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Category: Music News

0 Rockshots Records: Out Now! Italian Symphonic Folk Metal AEXYLIUM New Album “The Fifth Season” + New Music Video “Mountains”

  • October 29, 2021
  • by Asher
  • · Aexylium (Rockshots Records) · Music News

NEWS RELEASE

Montreal, QC – October 29, 2021



For fans of Eluveitie, Korpiklaani, Alestorm

Rockshots Records: Out Now! Italian Symphonic Folk Metal AEXYLIUM New Album “The Fifth Season”

New Music Video “Mountains”

Italian symphonic folk metallers Aexylium have a new album “The Fifth Season” out now as of October 29th via Rockshots Records. For the full-length’s release day, they are unveiling their new music video “Mountains”, a track the celebrates the feeling of lightness and freedom that only the mountains can give.

Visually spectacular with the backdrop of the Italian Alps (Passo Della Presolana) and filmed by Maurizio Del Piccolo di Moviedel Productions, “Mountains” can be watched at the following link: https://youtu.be/dTt14GcEz9k

Mixing traditional folk instruments (Flute, Violin, Bouzouki) with the modern symphonic metal, Aexylium‘s sophomore full length follows 2018’s “Tales From This Land” (Underground Symphony Records) and their 2016 self-produced EP “The Blind Crow“. “Tales From This Land” has had over 110k streams on Spotify along with its powerful single “Revive the Village’ placing on the top 200 metal song charts in Germany on Apple Music. Aexylium has also released fan-praised covers of Game of Thrones and Vikings main themes with reinterpreted folk metal sounds.

Since their inception in 2014, the Italian band has performed at renowned festivals in Europe such as Dumeltica International Music Festival, Montelago Celtic Festival, Malpaga Folk & Metal, Rock Inn Somma, Druidia and Strigarium along with sharing the stage with Elvenking, Wind Rose, Nervosa, Furor Gallico, Temperance and more. In August 2020, despite Covid restrictions, Aexylium was chosen by the city of Milan to perform at the historical Castello Sforzesco.

Their new album “The Fifth Season” is a concrete step towards growth and musical maturity with its offering of festive ballads, tighter riffs, advanced orchestrations and heavier dark songs that are all inspired by Norse Mythology. The record also features guest vocals from Samuele Faulisi (Atlas Pain), Arianna Bellinaso and the members of Coro Facoltà di Musicologia Vocal Ensemble. The album was recorded at Twilight Studio by Davide Tavecchia with the artwork done by Jan Yrlund of Darkgrove Design (Manowar, Testament, Korpiklaani.

“The Fifth Season” is available as of October 29, 2021 via Rockshots Records and available at the following links:
CD – https://bit.ly/TheFifthSeason_CD
Digital – https://bfan.link/the-bridge

Previous Single:
Lyric Video – The Bridge – https://youtu.be/jyssCoDi9jo
Music Video – The Fifth Season – https://youtu.be/uL0YN1JIyVc

https://ssl.fbridgecdn.net/users_files/43/57443/aexylium_-_the_fifth_season.jpg


Track Listing:

1. The Bridge (4:47)
2. Mountains (4:16)
3. Immortal Blood (5:54)
4. Battle of Tettenhall (5:59)
5. Skål (4:54)
6. An Damhsa Mór (2:39)
7. Yggdrasil (4:47)
8. Vinland (4:09)
9. The Fifth Season (5:20)
10. Spirit of the North (5:40)
11. On the Cliff’s Edge (2:40)
Album Length: 51:10

Band Line Up:
Steven Merani – Vocals
Fabio Buzzago – Guitar / Backing Vocals
Andrea Prencisvalle – Guitar
Gabriele Cacocciola – Bass
Matteo Morisi – Drums
Stefano Colombo – Keyboards / Accordion / Backing Vocals
Federico Bonoldi – Violin
Leandro Pessina -Flutes / Bouzouki / Mandolin

Album Credits:
Special Guests:
Arianna Bellinaso – Vocals (‘Mountains’ / ‘The Fifth Season’)
Samuele Faulisi – Vocals (‘The Bridge’) – Backing Vocals
Coro Facoltà di Musicologia Vocal Ensemble – Choirs
Produced by: Aexylium, Davide Tavecchia
Music and Arrangements: Aexylium
Orchestral Parts: Stefano Colombo, Buzzago Fabio
Lyrics: Fabio Buzzago, Steven Merani, Gabriele Cacocciola
Recording, Mixing and Mastering: Davide Tavecchia (Twilight Studio)
Cover Art and Booklet:  Jan Yrlund – Darkgrove.net
Band Photo: Sasha Martinelli – Salazart

For more info:
Rockshots.eu
Aexylium.it
Facebook.com/aexylium
Instagram.com/aexylium_official

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0 Prog Duo ATHEMON (ft. ex-Haken) Offer Free Download of Debut Self-Titled Album

  • October 28, 2021
  • by Asher
  • · Athemon · Music News

NEWS RELEASE

Montreal, QC – October 28, 2021

Prog Duo ATHEMON (ft. ex-Haken) Offer Free Download of Debut Self-Titled Album


L-R – Athemon Current Line Up | Adriano Ribeiro (Guitar, Vocals) | Tom MacLean (Bass, Production)
Photo Credits: Adriano’s picture: José Simonetti, Tom’s picture: Sunny Dhaliwal

Athemon, a duo featuring Tom MacLean (bassist/producer, To-Mera, ex-Haken) and Adriano Ribeiro (vocalist and guitarist) are offering up to progressive metal fans a FREE download of their debut self-titled album released recently on October 11th.

“Full of dark and enigmatic atmospheres, this is a concept record that is meant to be heard as one long 50-minute track divided into nine parts, which tells a story about self-awareness. This is a creative release that seeks to forge the perfect alloy of darkness and beauty,” adds the band.

The full length can be downloaded for FREE at the following link: Flyathemon.bandcamp.com

The story of Athemon comes together while many musicians were in lockdown during the Covid pandemic and unable to congregate for simple jams or have outlets to perform their music. Using this global pause, two musicians Tom MacLean based in the UK, and Adriano Ribeiro based in Brazil crossed paths online and used the digital world to their advantage to give rise to their new band Athemon.

“Adriano sent me his demo and it gave me goosebumps, so I was keen to get involved,” says MacLean.

From a significant evolution between demos to their final introductory recordings, MacLean and Ribeiro created a bonding friendship over musical interests that created the perfect environment to allow them to evolve and conceive their debut album.

Formed as a gateway to express their art using progressive metal music, the duo invited a special guest drummer from Brazil; Gledson Gonçalves who added his percussionist touch to compliment each one of the nine tracks.

“As nobody goes alone in this world (even being totally alone inside one’s own mind), the songwriting process had a lonely beginning, but a very collaborative end. The beginning of this project was driven by Adriano, but nothing would fit so well if it wasn’t for the amazing connection the three of us have (Adriano, Tom, and our special guest on drums, Gledson),” says MacLean.

The lyrics for the album were written by vocalist/guitarist Adriano Ribeiro and were inspired by thoughts of how confusing reality can be if you are not taking care of your emotional side. “The thin line between what’s real and what’s not is an endless world,” adds Ribeiro.

New fans of Athemon, can expect much more to come from the pair as they already have plans to launch their second album by the end of 2022, which they are currently composing with promising results.

As for the live spectacle of Athemon, for now, the band will let the music flow until the duo can connect from across the Atlantic for their first in-person jam session.

Recommended for fans of Nevermore, Pain of Salvation, Opeth, Gojira, and Mastodon, Athemon‘s self-titled debut is available on Spotify, Apple Music, and all other major digital music platforms.


Track Listing:
1. Perception (3:16)
2. Whispers (5:29)
3. The Glass Hindered Us (3:57)
4. Different From What Was Missing (5:23)
5. Seed of Change (7:25)
6. I Voice of Mine (8:12)
7. Reaching Deepness (6:42)
8. Greatest Understanding (5:54)
9. Birth (4:01)
Album Length: 50:20

Album Credits:
• All songs performed by: Athemon
• All songs written by: Athemon
• Produced by: Tom MacLean
• Mixed by: Tom MacLean @ Twelve Tone Studio
• Mastered by: Tony Lindgren @ Fascination Street Studios
• Album Artwork by: Luigi Quarta

Album Band Line Up:
Adriano Ribeiro (Guitars, Vocals)
Tom MacLean (Bass)
Gledson Gonçalves (session Drums)

More Info:
Athemon.com
Facebook.com/fly.athemon
Instagram.com/fly.athemon
EPK

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ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
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0 The Design Abstract Is Now Streaming Their Melodic Death Sci-Fi Epic “Metemtechnosis”, Album Stream Premiere via Bravewords

  • October 27, 2021
  • by Asher
  • · Music News · The Design Abstract

NEWS RELEASE

Montreal, QC – October 27, 2021

 

The Design Abstract Is Now Streaming Their Melodic Death Sci-Fi Epic “Metemtechnosis”

Album Stream Premiere via Bravewords

New Album “Metemtechnosis” Out October 29th via Abstrakted Records


L-R – Matt Ngo (Guitar) | Voiicide (Vocals, Bass, Synth) | Logan Mayhem (Guitar, Synth)
Photo Credit: Tami Martin

 

The Design Abstract melds together narrative sci-fi with Gothenburg-esque melodic death metal, resulting in ambiguous concept albums that sound completely different from other artists in the genre. Their latest album “Metemtechnosis” continues the “Technotheism” (2021) storyline after an indeterminate amount of time in the universe. The band compares this new album to the last, and lets us know what’s coming next:

“Many people had many positive things to say about “Technotheism” upon its release, and we feel that “Metemtechnosis” is a worthy successor to it. Compositionally, we have refined many elements and parts of the processes, and from a technical standpoint, we have really stepped up a lot. Those who wanted to hear more of the killer guitar work will assuredly not be disappointed. “Metemtechnosis” also carries on the story of “Technotheism” in part two of what will be a trilogy. Everything that was present in “Technotheism” has been brought back in more compelling ways, and the performances are more on-point than ever before.”

Similar to “Technotheism”, the tracks were written as necessary to touch on the major story beats of the album; an overarching science-fiction story about a far future where technological advancement puts into question a lot of things taken for granted, like the definition of humanity, individuality, progress, and the line between all of these things. After the third album in the trilogy is released, The Design Abstract will move to a different fictional setting, but the music will continue to experiment with the elements they use in new and innovative ways.

All songs on “Metemtechnosis” were written and performed by Voiicide (vocals/bass/programming), Logan Mayhem (guitars/modular synthesis), and Matt Ngo (guitars). It was produced, mixed, and mastered by Voiicide at Abstrakted Records and the album artwork was done by Yuta Shimpo.

The Design Abstract has a sound that is distinctively theirs and is recommended for fans of Soilwork, Septicflesh, and Divine Disorder.

“Metemtechnosis” is streaming now in full via its exclusive premiere on Bravewords HERE.

The album “Metemtechnosis” drops on October 29, 2021 via Abstrakted Records.

Album pre-order – https://design.bandcamp.com

Lyric Video – Born of Machines


Track Listing:
1. Digital Dawn (8:03)
2. Born of Machines (4:35)
3. The Hybrid Awakening (7:07)
4. Organic Data Fusion (5:45)
5. Metropolis II (4:42)
6. Aberration Omega (3:33)
7. Upheaval (Instrumental) (2:00)
8. Sentinels (3:10)
9. Decryptor (6:32)
Album Length: 45:31

Album Band Line Up:
Voiicide – Vocals, Bass, Scoring/Sampling/Programming
Logan Mayhem – Guitars, Modular synthesis
Matt Ngo – Guitars

For more info:
Facebook.com/thedesignabstract
Instagram.com/thedesignabstract
EPK

About:
The Design Abstract is a 3-piece Symphonic Melodic Death Metal band from Kitchener-Waterloo, ON, Canada. The band focuses heavily on storytelling and worldbuilding with a futuristic and sci-fi narrative to each album they create. The Design Abstract formed in 2011 as a solo project under the name Design, and after many lineup changes, grew into a musical entity that presents a bold, epic, and even monolithic fusion of orchestra, synth, and melodic death metal. Sweeping symphonic passages, harsh industrial elements, highly proficient and memorable guitar work, and brutal guttural vocals mixed with soaring cleans are all blended in many ways to put forth a truly unique and powerful musical experience.

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“Incorporating old school sci-fi visual elements with choppy electronics, catchy guitar parts and perfectly timed kick drums, this track (Parallel Projection) is a synth metal blast!” – Metal Injection

“A symphonic technical death metal masterpiece with an amazing concept to keep you engaged from start to finish \m/” – Heavy New York 

“Now for some nerd shit. Technotheism is a concept record about the future that at it’s core is a melodic death metal record, but the band dabbles with electronic elements, technicality, and grand orchestrations throughout. Fans of Last Chance To Reason and really any band Mike Semesky (Ordinance, Raunchy, etc) has been a part of will probably dig this.” – Metal Injection

“This is a grandiose affair, full of musicality, technicality, and narrative. Thirteen tracks of symphonic melodic death metal that tells a cyberpunk story of a group of rebels fighting to regain control of Earth. It ranges from technical guitar work to atmospheric electronic passages, and just about everything in between.” – The Prog Space

“I love hearing something ambitious and genre-bending when a band can follow through on their vision.  The Design Abstract is one such band, one that had an idea and put it together almost flawlessly… This album is every bit as diverse, colorful, and epic as I had hoped, and there are jaw-dropping moments galore.  I absolutely love this record.” – The Prog Mind

“The Design Abstract goes for a big symphonic style in extreme metal, with a few twists and surprises along the way. Fans of the dystopian and/or futuristic sounds may find the album especially interesting. The Design Abstract is the symphony that remains after the alien zombies have taken over and this is the music that they want the world to hear to remind everyone that the zombies are horrible beings that enjoy tormenting the population with grandiose cacophony. When can the party begin, right?” – Metal Bulletin Zine 

—

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0 Atlantic Canada’s Bone Tower Present Abusive and Abrasive “Under A Veil” Off ‘We All Will Die One Day’, Track Premiere via Metal-Rules

  • October 27, 2021
  • by Asher
  • · Bone Tower (No Funeral Records / Fresh Outbreak Records) · Music News

NEWS RELEASE

Montreal, QC – October 27, 2021

Atlantic Canada’s Bone Tower Present Abusive and Abrasive “Under A Veil” Off ‘We All Will Die One Day’

Track Premiere via Metal-Rules

“We All Will Die One Day” Out November 5th via No Funeral Records & Fresh Outbreak Records


L-R – Bone Tower – Sean Carroll (guitars, bass), Jonas DeViller (electronics, vocals), Michael Bowers (guitars, bass, vocals)
Photo Credit: Hayley Frail

Atlantic Canada’s Bone Tower is a fresh band, birthed this year in February, and they came together with one aim, to put the emotions from the surging global crisis into a tight, aggressive EP. The second single is “Under A Veil”, which is the angriest track on the EP. The band explains it in further detail:

“This song is pissed. There is more than one meaning, but it’s really written about the perception that you are always in the wrong, that who you are is a made-up persona, you aren’t good enough, and you should be exiled from everything positive in your life. This feeling couldn’t be further from the truth, and it is simply anxiety creeping in to say hello; A flurry of notes and blast beats being thrown at you really like to drive that idea deep into your head, though. Cower away under a veil of delusion.”

According to them, if this record doesn’t disorient you, stress you out, or give you a headache then they fucked up. The eight tracks span just over nine minutes but each one is full of chaos that pummels the listener straight away. There is no filler, no breaks, just a relentless barrage of blast beats, coarse vocals, and punishing riffs. It’s what whiplash sounds like.

This is the first project where Jonas DeViller (vocals/electronics/lyrics) writes lyrics and he says that the lyrics are mostly inspired by the irrational, negative thoughts that tend to get stuck in the back of his mind, disregarding what reality really looks like. He tried to be blunt and straight-to-the-point while presenting multiple meanings and several different ways of interpretation.

This is just the beginning for Bone Tower as they already are working on a follow-up record. Loud and noisy, they are recommended for fans of Pig Destroyer, Cryptopsy, and Atka.

“Under A Veil” can be heard via its premiere on Metal-Rules HERE.

The EP “We All Will Die One Day” will drop on November 5, 2021 via No Funeral Records & Fresh Outbreak Records.

EP pre-order – https://bonetower.bandcamp.com

Lyric Video “Mangled Wounds” – https://youtu.be/5oGUNz8srqE


Track Listing:
1. Dislodging Splinters (01:13)
2. Am I Conscious (01:16)
3. Mangled Wounds (01:15)
4. Cower Away (0:38)
5. Under A Veil (01:06)
6. Empty Cave (01:59)
7. The Sun (0:48)
8. We All Will Die One Day (0:50)
EP Length (9:09)

For more info:
Facebook.com/bonetower.hfx
Instagram.com/bonetower
EPK

About:
Bone Tower got its start early in 2021, with the sole purpose of channeling built-up negative energy and creating a hectic, pissed-off sounding record. Hailing from Atlantic Canada they got straight to the point through pummeling angry death metal.

Bone Tower is the musical equivalent of the chaos ensuing globally since last year. An angry jab back at the universe for anyone who was angry and watched the world unfold with racial upheaval, conservatives and conspiracists coming out of the woodwork against Covid, economic regression with millions losing jobs, the entire world changing beneath our feet, and for the politicians who claimed to be on our side but continue to fight against the truth.

The trio of Jonas DeViller (vocals/electronics/lyrics), Sean Carroll (guitar/bass), and Michael Bowers (guitar/bass/vocals) is a seasoned one at that and they were able to quickly write and produce their debut EP ‘We All Will Die One Day’ in two weeks. It came together as a whole very quickly and organically.

This is just the start for Bone Tower, they already have a follow-up record in the works. As of now, they are mostly a recording project but they intend on eventually playing shows. When they do finally play live, it’s bound to be just as fucked up as the recording.

EP ‘We All Will Die One Day’ is due out November 5, 2021.

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Jon Asher – Music Publicist
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0 Rockshots Records Signs Italian Power Prog BERIEDIR For New Album “AQVA” Out Jan 2022, Streaming First Single “Departure Song”

  • October 27, 2021
  • by Asher
  • · Beriedir (Rockshots Records) · Music News

NEWS RELEASE

Montreal, QC – October 27, 2021



Rockshots Records Signs Italian Power Prog BERIEDIR For New Album “AQVA” Out Jan 2022

Streaming First Single “Departure Song”

“AQVA” Out January 21, 2022

 

Rockshots Records is proud to announce their signing of Beriedir for the release of their new album “AQVA” on January 21, 2022.

Beriedir (from the Sindarin word for “Guardians”) is a progressive melancholic power metal act based in Bergamo, Italy. The five-member band was founded by Stefano Nüsperli and began its live career in 2015 with the release of “The Line”, their first demo. Their first full-length album “The Path Beyond the Moon” was unveiled in 2018, which launched them to perform on multiple musical events such as Fosch Fest (Italy) along with sharing the stage with bands such as Korpiklaani and Pathfinder. After the 2020 release of the EP “Lullabies Beyond the Moon”, which contained three tracks from their debut album rearranged in an acoustic key, they are now ready to launch their new album “AQVA” in 2022.

The second full-length features ten tracks of progressive, power, and melodic death metal influenced tracks that were mixed and mastered by Simone Mularoni (Domination Studio).

“We think AQVA will positively surprise our older fans and lead new ones, this record is much more diverse and has definitely matured in songwriting. The main goal of AQVA as a whole is to figuratively “submerge” the listener with a spectrum of themes, both musical and lyrical, related to water and its shapes. Water is the element of flow, it’s the substance that conceals, preserves, and washes all away. The lulling nature of a silent shore or a rapping rain is juxtaposed to the fearsome imagery of the undertow, riptides, and tidal waves. We tried to convey these atavistic sensations differently from track to track. The singles were chosen to showcase the variety of approaches to this theme.” adds band founder Stefano Nüsperli.

“AQVA”, despite not being a real concept album with a story articulating itself throughout the tracks, touches its various topics through the various forms in which water manifests, be it a river, a storm or tears. The album deals with rather introspective matters, trying to give a new perspective on situations that Biriedir thinks their listeners will find relatable and hoping that they will maybe take shelter in their audio experience, using them as their own voice when only music can speak for us.

In preview to “AQVA”, Beriedir is sharing their first single “Departure Song”, a hymn to a rightful departure, the ability to just choose to leave when we find ourselves uncomfortable with our predicament, willing to accept that we could end up in pain, just elsewhere, but at least with the consciousness of knowing that at least it’s only us who can choose what pain to endure.

Listen to “Departure Song” at the following links:
Visualizer: https://youtu.be/kN8ks9165Qo
Digital stream and download: https://bfan.link/departure-song

Recommended for fans of Vision Divine, Dream Theater, Dark Tranquillity, Pain of Salvation and Katatonia, “AQVA”, due on January 21, 2022, is available for pre-order at the following link: https://bit.ly/AQVA_DIGICD


Track Listing:
1. At Candle Light (4:38)
2. Departure Song (6:05)
3. The Dove and the Serpent (6:46)
4. The Angel in the Lighthouse (6:10)
5. The Drowned (5:33)
6. Stormbound (4:19)
7. Arkangelos (6:58)
8. Of Dew and Frost (4:57)
9. Rain (6:46)
10. Moonlight Requiem (5:12)
Album Length: 57:29

Album Credits:
All music by Beriedir
Artwork by Ludovico Cioffi
Recorded by Stefano Nüsperli
Mixed and mastered by Simone Mularoni at Domination Studio
Lyrics by Stefano Nüsperli

For more info:
Rockshots.eu
Facebook.com/BeriedirOfficial
Instagram.com/beriedirofficial

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ASHER MEDIA RELATIONS

Jon Asher – Music Publicist
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0 Montreal’s WARCALL To Release Second EP of 2021 w/ “Dead End Pt. 2” + Unveil New Music Video “Intoxicated”

  • October 26, 2021
  • by Asher
  • · Music News · Warcall

NEWS RELEASE

Montreal, QC – October 26, 2021

For fans of Motorhead, Metallica, Dissection, Iron Maiden, Slayer

WARCALL To Release Second EP of 2021 w/ “Dead End Pt. 2”

Music Video Premiere via Bravewords

“Dead End Pt. 2” Out November 26th via Plan B Music


L-R – Phil – Drums, Gord – Vocals / Bass, Mat – Guitar, JC – Guitar
Photo Credit / Artwork: Timur Khabirov

WarCall is not done with 2021 just yet… they still have more fight in them and a fury of metal to unleash upon the masses with part 2 from their Dead End EP series.

Standing up for all the fights we are fighting on a daily basis. WarCall represents the struggle in life and the challenges we have to rise to. We get called to war every day and it is up to us to step up and face our fears. The DIY Canadian quartet heeds this mantra, consistently pushing boundaries with their fast and dramatic metal music.

Unleashed via their own label Plan B Music, the beginning of the “Dead End” series, Pt.1 was unveiled in April, which was in-your-face, old-school-inspired metal, whereas Pt. 2, slated for November 26th is more progressive and atmospheric.

The band comments:

“Overall, the two EPs together are a collection of 9 songs, 9 stories about struggle. We have let the events of 2020 influence the process and the mood of the two EPs, while still aiming for a timeless production that will age well in time. The title and artwork represent the doom and gloom of life in the year 2020 and how the human race reacts in the face of death and uncertainty. With the impossibility to meet to even take a band picture, WarCall presents themselves as fictional post-apocalyptic warriors, a subtle comment and nod to the current events that marked the year 2020. And while more atmospheric in their nature, the 5 songs from Dead End pt. 2 are delivered in a raw package. At first, we wanted to work on the songs a little more in order to achieve a different atmosphere than Dead End pt. 1. We experimented with sounds and textures to add in the places we thought needed it, but each time, we preferred the original version. In the end, we chose to go ahead with the songs as they are in their purest form.”

In preview to “Dead End Pt. 2”, WarCall is sharing its lead single “Intoxicated” with a DIY music video. The band explains further:

“The first single from Dead End pt. 2, Intoxicated is a good representation of the thrash metal side of the band with its fast-paced riffing for a no-nonsense mosher. The challenge we gave ourselves for this song was to be able to come up with something interesting, not too repetitive with only four riffs. Interesting approach. For the video clip, it is a not-too-serious, DIY film about the gig scene every underground band is going through these days.”

Watch “Intoxicated” via its premiere on Bravewords HERE.

Totally authentic, with a wide range of influences ranging from old-school death and thrash metal, WarCall is recommended for fans of Testament, Exodus, Anthrax and Dissection.

“Dead End Pt. 2” will only be released digitally on November 26, 2021 via Plan B Music.

“Dead End Pt. 1” can be found on Warcallmetal.bandcamp.com, Spotify, Apple Music.


Track Listing:
1. Intoxicated (3:36)
2. Black Amber (4:59)
3. Off Road (4:03)
4. Control Denied (3:37)
5. Venom (6:12)
EP Length: 22:30

EP and Live Band Line Up:
Gord – Bass and Vocals
Phil – Drums
Mat – Guitars
JC – Guitars

For more info:
Facebook.com/warcallband
Instagram.com/warcallband
EPK

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ASHER MEDIA RELATIONS

Jon Asher – Music Publicist
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0 Rockshots Records Signs Finland’s AMOTH (ft.Ensiferum’s Pekka Montin) For New Album “The Hour Of The Wolf”; Music Video For First Single “The Man Who Watches The World Burn”

  • October 26, 2021
  • by Asher
  • · Amoth (Rockshots Records) · Music News

NEWS RELEASE

Montreal, QC – October 26, 2021



Rockshots Records Signs Finland’s AMOTH (ft.Ensiferum’s Pekka Montin) For New Album “The Hour Of The Wolf”


Music Video For First Single “The Man Who Watches The World Burn”

New Album “The Hour Of The Wolf” Out Jan 28, 2022

Rockshots Records is proud to announce their signing of AMOTH for the release of their third album “The Hour of The Wolf” on January 28, 2022.

Amoth is a melodic progressive heavy metal band with progressive elements from Helsinki, Finland. Their upcoming album “The Hour Of The Wolf” is a huge leap forward compared to their previous recordings “Revenge” (2016), “Crossing Over” (2011), “Wounded Faith (EP) (2008).

“This is by far our best album yet! Superior performances from all of the musicians. Much better production and songwriting. It’s not a fast-food album. Some of the songs are quite complex so it takes probably more than one listen to really get into!” comments Amoth guitarist and main songwriter Tomi Ihanamäki.

Amoth’s roots are strongly founded on 80’s heavy metal, but branch out in different directions with elements from progressive rock, thrash, and even jazz brought to the table.

The new album features Pekka Montin of Ensiferum once again as the lead vocalist and for the first time, there are also keyboards on an Amoth recording. Fans can expect insane vocals and virtuoso-like playing from all members of the band. The nine songs are very diverse, taking sudden twists and turns into unexplored territory. Amoth even offers up two Steve Vai / Joe Satriani-style instrumentals on this new full-length with tracks “Wind Serenade Part I” and “Wind Serenade Part II”.

The band is currently streaming the first single “The Man Who Watches The World Burn”, a track loosely based on the Joker character from the Batman movies. It is also the only down-tuned song on the whole album and has a bass solo.

“The world is burning before your very eyes, how do you react? It’s a new world and it’s in chaos and you must adjust to that idea.”

Listen to “The Man Who Watches The World Burn” via its music video on Rockshots Records’ YouTube channel – https://youtu.be/GXAlEnnzfSM

Amoth‘s new album “The Hour of The Wolf” is recommended for fans of Iron Maiden, King Diamond, Testament, Megadeth, Joe Satriani.

CD pre-order – https://bit.ly/TheHourOfTheWolf_CD
Digital pre-save – https://bfan.link/the-hour-of-the-wolf


Track Listing:
1. Alice (4:46)
2. The Man Who Watches The World Burn (6:57)
3. Wounded Faith (4:31)
4. Wind Serenade Part I (2:02)
5. Wind Serenade Part II (5:20)
6. We Own The Night (5:34)
7. It Ain’t Over Yet (3:27)
8. Traces In The Snow (6:26)
9. The Hour of The Wolf (7:27)
Album Length: 46:34

For more info:
Rockshots.eu
Amothband.com
Facebook.com/amothband
Instagram.com/amothband

 

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ASHER MEDIA RELATIONS

Jon Asher – Music Publicist
#.514.581.5780
jon[@]ashermediarelations[.]com
Facebook @AsherMediaRelations
Instagram @AsherMedia
Tweet @AsherMedia

0 Get Your Halloween Treat! Free Download of Venom Cover “Countess Bathory” From Newfoundland Black Metal Duo ARTACH

  • October 26, 2021
  • by Asher
  • · Artach · Music News

NEWS RELEASE

Montreal, QC – October 26, 2021



For fans of Venom, Immortal, Celtic Frost, Darkthrone, Satyricon

Get Your Halloween Treat!
Free Download of Venom Cover “
Countess Bathory” From Newfoundland Black Metal Duo ARTACH

New Album “Sworn to Avenge” Out Now! via Depressive Illusions Records


It’s become a Halloween tradition for St. John’s, Newfoundland duo Artach to treat their fans and friends with some sweet candied black metal. This year, the band has reached way back in time to 1982 to revisit the classic song “Countess Bathory” by Venom, a band that has had an immense impact on them and upon black metal.

“Hell, they coined the phrase “Black Metal” with their album of the same name, so we felt it was a great choice to select “Countess Bathory” for Halloween as it’s about the Hungarian noblewoman Countess Elizabeth Báthory who murdered countless young women between 1590 – 1610. We added our own minor touches to the song and added a part for Lilita Arndt of Ieschure who is the Countess in our version of the song. We hope you enjoy it, Happy Halloween!” explains the band.

Artach is offering up a free download via Artach.bandcamp.com of their Venom cover for “Countess Bathory” featuring guest vocals by Lilita Arndt of Ieschure.

Artach has also issued a visualizer video by Randall Hammer, which can be viewed and heard at https://youtu.be/k-aPBTduo1k

Artach are:
Fíochmhar: Drums/Vocals
Sruthán: Guitar/Bass

About:
Canada, St. John’s, Newfoundland’s black metal duo Artach unleashed their latest album “Sworn to Avenge” this past June via Depressive Illusions Records.

“Sworn to Avenge” is the second album from Artach, following up 2020’s “Chronicles of a Black Winter”. Fans can expect more of the same compared to the first, but it pushes the envelope a little bit. Artach embraces evolution and aspire to play tighter, and have a more professional sound, but never sound overly polished.

Artach’s process is a collaborative one between the duo, the genesis of the songs are arranged on guitar by Sruthán and very roughly recorded at home. After getting together, they record drums and flesh out the song in an afternoon and by then the song is pretty much ready for the studio recording of guitars, then bass, and lastly vocals.

Artach is recommended listening for anyone interested in raw black metal and those with an interest in Celtic Frost, Darkthrone, and Satyricon.

“Sworn to Avenge” is available via Depressive Illusions Records at the following links: DepressiveIllusions.com, Artach.bandcamp.com, Amazon, Spotify.

Music Videos:
Shimmer – https://youtu.be/JyJ2xW2oquM
Into the Frozen Woodlands – https://youtu.be/FtfosCUA7iw
She Gathers Leaves – https://youtu.be/g0nahpQ6O6s
Tuiteam an Duine – https://youtu.be/qt98RuT4Opg

For more info:
Facebook.com/ArtachBlackMetal
Instagram.com/ArtachBlackMetal
EPK

– 30 –

—

ASHER MEDIA RELATIONS

Jon Asher – Music Publicist
#.514.581.5780
jon[@]ashermediarelations[.]com
Facebook @AsherMediaRelations
Instagram @AsherMedia
Tweet @AsherMedia

0 Rockshots Records – Brazilian Multi-Instrumentalist Lucas Barbosa’s TERRA’s New Video “Sound Of Rain”, Debut Album “Hypercube” Out November 19th

  • October 25, 2021
  • by Asher
  • · EPKs · Music News

NEWS RELEASE

Montreal, QC – October 25, 2021

Rockshots Records – Brazilian Multi-Instrumentalist Lucas Barbosa’s TERRA’s New Video “Sound Of Rain”

Debut Album “Hypercube” Out November 19th

Brazilian multi-instrumentalist Lucas Barbosa will be releasing his studio project Terra and its debut album “Hypercube” on November 19th via Rockshots Records.

Today, the third single “Sound of Rain” is revealed with a music video via Rockshots Records’ YouTube channel.

Music Video – https://youtu.be/tLK-ZikGZNw

Digital Stream – https://spoti.fi/3jAiIxJ

Barbosa explains the track:

“Sound Of Rain is a soundtrack for a resting session at the end of a long and tiring journey or just an exhausting day. In every journey, there is a moment when we sit down, take a deep breath and try to make sense of all the learnings, mistakes and lessons we collect along the way. It is part of the learning process and it feeds the creative and constructive loops of any thought or idea we might be forming. Our subconscious does this process automatically during our dreams when we sleep. So, Sound Of Rain talks about owning this process, about Lucid Dreaming, by the sound of pouring water, in a comfortable and warm environment, where we lead the process of making sense of all what we learned so far in our life journeys, what is yet to discover and what path should we take to get to the final goal. In this case, the formation, comprehension and harvesting of the perfect Idea, the one that represents the best version of ourselves, a Hypercube on the top of the mountain. In order to transmit this message, elements of percussion, finger-style classical guitar, exploring harmonic features of the instrument, and organic rhythmics were used, over smooth by dynamic harmonic progression were implemented”

Terra brings a combination of musical, audiovisual and artistic experience that translates the personality and ideas of Brazilian composer and multi-instrumentalist Lucas Barbosa, resulting in a musical journey for those who love music and exploration of the new.

“The idea of Terra was always there, I believe. I have been composing and writing songs since I was 15. I needed a platform to structure and back these songs. This platform should allow me to combine some passions of mine: folk and metal music, traveling and photography. When I was around 20, I came up with the concept of TERRA, a project that would combine all the influences that made the musician and the person I am, in an organic manner, which would allow me to tell my stories of discoveries and exploration, including my experiences traveling through Brazil and throughout the world. It took about 10 years to actually find the environment and opportunity to bring this idea to life by recording Hypercube and kick-starting this journey.” comments Barbosa.

Terra’s first record is the outcome of the combination of elements put together to tell a story of a journey of growth and self-discovery, that frankly, could be the tale of every human being at some point in their lives. Ten songs are there to paint a picture of the artist’s personality and explore each step of the way with the respective deserved depth. Although heavy metal is the glue that unites all the musical nuances presented on this album, “Hypercube” does not shy away from a rich range of influences such as American Bluegrass, Country Music, Classic Rock, Classical Music, Western Folk, traditional Brazilian, Caipira and Sertanejo music along with passages of Samba, Capoeira, Bossa Nova and many others to convey its message. Lucas Barbosa was responsible for playing almost all instruments, including rhythm and lead guitars in all their forms (electric, classical, 6 string, 12 string), bass, Brazilian guitar (or Viola Caipira), Andean guitar (or Charango), Pan flute (Andean flute), harmonica, percussions and piano, in addition to performing all of the vocals in the songs.

Terra‘s debut album “Hypercube” is due out November 19, 2021.
CD Pre-Order: https://bit.ly/HypercubeCD
Digital Pre-Save: https://bfan.link/hypercube

Music Video – Let It Burn – https://youtu.be/OZhRNaqerkQ
Lyric Video – Sign My Name – https://youtu.be/6MZ1mf55tgM


Track Listing:
1. Let It Burn (4:18)
2. Always Resist (4:35)
3. Sign My Name (6:31)
4. Down The Road (4:03)
5. Shivers and Snow (4:56)
6. Sound of Rain (5:45)
7. Against The Wind (10:29)
8. Montaria (9:49)
9. Hypercube (8:54)
10. Our Time Is Now (6:19)
Album Length: 1:05:44

Album Credits:
All songs & Lyrics written by Lucas Barbosa
All Instruments, except drums, played by Lucas Barbosa, including Vocals, Guitars, Bass guitars, 6-string and 12-string Acoustic Guitars, Brazilian Guitar, Andean Guitar, Pan Flutes, Harmonicas, Piano and Percussions
Drums recorded by Alex Cristopher
Produced, Engineered, Mixed and Mastered by Thiago Bianchi at Fusão Studios in São Paulo, Brazil.
Cover art Concept by Lucas Barbosa
Art by Carlos Fidelis

More info:
Rockshots.eu
Facebook.com/TerraLucasBarbosa
Instagram.com/terramusictrip
Youtube

– 30 –

—

ASHER MEDIA RELATIONS

Jon Asher – Music Publicist
#514.581.5780
jon[@]ashermediarelations[.]com
Facebook @AsherMediaRelations
Instagram @AsherMedia
Tweet @AsherMedia

0 THRASH LA REINE Shares Next Tale of Quebec Folklore w/ Metal Fans In New Video “La Cage de Fer”

  • October 22, 2021
  • by Asher
  • · Music News · Thrash La Reine

NEWS RELEASE
(version française ci-dessous)

Montreal, QC – October 22, 2021

THRASH LA REINE Shares Next Tale of Quebec Folklore w/ Metal Fans In New Video “La Cage de Fer”

“Notre-Dame-de-l’Enfer” Out October 29th via Bam&Co. Heavy

Montreal, Canada’s Thrash La Reine is sharing their second single “La Cage de Fer” in support of their new album “Notre-Dame-de-l’Enfer” being released via Quebec metal label Bam&Co. Heavy (Anonymus, BARF,  Dizzygoth, Nova Spei) on October 29, 2021.

“Notre-Dame-de-l’Enfer” is the third release from the band following “La Foi, La Loi, La Croix”(2019) and “Le Métal Est Notre Langue” (2018). It is the band’s attempt to make a metal opera about French Canadian stories, which will shine some light on francophone folklore presented in an energetic and catchy fashion.

The track “La Cage de Fer” is inspired by the Québécois folklore of Marie-Josepht Corriveau. A woman who lived in New France during the 18th century and was sentenced to death by a British court-martial for the murder of her second husband along with speculation of witchcraft. She was hanged for her crime along with her body hanged in chains.

“This is another really important story that is part of French Canadian folklore,” says vocalist/guitarist Renaud Baril. “This song is really slower and darker than the rest of the album with mellow verses and a more aggressive chorus. It has a more of a ‘doom metal’ feeling.”

“La Cage de Fer” can be heard via its lyric video – https://youtu.be/SzBHV2BxlcM

and Spotify – https://spoti.fi/3pqOZes

For “Notre-Dame-de-l’Enfer”, Thrash La Reine worked closely with producer Francis Perron (Voivod – The Wake) to create an album of 13 tracks: 9 full songs and 4 instrumental interludes, taking the band on a hard turn from their classic metal/thrash roots and into folk metal territory. Overall, the concept album will connect with many local Quebec fans, but the band’s goal is to also expose French Canadian culture to more metalheads around the globe.

“‘Notre-Dame-de-l’Enfer’ is an album about French Canadian folklore. Most of these folk tales occur at night, in the cold countryside of the province of Quebec. We made an album that reflects this cold and dark atmosphere. For example, we used down-tuned guitars and bass to create a sonic atmosphere that seems to come from the depths of the Appalachian Mountains. Many of these stories happened in the 18th century during festivities; we also tried to capture the festive aspect of these legends, including a lot of gang vocals. We incorporated some traditional instruments to this album like mandoline, acoustic guitar, strings, accordion, and cowbell! The kind of singing and harmonies we use on this album are also reminiscent of traditional chants. 

These French Canadian folk tales are all about ghosts, witches, sins, and the devil himself! It fits really well with the metal imagery! The album touches on a lot of different styles: fast, slow, sad, happy songs with either coarse or clean vocals. This album captures different colours and emotions.

As the themes of the album are really similar, we did a conceptual album with an epic introduction and some transitions between the songs.”

Thrash La Reine is recommended for fans of Alestorm, Powerwolf, and King Diamond.

Album pre-order – https://thrashlareine.bandcamp.com

Music Video – “Au Chant de L’Alouette” – https://youtu.be/BhvObenHdWE


Track Listing:
1. La Plainte de l’Alouette (0:36)
2. L’Étranger (4:32)
3. La Chasse-Galerie (4:29)
4. Le Rigodon de l’Enfer (0:25)
5.  Au Chant de l’Alouette (3:00)
6. Wendigo (3:36)
7. La Cage de Fer (4:02)
8. Une Heure Avant l’Aube (1:06)
9. Operation Neptune (3:25)
10. Les Trois Diables (4:42)
11. Le Diable En Personne (0:33)
12. Le Fantome de l’Avare (4:35)
13. Legende d’Antan (7:27)
Album Length: 42:34

For more info:
Thrashlareine.com
Facebook.com/thrashlareine
Instagram.com/thrashlareine
Twitter.com/ThrashLaReine
EPK

===============================

THRASH LA REINE Partage Une Légende Folklorique Québécoise Avec Les Fans de Métal Dans Une Nouvelle Vidéo « La Cage de Fer » 

«Notre-Dame-de-l’Enfer»  sortira le 29 octobre via Bam&Co. Heavy

Les Québécois Thrash La Reine partagent un deuxième extrait «La Cage de Fer» à l’appui de leur nouvel album «Notre-Dame-de-l’Enfer» qui sortira via le label métal québécois Bam&Co. Heavy (Anonymus, BARF, Dizzygoth, Nova Spei) le 29 octobre 2021.

«Notre-Dame-de-l’Enfer» est le troisième album du groupe après «La Foi, La Loi, La Croix» (2019) et «Le Métal Est Notre Langue» (2018). C’est la tentative du groupe de faire un opéra métal sur des histoires canadiennes-françaises, qui mettra en lumière le folklore francophone. Le tout est présenté de façon énergique et entraînante.

Le morceau «La Cage de Fer» s’inspire du folklore québécois de Marie-Josepht Corriveau. Une femme qui a vécu en Nouvelle-France au XVIIIe siècle et qui a été condamnée à mort par la cour martiale britannique pour le meurtre de son deuxième mari et des spéculations de sorcellerie. Elle a été pendue pour son crime avec son corps suspendu par des chaînes dans une cage de fer.

«C’est une autre histoire vraiment importante qui fait partie du folklore Québécois», a déclaré le chanteur/guitariste Renaud Baril. «Cette chanson est vraiment plus lente et plus sombre que le reste de l’album avec des couplets mélancholiques et un refrain plus agressif. Elle a un côté plus “doom metal’’.»

«La Cage de Fer» peut-être entendue via le video avec paroles – https://youtu.be/SzBHV2BxlcM

et Spotify – https://spoti.fi/3pqOZes

Pour «Notre-Dame-de-l’Enfer», Thrash La Reine a travaillé en étroite collaboration avec le réalisateur Francis Perron (Voivod – The Wake) pour créer un album de 13 titres : 9 chansons complètes et 4 interludes instrumentales, emmenant le groupe à s’éloigner de ses racines heavy/thrash classiques pour s’aventurer sur le territoire du folk metal. Dans l’ensemble, l’album concept se connectera avec de nombreux fans locaux du Québec, mais l’objectif du groupe est également d’exposer la culture canadienne-française à tous les métalleux à travers le monde.

« Notre-Dame-de-l’Enfer » est un album sur le folklore canadien-français. La plupart de ces contes folkloriques se déroulent la nuit, dans la froide campagne de la province de Québec. Nous avons fait un album qui reflète cette atmosphère froide et sombre. Par exemple, nous avons utilisé des guitares et des basses accordées de manières plus graves pour créer une atmosphère sonore qui semble venir des profondeurs des Appalaches. Beaucoup de ces histoires se sont passées au 18ème siècle lors de festivités; nous avons également essayé de capturer l’aspect festif de ces légendes, en y incorporant plusieurs voix de groupe. Nous avons aussi incorporé des instruments traditionnels à cet album, comme la mandoline, la guitare acoustique, violoncelle, l’accordéon et la cloche à vache ! Le genre de chant et d’harmonies que nous utilisons sur cet album rappellent également les chants traditionnels.

Ces contes canadiens-français parlent de fantômes, de sorcières, de péchés et du diable lui-même ! Cela correspond vraiment bien à l’imaginaire métal ! L’album touche à beaucoup de styles différents : des chansons rapides, lentes, tristes, joyeuses avec des voix rauques ou claires. Cet album capture différentes couleurs et émotions.

Comme les thèmes de l’album sont vraiment similaires, nous avons décidé de faire un album conceptuel avec une introduction épique et quelques transitions entre les chansons.

Thrash La Reine est recommandé pour les fans d’Alestorm, Powerwolf, et King Diamond.

Pré-commande de l’album – https://thrashlareine.bandcamp.com

Vidéo clip- “Au Chant de L’Alouette” – https://youtu.be/BhvObenHdWE

Liste des chansons:
1. La Plainte de l’Alouette (0:36)
2. L’Étranger (4:32)
3. La Chasse-Galerie (4:29)
4. Le Rigodon de l’Enfer (0:25)
5.  Au Chant de l’Alouette (3:00)
6. Wendigo (3:36)
7. La Cage de Fer (4:02)
8. Une Heure Avant l’Aube (1:06)
9. Opération Neptune (3:25)
10. Les Trois Diables (4:42)
11. Le Diable En Personne (0:33)
12. Le Fantôme de l’Avare (4:35)
13. Légende d’Antan (7:27)
Durée de l’album: 42:34

– 30 –

—

ASHER MEDIA RELATIONS

Jon Asher – Music Publicist
#.514.581.5780
jon[@]ashermediarelations[.]com
Facebook @AsherMediaRelations
Instagram @AsherMedia
Tweet @AsherMedia

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