn to Avenge, but that doesn’t prevent it from being aggressive and sometimes kind of depressing and melancholic despite not descending into the slower playing usually associated with those stylings. It’s a rollercoaster of “fuck yeah!” and “kill me now” (in sort of a good way).” – The Metal Crypt (2021: Sworn to Avenge)
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0 VORTEX Unleashes “When Humans Defy the Void” Off New EP “Alien Realms” Out April 2025 + Eastern Canada Tour w/ France’s XAON (ON, QC, NB)

March 4, 2025
by Asher
· Music News · Vortex

NEWS RELEASE

Montreal, QC – March 4, 2025

VORTEX Unleashes “When Humans Defy the Void” Off New Orchestral Blackened Death EP “Alien Realms” Out April 2025

Eastern Canada Tour w/ France’s XAON (ON, QC, NB)

L-R – Simon Desjardins (Bass), Mathieu Duguay (Guitars, Orchestrations), Alexandre Labrie (Vocals), Dany Lévesque (Guitars), Olivier Harrisson (Drums)
Photo Credit – Giuseppe Calvinisti

Orchestral blackened death metal outfit Vortex has emerged from the void with their most ambitious release with their next concept record “Alien Realms”, set for release on April 11th, 2025, alongside the first single “When Humans Defy the Void”. With this release, they also announce eastern Canada tour dates with France’s XAON for April followed by European dates in October and November. They comment on the single:

“This song is a melodic assault, blending thrash-driven verses, hyper-melodic choruses, and an epic finale, all immersed in grand, sweeping orchestrations. Bold and daring, humans leave Earth in search of intelligent extraterrestrial life. This track is divided into three distinct sections: the thrashy, aggressive verses; the ultra-melodic choruses; and the glorious, epic ending.”

The band further explains that “Alien Realms” is a natural progression from their previous work. They’ve enhanced the orchestral elements while pushing deeper into blackened death metal territory. The EP explores humanity’s venture into space in search of intelligent life, though what they discover isn’t quite what they expected.

Known for their ability to seamlessly blend technical prowess with emotional depth, Vortex promises performances that showcase both crushing intensity and melodic sophistication. This can be witnessed at one of their live shows or felt through the song “When Humans Defy the Void”. They are recommended for fans of Septicflesh, Shadow of Intent, and Fleshgod Apocalypse.

Listen to “When Humans Defy the Void” at the following links:

YouTube – https://youtu.be/LRrpmT4Jaek

Spotify – https://spoti.fi/4inCj0i

Track Listing:
1. When Humans Defy the Void – 5:03
2. Haunting the Abyss – 5:26
3. Ripping the threads of Reality – 4:10
4. Where Wonders Dwell – 3:00
EP Length: 17:40

Symphony For The Dead Tour – Vortex + XAON (QC, ON, NB)
April 15 – Montreal, QC – Le Petit Campus ***
April 16 – Edmundston, NB – Ateepic *
April 17 – Saint John, NB – Haven Music Hall and Cafe *
April 18 – Moncton, MB – Xeroz *
April 19 – Rimouski, QC – Coop Le Paradis *
April 22 – Ottawa, ON – The Rainbow
April 23 – Drummondville, QC – La Ste-Paix ****
April 24 – Quebec City, QC – L’Anti ****
April 25 – Saguenay, QC – Microbrasserie Port-Alfred
April 26 – Trois-Rivieres, QC – L’Entite **

* Omnivide
** Strigampire
*** Ulfhednar
**** Burning Attic

Vortex is:
Simon Desjardins (Bass)
Mathieu Duguay (Guitars, Orchestrations)
Alexandre Labrie (Vocals)
Dany Lévesque (Guitars)
Olivier Harrisson (Drums)

For more info (Official Website, Socials, Videos, Bandcamp, Spotify, Apple Music): https://linktr.ee/vortexband

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Canadian College Radio Charts – August 2023 – top 20 loud – #14 Vortex (earshot)

“#8 on Top 10 Quebec Band 2023 Albums – The Future Remains In Oblivion delivers a solid punch with their intense and well-felt symphonic death metal and, with a quality product like this, they have nothing to envy of the big names in the genre.” – Thorium Mag

“The Future Remains in Oblivion is the collision zone between powdered wig classical and battle jacketed death metal that should hold appeal for fans of Fleshgod Apocalypse, Septicflesh and those who like their Suffocation mixed with Dimmu Borgir.” – Decibel Magazine

“The song’s (The Walls) multi-faceted nature is further revealed in harrowing and haughty growls, jolting chords, and fiery sunbursts of sound, as well as through a swirling melodic guitar solo that spectacularly sends the song into the stratosphere. The song’s finale is itself a full-power spectacle that really gets the adrenaline surging.” – No Clean Singing

“If there’s anything that Vortex nails, it’s drama. Album highlight and banger track “First Blood” is simply massive” – Angry Metal Guy

“For some music is pure escapism but does that still hold true when bands like Canadian Melodic Death Metal monster Vortex whisk the would be listener into a bleak world that is recovering from a devastating cataclysm? Scenes of war and survival are punctuated with harrowing strings, technical riffs, and guttural and Black Metal inspired vocals as the band weave cinematic stories and orchestral touches into their third concept album “The Future Remains In Oblivion”” – Metal Noise

“the title-track The Future Remains In Oblivion, a song that will blow your mind with its insane wall of sounds, background orchestrations, epic passages, striking riffs and solos, and visceral yet intricate drums, resulting in one of the most breathtaking moments of the entire album.” – The Headbanging Moose

“An excellent group that you must discover because of the intensity they are able to show” – Ondes Chocs

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0 Exitus Stratagem Records – Out Now! United By Pain and Rage Hungary’s SIN OF GOD Unshackle New Album “Blood Bound”

February 18, 2025
by Asher
· Music News · Sin of God (Exitus Stratagem Records0

NEWS RELEASE

Montreal, QC – February 18, 2025

Out Now! United By Pain and Rage Hungary’s SIN OF GOD Unshackle New Album “Blood Bound”

Fourth Studio Album “Blood Bound” Out February 18th, 2025 via Extius Stratagem Records

L-R: Krisztián Páncél (bass) / Tamás Kis (guitar) / Tamás Schupkégel (vocals) / Balázs Botyánszki (drums)

Photo credit: László Varga/VARESZ.Fotó

The metal world is now “Blood Bound” with the release of Hungary’s SIN OF GOD‘s fourth studio album from Exitus Stratagem Records. With influences in thrash, ODM, and blackened and progressive death metal, Sin of God‘s sacrificial offering “Blood Bound” will please both old and new-school death metal fans at the same time. This new full-length presents a collection of variations that exhibit brutality and softness. It is something fans have heard in the past from the band but it has never sounded like this.

“This album was a very painful and gory birth. Blood Bound was born bloodied and beaten. It was hurt by viruses, epidemics, wars, pollution, stupidity, irresponsibility, lies and deception. But finally, Blood Bound is here! Blood Bound is a mirror. Look into it! You will see the past, the present, and the future. Blood Bound is not a concept album, but it is united by the pain and rage that boils inside us. It reflects the best of our current knowledge. We wanted to write something simple and raw, conveying the message clearly but musically interesting, unique, and challenging. If you look at the album artwork, you’ll know exactly what to expect. Blood Bound is (life and) death metal at its finest, not for the faint of heart, that’s for sure!” adds the band.

Recommended for fans of Aborted, Bloodbath, Cattle Decapitation, Cryptopsy, and Psycroptic, Sin of God’s latest album “Blood Bound” is now available as of February 18, 2025, from Exitus Stratagem Records, and available at the following links:

Digital – https://hypeddit.com/sinofgod/bloodbound

CD order – https://www.exsrmusic.com/store/p/sin-of-god-blood-bound-lp-cd

Music Video – “No Return” – https://youtu.be/r9vmBJSdu_U

Visualizer – “Black Waves” – https://youtu.be/u6h13peGlrs

Track Listing:
1. Blood Bound (3:52)
2. Black Waves (4:16)
3. No Return (4:58)
4. The Unbelief (4:49)
5. Diabolical Agitation (7:44)
6. Obulus (3:28)
7. Cerebral Malfunction (4:02)
Album Length: 33:09

Album Credits:
Album recorded at: Denevér Hangstúdió, Hungary
Mixed and mastered by Sam Winslow/Sam Winslow Music
Album artwork by Tamás Kis

Album Band Lineup:
Tamás Schupkégel – Vocals
Tamás Kis – Guitar
Michele Gawen Augello – Bass
Balázs Botyánszki – Drums

Live Band Lineup:
Tamás Schupkégel – Vocals
Tamás Kis – Guitar
Krisztián Páncél – Bass
Balázs Botyánszki – Drums

More info:

Exsrmusic.com | Facebook.com/ExSRecords | Instagram.com/exsrmusic

Sinofgod.com | Facebook.com/sinofgodhu | Instagram.com/sinofgodmetal

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“This isn’t just an all out sonic barrage, though. There are lulls where the “heavy” gets a chance to build before all Hell is once again let loose upon the listener. Lyrics are guttural and harsh, and the guitars have that classic deathmetal sawtooth edge to them. Sin of God manage to pack quite a few riffs in amongst the rapid-fire rhythms, and the drums are impressive. Maintaining a speedy double kick through most songs to keep you heart racing,” – The Moshville Times

““No Return” is an absolutely brutal death metal track, full of raging guitars and non-stop blast beats that create an intense and chaotic atmosphere for the whole song. The lyrics tackle addictive desires and how they can be all-consuming. At the same time, the rather disturbing lyric video sees the lyrics over a viscerally all-too-realistic image of angels and Jesus amongst devils in Hell. It’s all a classic death metal sound and imagery, and it gets really creepy.” – New Noise Magazine

“The upcoming Blood Bound by Sin of God is the fourth full release from the Hungarian Extreme Metal monsters and it is the best record they have ever fucking made. It is as brutal as having a stream roller run over you, slowly crushing every bone and muscle inside your body. It’s as vicious as being dressed in a meat suit while a pack of hungry, rabid dogs are set upon you. And it’s as heavy as having concrete poured down your throat, before your corpse is thrown into the deep, dark sea. It is, quite frankly, fucking brilliant…Let’s face it, Sin of God don’t fuck about and if you’re coming to Blood Bound expecting anything other than the most extreme of metal, then you’re gonna have a bad time and don’t let the door hit you on the way out. Blood Bound is a statement that Sin of God are making a claim for the Extreme Metal throne, and on the strength of this, it’s hard to see how anyone could possibly stop them.” – Black Metal Archive

“It is the sound of a machine gun that immediately kick-starts the album and it comes at you courtesy of all four musicians. It is instantly clear: Blood Bound is brutal, crushing black/death metal with no hint of mercy. The singer Tamás Schupkégel deploys two tones and uses two channels to disseminate his preachy and ominous augury. The guitar is sharp. The warm drum sound and the barrage of artillery that goes boom is probably the album’s highlight. The drummer loves his drum rolls and his blast beats and more power to him… Call yourself a fan of Aeon, Cryptopsy, God Among Insects or Pestilence? Exitus Stratagem has a CD for you! No wonder the cover art depicts a symphonic (so-called) ‘metal’ chick singer and her wimpy accolades. They are being assailed by Sin Of God and their actual metallic and symphonic music. ” – Metallian.com

“Hungarian Extreme Metal masters Sin Of God have signed with Exitus Stratagem Records and will present their new album, Blood Bound, next month. Something that will excite old and new-school Death Metal fans, this new album echoes brutality and softness and is a mark of the challenges faced since 2016’s Aenigmata.” – Metal Talk

“I tell you that if what you are looking for are really strong emotions, this is your album. The six strings are lethal and insidious in equal measure. They cut your throat the same with sharp attacks of tremolo picking, which chill your blood with riffs darker than Lucifer’s soul. The voices are angry and macabre at all times. Yes, they are even when they anecdotally decide to use narrated clean vocals. In general, there is no feeling of respite, neither in instruments nor in vocal cords. Percussion is very extremist. Fast is very fast, and so is resounding. The use of the double pedal deserves special mention. It is a submachine gun that never uses ammunition. Don’t miss the initial ‘Bloodbound‘ nor ‘No Return (From Hell)‘ and ‘The Unbelief‘. ¡What savagery for Odin!” – Broken Tomb Magazine

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0 Canadian Aggro-Metal CHÜZO’s New Video Knocks You Out & Leaves You “Bruised and Broken” Off Latest EP “M.T.M.D (Maximum Threshold, Minimum Decay)” Produced by Kevin Jardine (Slaves On Dope)

February 13, 2025
by Asher
· CHUZO · Music News

NEWS RELEASE

Montreal, QC – February 13, 2025

Canadian Aggro-Metal CHÜZO’s New Video Knocks You Out & Leaves You “Bruised and Broken”

New EP “M.T.M.D (Maximum Threshold, Minimum Decay)” Out Now!

Produced by Kevin Jardine (Slaves On Dope)

L to R: Alex S (Bass), Cristian S (Guitars/Vocals), Mischa M (Vocals), Carlos G (Drums)

Photo Credit @stutteringuzii (Instagram)

Canadian aggro-metal troupe CHÜZO has a knock-out music video that is sure to leave you “Bruised and Broken”. The video is in support of the Montreal band’s latest EP “M.T.M.D (Maximum Threshold, Minimum Decay)” produced with Kevin Jardine (Slaves On Dope, Uplift Recording Studio), and unleashed this past October.

“This track is about being pushed, provoked, and instigated to the point of no return. When in life one encounters certain individuals whose existence is to only make you angry and enraged; to bully you and disrespect you beyond aggravation, and the inevitable result that losing your temper and seeing red does to the individual being provoked and instigated is what this track is about. The utter destruction and devastation that awaits the foolish person who dares to provoke a person who has been pushed to the edge of human insanity; fuck around and find out!” adds the band.

The music video for “Bruised and Broken” can be seen and heard via its premiere on NoCleanSinging HERE.

CHÜZO‘s new EP “M.T.M.D (Maximum Threshold, Minimum Decay)” is a three-track record that marks the next chapter and a true representation of what the quartet’s sound is meant to be.

For fans of Sepultura (Cavalera Bros era 84-96), At the Gates, Napalm Death, Slipknot, and Fuck the Facts, “M.T.M.D (Maximum Threshold, Minimum Decay)” was released on November 15, 2024.

EP Stream links below:

Bandcamp – https://chuzomtl.bandcamp.com/album/m-t-m-d-maximum-threshold-minimum-decay

Digital (Spotify) – https://distrokid.com/hyperfollow/chzo/mtmd

EP Stream – https://youtu.be/jqCdfYwDev4

Music Video – “Brand New Cell” – https://youtu.be/CPvB0BhDxbQ

EP Artwork by Draught https://www.instagram.com/draught___/

Track Listing:
1. The Brutalator – 3:39
2. Brand New Cell – 3:12
3. Bruised and Broken – 4:21

More Info: Instagram.com/chuzo.band | Facebook.com/chuzo.band

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Canadian College Radio Loud Charts – December 2024 – top 20 loud #20 – CHÜZO – M.T.M.D.

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0 Texas’ ABOLISHMENT OF FLESH Drops Devastating Music Video for “Disavowed” Off “Resurrecting Misanthropy” EP Out Now!

February 11, 2025
by Asher
· Abolishment of Flesh · Music News

NEWS RELEASE

Montreal, QC – February 11, 2024

Texas’ ABOLISHMENT OF FLESH Drops Devastating Music Video for “Disavowed” Off “Resurrecting Misanthropy” EP Out Now!

Live Lineup – Top Left – Ramon Cazares – Guitars, Vocals – Top Right – Izaak Chavez – Guitar

Bottom Left – Jake Lahniers – Bass, Backing Vocals – Bottom Right – Adrian Galindo – Drums

Texas death metal tyrants Abolishment of Flesh are unshackling their new music video for “Disavowed”, the closing track from their 2023 EP “Resurrecting Misanthropy”. The video continues the band’s tradition of creating intense, uncompromising visual experiences that match their sonic brutality. Ramon Cazares (guitars/bass/drums/vocals) explains the track in his own words:

“I wrote this song a couple of years ago. In a way, this could be a continuation of “Hater of Man”. It’s about a person that’s grown old and became misanthropic. This takes place in the future. It’s a reflection of how the world and society have failed this person. They’ve finally given up on everything and just sit and wait for death.”

At just over four minutes, “Disavowed” represents the band’s evolved sound – more structured yet still maintaining the raw, chaotic energy that has defined their music since their early days. There’s a little bit of something for everyone on the EP; Abolishment of Flesh is not just death metal – they throw in some black metal, melody, thrash, groove, and grind. Combined with anti-human themes, they deliver death and destruction.

“Disavowed” embodies the band’s message of anti-human sentiment, delivered with surgical precision and unbridled aggression. It is recommended for fans of Amon Amarth Kataklysm, and Suffocation.

Watch and listen to the video for “Disavowed” via its premiere on NoCleanSinging HERE.

“Resurrecting Misanthropy” is out now at Abolishmentofflesh.bandcamp.com and Spotify.

Music Video – “Hater of Man” – https://youtu.be/KIXiepFhV3g

Lyric Video “Words Defy Truth” – https://youtu.be/vYJ1LwFnx7M

Track Listing:
1. Words Defy Truth (4:00)
2. Hater of Man (3:23)
3. Disavowed (4:04)

More info: Abolishmentofflesh.com | Facebook.com/abolishmentoffleshofficial | X.com/abolishmenttxdm | Youtube.com/@abolishmentoffleshofficial | Instagram.com/abolishmentoffleshofficial

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“A brutal sonic assault on the senses, there are moments that sound like they were influenced by the early days of Sepultura with the raw, unpolished quality of the recording itself adding to the charm. If you’re new to Abolishment Of Flesh this is a baptism of fire.” – Metal Noise

“A production to seek out by those who enjoy a polished and presumably technical variety of extreme metal that balance tight and vibrant aggression with more elegant and inviting phases defined by an accessible flow and momentum.” – Viking in the Wilderness

“Spiraling and crazed death metal from Amarillo, The Abolishment Of Flesh’s debut proves they aren’t messing around.” – Metal Injection (Inhuman Condition 2018)

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ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
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0 ART OF ATTRITION Announce Cross Canada “The Subservient Bloodletting Tour” w/ Beguiler

February 6, 2025
by Asher
· Art of Attrition · Music News

NEWS RELEASE

Montreal, QC – February 6, 2025

ART OF ATTRITION Announces Cross Canada “The Subservient Bloodletting Tour” w/ BEGUILER

L-R – Jack Sutherland (Guitars), back Johnny VanderRoest (Guitars), front Joshua Hahn (Vocals), L-R – Greg Smith (Drums)

Photo Credit – Abscene Productions

Red Deer, Alberta’s ART OF ATTRITION announces they are hitting the road this May to bring carnage straight to your city alongside 2024 Wacken Metal Battle Canada Champions, Toronto, ON’s BEGUILIER. Entitled “The Subservient Bloodletting Tour”, this cross-country trek marks a new chapter for both bands as they expand their reach, unleashing their most punishing sets to date along with new songs to unveil. Enter the moshpit for this east-to-west assault, have a beer, and enjoy some good ol’ DEATHCORE!

The Subservient Bloodletting Tour w/ Art of Attrition, Beguiler
May 2 – La Source de la Martinière- Quebec City, QC
May 3 – Piranha Bar – Montréal, QC
May 4 – Taverne Royale – Trois Rivières, QC
May 7 – The Union – Kitchener, ON
May 8 – Queens Nightclub – Barrie, ON
May 9 – Dominion House – Windsor, ON
May 10 – Sneaky Dee’s – Toronto, ON
May 11 – Dominion Tavern – Ottawa, ON
May 14 – SideStage – Winnipeg, MB
May 15 – Black Cat Tavern – Saskatoon, SK
May 16 – The Vat – Red Deer, AB
May 17 – Dickens – Calgary, AB
May 23 – Stariite Temple – Edmonton, AB
May 24 – The Cobalt – Vancouver, BC

Formed in early 2019, Red Deer, AB’s Art Of Attrition is a band that redevelops “the typical” deathcore sound by delivering aggression with melody, atmosphere with intricacy, and brutality with technicality. Combining ferocious work ethic with refined musicality, their songs challenge the notion that deathcore cannot evolve or be unique.

In July 2024, they unleashed their EP “…And It Will All End Forever” to follow their 2023 debut album “Void Eternal”. As a whole, their latest EP brought listeners disgusting breakdowns, matched by speed and intense guitar work that channeled emotions such as anger and anxiety. Hauntingly memorable solos gave way to epic choruses that share relatable moments. A whirlwind of deathcore it’s matched with classic black metal, and capitalized with bits of groove and creative drum parts.

On February, 14th, 2025, Art of Attrition will unshackle their first single of 2025, entitled “Subserviate & Decay”. The new song is an experimentation of some particular ideas that the band has over the years. With such diverse musical tastes, Art of Attrition is bringing some evolutionary ideas into their material for a new world order to “throw down”.

Music Video – Vitriol – https://youtu.be/_07sY_7A95A

Bandcamp – https://artofattrition.bandcamp.com

Digital (Spotify) – https://distrokid.com/hyperfollow/artofattrition/and-it-will-all-end-forever

Art of Attrition is:
Jack Sutherland – Guitars
Johnny VanderRoest – Guitars
Joshua Hahn – Vocals
Greg Smith – Drums

More info: http://artofattrition.com | https://www.facebook.com/ArtofAttrition | https://www.instagram.com/artofattrition

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Canadian College Radio Charts 2024 – !earshot – October 2024 – top 20 loud – #12 Art of Attrition

Canadian College Radio Charts 2024 – !earshot – September 2024 – Top 200 – #183 Art of Attrition

“Since the speed is incredibly fast, you get the feeling that every song is a 10-minute epic, but they are all in the 5-minute plus/minus direction. But epic is a good keyword, because every single piece has such technical power that you really need several runs to understand, what’s actually going on and that’s what brings tears of joy to the eyes of every metal fan who loves the technical hidden refinements. A small highlight is probably the last of the four songs, as well as the title song “…And It Will All End Forever”, which expresses the band’s entire range and makes it clear to everyone, what is meant by “Technical Deathcore”.9.5/10” – Hellfire Magazin

““…And It Will All End Forever” rises to the surface with the speed and dexterity of bands like Archspire. Mesmerising lead guitars shine brightly above the powerhouse rhythms, momentary silences between anvil heavy sections giving fleeting respite. A gargantuan monolithic breakdown is the last thing you might expect to hear on a track with such stunning lead guitars but the band brought it and it is nothing short of brutal, contrasted perfectly the delicate piano fade out. It’s hard to fathom how this band are not on a major label because this record is sublime [9/10]” – metal Noise

“Blackened technical deathcore… brutal and pissed off too” – 89.9 WORT FM – The Moshpit (Madison, WI)

“But then the EP’s ending title track. Holy fuck do they knock it out of the park with 6 minutes of killer melodies, a killer chorus and key/choirs, and a massive breakdown that make it an absolutely killer track, maybe one of the year’s best in the genre” – Teeth of The Divine

—
ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780
jon[@]ashermediarelations[.]com
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