Category: Music News

0 Earth’s Yellow Sun Shares Next Animated Video “Part IV – Bastion” For 5th Anniversary of “The Infernal Machine”

September 18, 2020
by Asher
· Earth's Yellow Sun · Music News

(contact info below)

NEWS RELEASE

Montreal, QC – September 18, 2020

For fans Periphery, Snarky Puppy, Dream Theater, Animals As Leaders, Thank You Scientist

Earth’s Yellow Sun Shares Next Animated Video “Part IV – Bastion” For 5th Anniversary of “The Infernal Machine”

“The Infernal Machine” Celebrates 5 Years!

Re-release EP Tracks w/ Animated Videos

Top L-R Brian Dhari (Tenor Sax), Josh Hanff (Guitars), Chris Bruder (Keyboards)

Bottom L-R Duncan Stan (Bass), Julien Bigras (Drums), Murray Heaton (Alto Sax)

Photo Cred: Michele Dalgarno, Samantha Carcasole, Eric Soto

Five years ago Toronto’s Earth’s Yellow Sun released their sophomore EP “The Infernal Machine”. Now to celebrate the anniversary of that EP, they are re-releasing the tracks in the form of animated videos. The band has unleashed three videos over the last two months, “Part I – Assembly”, “Part II – Unveiling” and “Part III – Betrayal”. Today, the band unveil their fourth video for the track “Part IV – Bastion”, continuing the next chapter of their illustrated story.

The band explains the track:

“Part IV – Bastion: Our human civilization faces a massive onslaught and many deaths brought on by this mechanized terror that they’ve unleashed on themselves. They are forced to retreat into remote areas and regroup for a hail mary last-ditch effort at bringing down the machine that has only brought them violence and destruction.”

The animated video for “Part IV – Bastion” can be viewed HERE.

Previous videos:
“Part III – Betrayal” HERE.
“Part II – Unveiling” HERE.
“Part I – Assembly” HERE.

Earth’s Yellow Sun‘s concept EP “The Infernal Machine” is the perfect soundtrack to these videos, the premise lying in a futuristic society, the dependency on technology and artificial intelligence, and the conflict that arises between man and machine. Guitarist Josh Hanff shares his excitement for this project:

“The release in question, The Infernal Machine was actually released exactly five years ago, but we are releasing this comic book video concept for the five-year anniversary. The project has been in the works between myself and a couple of artists since the actual EP was completed, and we’re really excited to be able to finally show our fans (and potential fans) the story behind the music, which was always in my mind (and my co-producer’s mind) as we created the EP back in 2014/2015. “

An incredible mix of guitars, saxophone, choir, violins, and a heavy rhythm section, Earth’s Yellow Sun is difficult to label yet easy to enjoy. Recommended for fans of Periphery, Dream Theater, and Animals as Leaders.

To hear “The Infernal Machine” in full, please visit the following links on EarthsYellowSun.bandcamp.com, Apple Music, Spotify

Track Listing:
1. Part I – Assembly (6:09)
2. Part II – Unveiling (2:58)
3. Part III – Betrayal (3:31)
4. Part IV – Bastion (3:12)
5. Part V – Rapture (7:14)
Album Length: 23:06

For more info:
EarthsYellowSun.net
Facebook.com/EarthsYellowSun
Instagram.com/EarthsYellowSun
EPK

About:

Difficult to Label; Easy to Enjoy

We are Earth’s Yellow Sun, an instrumental band hailing from Toronto, Canada. While often described as “progressive metal”, you’ll quickly find that it’s not so simple to label us – our unique approach to writing music is unlike anything you’ve heard before. Blending a crushingly heavy rhythm section with soaring melodic saxophone lines and funky organ pads, Earth’s Yellow Sun is like the love child of Periphery and Snarky Puppy that you didn’t know you needed in your life.

Our most recent release “Under the Covers” features our cover arrangements of three songs from vastly different corners of the musical world, featuring collaborations with some talented vocalists. From the progressive rock realm, we cover Rush’s “Overture 2112/The Temples of Syrinx”, featuring the incredible Rody Walker of Protest the Hero. From jazz territory, we cover pianist Tigran Hamasyan’s instrumental rhythmic mind-bender “Entertain Me”. And from the pop world, we cover the Backstreet Boys hit “Larger Than Life”, featuring the vocals of Lauren Babic of Red Handed Denial.

As an instrumental band, we rely on our music to convey our stories. Our sophomore release “The Infernal Machine” is a concept record that chronicles a futuristic society’s dependence on technology and artificial intelligence, and the ensuing conflict between man and machine. The creation of this EP saw us venture further into experimental territory, incorporating unconventional instrumentation such as violin, choir, and tabla into sound.

Earth’s Yellow Sun was initially conceived in 2014, while we were attending Humber College’s music program. After bonding over our mutual interest in heavy progressive music, and our shared desire to write innovative music of our own, we formed a school ensemble where we first toyed with the idea of incorporating saxophones into a metal band. This experiment proved to be a great success, and Earth’s Yellow Sun rose from the ashes of the school ensemble once classes came to an end.

Our unique and eclectic sound allows us to fit into a variety of different concert bills. Since our live debut in 2015, we have been fortunate enough to share the stage with several notable acts, including Between the Buried and Me, Protest the Hero, Intervals, Intronaut, Plini, Thank You Scientist, Moon Tooth, Auras, and Red Handed Denial. We greatly look forward to returning to the stage as soon as we can, bigger and better than ever.

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0 Canada’s T-Rex Marathon Confront Abusive Relationships In “A Prison Just For Us”, Premiere Single via IdiotEQ, “Days Without Incident” Out October 16, 2020

September 18, 2020
by Asher
· Music News · T-Rex Marathon

(contact info below)

NEWS RELEASE

Montreal, QC – September 18, 2020

For fans of Silverstein, Billy Talent, Alexisonfire, A Day to Remember, Taking Back Sunday

Canada’s T-Rex Marathon Confront Abusive Relationships In “A Prison Just For Us”

Premiere Single via IdiotEQ

“Days Without Incident” Out October 16, 2020

L-R- Alex Hodges (guitar, vocals), Jeremy Toppings (bass, vocals), Darien Swolfs (drums), Adam Sakauye (lead vocals) and Aaron Stafford (guitar, vocals)

Ottawa’s punk/post-hardcore act T-Rex Marathon are releasing their second single “A Prison Just For Us” off their upcoming album “Days Without Incident”. This is the next installment in the band’s discography which already boasts a handful of singles and 2 EPs.

T-Rex Marathon is out to prove they aren’t a one-trick pony with their first full length which serves as a collection of everything they have been, will be, and currently are. The listening experience is a mix of nostalgia, reminiscent of the bands of their youth that they still love, and also intrigue. They have a goal of helping their fans reconcile their love of old bands and a glimpse of several other musical directions to explore, ultimately giving them a safe space to do so.

In this single, the band flaunts their love of Alexisonfire and it shines prominently throughout the song. The band shares their thoughts on the single:

“The structure and feel pay homage to AoF’s track “Accidents” and if it were to be described in one word, it would be ‘atmosphere’. It’s the kind of song that with each listens, you’ll find something new but it’s still kept catchy with a great chorus that’s easy to sing along to. It’s a song where we make use of interesting production techniques and slightly improvisational guitar parts as well as giving it a lot of breathing room live to stretch out and interact with the crowd.”

The lyrics for the song center around the confining nature of abusive relationships. The speaker laments how their partner has stripped them of their autonomy and turned them into a cartoonish fantasy, instead of a legitimate relationship. It’s a protest song for a failed relationship.

Heavy themes contrasted with light and poppy melodies are the name of the game for T-Rex Marathon and they can be enjoyed via the premiere of “A Prison Just For Us” on IdiotEQ HERE.

For fans of Billy Talent, Alexisonfire, and A Day to Remember, the full release of “Days Without Incident” is out on October 16, 2020.
Album pre-order at T-rexmarathon.bandcamp.com

Track Listing:
1. All For Nothing (2:56)
2. No Words (4:56)
3. Faux News (3:05)
4. A Prison Just For Us (4:08)
5. Turnpike (4:06)
6. Pick Your Poison (4:58)
7. Misfits (4:24)
8. Sheltered (4:01)
9. Futures and Goodbyes (4:32)
10. 5 Centimeters Per Second (5:58)
Album Length: 43:09

Album Credits:
• All songs performed by: T-Rex Marathon
• All songs written by: T-Rex Marathon
• Produced by: T-Rex Marathon and Mike Bond
• Mixed by: Mike Bond
• Mastered by: Mike Bond
• Album Artwork by: Jeremy Toppings
• Member of SOCAN
• Canadian Content (MAPL)

Album and Live Band Line Up:
Aaron Stafford – Guitar/Bass/Keys/Vocals
Adam Sakauye – Lead Vocals
Alex Hodges – Guitar/Bass/KeysVocals
Darien Swolfs – Drums/Percussion
Jeremy Toppings – Bass/Vocals

For more info:
Facebook.com/TheTRexMarathon
Twitter.com/TRexMarathon
Instagram.com/TRexMarathonofficial
EPK

About:

Starting out on the Ottawa metal/hardcore scene, T-Rex Marathon has adopted a unique sound that comes from a mix of Alternative Rock, Punk, and Post-Hardcore.

Formed by friends in high school, the band began to really take shape almost by accident and through dumb luck. The current lineup consists of Aaron Stafford (guitar/bass/keys/vocals), Adam Sakauye (lead vocals), Alex Hodges (guitar/bass/keys/vocals), Darien Swolfs (drums/percussion), and Jeremy Toppings (bass/vocals).

In a fiercely democratic writing process, every single member has input and a veto, sometimes resulting in a very long but completely organic process resulting in a synthesis of something everyone is happy with. As the band progresses, so does the love and attention that is put into each and everything they produce. The T-Rex Marathon family is and has always been, dedicated to making kick-ass music and leaving a mark in the industry, not only for them, but for their fans.

The boys in T-Rex, as the band is called for short, endlessly value their dedicated fans, affectionately known as Marathoners. After all, it is for them that they continue to write about what they want and play what feels right. T-Rex Marathon’s music is a simple blend of attack and melody that has the main goal of being not only fun to play, but fun to listen and rock out to.

The stage is a performing area, and this band refuses to give anything but their all at every show. They have had the pleasure of sharing the stage with bands such as: Of Burning Empires, Flesh Over Faith, Faithful Unto Death, and Project Mantra. They have also played Wretched Fest 1&3, Unite and Ignite 2012, 2014.

To date, the band has released 2 EPs Aurelia (2017), Eponymous (2016), and are readying to share with fans their first full length ” Days Without Incident ” due out October 16th, 2020.

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“Each band member draws in a different musical influence, from Alexisonfire (post-hardcore) to Blink-182 (pop-punk), to even Coheed and Cambria (progressive rock), creating a sound that is impossible to be kept in a box.” – Asha Swann

“For fans of hardcore, punk and just good rock n roll, people from all over the spectrum should get on this!” – Punkanormal Activity

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ASHER MEDIA RELATIONS

Jon Asher – Music Publicist
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0 Mournful And Meandering, Canada’s Uncle Woe Reveal Second Album “Phantomescence”; Premiere First Single “Become The Ghost” via TheSludgelord

September 18, 2020
by Asher
· Music News · Uncle Woe

(contact info below)

NEWS RELEASE

Montreal, QC – September 18, 2020

Interview request at asher[@]ashermediarelations[.]com

For fans of Yob, Chrome Ghost, Deftones, Slomatics, Tool

Mournful And Meandering, Canada’s Uncle Woe Reveal Second Album “Phantomescence”

Premiere First Single “Become The Ghost” via TheSludgelord

Canada’s Uncle Woe brings you a contemplative, progressive doom album “Phantomescence” that was completely conceived and recorded in pandemic induced isolation. The opening track/lead single, “Become The Ghost” is a meandering exploration of death and dreams.

“Phantomescence” deviates from the first Uncle Woe album as the band moves forward from a solo studio project. It is an easily digestible, logical next step in the band’s evolution; elements, which made the first LP, “Our Unworn Limbs”, engaging and intriguing are present again on this offering; expanded upon, polished, and moderately better produced. The new album deals with death in a much broader and less personal sense, and also contains a lot of abstract, dream sequence type elements.

Currently, as a two-piece, Rain Fice and Nicholas Wowk worked on their parts separately, shared them online and managed to pull off the second album from the band. Fice details the intricacies of the single:

“Become The Ghost is almost relentless in its forward, mid-tempo, stomping march. The first chorus comes as a very small, simple 3/4 breather, in the midst of the opening/verse riff’s endless churning and revolving 11/4 and 15/4 riff. The vocals throughout are rough, and finally build to a scream in that last, closing verse. After the death of someone very near to me, I remember a feeling of loss so great that it seemed that even though THEY had died, I was the one who became a ghost if that makes sense; a ghost, or shadow, or shell.”

Many chugging, bludgeoning passages are offset by expansive and contemplative, subdued, almost post-rock soundscapes, making Uncle Woe suitable for fans of Yob, Chrome Ghost and Deftones.

“Become The Ghost” can be heard via its premiere on TheSludgelord HERE.

The full album “Phantomescence” is due out October 23rd via Packard Black Productions and available for digital, CD and vinyl pre-order HERE.

Track Listing:
1. Become The Ghost (6:29)
2. On Laden Shores (13:30)
3. Lucid Degrees of Autoscopic Ruin (6:45)
4. A Map of Dead Stars (13:14)
EP Length: 40:00

Album Credits:
• All songs performed by: Rain Fice/Nicholas Wowk
• All songs written by: Rain Fice *Become the Ghost by Fice/Wowk
• Produced by: Rain Fice/Nicholas Wowk
• Mixed by: Rain Fice
• Mastered by: Rain Fice
• Album Artwork by: Rain Fice
• Canadian Content (MAPL)

EP Recording Band Line Up:
Rain Fice – Guitar, Vocals, Bass, Keyboards
Nicholas Wowk – Drums/Percussion

More info:
Facebook.com/unclewoe
Instagram.com/unclewoedoom
EPK

About:

Hailing from the oft frozen hills of rural Canada, Uncle Woe is a phantom limb, wielding a bludgeoning tool against mostly true tales of bittersweet sorrow, revenge, and regret.

The bleak desolation of Bancroft, Ontario spawned Uncle Woe in 2019 when Rain Fice grew weary of floundering in non-committed projects and instead dove into songwriting mode with a rough idea of his ideal sound and started carving out what would become the first Uncle Woe LP “Our Unworn Limbs”.

After the album was released in 2019 and started to pick up some buzz, a full band began to form. However, the pandemic was not far off and the band whittled down to a 2 piece. Before lockdown began, Uncle Woe managed to lock down the rough elements of what would become the second album “Phantomescence”, Fice expanded on them, and after being fed to drummer Nicholas Wowk, and recording remotely, the album was complete: a meandering exploration of death and dreams. Many chugging, bludgeoning passages are offset by expansive and contemplative, subdued, almost post-rock soundscapes.

As Uncle Woe begins to hit their stride, fans can look forward to the band putting out music pretty much indefinitely, plans are in motion for a third album already.

The band’s second album “Phantomescence” will be available digitally, CD, and on vinyl on October 23rd via Packard Black Productions.

– 30 –

“The lone member (although it does seem as if drummer Nicholas Wowk has been added to the band) Rain Fice has created a truly wondrous journey through pure doom lands into that astral, transcendental other place doom of the aforementioned Yob that gives you goosebumps with its completely distressing doom metal. Fice’s clean echo-drenched vocals are also of very high quality, while not actually sounding like Mike Scheidt, Fice does exude a similar aura of supreme enlightenment and complete mastery of his art.” – Verbal Aggression

“Never be afraid to take a chance on a new name. This one comes to us from Ontario and was released earlier in the month, though I’m just now getting around to hearing it. I was pretty damned impressed and count UNCLE WOE in the same company as Domkraft, Spaceslug, Chrome Ghost, and Slomatics. Some damned good doom with crunchy low end and transcendent vocals. Count it among the #HeavyBest19” – Doomed & Stoned

“Chugging, sprawling, and most of all reaching, the late-2019 debut LP, Our Unworn Limbs, from Ontario as-yet-solo-outfit Uncle Woe — composed, performed, and recorded by Rain Fice — is one of marked promise, taking elements of modern progressive and cosmic doom from the likes of YOB’s subtly angular riffing style and unfolding them across an emotionally resonant but still manageable 43-minute span.” – The Obelisk

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0 Vancouver Double Bassist Heavy Metal SAINTS OF DEATH Protest Earth’s Destruction From Corporate Greed In Lyric Video “Watching Me Die”, Premiere via TheCirclePit

September 17, 2020
by Asher
· Music News · Saints of Death

(contact info below)

NEWS RELEASE

Montreal, QC – Sept 17, 2020

Interview Request at asher[@]ashermediarelations[.]comFor fans of Motorhead, Lamb of God, Pantera, DevilDriver

Vancouver Double Bassist Heavy Metal SAINTS OF DEATH

Protest Earth’s Destruction From Corporate Greed In Lyric Video “Watching Me Die”

Premiere via TheCirclePit

New Album “Ascend To The Throne” Out Now!

Photo Credit: Kevin Eisenlord Photography

L-R – Juan Helluva – 5 String Bass/Backup Vocals, Ashley Blue – 6 String Guitar/Backup Vocals,
Twan Holliday – Vocals/8 String Bass, Christopher James – Drums

Unleashing their new album “Ascend To The Throne” this past July via Head Rattle Productions INC., Vancouver’s Saints of Death are sharing with fans their new lyric video for the track “Watching Me Die”. The song is about the destruction of the Earth by corporate greed.

“Watching You, Me, humanity, and Mother Earth die to the hands of unjust corporations and tyrannical governments.” adds the band.

For fans of Pantera, DevilDriver, and Arch Enemy, you can check out Saints of Death’s new lyric video with its double bassist assault via its premiere on TheCirclePit HERE.

Saints of Death‘s new album “Ascend To The Throne” is a 7 track ripping and cohesive released and the second in the Saints of Death repertoire following the 2015 self-titled EP. With a different lineup than the debut effort, Saints of Death now boasts a more robust group that is tighter, more aggressive, and more melodic than ever before along with still featuring their signature sound of having two bassists.

The band comments:

“This album has been a long time coming, and we look forward to getting it into the ears of our fans, new and old alike. After dealing with line up issues for a few years, we finally have a solid line up and are back to kicking ass. The current line up has been together since 2018 and we have really gelled as friends and as band members. Naturally, with this kind of chemistry going on, it was finally time to record a new album.

Like the first EP, there is diversity between each song, allowing each of them to stand out as hard-hitting singles. There is also the consistency that allows the songs to come together as a great album. We talk about important topics such as the trials of society, corruption and corporate greed, mental health as well as a few other topics on this album. Saints put a lot of hard work and passion crafting this album and making it what it is and we’re excited to share it with the world!”

“Ascend To The Throne” is available on Bandcamp, Spotify, Apple Music.

Videos:
Music Video “You Can’t Run” HERE.
Music Video “Repentance” HERE.
Lyric Video “Ascend To The Throne” HERE.
Lyric Video “God Can’t Help You” HERE.
Lyric Video “Soldiers of Metal” HERE.

Fun Fact: Besides being a musician vocalist/bassist Twan Holliday has acting credits for movies American Mary (2012), The Devils Ground (2009) w/ Darryl Hanna, Stan Helsing (2009) (Leslie Neielson’s last movie), Catwoman (2004) w/ Halle Barry, Psych (TV Show) plus has done stunts on Super Natural (TV Show) and Pathfinder (2007). Twan was also a pro-hard-core wrestler of 10 years and was on TV every Saturday at 1 pm on KVOS TV12 (Bellingham, WA) plus was asked to train for WWE.

Track Listing:
1. Call of The Kings (1:45)
2. Ascend To The Throne (3:42)
3. Watching Me Die (2:51)
4. God Can’t Help You Now (3:44)
5. Repentance (5:13)
6. You Can’t Run (2:55)
7. Soldiers of Metal (5:56)
Album Length: 26:10

For more info:
SaintsofDeath.com
Facebook
Instagram
Twitter
EPK

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ASHER MEDIA RELATIONS

Jon Asher – Music Publicist
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asher[@]ashermediarelations[.]com
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0 Helion Prime Signs To Ward Records For Japan Release of New Album “Question Everything”

September 17, 2020
by Asher
· Helion Prime · Music News

(contact info below)

NEWS RELEASE

Montreal, QC – September 17, 2020

For fans of Unleash the Archers, Iron Maiden, Helloween

Helion Prime Signs To Ward Records For Japan Release of New Album “Question Everything”

New Album “Question Everything” Out October 5th (North America), October 28th (Japan)

L-R – Alex Bosson – Drums, Mary Zimmer – Vocals, Jason Ashcraft – Guitar, Chad Anderson – Guitar, Jeremy Steinhouse – Bass
Photo Credit: Casey Frederick

Helion Prime has signed with Ward Records for the Japanese release of their forthcoming album “Question Everything” on October 28th. The Japanese CD version will feature two exclusive bonus tracks “Prof (Demo)” and “Rain (Trivium Cover)” (track listing below) and is available for pre-order HERE. The North American/EU sales date is October 5th via the band’s label Saibot Reigns and available for pre-order at Helionprimemetal.com.

The band comments on the signing to Ward Records:

“We are so stoked to announce we have signed a deal with Ward Records marking our first ever Japanese release. They are one of the most well known and reputable labels in Asia and it’s an honor to have Helion Prime in Asia on the same label as bands such as Judas Priest, Deep Purple, Opeth, Nightwish, Sabaton, Unleash The Archers, and much more. Until then, we hope you check out the new album when it’s out in October.”

Track Listing:
1. The Final Theory
2. Madame Mercury
3. Prof
4. The Gadfly
5. Photo 51
6. E Pur Si Muove
7. Words of The Abbot ft. guest vocals John Yelland (Judicator, Dire Peril)
8. The Forbidden Zone
9. Question Everything ft. Heather Michele (ex-Graveshadow, ex-Helion Prime) and Sozos Michael (ex-Helion Prime, Planeswalker)
10. Reawakening
11. Kong at the Gates (Misfits Cover)
– Japanese Edition Limited Bonus Tracks –
12. Prof (Demo)
13. Rain (Trivium Cover)

It’s been about two years since the band’s sophomore release “Terror of the Cybernetic Space Monster” and Sacramento sci-fi power metallers Helion Prime returns with their third effort and the much shorter title “Question Everything” set for release on Monday, October 5th, 2020 via their label Saibot Reigns. This is Helion Prime‘s first album with new vocalist Mary Zimmer, who has also accompanied the band on two separate tours of the United States. It also sees the band’s original singer, Heather Michele, returning in a writing capacity and contributing all lyrics and melodies. Heather Michele also along with other former Helion Prime vocalist Sozos Michael and with John Yelland (Judicator/Dire Peril) add their guest vocals on the full length.

The highly anticipated third record is a concept album, with each song revolving around different figures throughout human history that had the courage to question the status quo of their respective worlds/societies, in some cases even dealing with harsh persecution as a result. Those Helion Prime chose to write about-faced prejudice, mockery, ex-communication, and persecution – yet through it all, they held true to their beliefs and ideas. Time would be their greatest ally as their ideas and identities were eventually validated, oftentimes not until after their passing. They serve as an inspiration for all minds to continue thinking outside the box and staying true to themselves.

Jason speaks on the album itself:

“This album has truly been amazing to work on. The idea behind it is something I’ve been holding on to since around the time I started the band. Aside from writing some of what I consider to be Prime’s best work it was a great experience getting to work with Heather again on an album as she once again contributed her talents for the lyrics.”

“Question Everything” was produced by Jason Ashcraft and Alex Nasla. Mixing was done by Chris Collier and mastered by Brett Caldas-Lima along with additional mixing/drum edits/reamping plus writing and performance of keyboard arrangements by Alex Nasla of Gear Gods Studio. Guitar/Bass edits by Michael Goodrich and cover art by Marc Whisnant.

Previous singles:
“The Forbidden Zone” YouTube (Lyric Video), Spotify.
“Madame Mercury” Youtube (Lyric Video), Spotify.
“Gadfly” YouTube (Music Video)

Helion Prime is:
Mary Zimmer – Vocals
Jason Ashcraft – Rhythm Guitars
Chad Anderson – Lead Guitars
Jeremy Steinhouse – Bass
Alex Bosson – Drums

For more info:
Helionprimemetal.com
Facebook.com/helionprimemetal
Instagram.com/helionprimemetal
EPK

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ASHER MEDIA RELATIONS

Jon Asher – Music Publicist
#.514.581.5780
asher[@]ashermediarelations[.]com
Facebook @AsherMediaRelations
Instagram @AsherMedia
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0 Raleigh Groove Metal WoR Cover The Offspring’s “Come Out And Play”; Debut Album “Prisoners” Out Now!

September 17, 2020
by Asher
· Music News · WoR (Bungalo Records)

(contact info below)

NEWS RELEASE

Montreal, QC – September 17, 2020

Interview Request at asher[@]ashermediarelations[.]com

For fans of Pantera, Lamb of God, Machine Head, Sepultura, Gojira

Raleigh Groove Metal WoR Cover The Offspring’s “Come Out And Play”

Debut Album “Prisoners” Out Now!

L-R – Phillip Funderburk – Bass, David Nisoff – Guitar, Bobby Demoss – Vocals, Hunter Crews – Drums, Ben Kaiser – Guitar

Photo Credit – Matthew Wonderly

WoR, groove metal hailing from Raleigh, USA unleashed their debut album “Prisoners” on August 7th of this year via Bungalo Records/Universal. On the full length, the band takes a grinding chainsaw with a pummeling battering ram to pulverize a heavy cover version of one of The Offspring‘s most beloved tracks “Come and Out Play”, which the band is sharing today with a streaming visualizer below.

The band comments on covering the track:

“We chose this iconic song for its energy, attitude, and lyrical message. We felt it spoke to the overall theme of our album, which discusses similar topics such as rebellion, anger, and rage. We were messing around at practice one day and were playing this song and felt that we could really inject some new life into it. We bumped up the tempo, tuned down, threw a breakdown in the middle, and incorporated Bobby Demoss’ trademark screaming vocals to achieve that goal.”

Listen to “Come and Out Play” on YouTube (Visualizer).

Throwing in elements of thrash, metalcore, and even hardcore punk, everyone in WoR has taken a different musical path and the variety of influences shows through in the unique and original sound on their debut release “Prisoners”, which is an extremely energetic journey from start to finish. Groovy, raw, and old school, WoR is suitable for all fans of metal especially those with an interest in Machine Head, Sepultura, and Gojira.

The band explains the debut full length:

“This album has been in the works for several years and we finally get to show you what we have been working on nonstop for the last year. From front to back, this album is meant to take you on a heavy metal journey. It features groovy tracks such as Predator, brutal songs such as Caged, and melodic anthems such as VI Kings. While the songs are groovy and meant to give your neck whiplash, the lyrics are deep and thought out. The messages behind these songs are ones of resilience and overcoming. If you enjoy heavy riffs, melodic overtones, and just straight-up angry and in your face METAL, this album is for you!”

“Prisoners” is available on Spotify, Apple Music, Amazon, Google Play.

Music Videos:
“VI Kings” – YouTube, Facebook, IGTV
“Predator” – YouTube, Facebook, IGTV
“Caged” – YouTube, Facebook

Track Listing:
1. Kill You (2:44)
2. Caged (5:13)
3. VI Kings (4:37)
4. Sirens (4:20)
5. A Place To Die (3:07)
6. Predator (3:46)
7. T.G.S.O.A.T (1:35)
8. Come Out and Play (3:12)
9. Hiraeth (4:36)
10. Freedom Suicide (3:57)
Album Length: 37:12

Album Credits:
• All songs performed by: WoR
• All songs written by: WoR
• Produced by: Joe Alonzo Potts
• Mixed by: Shaun Singerling
• Mastered by: Shaun Singerling
• Album Artwork by: Mark De Gruchy and Dan Gore
• Member BMI

Album and Live Band Line Up:
Bobby Demoss – Vocals
Ben Kaiser – Guitar
David Nisoff – Guitar
Phillip Funderburk – Guitar
Hunter Crews – Drums

For more info:
WoRband.com
Facebook.com/WoRBandOfficial
Instagram.com/w.o.r.official
Twitter.com/WoRbandofficial
EPK

About:

WoR is a groove metal quintet from Raleigh, North Carolina. Their music combines aggressive riffs, harmonic leads, and tasteful breakdowns with the infectious anti-authoritarian lyrics of vocalist Bobby DeMoss.

WoR was founded in 2018 by guitarist Ben Kaiser who at the time was finishing up his college football career playing offensive line at NC State. The band was initially an escape from the rigors of the sport, and at the end of his career, he decided to give the band a legitimate go.

After cycling through a variety of members early on, WoR was joined by Bobby Demoss, the charismatic frontman who has the ability to draw in even the toughest crowd; his unique screaming style and passionate lyrics helped shape WoR’s groundbreaking identity from the get-go. In 2019, Phil Funderburk, the glue who keeps the band and the music together, joined on bass; David Nisoff, in charge of mind-blowing solos that capture everyone’s attention, joined as the second guitarist, and Hunter Crews, a consistent timekeeper and a seasoned veteran in the music business solidified the lineup as the bands’ drummer.

By the spring of 2019, WoR had begun to debut their music at live shows throughout the southeast region of the United States and played with the likes of Upon A Burning Body, Atilla, and Warbringer just to name a few.

Working collaboratively, WoR’s music focuses on various different current events using powerful lyrics to offer a unique insight into the things going on in our lives and in the world. After working closely with producer Joe Alonzo Potts and audio engineer Shaun Singerling, they plan to release their debut album “Prisoners” on August 7th, 2020, which features brutal tracks such as ‘Caged’ and ‘Predator’ in addition to melodic anthems such as ‘VI King’s.

In 2020 and 2021, WoR has extensive tours scheduled to support the release of their debut album “Prisoners”. WoR’s live shows are extremely energetic with fan involvement being a common theme. Demoss does a phenomenal job of breaking down the fourth wall and getting the crowd involved at their shows making way for insane mosh pits. It is the band’s credo that they give it their all for whatever time they are on stage whether they are playing to 2,000 people or 200 people.

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ASHER MEDIA RELATIONS

Jon Asher – Music Publicist
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asher[@]ashermediarelations[.]com
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0 Sadistic Embodiment Cast Their “Blood Spell”; Album Stream Premiere via Metal Injection

September 16, 2020
by Asher
· Music News · Sadistic Embodiment

(contact info below)

NEWS RELEASE

Montreal, QC – September 16, 2020

For fans of Gojira, Rotting Christ, Bloodbath, Kataklysm, Strapping Young Lad

Sadistic Embodiment Cast Their “Blood Spell”

Album Stream Premiere via Metal Injection

New Album “Blood Spell” Out September 18th, 2020 via CDN Records

L-R – Bryan James Newbury (Drums); Jason Cullen (Rhythm Guitar); Wally Fischer (Lead Guitar); Curtis Vieville (Bass)
Photo Credit: Danika Challand AKA Demonika

Canada’s Sadistic Embodiment will be unleashing their new album “Blood Spell” on September 18th via CDN Records. Prior to its official release, the band has teamed up with MetalInjection for the record’s full stream premiere, which can be heard HERE.

Sadistic Embodiment‘s new full length “Blood Spell” follows the band’s three EPs Beloved Imprisonment (2019), Blodörn (2018), and Self-Titled (2018). Continuing their sonic onslaught, each of the nine songs on “Blood Spell” has a distinct feel given the variation in vocal and instrumental styles throughout the album. Each song stands out and yet they are all uniquely Sadistic Embodiment. This will please old school death metallers and the new school with a variety of punch-in-your-face hooks, melodic passages, and absolutely brutal anthemic choruses.

The band comments:

“After spitting out three EPs this last couple of years, we were really stoked and kind of nervous settling into a longer writing and recording process for Blood Spell. As per usual, we cranked out the material during bi-monthly jams, but this time we really took our time crafting the music once the main structure of the songs was built. Our sound is still exactly the same, but the listeners may hear more broad musical influences across the nine tracks. There are tracks that sound distinctively Wally and Jason and certain tracks where you really hear Bryan shine as he shows off his technical prowess.

A lot of our songs are longer than your average death metal track, and they are relatively simple in regards to guitar and lyrical work. But with longer playtime, we were able to fit in more ambiance and guitars solos into every nook and cranny.”

“Blood Spell” will be available as of September 18, 2020 on all major digital platforms along with being available on CD from CDN Records here.

Lyric Video – Catherine’s Braid – YouTube
Lyric Video – Gallows Hill – YouTube
Lyric Video – Phantom Tormentor – YouTube

Track Listing:
1. Stranger (4:41)
2. Gallows Hill (5:33)
3. Catherine’s Braid (6:03)
4. Phantom Tormentor (4:41)
5. Nebulae (Call of the Void) (2:48)
6. Suicide Ceremony (3:09)
7. Global Enema (4:06)
8. Flesh Deposition (5:37)
9. Cerebral Termination (5:26)
Album Length: 42:08

Sadistic Embodiment is:
Bryan James Newbury (Drums)
Jason Cullen (Rhythm Guitar)
Curtis Vieville (Bass)
Wally Fischer (Lead Guitar)

For more info:
CDNRecords.com
Facebook.com/sedeathmetal
Instagram.com/sadisticembodimentofficial
EPK

About:

The sadistic death metal quartet was originally conceived in Edmonton, Alberta. Although all Edmonton born half of the group now resides in Calgary, travelling frequently to join the others in crafting extreme musical works. Each member brings their own distinct flair to the music, live theatrics, and social media content.

Drummer Bryan Newbury (also known from Into Eternity, Untimely Demise) formed the project in the fall of 2017 by inviting Curtis Vieville and Helge Lipphardt to jam simple and catchy death metal. A couple of months later, Jason Cullen joined the group and then Nate Mandrusiak joined shortly thereafter, forming the five-piece that produced their Self-Titled (March 30th, 2018) and Blodørn (September 8th, 2018) EPs. Curtis Vieville left to travel for the summer of 2018, leaving the band to record bass and vocals for the Blodørn release on his behalf.

During the late fall of 2018, the group parted ways with Helge Lipphardt and brought on Curtis’ old bandmate Wally Fischer. Continuing their relentless musical onslaught the group wrote and released the EP Beloved Imprisonment on January 31st, 2019, showcasing their evolved sound. But the work was far from over and after a few gigs; the group began work constructing their first full-length album. During that period the band parted ways with their singer Nate in early 2020, and from thereafter the group became a three-pronged vocal assault team.

Completing their work in the spring of 2020, the milestone album “Blood Spell” was finally realized. As if sensing the impending debut, CDN Records approached the band with a record deal just as the final touches were being completed. And thus Sadistic Embodiment joined the CDN Records family.

Each release from Sadistic Embodiment grows in depth and complexity while maintaining simple and heavy death metal passages. They pride themselves on having catchy choruses intermixed with powerful and epic melodies. The newest material exhibits dark soundscapes with a lot of variation in song type and feel. Listen closely and you will find evil and pain lurking in the mix

“Blood Spell” is due out September 18, 2020 via CDN Records.

– 30 –

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ASHER MEDIA RELATIONS

Jon Asher – Music Publicist
#.514.581.5780
asher[@]ashermediarelations[.]com
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0 Canada’s Ancient Thrones Announce Gripping Concept Album “The Veil” And Single “The Soul To Flesh”

September 16, 2020
by Asher
· Ancient Thrones · Music News

(contact info below)

NEWS RELEASE

Montreal, QC – September 16, 2020

Interview request at asher[@]ashermediarelations[.]com

For fans of Revocation, Skeletonwitch, The Red Chord, The Black Dahlia Murder, Wolves in the Throne Room

Canada’s Ancient Thrones Announce Gripping Concept Album “The Veil” And Single “The Soul To Flesh”

New Album “The Veil” Out November 6th

L-R: Dylan Wallace (Guitar)| Nick Leslie (Guitar)| Sean Hickey (Drums, Vocals)| Matt LeBlanc (Bass)
Photo Credit – Matt LeBlanc

Ancient Thrones, formerly Abysseral Throne, have a new concept album “The Veil” coming out this year and are teasing fans with the first single “The Soul To Flesh”.

More than just a headbanging metal record, “The Veil” ushers in their new image and shows fans their evolution with the first release under the new name. Current fans will be pleasantly surprised and new fans will be intrigued by the familiar melodic material and the upcoming technical and progressive approaches.

Initially very thrashy, the writing for “The Veil” progressed from there into a concept record that intentionally has a beginning, middle, climax, and end with a very cinematic result. Ancient Thrones shares the concept:

“The Veil is a 57-minute descent into purgatory. The record subtly follows the 5 stages of grief and the choices we make haunting us into eventual acceptance. It’s about what’s important in life and all we leave behind when we indulge in selfish values. Musically it is a dark passage that digs deeper and becomes more painful as our character discovers more about their past. It’s a concept record broken up into two parts, beginning with a childlike naive perspective in denial and ending with a bittersweet and orchestrated finale into acceptance.”

The single “The Soul to Flesh” is the fourth track on the album and tells about the character entering the third stage of grief. This song kicks you in the teeth pretty well out of the gate and ups the frantic pace of the album to a new level. It is just a sliver of what you can expect from the Ancient Thrones forthcoming album.

Recommended for fans of Revocation, Skeletonwitch, and The Red Chord, the unexpected blackened death on “The Veil” is ready for Halloween, coming out on November 6th, 2020.

The single “The Soul to Flesh” can be heard at the following links:
YouTube
Bandcamp
Spotify

Track Listing:
1. Transient (1:58)
2. The Sight of Oblivion (6:00)
3. The Millionth Grave (5:53)
4. The Soul to Flesh (6:14)
5. Viduus (The Veil) (9:29)
6. Sentient (2:11)
7. The River of Rain (4:32)
8. Divided/Dissolve (9:12)
9. The Infinite Eyes (9:10)
10. Permanent (2:54)
Album Length: 57:38

More info:
Facebook.com/Ancientthrones
Instagram.com/ancientthrones
EPK

About:

Ancient Thrones, formerly “Abysseral Throne”, is a locally acclaimed blackened metal outfit that rebranded to suit major changes in line-up and songwriting.

Formed in 2011, they quickly went to work to establish themselves among their scene and gained local notoriety eventually allowing them the opportunities to open for renowned metal acts from across the globe.

Sean Hickey (drums/vocals) is the sole original founder of Abysseral remaining, Matt LeBlanc joined in 2015 on bass and improved and refined the sound and operation drastically. Once they lost their original singer and guitar player Jonny Rains, Dylan Wallace joined and took over main songwriting duties. Hickey took over completely on vocals with a black/death metal vocal style, and Nick Leslie joined shortly after on the second guitar. Work began on writing a new album which took about 3 months to write the music for. The new material sparked the name change to Ancient Thrones as an homage to one of Hickey’s favorite bands and inspirations, Wolves in the Throne Room.

In 2013 the band released its debut record and its subsequent follow-up in 2016, “Storming The Black Gate”, which was nominated for an East Coast Music Award. Ancient Thrones have toured throughout Canada, and played at several festivals, sharing the stages with bands such as Silverstein, The Agonist, Black Crown Initiate, and Skull Fist.

2020 sees the release of the concept album “The Veil” showcasing the band’s desire for storytelling and pushing them to new heights musically. The new album explores the journey of a man faced with tragedy, his mortality and ultimately the permanence of our actions told through technical soundscapes and haunting atmosphere.

– 30 –

“one of the most promising young bands in the region (Atlantic Canada) right now […] I already can’t wait for the next one. 4/5 stars” – Mettalworx Music Group

“Equally impressive is that no track feels as if it’s been bled of its passion and drive during the writing process; a genuine love of metal in all its forms shines through on each track, making the EP a wonderfully enjoyable 26 minutes.” – The Sound Not The Word (Review 2016 – Storming the Black Gate EP)

“This is some world-class metal, folks, get it, listen to it, and enjoy. And, as a side-note, ‘Storming the Black Gate’ easily stands out as one of the strongest New Brunswick metal releases of all time. Snatch up one of the physical copies before they sell out and the band is signed to Metal Blade or somebody who will do a mass-produced re-release Or find them on Bandcamp.” (Review 2016 – Storming the Black Gate EP)

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ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780 | asher[@]ashermediarelations[.]com
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0 Imperishable (ft. members of Nile, Enthean) Shares Teaser For Debut Single “Exclusion Continuum”

September 16, 2020
by Asher
· Imperishable · Music News

(contact info below)

NEWS RELEASE

Montreal, QC – September 16, 2020

For fans of Emperor, Angelcorpse, The Legion, Morbid Angel, Obituary

Imperishable (ft. members of Nile, Enthean) Shares Teaser For Debut Single “Exclusion Continuum”

L-R – Alex Rush – Bass, Brian Kingsland: Guitar/Vocals, Tommy Harrison: Drums
Photo Credit: Kevin Nealey

Imperishable is a brand new extreme metal band out of South Carolina. Created by NILE guitarist Brian Kingsland, they are off to a solid start with plans to release the EP “Revelation In Purity” (release date to be determined). Before presenting the final cut, the band is teasing fans with a snippet of their upcoming debut single, “Exclusion Continuum”. The track will be dark, aggressive, and catch the overall feel of the forthcoming EP, which summons riffs molded around power rather than flash. No overthinking, just pure unadulterated metal.

“From a compositional standpoint, Imperishable’s mission is to deliver material that is dark and aggressive, yet, memorable.

In my opinion, we achieved that objective with Exclusion Continuum.” says Kingsland.

Joined by Alex Rush (bass) and Tommy Harrison (drums), the trio is determined to deliver ferocious material while retaining memorable hooks. Grinding, yet, groovy this mindset allows the group to focus on what inspires them; head banging compositions.

Recommended for fans of Angelcorpse, Emperor, and Obituary, Imperishable is getting your attention with a swift kick in the teeth!

Get a little taste of what’s to come from “Exclusion Continuum” at the following links:
YouTube
Facebook
IGTV

The single will be released in the coming weeks and made available on Bandcamp, Spotify, Apple Music.

The release of their debut EP will be announced at later date.

For updates and news, follow the band on their Facebook and Instagram.

For more info:
EPK

About:

Imperishable is an extreme metal side project created by Brian Kingsland (Nile/Enthean), who writes the majority of the music, plays guitar and takes up vocal duty, with contributions from bassist Alex Rush (Enthean), and the pummeling drums of Tommy Harrison.

From South Carolina, the band was started as an outlet for Kingsland’s musical ideas that didn’t necessarily fit with his other bands; the predominant influences are the darkness of black metal and the power of death metal; namely, Emperor, Angelcorpse, and Morbid Angel.

The writing process for the band varies between the songs, Kingsland is always writing, tracking ideas with a growing repertoire waiting to be refined. With accommodations for musical personalities and influences, the song takes shape, with Kingsland’s lyrics adding the final touch. Lyrical themes are generally up to listener interpretation, but largely positive, confident and have some real-life application thrown in.

Conceived in late-2019, Imperishable will be releasing a four-track EP “Revelation In Purity” (date to be determined), which is produced and mixed by Kingsland. Mastered by Jamie King. There will likely be more music coming from the band in the future.

– 30 –

—

ASHER MEDIA RELATIONS

Jon Asher – Music Publicist
#.514.581.5780
asher[@]ashermediarelations[.]com
Facebook @AsherMediaRelations
Instagram @AsherMedia
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0 Skyless Aeons Signs To CDN Records For New Album “Drain The Sun” Out October 2nd

September 15, 2020
by Asher
· Music News · Skyless Aeons

(contact info below)

NEWS RELEASE

Montreal, QC – September 15, 2020

Interview request at asher[@]ashermediarelations[.]com

For fans of Opeth, Dark Tranquillity, Death, Garden of Shadows, Dissection

Skyless Aeons Signs To CDN Records For New Album “Drain The Sun” Out October 2nd

L-R: Stefan Oliva (Bass), Nicholas Luck (Guitars/Vocals), Nathan Ferreira (Lead Vocals), Martin Burchill (Drums)
Photo Credit: Skye Camara

Canada’s Skyless Aeons announce they have signed with CDN Records for the release of their new album “Drain The Sun” on October 2nd, 2020. The band was already in motion to unleash the album independently, with two singles recently discharged in promotion of it.

Singles:
“Go Forth and Multiply” here.
“Dimensional Entrapment” here.

The band comments:

“We are very excited to be working with CDN and to be on a roster alongside some of the sickest and nastiest bands from our area and beyond. They’ve been in business since the 90s and we know their old school approach of going through the underground is the perfect way to get our strange music in the ears of those who will truly appreciate it”

A unique blend of extreme metal styles come forth on the album “Drain the Sun”, which is loosely intended to be a concept album, with a much darker, more focused and tense sound than fans will expect. The title is a metaphor: “the sun” refers to whatever it is that gives us life, light, purpose, structure, or pleasure. In countless forms, humans have a habit of taking something that is good for us and abusing it until it literally destroys us. The band explains this further:

“Even if you’re aware of it happening (and a lot of us are), the machinations of society and the bleak reality of everyday living force us towards the sun in order to cope. Everyone has their sun – that thing that makes life bearable and worth living – and everyone will drain their sun until it cannot provide any more energy, collapses in on us and we are sent hurtling into the abyss. This album is our artistic interpretation of both where we’re at and a terrible warning of what we’re headed towards.”

This new album adds more progressive, technical, and yet somehow more deliberate and doomy influences simultaneously, leading to a more progressive death metal sound.

Album pre-order on CDN Records here (CD), Bandcamp (Digital)

Track Listing:
1. Ascension Towards Nothing (6:30)
2. A Consciousness Decays (7:09)
3. Go Forth and Multiply (3:19)
4. The Age of Regression (7:32)
5. Dimensional Entrapment (6:31)
6. Path of Desolation (6:15)
7. Drain The Sun (8:05)
Album Length: 45:23

More info:
Facebook.com/SkylessAeons
EPK

About:

Around 2014, guitarist Nicholas Luck and drummer Martin Burchill met as a result of an errant bus ride in London, Canada. At this time, Burchill was looking for a stable project after drumming in various rock/punk/metal bands over the last decade or so, and Luck, only 18 at the time, was looking to start a death metal band.

Vocalist Nathan Ferreira and bassist Steve Oliva followed shortly after and with a scathing collective disdain for the larger structures of society and a commitment to constant evolution in sound and ethos the band recorded and released the “Era of Famine” EP in 2016.

The band has already gained a reputation through local shows as one of the more unique and energetic death metal bands in the scene, opening up for artists such as Ashbringer, The Convalescence, Nesseria, and Killitorous – a wide variety of styles, yet somehow, Skyless Aeons shares musical similarities with all of them.

At a live show, one can expect certain synchronicity and chemistry that can only come from years of experience and practice feeding off of each other’s ideas. Couple that with vocalist Ferreira’s on-stage recklessness mixed with unusually sardonic and self-deprecating stage banter, and it’s no surprise that Skyless Aeons are gaining notoriety and drawing more and more people to their local performances as of late.

2020 brings a new album “Drain the Sun”; it takes a different approach, using much heavier and expansive riffing textures and shows refining and maturation of the band’s identity. It can best be described as “; progressive death metal” with some dissonant, doom-influenced leanings.

– 30 –

“This debut EP by Skyless Aeons is monstrous. 35-minutes and four sweeping songs worth of intense songs blackened-death: riffs aplenty, interesting transitions, and solos smothered by a lead-heavy old-school sounding production. The vocals are inhuman and loud in the mix fluctuating from mid-to-high range shrieks similar to Anaal Nathrakh to mid-range growls. There are moments of real technical efficiency – think Gorguts and Mithras – along with an atmospheric undertone akin to Ulcerate and Flourishing. I highly recommend it.” – Akerblogger

“There’s a rich diversity to Skyless Aeons’ music, even though their material is cohesive and doesn’t feel the need to go into extra clean, girlfriend metal territories to get the point across. The four tracks (all between seven to eleven minutes) are progressive affairs without too much fluff. The guitars of Nicholas Luck alternate between early 90s tremolos, a modern dissonant approach to black metal and a healthy dose of melancholic Nordic melodic death metal and he plays everything well.” – Metantoine’s Magickal Realm

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