Category: Music News

0 Vancouver Double Bassist Heavy Metal SAINTS OF DEATH New Lyric Video “Soldiers of Metal”; Premiere via SonicPerspectives; New Album “Ascend To The Throne” Out Now!

August 21, 2020
by Asher
· Music News · Saints of Death

(contact info below)

NEWS RELEASE

Montreal, QC – August 21, 2020

Interview Request at asher[@]ashermediarelations[.]comFor fans of Motorhead, Lamb of God, Pantera, DevilDriver

Vancouver Double Bassist Heavy Metal SAINTS OF DEATH New Lyric Video “Soldiers of Metal”

Premiere via SonicPerspectives

New Album “Ascend To The Throne” Out Now!

Photo Credit: Kevin Eisenlord Photography

L-R – Juan Helluva – 5 String Bass/Backup Vocals, Ashley Blue – 6 String Guitar/Backup Vocals,
Twan Holliday – Vocals/8 String Bass, Christopher James – Drums

Unleashing their new album “Ascend To The Throne” this past July via Head Rattle Productions INC., Vancouver’s Saints of Death are sharing with fans their new lyric video for the track “Soldiers of Metal”. The band wrote the song as a tribute to the metal community and all that is metal.

“Inclusion and standing for the great cause. Putting away your prejudice and uniting as a force. A homage to the great bands that paved the way and the bands that will carry the torch.” adds the band.

For fans of Pantera, DevilDriver, and Arch Enemy, you can check out Saints of Death’s new lyric video with its double bassist assault via its premiere on SonicPerspectives HERE.

Saints of Death‘s new album “Ascend To The Throne” is a 7 track ripping and cohesive released and the second in the Saints of Death repertoire following the 2015 self-titled EP. With a different lineup than the debut effort, Saints of Death now boasts a more robust group that is tighter, more aggressive, and more melodic than ever before along with still featuring their signature sound of having two bassists.

The band comments:

“This album has been a long time coming, and we look forward to getting it into the ears of our fans, new and old alike. After dealing with line up issues for a few years, we finally have a solid line up and are back to kicking ass. The current line up has been together since 2018 and we have really gelled as friends and as band members. Naturally, with this kind of chemistry going on, it was finally time to record a new album.

Like the first EP, there is diversity between each song, allowing each of them to stand out as hard-hitting singles. There is also the consistency that allows the songs to come together as a great album. We talk about important topics such as the trials of society, corruption and corporate greed, mental health as well as a few other topics on this album. Saints put a lot of hard work and passion crafting this album and making it what it is and we’re excited to share it with the world!”

“Ascend To The Throne” is available on Bandcamp, Spotify, Apple Music.

Videos:
Music Video “You Can’t Run” HERE.
Music Video “Repentance” HERE.
Lyric Video “Ascend To The Throne” HERE.
Lyric Video – “God Can’t Help You” HERE.

Fun Fact: Besides being a musician vocalist/bassist Twan Holliday has acting credits for movies American Mary (2012), The Devils Ground (2009) w/ Darryl Hanna, Stan Helsing (2009) (Leslie Neielson’s last movie), Catwoman (2004) w/ Halle Barry, Psych (TV Show) plus has done stunts on Super Natural (TV Show) and Pathfinder (2007). Twan was also a pro-hard-core wrestler of 10 years and was on TV every Saturday at 1 pm on KVOS TV12 (Bellingham, WA) plus was asked to train for WWE.

Track Listing:
1. Call of The Kings (1:45)
2. Ascend To The Throne (3:42)
3. Watching Me Die (2:51)
4. God Can’t Help You Now (3:44)
5. Repentance (5:13)
6. You Can’t Run (2:55)
7. Soldiers of Metal (5:56)
Album Length: 26:10

For more info:
SaintsofDeath.com
Facebook
Instagram
Twitter
EPK

– 30 –

“SOD is a wise band in extreme metal: if more people hear it, the group will gain more fans due to their efficient songwriting. They manage to make it accessible while keeping the music heavy and brutal. It is death, groove, melodeath, aggro, thrash, and they might convince fans of Pantera, Slipknot, Death and Metallica to gather together joyfully violently in a mosh pit… The songs are big on the beat, and the growling is remarkably intelligible. It is growling but you can understand just about every word from the vocalist giant. If you can imagine the energy of Pantera and Slipknot with a bit more of death metal and a pinch of Motörhead, you could be a new convert to the cause.” – Metal Bulletin

“Your classic Quentin Tarantino b-movie sound track song “You Can’t Run” is another Motorhead inspired ripper that flies along at punk speed with a Metal edge before the call to arms of “Soldiers of Metal“. A lyrical declaration of a love of Heavy Metal of all genres that calls together all fans to stand together, stylistically reminiscent to Anthrax in places that boasts a slick Thrash production, it’s a sure fire winner for the live show.” – Metal Noise

“It’s one helluva good time from start to finish.” – Boston Rock Radio

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0 Halifax Punks THE BLOODY HELL Pay Homage To Classic Horror Films With New Music Video “Last Word”

August 21, 2020
by Asher
· Music News · The Bloody Hell

(contact info below)

NEWS RELEASE

Montreal, QC – August 21, 2020

For fans of Misfits, Nirvana, Motorhead, Riff Rock

Halifax Punks THE BLOODY HELL Pay Homage To Classic Horror Films With New Music Video “Last Word”

Self-Titled Album Out Now!

L – R : James Densley Lead Guitar – Kyle Cantfell Drums – Sean Carver Bass – Ian Kean Vocals / Guitar

Photo Credit – Ian Kean

Halifax punk rockers The Bloody Hell are sharing with fans, especially horror lovers, their latest music video “Last Word”. The video is homage to the great horror films of the 80s and 90s, particularly the original Texas Chainsaw Massacre film. The song itself is probably the most aggressive track off of the band’s 2018 self-titled album with a punchy in your face intro before breaking into a driving blues scale rhythm and punk rock temp. The vocals come in fast with a dominant hook relaying the theme of the song “I’ll get the last word yet”.

The band adds about the video:

“We filmed this music video at the wildly popular Riverbreeze Fear Farm located in Truro, NS, which is a rural family farm that is transformed into an amazing series of haunted houses and corn maze every October. We thought it was the perfect setting for this video so we reached out to the owners and to our delight, they loved the idea. They put so much detail and effort into the esthetic and atmosphere of a truly frightening, yet fun experience, and I feel we did a good job of capturing that vibe on this video while giving a nod to the horror classic of our childhood.”

Watch “Last Word” HERE.

The single “Last Word” comes from the band’s 2018 self-titled album, which exemplifies their goal to create a fun and interesting listening experience for their fans that is full of twists and turns, highs and lows. They explain what one can expect from their latest album:

“What if all those hooks, melodies and chord structures you love about classic rock where covered in distortion, the lyrics screamed bloody murder and the songs were played at punk rock speed. A Satanic sonic assault on the ears, comprised of concepts covering heartache, substance abuse, death and the occult, drenched in feedback and overflowing with blazing guitar solos.”

Formed in 2017, The Bloody Hell has gotten dirtier and more polished at the same time, with the band having got much better at writing hooks and concepts, while the guitars got louder and the vocals got uglier.

Suitable for a variety of fans, The Bloody Hell cites influences ranging from Misfits, Nirvana, and Motorhead, anyone who enjoys a fun and dirty romp through catchy hooks and grungy vocals.

The Bloody Hell‘s debut self-titled album is available on Bandcamp, Apple Music, Spotify.

Music Video – “Evil Everywhere” here.
Music Video – “Out of Our Minds” here.

Track Listing:
1. Welcome to Hell (1:44)
2. Last Word (4:11)
3. Diggin (2:35)
4. Evil Everywhere (2:27)
5. Speed Demon (2:53)
6. Out of Our Minds (3:33)
7. Drink Myself To Death (2:59)
8. Uncharted (2:22)
Album Length: 22:48

For more info:
Facebook.com/thebloodyhellhfx
Instagram.com/thebloodyhellhfx

About:

The Bloody Hell is what would happen If George Thorogood sang for the Misfits but all the songs were written by Tom Petty. Super catchy horror rock songs about drinking and heartache played at punk rock speed.

– 30 –

—

ASHER MEDIA RELATIONS
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0 Montreal Thrash HOMICIDE Streaming New Album “Left For Dead”; Premiere Album Stream via MetalInsider

August 20, 2020
by Asher
· Homicide · Music News

(contact info below)

NEWS RELEASE

Montreal, QC – August 19, 2020

Interview Request at asher[@]ashermediarelations[.]com

For fans of Slayer, Motorhead, Exodus, Death, Sodom

Montreal Thrash HOMICIDE Streaming New Album “Left For Dead”

Premiere Album Stream via MetalInsider

New Album ‘Left For Dead’ Out Friday, August 21st

L-R – Bryan Donahue – Guitar, Mac – Bass, Scotty – Drums, and at bottom Gab – Vocals / Guitar

Montreal’s Homicide has a new album “Left For Dead” that is ready to take the world by storm on August 21st, 2020; the first offering since the band went dark 25 years ago.

What has been coined as “apocalyptic thrash” is coming back for fans and Homicide states it is like the first album, but on steroids. With a considerable amount of experience under their belts, this new album promises to be an instant classic. A no holds barred tour de force. The band shares the premise and musical intricacies behind the single:

“It gets things off to a fine start and is a reminder of just how good the storytelling style of vocalist Gabriel Morency is as he delivers a tale of the wrath of God. Mid-tempo evil chugs keep things going nicely and the riffs pay homage to the Bay Area Thrash scene with a nostalgic tooth gap grin while that whammy bar drop is a nice touch. It’s one of those tracks that cut at a point when it could happily go on for another few minutes and that’s always the hallmark of quality.”

This is the soundtrack for listeners who are looking to conquer the world. Whether you’re driving, working out, or just looking for something to bang your head to, the fast and furious styling of Homicide is going to hit the spot.

All killer and no filler Homicide is suitable for fans of Venom, Exodus, and Motorhead.

Today, the band premiere the album’s full stream via MetalInsider HERE.

Vocalist/guitarist Gabriel Morency adds:

“The album has a very live feel to it. It was done somewhat live. There was a flatbed that was recorded live for this and then it was layered, but not a lot of layers. It’s funny cause we’re in Metal Works studios in Toronto and you know they have done the Rolling Stones, Christina Aguilera, Alexisonfire, Guns n’ Roses. Use Your Illusion was done there. So you sort of figure obviously, we didn’t have the same producers, but you’re going to go there and it’s going to sound kind of packaged or get that kind of commercial sort of metal sound and to the credit the producer (Wayne Cochrane ) was anti. To be honest, I and Bryan, let’s add another layer and another layer. We wanted to get fancy and he was like keep it raw, keep it raw. We sort of found that balance of solid professional production and raw metal sound. Sometimes less is more. When we came in we had the amps cranked and he was like dear God! You guys have a lot of feedback and noise you don’t need. I and Bryan didn’t realize how much buzzing and humming we had. You start cranking pedals and Marshals there’s a lot of noise being made”

“Left For Dead” Album Teaser Video HERE.

Album Pre-Order HERE.

Track Listing:
1. Shot to Hell (4:43)
2. Point Blank Range (4:15)
3. Left For Dead (4:15)
4. Enemy of The State (5:06)
5. Nightmares of The Apocalypse (2:28)
6. Scorched Earth (3:45)
7. Scourge of God (5:43)
Album Length: 30:18

More info:
Facebook.com/HomicideMontreal
EPK

About:
Formed in Montreal in the extremely vibrant metal/hardcore/crossover music scene of the early

1990’s, Homicide was, at the time, an amalgamation of members from other heavy-hitting bands on the scene who had developed strong followings and solid reputations in their own right. Gab Morency of Corrupted Youth (guitar/vocals) and Bryan Donahue of Damaged (guitar) began writing together after discovering that they had similar heavy influences and interests such as Motorhead, Slayer and Venom.

Morency had been renting a room in an extensive apartment building that also housed the jam space of local heavyweights Lizard. This is where the raucous rhythm section of Greg Mcleary (bass) and Scotty MacCulloch (drums) of Lizard heard the riffs from Morency and Donahue and decided that they had to join in on the heaviness that was transpiring.

After a period of only a few weeks, Homicide had begun recording what would be their first album “Malice and Forethought”. This catapulted them into the scene, where they played alongside and held their own with the likes of Voivod, Death, and Merciful Fate just to name a few. These performances granted Homicide a reputation for one of the best live bands performing on the scene with crowd-pleasers such as “Bring Back the Rope” about lax capital punishment policies and “Death Train” giving a nod to the devastation of terrorism in the poison gassing of a Japanese subway line.

With a sound that can be coined as “Apocalyptic Thrash”, Homicide went underground for many years and it was presumed that the band was no longer. However, 2020 brought the band members together again they recorded a new album “Left For Dead” which compared to the first album will be like going from light beer to moonshine. Homicide is back and fully amped to be bringing fast, aggressive to new and old fans around the world.

Homicide’s “Left For Dead” is due out August 21, 2020.

– 30 –

“They specialize in Old School Crossover Thrash and returning nearly 25 years later with their sophomore album “Left For Dead” they clearly have some unfinished business.” – Metal Noise

—

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0 Rockshots Records: Anthea Announce New Album “Illusion”; Streaming First Single “Moirai”

August 20, 2020
by Asher
· Anthea (Rockshots Records) · Music News

(contact info below)

NEWS RELEASE

Montreal, QC – August 20, 2020

For fans of Kamelot, Wintersun, Nightwish

Rockshots Records: Anthea Announce New Album “Illusion”; Streaming First Single “Moirai”

Rockshots Records is proud to announce their latest signing of Los Angeles’ Anthea for the release of their debut album “Illusion” due out October 23rd, 2020 to follow their independently released 2017 self-titled EP.

Creating coherent yet diverse cinematic, theatrical metal music with many influences from film scores and established metal acts such as Kamelot, Nightwish, and Wintersun, Anthea offers up a gothic symphonic progressive sound that can appeal to a wide variety of fans with their range from clean operatic vocals to black metal like screams. Anthea have shared the stage with bands such as Smile Empty Soul, September Mourning, Helion Prime, Graveshadow, Abigail Williams, and many more.

The band comments on the release of “Illusion”:

“We are so incredibly excited to finally be releasing our debut album! We especially want to thank Roberto Giordano and Rockshots Records for giving us the opportunity to release this record under their label. Years of dedication and perseverance have gone into making the band what it is today and we are stoked to see it all paying off! So much work and passion were put into the making of this record and we are extremely proud of the end result! What we hope to achieve is to give the listener a vast cinematic and theatrical experience so that by the end, they feel like they have just gone on this epic journey with us. A huge thank you to all of you who have supported us throughout the years, and to those of you who are just finding us for the first time!”

Anthea‘s first single “Moirai” features guest vocals from Chiara Tricarico (Sound Storm, Moonlight Haze, ex-Temperance) and is a track that was written to capture the beauty of life itself.

The band adds:

“We all tend to focus on our own little bubble, without really thinking about how everyone that ever was, is, and ever will be is connected in the grand scheme of things. To truly express this idea, we decided to include a second vocalist on the track from an entirely different part of the world. Italian symphonic metal singer Chiara Tricarico was up to the challenge and we are thrilled with the end result! Her voice added a beautiful new dimension to the song. She truly understood what the song was all about and what we were going for.”

Listen to “Moirai” on YouTube. (Lyric Video)

“Illusion” album pre-order CD here, Digital here (instant download of Moirai).

Track Listing:
1. Reach (4:57)
2. Eclipse (3:52)
3. Moirai (Feat. Chiara Tricarico) (4:31)
4. Illusion (4:10)
5. The Light Divine (Feat. Eric Meyers) (6:33)
6. Discovery (4:31)
7. The Expedition (4:03)
8. Reflections (5:27)
9. Moirai (Orchestral Version) (4:32)
Album Length: 42:40

Album Credits:
Diego Valadez – Vocals/Keys
Juan Pina – Guitar/Screams
Marcos Mejia – Guitar
Eric Guerrero – Bass
Peter Vasquez – Drums
-Guests-
Chiara Tricarico – Vocals
Eric Meyers – Guitar
Female Vocals on “Moirai” Performed by Chiara Tricarico
Second Guitar Solo on “The Light Divine” written and performed by Eric Meyers

All music and lyrics by Diego Valadez except on “The Expedition” music by Marco Mejia, Lyrics and Orchestration by Diego Valadez.
Produced by Diego Valadez
Mixed/Mastered By Will Salazar (Revenant Sound Studios)
Layout & Design By Ricky Silva (Interfectum Studios)
Music Videos & Lyric Videos By Anthony Ortiz (Divergence Studios)
Live Photography By Matt Martinez (Red Hare Images)
Studio Photography By Elizabeth Gore (Lone Wolf Productions)

More info:
Rockshots.eu
Antheametal.com
Facebook.com/antheametal
Instagram.com/antheametal

About:
Anthea is a melodic, symphonic metal band from Los Angeles, CA. The band aims to create coherent yet diverse cinematic, theatrical metal music. With a combination of clean operatic vocals and black metal like screams, Anthea’s music can appeal to a wide variety of metal fans.

In 2015, after spending much of his time writing new music, Diego Valadez (Cellador) met with drummer Peter Vasquez (Angel Sinestro). The two decided to form a band, giving an outlet to the material that was already in the works. They recorded their first demo under the band name ‘Anthea.’ This was accomplished with the help of some very talented studio musicians filling in for bass, guitar, screams, and additional vocals. While recording, Anthea had been simultaneously searching for permanent members and was soon joined by guitarists Juan Pina and Marcos Mejia, as well as bassist Eric Guerrero.

– 30-

“Guitarist Juan Pina’s screams and Valadez’ clean vocals kept the dynamics interesting and brought out the extra push for something unique in comparison to what you would normally find in the majority of symphonic metal acts.” – Metal Assault

“The band aren’t afraid to heavy things up if they deem it necessary for the advancement of the song, meaning that The Anthea (Demo) is a varied and satisfying listening experience.” – Sentinel Daily

“The band went on to be named as first-place winners on the night. When their name is announced, the crowd screams in appreciation.” – Spectrum News 1

—

ASHER MEDIA RELATIONS

Jon Asher – Music Publicist
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0 Montreal’s Junkowl Shares Their Societal Anger In “Sickness Lives” Music Video; Premiere via MetalInjection

August 19, 2020
by Asher
· Junkowl · Music News

(contact info below)

NEWS RELEASE

Montreal, QC – August 19, 2020

For fans of Cancer Bats, Every Time I Die, AlexisOnFire, Gallows, Knocked Loose, Underoath

Montreal’s Junkowl Shares Their Societal Anger In “Sickness Lives” Music Video

Video Premiere via MetalInjection

Debut Album “Making Out With My Death” Out Now!

L-R – Dominic Labrie – Drums, Jesse Frechette – Vocals, Marco Larosa – Guitar, Samuel Matte- Bass
Photo Credit – Alexandre Guay

Oozing with rock n roll vibes, Junkowl is coming for ya out of Montreal, QC, Canada. The 2019 “En Route To Heavy Montreal Champions” are a slick combination of stoner riffs, hardcore energy, and groovy bass, who recently released their debut album “Making Out With My Death” this past June.

As a whole, Junkowl‘s debut album“Making Out With My Death” is a slow dark ride. Heavy riffs; big dirty bass lines, in your face drums and gut-wrenching screams telling tales of self-loathing, confusion, and intoxication. This is a solid album, something to enjoy with a few beers, smoke a joint, and bang your head off for 30 minutes.

With the state of the current world of Covid days and societal ills, Junkowl is unveiling their new music video “Sickness Lives” via its premiere on MetalInjection HERE.

Vocalist Jesse Frechette adds:

“We had a lot of fun shooting this video. It’s our second time working with Dark Moon Productions, and we’re really stoked to share this one. We chose the song ‘Sickness Lives’ because we found it really fit with the times. The track is about living in a sick society ruled by greed, and turning to drugs and alcohol to try and escape that reality… but now with everything going on in the world, I’m sure people will interpret it differently and we’re okay with that.”

For fans of Cancer Bats, Every Time I Die, and Underoath, Junkowl‘s “Making Out With My Death” is available on Bandcamp, Spotify, and Apple Music.

Previous Music Video “Crawling Up My Feet” HERE.

Track Listing:
1. Snakecharmer
2. Quarantine Us All (2:27)
3. Shake Me
4. Dead Hooker (4:40)
5. Little Scum (4:54)
6. Crawling Up My Feet (3:46)
7. Sickness Lives
8. Relapse (3:39
9. Straitjacket
10. 10,000 Vultures
Album Length: 37:28

Junkowl is:
Jesse Frechette – Vocals
Dominic Labrie – Drums
Samuel Matte- Bass
Marco Larosa – Guitar

For more info:
http://www.junkowlmtl.com
Facebook.com/junkowlband
Instagram.com/junkowl
EPK

About:

Heavy, sexy, and southern. Those are the best words to describe Montreal’s Junkowl.

Formed in 2017, their unique blend of groove metal, stoner, and hardcore is matched with high energy ‘in your face’ performances. A year earlier Jesse Frechette (vocals) met Dom Labrie (drums) and after a few jams they picked up Marco Larosa (guitar) and Samuel Matte (bass) and the rest is history. The writing process is a collaborative one, with melodies and vocals usually forming on the spot.

Moving through the underground music scene, Junkowl quickly made a name for themselves when they won the 2019 ‘En Route Vers Heavy Montreal’; a competition between nearly 200 bands, landing them a spot at that year’s edition of renowned metal festival Heavy Montreal.

On June 5th, 2020, they will release their debut album, “Making Out With My Death”, a 10 track record full of sultry and powerful songs about past regrets and self-destructive behaviour. It includes the band’s favourite “10,000 Vultures”, the first song Junkowl ever wrote, which was completed after the first jam together. Almost all the lyrics were freestyle during that jam.

With no sign of slowing down, Junkowl has more tunes in the works and pouring passion into their live performances and newly recorded tunes. Stay tuned for party animal blues; fat spliffs and heavy riffs.

– 30 –

“2019 Winners of En Route to Heavy Montreal”

“The dirty, fat Stoner Sludge Metal riff of “Snakecharmer” is one designed to be accompanied by a beer and the gut-wrenching roar of “blow your brains out, blow my brains out” that brings it to it to its unnatural conclusion will no doubt be chanted by audiences across all lands as the band hit the road.” – Metal Noise“Montreal hardcore rock n rollers Junkowl have released their new single ‘Quarantine Us All’, a slick combination of stoner riffs, hardcore energy, and groove metal.
It’s ferocious and relentless from the offset, even when it veers out of hardcore territory and into the sludgier moments. It even has some technical moments, although they certainly borrow heavily from their influences (namely Every Time I Die and Cancer Bats) it is a banger in it’s own right, and given some time to breathe and develop I think this band could bring something monumental to the table.” – Backseat Mafia““Quarantine Us All” – Montreal’s southern rock infused metallers JUNKOWL drop new venomous track” – Idioteq

“the group combines very heavy stoner riffs with the energy of punk rock and hardcore. A group to discover absolutely.” – Mad Breizh

“stoner-like riffs, a bit of a hardcore sound overall.. cool edge to it too.” – Moshtpit Radio – WORT FM 89.9 (Madison, WI)

“Junkowl’s debut album Making Out With My Death is a powerful first offering from the independent hard rock band. Its musical arrangements join influences from a variety of bands that make the songs in themselves and from one to the next, powerful just from this aspect. The record’s lyrical themes are just as heavy as its musical content, as noted. Its sequencing puts the finishing touch to its presentation. Each noted item is important in its own way. All things considered, they make the album a work that bodes well for Junkowl’s future.” – Phil’s Picks

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Jon Asher – Music Publicist
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0 Skyless Aeons Present Dissonant Hymns For Global Catastrophe With “Drain The Sun”; Premiere First Single “Go Forth and Multiply” via GhostCultMag; New Album “Drain The Sun” Out October 2nd

August 19, 2020
by Asher
· Music News · Skyless Aeons

(contact info below)

NEWS RELEASE

Montreal, QC – August 19, 2020

Interview request at asher[@]ashermediarelations[.]com

For fans of Opeth, Dark Tranquillity, Death, Garden of Shadows, Dissection

Skyless Aeons Present Dissonant Hymns For Global Catastrophe With “Drain The Sun”

Premiere First Single “Go Forth and Multiply” via GhostCultMag

New Album “Drain The Sun” Out October 2nd

L-R: Stefan Oliva (Bass), Nicholas Luck (Guitars/Vocals), Nathan Ferreira (Lead Vocals), Martin Burchill (Drums)
Photo Credit: Skye Camara

Hailing from London, Canada, Skyless Aeons bring forth a unique blend of extreme metal styles with their first full-length album “Drain The Sun” due out October 2nd, 2020.

Meticulous and methodical, the writing process for “Drain The Sun” was roughly two years long, the songs being shaped and directed according to the concept the band created. The band shares the inspiration being the album:

“Our inspiration comes from the faults in the human condition we encounter in our everyday lives: greed, over-consumption, over-population, the failure to recognize our dogmatic beliefs are wrong leading to division. The music serves as a warning call to what will happen if we fail to recognize the error of our ways, some of which we already see happening in civil unrest.”

Compared to the initial release, the new offering maintains the chunky melodic death metal riffing and occasional black metal flourishes of the previous, but also has much more detailed and structured songwriting, much tighter musicianship and higher-quality production values.

The anti-natalist single, “Go Forth and Multiply” is a short, sweet punch to the gut that came together in a fit of inspiration. It speaks of humanity’s relentless desire to multiply and overpopulate, creating a world full of defective minds that never wanted to be born, with nothing better to do than populate the earth further. The song shows up, hits hard, and leaves, and it’s the best sneak preview for some of the musical and lyrical themes that are explored in greater depth on the album.

Dark, focused, and tense, Skyless Aeons is recommended for fans of Opeth, Dark Tranquillity, Death, and Swallow the Sun.

Listen to “Go Forth and Multiply” via its premiere on GhostCultMag HERE.

Album pre-order on Bandcamp.

Track Listing:
1. Ascension Towards Nothing (6:30)
2. A Consciousness Decays (7:09)
3. Go Forth and Multiply (3:19)
4. The Age of Regression (7:32)
5. Dimensional Entrapment (6:31)
6. Path of Desolation (6:15)
7. Drain The Sun (8:05)
Album Length: 45:23

More info:
Facebook.com/SkylessAeons
EPK

About:

Around 2014, guitarist Nicholas Luck and drummer Martin Burchill met as a result of an errant bus ride in London, Canada. At this time, Burchill was looking for a stable project after drumming in various rock/punk/metal bands over the last decade or so, and Luck, only 18 at the time, was looking to start a death metal band.

Vocalist Nathan Ferreira and bassist Steve Oliva followed shortly after and with a scathing collective disdain for the larger structures of society and a commitment to constant evolution in sound and ethos the band recorded and released the “Era of Famine” EP in 2016.

The band has already gained a reputation through local shows as one of the more unique and energetic death metal bands in the scene, opening up for artists such as Ashbringer, The Convalescence, Nesseria, and Killitorous – a wide variety of styles, yet somehow, Skyless Aeons shares musical similarities with all of them.

At a live show, one can expect certain synchronicity and chemistry that can only come from years of experience and practice feeding off of each other’s ideas. Couple that with vocalist Ferreira’s on-stage recklessness mixed with unusually sardonic and self-deprecating stage banter, and it’s no surprise that Skyless Aeons are gaining notoriety and drawing more and more people to their local performances as of late.

2020 brings a new album “Drain the Sun”; it takes a different approach, using much heavier and expansive riffing textures and shows refining and maturation of the band’s identity. It can best be described as “; progressive death metal” with some dissonant, doom-influenced leanings.

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“This debut EP by Skyless Aeons is monstrous. 35-minutes and four sweeping songs worth of intense songs blackened-death: riffs aplenty, interesting transitions, and solos smothered by a lead-heavy old-school sounding production. The vocals are inhuman and loud in the mix fluctuating from mid-to-high range shrieks similar to Anaal Nathrakh to mid-range growls. There are moments of real technical efficiency – think Gorguts and Mithras – along with an atmospheric undertone akin to Ulcerate and Flourishing. I highly recommend.” – Akerblogger

“There’s a rich diversity to Skyless Aeons’ music, even though their material is cohesive and doesn’t feel the need to go into extra clean, girlfriend metal territories to get the point across. The four tracks (all between seven to eleven minutes) are progressive affairs without too much fluff. The guitars of Nicholas Luck alternate between early 90s tremolos, a modern dissonant approach to black metal and a healthy dose of melancholic Nordic melodic death metal and he plays everything well.” – Metantoine’s Magickal Realm

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ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
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0 Sadistic Embodiment Shares Brutal History Lesson With Next Single “Gallows Hill”; Premiere “Gallows Hill” via MetalInsider; New Album “Blood Spell” Out September 18th, 2020 via CDN Records

August 19, 2020
by Asher
· Music News · Sadistic Embodiment

(contact info below)

NEWS RELEASE

Montreal, QC – August 19, 2020

For fans of Gojira, Rotting Christ, Bloodbath, Kataklysm, Strapping Young Lad

Sadistic Embodiment Shares Brutal History Lesson With Next Single “Gallows Hill”

Premiere “Gallows Hill” via MetalInsider

New Album “Blood Spell” Out September 18th, 2020 via CDN Records

L-R – Bryan James Newbury (Drums); Jason Cullen (Rhythm Guitar); Wally Fischer (Lead Guitar); Curtis Vieville (Bass)
Photo Credit: Danika Challand AKA Demonika

Canada’s Sadistic Embodiment is releasing a new album “Blood Spell” on September 18th via CDN Records. The album follows the band three EPs Beloved Imprisonment (2019), Blodörn (2018), and Self-Titled (2018). Continuing their sonic onslaught, each of the nine songs on “Blood Spell” has a distinct feel given the variation in vocal and instrumental styles throughout the album. Each song stands out and yet they are all uniquely Sadistic Embodiment. This will please old school death metallers and the new school with a variety of punch-in-your-face hooks, melodic passages, and absolutely brutal anthemic choruses.

“After spitting out three EPs this last couple of years, we were really stoked and kind of nervous settling into a longer writing and recording process for Blood Spell. As per usual, we cranked out the material during bi-monthly jams, but this time we really took our time crafting the music once the main structure of the songs was built. Our sound is still exactly the same, but the listeners may hear more broad musical influences across the nine tracks. There are tracks that sound distinctively Wally and Jason and certain tracks where you really hear Bryan shine as he shows off his technical prowess.

A lot of our songs are longer than your average death metal track, and they are relatively simple in regards to guitar and lyrical work. But with longer playtimes, we were able to fit in more ambiance and guitars solos into every nook and cranny.” the band adds.

Today, Sadistic Embodiment is sharing their second single off the full length. Entitled “Gallows Hill”, the track is a thrashy and high-energy mosher with lyrics reminiscing of a brutal and unforgiving historic time.

Guitarist Jason Cullen explains:

“With this song, I went back to my roots, as many may know (and some that don’t) I’m from Ireland. I love to show my love for my country in my music, the first being a huge lyric influence in the song “Freedom Cry” from our EP “Blodörn”.

With “Gallows Hill” I once again go back to my homeland with more brutal Irish historical facts from the 1800s. The song is based on the area where hangings happened for horrific crimes committed, where a crowd would form to watch the pain and suffering of the man OR woman of the rope.

This is also my first song for SE where I take lead on vocals with our current vocal lineup. You can feel the pain of both those being hung and their victims’ families in this song, along with catchy groovy riffs and vocal melodies, this will be a song that will stick in your head for a while.”

Listen to “Gallows Hill” via its premiere on MetalInsider HERE.

“Blood Spell” will be released on September 18, 2020 on all major digital platforms along with being available for pre-order (CD) from CDN Records here.

The album is for fans of both old school death metal and newer that will appreciate it. Especially fans of Gojira, Bloodbath, and Kataklysm. Like a pungent black onion, “Blood Spell” has many layers of groovy, mid-tempo riffs, choruses alongside pain, anguish, and rage; the instrumental and vocal nuances meticulously build into each song.

Lyric Video – Catherine’s Braid – YouTube

Track Listing:
1. Stranger (4:41)
2. Gallows Hill (5:33)
3. Catherine’s Braid (6:03)
4. Phantom Tormentor (4:41)
5. Nebulae (Call of the Void) (2:48)
6. Suicide Ceremony (3:09)
7. Global Enema (4:06)
8. Flesh Deposition (5:37)
9. Cerebral Termination (5:26)
Album Length: 42:08

Sadistic Embodiment is:
Bryan James Newbury (Drums)
Jason Cullen (Rhythm Guitar)
Curtis Vieville (Bass)
Wally Fischer (Lead Guitar)

For more info:
CDNRecords.com
Facebook.com/sedeathmetal
Instagram.com/sadisticembodimentofficial
EPK

About:

The sadistic death metal quartet was originally conceived in Edmonton, Alberta. Although all Edmonton born half of the group now resides in Calgary, travelling frequently to join the others in crafting extreme musical works. Each member brings their own distinct flair to the music, live theatrics, and social media content.

Drummer Bryan Newbury (also known from Into Eternity, Untimely Demise) formed the project in the fall of 2017 by inviting Curtis Vieville and Helge Lipphardt to jam simple and catchy death metal. A couple of months later, Jason Cullen joined the group and then Nate Mandrusiak joined shortly thereafter, forming the five-piece that produced their Self-Titled (March 30th, 2018) and Blodørn (September 8th, 2018) EPs. Curtis Vieville left to travel for the summer of 2018, leaving the band to record bass and vocals for the Blodørn release on his behalf.

During the late fall of 2018, the group parted ways with Helge Lipphardt and brought on Curtis’ old bandmate Wally Fischer. Continuing their relentless musical onslaught the group wrote and released the EP Beloved Imprisonment on January 31st, 2019, showcasing their evolved sound. But the work was far from over and after a few gigs, the group began work constructing their first full-length album. During that period the band parted ways with their singer Nate in early 2020, and from thereafter the group became a three-pronged vocal assault team.

Completing their work in the spring of 2020, the milestone album “Blood Spell” was finally realized. As if sensing the impending debut, CDN Records approached the band with a record deal just as the final touches were being completed. And thus Sadistic Embodiment joined the CDN Records family.

Each release from Sadistic Embodiment grows in depth and complexity while maintaining simple and heavy death metal passages. They pride themselves on having catchy choruses intermixed with powerful and epic melodies. The newest material exhibits dark soundscapes with a lot of variation in song type and feel. Listen closely and you will find evil and pain lurking in the mix

“Blood Spell” is due out September 18, 2020 via CDN Records.

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ASHER MEDIA RELATIONS

Jon Asher – Music Publicist
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0 LUFEH’s New Video “End of The Road” Off Latest Album “Luggage Falling Down”

August 17, 2020
by Asher
· Lufeh · Music News

(contact info below)

NEWS RELEASE

Montreal, QC – August 17, 2020

For fans of Rush, Dream Theater, Haken

LUFEH’s New Video “End of The Road” Off Latest Album “Luggage Falling Down”

Gera Penna– Keys, Duca Tambasco – Bass, Dennis Atlas – Vocals, Teo Dornellas – Guitar, Lufeh Batera – Drums

Releasing their debut album “Luggage Falling Down” this past April, Los Angeles’ Lufeh (a band of both Brazilian and American musicians) have been sharing their blend of progressive rock injected with jazz styles, heavy metal foundations, and rhythmic Brazilian influences with a series of music videos for each individual track from the full length.

Today, the band shares their next video that showcases their high energy and knack for performing with the track “End of The Road”, which can be seen on YouTube HERE

The band explains the song:

“‘End of the Road’ is upbeat, catchy, and thrilling. Bass and keyboard counterpoint lead beautifully into a jazzy classic rock verse and chorus, but are interrupted by moments of heavy metal and of introspective soul-searching.

Lufeh‘s debut album was a trying, yet successful first recording for these recently banded musicians who lived together for two weeks throughout the process. Having lost the original singer a month before recording began, the intrepid bunch found hope with Dennis Atlas who fell in step with the rest of the band immediately. This bond between the members can be heard on the new record along with the series of videos that the band has been releasing in support of it.

For fans of Dream Theater, Incubus, and Haken, Lufeh is smooth and rhythmic progressive metal; heavy chords followed by light melodies and the occasional crazy guitar solo.

Their debut full length “Luggage Falling Down” is available for stream and download on Bandcamp, Spotify, Apple Music.

Previous Videos:
‘Doors’ here.
‘Escape’ here.
‘My World’ here.
‘The Unknown’ here.
‘Find My Way’ here.
‘The Edge’ here.

Track Listing:
1. Find My Way (4:25)
2. The Unknown (3:36)
3. Doors (4:06)
4. Trial of Escapade (4:24)
5. My World (4:52)
6. End of The Road (4:05)
7. Escape (4:03)
8. The Edge (4:04)
Album Length: 33:39

Album Credits:
All songs performed by:
Gera Penna – Keys;
Duca Tambasco – Bass
Dennis Atlas – Vocals
Teo Dornellas – Guitar
Lufeh Batera – Drums
All songs lyrics written by: Josh Kim
Produced by: Gera Penna
Mixed by: Adair Daumfebach
Mastered by: Adair Daumfebach
Album Artwork by: Gera Penna

Album and Live Band Line Up:
Gera Penna – Keys;
Duca Tambasco – Bass
Dennis Atlas – Vocals
Teo Dornellas – Guitar
Lufeh Batera – Drums

For more info:
LufehBand.com
Facebook.com/lufehband
Instagram @lufehband
EPK

About:
Lufeh is a musical collaboration of excellent Brazilian and American musicians brought together by drummer Batera Lufeh. Lufeh himself has had a successful career performing with many famous Brazilian bands and artists, including one of the most well known Christian rock bands of its style, Oficina G3, among others. In 2008, he recorded his first solo album “Drummed On Classics”, which uniquely combined a mix of classical pieces with progressive rock drumming.

Since moving to the U.S. in 2014, Lufeh has continued his career as a musician, starting in Florida, where he performed with Kristo Reggae and Big Pine Band. Lufeh participated in the Blue Man Group Drum-Off in 2016, where he was awarded the privilege to take part in its grand finale in Las Vegas, and chosen as one of the top five drummers in the contest. He then moved to Los Angeles, CA, where he became the official drummer of Kenny Shipman.

Now, in 2020, Lufeh is an entire unit moving forward with the addition of Gera Penna (keyboard); Duca Tambasco (bass); Dennis Atlas (vocals); and Teo Dornellas (guitar) who have proven to be a great match. The band recently released the highly-anticipated second album “Luggage Falling Down”, a solid record of Brazilian influenced groovy progressive metal, which has received great praise from reviewers, calling it a mix between Brazilian music, Rush, and Dream Theater.

The album is both melodic and highly energetic and aggressive. With a strong foundation in jazz and classical musicality, the band brings a metal edge to a unique melodic story. These progressive metal warriors have become tycoons of song structure and, throughout the album, display highly refined expertise in making music that is captivating to listen to, addictively technical, and uplifting.

“Luggage Falling Down” was released on April 17, 2020 and is available on all major digital platforms.

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ASHER MEDIA RELATIONS

Jon Asher – Music Publicist
#.514.581.5780
asher[@]ashermediarelations[.]com
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0 Tanagra Successfully Resolves Trademark Dispute With Swiss Corporation Nagra

August 17, 2020
by Asher
· Music News · Tanagra

(contact info below)

NEWS RELEASE

Montreal, QC – August 17, 2020

For fans of Caladan Brood, Blind Guardian, I.Q., Iced Earth, Visigoth

Tanagra Successfully Resolves Trademark Dispute With Swiss Corporation Nagra

You may remember back in February of this year, Portland’s Tanagra was having a legal battle with Swiss audio recording company Nagra and the parent company Kudelski. The issue arose when Nagra felt the metal band’s trademark application may conflict with their trademark based on a similar, yet different name. Facing the possibility of having to rebrand, Tanagra began liquidating their current merchandise and braced themselves for the worst.

When metal fans around the world began to make noise about this situation, the corporation took notice and agreed to negotiate with the band. With the assistance of Sevag Demirjian and Armen Martin of Foundation Law, Tanagra emerged victorious six months later with Nagra giving up their claim. Tanagra makes the following statement:

“Most of the agreement is confidential, but it’s largely uninteresting. We resolved the issue on amicable bases. This is a pretty good win for us in that we’ll keep our trademark and Nagra has dropped their opposition. We want to give a huge thank you to our fans who supported us through all of this.”

With their sails full of wind again, Tanagra has hinted that they have really cool stuff coming up in the next six months, so keep your eyes peeled.

You can find the band’s latest album “Meridiem” on Bandcamp, Spotify, Apple Music.

Links to the dispute:
http://ttabvue.uspto.gov/ttabvue/v?pno=91253546&pty=OPP&eno=1
http://ttabvue.uspto.gov/ttabvue/v?pno=91253546&pty=OPP&eno=2

Track Listing:
1. Meridiem (11:35)
2. Sydria (4:01)
3. Etheric Alchemy (8:49)
4. Silent Chamber (7:52)
5. Hidden Hand (10:14)
6. Across the Ancient Desert (7:39)
7. Witness (14:19)
Album Length: 1:04:31

For more info:
Facebook.com/tanagraband
Instagram.com/tanagraband
Spotify
EPK

About:

Formed out of the love of science fiction, fantasy, and theatrical heavy metal storytelling, TANAGRA hit the Portland, USA metal scene in 2011 with epic, symphonic, progressive power metal with lyrical content about original fantasy/sci-fi settings, Magic: The Gathering, historical tales, and other nerdy themes.
In 2015, they released their debut album, None of This is Real, an energetic collection of American power metal showcasing their love for complex arrangements and lengthy songs which garnered critical acclaim from a multitude of publications around the world.

In the time following their debut release, the members found a deep love for progressive rock/metal and symphonic black metal, and in writing new material found ways to combine the sounds of bands like IQ, Anekdoten, Caladan Brood, and Borknagar into their existing American power metal framework.

In 2016, TANAGRA entered the studio with the fruits of their labors to begin recording their ambitious second album, titled ‘Meridiem’, which was released April 26, 2019.

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“Progressive Metal fans, rest assured that your 2019 is in good hands as Prog quintet TANAGRA unleashes “Meridiem”. Filled with vibrant melodies, this seven-track record will take you to a breathtaking journey through an eargasmic musical psychedelic.” – Metal Temple

“Meridiem is another jewel in the trunk of America’s continually-burgeoning power metal scene… Tanagra is something to be loved by music fans, cherished by power metal fans and salivated over by fans of progressive metal.” – Last Rites

“I’m thoroughly impressed with this sophomore. It’s a complete transformation of this band into a wholly new form and they’ve earned every single little bit of it.” – Toilet ov Hell

“Tanagra’s Meridiem will likely please and intrigue fans of American progressive power metal, thanks to the band’s ambitious and lightly complex songwriting.” – Danger Dog Reviews

“There’s an ethereal, otherworldly feel in parts of Tanagra’s compositions that gives the music real presence, and the epic nature of the material will raise the hairs on the back of your neck a fair few times if you allow yourself to become fully immersed in the grandeur of it all. Highly recommended!” – Sentinel Daily

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ASHER MEDIA RELATIONS

Jon Asher – Music Publicist
#.514.581.5780
asher[@]ashermediarelations[.]com
Facebook @AsherMediaRelations
Instagram @AsherMedia
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0 The Haulix LIVE! panel series continues this month with an in-depth conversation featuring Jesea Lee (of High Road Publicity), Jon Asher (of Asher Media Relations), and Rey Roldan (of Reybee, Inc.).

August 14, 2020
by Asher
· Asher Media · Music News

The Haulix LIVE! panel series continues this month with an in-depth conversation featuring Jesea Lee (of High Road Publicity), Jon Asher (of Asher Media Relations), and Rey Roldan (of Reybee, Inc.).

Join us on Thursday August 20 at 2PM EST for your chance to engage with these music publicity leaders. Participation is FREE, but we do ask that you register in advance: https://zoom.us/webinar/register/WN_iga3I7kcSZG0Hkv9T6p7KA

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