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Category: Music News

0 Prog Duo JUPITER HOLLOW Posts New Live Session Video “Solar Gift”

  • June 11, 2021
  • by Asher
  • · Jupiter Hollow · Music News

NEWS RELEASE

Montreal, QC – June 11, 2021

For fans of Tool, Rush, A Perfect Circle, Pink Floyd, Tesseract, Coheed & Cambria, Muse

Prog Duo JUPITER HOLLOW Posts New Live Session Video “Solar Gift”

New Live Stream Dates! (Aug-Dec 2021)

Out Now! Live DVD / Digital Blu-Ray “Bereavement Live In Ashburn”

Offer Free Digital Download of New Album “Bereavement”


L-R: Grant MacKenzie (Guitar, Bass, Synth) | Kenny Parry (Vocals, Drums, Piano, Synth)
Photo Credit – Sandra Beatty

Toronto prog duo Jupiter Hollow, consisting of Grant MacKenzie (Guitar, Bass, Synth) and Kenny Parry (Vocals, Drums, Piano, Synth) are here to create an artistic experience unlike anything else in the industry. Inspired by the art of storytelling and adventure, they intend on taking you on an in-depth journey through their discography and encourage listeners to join them for every step along the way.

Over the last few weeks, the band has been sharing live session videos to give fans a more personalized experience until venue performances re-open from the Covid pandemic. Today, they showcase “Solar Gift”, which is the closing track of their latest album “Bereavement” released a year ago in June.

The band adds:

“We purposely want to introduce ourselves to new potential fans with our unedited one-shot LIVE videos to prove to you from the start that we are real, we are humans, and we’re honest artists. The best part about this is that when our new fans hear the official album recording through the Bereavement experience (or iTunes, Spotify, etc), they’re hearing something slightly different and a bit more polished than the live recording to continue the experience of our music. We’re in it for the long run, we want to be as real as possible in an industry that demands perfection, and we hope everyone enjoys the experience.”

Watch “Solar Gift” at https://youtu.be/1xI9J-8TZYE



The video also appears on a new live DVD / digital Blu-Ray they have put together entitled “Bereavement Live In Ashburn” that is available at the following link:https://www.jupiterhollow.ca/product-page/bereavement-live-in-ashburn

Previous Live Sessions Videos:
The Rosedale – https://youtu.be/Ih0jMSt0pV0
Sawbreaker – https://youtu.be/LTrLEH5GSR8

Jupiter Hollow released their highly praised album “Bereavement” during June 2020 to follow their two previous admired recordings “AHDOMN” (2018) and “Odyssey” (2016).

Fans can receive the entire new album including digital downloads, lyrics, all the live videos, conceptual interviews, drum playthroughs, and guitar playthroughs completely FREE at http://jupiterhollow.ca/bereavement-experience.

You’ve Never Experienced A Rock Album Like This Before… – Fan Video – https://youtu.be/vXDNiEpdK3A

Music Video – The Mill – https://youtu.be/iL5QPPAPvOs

In additional news, Jupiter Hollow has rescheduled live stream dates for August to December that were originally slated for April and May, but were postponed due to the Ontario government’s Covid 19 lockdown to prevent the increasing spread of the virus in the province.

The Bereavement Live Stream Tour: Phase IV
The virtual concerts can be viewed completely FREE on the band’s Facebook or Instagram, but for those interested in making donations, can at the following link: https://www.jupiterhollow.ca/product-page/donate
(All shows starting at 6:30 PM EST)
August – 2, 4, 7, 8, 11, 14, 16, 18, 21, 23, 25, 28, 30
September – 2, 4, 7, 9, 11, 13, 16, 18, 21, 23, 27, 29, 30
October – 5, 6, 12, 13, 14, 18, 19, 21, 26, 28
November – 2, 4, 10, 11, 16, 18, 22, 25, 29, 30

December – 7, 8, 10, 11

Jupiter Hollow is:
Grant MacKenzie (guitar, bass, synth)
Kenny Parry (vocals, drums, synth, piano)

For more info:
JupiterHollow.ca
Facebook.com/JupiterHollowOfficial
Instagram.com/jupiterhollow_
EPK – https://www.jupiterhollow.ca/media

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ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
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0 Rockshots Records: Aussie 80’s Speed Metal NOTHING SACRED Share New Music Video “Stoner”, New Album “No Gods” Out July 16th

  • June 11, 2021
  • by Asher
  • · Music News · Nothing Sacred (Rockshots Records)

NEWS RELEASE

Montreal, QC – June 11, 2021

 

For fans of Iron Maiden, Judas Priest, Death Angel, Exodus, Testament

Rockshots Records: Aussie 80’s Speed Metal NOTHING SACRED Share New Music Video “Stoner”

New Album “No Gods” Out July 16th

Australian speed metal Nothing Sacred will be marking their return to the mosh pit with their new album “No Gods” set for release via Rockshots Records on July 16th. The band unveiled the first single “Final Crime” this past May and are ready to share the next song “Stoner” with a music video in preview to the full length.

“This is a very different track for Nothing Sacred, which to us made it all the better. We did debate on a name for it. We originally called it Stoner when we only had the music. The name was only meant to be a placeholder till another one came along. That obviously didn’t end up happening, plus the name Stoner just suits it. It’s a song about a love-hate battle with anything that eventually leads to the destruction of both. It kinda morphed into a bunch of cool lines and a lot of ooo’s and aaaah’s.” adds the band.

Music Video – Stoner – https://youtu.be/EWkbjzYyrro

Conceived in Melbourne in 1983, Nothing Sacred went on hiatus for two decades. During the 80s, the thrash/speed metal band unleashed their EP “Deathwish”, which catapulted them as one of the most sought-after pit makers with the record’s title track becoming a classic within the Australian metal scene. Three years later in 1988, Nothing Sacred unleashed the full-length entitled “Let Us Prey” on Cleopatra Records. Unfortunately a year after that LP’s release, the band disbanded in 1989. Lead guitarist Mark Woolley, bassist Karl Lean and drummer Sham went on to contribute to Hobbs’ Angel of Death‘s early work in the late 1980s. Woolley also appeared on Hobbs’ first self-titled album in 1988. Vocalist Mick Burnham later joined short-lived Melbourne band Seizure in 1993.

Although their tenure was short-lived, Nothing Sacred still remains an underground metal phenomenon in Australia. Songs from the Deathwish EP still get airplay on several Australian metal radio programs.

In 2012, Nothing Sacred performed a series 30th anniversary shows with Ross Percy (Ion Drive, Little House Godz) joining George Larin on guitar that included a support slot for the ex-Iron Maiden vocalists Paul Di’AnnoP/Blaze Bayley Australian tour. Despite the success, the band agreed not to continue and returned to retirement.

In 2015, the band decided to re-activate with a lineup of Sham, Karl Lean, George Larin, Ross Percy, and new vocalist Chris Stark. A slot on Melbourne’s Brewtality Metal Festival received positive reviews before the band embarked on a short tour of Japan, which inspired them to continue and lead the band to headline day one of the Steel Assassins Festival in Sydney.

Line-up changes again slowed the band, but with the addition of James Davies now on vocals and Stu Bedford on guitar, the band spent most of 2019 and 2020 writing and recording, what is now to be their first full length in over 30 years. Entitled “No Gods”, the record is Nothing Sacred‘s resurrection to the speed metal world. With a wealth of experience, a bucket load of riffs, and a renewed energy for one of Australia’s longest-running metal bands.

The band adds:

“We think our return with this new album will be received well. We’ve made a conscious effort to not be one-dimensional. We picked a cross-section of tracks we thought would make the album interesting. Though eight of the tracks are brand new, we decided to add two tracks ‘Final Crime’ and ‘Oracle’ we wrote for our 2nd album in the late 80’s, but never released.”

“No Gods” will be released on July 16, 2021 via Rockshots Records and available for pre-order at the following links:

CD – http://bit.ly/NoGodsCD
Digital http://bit.ly/NoGodsDIGITAL

Music Video “Final Crime” – https://youtu.be/uq27JF_5pXI


Track Listing:
1. Final Crime (3:41)
2. Virus (4:22)
3. Cold Black (3:38)
4. First World Problems (4:15)
5. Killing You (3:34)
6. False Prophets (4:00)
7. Ice (3:31)
8. Cult (4:38)
9. Oracle (3:32)
10. Stoner (5:27)
Album Length: 40:45

Album Line Up
Stu Bedford – Guitar
James Davies – Vocals
Karl Lean – Bass
Sham – Drums
George Larin – Guitar

More info:
Rockshots.eu
Nothingsacred.com.au
Facebook.com/NothingSacredMetal
Instagram.com/nothingsacredaustralia

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ASHER MEDIA RELATIONS

Jon Asher – Music Publicist
#.514.581.5780
jon[@]ashermediarelations[.]com
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0 Knecht Revisits Classic Video Games With Progressive Metal Cover of “Overture (Excerpt From Halo Reach)”, Self-Titled Debut EP Out July 16th

  • June 10, 2021
  • by Asher
  • · Knecht · Music News

NEWS RELEASE

Montreal, QC – June 10, 2021

For fans of Haken, Dream Theater, Porcupine Tree, Plini, Liquid Tension Experiment

Knecht Revisits Classic Video Games With Progressive Metal Cover of “Overture (Excerpt From Halo Reach)”

Self-Titled Debut EP Out July 16th


Pictured – Joseph Knecht – Photo credit – Tristan Ahearn


New Jersey’s Joseph Knecht is releasing his debut EP, a self-titled record that is a concise sample of the music he has been writing over the past couple of years. A well-versed musician, he plays both originals and covers in a wide range of genres, primarily focusing on progressive metal. His first single off this upcoming EP is “Overture (Excerpt From Halo Reach)”, a dramatic rendition of the theme from the classic video game. He explains why he chose the track:

“This is my cover of the Overture from the game Halo Reach. It’s a much more hard-hitting aggressive take on the original. It’s part of a song composed by Martin O’ Donnell. My idea was to take the original which was for orchestra and rearrange it for a prog metal band. The original is such a cool-sounding piece and every time I’d hear it I’d always imagine a metal version. When I got my 8 string and decided to make this EP, covering this song and taking advantage of the extended range of the instrument seemed like the perfect fit.”

The six-track EP takes a wide sampling of Knecht’s skills and presents them to the listener in a concise, yet varied audio experience. All instruments on “Knecht” were written and played by Knecht save for the drums, which are played by session musician Jason Stewart. The EP was mixed and mastered by Charles-Henry Volk.

Knecht is a lifelong musician, picking up piano at the age of five, since then he has learned to play guitar and bass and attended Berklee College of Music.

Predominantly prog with a hint of groove, “Knecht” is recommended for fans of Haken, Black Label Society, and Deep Purple.

“Overture (Excerpt From Halo Reach)” can be heard at the following links:

YouTube – https://youtu.be/wXg0SuMSqEQ
Spotify – https://spoti.fi/3pzbHPv

”Knecht” will be available on all digital platforms on July 16, 2021.

Track Listing:
1. Transformation (4:50)
2. Tabernacle Jam (3:50)
3. Working Title (4:42)
4. Overture (Excerpt From Halo Reach) (3:42)
5. Summer Nights (3:16)
6. Destruction (5:09)
EP Length: 25:31

EP Recording Line Up:
Joseph Knecht – Guitar, Bass and Keyboards
Drums – Jason Stewart

EP Credits:
• All songs performed by: Joseph Knecht and Jason Stewart
• All songs written by: Joseph Knecht
• Produced by: Joseph Knecht
• Mixed by: Charles-Henry Volk
• Mastered by: Charles-Henry Volk
• Member ASCAP

For more info:
Instagram.com/joeknecht.exe
Facebook
EPK

About:
Joseph Knecht, from Tabernacle, New Jersey, USA, has been playing music since he was a small child. He started out with piano when he was five and picked up the guitar a year later. Bass came along in high school and he attended Berklee College of Music to further his music education.

Looking to share the music he was writing and playing, he created his instrumental solo project Knecht, where he plays everything from classic rock to more modern progressive metal. He performs originals and covers as well as teaches private guitar lessons.

With influences rooted mainly in progressive and groove metal, he replaces vocals with sweeping, complex guitar melodies that are written like vocal melodies. A typical song starts with the rhythm, for him the rhythm guitars by themselves should be interesting and be able to garner attention through the piece. While he is doing this, he is thinking about what he might want the other instruments to be doing as well as keyboard sounds if there will be keyboards. For the drums, he will program a track for writing and recording purposes, but ultimately leaves it wide open for Jason Stewart.

Knecht’s debut self-titled EP is available on July 16, 2021. It features Jason Stewart on drums and was mixed and mastered by Charles-Henry Volk.

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ASHER MEDIA RELATIONS

Jon Asher – Music Publicist
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jon[@]ashermediarelations[.]com
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0 Rockshots Records: Italian Symphonic Metal ETERNAL SILENCE First Single “Ancient Spirit”, New Album “Timegate Anathema” Out October 2021

  • June 9, 2021
  • by Asher
  • · Music News

NEWS RELEASE

Montreal, QC – June 9, 2021

For fans of Epica, Within Temptation, Sonata Arctica, Lacuna Coil, Evanescence

Rockshots Records: Italian Symphonic Metal ETERNAL SILENCE First Single “Ancient Spirit”

New Album “Timegate Anathema” Out October 2021

Italian symphonic metallers Eternal Silence will be releasing their new album “Timegate Anathema” on October 8, 2021 via Rockhots Records. Recorded at The Groove Factory (Udine, Italy) and Line/Out Studio (Milano, Italy) with mixing and mastering by Michele Guaitoli (Visions of Atlantis, Temperance, Kaledon), the full length will feature ten tracks of symphonic and power prog metal plus will see the band introduce new elements and experimentation into their sound. The album goes from power metal songs like “The Way Of Time” and “My Soul Sad Until Death” to heavy and dark ones like “Rain and Red Death Masquerade”, passing through the catchy melodies of tracks like “Glide In The Air” and acoustic moments on “Lonely and Firefly”. The main theme that inspired the record is the concept of time.

“It has been a long time since our last full length was released, we took our time to make the best songs possible and then the pandemic broke in and forced us to stop and wait for the right time to publish it. But now everything is ready and we can’t wait to finally share this with you all.” adds the band.

Today, Eternal Silence reveals the first single “Ancient Spirit”, a heavy track that puts together new influences and sounds.

The band explains the song’s concept in further detail:

“Born out of the mind of guitarist Enzo Criscuolo, this song is heavy in contents and atmosphere along with feeling spiritual with lyrics written by our bassist Alessio Sessa. The lake in the pantheistic form that assumes in the song, reveals its mystery and charm as if it was a sleeping God. Beneath the layer of forgetfulness where it lays, hidden like a gem and silent, is an ideal companion, present in every day of our lives and keeps secrets and deep thrusts in its depths, where few dare to look.”

Lyric Video – https://youtu.be/xDR8PfxFafo
Digital single “Ancient Spirit” – https://backl.ink/146941991
Pre-order CD – http://bit.ly/TimegateAnathema_CD

Formed in Varese, Italy in 2008, Eternal Silence combines powerful guitar riffs, a thunderous rhythmic section, catchy melodies, and bombastic orchestral tracks with the support of two vocalists, Marika Vanni and guitarist Alberto Cassina sharing the front stage. The band’s current line-up is completed by Alessio Sessa (bass), Andrea Zannin (drums) and Enzo Criscuolo (guitarist).

Since their formation, the band has unleashed three albums and two EPs. 2020’s “Renegades” (EP), 2018’s “Metamorphosis” (EP), and 2017’s “Mastermind Tyranny” were released on Sliptrick Records, and their earlier full-lengths “Raw Poetry” (2013) and “Chasing Chimera” (2015) were released on Underground Symphony Records.

Over the years, the band has been a consistent touring presence in Europe, performing in Germany, Switzerland, France, Czech Republic, Austria, Romania, Bulgaria, Croatia, Italy, and Hungary along with being support for bands such as Temperance, Therion, Haggard, Sound Storm, Blackoustic (Timo Kotipelto (Stratovarius) and Jani Liimatainen (Insomnium)).


Track Listing:
1. The Way Of Time (6:59)
2. Edge Of The Dream (6:00)
3. Ancient Spirit (5:31)
4. Heart Of Lead (5:41)
5. Lonely (4:51)
6. Glide In The Air (4:06)
7. Rain (4:36)
8. My Soul Sad Until Death (5:36)
9. Firefly (2:15)
10. Red Death Masquerade (4:51)
Album Length: 50:28

Eternal Silence is:
Marika Vanni – Vocals
Alberto Cassina – Guitar/Vocals
Alessio Sessa – Bass
Andrea Zannin – Drums
Enzo Criscuolo – Guitar

More info:
Rockshots.eu
Facebook.com/eternalsilencemusic
Instagram.com/eternalsilenceband
YouTube

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ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780
jon[@]ashermediarelations[.]com
Facebook @AsherMediaRelations
Instagram @AsherMedia
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0 Ottawa’s DEFORMATORY Premiere First Single Off Upcoming Album “Inversion of the Unseen Horizon” Out September 3rd

  • June 9, 2021
  • by Asher
  • · Deformatory · Music News · Uncategorized

NEWS RELEASE

Montreal, QC – June 9, 2021

 

Ottawa’s Deformatory Announce Sonically Relentless Death Metal Experience With “Inversion of the Unseen Horizon”

Single Premiere “In The Embervoid Where Dead Stars Reign” via Bravewords

New Album “Inversion of the Unseen Horizon” Out September 3, 2021

Deformatory has been a maelstrom of devastation since 2010, assaulting all in their wake with relentless sonic brutality. This year they are adding to their punishing catalogue with their third album “Inversion of the Unseen Horizon”, which was mixed and mastered by Topon Das (Fuck the Facts) from Apartment 2 Recording along with the artwork done by Paul Gerrard, who is a movie concept designer known for his imagery on Wrath of the Titans, Hellraiser: Origins and Hellboy.

In anticipation of what is sure to be one of the heaviest tech death albums of the year, Deformatory are luring listeners in with the first single “In The Embervoid Where Dead Stars Reign”, which can be heard via its premiere on Bravewords HERE. 

This is the third full-length album for Deformatory, following the 2011 EP “A Prelude Of…”; the 2013 full-length “In The Wake of Pestilence” and the 2016 full-length “Malediction”. The nine-track album is divided into three chapters, of which “In The Embervoid Where Dead Stars Reign” is the third song in the second chapter. 

Deformatory explains the album’s concept and how the single fits in:

“In our previous album “Malediction”, we explored the truth about Lucifer, who was an angel possessed by a far greater evil entity named Savael. We dove into his awakening and consequences for mankind. Our newest album reveals that Savael was but a mere droid in a complex hierarchy of vile entities, known as The Ce’naxors from a planet called Cyru’xil, whose Grand Arkitekt has an insatiable thirst for destroying life stars.

The single is about the aftermath of planetary consumption and its effect on the multiverse. How death and destruction breed new forms of life, including some unintended consequences for Cyru’xil.”

This massively complex and intriguing album is just the tip of the iceberg for the brutal Ottawa duo. Fans of Cryptopsy, Morbid Angel, and Origin should take note.

The album “Inversion of the Unseen Horizon” will be released on September 3, 2021.

Album pre-order – http://deformatory.bandcamp.com


Track Listing:
Chapter I – INCEPTION: THE CYRU’XILEAN NEXUS
1. Within The Astral Abscess (5:20)
2. Behold, The Apex of Decay (4:36)
3. Enginieering The Wvrmhorde (4:39)

Chapter II – INCURSION: THE PROTOTYPAL ESCHATON
4. Summoning The Cosmic Devourer (7:13)
5. Masticated By An Infinite Shadow (4:30)
6. In The Embervoid Where Dead Stars Reign (3:52)

Chapter III – INVERSION: THE HORIZONTAL REFLECTION
7. Deciphering The Archetype (3:53)
8. Impaled Upon The Carrionspire (5:01) (Classical guitar and solos by Jon Levasseur (ex-Cryptopsy))
9. Beyond The Abhorrence (4:13)
Album Length: 43:21

Album Band Line Up:
Charlie Leduc – Guitars & Vocals
Neil Grandy – Drums

For more info:
http://www.deformatory.ca
http://www.facebook.com/deformatory
http://www.instagram.com/deformatory
EPK

About:
Deformatory is a death metal band from Ottawa, Ontario, Canada. Forming in 2010, they set out to create an extreme sound, fusing together classic influences (Cryptopsy, Morbid Angel, Suffocation, etc.) and their love for modern tech death. The result is a uniquely relentless blend of death metal that can only hail from the Northern hemisphere.

Deformatory independently released their full-length debut, “In The Wake of Pestilence”, in December of 2013. This pummeling 9-track debut has been exceptionally well-received by fans worldwide, and has been cited as being an “outstanding and monstrous debut album. Essential.” (Frank Rini – AllAboutTheRock, ex: Internal Bleeding), and “flawless in every way” (TheBloodShed).

Having shared the stage with bands like Cryptopsy, Napalm Death, Obscura, Beyond Creation, Gorod, Archspire, and Fuck The Facts, Deformatory is more than comfortable delivering their crushing brand of extreme metal to live, screaming, and sweaty audiences.

The band’s sophomore release, “Malediction”, was released worldwide via CDN Records in 2016, with additional singles “Once Upon the Cross” (Deicide cover), and “Myiasis” both in 2018. Since then, DEFORMATORY has been developing their 3rd full-length album entitled “Inversion of the Unseen Horizon” which they plan to unveil in the Fall of 2021 as an independent release.

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ASHER MEDIA RELATIONS

Jon Asher – Music Publicist
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jon[@]ashermediarelations[.]com
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0 Kill The Imposter’s “Unfit Coward” Music Video ft. Taylor Barber (Left To Suffer)

  • June 8, 2021
  • by Asher
  • · Kill The Imposter (The Legend Agency) · Music News

NEWS RELEASE

Montreal, QC – June 8, 2021

 

For fans of Emmure, Thy Art Is Murder, Fit For An Autopsy, Alpha Wolf

Kill The Imposter’s “Unfit Coward” Music Video ft. Taylor Barber (Left To Suffer)

New Album Out! “The Violence Sessions”

Florida’s deathcore all-stars Kill The Imposter released a new album last month and have a new music video for the closing track “Unfit Coward”, featuring Taylor Barber of Atlanta’s Left To Suffer premiering on NoCleanSinging HERE.

The song is based on a real story and is about people who talk shit publicly, but apologize privately. The kind of person that vocalist Johnny Nobody doesn’t care for. He continues to explain the main lyrical focus for KTI:

“It definitely doesn’t come from anywhere happy. However, at the same time, I’d like to think I can inspire people to do better through my bad experiences. I know that sounds weird but “The Tommy Hewitt Diaries’ is all about vengeance on someone that commits child abuse. Almost a ‘what the f@#$ do you think created Leatherface?’.”

“The Violence Sessions” is the third release from KTI, following 2019’s “The Decimation” and 2020 “A Strain Of Agony” EP. According to guitarist Danny Arrieta, this album is the result of years of anger and frustration of being told you can’t, you’re not ready, you’re not this or that, and saying ‘No’ with everything in your soul and the conviction – to fight tooth and nail for your place in the world.

Heavy and tight, your hair will stand on end and you will feel the energy KTI has poured into this release. As each song blares through your speakers, every note, beat, and lyric will awaken the energy in you to get up and go!

“The Violence Sessions” is recommended for fans of Fit for an Autopsy, Slaughter To Prevail, and Meshuggah and available on the following platforms:

Killtheimposter.bandcamp.com, Spotify, Apple Music

Previous music videos:
“Dongan Hills” – https://youtu.be/nJb933KNx3c
“Mace” – https://youtu.be/4zKyMxwoHzA
“Suffer Alone” – https://youtu.be/6gK4u9a5XHE

Upcoming Dates:
Aug 20 – Winter Park, FL – The Haven Lounge – Central Florida Metal Fest w/ The Convalescence, The Crowned
Sept 5 – 9 – Danville, VA – Blue Ridge Rock Festival
Sept 26 – Orlando, FL – Rebel Rock Fest w/ Rise Against, The Used, Sevendust, All That Remains, Emmure, Miss May I, Suicide Silence, Islander
Sept 28 – Lake Odessa, MI – At The Race Track Fest w/ The Convalescence


Track Listing:
1. Broken Crown (2:36)
2. Dongan Hills (3:35)
3. Evil Ways (3:11)
4. False Prophet (3:33)
5. Mace (3:02)
6. Suffer Alone (3:46)
7. Unfit Coward ft. Taylor Barber (Left To Suffer) (2:30)
EP Length: 22:17

For more info:
Facebook.com/thelegendagency
Instagram.com/thelegendagency
Facebook.com/killtheimposter
Instagram.com/killtheimposter
EPK

About:
Kill The Imposter is an Orlando, USA-based deathcore band that was formed in late 2018. Pulling musical inspiration from everywhere, the intention of this four-piece band is to make you move in any capacity you see fit.

Coming from local and national bands, Kill The Imposter brings experience, drive, and mayhem, to the stage. The quartet banded together over a shared love for heavy and violent music, after sharing the stage for one song they knew they had something special, so they sat down together and within a week had 3 songs written and a video lined up. They haven’t stopped since that first sit down, and they won’t stop.

One of the founding members Danny Arrieta (guitar) is the primary music writer getting help with arrangement by Johnny Nobody (vocals). Nick Colvin (drums) carries the aggressive speed and heavy grooves with Wilson Bembry ( bass) definitely sharing and blending the thundering lows and technical playing between all of it.

Since they got together, Kill The Imposter has released “The Decimation” (2019), “A Strain Of Agony” (2020) and “The Violence Sessions” (2021). They have pummeled the stages of Central Florida Metal Fest and Tampa DeathFest and played alongside heavy hitters such as Nile and Terrorizer.

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ASHER MEDIA RELATIONS

Jon Asher – Music Publicist
#.514.581.5780
asher[@]ashermediarelations[.]com
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0 Groove Metal WoR Announce New Drummer, Out Now! “Prisoners” (Bungalo Records/Universal)

  • June 8, 2021
  • by Asher
  • · Music News · WoR (Bungalo Records)

NEWS RELEASE

Montreal, QC – June 8, 2021

For fans of Pantera, Lamb of God, Machine Head, Sepultura, Gojira

Groove Metal WoR Announce New Drummer

Out Now! Debut Album “Prisoners” (Bungalo Records/Universal)


L-R – Phillip Funderburk – Bass, Bobby Demoss – Vocals, David Nisoff – Guitar, Dylan Jenkins – Drums, Ben Kaiser – Guitar

Following a year highlighted by postponed tours and the tragedy of living through a global pandemic, North Carolina, USA groove metal warriors WoR announced that they had parted ways with drummer Hunter Crews. Crews was featured on WoR’s debut record “Prisoners” released in 2020 via Bungalo Records/Universal Music Group. Today, the band officially announced that Dylan Jenkins would be joining WoR as the new drummer. Jenkins’ lightning fast playing style perfectly complements WoR’s sound and direction. Jenkins has been rehearsing and recording with the band since late 2020, as they gear up for a series of festival and tour dates in late 2021.

The band comments:

“We are thrilled to officially announce that Dylan Jenkins is the new drummer of WoR. Dylan has been rehearsing with us for the better part of the last year and has injected new life into the older songs as well as being a key contributor to the song writing process as we continue to work on our second album. We would also like to thank Hunter Crews for his contributions and wish him the best of luck in all his future endeavours.”

Jenkins adds:

“I’ve had a blast working with WoR. Giving some new life to the songs. I’m really excited to get to work on the new stuff and for the future.”

To demonstrate the band’s new chemistry, they are also sharing a new promo video to showcase Jenkins’ monster sound behind the kit, which can be viewed on YouTube – https://youtu.be/wvgafBwLflI

Throwing in elements of thrash, metalcore, and even hardcore punk, everyone in WoR has taken a different musical path and the variety of influences shows through in the unique and original sound on their debut release “Prisoners”, which is an extremely energetic journey from start to finish. Groovy, raw, and old school, WoR is suitable for all fans of metal especially those with an interest in Machine Head, Sepultura, and Gojira.

“Prisoners” is available on Spotify, Apple Music, Amazon, Google Play.

Music Videos:
VI Kings – YouTube
Predator – YouTube
Caged – YouTube
Come and Out Play (The Offspring Cover) YouTube

For more info:
WoRband.com
Facebook.com/WoRBandOfficial
Instagram.com/w.o.r.official
Twitter.com/WoRbandofficial
EPK

– 30 –

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ASHER MEDIA RELATIONS

Jon Asher – Music Publicist
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jon[@]ashermediarelations[.]com
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0 Feral Elegance And Bleak Majesty Collide In Fell Harvest’s “Titanicide” Off “Pale Light In A Dying World”

  • June 8, 2021
  • by Asher
  • · Fell harvest · Music News

NEWS RELEASE

Montreal, QC – June 8, 2021

For fans of Pallbearer, Paradise Lost, Opeth, My Dying Bride, Agalloch, Type O Negative

Feral Elegance And Bleak Majesty Collide In Fell Harvest’s “Titanicide” Off “Pale Light In A Dying World”


Photo Credit: Sean Castenada
L-R – Joseph Fell – Bass/Vocals, Angel Enkeli – Drums, Liam Duncan – Guitars

Hailing from Cheyenne, Wyoming, USA, Fell Harvest etch out their place in the world of doom metal. They first introduced themselves to the scene in 2020 with a self-titled EP and are now following it up with a “Pale Light In a Dying World”.

Most of the tracks on this album were written by bassist/vocalist Joseph Fell including the first single “Titanicide”, which also happens to be the album’s opening track. He explains the track in his own words:

“This song is built around a collection of riffs I wrote more than 20 years ago. It has heavy influence from 90s bands like Samael and At The Gates. These riffs sat homeless in the back of my head all this time because I never felt an urge to unify and complete them. The title and lyrics are about transcending and ultimately destroying one’s idols, both literally and metaphysically.”

Fell and the rest of the band are excited to get feedback about this release; compared to its predecessor, it has more progressive elements while maintaining the straightforward doom and death metal tropes, and lyrical concepts. Those who are familiar with the band will notice a markedly different vocal style coming from Fell, entirely “clean” with no death or black metal harshness, which is the result of lung damage he sustained from contracting COVID during recording.

The album was mixed and mastered by Alexander Backlund, the man behind 1914’s “The Blind Leading the Blind”. It is recommended for fans of Paradise Lost, Opeth, and My Dying Bride.

“Titanicide” can be heard via its premiere on OutlawsofTheSun HERE.

“Pale Light In A Dying World” is out on July 16, 2021.

Album pre-orders on FellHarvest.Bandcamp.com

Track Listing:
1. Titanicide (4:36)
2. Pale Light In a Dying World (8:23)
3. The Lark at Morning (7:10)
4. The Wind That Shakes the Barley (4:32)
5. Thy Barren Fields (6:40)
6. The Ghosts of Scapa Flow (9:08)
Album Length: 40:32

Album Credits:
• All songs performed by: Joseph Fell, Liam Duncan, Angel Enkeli
• All songs written by: Joseph Fell
• Produced by: Joseph Fell
• Mixed by: Alexander Backlund
• Mastered by: Alexander Backlund
• Album Artwork by: Sam Nelson/Stigma Art

Album Recording Band Line Up:
Joseph Fell – Bass, Vocals, Additional Guitars
Liam Duncan – Lead and Rhythm guitars
Angel Enkeli – Drums
Alexander Backlund – Synths and programming

Live Band Line Up:
Joseph Fell – Bass, Vocals
Liam Duncan – Lead and Rhythm Guitars
Angel Enkeli – Drums

For more info:
Facebook.com/fellharvest
YouTube
Spotify
EPK

About:
Fell Harvest, doom metal from Cheyenne, Wyoming, USA, strives to weave a tapestry of melody, despair, and longing to chronicle the last lights of a dying world.

Fell Harvest grew out of a former project of Joseph Fell (bass/vocals); which found its completed form as a trio with the additions of Angel Enkeli (drums) and Liam Duncan (guitars). The name Fell Harvest came from a dream Fell had where he was walking through a deserted vineyard with every vine bearing bleached bones and rotting flesh. He woke up and wrote a short poem called “The Fell Harvest” about the images and feelings.

Probably the most unique aspect of their live sound is rooted in the fact they are a trio. It’s somewhat rare these days to see a three-piece band in extreme metal, and even more rare to see one that is as melodically driven as Fell Harvest. Fans can hear parallels to bands like Paradise Lost and Rotting Christ, but more careful listeners can hear nods to Venom and King’s X as well.

The band debuted a self-titled EP in 2020 and is following it up with “Pale Light In A Dying World” out on July 16, 2021.

– 30 –

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ASHER MEDIA RELATIONS

Jon Asher – Music Publicist
#.514.581.5780
jon[@]ashermediarelations[.]com
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Instagram @AsherMedia
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0 Canadian Prog Metallers MAITREYA’s New Music Video “Bloom” Off Upcoming Album “Hyper Reels” Out June 25th, Music Video Premiere via V13.net

  • June 7, 2021
  • by Asher
  • · Maitreya · Music News

NEWS RELEASE

Montreal, QC – June 7, 2021

For fans of The Contortionist, Between the Buried and Me, Protest the Hero, Periphery

Canadian Prog Metallers MAITREYA’s New Music Video “Bloom” Off Upcoming Album “Hyper Reels”

Music Video Premiere via V13.net

New Album “Hyper Reels” Out June 25, 2021

L-R: Matt McCabe (Guitar), Steve McMillan (Drums), Matt Cutrara (Vocals), Lyam Morrison (Bass), Mark Wylie (Guitar)
Photo Credit – Jon Butler

Canadian progressive metalcore outfit Maitreya will be unveiling their new album “Hyper Reels” on June 25th. The sophomore full length boasts a higher degree of musical complexity, filthy breakdowns and a wider range on the vocals ebbing from melodic cleans into sustained growls set to a whirlwind of complicated riffs. The record is a heavily layered listening experience, a cacophony of styles, merging together to create an intense wall of sound that forces you to pay attention to all the subliminal notes and tempo changes.

Since January of this year, the band has been revealing videos and singles in lead-up of the album’s release.

Today, the band presents their final single “Bloom” and its music video before “Hyper Reels” officially makes its full audio entrance into the progressive metal moshpit.

Similar to previously revealed singles that were inspired by well-known TV shows and movies, “Bloom” came to life after the band viewed the experimental adult animated film “Waking Life”.

“Bloom takes inspiration from the concept of lucid dreaming and the cryptic messages from the subconscious mind experienced in the dream state. Dreams are something we all share, whether it’s a pleasant walk through a garden with a long-lost friend, a surreal inversion of mundane life, or a horrific run-in with an unknowable evil, we all have them at some time. As universal as dreams themselves is the wish to control these experiences. Bloom explores this idea, through the eyes of a dreamer who finds themselves tormented until they gain control.” adds the band.

The music video visually emulates the inspiration taken from “Waking Life” and can be experienced via its premiere on V13.net HERE.

Spotify here.

“Hyper Reels” is out on June 25, 2021 and is recommended for fans of The Contortionist, Between the Buried and Me, and Protest the Hero.

Album pre-save here.

Previous Music Videos:
“Pilgrim”  https://youtu.be/DHIXyR9nguc
“Summit” https://youtu.be/yvacOheiE3Y
“Catalyst” – https://youtu.be/sLOVpNchls8

Track Listing:
1. Catalyst (7:23)
2. Departed (6:04)
3. Radical (5:31)
4. Summit (4:31)
5. Invaders (6:18)
6. Bloom (4:26)
7. Pilgrim (4:44)
8. Flesh Engine (4:31)
9. Hyper Reels (0:57)
10. Iswara (4:27)
Album Length: 48:56

Album and Live Band Line Up:
Matt McCabe – Guitar
Steve McMillan – Drums
Matt Cutrara – Vocals
Lyam Morrison – Bass
Mark Wylie – Guitar

For more info:
Maitreyametal.com
Facebook/MaitreyaMetal
Instagram.com/maitreyametal
MaitreyaMetal.bandcamp.com
EPK 

– 30 –

“We’re always on the hunt for interesting new metal bands, and Canada’s Maitreya certainly qualifies. The band’s newest single, “Catalyst”, treads familiar progressive metal territory – think vocals similar to Leprous and instrumentation akin to older BTBAM – but rest assured it sounds fresh.” – New Fury Media

“Ambitious and aggressive, Canada’s Maitreya break boundaries from the beginning with Departed. Heavy, contemporary metal chords are underscored by droning, chorusing vocals, but blink and you’ll miss them as Maitreya soon change direction to a growling verse pandemonium. Their riffing is adventurous and deadly, cutting through weighty, rolling rhythms and movements.” – Jace Media

“Their musical abilities were astounding, and I believe they could have been each individually the most technically capable with their instruments of those performing that night.” – Metal Master Kingdom

“Lead-heavy, yet at the same time musically complex, Maitreya’s music is sonic baptism, taking the listener from the fire pits to the icy peaks. The band’s self-titled album weaves an intricate melodic narrative, where both headbanging metal-heavy riffs and reflective vocal lines co-exist in the vortex of sonic alchemy, presented to the listener in its raw, unfiltered elemental form.” – Dentata Music 

—

ASHER MEDIA RELATIONS

Jon Asher – Music Publicist
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jon[@]ashermediarelations[.]com
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0 Every Hour Kills Juxtapose Angular Heaviness With Soaring Melody On “Euclidian”

  • June 4, 2021
  • by Asher
  • · Every Hour Kills · Music News

NEWS RELEASE

Montreal, QC – June 4, 2021

For fans of Veil of Maya, Born of Osiris, Periphery, Erra, Spiritbox

Every Hour Kills Juxtapose Angular Heaviness With Soaring Melody On “Euclidian”

Every Hour Kills, from Calgary, Canada, has a reputation for putting out solid, immersive EPs and creatively artistic music videos. Their latest work “Vacua” is expanding on their trademark sound, albeit it’s a twisted, heavier version than what fans have got used to over the years. This new release will see a new vocalist in the form of Jei Doublerice (Abiogenesis, Despite Exile, Sensory Amusia) and with his inclusion; EHK does away with a lot of the melody and clean vocals, swapping them for brutal breakdowns and turbulent vocals. The initial glimpse into this new form is through the single “Euclidian”.

The single was co-written with Chris Wiseman (Currents, Shadow of Intent) and is an introduction to the new style with Doublerice. His riffing style complements Sacha Laskow’s perfectly and what came out was an amalgamation of this technical riffing with whacky synths/time signatures/cinematic breakdown. Doublerice came in over top with his signature intense style to wrap everything up. This is the shortest song on the EP and gets in and gets out with no filler.

Acknowledging that this new EP might not be for everyone, founder, guitarist, and producer Sacha Laskow, shares that this work is the result of a “dark, tumultuous fucked up year” for him personally, along with many other people. He explains further:

“As lucky as I am to still have work and my basic needs met, the emotional rollercoaster still affected me strongly and I ended up unemployed for a period in 2020, and thus this EP was born. It is both more human in that I collaborated more strongly with new songwriters and Jei on vocals, but also more mechanical as I also wrote with the assistance of AI creation tools, and most of the instrumentation is programmed MIDI. I feel like this is my most honest work as a writer, to express what comes to mind rather than fit into a box or template of what Every Hour Kills ‘should’ sound like. It may alienate some people but so be it!”

“Vacua” will be the fourth studio release from the band, following “Every Hour Kills” (2015), “Fragile Machine” (2018) and “Re:awaken” (2020). The djenty scorecore is recommended for fans of Veil of Maya, Born of Osiris, and Periphery

The single “Euclidian” is out now as of June 4th and can be heard on the following platforms:

YouTube – https://youtu.be/pD7ZRyeu0P4
Spotify, Apple Music, Bandcamp – https://everyhourkills.com/ig/

https://youtu.be/pD7ZRyeu0P4

EP “Vacua” will be released later this year.

For more info:
EveryHourKills.com
Facebook.com/EveryHourKills
YouTube.com/everyhourkills
Instagram.com/alansachalaskow
Twitter.com/everyhourkills

About:
“Every hour wounds, but the last one kills” – Anonymous

Every Hour Kills is a rotating collective ensemble featuring the core of ex-Divinity / Enditol guitarist and producer Sacha Laskow, bassist Brent Stutsky (ex-Breach of Trust), along with vocalists Jei Doublerice (Despite Exile, Abiogenesis) and Jerrod Maxwell-Lyster (ex-Out of Your Mouth).

Every Hour Kills was built to challenge the idea of what defines a “band”. Rather, the group sees itself as a constantly evolving musical collective; guest vocalists and soloists across the songs bring their own unique artistry and elevate the collective impact of Every Hour Kills’ brand. The lyrics, artwork, visuals, and themes all look toward the future, asking the key postmodern question of how will emerging technology and our humanity progress and co-exist?

– 30 –

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ASHER MEDIA RELATIONS

Jon Asher – Music Publicist
#.514.581.5780
jon[@]ashermediarelations[.]com
Facebook @AsherMediaRelations
Instagram @AsherMedia
Tweet @AsherMedia

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