Category: Music News

0 The Reticent’s New Video “Stage 3 – The Palliative Breath” Continues The Tale of A Man’s Battle With Alzheimer’s Disease From Concept Album “The Oubliette”, Lyric Video Premiere via NewFuryMedia

November 11, 2020
by Asher
· Music News · The Reticent

NEWS RELEASE

Montreal, QC – November 11, 2020

For fans of Opeth, Porcupine Tree, Katatonia, The Contortionist, King Crimson

The Reticent’s New Video “Stage 3 – The Palliative Breath”
Continues The Tale of A Man’s Battle With Alzheimer’s Disease From Concept Album “The Oubliette”

Lyric Video Premiere via NewFuryMedia

Out Now! New Album “The Oubliette” via Heaven & Hell Records

North Carolina conceptual metal proggers The Reticent released their latest critically acclaimed concept album entitled “The Oubliette” via Heaven & Hell Records this past September. The full length was produced again by Jamie King (BTBAM, The Contortionist, Scale The Summit), and it tells the tale of man’s battle with Alzheimer’s disease.

The record follows the journey of an old man named Henry, which is based upon a relative of songwriter Chris Hathcock who’s real name was Cyrus. The name Henry was chosen as a somewhat more universal name, but also because Henry was one of the Alzheimer’s patients featured prominently in the documentary “Alive Inside”. The concept of the album is to demonstrate Henry’s descent through the seven stages of Alzheimer’s. He doesn’t know where he is or why he’s there. He doesn’t remember his wife is dead. He doesn’t recognize his son. Step by step the disease takes his memories, his ability to speak, his ability to walk, his ability to breathe.

To lyrically visualize the third stage of Alzheimer’s, The Reticent has put together a new lyric video for “Stage 3 – The Palliative Breath”.

Hathcock adds about the track:

“Henry has brief moments of clarity when he realizes that “holes are deepening in his mind” and he vaguely grasps some of what’s happening to him. More calm and reflective the music echoes the patience that the doctors urge. The beautiful thoughtful acoustic opening gives way to powerful progressive rock, calm folk, and driving metal all to the conclusion that Henry’s best is long behind him.“

The video for “Stage 3 – The Palliative Breath” can be watched and heard via its premiere on NewFuryMedia HERE.

The Reticent‘s new album “The Oubliette” follows the band’s2016 release “On The Eve Of A Goodbye”, which was an autobiographical concept record that chronicled the day before, day of, and the day after the suicide of band founder Chris Hathcock’s childhood friend Eve. Critics and fans of the record alike were moved by the compelling narrative and heartrending performances along with the band’s award-winning live performances that are both an audiovisual and emotional experience that utilizes film, story-telling, and the sheer intensity of the music.

Even though the recording of “The Oubliette” was delayed four times due to a severe injury to Hathcock’s right arm (the deltoid bursa to be exact), he was able to perform all instruments on the full length, he actually began lining up players to fill in for him as doctors told him he may be endangering his arm’s functionality if he didn’t take an extended break from playing. Luckily, rest allowed him to recuperate enough to complete the record. Although, the process was slowed because he was in pain the entire time, every recording session began with him taking at least 800 mg of Ibuprofen to make it through.

Chris Hathcock comments on “The Oubliette”:

“As with my previous album, I hope that ‘The Oubliette’ will provide listeners with a rich and emotionally challenging audio experience. This is undoubtedly the most ambitious record The Reticent has attempted to date. The hope is that listeners will be personally affected by the music on a deep level and that it may draw some attention to a disease that is frighteningly prominent but frequently poorly understood. There will be moments that are soothing and there will be moments that are overwhelming. The story I have to tell is not a happy one but it is an important one – and it is often through the pain that we find the most profound reflection and calls to action.”

“The Oubliette” (Heaven & Hell Records) is available on Heavenandhellrecords.com (CD), Bandcamp, Spotify, Apple Music.

Music Video – Stage 2: The Captive – YouTube

Track Listing:
1. Stage 1 – His Name Is Henry (9:46)
2. Stage 2 – The Captive (6:00)
3. Stage 3 – The Palliative Breath (7:13)
4. Stage 4 – The Dream (11:47)
5. Stage 5 – The Nightmare (12:14)
6. Stage 6 – The Oubliette (10:38)
7. Stage 7 – ________ (6:10)
Album Length: 1:03:50

Album Band Line Up:
Chris Hathcock – Guitars, Bass, Keyboards, Drums, Vocals, Additional Percussion
James Nelson – Lead Guitars

Live Band Line Up:
Chris Hathcock – Vocals, Guitar
James Nelson – Lead Guitar, Backing Vocals
Cliff Stankiewicz – Bass
Mitch Moore – Drums

For more info:
HeavenandHellRecords.com
TheReticent.net
EPK

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“Each time I have listened to this, my rating of it has gone up until it could not go any higher. This album will hit the spot musically, tug at the heart strings and chill you to the bone. 5/5 – The ProgSpace

“Once again The Reticent enlist the aid of Jamie King for production, giving The Oubliette the same quality in sound and balance as its predecessor. The instruments sound fantastic, and Hathcock’s singing is stellar. His blend of clean (often yearning) vocals and harsh moments used to demonstrate the confusion and fury of Henry is perfectly arranged… I can safely say my expectations have been met, and at times exceeded, by The Oubliette. Hathcock has taken yet another personal subject and transformed it into a taut, compelling progressive metal opus” – Angry Metal Guy

“it’s clear that this is a very personal story from Chris Hathcock. He poured his heart and soul into the concept, and the way the tracks flowed, the story is very real and vivid. Alzheimer’s is a terrible disease, because it mostly affects the patient’s loved ones more than the patient himself. It’s a long process of slowly letting go, until the disease claims another victim. This process is carefully matriculated through music here, and it’s something all fans of music will want to experience. Especially considering the number of us who have been affected in one way or another by this ravaging disease. 9/10” – Metal Temple

“Prog’s most emotionally gutwrenching one-man band returns with plenty more feels… The Oubliette is the next album released under The Reticent‘s name, and tells the story of the protagonist Henry’s decline as a result of Alzheimer’s disease, heavy subject matter again inspired by life experience of Hathcock. The Reticent‘s track record for dealing with such serious subject matter was promising, and with The Oubliette they deliver on said promise.” – Metal Storm

“The Reticent have delivered a narrative masterpiece… I give 10 out of 10 bangs” – Rock Magazine.net

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0 Autocatalytica Shares Groovy Proggy Chaos In Lyric Video “Zippler” From New Album “Powerclashing Maximalism”, Lyric Video Premiere via NewFuryMedia

November 10, 2020
by Asher
· Autocatalytica · Music News

NEWS RELEASE

Montreal, QC – November 10, 2020

For fans of Devin Townsend, Meshuggah, Protest The Hero, Dillinger Escape Plan

Autocatalytica Shares Groovy Proggy Chaos In Lyric Video “Zippler” From New Album “Powerclashing Maximalism”

Lyric Video Premiere via NewFuryMedia

New Album “Powerclashing Maximalism” Out Now!

Pictured – Guitarist/Vocalist/Producer – Eric Thorfinnson
Photo Credit: Walker Esner

Autocatalytica is a bubbling cauldron of scatter-brained prog-metal insanity helmed by guitarist/vocalist Eric Thorfinnson. The newest release for the band “Powerclashing Maximalism” was recently released last month on October 16th. The LP is the band’s third and it explores all corners of Autocatalytica’s sound in a tight 36-minute runtime over eight tracks, from the Meshuggah-esque stomp of “Borndun” to the Jazzy Math Rock of “Cheggo”. While at this time Autocatalytica exists solely as a recording project, no one knows what the future holds!

Today, in support of the album, the band is sharing their latest lyric video for the track “Zippler”. A song written about the illusion of free will, it splits down the middle in the vein of the likes of Protest the Hero and the Mars Volta, it’s zippy, groovy, and has got some chaos thrown in for good measure.

The lyric video can be viewed and heard via its premiere on NewFuryMedia HERE.

Formed as a solo project in 2009, as an expressive outlet for Thorfinnson’s abstract angst and penchant for everything over the top. Thorfinnson has always drawn inspiration from a vast collage of different artists resulting in a sound that is sure to surprise and intrigue listeners of all persuasions. For fans of Devin Townsend, Meshuggah, and Protest The Hero, Autocatalytica‘s new album “Powerclashing Maximalism” is available on Autocatalytica.bandcamp.com, Spotify, Apple Music.

Previous singles:
Lyric Video – Borndun – YouTube

Track Listing:
1. Borndun (5:18)
2. Zippler (3:33)
3. Trash Serum (5:19)
4. Cheggo (4:35)
5. Dukka Dukka (6:00)
6. Bananas Have Potassium (4:05)
7. Crawboi (6:08)
8. Graveo (2:32)
Album Length: 37:34

For more info:
Facebook.com/Autocatalytica
Instagram.com/autocatband
EPK

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“This is an album that’s just on all the time; at its core, it is a progressive metal work, with Protest the Hero as a possible cited influence. But in other places, the album also uses a copious amount of strings, wind instruments, and jazz-inflected time signatures to create a whirlwind of groove, aggression, and, here we go, maximalism. “Cheggo”, which we are proud to premiere here today, has all of that and more. From its nu-prog opening, through the more dreamy middle passages and all the way to its noisy outro, “Cheggo” is everything that’s great about Autocatalytica and Powerclashing Maximalism.” – Heavy Blog Is Heavy

“Powerclashing Maximalism is intricate, varied, and impressive. But above all else, it’s just plain fun. The kind of fun that is contagious. Some people won’t like Powerclashing Maximalism due to the sheer variety of sounds, or due to the somewhat metalcore-y moments scattered throughout. For everyone else, though, Autocatalyctica have delivered a captivating experience that should be given a chance. Their influences inform their sound, but they breathe a new life into all of their steps. 8/10” – Metal Utopia

“I’ve had a hard time tagging this one as well, but I think I’ll stick with the good ol’ catch-all “progressive metal”. Yes, it’s got mathcore; yes, it’s got deathgrind; yes, it’s got djent, so what am I to do? Find the common denominator, I guess! So, you’ll be treated with an incredibly high calibre product for all aforementioned genres (and more!) Fans of heavy music and multiple genres, jump right in and support this awesome artist!” – Can This Even Be Called Music?

“‘Powerclashing Maximalism‘ by Autocatalytica is an album that smashes all preconceived notions of rules you thought existed and brings a unique experience to the listener. There’s something for everyone here. Sure, ‘Powerclashing Maximalism‘ is progressive and heavy but it’s so much more. I don’t think there is anything similar at the moment. Each song has its own distinctive sound which is different from the rest.” – The Music Below

“Overall, this is Progressive Death Metal turned up to 11. The tight instrumentation is un-matched. 8/10” – Metal Temple

“Eric (Thorfinnson) does most of the mixing/production on every release, and with this one he has managed to give us a multitude of rock and metal styles, in eight tracks lasting a total of 37 minutes. 4/5” – The Prog Space

“if you combine the modern, masterful and unpredictable prog of Tesseract with the adventurousness and epic nature of Opeth (and make them both more intense), you get Autocatalytica. In my opinion this is a rarely flawless album and is very strongly recommended listening for all metal heads. I really can’t think of a single thing I’d change.” – The Independent Voice

“If you like complex metal with progressive hints, growl and no boundaries. Check this out.” – Melodic.net

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0 Canada’s Within Nostalgia Have a Cold New Album “Void and Decay” To Compliment The Oncoming Winter, Premiere Music Video “Desideratum” via NoCleanSinging, New Album “Void and Decay” Out December 18th

November 9, 2020
by Asher
· Music News · Within Nostalgia

NEWS RELEASE

Montreal, QC – November 9, 2020

For fans of Woods Of Ypres, Agalloch, My Dying Bride, Nachtmystium, Enslaved

Canada’s Within Nostalgia Have a Cold New Album “Void and Decay” To Compliment The Oncoming Winter

Premiere Music Video “Desideratum” via NoCleanSinging

New Album “Void and Decay” Out December 18th

L-R – Kye Bell (Lead Guitar/ Bass), Alyssa Broere (Rhythm Guitar, Bass, Vocals)
Photo Credit – Isaac Paul Images

As the snow begins to fall across their home country of Canada, Within Nostalgia gear up to release their second album “Void and Decay”.

Formed as a creative outlet for negative emotions, Within Nostalgia came about from the desire to look into the past for a different perspective today. The band expects this offering to be received with curiosity and hopefully with an open mind. Their music, especially this album, has an immense range of genres within it, and being a two-piece collaboration, “Void and Decay” brings on a different dynamic and feel.

The tracks on this album reflect a certain time in the duo’s lives. “Void and Decay” portrays the two extremes; the void is the destined path of our society whereas the decay represents the result of the chaos in the world we live in. The lyrics come from a personal expression that encompasses many forms of emotion and observation as well as relating these things to nature. The inspiration comes from self-reflection and the reflection of the world around us, turning negative events and emotions into something relatable.

The single “Desideratum” was written by Bell shortly after the release of the last album and is the song used for the official single video. The song features heavy guitar riffs, double bass, and harsh vocals with a break just over halfway building up into a furious bridge riff. It ends with the chorus riff into a dead stop. The band explains the single further:

“Desideratum means something that is needed or wanted and lyrically it relates to the current state of society with the pandemic and that things like this are necessary to teach us a lesson and to depopulate for the better of the earth.”

The dark and thoughtful music of Within Nostalgia is recommended for fans of Woods Of Ypres, Agalloch, and My Dying Bride.

The music video for “Desideratum” can be viewed via its premiere on NoCleanSinging HERE.

The full album “Void & Decay” comes out on December 18, 2020.

Album pre-order here.

Spotify playlist add here.

Track Listing:
1. City of Nameless Faces (5:25)
2. Beneath Unworthy Presence (5:55)
3. BlackLight (6:51)
4. Higher Than My Fears (7:31)
5. Desideratum (6:09)
Album Length: 31:53

For more info:
Facebook.com/withinnostalgia
Instagram.com/withinnostalgiaofficial
EPK

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Jon Asher – Music Publicist
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0 King Ov Wyrms Have Punishing New Single “Lechery” Out Off “Lord Ov Thornes”, Track Premiere via TheCirclePit

November 6, 2020
by Asher
· King Ov Wyrms · Music News

NEWS RELEASE

Montreal, QC – November 6, 2020

For fans of Morbid Angel, Bloodbath, Enthroned, Vader, Dark Funeral

King Ov Wyrms Have Punishing New Single “Lechery” Out Off “Lord Ov Thornes”

Track Premiere via TheCirclePit

“Lord Ov Thornes” Out November 20th

King Ov Wyrms comes from Tucson, Arizona and with them, brings a wave of old school death metal, intertwined with black metal, an abusive assault of aggressive music exemplified in the new album “Lord Ov Thornes” arriving on November 20, 2020.

The latest single off this upcoming release is “Lechery”, the first song that Michael Sanchez wrote under the moniker King Ov Wyrms. Sanchez cites his inspiration that comes through in the upcoming offering:

“I’ve always been a big fan of old school death metal and black metal, the pure intensity and the power it holds has always grabbed my interest. A lot of influence I drew while writing this material came from the music I listened to as a teenager which was a lot of 80s thrash metal and death metal, the satanic and brooding content of black metal, and even a bit of tech-death simply because of just how overwhelming it could be at times.”

In a spell of writing, Sanchez was unsuccessful in finding a vocalist to fulfill the vision for the album, and this is the first time his vocals have been recorded. The result is a non- stop assault on the senses, no-frills, just a pure old school death metal onslaught.

The lyrical contents for the single changed about three times before Sanchez ended up deciding on just exploring the gluttonous side of sin and ultimately lechery.

Recommended for fans of Enthroned, Vader, and Dark Funeral, King Ov Wyrms will no doubt intrigue metal fans around the world with this debut.

The third single “Lechery” can be heard via its premiere on the TheCirclePit’s YouTube channel HERE.

The debut album “Lord Ov Thornes” comes out on November 20, 2020.

Previous singles “Thorne Bearer” and “Threnody” are available for download on Kingovwyrms.bandcamp.com and stream on YouTube, Spotify.

Track Listing:
1. Threnody (5:48)
2. The Great Sleeper (7:31)
3. Hell’s Breathe (5:40)
4. From Below (5:51)
5. The Maggots That Crawled From The Wounds (8:57)
6. Lechery (4:24)
7. Thorne Bearer (4:18)
8. Ascendance Of A Continual One (8:53)
Album Length: 51:26

For more info:
Facebook.com/KingOvWyrms
EPK

About:

King Ov Wyrms is homage to classic death and black metal acts of the late ’80s/early ’90s with a touch of modern aggression.

Formed in Tucson, AZ. King came from the want of a more aggressive act when the main band of Michael Sanchez, Pain Patterns, started taking its roots in early 2015. He loved the music he was creating but felt that the band couldn’t fulfill his desire for a purely aggressive musical venture.

The project went through many different lineup changes only to be consistently held together by Sanchez. Having studied classical music and jazz to a degree while growing up, it gave him the tools to write comfortably on his own even in the concept of metal music. He starts out with a basic riff or a small melody line off of a piano and just adds on and on until it manifests into some sort of abomination of sound.

In early 2020 upon Sanchez’s departure from the power metal act Judicator, he decided to pull King out of hiatus but only as a solo effort to produce a full-length album. Over the span of several months, Sanchez was able to completely record all of the songs previously written for King as a full lineup, this time all the music was performed and written solely by him.

King Ov Wyrms will release its debut album “Lord Ov Thornes” on November 20th, 2020, and it will feature lyrical themes encompassing the occult, and a deep love for Lovecraftian horror.

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“Fury does indeed radiate from the music in violent waves. The song (Thorne Bearer) takes flight through rapid-fire drum battery and deep, dismal, heaving tremolo’d riffing that climbs and flares in manifestations of madness and misery, and squalls in blasts of vicious, mauling cruelty. Sanchez contributes his own vocals to the melee, venting horrid growls and scorching screams, which add to the music’s enraged and ferocious striking power. The song’s urgent pace never relents, but the drum patterns morph, as do the riffs, which feverishly squirm and flail as well as jolt and jar in savage, pulsing fashion. The jet-fueled energy and barbarous intensity of the music are both intense and captivating, and they’re joined in the red zone by sensations of rage and maniacal menace.” – No Clean Singing

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0 FUCK THE FACTS Reveal Next Track “Everything I Love Is Ending” Off Upcoming Album “Pleine Noirceur”, Song Premiere via Consequence Of Sound

November 6, 2020
by Asher
· Fuck The Facts · Music News

(contact info below)

NEWS RELEASE

Montreal, QC – November 6, 2020

For fans of Brutal Truth, Napalm Death, Converge, Cephalic Carnage, The Dillinger Escape Plan

FUCK THE FACTS Reveal Next Track “Everything I Love Is Ending” Off Upcoming Album “Pleine Noirceur”

Song Premiere via Consequence Of Sound

New Album “Pleine Noirceur” Out Nov 20th via Noise Salvation

L – R: Melanie Mongeon, Mathieu Vilandre, Topon Das
Photo by Anndy Negative

Fuck The Facts return in 2020 with a new album entitled “Pleine Noirceur” due out November 20th via their very own label Noise Salvation. The full length comes five years after they unleashed their Juno nominated “Desire Will Rot”. “Pleine Noirceur” continues right where the band left off, offering up another slab of their patented “bastardized” grindcore full of all the twists and turns that fans have come to expect. With only a few weeks left before it officially drops, the band is revealing the next single off the record. “Everything I Love Is Ending”, is the second song the band wrote during their break between albums, it exploits the classic grindcore dichotomy between sludgy and grindy.

Teaming up with Consequence of Sound, Fuck The Facts is premiering the stream for “Everything I Love Is Ending” HERE.

Fuck The Facts has amassed a respectable discography over the years, and this new offering joins the 7 LPs and 6 EPs released to date. The considerable amount of time the band has been working together shows in the natural chemistry that courses through each of the 12 tracks. Fuck The Facts comments on the album:

“We took a long break before working on this album, I feel like it’s a collection of bits and pieces; old and new, short and long. It’s us working back into the groove, just in time for a pandemic. This album also could have easily been 3 EPs, you really have to listen to the whole thing in order to fully enjoy it. It opens the door for what is next.”

What started as a basement recording project in the late 90s has blossomed into one of the most prolific bands in the Canadian extreme underground scene. Fuck The Facts have always been more about making albums than just writing songs, using what’s left over for a separate EP, but this time around they decided to put the extra songs as bonus tracks on the different physical copies of the release, so the vinyl, CD and cassette versions will each have a different bonus track that’s not available on the digital release.

The unapologetic, experimental album probably needs a few listens in order to fully enjoy. Put on some noise-canceling headphones, choose your drug of choice, close your eyes, and enjoy.

Recommended for fans of Cephalic Carnage, Exhumed, and Morbid Angel, “Pleine Noirceur” will be available in several different formats on November 20, 2020.

Album Pre-order HERE.

Spotify playlist add HERE.

Previous Singles:
“Ailleurs” – YouTube (Music Video)
“Pleine Noirceur” – YouTube (Music Video)
“Dropping Like Flies” – YouTube

Track Listing:
1. Doubt, Fear Neglect (6:47)
2. Ailleurs (1:17)
3. Pleine Noirceur (5:42)
4. Aube (1:24)
5. Sans Lumiere (4:23)
6. Sans Racines (0:38)
7. Everything I Love Is Ending (4:14)
8. A Dying Light (3:41)
9. Dropping Like Flies (4:04)
10. L’abandon (2:07)
11. An Ending (3:27)
12. _cide (3:59)
Album Length: 41:46

For more info:
Fuckthefacts.com
Facebook.com/FuckTheFacts
Twitter.com/fuckthefacts
Instagram.com/fckthefacts
EPK

About:
Started as a recording project in the late ’90s, it wasn’t until 2001 that the work ethic that produced a slew of underground releases drove Fuck The Facts towards full band status and into the live arena. Since then, the Ottawa-based unit has barely stopped for a breath of reconsideration, associating themselves with some of the biggest labels in underground extreme music, as well as continuing a steady output of DIY releases. Having toured hundreds of thousands of kilometers throughout North America and Europe, guitarist/founder Topon Das, vocalist Mel Mongeon and drummer Mathieu Vilandré have performed as some of the biggest festivals and sweated it out in some of the smallest basements. From 2006-2011 Fuck the Facts released three albums via underground powerhouse label, Relapse Records. Upon the completion of their contract, the quintet decided it was time to put the finishing touches on the proverbial full-circle, returning to the world of fierce independence and creative control. Their most recent releases were produced entirely at their own studio, self-released, and shows Fuck The Facts efforts as an entity continuing to grow musically and personally while developing a deeper understanding of what significance their art holds to them. As one of the longest-running and most recognizable names in Canadian Grindcore, FUCK THE FACTS continue to deliver their brand of “Bastardized Grindcore” with no end in sight.

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“Fuck the Facts is one of the most prolific grind-based bands in Canada’s big, weird extreme music scene.” – Noisey

“avant-garde grindcore road warriors…boundless chaotic energy and unrestrained sense of experimentation. – Exclaim

“Their formidable discography is speckled with blips and bursts of every shade of extreme metal, hardcore, punk, and noise imaginable, spearheaded by vocalist Mel Mongeon’s razor-edged larynx and mastermind Topon Das’ mad fretboard genius.” – Pitchfork

“FUCK THE FACTS brings a strong collection of extreme metal tunes, often technical and scathing, sometimes grindy and with just enough melody to digest without heartburn.” – Blabbermouth

“explosive and ferocious” – Metal Sucks

“Fuck The Facts aren’t your average grindcore band.” – No Clean Singing

“Canadian grindcore hurricane” – CVLT Nation

“It’s impossible to deny that the grindcore-meets-death-metal hybrid sound they’ve created” – Lambgoat

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0 Florida’s NoSelf New Single “Resistance” Off Upcoming Album “Human-Cyborg Relations: Episode III”, New Album Coming 2021 via Zombie Shark Records

November 6, 2020
by Asher
· Music News · Noself (Zombie Shark Records)

NEWS RELEASE

Montreal, QC – November 6, 2020

For fans of Korn, Deftones, Nothing More, Spineshank, 36 Crazyfists, Adema

Florida’s NoSelf New Single “Resistance” Off Upcoming Album “Human-Cyborg Relations: Episode III”

New Album Coming 2021 via Zombie Shark Records

Florida alternative metal outfit NoSelf have released their powerful new single “Resistance” produced by Matt Johnson at Revelation Studios. The song will be featured on the band’s upcoming album “Human-Cyborg Relations: Episode III” due out in 2021 via Zombie Shark Records.

The band comments on the track:

“We are really excited for our new single, “Resistance”. 2020 has hit the music scene hard and we are stoked to be able to put out some new music. The song itself is about the emotional road you travel when a loved one is dealing with substance abuse.”

The single “Resistance” can be heard on YouTube, Spotify.

NoSelf first inked a worldwide distribution deal with Zombie Shark Records in 2017, founded by Noah “Shark” Robertson (Motograter/Jeffrey Nothing/The Browning); shortly after releasing ‘Human-Cyborg Relations: Episode I’ and later ‘Human-Cyborg Relations: Episode II’ in 2019. The band is putting a modern twist on the nu-metal genre, similar to bands like Cane Hill, DED, My Ticket Home, and Issues. The group is heavily influenced by bands like Deftones, Spineshank, Adema, Nothingface, and Korn.

In regards to NoSelf’s third full-length release “Human-Cyborg Relations: Episode III”, Robertson comments:

“The Trilogy is complete! I’m really proud of what Zombie Shark Records and NoSelf have been able to accomplish together. The future’s looking bright! Look out for much to come in 2021!”

NoSelf is:
Dylan Hart Kleinhans
Justin Dabney
Drew Miller
Glenn Desormeaux

For more info:
NoSelf.net
Facebook.com/noself
Instagram.com/noself_official
Twitter.com/noselfofficial
Zombiesharkrecords.com

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0 Out Now On Orange Vinyl + CD – Canadian Thrash Legends ANONYMUS’ First Spanish Album “La Bestia” + New Live In Studio Video “La Bestia”

November 6, 2020
by Asher
· Anonymus · Music News

NEWS RELEASE

Montreal, QC – November 6, 2020

For fans of Slayer, Testament, Voivod, Lamb Of God

Out Now On Orange Vinyl + CD – Canadian Thrash Legends ANONYMUS’ First Spanish Album “La Bestia”

New Live In Studio Video “La Bestia”

L-R: Carlos Araya (drums), Daniel Souto (guitars), Oscar Souto (Vocals and Bass) and Jef Fortin (guitars)

Photo Credit: Dani Rod

Canadian thrash legends Anonymus unleashed their 12th studio album “La Bestia” via label Bam&co Heavy this past June. With the end of the year nearing, the band is ready to share with fans physical copies of the full-length, now available on orange vinyl and CD as of November 6th, which can be ordered at the following link HERE.

The band adds:

“We are very happy to finally release ‘La Bestia’, we’ve added some special features when you order the vinyl that includes a 4X4 patch, 4×4 sticker, 11×11 poster, a random guitar pick from one of the axe players along with CD too with it.

We also can’t wait to hit the road to kick ass on tour once this era of Covid is over. While we wait, we have plans to release another music video, drum, and guitar playthrough plus we’re working on our next album to follow.”

In addition to “La Bestia” being available on vinyl and CD, the band is celebrating the physical release by sharing their latest live in-studio video of the album’s title track, which can be viewed on YouTube.

Known for their discography of both French and English releases, “La Bestia” is the first full length that the band offered up to metal fans that is completely in Spanish. Many metalheads and critics asked the most relevant question, why an album in Spanish? The answer… since Drummer Carlos Araya is Chilean born, and Oscar (lead vocals and bass) and Dan Souto (guitars and backing vocals) are sons of Spanish immigrants, it was only inevitable to make a record in that language that 3/4 of the band is fluent in.

The tracks on “La Bestia” were produced mainly by guitarist Jef Fortin as well as Colin Richardson who also produced 1999’s ‘Instinct’ and Jean-Francois Dagenais (Kataklysm) who produced 2006’s ‘Chapter Chaos Begins’. The album also features the bilingual song “Violencia Versus Violence” with the participation of Carlos Maldos of Lethal Creation (MX) and Arno Dhenain Le Bourhis of Black Bomb A (FR) along with a second bilingual track “Tierra” with Marco Calliari singing in Italian.

“La Bestia” album stream and download on Spotify, Apple Music, Deezer HERE.

And for the beer lovers out there, Anonymus also launched their own IPA beer (La Microbrasserie Le Fermentor), named in honour of their first Spanish release. Info here.

Track Listing:
1. Bajo Presión (3:31)
2. Bicho Loco (3:58)
3. Sobrevivir (4:11)
4. Violencia Versus Violence (featuring Carlos Maldos of Lethal Creation (MX) and Arno from Black Bomb A) (4:33)
5. La Bestia (5:22)
6. Máquinas (3:32)
7. Cada loco con su tema (5:37)
8. Tierra ( Produced by Colin Richardson and Featuring Marco Calliari) (4:01)
9. Terremoto (Produced by Jef Dagenais (Kataklysm) (3:08)
Album Length: 37:57

Album and Live Band Line Up:
Oscar Souto -Vocals/ Bass
Daniel Souto – Guitar/ Back Vocals
Jef Fortin -Guitar/ Back Vocals
Carlos Araya -Drums/ Back Vocals

For more info:
Bamand.co
Anonymusmetal.com
Facebook.com/anonymusmetal
Instagram.com/anonymusmetal1
Instagram.com/anonymusmetal_es (Spanish/Espagnol)
EPK

About:

Anonymus is a Canadian thrash metal band that explodes on stage with each presence, that pulls you in with its passion and that yells at you with corrosive and violent texts that will not leave anyone indifferent.

Since their first release in 1994, Anonymus has made its mark on the Quebec music scene. From the beginning, the group has been well received while demonstrating its brutal sound and technique that has continually evolved over the years. Oscar Souto (vocals, bass) Daniel Souto (guitar, vocals) Carlos Araya (drums), Jef Fortin (guitar since 2006) and Marco Calliari (vocals, guitar from 1994 to 2006) have since widely traveled the roads of their country, participated in the deprivation of Mononc’Serge and continue today to ignite stages everywhere they go. These veterans of the metal scene continue to proudly carry the torch after 20 years of chaos and barbaric music.

Forever hungry for metal, everyone in Anonymus brings ideas to the table. Sometimes it is a whole song or just the beginnings of one, yet together the band works to create a full thrashy anthem from the pieces, working on it until it is complete. The music always comes first, and when the ambiance is formulated, the lyrics, which come from a personal place and from current events, can be added.

Unstoppable and indestructible, inspired by bands like Metallica, Slayer, Megadeth, and Anthrax; Anonymus is nothing short of the powerful, aggressive and technical thrash metal that they have been refining for decades exemplified on their impressive discography of both French and English releases, which includes: “Ni vu, ni connu” (1994); Stress (1996); Instinct (1999); Daemonium (2002); Academie du Massacre (2003); Chapter Chaos Begins (2006); Musique Barbare (2008); État Brute (2011); Envers et contre tous (2015); P.O.M.M.E (2017); Sacrifices (2019); and their first-ever Spanish album La Bestia (2020) due out June 12 via label Bam&co Heavy.

Today, Anonymus does not need a presentation. This institution of the Quebec metal industry has been offering for twenty-six years, a passion for dark notes and unrivaled power. The offer is still valid. With more than 1500 career shows under their belt, Anonymus is completely in their element when performing in front of fans, they offer only their absolute best ensuring the crowd is moving. Having shared the stage with metal great such as Anthrax, Cannibal Corpse, and Kataklysm at festivals such as Heavy Montreal, Montebello, and through international tours, they are no strangers to a wild show.

ANONYMUS FOLLOWS ITS PATH, AGAINST ALL ODDS!

– 30 –

—

ASHER MEDIA RELATIONS

Jon Asher – Music Publicist
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0 Canada’s T-Rex Marathon Premiere Political Video “Faux News” Off New Album “Days Without Incident”, Video Premiere via MetalTalk.net

November 5, 2020
by Asher
· Music News · T-Rex Marathon

NEWS RELEASE

Montreal, QC – November 5, 2020

For fans of Silverstein, Billy Talent, Alexisonfire, A Day to Remember, Taking Back Sunday

Canada’s T-Rex Marathon Premiere Political Video “Faux News” Off New Album “Days Without Incident”

Video Premiere via MetalTalk.net

Debut Album “Days Without Incident” Out Now!

L-R- Alex Hodges (guitar, vocals), Jeremy Toppings (bass, vocals), Darien Swolfs (drums), Adam Sakauye (lead vocals), Aaron Stafford (guitar, vocals)

Ottawa’s punk/post-hardcore act T-Rex Marathon released their debut album “Days Without Incident” on October 16th. On the full length, the band wrote a track entitled “Faux News”. The band wouldn’t call themselves very political, but this song to them is an exception. Bassist Jeremy Toppings wrote the lyrics to the track when he was on vacation in the US a few years ago and it didn’t take very long after that for the band to build a melody around them. More or less, “Faux News” is voicing concern to the tense political climate of the band’s neighbours to the south are finding themselves in along with the rest of the western world.

The band adds:

“Let’s get political. The title is a pun on “Fox News” and fake news (as if it wasn’t obvious). Faux News is an expression of anger towards our compliance to the corruption and determination to try and stand against it moving on. Punchy, energetic, focused, and provocative, the song is meant to be shouted out loud and is the kind of tune that would galvanize young budding activists to dive deeper into the ideas we convey.”

Watch the new video for “Faux News” via its premiere on MetalTalk.net HERE.

For fans of Billy Talent, Alexisonfire, and A Day to Remember, T-Rex Marathon is out to prove they aren’t a one-trick pony with their first full length, which serves as a collection of everything they have been, will be, and currently are. The listening experience is a mix of nostalgia, reminiscent of the bands of their youth that they still love, and also intrigue. They have a goal of helping their fans reconcile their love of old bands and a glimpse of several other musical directions to explore, ultimately giving them a safe space to do so.

The band comments:

“We couldn’t be happier with this album. It’s the culmination of many years of growth, and we’re over the moon to finally show it to people. T-Rex Marathon attempted many times to write a full album before. It just never felt quite right, but after years of a shuffling lineup, changes in sound, and other roadblocks, we have a product we are incredibly proud of.

We have been described as many things, but one word kept coming up: Nostalgic. We had people from all over come and tell us that our music reminded them of their high school days. We were reminiscent of the music that introduced them in the communities they’re a part of today. We wanted to make an album that would feel familiar, yet novel. This album is a love letter to the bands that inspired us and a monument to the places we intend to go.

This album has something for everyone. As the five of us in the band, all come from different musical backgrounds, from punk to metal to musical theatre, this album covers a lot of ground, yet doesn’t feel like it’s drawn thin. But at the end of the day, we’re storytellers. We wanted to make a product that asks to be taken seriously, that demands active listening, that deserves your attention.

We hope that everyone else loves listening to it as much as we do.”

T-Rex Marathon‘s new album “Days Without Incident” is available on T-rexmarathon.bandcamp.com, Spotify, Apple Music.

Music Video – “Sheltered” – YouTube

Track Listing:
1. All For Nothing (2:56)
2. No Words (4:56)
3. Faux News (3:05)
4. A Prison Just For Us (4:08)
5. Turnpike (4:06)
6. Pick Your Poison (4:58)
7. Misfits (4:24)
8. Sheltered (4:01)
9. Futures and Goodbyes (4:32)
10. 5 Centimeters Per Second (5:58)
Album Length: 43:09

Album and Live Band Line Up:
Aaron Stafford – Guitar/Bass/Keys/Vocals
Adam Sakauye – Lead Vocals
Alex Hodges – Guitar/Bass/KeysVocals
Darien Swolfs – Drums/Percussion
Jeremy Toppings – Bass/Vocals

For more info:
Facebook.com/TheTRexMarathon
Twitter.com/TRexMarathon
Instagram.com/TRexMarathonofficial
EPK

About:

Starting out on the Ottawa metal/hardcore scene, T-Rex Marathon has adopted a unique sound that comes from a mix of Alternative Rock, Punk, and Post-Hardcore.

Formed by friends in high school, the band began to really take shape almost by accident and through dumb luck. The current lineup consists of Aaron Stafford (guitar/bass/keys/vocals), Adam Sakauye (lead vocals), Alex Hodges (guitar/bass/keys/vocals), Darien Swolfs (drums/percussion), and Jeremy Toppings (bass/vocals).

In a fiercely democratic writing process, every single member has input and a veto, sometimes resulting in a very long but completely organic process resulting in a synthesis of something everyone is happy with. As the band progresses, so does the love and attention that is put into each and everything they produce. The T-Rex Marathon family is and has always been, dedicated to making kick-ass music and leaving a mark in the industry, not only for them, but for their fans.

The boys in T-Rex, as the band is called for short, endlessly value their dedicated fans, affectionately known as Marathoners. After all, it is for them that they continue to write about what they want and play what feels right. T-Rex Marathon’s music is a simple blend of attack and melody that has the main goal of being not only fun to play, but fun to listen and rock out to.

The stage is a performing area, and this band refuses to give anything but their all at every show. They have had the pleasure of sharing the stage with bands such as: Of Burning Empires, Flesh Over Faith, Faithful Unto Death, and Project Mantra. They have also played Wretched Fest 1&3, Unite and Ignite 2012, 2014.

To date, the band has released 2 EPs Aurelia (2017), Eponymous (2016), and are readying to share with fans their first full length ” Days Without Incident ” due out October 16th, 2020.

– 30 –

“Each band member draws in a different musical influence, from Alexisonfire (post-hardcore) to Blink-182 (pop-punk), to even Coheed and Cambria (progressive rock), creating a sound that is impossible to be kept in a box.” – Asha Swann

“For fans of hardcore, punk and just good rock n roll, people from all over the spectrum should get on this!” – Punkanormal Activity

—

ASHER MEDIA RELATIONS

Jon Asher – Music Publicist
#.514.581.5780
asher[@]ashermediarelations[.]com
Facebook @AsherMediaRelations
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0 Disconnecting From Life NYC’s WINTER NIGHTS Explore “Withdrawals”, Lyric Video Premiere via MetalInjection

November 4, 2020
by Asher
· Music News · Winter Nights

NEWS RELEASE

Montreal, QC – November 4, 2020

For fans of Kalmah, Death, Amon Amarth, Sentenced, Behemoth

Disconnecting From Life NYC’s WINTER NIGHTS Explore “Withdrawals”

Lyric Video Premiere via MetalInjection

New Self-Titled Album Out Now!

Efrain Farfan – Back up Vocals and Guitar, Jeremy Farfan – Vocals and Guitar

NYC death metal Winter Nights are unveiling their new lyric video “Withdrawals” in support of their self-titled album released this past July. Heavy, somber, and progressive, vocalist and guitarist Jeremy Farfan explains the message behind the song and video:

“When this song was written. It was a weird time as I just had ankle surgery and was laying in a hospital bed hopped up on painkillers staring at the rain smashing against the window while in serious pain. The idea behind it came from not wanting to deal with the immediate post-surgery pain.

Withdrawal from life in general. In the weeks to come, I was blessed to have my amp stack at home and spent most days jamming out while barely being mobile. This song was conjured and as soon as I returned to the studio rehearsal, it ultimately flowed like water from the first note we played…”

The lyric video for “Withdrawals” can be viewed via its premiere on MetalInjection HERE.

Winter Nights‘ latest full length follows the band’s 2014 widely praised record “An Endless Apocalypse”. Recorded between 2015 and 2018 at Atomic Sound in Brooklyn, New York, this new album is clearly progress for Winter Nights. Showing its maturity, it’s easy to hear the difference between the self-titled album and its predecessor.

Combining dark, foreboding lyrics and melodic interludes breaking up pounding riffs, the primary themes on the album relate to the feeling of being stuck on the idea of death. The lyrics are a sort of metaphor of losing someone and/or taking your own life for one purpose or another. Winter Nights explains the album in their own words, painting a grim picture:

“If you took a deep breath right before free-falling off a cliff in the pouring rain with a glimmer of sunshine trying to come through dark clouds only to fall into a dark hole and wake up crawling all fours on cold soil with snow falling in a dark moonlight forest.”

For fans of Belphegor, Amon Amarth, and Dark Tranquility, Winter Nights‘ self-titled album is available on Bandcamp, Spotify, and all other major digital platforms.

Music Video – “Starved For Energy” – YouTube

Track Listing:
1. When December Burns (5:47)
2. Starved For Energy (4:09)
3. Withdrawals (4:11)
4. Unmarked Grave (4:52)
5. Day The Sun Died (4:01)
6. Encounters (5:19)
Album Length: 28:21

For more info:
Facebook.com/winternightsnyc
Instagram.com/winternightsnyc
Twitter.com/winternightsnyc
EPK

About:
Winter Nights is a four-piece melodic death metal band emanating from Brooklyn, New York in the winter of 2007. The sound and lyrical themes of their music portray loss, pain, grievance, and darkness.

Guitar driven melodies evoke visceral reactions to the mythic end of the world. They are an integral part of the thriving New York metal scene. As of 2020, their formation consists of dueling guitar brothers Jeremy and Efrain Farfan who also cover vocals, bassist Martin Tune and drummer James Yarusinsky.

The two Farfan brothers came up with the idea for the band after a New Years’ toast and after recruiting a friend they started writing music together and the rest is history. Trading endless amounts of riffs the Farfan brothers devise the majority of the music before presenting it to the rest of the band to be beefed out in the rehearsal studio.

Mainly inspired by nature, places of travel. different scenery. Jeremy gets his ideas from places he’s traveled such as the cliffs of northern Ireland, catacombs of Montreal, nighttime canals of Venice, and the eerie silence of Central Park at night.

Playing with similar bands such as Kalmah, Belphegor, and Insomnium, and on festivals including Maryland Folkfest and Poconos Folkfest, Winter Nights is a mainstay in the New York metal underground. With personal influences rooted primarily in metal, the members of Winter Nights make provocative, despairing, genuine songs. In 2008 they released a self-titled demo EP, followed by another EP “From Darkness Till Dawn” in 2011, and a full length “An Endless Apocalypse” in 2014. 2020 brings a new self-titled album due out July 31st.

– 30 –

“Bone-Crushing Melodic Death Metal” – Permafrost Today

“‘Encounters of the Frozen North’ has a lot of thundering, jolting power along with some killer riffs and a dark, somewhat Eastern-influenced melody that worms its way into your head. The music is capped by jagged, tyrannical vocals that make a powerful impact and by a serpentine solo that underscores the reptilian menace lurking within the song.” – NoCleanSinging

“Combining the worlds of detailed, melodic guitar metal with the gruff, mean vocalisation of death and doom, Winter Nights has a lot to offer across the 6 tracks.” – Games, Brrraaains & A Head-Banging Life

“Winter Nights remain at the heart of Brooklyn” – Heavy New York

“Anyone seeking melodic death metal that isn’t afraid of really leaning into the ‘death’ side of things, while still maintaining some epic and somber tones, Winter Nights should be next on your ‘need to check out’ list. Frost-bitten and glorious in just the right percentages. 8/10” – Dead Rhetoric

“the music on this is moody and mid-paced, with a melancholic melodic sensibility mixed in with crunching, heavy riffing that almost reminds me of older Amon Amarth.” – The Metal Crypt

“Fans of old school Amon Amarth and At The Gates will dig this band. Jam out to “When December Burns” now!” – Ghost Cult Mag

“Six songs in this new work; the first shot is ENCOUNTERS, where instrumental parts and blackened vocals prevail.” – HardRockHeavyMetal

—

ASHER MEDIA RELATIONS

Jon Asher – Music Publicist
#.514.581.5780
asher[@]ashermediarelations[.]com
Facebook @AsherMediaRelations
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0 Cosmic Anguish Abounds As Ancient Thrones Release Concept Album “The Veil”, Premiere Full Stream via Decibel Magazine

November 4, 2020
by Asher
· Ancient Thrones · Music News

(contact info below)

NEWS RELEASE

Montreal, QC – November 4, 2020

For fans of Revocation, Skeletonwitch, The Red Chord, The Black Dahlia Murder, Wolves in the Throne Room

Cosmic Anguish Abounds As Ancient Thrones Release Concept Album “The Veil”

Premiere Album Stream via Decibel Magazine

New Album “The Veil” Out November 6th

L-R: Dylan Wallace (Guitar)| Nick Leslie (Guitar)| Sean Hickey (Drums, Vocals)| Matt LeBlanc (Bass)
Photo Credit – Matt LeBlanc

Canada’s Ancient Thrones have had much lead up to the release of their new album “The Veil” with three singles, now the wait is over and fans around the world can experience the entire melodic, gritty story on the concept album.

Ancient Thrones shares their madness behind the music and their hopes for listeners:

“The record is a concept record so it’s meant to be listened to in its entirety to get the full experience of the story. Even the songs were written and laid out in a way that they seamlessly transition into each other. Almost as if it was just one long piece of music broken up into separate parts as tracks. We want people to headbang and mosh, but we also want to bring people on a journey through this world of purgatory and grief and understand each phase of grief the record represents through the 10 tracks.”

“The Veil” is a 57-minute descent into the afterlife. Ancient Thrones intends to tell a compelling story of grief that people can relate to through a dark and progressive package droning with cosmic anguish where nothing is as it appears both musically and lyrically. Much like the album, the band went through a metamorphosis writing this piece and grew together as musicians, songwriters, and people.

Recommended for fans of Revocation, The Red Chord, and The Black Dahlia Murder, “The Veil” will be officially out as of Friday, October 30^th, 2020 and before it drops, the record can be heard in full on Decibel Magazine HERE.

The album will be available on Bandcamp, Spotify, Apple Music, Amazon.

Track Listing:
1. Transient (1:58)
2. The Sight of Oblivion (6:00)
3. The Millionth Grave (5:53)
4. The Soul to Flesh (6:14)
5. Viduus (The Veil) (9:29)
6. Sentient (2:11)
7. The River of Rain (4:32)
8. Divided/Dissolve (9:12)
9. The Infinite Eyes (9:10)
10. Permanent (2:54)
Album Length: 57:38

More info:
Facebook.com/Ancientthrones
Instagram.com/ancientthrones
EPK

About:

Ancient Thrones, formerly “Abysseral Throne”, is a locally acclaimed blackened metal outfit that rebranded to suit major changes in line-up and songwriting.

Formed in 2011, they quickly went to work to establish themselves among their scene and gained local notoriety eventually allowing them the opportunities to open for renowned metal acts from across the globe.

Sean Hickey (drums/vocals) is the sole original founder of Abysseral remaining, Matt LeBlanc joined in 2015 on bass and improved and refined the sound and operation drastically. Once they lost their original singer and guitar player Jonny Rains, Dylan Wallace joined and took over main songwriting duties. Hickey took over completely on vocals with a black/death metal vocal style, and Nick Leslie joined shortly after on the second guitar. Work began on writing a new album which took about 3 months to write the music for. The new material sparked the name change to Ancient Thrones as an homage to one of Hickey’s favorite bands and inspirations, Wolves in the Throne Room.

In 2013 the band released its debut record and its subsequent follow-up in 2016, “Storming The Black Gate”, which was nominated for an East Coast Music Award. Ancient Thrones have toured throughout Canada, and played at several festivals, sharing the stages with bands such as Silverstein, The Agonist, Black Crown Initiate, and Skull Fist.

2020 sees the release of the concept album “The Veil” showcasing the band’s desire for storytelling and pushing them to new heights musically. The new album explores the journey of a man faced with tragedy, his mortality and ultimately the permanence of our actions told through technical soundscapes and haunting atmosphere.

– 30 –

“A full-throttle attack, the song (The Sight of Oblivion) delivers bludgeoning rhythms, vicious darting and slashing guitar-work, scorching blackened shrieks, and cold-hearted roars. There’s a brazen, borderline-unhinged quality to the barrage, generated by screaming, rapidly whirling leads, magma-like bass notes, and fast-changing, bone-cracking drums. But within the assault there are also fluid, sinuous melodic leads whose mellifluous, reverberating tones give the music a mysterious, mesmerizing, and mournful quality. And near the end one of those leads morphs into a fret-burning dual-guitar extravaganza that really gets the blood rushing.” – No Clean Singing

“a 57-minute descent into purgatory….” – Permafrost Today

“The Sight of Oblivion and The Millionth Grave are steeped in ferociousness and savagery as only a band well versed in blackened death metal are capable of producing.8.5/10” – Games, Brrraaains & A Head-Banging Life

“With this new incarnation, Ancient Thrones has moved into strict Black/Death territory, producing an album filled with pummeling riffs, intricate song structures, and technical musicianship that’s leavened by atmospheric segments and epic, sometimes audacious melodies that border on Cascadian. The production matches this style perfectly, being heavy and abrasive while allowing the songs enough room to stretch out… fans of more epic and melodic Black/Death will want to give The Veil a listen. 4/5” – The Metal Crypt

—

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