• About AMR
  • Festivals & Associations
    • 420 Music & Arts Festival (Calgary, AB)
    • Armstrong Metal Fest (Armstrong, BC)
    • Calgary Metalfest
    • Calgary’s YYC Music Awards
    • Days of The Dead Festival (Red Deer, AB)
    • Loud As Hell Metal Fest (Drumheller, AB)
    • Metalocalypstick Fest (Lone Butte, BC) – Mountains, Camping and the Women of Metal!
    • ShrEdmonton Metal Fest & Conference
    • WACKEN METAL BATTLE CANADA
    • WACKEN METAL BATTLE USA
  • Services (Hire Us!)
  • Subscribe To AMR Artist News & Album Promo

Category: Music News

0 Montreal Heavy Rockers PARADISE Share 1st Music Video From Quarantine Series “From The Van” – Watch “Away From You”

  • July 13, 2020
  • by Asher
  • · Music News · Paradise

(contact info below)

NEWS RELEASE

Montreal, QC – July 13, 2020

Interview Request at asher[@]ashermediarelations[.]com

For fans of Clutch, Queens of The Stone Age, KYUSS, Volbeat, Foo Fighters

Montreal Heavy Rockers PARADISE Share 1st Music Video From Quarantine Series “From The Van”

Watch “From The Van” Quarantine Video “Away From You”

New Self-Titled Album Out Now! via Vega Musique


L-R – Fred Crew Grr (Guitar), Matt Hias (Drums), Fred Kelly (Bass), R.L. Black (Vocals), Frank Kelly ( Lead Guitar)
Photo Credit – R.L.Black

Like many musicians and bands around the world, members of Montreal’s heavy stoner rockers Paradise have been separated from one another as a precaution to the Covid 19 pandemic. Not able to see each other to have regular jams along with postponements of performances, the band has adapted to the state of the world and continues to promote their heavy and winding arrangements of corrosive rock with the creation of a new quarantine video series entitled “From The Van”.

For the series, the band has recorded two songs from their latest self-titled album released this past March. Today, the band shares their first video for the track “Away From You”.

“Funny enough, we all own our own vans, so we decided to each record ourselves performing our tunes with multi-camera angles. This is Covid 19 style! We couldn’t do it on stage, couldn’t do it for our fans, so we did it in our vans!” says vocalist R.L. Black.

Watch the quarantine van version of “Away From You” on the following platforms:
YouTube
Facebook
IGTV

Back in the summer of 2002, co-founders and fellow guitar players, Frank Kelly and Jet Phil recruited good friends Mike Plant (Sword) and drum god Michel “Away” Langevin (Voivod) to release Paradises 1st album “Rock Anthropologists on the Kon Tiki Voyage”. Summer of 2004, the usual suspects were rounded-up including a collaboration of Voivod’s late but great Denis “Piggy” D’Amour to work on Paradise’s follow-up record “Hotel”. Now in 2020, composed of Frank Kelly (guitars), Fred Kelly (bass), RL Black (vocals), Fred Crew Grrr (guitars) and Mat Hias (drums), Paradise, like a phoenix that is reborn from its ashes, have released a new eponymous album that sways on the line between hard stoner rock and pure heavy metal that was mixed and mastered by Kevin Jardine of  Slaves On Dope. From the opening piece and future classic “Straight From Hell” to the album closer “Free in Exile”, Paradise delivers an album where the balance between catchy riffs, attitude, intensity, and melodies is perfect.

Paradise‘s self-titled album is available for stream and download on Spotify, Bandcamp.com, and Apple Music.

Music Video “Straight From Hell” HERE.

Music Video “Hitting On All Sixes” HERE.


Track Listing:
1. Straight From Hell (3:37)
2. Hitting On All Sixes (3:53)
3. Who Do You Wanna Be (3:35)
4. One Of A Kind (4:34)
5. Never Cry Again (3:33)
6. Low Down And Shaking (4:59)
7. Barn Burner (3:37)
8. Long Gone (2:54)
9. Away From You (3:30)
10. Free In Exile (4:03)
Album Length: 38:20

Album and Live Band Line Up:
Fred Crew Grr – Guitar
Fred Kelly – Bass
R.L. Black – Vocals
Matt Hias – Drums
Frank Kelly – Lead Guitar

For more info:
Paradiserockband.com
Facebook.com/paradiserockmtl
Instagram.com/paradiserockmtl
EPK

– 30 –

“Fans of melodic heavy rock, there’s a new sheriff in town!” – Jano Lapin
“Solid, driving Hard Rock from the quagmires of Quebec!” – Reek Of STOOM
“Brilliant from start to finish !” – Stoner Rock Army
“A record that growls like a hungry beast” – ARP Média

“The synergy of this quintet gives the listener a proper kick in the ass needed to remember why we fell in love with the format. They also lend proof as to why heavy metal is the cornerstone of the myriad of hard rock subgenres. Blistering guitar riffs, thundering drums, and of course ample swipes at stuffy establishment rules.” – Boston Rock Radio

“The album opens with “Straight From Hell” and it is an adrenaline high. It is an unmistakable straight forward rock construction of verse-bridge-chorus, repeat, repeat, and the dial is set on stadium anthem. RL Black’s vocals are about as rock and roll as you can get – strong clean singing with a gruff edge. The lead breaks are short to fit in with the song structure, and they are pretty metal. I like the brand they have going here. It is great driving music, great drinking music. I would be stoked to see Paradise on the list of bands at a festival because you can just feel from these songs that they are going to put on a good show on stage.”  – Flying Fiddlesticks Music Blog

—

ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780
asher[@]ashermediarelations[.]com
Facebook @AsherMediaRelations
Instagram @AsherMedia
Tweet @AsherMedia

0 Okanagan Proggers LAKEMAN Share Visually Atmospheric Live Video “Pandosy”

  • July 13, 2020
  • by Asher
  • · Lakeman · Music News

(contact info below)

NEWS RELEASE

Montreal, QC – July 13, 2020

 

For fans of Russian Circles, Mogwai, Godspeed You! Black Emperor, And So I Watch You from Afar

Okanagan Proggers LAKEMAN Share Visually Atmospheric Live Video “Pandosy”

New EP “Progenitor” Out Now!

Visual instrumental prog band Lakeman split up earlier this year, but before they say goodbye to the age of their EP “Progenitor” released this past January, the band is sharing with fans their live video “Pandosy”, which captures footage of the band’s final night of rehearsal and last three sold-out shows in Kelowna and Penticton during November 2019.

Lakeman‘s Robert McLaren explains further:

“We worked really hard to try to get every song we wrote filmed in order to highlight the fact we were exchanging instruments and using more than the standard rock band set up.

We tried to film/record “Pandosy” on multiple occasions and it would never work out for whatever reason: technical difficulties, poor quality recording, bad performances.

When we decided to stop playing live for an indeterminate amount of time, possibly for good, we knew our final shows would be our last chance to film “Pandosy”. All week at rehearsals and even the first show of the weekend we were shaky, I remember my fiddle was out of tune the first night.

“Pandosy” is always our big ender of the night. So we played it for what might be the last time and we captured this beast of a song on film and record.

It was a fitting end if that was the end. At that time we weren’t sure.”

To watch this epic visually atmospheric live video for “Pandosy”, please visit the following platforms:
YouTube
Facebook

“Progenitor” was the second audio-visual release from LAKEMAN. Most of the EP was recorded live off the floor by Kaylub Burke at the Center for Arts and Technology with mixing and mastering by Andy Ashley. Visual elements for the EP were filmed and edited by Jonathan Robinson, and lighting was operated by Joshua Goodwin.

Lakeman‘s Robert McLaren explains the release:

“We all seem drawn to lo-fi expression for this project. I personally love to capture moments rather than reproduce them. 90% of “Progenitor” was live off the floor, recorded as a band playing together in a room. I would not suggest this for most bands, it is a waiting game to find the take that everyone played their best and usually, time is not a luxury when you are in a studio. However, you have to learn to love your blemishes and flaws as a band when you record this way. It is a form of radical self-acceptance.” 

“Progenitor” is available for stream and download via Bandcamp.
CD and vinyl versions that feature individual one of a kind acrylic pour artwork are sold out.
(Watch the EP art creation video here.)
Music Video – “Powers Creek” here.
Music Video – “25,000 + Hectares” here.

LAKEMAN had a devoted cult-like following throughout the Okanagan Valley and British Columbia. The band’s long-form instrumental and genre-bending approach beckoned audiences of various musical forms. They reveled in the band’s ability to exchange instruments everything from drums to guitars, bass, keyboards, synthesizers, and even the fiddle and banjo. All this happened on stage while the music continued seamlessly through ambient soundscapes.

The overall theme of the band was a sonic meditation of the veiled and macabre history of the Okanagan valley. The group found their sound in a deeply collaborative approach, very little of the composition was done apart, and there was no “songwriter”. The band started the compositions by first improvising together, the feel of each improvisation being vastly different based on who was playing which instrument. As mentioned earlier the band did not have assigned instrument roles as most other bands traditionally do. You could find any one of the members doing anything from turning knobs on a synthesizer to singing into a violin before they started bowing it. After finding the improvisation the band liked, they would then begin the long process of composing around this initial improvisation. Once a LAKEMAN piece of music started to take form, the band would start considering a local myth or legend to devote the theme to, this deepened the band’s thematic composition. This was when the piece would usually take its final or close to its final form.

Track Listing:
1. Powers Creek (8:08)
2. 25,000 + Hectares (7:12)
3. Pandosy (10:38)
EP Length: 25:59

Band Line Up:
Josh Bissonette: guitar, bass, keys/synth, drums
Josh Pym: guitar, bass, keys/synth, vocals
Warryn Berry: guitar, keys/synth, drums
Robert McLaren: guitar, bass, keys/synths, drums, vocals, fiddle, banjo

For more info:
Facebook.com/lakemanband
Instagram.com/lakemanband

– 30 –

“Experimenting with unique atmospherics, delving deep into concepts that feature tidbits of Okanagan history and relying heavily on intuition, LAKEMAN goes beyond catchy riffs and infectious hooks to create living and breathing art that resonates.” – Kelowna Now

—

ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780
asher[@]ashermediarelations[.]com
Facebook @AsherMediaRelations
Instagram @AsherMedia
Tweet @AsherMedia

0 Montreal Progressive Death MESSORA Premiere Music Video ‘The Door’

  • July 10, 2020
  • by Asher
  • · Messora · Music News

(contact info below)

NEWS RELEASE

Montreal, QC – July 10, 2020

 

 

For fans of Opeth, Children of Bodom, Lamb of God, Psycroptic, Gojira

Montreal Progressive Death MESSORA Premiere Music Video ‘The Door’

Debut Album ‘The Door’ Out Now!

  

Photo Credit: Vladim Vilain

Unleashing the debut album “The Door” this past October, Montreal’s Messora are excited to share the new music video for the album’s title track. Produced entirely by the band and a group of friends, the conception and production of the video was a massive undertaking for them.

“It is a collection of imagery and aesthetics meant to reflect and enhance the sounds and themes of “The Door”. We are extremely pleased and proud to be able to share it today.” says vocalist/guitarist Zach Dean.

The music video for “The Door” can be viewed via its premiere on BeheadingTheTraitor HERE.

Formed as a solo recording project in 2016 in Montréal, Québec, Messora has become a band that obscures and challenges genres. To the band, the music comes as what feels best in the moment. To the fans, it is a kaleidoscope of sound that appears different at every glance and to every eye.

Messora has been described as Death Metal, Black Metal, Thrash Metal, Progressive Metal, Melodic Metal, and Doom Metal by fans and showgoers. The elements that make up the music may seem familiar to some, yet the whole remains a challenge to define.

The band knows how to set themselves apart from others musically as well as aesthetically, with showmanship and presentation second only to musical performance during their live show. They demand attention with their presentation, but keep it with the strength of their performance and musicianship. Having shared the stage with bands such as Carach Angren, Mors Principium Est, and Wolfheart, Messora always delivers, visually, aesthetically and musically.

During October 2019, Messora released their debut album “The Door”. The album shifts between genres, and creates a visceral atmosphere that can’t be confined to a single category, be prepared to hear death, melodic, doom, and progressive elements throughout the seven tracks on the album. Looking to challenge listeners, Messora presents an album that requires attention and an open mind, as Zach Dean quotes:

“I am trying to present fans with a record that you listen to front to back and come out of feeling different. Maybe not even different, maybe just more like yourself. The album as a whole is very varied musically while remaining focused and tight. It’s very clearly a metal album but you can hear that we want to go to different places and incorporate different influences throughout the record. Most of the songs are very long and have very complicated structures and changes, but it’s always meant to feel right and musical rather than abrupt and meaningless.”

Any metal lover who craves proggy and dark music especially along the lines of Opeth, Psycroptic, and Gojira will find Messora to their liking.

“The Door” is available on Bandcamp, Spotify, Apple Music.


Track Listing:
1. The Door (6:04)
2. Tethered (1:34)
3. The Veil (9:40)
4. The Falling Star (8:48)
5. The Pond (5:30)
6. Untethered (3:31)
7. The Tide (9:08)
Album Length: 44:19

More info:
Facebook
Instagram
EPK

– 30 –

“When the album is at its fiercest, I get a distinct GOJIRA vibe…those hard as ice riffs, sterile vocals, and punishing sound.” 8/10 – Metal Temple
“Messora constantly find new directions, evolving their music from one side to the other and back. The fact they can do it flawlessly is a joy [8/10] ” – Metal Noise

“The music is technical, brutal, thoughtful, and emotional; taking the listener on a singular journey to the recesses of your mind… This is music for your ears and soul, so purchase and stream the album at the links below.” – Ghost Cult Mag

“The Door is one record you certainly check out if you want nothing but solid tracks all the way through. This record will certainly put Messora on the metal map.” – Metal Utopia

“Promising career start for the Canadian quartet” – Broken Tomb Magazine

“truly exceptionally talented musicianship that is simply a heavy work of art.” – Boston Rock Radio

“Combining a variety of genres, the group made good impressions on those who shows up early with their tight musicianship and ability to change pace on a moment’s notice” – Apt 613

“… Messora was a whirlwind on stage. It was hard to believe that a half hour had passed when they began to play their final song, as each song had layered onto each other leaving viewers with a feeling that the experience was almost surreal.”- Splice Media Group

 

—

ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780 | asher(@)ashermediarelations.com
Facebook @AsherMedia | Tweet @AsherMedia | Instagram @AsherMedia
AsherMediaRelations.com

0 Out Now! OSYRON New Album “Foundations”; Share Behind The Scenes Making Of Video + Announce Endorsement With Solar Guitars

  • July 10, 2020
  • by Asher
  • · Music News · Osyron

(contact info below)

NEWS RELEASE

Montreal, QC – July 10, 2020

 

Interview Request at asher[@]ashermediarelations[.]com

For fans of Nightwish, Symphony X, Dream Theater, Kamelot, Wintersun

Out Now! OSYRON New Album “Foundations”; Share Behind The Scenes Making Of Video

Announce Endorsement With Solar Guitars

L-R: Krzysztof Stalmach (Guitar) | Cody Anstey (Drums) | Bobby Harley (Guitar) | Reed (Vocals) | Tyler Corbett (Bass)

Photo Credit by Ara Shimoon

 

Calgary’s Osyron are proud to unleash their new album “Foundations”, out now, as of July 10th. The album is an immersive exploration of Canadian history and identity, speaking on topics on the country’s colonization to the mistreatment and recognition of Aboriginals to the country’s participation in global warfare. Although it is not a conceptual release, it does bear a consistent theme across nearly the entirety of the record. For fans of Nightwish, Dream Theater, and Wintersun; Osyron is progressive, powerful metal with a knack for engaging storytelling.

The band comments:

“We believe that the album will both surprise and challenge our current and new fans while still bringing back the big elements we are most known for (hooks, huge layered sections, melodies, and finger-twisting riffs, etc). This album is meant to be digested as an immersive exploration of Canadian history and identity. Delving into sensitive topics such as cultural genocide, racism, and segregation. It touches on more communal elements of emotion such as loss, pain, hope, and perspective of faith.

Overall, ‘Foundations’ is a view into an unseen and rarely explained/talked about topics; human nature. We wanted to bring to life on the very foundations that Canada as a nation was built; the bloodshed, war, and assimilation of different ethnic groups (mostly First Nations) that cultivated into what we know as Canada today, as well as the very fabric that the complex, diverse culture of Canadians share.

We hope we perfectly blend art with history, expression with emotion, and opinion with reason. ‘Foundations’ is but a chapter in a young nation’s history book, that just completed its prologue.”

Along with the album’s release, Osyron are sharing with fans a personal and very detailed Behind The Scenes documentary video that grants insights into the process of birthing“Foundations”. The band talks about their sound experiences of creating and thereby covers the steps of making an album, all the way from the first ideas and motivations through writing, recording, mixing, and mastering.

Watch the video on YouTube HERE.

And if that’s not enough for making it a perfect release week, guitarists Bobby and Krzysztof proudly announce that they are now officially endorsed Solar Guitars artists. The brand, founded by The Haunted guitarist and YouTube guitar icon Ola Englund, offers high-quality instruments for everyone from amateurs to studio pros and touring musicians – showing a strong focus on innovation and fair pricing while sticking to the highest possible standards. Solar Guitars works with artists such as Marcus Siepen (Blind Guardian), Jonas Wolf (Eluveitie), or Johan Bergebäck (Necrophobic), only to name a few.

Osyron‘s new album “Foundations” is available on Spotify, Apple Music, Tidal, Deezer HERE.

Album CD and digital download via Bandcamp HERE.

Music Video “Ignite” – YouTube, Facebook
Music Video “The Ones Below” – YouTube, Facebook 



Track Listing:
1. The Cross (5:01)
2. Ignite (4:33)
3. Battle of The Thames (6:51)
4. The Ones Below (3:54)
5. Foundations (8:20)
Album Length: 28:41

Band Line Up:
Krzysztof Stalmach (Guitar)
Cody Anstey (Drums)
Bobby Harley (Guitar)
Reed (Vocals)
Tyler Corbett (Bass)

Album Credits:
– Producer: Self-produced
– Studio: Studio D (drums), CRM Sound and Tyler Corbett Music (all other instruments and vocals)
– Mixed: Tyler Corbett (Tyler Corbett Music)
– Mastered: Alan Sacha Laskow (Perfect Filth Studios)
– Artwork: Piotr Jamroz
– All music and lyrics written by Osyron

For more info:
Osyron.com
Facebook.com/osyron
Instagram.com/osyronband
EPK

What the press is saying:
“Everything about this band is top quality and one of the most proficient, mature, classy and yet still exciting new bands in this field.” – Metal Rules

“Get close, get warm and listen to the tales told of Canada by Osyron. 8/10” – Games, Brrraaains & A Head-Banging Life

“a very solid entry into one of my favorite genres and I think it will fit right in many people’s playlists – and, more importantly, I think the playlist would be lacking without it. This one is worth picking up. I don’t think you will regret it at all.” – Uber Rock

“From acoustic to symphonic, each song has plenty of twists and turns with potent vocals and compelling arrangements that showcase Osyron’s instrumental prowess.” – Heavy Music Headquarters

“this record is symphonic and proggy in all the right places, and if you like bands such as Nightwish, Symphony X, Dream Theater, Kamelot, and Wintersun, you’re going to like this. But in my opinion, the ace card here is the lyrics, and the way that every member of the band has explored and interpreted the subject matter. They all had a hand in writing the tracks, for the first time in their history, and I think that it has really worked very well. I might not have known Osyron before hearing this record, but I definitely intend to get to know them more now.” – Ever Metal

““Ignite,” a battering ram to the face. A song that merges together two competing elements, the need for speed, and the curious desire for melodical contextualisation.” – The Median Man

About:
Osyron is a symphonic metal band based in Calgary, Alberta. The group consists of vocalist Reed, guitarists Krzysztof Stalmach and Bobby Harley, bassist Tyler Corbett, and drummer Cody Anstey. Bridging the gap between traditional European metal and the music of their homegrown contemporaries, Osyron has a sound all their own.

The band’s origins can be traced back to Ontario, where they began under the name Morbid Theory. After releasing two demos (Chaos Breed in 2006 and Harbinger in 2010), the band underwent some changes in membership, scenery, and identity. Moving to Alberta in 2012, the group, now rechristened Osyron, re-recorded Harbinger in Calgary, and released the album in 2013.

After releasing their sophomore album, “Kingsbane”, in the fall of 2017, the momentum that followed was swift. “Kingsbane” caught the attention of the European metal community – proving a favourite of audiences, critics, and radio programmers.

In 2018, Osyron released a metal cover of the Canadian national anthem, which picked up speed across the country. This patriotic theme continues into the new album “Foundations” (2020). Stemming from a perspective of Canadian identity and culture – both past and present, the new album challenges the global perspective of the great white north by retelling historical moments in an immersive and melodic manner. Speaking on topics of Canada’s colonization to the mistreatment and recognition of Aboriginals to the country’s participation in global warfare.

Performing alongside numerous major acts such as Norther, Protest The Hero, Into Eternity, Threat Signal, and The Agonist, Osyron’s next goal is to take their sound across the Atlantic in the flesh.

”Foundations” is due out July 10, 2020, and will be available on all major digital platforms.

– 30 –

—

ASHER MEDIA RELATIONS

Jon Asher – Music Publicist
#.514.581.5780
asher[@]ashermediarelations[.]com
Facebook @AsherMediaRelations
Instagram @AsherMedia
Tweet @AsherMedia

0 Canadian Thrash Legends ANONYMUS Share Music Video “Máquinas” via GhostCultMag

  • July 9, 2020
  • by Asher
  • · Anonymus · Music News

(contact info below)

NEWS RELEASE

Montreal, QC – July 9, 2020

Interview Request at asher[@]ashermediarelations[.]com

For fans of Slayer, Testament, Voivod, Lamb Of God


Canadian Thrash Legends ANONYMUS Share Music Video “Máquinas”

Premiere “Máquinas” via GhostCultMag

First Spanish Album “La Bestia” Out Now! via Bam&co Heavy


L-R: Carlos Araya (drums), Daniel Souto (guitars), Oscar Souto (Vocals and Bass) and Jef Fortin (guitars)

Photo Credit: Dani Rod

Canadian thrash legends Anonymus recently unleashed their 12th album “La Bestia” on June 12th via label Bam&co Heavy. Known for their discography of both French and English releases, “La Bestia” is their first full length that is completely in Spanish. You may be asking why a Spanish album? Well since 3/4 of the band speaks Spanish. Drummer Carlos Araya is Chilean born, and Oscar (Lead Vocals and Bass) and Dan Souto (Guitars and Backing Vocals) are sons of Spanish immigrants it was time to make one.

Today, the band shares their new music video recorded live in-studio for their track “Máquinas” via its premiere on GhostCultMag HERE.

The band reveals the story behind the track:

“This song is inspired by all the movies that we saw over the years that related to the machines that are taking over humans. We are not very far away from that, except that it’s not happening in the way that we thought. I mean who can live now without an iPhone or iPad or living without the internet and Google, YouTube, Facebook. Ok maybe it’s not like the movies in which humans were attacked by malefic robots, but it’s a different attack and we are losing the battle.”

The tracks on “La Bestia” were produced mainly by guitarist Jef Fortin as well as Colin Richardson who also produced 1999’s ‘Instinct’ and Jean-Francois Dagenais (Kataklysm) who produced 2006’s ‘Chapter Chaos Begins’. The album also features the bilingual song “Violencia Versus Violence” with the participation of Carlos Maldos of Lethal Creation (MX) and Arno Dhenain Le Bourhis of Black Bomb A (FR) along with a second bilingual track “Tierra” with Marco Calliari singing in Italian.

With over 2.5 million streams on Spotify, Anonymus is showing no signs of slowing down. Fans of thrash metal standbys such as Slayer and Testament will no doubt be intrigued by this new offering.

“La Bestia” album stream and download on Spotify, Apple Music, Deezer HERE.

Videos:
Lyric Video “La Bestia” HERE.
Music Video “Sobrevivir” HERE.
Music Video “Terremoto” HERE.

Track Listing:
1. Bajo Presión (3:31)
2. Bicho Loco (3:58)
3. Sobrevivir (4:11)
4. Violencia Versus Violence (featuring Carlos Maldos of Lethal Creation (MX) and Arno from Black Bomb A) (4:33)
5. La Bestia (5:22)
6. Máquinas (3:32)
7. Cada loco con su tema (5:37)
8. Tierra ( Produced by Colin Richardson and Featuring Marco Calliari) (4:01)
9. Terremoto  (Produced by Jef Dagenais (Kataklysm) (3:08)
Album Length: 37:57

Album and Live Band Line Up:
Oscar Souto -Vocals/ Bass
Daniel Souto – Guitar/ Back Vocals
Jef Fortin -Guitar/ Back Vocals
Carlos Araya -Drums/ Back Vocals

For more info:
Bamand.co
Anonymusmetal.com
Facebook.com/anonymusmetal
Instagram.com/anonymusmetal1
Instagram.com/anonymusmetal_es (Spanish/Espagnol)
EPK

About:

Anonymus is a Canadian thrash metal band that explodes on stage with each presence, that pulls you in with its passion and that yells at you with corrosive and violent texts that will not leave anyone indifferent.

Since their first release in 1994, Anonymus has made its mark on the Quebec music scene. From the beginning, the group has been well received while demonstrating its brutal sound and technique that has continually evolved over the years. Oscar Souto (vocals, bass) Daniel Souto (guitar, vocals) Carlos Araya (drums), Jef Fortin (guitar since 2006) and Marco Calliari (vocals, guitar from 1994 to 2006) have since widely traveled the roads of their country, participated in the deprivation of Mononc’Serge and continue today to ignite stages everywhere they go. These veterans of the metal scene continue to proudly carry the torch after 20 years of chaos and barbaric music.

Forever hungry for metal, everyone in Anonymus brings ideas to the table. Sometimes it is a whole song or just the beginnings of one, yet together the band works to create a full thrashy anthem from the pieces, working on it until it is complete. The music always comes first, and when the ambiance is formulated, the lyrics, which come from a personal place and from current events, can be added.

Unstoppable and indestructible, inspired by bands like Metallica, Slayer, Megadeth, and Anthrax; Anonymus is nothing short of the powerful, aggressive and technical thrash metal that they have been refining for decades exemplified on their impressive discography of both French and English releases, which includes: “Ni vu, ni connu” (1994); Stress (1996); Instinct (1999); Daemonium (2002); Academie du Massacre (2003); Chapter Chaos Begins (2006); Musique Barbare (2008); État Brute (2011); Envers et contre tous (2015); P.O.M.M.E (2017); Sacrifices (2019); and their first-ever Spanish album La Bestia (2020) due out June 12 via label Bam&co Heavy.

Today, Anonymus does not need a presentation. This institution of the Quebec metal industry has been offering for twenty-six years, a passion for dark notes and unrivaled power. The offer is still valid. With more than 1500 career shows under their belt, Anonymus is completely in their element when performing in front of fans, they offer only their absolute best ensuring the crowd is moving. Having shared the stage with metal great such as Anthrax, Cannibal Corpse, and Kataklysm at festivals such as Heavy Montreal, Montebello, and through international tours, they are no strangers to a wild show.

ANONYMUS FOLLOWS ITS PATH, AGAINST ALL ODDS!

– 30 –

—
ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780
asher[@]ashermediarelations[.]com
Facebook @AsherMediaRelations
Instagram @AsherMedia
Tweet @AsherMedia

0 Anvil’s July 4th Quebec City Live Stream Available Online Until July 14th – Presented by District 7 Production & L’Anti Bar & Spectacles

  • July 9, 2020
  • by Asher
  • · Music News

(contact info below)

NEWS RELEASE

Montreal, QC – July 9, 2020

Anvil’s July 4th Quebec City Live Stream Available Online Until July 14th

Presented by District 7 Production & L’Anti Bar & Spectacles

 

Back in February, Canada’s Anvil released a new album “Legal At Last” celebrating the legalization of recreational cannabis use in the country. To support this album, the heavy metallers had a very thorough tour planned in the UK and Germany, with an assortment of other stops along the way. Unfortunately, like everyone else, COVID-19 stopped the tour in its tracks.

But on July 4th, the band performed the first Canadian heavy metal live stream from Quebec City, which was organized by District 7 Production and L’Anti Bar & Spectacles. With an overwhelming response to the success of Anvil’s virtual live stream concert, organizers are offering all the fans who missed it, and the fans who watched it demanding to experience the performance again an opportunity to watch the live stream performance until July 14th.

To watch the July 4th live stream show, please visit the following link: https://thepointofsale.com/tickets/abs200707001  

Live Stream Review – Bravewords – ANVIL – Star Spangled Maple Leaf?

– 30 –

—

ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780
asher[@]ashermediarelations[.]com
Facebook @AsherMediaRelations
Instagram @AsherMedia
Tweet @AsherMedia

0 Calgary’s Red Cain Begin The End Of Their “Kindred” Saga With Single Premiere “Sunshine (Blood Sun Empire)” via MetalInjection

  • July 8, 2020
  • by Asher
  • · Music News · Red Cain

(contact info below)

NEWS RELEASE

Montreal, QC – July 8, 2020

For fans of Kamelot, Symphony X, Amaranthe, Powerwolf

Calgary’s Red Cain Begin The End Of Their “Kindred” Saga With Single “Sunshine (Blood Sun Empire)”

Premiere Single via MetalInjection

New Album “Kindred: Act II” Coming Fall 2020

L-R – Tyler Corbett – Guitar, Evgeniy Zayarny – Vocals, Taylor Gibson – Drums – Photo Credit Ravenkin Photography

Red Cain‘s new single “Sunshine (Blood Sun Empire)” ushers in the follow-up album to 2019’s “Kindred: Act I”; entitled “Kindred: Act II”, which follows the warrior Zalcoatl and combines ancient myths and stories with a commentary on how these exist and apply in modern society. The single is complex and drives forward the tale with precision. The band explains what listeners will encounter with this single:

“We upgrade our trademark sprawling, epic, yet tightly wound style to a considerably heavier and more technical level, and add aggressive, direct vocals and a grimy Mastodon-esque occult atmosphere. This track has some of our favourite production and rhythm guitar performances (pay attention to the massive 7-string riffs!), and was a favourite to track vocals to, feeling the power at every step, complete with thunderous drum work.” 

Asking questions about cults, sacrifice, and the future of the human story as well as having an underlying story within itself, “Sunshine (Blood Sun Empire)” is, effectively the first and last track of the “Kindred” album cycle. Featuring some of Evgeniy Zayarny’s best lyrical work to date it borrows directly from Aztec and Mesopotamian ritual writings and mythology to construct an evocative and powerful narrative of a man locked in a battle of wills with a destiny that he yearns to bend to his control.

Recommended for fans of Kamelot, Mastodon, and Amaranthe, “Sunshine (Blood Sun Empire)” is premiering via MetalInjection HERE.

More singles are planned to be unleashed leading up to the expected release of “Kindred: Act II” during October 2020.

“Kindred: Act I” is available on Shop Sliptrick, Apple Music, Spotify, Bandcamp.

For more info:
Facebook.com/redcainofficial
Twitter.com/RedCainArmy
Instagram.com/RedCainArmy

– 30 –

—

ASHER MEDIA RELATIONS

Jon Asher – Music Publicist
#.514.581.5780
asher[@]ashermediarelations[.]com
Facebook @AsherMediaRelations
Instagram @AsherMedia
Tweet @AsherMedia

0 WINTER NIGHTS Continue To Cool Summer With New Single “Unmarked Grave” via NoCleanSinging

  • July 8, 2020
  • by Asher
  • · Music News · Winter Nights

(contact info below)

NEWS RELEASE

Montreal, QC – July 8, 2020

Interview Request at asher[@]ashermediarelations[.]com

For fans of Kalmah, Death, Amon Amarth, Sentenced, Behemoth

WINTER NIGHTS Continue To Cool Summer With New Single “Unmarked Grave” Off New Self-Titled Album

Premiere “Unmarked Grave” via NoCleanSinging

New Self-Titled Album Out July 31, 2020

Efrain Farfan – Back up Vocals and Guitar, Jeremy Farfan – Vocals and Guitar

Winter Nights’ new track “Unmarked Grave” comes after the first single “When December Burns” and it is equally as cold and unrelenting as the first.

The album was recorded between 2015 and 2018 at Atomic Sound in Brooklyn, New York and the amount of time that has been spent in its production really shows with the combination of dark, foreboding lyrics and melodic interludes breaking up pounding riffs. Winter Nights explains the album in their own words, painting a grim picture:

“If you took a deep breath right before free-falling off a cliff in the pouring rain with a glimmer of sunshine trying to come through dark clouds only to fall into a dark hole and wake up crawling all fours on cold soil with snow falling in a dark moonlight forest.”

The lyrics of “Unmarked Grave” reflect on the lingering emotions after everything has died around you, and realizing the world has nothing left to offer. All that is asked is to be buried in an unmarked grave.

This new album is clearly progress for Winter Nights, showing maturity and it’s easy to hear the difference between it and its predecessor. Heavy metal with a smile, Winter Nights has even more music in the works ready for when the world resumes some semblance of normality.

For fans of Belphagor, Amon Amarth, and Dark Tranquility, “Unmarked Grave” can be heard via its premiere on NoCleanSinging HERE.

The self-titled album debuts on July 31, 2020 and is available for pre-order here.

Track Listing:
1. When December Burns (5:47)
2. Starved For Energy (4:09)
3. Withdrawals (4:11)
4. Unmarked Grave (4:52)
5. Day The Sun Died (4:01)
6. Encounters (5:19)
Album Length: 28:21

For more info:
Facebook.com/winternightsnyc
Instagram.com/winternightsnyc
Twitter.com/winternightsnyc
EPK

About:
Winter Nights is a four-piece melodic death metal band emanating from Brooklyn, New York in the winter of 2007. The sound and lyrical themes of their music portray loss, pain, grievance, and darkness.

Guitar driven melodies evoke visceral reactions to the mythic end of the world. They are an integral part of the thriving New York metal scene. As of 2020, their formation consists of dueling guitar brothers Jeremy and Efrain Farfan who also cover vocals, bassist Martin Tune and drummer James Yarusinsky.

The two Farfan brothers came up with the idea for the band after a New Years’ toast and after recruiting a friend they started writing music together and the rest is history. Trading endless amounts of riffs the Farfan brothers devise the majority of the music before presenting it to the rest of the band to be beefed out in the rehearsal studio.

Mainly inspired by nature, places of travel. different scenery. Jeremy gets his ideas from places he’s traveled such as the cliffs of northern Ireland, catacombs of Montreal, nighttime canals of Venice, and the eerie silence of Central Park at night.

Playing with similar bands such as Kalmah, Belphegor, and Insomnium, and on festivals including Maryland Folkfest and Poconos Folkfest, Winter Nights is a mainstay in the New York metal underground. With personal influences rooted primarily in metal, the members of Winter Nights make provocative, despairing, genuine songs. In 2008 they released a self-titled demo EP, followed by another EP “From Darkness Till Dawn” in 2011, and a full length “An Endless Apocalypse” in 2014. 2020 brings a new self-titled album due out July 31st.

– 30 –

“‘Encounters of the Frozen North’ has a lot of thundering, jolting power along with some killer riffs and a dark, somewhat Eastern-influenced melody that worms its way into your head. The music is capped by jagged, tyrannical vocals that make a powerful impact and by a serpentine solo that underscores the reptilian menace lurking within the song.” – No Clean Singing

“The floor of the venue was already seething with eager humanity as local opening act Winter Nights took the stage to kick things off. Sometimes the warm-up acts accomplish little more than to give fans a chance to hit the merch stands or catch up with friends, but the creative vision of Jeremy and Efrain Farfan demanded attention with their tight, more brutal take on Melodic Death Metal. Harsh vocals combined with technical playing and some ultra-melodic guitar leads kept fans engaged and cheering after each song. Winter Nights has been around since 2007, having recently released full-length album An Endless Apocalypse in July of last year. Something like Grave and Amon Amarth meets mid ’90’s Carcass with some mosh-inducing breakdowns defines their sound, with the highlight of the set being the killer “Doomsday Code” and “Deceptive Dreams.”” – Cryptic Rock (Live Review 2015 opening for Dark Tranquility)

“With a distinct Scandinavian flair, but coupled with a bit of the ole US brutality, theirs is a nice melding of catchy older melodic death metal here (read: no watered down pop choruses or the like). “The Doomsday Code” is the cut of choice, with it’s all out thrashy approach that is sure to get the adrenaline pumping and features a solid solo towards the end and even touches upon some black metal influences as well. There’s plenty here that should appeal to fans of anything from Amon Amarth, Arsis, or Dark Tranquillity” – Dead Rhetoric (Album Review 2014 – An Endless Apocalypse)

“a strong debut. The album highlights the bands strong points and shows they can be both intense, brutal and then melodic at just the right moments. It will be interesting to see how they evolve in the coming year. Be sure to listen to their previous demo releases and support them at a venue near you.” – Artemortifica (Album Review 2014 – An Endless Apocalypse)

“The diversified riffs are once more the proof for the skills of WINTER NIGHTS. Very professional and dedicated recording. I can only recommend “An Endless Apocalypse“ to each Metalhead!” – Battlepig (Album Review 2014 – An Endless Apocalypse)

“This band may hail from the streets of NYC, but after listening to this album I’m convinced Winter Nights sailed here from Scandinavia in a giant ship to claim New York as their raiding territory!” – Up From The Underground Reviews (Album Review 2014 – An Endless Apocalypse)

—
ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780
asher[@]ashermediarelations[.]com
Facebook @AsherMediaRelations
Instagram @AsherMedia
Tweet @AsherMedia

0 Vancouver Double Bassist Heavy Metal SAINTS OF DEATH Streaming New Album “Ascend To The Throne” – via MetalInsider

  • July 8, 2020
  • by Asher
  • · Music News · Saints of Death

(contact info below)

NEWS RELEASE

Montreal, QC – July 8, 2020

 

Interview Request at asher[@]ashermediarelations[.]com

For fans of Motorhead, Lamb of God, Pantera, DevilDriver

Vancouver Double Bassist Heavy Metal SAINTS OF DEATH Streaming New Album “Ascend To The Throne”

Album Stream Premiere via MetalInsider

New Album “Ascend To The Throne” Out July 10th

Photo Credit: Kevin Eisenlord Photography

L-R – Juan Helluva – 5 String Bass/Backup Vocals, Ashley Blue – 6 String Guitar/Backup Vocals,
Twan Holliday – Vocals/8 String Bass, Christopher James – Drums

Set to unleash their new album “Ascend To The Throne” on Friday, July 10th via Head Rattle Productions INC., Vancouver’s Saints of Death are sharing with fans its full stream ahead of its official release.

For fans of Pantera, DevilDriver, and Arch Enemy, Saints of Death’s “Ascend To The Throne” is the double bass attack you need to listen to now via its premiere today on MetalInsider.net HERE.

“Ascend To The Throne” is a 7 track ripping and cohesive album and the second in the Saints of Death repertoire following the 2015 self-titled EP. With a different lineup than the debut effort, Saints of Death now boasts a more robust group that is tighter, more aggressive, and more melodic than ever before along with still featuring their signature sound of having two bassists.

The band comments:

“This album has been a long time coming, and we cannot wait to get it into the ears of our fans. After dealing with line up issues for a few years, we finally have a solid line up and are back to kicking ass. The current line up has been together since 2018 and we have really gelled as friends and as band members. Naturally, with this kind of chemistry going on, it was finally time to record a new album.

Like the first EP, there is diversity between each song, allowing each of them to stand out as hard-hitting singles. There is also the consistency that allows the songs to come together as a great album. We talk about important topics such as the trials of society, corruption and corporate greed, mental health as well as a few other topics on this album. Saints put a lot of hard work and passion crafting this album and making it what it is and we cannot wait to show the world!”

Loud and crushing, Saints of Death has been evolving over the years and they are looking forward to what the future has in store for them. Comprising tracks that the band has wanted to release for a long time, it has been a waiting game until the right guys were in line to bring them to fruition. Now, the wait is now over and Saints of Death is primed to kick some ass!

Album pre-order HERE.

Videos:
Music Video “You Can’t Run” HERE.
Music Video “Repentance”HERE.
Lyric Video “Ascend To The Throne” HERE.

Fun Fact: Besides being a musician vocalist/bassist Twan Holliday has acting credits for movies American Mary (2012), The Devils Ground (2009) w/ Darryl Hanna, Stan Helsing (2009) (Leslie Neielson’s last movie), Catwoman (2004) w/ Halle Barry, Psych (TV Show) plus has done stunts on Super Natural (TV Show) and Pathfinder (2007). Twan was also a pro-hard-core wrestler of 10 years and was on TV every Saturday at 1 pm on KVOS TV12 (Bellingham, WA) plus was asked to train for WWE.


Track Listing:
1. Call of The Kings (1:45)
2. Ascend To The Throne (3:42)
3. Watching Me Die (2:51)
4. God Can’t Help You Now (3:44)
5. Repentance (5:13)
6. You Can’t Run (2:55)
7. Soldiers of Metal (5:56)
Album Length: 26:10

For more info:
SaintsofDeath.com
Facebook
Instagram
Twitter
EPK

– 30 –

—

ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780
asher[@]ashermediarelations[.]com
Facebook @AsherMediaRelations
Instagram @AsherMedia
Tweet @AsherMedia

0 Colorado’s Buried Realm Premieres Lyric Video ‘Overlord’ ft. guest Andy Gillion (Mors Principium Est) via InvisibleOranges

  • July 8, 2020
  • by Asher
  • · Buried Realm · Music News

(contact info below)

NEWS RELEASE

Montreal, QC – July 8, 2020

Interview request at asher[@]ashermediarelations[.]com

For fans of Soilwork, Nevermore, Children of Bodom

Colorado’s Buried Realm Premieres Lyric Video ‘Overlord’ via InvisibleOranges

‘Overlord’ ft. guest Andy Gillion (Mors Principium Est)

Sophomore Album “Embodiment of The Divine” Out July  24th

guests Andy Gillion (Mors Principium Est), Benjamin Ellis (Scar Symmetry), Bob Katsionis (ex-Firewind),
Dean Arnold (Operus, ex-Vital Remains), Lee McKinney (Born of Osiris), Peter Wichers (ex-Soilwork),
Rafael Trujillo (ex-Obscura), Ryan Strain (Chaos For The Masses)

Buried Realm is a solo studio project, hatched from the mind of Josh Dummer. It is the second album he has put out under that moniker and once again he has written an epic, creative record filled not only with his own talent but also with that of a smorgasbord of special guests from around the world. Dummer comments on the album:

“After nearly three years of creating ‘Embodiment of the Divine,’ I am very pleased to present and share this album with everyone. I’m honored to be joined by a number of guests that have influenced my writing and playing over the years. Their contributions have truly helped bring the album to another level. ‘Embodiment of the Divine’ features guest performances from Andy Gillion, Benjamin Ellis, Bob Katsionis, Dean Arnold, Lee McKinney, Peter Wichers, Rafael Trujillo, and Ryan Strain. Listeners can expect to hear a whole lot of riffs, solos, and melody. The album has its traditional arrangements at times but is also built on technical and chaotic grounds. I think the overall atmosphere of this album is darker compared to the previous one.”

The third single off the album ‘Overlord’  features guest Andy Gillion (Mors Principium Est) and today is being premiered via InvisibleOranges HERE.

Dummer adds:

“This song caries tons of leads and some of the more challenging guitar parts on the album. A message about looking forward, shedding skin, but being haunted by “dead skin” so to speak.”

Recommended for fans of Soilwork, Nevermore, and Children of Bodom, Buried Realm is progressive melodic death metal. “Embodiment of the Divine” is out on July 24, 2020.

Album pre-order HERE.

Previous Singles:
Album title track HERE.
The Wonder and Terror of Fortune – HERE.


Track Listing:
1. The Burning Remnants (6:00) ft. guests Dean Arnold (Operus, ex-Vital Remains)
2. Overlord (5:38) ft. guest Andy Gillion (Mors Principium Est)
3. Master Psychosis (4:02) ft. guests Benjamin Ellis (Scar Symmetry), Ryan Strain (Chaos For The Masses)
4. Scales of Queen Dragon (4:19) ft. guests Andy Gillion (Mors Principium Est)
5. Silver Tongue (6:35) ft. guests Bob Katsionis (ex-Firewind), Dean Arnold (Operus, ex-Vital Remains)
6. In The Shallow Light (4:54) ft. guests Peter Wichers (ex-Soilwork), Ryan Strain (Chaos For The Masses)
7. Embodiment of The Divine (4:41) ft. guests Benjamin Ellis (Scar Symmetry), Peter Wichers (ex-Soilwork)
8. Infinite Mutation (7:36) ft. guests Lee McKinney (Born of Osiris), Ryan Strain (Chaos For The Masses)
9. The Wonder and Terror of Fortune (5:05) ft. guests Rafael Trujillo (ex-Obscura), Ryan Strain (Chaos For The Masses)
Album Length: 48:56

More info:
BuriedRealm.com
Facebook.com/BuriedRealm
Instagram.com/BuriedRealm
Twitter.com/BuriedRealm
EPK

About:

A true visionary is a rare thing, but such a man is Josh Dummer exemplified in his solo studio project Buried Realm. Influenced by personal experience and executed through metaphors, the progressive and heavy metal leaves room for interpretation and paints an interesting picture for listeners.

Following up on his long time idea of releasing a solo album, he seized the chance with his first offering “Ichor Carcinoma”. Released in 2017 it features guests such as Christopher Amott (Arch Enemy, Armageddon), Peter Wichers (Soilwork), Teemu Mäntysaari (Wintersun) and Travis Montgomery (Threat Signal, Jeff Loomis band).

Inspired by Opeth, Kreator, Old Man’s Child, Symphony X (and tons of old Hair Metal!), Dummer is a man who is not afraid to gaze into the abyss for music and lyrical inspiration. He describes Buried Realm’s music as ‘fierce, cutting, technical, melodic, and memorable.’ The studio project represents a hidden dimension within himself where the ‘buried disputes’ of his life are confronted only through music; where he can express musical ideas without compromising.

The next chapter in Dummer’s journey is 2020’s “Embodiment of the Divine” due out July 24th and while it is parallel to the first, both musically and lyrically, it is a forward step in a sojourn that will be continuing.

– 30 –

“Buried Realm sound a whole lot like what you’d expect given the bands whose guest musicians Dummer tapped for the project: aggressive, catchy, Sweden-inspired melodic death metal. If you like all the bands name-checked above, you’re sure to like this one. It’s incredibly well-done and expertly crafted.” – MetalSucks (Review – The Ichor Carcinoma 2017)

“On this album he proves himself to be some kind of instrumental wizard, and a vocal chameleon as well. But he has also surrounded himself with an array of guests that shines like a metal constellation in the night sky.” – No Clean Singing (Review – The Ichor Carcinoma 2017)

“Given that The Ichor Carcinoma has so many guests, it stands to reason that it has a diverse sound, ranging from hyper-speed solos, breakdowns, a mixture of screams and clean singing and more, but at the end of the day, it can be classified as an impressive melodic death metal debut.” – Decibel Magazine (Review – The Ichor Carcinoma 2017)

“From the very beginning of this track (Apeiron II: Global Dreamer), the riffing is here to cut your limbs ready to cook a nice melodic stew. Are you with me? Shades of Scar Symmetry, At the Gates, Hypocrisy, early Nightrage, late Soilwork and a fine slice of that machine gun style technical death metal drumming are found here. A delicious plate that I know will please a good bunch of my fellow seekers of melodic metal.” – Toilet  Ov Hell (Review – The Ichor Carcinoma 2017)

”Buried Realm’s debut album The Ichor Carcinoma, which sees the next chapter in the soul key band member Josh Dummer’s, emotionally charged dark twisted vision come to life in the form of a hard hitting, electrifyingly intense experience for fans of Heavy Metal to experience and enjoy.” – Noizze UK (Review – The Ichor Carcinoma 2017)

“There’s plenty of ear-candy to be found on The Ichor Carcinoma – be it in the form of aggressive melodeath riffing, soaring leads, or sheer vocal variety. While it doesn’t stray far outside of the genre realms, there’s only a handful of releases that one can think of in recent memory that execute it with this much passion and finesse. With its time of release, one hopes that the album doesn’t become lost in the mix of fall juggernauts. This is too strong to be overlooked.” – Dead Rhetoric (Review – The Ichor Carcinoma 2017)

“There is more than enough content to shred your ears within The Ichor Carcinoma and more than enough to keep you listening over and over again, and that is just what this release does.” – Cadaver Garden (Review – The Ichor Carcinoma 2017)

—

ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780 | asher[@]ashermediarelations[.]com
Facebook @AsherMediaRelations
Tweet @AsherMedia
Instagram @AsherMedia

Page 304 of 526
  • 1
  • …
  • 302
  • 303
  • 304
  • 305
  • 306
  • …
  • 526

Asher Media Relations Tweets

Tweets by AsherMedia

Enter your email address to subscribe to this blog and receive notifications of new posts by email.

Join 2,163 other subscribers

Blog at WordPress.com.

  • Bandcamp
  • Twitter
  • Facebook
  • YouTube
  • Subscribe Subscribed
    • ashermediarelations.com
    • Join 642 other subscribers
    • Already have a WordPress.com account? Log in now.
    • ashermediarelations.com
    • Subscribe Subscribed
    • Sign up
    • Log in
    • Report this content
    • View site in Reader
    • Manage subscriptions
    • Collapse this bar
Loading Comments...