• About AMR
  • Festivals & Associations
    • 420 Music & Arts Festival (Calgary, AB)
    • Armstrong Metal Fest (Armstrong, BC)
    • Calgary Metalfest
    • Calgary’s YYC Music Awards
    • Days of The Dead Festival (Red Deer, AB)
    • Loud As Hell Metal Fest (Drumheller, AB)
    • Metalocalypstick Fest (Lone Butte, BC) – Mountains, Camping and the Women of Metal!
    • ShrEdmonton Metal Fest & Conference
    • WACKEN METAL BATTLE CANADA
    • WACKEN METAL BATTLE USA
  • Services (Hire Us!)
  • Subscribe To AMR Artist News & Album Promo

Tag: metal

0 Canada’s UTILITY PROVIDER Shares Lyric Video For Title Track Off Groovy Prog Album “Challenger” Out End of Nov 2024

  • November 15, 2024
  • by Asher
  • · Music News · Utility Provider

NEWS RELEASE

Montreal, QC – November 15, 2024

Canada’s UTILITY PROVIDER Shares Lyric Video For Title Track Off Groovy Prog Album “Challenger” Out End of Nov 2024

L-R – Vadim Cartovenco – Drums, Chris Thomas – Guitar/Backing Vocals, Tyler Mayfield – Lead Vocals, Shayne Gold – Bass/Backing Vocals

Vancouver, Canada’s UTILITY PROVIDER is set to release their third full-length “Challenger” at the end of November 2024 produced with Nick Bergeron at Starport Studios (Langley, B.C.) with mixing and mastering by the renowned Michael Kraushaar at Little Red Studios (Vancouver B.C).

With a fresh new lineup, the band is excited to unveil this latest offering to newcomers of their sound along with their current fan following.

“I truly believe this album is going to blow our fans away. The writing is much stronger than in the previous releases and the production as a whole is miles ahead of them. What I love about this album is how each song has its own identity; its own sound, and its own story. There are definitely some surprises in store for our fans. One song that in particular stands out for me is “Independent Soul” because it sounds absolutely nothing like anything U.P. has put out before. I’m really excited to see what everyone thinks!” says vocalist Tyler Mayfield.

On this record, the band’s main ambition is to take fans on a unique, powerful, and intense listening experience. The overarching theme of “Challenger” is one of triumph over adversity and having the courage to throw off your “chains” (both physical and mental) and strike out on your own. UTILITY PROVIDER wants fans to be able to make a connection with the music and connect with them on a very personal level. They showcase this with a concept of a side “A” and a side “B”.

“Up until this album, all U.P songs were written in drop C tuning. The first 6 songs of the album stay in that same drop C tuning, however side “B” is written in A# tuning – it’s literally a whole new sound for our fans! The transition from side “A” to side “B” is marked by a beautiful instrumental track written solely by guitarist Chris Thomas called “Northern Storm”. We hope the listeners will enjoy this nuance within the album. We sure had a ton of fun recording it!” adds Mayfield.

Lyrically, the album “Challenger” was mostly penned by vocalist Tyler Mayfield who wants to tell a story. He elaborates:

“As the lead vocalist, I feel that it’s my duty to put into words the message that the music is trying to convey. There is a lot of teamwork between Chris and myself to get that right. So in this way, the lyrics don’t always necessarily reflect my personal life, but are more tailored to reflect the story within the music.”

Drummer Vadim Cartovenco adds:

“This is the title track of the album so we spent a lot of time making sure the production was exactly what we wanted. Music was written by Vadim and Chris during 2023 and we played the song live a lot. The music, I think, sounds like a cool mix of thrash and power metal. The guitars are especially highlighted in this song to give it that power and distinct U.P tone that Chris is known for. The verses have quick guitar licks overtop of the main melody to add flavor. The vocals are mostly clean so listeners can hear the lyrics, which embody the theme of the album. Drums is a combination of thrash metal and progressive metal, Vadim’s favorite part is the groove section where China played with off beat pattern. This song in particular focuses on overcoming physical challenges with a fighting spirit. You will notice that the lyrics repeat in each verse – this was done on purpose to really drive home the point.”

With members individually influenced by different elements of metal. You will hear their sonic meshing of blues rock, prog metal, thrash, and grunge as they reveal their single and title track accompanied by a lyric video. The song itself is a mix of thrash and power metal with the guitars highlighted to give it that U.P. tone that Chris Thomas is known for. Lyrically co-written by Mayfield and Thomas, the track focuses on overcoming physical challenges with a fighting spirit.

Listen to the lyric Video for “Challenger” at

​

Recommended for fans of Mastodon, Devin Townsend, Alice in Chains, and Gojira, “Challenger” is due out on November 26th, 2024, and is available for pre-order at https://utilityprovider.bandcamp.com.

Show Dates:​
Nov 21 – New Westminster, BC – Bully’s Studios – info w/ The Evan Williams Project, Stickman
Dec 20 – New Westminster, BC – Bully’s Studios – info w/ Mourning High, Assailant, Evan Way

Track Listing:​
1. Broken Ghost Touches – 2:39
2. Humans – 4:23
3. Challenger – 5:08
4. Social Murder – 1:59
5. Killer Instinct – 3:36
6. Northern Storm – 1:13
7. You Know She’s Metal – 3:14
8. Loudest Voices – 4:47
9. Skin & Bones – 4:22
10. Independent Soul – 2:28
11. Scabs – 5:55
12. Controversy In Everything – 4:40
Album Length: 44:29

Album Band Line Up:​
Guitar/backing vocals: Chris Thomas
Drums: Vadim Cartovenco
Lead vocals: Tyler Mayfield
Bass/backing vocals: Tyler Parsons-Mathieu

Live Band Line Up:​
Guitar/backing vocals: Chris Thomas
Drums: Vadim Cartovenco
Lead vocals: Tyler Mayfield
Bass/backing vocals: Shayne Gold

More info: Facebook.com/utilityproviderband | Instagram.com/utilityproviderband | X.com/utilityboys​

-30-

—
ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780
jon[@]ashermediarelations[.]com
Facebook @AsherMediaRelations
Instagram @AsherMedia
Tweet @AsherMedia

0 SHORES OF NULL Teams Up w/ THUNDERFLIX To Debut Full Live Video of HELLFEST 2024 Performance; New Album “The Loss of Beauty” Out Now!

  • November 15, 2024
  • by Asher
  • · Music News · Shores of Null (Spikerot Records)

NEWS RELEASE

Montreal, QC – November 15, 2024​

SHORES OF NULL Teams Up w/ THUNDERFLIX To Debut Full Live Video of HELLFEST 2024 Performance

New Album “The Loss of Beauty” Out Now!

Touring Europe this past summer in support of their latest and fourth record “The Loss of Beauty” (Spikerot Records), Italian melodic death-doom force Shores of Null performed at this year’s Hellfest Open Air (Temple Stage) in Clisson, France.

Delivering a powerful performance that encapsulates their signature blend of heavy, melodic gothic doom. This live set showcases tracks from their rich discography, including highlights from their latest album. As they perform under the iconic lights of Hellfest, the band’s dynamic soundscapes and emotional depth resonate through the crowd, creating an immersive experience for all in attendance. This performance at one of Europe’s premier metal festivals marks a significant moment for Shores Of Null, further solidifying their place in the metal genre.

Capturing that full set on live video, Shores of Null is ready to unveil it for fans by teaming up with ThunderFlix, the world’s premier on-demand video streaming service dedicated exclusively to heavy metal music.

Vocalist Davide Straccione adds:

“Hellfest was the culmination of an intense promotional cycle during which we had the privilege of taking ‘The Loss Of Beauty’ far and wide. Stepping onto that stage was an incredibly powerful experience, rewarding us for years of relentless hard work, dedication, and a deep love for what we do. We felt the energy of the crowd resonating with us, and in that moment, it truly felt like we were exactly where we were meant to be. On a personal level, it was a dream come true, and I believe I can speak for the entire band when I say it was the highlight of our career so far.”

Watch Shores of Null‘s Hellfest 2024 performance in its entirety via its premiere on ThunderFlix HERE.

Watch a live clip of their track “A New Death Is Born” – https://youtu.be/Zw07Pvr5BsM

​

Hellfest 2024 Setlist:​
intro: Transitory
1. Destination Woe
2. The Last Flower
3. Ruins Alive
4. Quiescent
5. Darkness Won’t Take Me
6. Nothing Left To Burn
7. My Darkest Years
8. A New Death Is Born
outro: Blazing Sunlight
​
Live Video Credits:
Live Sound Tech: Nikos Giagkoudakis
Video Recording: Sombrero & Co

“The Loss of Beauty” is Shores Of Null’s fourth album and follows the acclaimed “Beyond The Shores (On Death And Dying)”, unanimously considered by fans and critics as one of the Doom Metal gems of recent years. Both albums were recorded between 2019 and early 2020, and although “The Loss of Beauty” was initially conceived as the band’s third album, ‘Beyond The Shores’ took its place as it better reflected the doom and gloom sentiment of the ‘annus horribilis’ 2020.

Across 11 tracks (plus two bonus tracks), Shores Of Null once again submerges listeners with tempestuous and turbulent riffs. The band continues to hone its sound and take its melancholic dark metal to new heights by mastering an assorted palette of genres with inbred poignancy. The lyrics celebrate beauty in imperfection and transience and are meant to be an invitation to seek beauty in little things, especially those unexpected and ephemeral.

“Those who follow Shores Of Null from the very beginning know that our influences touch many genres, and I think those who loved ‘Quiescence’ and ‘Black Drapes For Tomorrow’ won’t be disappointed. I consider ‘The Loss Of Beauty’ to be the natural evolution of those records, while ‘Beyond The Shores (On Death And Dying)’ represents a slight detour from the main road, a quite successful experiment in which we gave vent to our most dark and dramatic side, focusing exclusively on gothic/death/doom metal, almost funereal at times. Those who have known us with ‘Beyond The Shores’ might find ‘The Loss Of Beauty’ a bit different, faster in tempos but still very gloomy and melancholic, so I’m pretty confident the album will be well received by fans in general.” adds vocalist Davide Straccione.

Dark and heavy, tinged with feelings of despair, “The Loss Of Beauty” was released on March 24th, 2023, and recommended for fans of Swallow The Sun, Borknagar, and Paradise Lost.

Music Video – The Last Flower – https://youtu.be/W_LV8-Mz8qA

​

Music Video – Darkness Won’t Take Me – https://youtu.be/zjY8Wztnq-k

​

Album Stream:

YouTube – https://youtu.be/vWOcwJYjhq8

Spotify – https://spoti.fi/3ZckbMW

​

Album order (Digital, CD, Vinyl) – https://linktr.ee/thelossofbeauty​

Track Listing:​
1. Transitory – 1:20
2. Destination Woe – 4:52
3. The Last Flower – 4:59
4. Darkness Won’t Take Me – 4:14
5. Nothing Left To Burn – 4:55
6. Old Scars – 4:23
7. The First Son – 2:17
8. A Nature In Disguise – 6:26
9. My Darkest Years – 4:56
10. Fading As One – 5:19
11. A New Death Is Born – 4:54
Album Length: 48:40
Bonus Tracks (CD and digital only)
12. Underwater Oddity – 4:18
13. Blazing Sunlight – 1:57

Shores Of Null is:
Davide Straccione – Vocals
Gabriele Giaccari – Guitars
Raffaele Colace – Guitars
Matteo Capozucca – Bass
Emiliano Cantiano – Drums

For more info: Spikerot.com | Shoresofnull.com
​

About: Shores of Null stand out from their contemporaries with their ability to blend seemingly disparate elements into their sound, overwhelmingly heavy and soothing at the same time: blackened aggression stands alongside gothic-doom sections without either sounding out of place. Their music can be both melancholic yet majestic, made of chorale-like guitar textures across the instrument’s entire range, sustained by a powerful rhythmic section and punctuated by a refined mixture of clean and growled vocals, along with extensive use of pleasing vocal harmonies which have become the band’s trademark through the years.

The Rome-based metal band has been an unwavering presence within the metal underground since their musical outset in 2013, churning out three impressive records: the melodic and somber “Quiescence” (Candlelight, 2014), the darker and more complex “Black Drapes For Tomorrow” (Candlelight/Spinefarm, 2017), and finally their most ambitious work to date “Beyond The Shores (On Death And Dying)” (Spikerot Records, 2020), a 38-minute long opus which continues to prove the band’s willingness to go off the beaten path while creating their ultimate doom manifesto.

The band’s fourth album “The Loss Of Beauty”, recorded during the same sessions of “Beyond The Shores”, was released in March of 2023.

– 30 –

Metal Hammer writers’ top metal albums of 2023 – Edwin McFee – #20 – Shores of Null – The Loss of Beauty

“Once again, Shores of Null continue to impress with yet another slab of high-quality doom/death that seems the quintet on an upwards trajectory. Their “Alice in Chains gone doom” recipe needs no repairing, thank you kindly, and while they’ve been around for nearly a decade, it’s still exciting to see where they go from here, because it still feels like The Loss of Beauty is hinting at even greater things to come. Add this to your overcast morning breakfast coffee moments, or your sunny afternoon chillout sessions.” – Angry Metal Guy​
​
​“With The Loss of Beauty, Shores of Null have released a hot contender for my album of the year, which I can warmly recommend to every fan of melancholic metal with doom, gothic, melodic death and black metal influences! I give this masterpiece the highest grade!” – Soundmagnet Magazin​
​
​“I highly recommend spending a quiet hour listening to the record with headphones.” – Powermetal.de​
​
​“It is a highly entertaining set of songs that comes together well nonetheless and leads to an emotional impact upon the listener. Fans of melancholic doom metal will find a lot to like here.” – Metal Bite​
​
​“with this new work, the Shores Of Null have shown all their majestic talent: The Loss Of Beauty is an album that mixes evil and joy, clarity and impurity, melodies and distortions with extreme dexterity. An album that will attract you thanks to its enchanting idyllic and romantic scores but which will make you unleash as soon as the rough and atrocious parts come into play: a record capable of transporting the interlocutor into a mystical and fairy environment but simultaneously unhealthy and distressing. Nothing to add: listen to them and I’m sure you will have yourselves confirmed everything I said!” – Metal Wave​
​
​“”The Loss Of Beauty” has not lost its beautiful melodies And it is exactly this mix that SHORES OF NULL keep to the end of the album… “The Loss Of Beauty” convinces by far Stretches through its refreshing heterogeneity. Straccione’s very strong vocal performance does the rest.” – Metal.de​
​
​“The Loss Of Beauty offers melancholic dark metal with a wide range of influences, from gothic metal to doom metal to melodic black/death metal. With frequent use of clean vocals and deep growls. A must for fans of Paradise Lost, Amorphis and Enslaved.” – Metalogy

​
​–
ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780
jon[@]ashermediarelations[.]com
Facebook @AsherMediaRelations
Instagram @AsherMedia
Tweet @AsherMedia

0 Out Now! TZIMANI’s New Album “I Feel Fine” via Glory or Death Records (Vinyl) & Noize Cartel (Digital)

  • November 15, 2024
  • by Asher
  • · Music News · Tzimani

NEWS RELEASE

Montreal, QC – November 15, 2024

Out Now! TZIMANI’s New Album “I Feel Fine” via Glory or Death Records (Vinyl) & Noize Cartel (Digital)

L-R – Eddie Vazquez – Guitars, Bass, Synthesizers, Vox – Seb Vazquez – Drums,
Photo Credit: Chris Mcfly

Breaking out with their self-titled debut EP in 2018, San Diego, USA’s Eddie and Seb Vazquez brother duo that makes Tzimani are excited to unveil their first full-length album entitled “I Feel Fine”, now available as of November 15th on Glory or Death Records (Vinyl) and Noize Cartel (Digital).

“This album has been a trial of our toughest mental and emotional challenges to not only complete but to release into the ether as it took us over two years to complete from the time we first recorded drums back in August 2022 to when we finally had masters in hand in June of 2024. In a lot of ways, this album represents an emotional rebirth of the band with efforts to take on the world in the metal scene after a protracted period of relative inactivity dating back to mid-2019 after we wrapped up our touring to promote the 2018 EP.

We plan on rebuilding the momentum that was lost during the pandemic years and hitting the ground with a renewed vigor and sense of excitement to bring our live performance to places we have not been to and recapture the support of all the fans we left hanging over the last five years to let them know that we are back! We are ready to reclaim the title as the fearless gruesome twosome in the music sphere and we could not be more thrilled to be working with Buddy and Ygor and the Glory or Death Records label and having them allow us to try to transcend our music and reach the broadest audience.” adds Sebastien Vazquez.

Picking up right where the 2018 EP dropped off, Tzimani‘s album “I Feel Fine” features the same elements of catchy hooks, clean rhythms, and dynamic vocal lines. However, there are bits of deviation when it comes to injecting new elements. Fans will hear an added synthesizer for some of the tracks, an exploration into AOR rock, and some expressions of today’s modern music scene for this collection of eight songs of their finest hour adds.\

Sebastien Vazquez explains further:

“You know those albums that you listen to over and over again and you just know when the first song hits your sense of familiarity, nostalgia, warmth, and comfort? That is what we are trying to encapsulate. The album is straightforward heavy metal mixed with modern elements with a dash of AOR and we feel it is the best representation to show everyone what we are capable of. We are also trying to represent the future of the band and give everyone an entry into some of the larger questions that we struggle with and how we choose to represent that with our songwriting. We are not the type of band that is capable of singing about stories, dragons, and swords, but we excel at writing tunes that people can genuinely relate to and connect with.”

Tzimani is recommended for fans of Van Halen, Haunt, Striker, Traveler, Skull Fist, and Cauldron.

Tzimani‘s new album “I Feel Fine” is now available as of Nov 15th, 2024 on Vinyl and digitally at the following links:

Spotify – https://spoti.fi/40NvoHW

​

Digital – http://tzimani.bandcamp.com/

​

Vinyl – https://www.gloryordeathrecords.com/shop/p/tzmani-i-feel-fine-pre-order-​

Previous singles:

I Feel Fine – https://youtu.be/xll4IuaBIP0​

“We Stand and Fight” – https://youtu.be/8yneRSyOlHY​

“Haunting” – https://youtu.be/0NB9XxLAABs​

Track Listing:​
1. We Stand and Fight (4:30)
2. Breaker (3:28)
3. Hold On (4:31)
4. Haunting (3:59)
5. Endless Road (5:24)
6. Bleeding Life (3:29)
7. Empty (3:27)
8. I Feel Fine (4:56)
Album Length: 33:45

More info: https://www.facebook.com/tzimaniofficial | https://www.instagram.com/tzimani_official​

About: Formed in 2017, Tzimani hit the ground running with their debut demo and a relentless West Coast and Southwest tour, winning over fans with electrifying performances in cities like Portland, Seattle, and Texas. Their 2018 self-titled EP, released via Noize Cartel Records, became a launching pad that propelled them into the national spotlight. With over 100 shows across North America and standout appearances at major festivals, the band quickly built a reputation as a live act not to be missed.

Drawing from legendary influences like Iron Maiden, Van Halen, and Mötley Crüe, Tzimani’s music is a bold fusion of melodic AOR and the raw power of old-school heavy metal. With twin-guitar leads, soaring solos, and thunderous drumming, their sound is equal parts grit and glory. Eddie’s vocals, reminiscent of Dio, along with his fierce guitar work, channel the spirit of classic rock while still pushing forward into new sonic territory.

After their 2020 expanded re-release of the EP, Tzimani faced an unexpected pause as the world shut down. But through the stillness, the brothers’ creativity simmered, building anticipation for their next big move. Now, with their first full-length “I Feel Fine” (Out Nov 2024), they’re stepping into uncharted territory by incorporating synthesizers to deepen their sound, adding a dynamic, atmospheric layer that brings new emotion and energy to their music.

Tzimani’s partnership with Glory or Death Records marks the beginning of a fresh journey. With their signature blend of melody and muscle, the band is primed to reach a broader audience and reignite their momentum on stages across the country. The stage is set, the wheels are turning again, and Tzimani is ready to reclaim their place as a force in the rock and metal scene.

-30-

“the blistering new single “Haunting” from metal duo Tzimani! Driving speed riffs, AOR keys, breakout solos and soaring vocals make “Haunting” a very cool track.” – WJOE – Findlay’s Home for Rock & Roll
​
“At full throttle (opening track We Stand And Fight, for instance) they’ll take you right back to the glory days of names like The Rods, or any of those classic US power metal names of the early eighties, but the key to Tzimani’s appeal is their ability to add huge doses of melody to the muscle; When they get this right, as they do on Hold On and Empty, the sound they create – like the Adrian Smith-penned Iron Maiden classics of the mid eighties – is hard to resist… This really is top notch stuff, and I can’t recommend it highly enough if you like proper, old school heavy metal like it used to be made.” – Sentinel Daily
​
​
​“I Feel Fine is a ….hmm.. fine collection of classic heavy metal songs, with enough energy and punch to make you hit the replay button” – Velvet Thunder

“Typically, when promo proclaims that a band represents a “bold new take” on a traditional, well-trod style, you can expect the same: yet another forgettable “revitalization” of a sound and aesthetic that has been done to death, reanimated, and then slaughtered by copycats once more. In the case of Tzimani, the status quo is effectively put in its place.” – Sleeping Village

“Electrifying pace sets ‘We Are The Ones’ on fire, hurtling along at full velocity, displaying all the hallmarks associated with the “foot on the monitor” style of traditional heavy metal. Hitting hard like an out of control wrecking ball” – Frenzy Fire / Metal Gods TV

” refreshing heavy rock 8/10″ – SoundMagnet (German)

” This two piece hailing from San Diego shredded their way through their set. Straight up heavy metal brothers rocking their way across North America. Eddie can really play the guitar. Each song they played were full of mean riffs and ripping solos.” – Metal As Medicine (Live Review – 2019 – Kelowna, BC)

” They surprised us all when vocalist/guitarist Eddie Vazquez announced that they were the only other band on the bill. It was their best time to shine. Kudos to you Vazquez brothers!… Tzimani set up shop, and made that stage their biatch! Soon enough they began playing songs that were not included in their demo such as “Overdrive,” and dished out their hits “Final Hour” and “Get Me Out Of Here” which are available on their demo. These bros emitted a tremendous confidence and were still glowing from their recent inaugural American tour.” – Ugh Metal (Live Review – 2017 – San Diego, CA)

—
ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780
jon[@]ashermediarelations[.]com
Facebook @AsherMediaRelations
Instagram @AsherMedia
Tweet @AsherMedia

0 HELLFIRE 76 New Video “Rags to Rage” Is A Rip Roaring Rock Title Track Off New Album Out End of Nov 2024

  • November 14, 2024
  • by Asher
  • · Hellfire 76 · Music News

NEWS RELEASE

Montreal, QC – November 14, 2024

HELLFIRE 76 New Video “Rags to Rage” Is A Rip Roaring Rock Title Track Off New Album Out End of Nov 2024

North Carolina, USA’s, Southern Metal duo Hellfire 76 has just dropped their rippin’ new video for single “Rags to Rage” the title track from their upcoming first full-length, which hits speakers on November 29th. The song showcases the band’s signature combination of fuzzed-out grooves and occult-themed storytelling, drawing from founding member Von Bury’s New Orleans roots. The band comments on the single:

“Musically, it’s fast and aggressive; lyrically, it’s pretty much an “action/reaction” lyric- each to its own interpretation. Simply put, we wanted a song that kicked down the door right from the start. It’s full of fast grooves with rapid-fire lyrics.”

The two-piece outfit, featuring Von Bury (guitar/bass/organ/vocals) (formerly of the Southern Gothic act LOVESUCKER and the Occult Rock act and Napalm Recording artist BLOODY HAMMERS) and Mike McGuiness (drums) (formerly of the Industrial Metal act FACE THE WORLD), delivers a massive wall of sound that belies their minimal lineup. Recorded in a single take, “Rags to Rage” demonstrates the raw power and precision that has earned Hellfire 76 recognition as one of the heaviest two-piece acts in the local scene.

Looking to branch out further, the act challenges metal and rock fans to indulge with their new music video, which can be seen and heard via its premiere on GhostCultMagazine HERE.​

All killer-no filler, this two-piece brings 110% to their album “Rags To Rage”. The overall theme of this record is dark, taboo, spooky, tongue-in-cheek, fuzzed-out southern metal. Von Bury explains further:

“The album RAGS TO RAGE is a continuation of our first release, in that the subject matter is all thought-provoking. As for a lot of music, we want the lyrics to be literal but also open to the listener’s interpretation. Sticking with the theme and ideas of Voodoo, Witchcraft, The Occult, and other oddities. We want to take the listeners on a dark and ominous journey into a place they don’t normally think about.”

For fans of Melvins, Clutch, Killing Joke, and Fu Manchu, “Rags To Rage” is available for album pre-order at https://hellfire76.bandcamp.com.

Previous Music Video – The Omen – https://youtu.be/eKTyZMM-pn8​

Track Listing:​
1. Rags to Rage – 3:33
2. Steal Your Soul – 3:25
3. 1000 Crimes – 3:38
4. As Above – 3:44
5. The Keepers – 3:40
6. Magic and Religion – 3:23
7. Black Angel – 3:43
8. The Omen – 5:45
Album Length: 30:52

More info: Hellfire76.com | Facebook.com/Hellfire76nc | Instagram.com/hellfire76nc​

-30-

“Dark, mysterious, foreboding, yet strangely inviting. This is the latest single (The Omen) from HELLFIRE ‘76, a band that brings together the things you love about heavy music: bold, swinging riffs, gruff manic vocals, crunchy chugging rhythms. “The Omen” has got it all going on, which lyrically “is about how religion uses fear to prey on weak minds to do the dirty work.” – Doomed and Stoned

“Drink the concoction prepared by the band, a cocktail of blood riffs, genuine rhythms and distorted vocals that you can find in the dirtiest pubs in New Orleans! Fans of Kyuss, ZZ Top, Killing Joke, The Melvins and Clutch will be thrilled!” – Heavy Mag

“In the radius of bituminous rhythms, nevertheless animated by a Rock energy, we frankly opt more for cousinage with CLUTCH, a formation that has always been able to evolve between thickness, melody and conciseness. With, as a bonus, these hints of greasy and oily Blues which inject a kind of groove and sap within a Metal which should not silence or ignore its affinities with the severe and groovy Metal proper to Pantera.” – Integral Metal

“Hellfire 76 comes at you hard and heavy and without mercy.” – Doomed Nation

“Hellfire 76, A duo devoted to rampaging Stoner-Doom-Psych-Metal, which swings to dense blues licks that suggest a Triceratops mating with a Sherman Tank!” – Q C Nerve

The Hellfire 76 use the masks of voodoo, witchcraft, the occult and tarot cards to tell us stories of how Evil has taken over our world, ruled by liars, impostors and careerists. People are flooded with a river of lies, perpetrated by governments and the Church, which obscure our view of the Truth.” – Progressive Rock Journal​
—
ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780
jon[@]ashermediarelations[.]com
Facebook @AsherMediaRelations
Instagram @AsherMedia
Tweet @AsherMedia

0 Streaming Now! Montreal’s CHÜZO Take Over The World w/ Aggro-Metal and New EP “M.T.M.D (Maximum Threshold, Minimum Decay)”

  • November 14, 2024
  • by Asher
  • · CHUZO · Music News

NEWS RELEASE

Montreal, QC – November 14, 2024

Streaming Now! Montreal’s CHÜZO Take Over The World w/ Aggro-Metal and New EP “M.T.M.D (Maximum Threshold, Minimum Decay)”

Produced by Kevin Jardine (Slaves On Dope)

L to R: Alex S (Bass), Cristian S (Guitars/Vocals), Mischa M (Vocals), Carlos G (Drums)

Photo Credit @stutteringuzii (Instagram)

Montreal, Canada’s CHÜZO is ready to take on the metal world with the introduction of their self-described Aggro-Metal and new EP entitled “M.T.M.D (Maximum Threshold, Minimum Decay)”. The three-track record marks the next chapter and true representation of what their sound is meant to be with the fresh new lineup who are hungry to showcase what this forthcoming EP will spark.

Produced by Kevin Jardine (Slaves On Dope), the EP is a full audio assault upon all the senses from the heavy riffs to the soaring vocals of Brazilian transplant and new vocalist Mischa M. She is joined by local first-generation Chilean Canadian and mastermind Cristian S. along with Carlos G from Venezuela and Alex S from Russia whom all have found Montreal, Canada to be home to breed their ‘Aggro Metal’, a blender of grindcore, Swedish death metal and a touch of thrash metal crossed over with hardcore punk.

“The sound of the band evolved from, initially, grindcore, to hardcore, to now Aggro Metal. This is finally what CHÜZO was meant to sound like after many years and many ex-band members. This mark III version of the band is the final evolution in the sound of CHÜZO.” adds Cristian S.

The EP’s lyrics are driven by self-reflection and daily struggles. The inspiration for writing comes from life experiences and trying to live past them, especially the traumatic ones. Using all bad energy from bad experiences to create something positive for yourself and the world. This EP speaks of vengeance and the bad side of dedicating your life to achieving your desired revenge despite your own life and sanity. Brutal Social Justice.

For fans of Sepultura (Cavalera Bros era 84-96), At the Gates, Napalm Death, Slipknot, and Fuck the Facts, “M.T.M.D (Maximum Threshold, Minimum Decay)” is due out on November 15, 2024, and can be heard in full before it officially drops via its stream premiere on Decibel Magazine HERE.

EP pre-order/digital per-save is available at the following links:

Bandcamp – https://chuzomtl.bandcamp.com/album/m-t-m-d-maximum-threshold-minimum-decay​

Digital Pre-Save – https://distrokid.com/hyperfollow/chzo/mtmd

Lyric Video – Brand New Cell – https://youtu.be/61YlVuG3gsI​

EP Artwork by Draught https://www.instagram.com/draught___/​

Track Listing:​
1. The Brutalator – 3:39
2. Brand New Cell – 3:12
3. Bruised and Broken – 4:21

More Info: Instagram.com/chuzo.band | Facebook.com/chuzo.band​

-30-

—
ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780
jon[@]ashermediarelations[.]com
Facebook @AsherMediaRelations
Instagram @AsherMedia
Tweet @AsherMedia

0 Out Now! Canada’s HETEROMORPHIC ZOO Unleashes “New World” EP and “Ritual of Fidelity” Music Video

  • October 11, 2024
  • by Asher
  • · Heteromorphic Zoo · Music News

NEWS RELEASE

Montreal, QC – October 11, 2024

Out Now! Canada’s HETEROMORPHIC ZOO Unleashes “New World” EP and “Ritual of Fidelity” Music Video

Produced by Chris Wiseman (Shadow of Intent, Currents), Mixed and Mastered by Christian Donaldson (Cryptopsy)

Left: Jon Power (Bass), Center front: Megan Ash (Violin), Center back: Ray Heberer (Guitar, live vocals), Right: Bryce Butler (Drums)

Photo Credit – Rico Marques

Emerging metal act Heteromorphic Zoo, from Victoria, BC, Canada, is set to captivate audiences with their debut EP “New World”, produced by Chris Wiseman (Shadow of Intent, Currents) plus mixed and mastered by Christian Donaldson (Cryptopsy). Coinciding with the EP launch, the band has unveiled the music video for their single “Ritual of Fidelity”, which they comment on:

“This song is about an ancient power awakening within a great tomb, filled with monsters. The leaders declare their loyalty (or fidelity) to the overlord. Musically, the actual “ritual of fidelity” takes place in the middle of the song. It’s a classical 3-voice fugue between the violin, lead guitar, and rhythm guitars + bass with a subject, tonal response, 2 counter subjects, and everything. Of course, it’s not a pure fugue since other instruments are also playing, but that’s the skeleton of it, and the callback to an old baroque form brings out the ritualistic nature of the song.”​
​​
“Ritual of Fidelity”
 has a memorable lead guitar melody during its chorus, chuggy yet melodic verse riffs, and an overall more neoclassical sound. The violin is fairly subdued and in the background until the moment of the ritual fugue, since that moment is meant to introduce it to the listener for the first time.

Born from a desire to create “Worship Music for Monsters”, Heteromorphic Zoo‘s five-track EP showcases a diverse and extreme sound that pushes the boundaries of modern metal. Lyrically, “New World” tells the story of a grand alliance of monstrous beings invading a new realm, with perspectives shifting between the monsters, their overlord, and their enemies. The band’s innovative approach combines groove and melody, intricate riffs, and powerful breakdowns, resulting in a sonic experience that defies easy categorization. They are recommended for fans of In Flames, Within the Ruins, and Ne Obliviscaris.

Watch the music video for “Ritual of Fidelity” via TheCirclePit at https://youtu.be/YQ3D1dLu1eA

​Released on October 10th, 2024, “New World” is available at the following links:

​https://heteromorphiczoo.bandcamp.com/album/new-world​

Music Video – Avatara – https://youtu.be/nWZVq-u7Lec

​Music Video – Napalm – https://youtu.be/vYY6nMhP3p4

​

Track Listing:​
1. Ritual of Fidelity – 3:29
2. Your Final Seconds (feat. Ville Hokkanen) – 3:42
3. Napalm – 4:22
4. Avatara – 3:39
5. Aura of Despair – 3:41
Total Length 18:53

EP Credits:​
All songs performed by:
Heteromorphic Zoo
Coty Garcia – Vocals
Megan Ash – Violin
Ray Heberer – Guitar, Bass
Bryce Butler – Drums
​
All songs written by:
Ray Heberer (SOCAN member)
Produced by Chris Wiseman
Mixed by Christian Donaldson
Mastered by Christian Donaldson
Album Artwork by Lordigan Pedro Sena
Music is Canadian Content – MAPL
​
Album band lineup:
Coty Garcia – Vocals
Megan Ash – Violin
Ray Heberer – Guitar, Bass
Bryce Butler – Drums
​
Live band lineup:
Ray Heberer – Vocals, Guitar
Megan Ash – Violin
Jon Power – Bass
Bryce Butler – Drums

More Info: https://linktr.ee/heteromorphiczoo

-30-

““Napalm” is indeed fiery, but at its core it’s a jackhammer fest that will loosen your teeth and disjoint your spine, accompanied by utterly deranged vocals that sound like a fight between bull elephants, howler monkeys, and a pack of demons that just escaped Hell. Oh, but there’s more! Exotic melodies spin through all the bombs dropping and the jackhammers busting up granite, and a violin takes the exultant soloing role, elevating the music to head-spinning glory.” – No Clean Singing

—
ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780
jon[@]ashermediarelations[.]com
Facebook @AsherMediaRelations
Instagram @AsherMedia
Tweet @AsherMedia

0 Out Now! CHAIN CODE’s Spacey, Progressive Debut Album “Synthetic Outcomes”

  • October 1, 2024
  • by Asher
  • · Chain Code · Music News

NEWS RELEASE

Montreal, QC – October 1, 2024

Out Now! CHAIN CODE’s Spacey, Progressive Debut Album “Synthetic Outcomes”

“Synthetic Outcomes” Out Oct 1st, 2024

Chain Code, the progressive rock project from Milwaukee, USA, is now officially reeling their debut album, “Synthetic Outcomes”, which will hurtle listeners through time and space as they go on a sonic journey through a dystopian future where technology has overtaken humanity, blending complex melodies, dissonant chords, and thought-provoking lyrics into a cohesive and immersive experience. Mastermind MuRphry shares his thoughts on the album:

“I am pleased to finally unleash this labor of love. I started this project in 2022 and manically wrote two albums, fixated on creating paranoid yet beautiful progressive rock to express my enjoyment of dystopian science fiction that sees humanity losing its very essence to machines. The initial point musically was to have Adrian Belew join Voivod in my bizarro musical mind. I encourage any weirdo to put on a set of headphones and take a trip to our future with the chaotic elegance that is Chain Code!”

Each track on the concept album offers a unique perspective on the overarching theme of the consequences of humanity’s overreliance on technology. From the frantic energy of the opening track “Human(kind of)” to the haunting beauty of “In Line” Chain Code masterfully balances chaos and harmony, creating a sound that is both challenging and rewarding.

“Synthetic Outcomes” invites listeners to immerse themselves in a world where technology has the upper hand, but the future is still uncertain. It is recommended for fans of progressive rock, sci-fi themes, King Crimson, and Talking Heads.

Listen to “Synthetic Outcomes” at the following links:

​

Bandcamp – https://chaincode.bandcamp.com/album/synthetic-outcomes​

YouTube – https://bit.ly/3zG4hn8

​

Track Listing:​
1. Human(kind of) (8:12)
2. A New Face (4:42)
3. They’re NOT Mad Scientists (4:16)
4. Unlearn (6:18)
5. My Buddy (3:54)
6. Inadequate (4:27)
7. Junk Piles and Their Lonely Owners (5:16)
8. Reaching Out (7:02)
9. In Line (8:00)

More info: Facebook.com/ChainCodeBand

-30-

“the new track (In Line) is a bold musical statement with one foot in modern progressive technical musical prowess, but with eye on the class and lyricism of the distant past greats of the genre.” – Ghost Cult Magazine​
​
​“Progressive rock fans, get ready to be captivated by the latest offering from Chain Code, a unique and complex solo project led by the enigmatic MuRphry who channels his love for prog rock and sci-fi into a potent sonic experience… ‘A New Face’ is a short, yet windy, frantic, and complex song that is as unpredictable as it is catchy.” – The ProgSpace​
​
​“If System of the Down and Primus had a child, that child would sound like the debut single “A New Face” from Chain Code… With a unique blend of melody, dissonance, and intricately stringed arrangements, Chain Code is set to spin progressive rock on its head not only with their debut single but also with their debut album Synthetic Outcomes” – Amplify The Noise

“As debut albums come, Synthetic Outcomes is quite exceptional… Keep an eye open for this captivating artist, and beware of our computer overlords that are just around the corner waiting to take over for good.” – Disagreemeent.nl​
​
​“US band Chain Code are out with the album “Synthetic Outcomes”, and progressive metal is the style explored on this production. That being said, a lot of the heart and the soul of this band appears to revolve around aesthetics from the 1970s, and then from more expressive bands from the progressive rock tradition back then. With plenty of references to King Crimson, possibly also Gentle Giant, and if you know about a band from that era that played around with avantgarde tendencies and whimsical attitudes there’s a good chance that you’ll encounter references in that line too. With a bit of a theatrical display in the vocals department to boot, and some of the flamboyant aspects from the symphonic progressive rock tradition added as a bit of a subtle seasoning. But the band have chosen to explore those landscapes in a metal guise. An understated one at that, but still with metal rather than prog as the expression and orientation of choice. An album to seek out if the idea of exploring expressive 1970s progressive rock in a metal guise strikes you as an appealing proposition.” – Progressor

—
ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780
jon[@]ashermediarelations[.]com
Facebook @AsherMediaRelations
Instagram @AsherMedia
Tweet @AsherMedia

0 LOUD AS HELL Adds ANCIIENTS, POUND OF FLESH, ART OF ATTRITION, EXTERMINATUS To 2024 Lineup

  • July 25, 2024
  • by Asher
  • · Art of Attrition · Loud As Hell Festival · Music News

NEWS RELEASE

Montreal, QC – July 25, 2024

​LOUD AS HELL Adds ANCIIENTS, POUND OF FLESH, ART OF ATTRITION, EXTERMINATUS To 2024 Lineup

w/ BEYOND CREATION, GREEN JELLY, STRIKER, RIPCORDZ, THE CONVALESCENCE AND MORE!

August 2-4 – Camping & Extreme Music In Alberta’s Badlands – Drumheller, AB

LAH 2024 Lineup Spotify Playlist – ​https://sptfy.com/QjaZ

​

One of Canada’s most beloved decibel-breaking extreme music events, LOUD AS HELL OPEN AIR FESTIVAL returns with its most ferocious lineups to date for its 2024 edition with headliners BEYOND CREATION, GREEN JELLY, STRIKER, RIPCORDZ, THE CONVALESCENCE and many more!

Today, the festival announces the addition of Vancouver’s ANCIIENTS as Saturday night headliner, Red Deer’s blackened technical deathcore squad ART OF ATTRITION, Vancouver death metal EXTERMINATUS, and Ontario hardcore POUND OF FLESH to replace Malignancy, Immortal Suffering, Vitriol, and Thantifaxath whom unfortunately were forced to cancel their performances.

Hosted in Drumheller, AB from Aug 2nd to 4th, this year’s festival will be celebrating its twelfth year showcasing some of the best Canadian and international talent to roar through the country’s largest badlands.

Headling the first night of the festival will be legendary American comedy rock band Green Jelly who will huffing and puffing with their “Three Little Pigs” and more! They will supported by horror deathcore tyrants The Convalescence who will be making their second back-to-back appearance at LAH. The second night will feature Juno Award winning prog metal masters Vancouver’s ANCIIENTS and Ontario hardcore misfits Pound of Flesh along with Vancouver up-and-coming thrashers Terrifier and one of Canada’s favourite punks Montreal’s Ripcordz. Closing out the festival on its third night will be Montreal’s technical death metal titans Beyond Creation with support from Edmonton’s Juno-winning heavy metal champions Striker along with one-of-a-kind video game metal aficionado band, Florida’s Super Monster Party performing their first ever show date in Canada.

The full lineup for this year’s Loud As Hell Open Air Festival is listed below.

Weekend Passes (including camping) are available at https://www.loudashell.ca/tickets (Pick Up at Willcall)

Aug 1 – Kick-Off Party – Neigbours’ Corner Pub​
Tides of Kharon
Culled
Pridelands
Ditch Pisser
​​
LOUD AS HELL OPEN AIR FESTIVAL 2024 LINEUP:
​
​
​Aug 2​
Green Jelly
Adrian Bellue (Acoustic)
The Convalescence
Aussy Blood (Freak Show)
Squid Hammer
Our Last Crusade
Balrogath
Prohibitor
Vaegon
​
​Aug 3​
Anciients
Pound of Flesh
Adrian Bellue (Acoustic)
Gutter Creek
Aussy Blood (Freak Show)
Terrifier
Ripcordz
Heartsick
Hazzardous Material (Burlesque)
Revolution Engine
Kelevra
Book of Ghosts
Naitaka
Raising The Ruins
Upside Down Man
Delirium
​
​Aug 4​
Beyond Creation
Striker
Art of Attrition
Super Monster Party
Tyrants Demise
Asylum of Ashes
Exterminatus
Hazzardous Material (Burlesque)
Rams Kull
Slaughterhouse Effect
Storm The Empire
Augurium
Phaeton
Kill Witch

Info:

Roaring into the Alberta badlands where the Dinosaurs once roamed, the annual gathering of metalheads from across Canada and beyond will be celebrating its 12th year of decibel-breaking music in 2024. Since its inception in 2012, LOUD AS HELL OPEN AIR FESTIVAL has exposed hundreds of Canadian and international bands annually with the exception of 2020 due to the Covid pandemic. Their 2023 edition was host to the most stacked lineup to date featuring JUNGLE ROT, NARCOTIC WASTELAND, INCITE, NECRONOMICON, THE CONVALESCENCE, and lots more. Previous years have witnessed well-known bands such as Into Eternity, Goatwhore, Battlecross, Fit for An Autopsy, Anciients, Archspire, Unleash The Archers, Striker, KEN mode, Obey The Brave, Protest the Hero, AngelMaker, Divinity, Neck of The Woods, Endast among many more.

Video – Jungle Rot – A Call To Arms – Live at LAH 2023 – https://youtu.be/b5GCaJ–lZo​

Video – Jungle Rot – Stay Dead – Live at LAH 2023 – https://youtu.be/_b62YzpxcLc​

Volunteers Wanted For 2024:​
Volunteers are wanted for production and security. For full details email at loudashellfestival[@]gmail[.]com

More info:
​
LoudAsHell.ca​
​Facebook.com/LoudAsHellFestival​
Twitter: @LoudAsHellFest
Instagram: @LoudAsHellFestival
​Social Media Hashtags #LAHXII and #LAHOA2024

Festival Press Materials – Posters, Band Links, EPKs, Photos – HERE.​

About:

LOUD AS HELL OPEN AIR FESTIVAL has hosted hundreds of Canadian and international bands annually since 2012 with the exception of 2020 due to the COVID-19 pandemic. During its decade of showcasing Canadian and international bands, the festival has grown into a pilgrimage for metalheads from across the country.

LOUD AS HELL OPEN AIR FESTIVAL 2024 will be celebrating its twelfth festival event presented by Loud As Hell Productions, Jurassic Ink Custom Tattoo, Prairie Fire Events, and Asher Media Relations. LAH always works its hardest to deliver the best lineup in the West ready to melt your face off. Featuring bands from across Canada and beyond, you won’t want to miss any of it. And don’t forget about their freak shows, burlesque dancers, clinics, vendors, and dinosaurs!

LAH Partners:​
WCMFA – Western Canadian Metal Festival Alliance
Asher Media Relations
Bravewords
Metal-Rules
Absolute Underground Mag
Ghost Cult Magazine
Valley Brewing
Canalta Hotels
Neighbors’ Corner Pub
Prairie Fire Productions Ltd
Big Nate Productions
Trash Talk with Nate
Trash Slimbztv
MetalHeads United
Heavy Metal A Way Of Life
QMR (Queen Metal Radio)

– 30 –

What the press is saying:

“Located an hour and a half east of Calgary is the town of Drumheller, Alberta. With a population in the neighborhood of 8000 and existing smack dab in the middle of Canada’s desert and dinosaur country, it’s not a place one would immediately associate with any sort of metal scene, let alone a big-ass outdoor metal fest. But that’s where you’d be wrong. Going into its 11th year, the Loud as Hell Festival is set to roll on August 4-6th with the likes of Narcotic Wasteland, Jungle Rot and Incite headlining three days of metallic fun featuring 40 or so bands, including The Convalesence, Gorgatron, Necronomicon, Untimely Demise, Eyes of Perdition and more.” – Decibel Magazine

“Western Canada’s loudest heavy metal festival brings fans to town more known for dinos than drum solos.” – CBC Calgary

“What’s more metal than the badlands? Drumheller, AB, is known for being the dinosaur capital of the world — but it’s also the home of the Loud as Hell festival, an event celebrating none other than the loudest music known to man (and, by proxy, prehistoric reptile).” – Exclaim!

“Loud as Hell – one of Canada’s top underground metal festivals – was a metal family reunion. If you walked around the grounds, where tents covered the landscape like flowers, you would experience concert goers laughing, hugging and just enjoying the moment. The music played non-stop and the people were some of the best you’ll meet. What else do you need? If you’re a metalhead fan, mark it down for next year because this is a concert you don’t want to miss.” – Blackfalds Life

“Headbanger alert: Loud As Hell festival to ramp up the volume” – Calgary Herald

“Nevermind the bug spray and sun tan lotion, as August approaches Drumheller residents should stock up on earplugs.” – Calgary Herald

“Loud As Hell returns to the southern Alberta city for its seventh year and as its name implies, will rock the city to its core.” – Calgary Herald

“Loud as Hell has celebrated eight years in the Badlands to date, with acts from all over the world-shattering the peace and quiet of the hills in a camping and music extravaganza.” – Hanna Herald

“Drumheller with its dinosaur bones is the site of the annual Loud as Hell heavy metal festival Friday through Sunday. Dozens of the heaviest bands known to Man will be taking the stage, many of them Canadian” – Gig City​
—

ASHER MEDIA RELATIONS

Jon Asher – Music Publicist
#.514.581.5780
jon[@]ashermediarelations[.]com
Facebook @AsherMediaRelations
Instagram @AsherMedia
Tweet @AsherMedia

0 Exitus Stratagem Records – Streaming Now! THIRTEEN GOATS’ Wild Death Metal Rock Opera “Capricorn Rising” + “Planet of the Goats Tour” w/ FALL OF EARTH

  • July 11, 2024
  • by Asher
  • · Music News · Thirteen Goats

NEWS RELEASE

Montreal, QC – July 11, 2024

Streaming Now! THIRTEEN GOATS’ Wild Death Metal Rock Opera “Capricorn Rising”

“Planet of the Goats Tour” w/ FALL OF EARTH

New Album “Capricorn Rising” Out July 12th, 2024 via Exitus Strategem Records

“It’s really strong. GREAT musicians, great production, as well as a very progressive aspect without losing the darkness.” – Kelly Schaefer, Atheist

L-R: Thirteen Goats Current Lineup | Rob Fitz-Gerald (Lead & Rhythm Guitars, Backing Vocals) | Graham K. Miles (Lead Vocals, Lead & Rhythm Guitars) | Cody Lewichew (Bass, Gang Vocals) | Leonid Verman (Drums, Gang Vocals) – Photo Credit: Kevyn Lilith Hoskin

​

Vancouver, Canada’s Thirteen Goats are proud to release their second album—the extreme metal rock opera “Capricorn Rising”. It tells the story of their mascot, Shepherd: a goat-skull-wearing Antichrist who raises an army of animals to liberate the earth from humanity’s constant wars and greed. This high-concept narrative is delivered with Thirteen Goats‘ signature blend of infernal riffs, huge hooks, and uniquely theatrical songwriting. They comment on the album:

“We think fans are going to get everything they loved about our first record, only more of it—and more focused. We’re exploring similar themes on this release, but we’ve connected them by weaving a cohesive story throughout these nine tracks that gives more context to the different musical and tonal shifts. And just like on the last record, we haven’t been afraid to break the rules.”

Each song on the album is part of a broader narrative that explores themes of disillusionment, radicalization, and rebellion as Shepherd and his 12 demon goats wage their crusade. Thirteen Goats delivers a unique blend of death and thrash metal, combined with a storytelling approach that takes listeners on a journey through the darkest aspects of both human and animal nature.

Listeners can expect furious riffage, ambitious song structures, and even occasional female guest vocals (courtesy of guest artist Carly Ellen Jones). What they shouldn’t expect is a record that plays it safe or falls neatly into one specific subgenre. Thirteen Goats is recommended for fans of Lamb of God, Carcass, and Mastodon.

Listen to the album’s full stream premiere via Decibel Magazine HERE.

Due out on July 12, 2024, “Capricorn Rising” is available from Exitus Stratagem Records for album pre-order at https://www.exsrmusic.com/store/p/pre-sale-thirteen-goats-capricorn-rising​

Music Video – Murder Lives in the Heart – https://youtu.be/hpgqlbehecM​​​

In additional news, following their performance at this year’s Armstrong Metal Fest (July 12/13), Vancouver’s Thirteen Goats announce that they will be hitting the road this July and August for their first major Western Canadian tour. They will be co-headlining the “Planet of the Goats Tour” with Edmonton’s Fall of Earth.

Planet of The Goats Tour – Fall of Earth, Thirteen Goats​
July 19 – Red Deer, AB – The Vat
July 20 – Edmonton, AB – Starlite Room
July 21 – Lloydminster, SK – The Sticks
July 23 – Brandon, MB – Eastside Eatery
July 24 – Winnipeg, MB – Bulldog Event Center
July 25 – Regina, SK – The Exchange
July 26 – Lethbridge, AB – The Slice
July 27 – Calgary, AB – Rec Room
July 31 – Kelowna, BC – Dunn Enzies (venue change from Revelry)
Aug 1 – Kamloops, BC -The Blue Grotto
Aug 2 – Penticton, BC – Clancy’s
Aug 3 – Vancouver, BC – The Fox Cabaret

Track Listing:​
1. Sign of the Goat (4:53)
2. Murder Lives in the Heart (5:30)
3. A Wolf in Shepherd’s Clothing (4:10)
4. Global Fuckup (3:57)
5. Beheading Zoo (3:44)
6. Permission to Die (3:48)
7. Beating the Disease (4:24)
8. Goats of War (5:25)
9. Animal Kingdom (6:19)

More info: Exsrmusic.com | ThirteenGoats.com​

-30-

“What makes this turbocharged song (Sign of The Goat) so damned much diabolical fun is the band’s melding of viscerally compulsive grooves, head-spinning instrumental pyrotechnics, and rapid-fire vocal assaults — and doing so in a way that makes the track highly infectious too. The song vividly intersects with the tech-death sphere through flurries of quickly darting, swirling, and swarming riffage, deliriously cavorting arpeggios, and a multitude of percussive fusillades. As displayed in the video, fingers and limbs fly like the wind, and the guttural barks and hair-raising screams in the vocal department rhythmically eject the violent words just as fast and just as furiously. But, as forecast, the song is also a viscerally groovesome beast. It’s almost relentlessly hard-slugging, but what really stands out are brutish, muscle-galvanizing jackhammer-bursts, the first of which comes only 25 seconds into the track. Another one of those episodes sets itself up as the backdrop for crazed guitar soloing that sounds like the ecstasies of fiends. And we did warn you — this thing is also immediately catchy and enduringly addictive. It comes recommended for fans of Bolt Thrower, Archspire, and Lamb of God.” – NoCleanSinging

​

What the press said about 2022 album “Servants of the Outer Dark”:

#14 on Top 20 – Loud – Canadain College Radio – August 2022 (Earshot)

“An alchemical style reminiscent of Cannibal Corpse, Misery Index, classic Megadeth, melodic Swe-death, and all eras of Death and Carcass.” – Decibel

“Rips, we’re here for it.” – MetalSucks

“Perfectly marries old school death metal, blackened tendencies, and heavy metal choruses.” – Metal Injection

“THIRTEEN GOATS unapologetically raise the deathcore flag for the new decade and absolutely don’t care what people think.” – Exclaim!

“Think Vulgar Display of Power-era Pantera in a cage match with Cannibal Corpse and Ministry.” – The Georgia Straight

“A gut-punching and head-hooking offering of death metal that borrows liberally from many of the genre’s subsets, as well as bringing in elements of thrash, black metal, and grindcore.” – No Clean Singing

“With a name like THIRTEEN GOATS, it’s gonna be evil. It’s cool, thrashy, blackened groove metal, a little like a Lamb of God sound with a bit more heavy brutality going on and a dash of black metal evilness. Great stuff!” – The Mosh Pit on WORT 89.9 FM (Madison, WI)

“THIRTEEN GOATS make seriously good music and sound like they have a lot of fun doing it. They write great upbeat thrash songs with strong melodies that appropriately sway from sinister to camp and pull it off tremendously. For some classic charcuterie of extreme metal mixed with a bit of tongue in cheek, you’re well looked after here.” – Heavy Mag

“THIRTEEN GOATS is a new strength in the extreme scene.” – Metal Temple

“The starting point of Thirteen Goats and their debut album Servants Of The Outer Dark is death metal, but it doesn’t remain tied to it. They explore all types, including tech death and melodic death metal, and even genres outside of that like thrash, groove, and doom metal. Each song brings out a unique side to the band, whether it’s the politically charged ‘Prisoner’s Anthem’ or the body horror of ‘Sub-Being.’” – Heavy Music Headquarters

“Canada’s THIRTEEN GOATS are incredibly fun to listen to and at multiple points subtly humorous—and, as such, make themselves easily a breath of fresh air within the technical scene. That sense of fun is backed up with very proficient playing and dizzying creativity, far beyond what you would expect from a debuting act’s first full length… Servants of the Outer Dark is an excellent debut full-length from these guys and I can’t wait to hear more!” [9/10] – Metal Observer

“All you need is love? No. All you need is THIRTEEN GOATS. Their debut album has everything your heart could desire in a Metal record, it’s a metaphorical pizza with all the toppings and a better thrill ride of a first crack we defy you to find!” [8.5/10] – Metal Noise

“These guys have the ability and the chops to succeed, whilst channeling bands like Lamb Of God into their output.” – Man of Much Metal

“This is so good.” – Stephen Quinn, The Early Edition (CBC Radio One)

—
ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780
jon[@]ashermediarelations[.]com
Facebook @AsherMediaRelations
Instagram @AsherMedia
Tweet @AsherMedia

0 Halifax’s TURBO Shares Heartbreak Anthem “No Savior” Off Upcoming NWOTHM Album “Broke And Ugly” Out July 2024

  • June 28, 2024
  • by Asher
  • · Music News · Turbo

NEWS RELEASE

Montreal, QC – June 28, 2024

​

Halifax’s TURBO Shares Heartbreak Anthem “No Savior”

New NWOTHM Album “Broke And Ugly” Out July 2024

Set to release their high-octane NWOTHM album “Broke & Ugly” this coming July 12th, Halifax, Canada’s moshpit instigators TURBO are sharing the next single and heartbreak anthem “No Savior”. The track was written by drummer Sylvain Coderre and vocalist/guitarist Evan Frizzle while both were going through nasty breakups.

“The lyrics talk about that, and issue a warning of sorts to future ladyfriends: “I ain’t no savior, I’ll burn here forever”. It is definitely one of the album’s standout anthems.” adds the band.

Listen to “No Savior” at https://youtu.be/suUkogNN5uo

​

Fast, heavy, and raw, Turbo’s highly anticipated second album “Broke and Ugly” takes the signature sound that they cultivated on their debut album “Fast As Fvck” and sees the quartet fine-tune it along with throwing in some peppering and experimentation into the songs, it’s certainly no rehash, fans of the first album’s sound will certainly rejoice.

“Broke and Ugly” is Turbo‘s second testament to the ups and downs of the rock-and-roll lifestyle, and it comes in swingin’ HARD. The music is raw, greasy, and mean; but it’s also tight, coordinated, and flashy. The lyrics are defiant and visceral, painting a real picture of where vocalist Evan Frizzle’s mind was during the writing process of the album. Themes go from party anthems to drugs, to women of flings-past, to life on the road, and back again. It’s edgy, it’s real, and it’s undeniably Turbo.

The band adds:

“It’s an absolute slaughter in 7-tracks, sure to scratch an old-school itch you didn’t realize was there. Like your disheveled uncle on Christmas morning, Turbo is STILL trashed, pissed off, and sick of your shit. Get yourself a grimy slab of Thrash, add a good pinch of NWOBHM catchiness, and throw it on the burner. Mix in some spicy glam metal and sleaze rock into a bowl with a large helping of punk rock and hardcore. Drizzle that over what you have on the burner, and garnish with a singer determined to turn his voice into sand whose lifestyle and worldview will make you worry for him, and you have the recipe for Turbo’s distinct flavor.”

The artwork for “Broke and Ugly” was done by the band’s primary artist and good friend, Tim Murray. It depicts a dive-bar nightmare bathroom that has been – to put it diplomatically – well-loved. It has a few little Easter eggs from other songs from the band peppered through it, and a green hand grabbing for some shit tickets from a busted-ass urinal that belongs to the velociraptor featured in the album art from their first record, “Fast As Fvck”.”

Embodying the full-speed-ahead attitude that defines Turbo, they are recommended for fans of W.A.S.P., Motorhead, and Judas Priest.

Album pre-order for “Broke and Ugly” is available at https://turboasfvck.bandcamp.com/merch​

Music Video – “Down In Mexico” – https://youtu.be/7HousH65t8s

​

Spotify – https://distrokid.com/hyperfollow/turbo5/down-in-mexcio-pre-release​

Track Listing:​
1. Ruthless Forever
2. Ignite the Night
3. No Savior
4. Scorpio Garbage Fire
5. PissJugs and Rattlesnakes
6. Nothing to Nowhere
7. Broke & Ugly
8. Down in Mexico
Total Length: 29:12

Lineup:​
Evan Frizzle: Vox, Lead & Rhythm Guitar
Lindsey Dicks: Lead & Rhythm Guitar
Henry MacDonald: Bass Guitar
Sylvian Coderre: Drums

For more info:
​
Facebook.com/TURBOFAF​
​Instagram.com/turboasfvck​

​

– 30 –

“TURBO is Halifax’s answer to Motorhead…” – The East Mag

“It is a thrash metal rollercoaster of a musical ride that grabs you by the dick and doesn’t let go until bust a riff-inspired ear nut.” – Slickster Magazine

—
ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780
jon[@]ashermediarelations[.]com
Facebook @AsherMediaRelations
Instagram @AsherMedia
Tweet @AsherMedia

Page 9 of 123
  • 1
  • …
  • 7
  • 8
  • 9
  • 10
  • 11
  • …
  • 123

Asher Media Relations Tweets

Tweets by AsherMedia

Enter your email address to subscribe to this blog and receive notifications of new posts by email.

Join 2,163 other subscribers

Blog at WordPress.com.

  • Bandcamp
  • Twitter
  • Facebook
  • YouTube
  • Subscribe Subscribed
    • ashermediarelations.com
    • Join 642 other subscribers
    • Already have a WordPress.com account? Log in now.
    • ashermediarelations.com
    • Subscribe Subscribed
    • Sign up
    • Log in
    • Report this content
    • View site in Reader
    • Manage subscriptions
    • Collapse this bar
 

Loading Comments...