Category: Music News

0 Canadian Thrashers TRISKELYON Comment On World Events w/ New Music Video “A Time of War” Off New Album “Downfall” Out Now via Moribund Records

November 11, 2022
by Asher
· Music News · Triskelyon

NEWS RELEASE

Montreal, QC – November 11, 2022

Canadian Thrashers TRISKELYON Comment On World Events w/ New Music Video “A Time of War”

New Album “Downfall” Out Now! via Moribund Records

Canadian melodic power thrashers Triskelyon have a new music video to share for their track “A Time of War” off their debut album “Downfall” released on October 28th via Moribund Records. With “Downfall”, Triskelyon deliver an amazing headbanging album that harkens back to the old-school days of such luminaries as Forbidden, Agent Steel, Sentinel Beast, Détente, Overkill, and Testament. The album was mixed/mastered by Michael Small with the post-apocalyptic cover art by IvaanMR11.

“A Time of War” can be seen and heard at https://youtu.be/nyb07v69iPk

Band founder Geoff Waye adds about the hard-hitting speed-moshing track:

“As someone who watches world events with endless wars and conflicts, pandemics, ignorance, and radical left/right division, it’s something that impacted the album and its title. The song “A Time of War” is a part of that, and not surprisingly, is about war and partially about the deplorable ongoing war between Russia and Ukraine. Not only is it about that terrible event, but is also about how the rich oligarchs around the world, whether they be from Russia, or a western country, never really suffer when wars happen, they always profit while the rest of us pay the price, and for some, they pay that price with their very lives.“

Founded by Geoff Waye, guitarist for Artach and Category VI, Triskelyon was conceived in late 2021 as a studio-only project. By January 2022, the band featuring contributions from vocalists Pete Healey and Marlee Ryley (Hyperia), along with drum programming by Raul Marques (Burning Torment) made their introduction to the metal world with a 3-track self-titled EP.

Composed and written mostly by Geoff Waye, with drum programming provided by Raul Marques, “Downfall” sees the band’s next evolution as their first full length and it utilizes a myriad of both male and female guest vocalists from Oberon, Hyperia, Catagory VI and Incidium. “Downfall” has a range and depth of sound unique in today’s modern thrash metal scene, setting the band ahead and apart from the hordes of young new acts. Triskelyon also features guest bass appearances from members of Afterforever and Category VI, making Triskelyon a veritable supergroup of the Canadian metal scene.

Depicting a nature taking over post-apocalyptic view of our ever-screwed-up world, Triskelyon keeps with 80’s thrash tradition employing world-ending yet self-empowering socially conscious lyrical themes. From straight-up 80’s thrashers like “Odyssey (Blessed by Steel)”, to the power metal laced “Find A Way”, and more anthemic thrash tracks such as “Hunger” and “Willful Ignorance”, “Downfall” is sure to satiate even the most discriminating old-school and modern thrash metal fan alike! The album even features a unique and thrashing rendition of the Billy Idol song “Nobody’s Business”.

Triskelyon‘s debut album “Downfall” is available at the following links:

Online ordering:
CD: http://www.moribundcult.com/product/DEAD297.html
Digital: https://triskelyon.bandcamp.com/album/downfall

Music Video – “Balance of Terror” ft. Marie Jackman (Category VI) – https://youtu.be/V0TR8G5oV4g

Lyric Video – “Odyssey (Blessed By Steel)” ft. Marlee Ryley (Hyperia) – https://youtu.be/Z3VWW9YpxIs

Music Video – “Hunger” – https://youtu.be/zAh9PJcDC-o

Track Listing:
1. Hunger (3:01))
2. Find a Way (4:05))
3. Odyssey (Blessed By Steel) (3:34))
4. Willful Ignorance (4:14))
5. A Time of War (4:03))
6. Balance of Terror (4:22))
7. Apex Predator (4:12))
8. Indifference (4:37))
9. Nobody’s Business (Billy Idol cover) (3:54))

Album Credits:
Tracks 1-3 are originally from self-titled demo/EP, the new versions have all been re-recorded bass and have been remixed and remastered.
All songs and lyrics written by Geoff Waye.
All guitars by Geoff Waye.
All drum programming by Raul Marques.
Additional guests:
Dwayne Pike – Bass (tracks 1, 2, 3, 5, 6, 8, 9)
Pete Healey – Vocals (tracks 1, 2, 5, 9)
Marlee Ryley – Vocals (tracks 3, 7)
Amanda Jackman – Vocals (tracks 4, 6)
Des Mason – Vocals (track 4)
Keith Jackman – Bass (track 7)
Darrin Pope – Bass (track 4)
Ellim – Vocals ( track 8 )

For more info:
Triskelyon.bandcamp.com
Facebook.com/Triskelyonmetal

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“This was one of my anticipated albums this year as the EP wet my whistle but was far from being enough to satisfy my metal hunger. Hopefully this is not a one off because this is one of the most unique projects to come across my radar in a long time. I’m curious to see where Mr. Waye takes this project next. We shall see. In the meantime…get this album, you’ll thank me for it!” – Metal-Rules

“The highlight of the opening trio is the rampaging “Odyssey (Blessed By Steel)” which finds Marlee Ryley of Hyperia in fine form. Waye is on the rampage with a collection of frenetic riffs and the result is an adrenaline rush of a song that really gets things going. “A Time of War” then finds Triskelyon in Megadeth territory minus the trademark snarl of Dave Mustaine for what can only be described as a classic Thrash anthem… All in all, there is plenty to enjoy here, especially if you’re a lover of the mighty riff ” – Metal Noise

“Thrash Metal with melody, good arrangements and multiple voices.” – PowerMetal.de

“Power-Thrash equipped with murderous riffs on a technically first-class level with changeable exciting vocal variability, at times also surrounded by a dark atmosphere.” – FFM-Rock

“Most of the songs on here are fast and furious, such as “Balance of Terror” with its Hanneman/King-esque riffing, the skull-piercing “Odyssey (Blessed by Steel)” and the powerful “A Time of War,” though they do slow down a bit on the moody march of “Find a Way” while still remaining heavy as all hell… Triskelyon don’t reinvent the wheel of Power/Thrash, but they sure know how to keep it spinning, and that makes Downfall worth giving a spin of its own.” – The Metal Crypt

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ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
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jon[@]ashermediarelations[.]com
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0 Rockshots Records – Out Now! EVERFROST’s Anime Cover Song EP “Frostbites” + New Video “A Cruel Angel’s Thesis” ft. Mikael Salo

November 11, 2022
by Asher
· Everfrost · Music News

NEWS RELEASE

Montreal, QC – November 11, 2022

Rockshots Records – Out Now! EVERFROST’s Anime Cover Song EP “Frostbites”

New Video “A Cruel Angel’s Thesis” ft. Mikael Salo

Rockhots Records is proud to present the latest offering from Finnish symphonic power metal band Everfrost and their new EP of anime cover songs entitled “Frostbites”, which is now out as of November 11th. The EP features guests Mikael Salo (Thy Row, Dyecrest), Rob Lundgren (Mentalist, Reveal), and Shiro Neko. Produced by Benji Klint-Connelly, the four original songs on the EP, “Gotta Catch ‘Em All” were written by John Siegler and John Loeffler, “Flyers” by BRADIO, “Hacking to the Gate” by Chiyomaru Shikura and “A Cruel Angel’s Thesis” by Hidetoshi Satō.

Today, for the EP’s release day, Everfrost is sharing their last video in support of the cover record for the final track “A Cruel Angel’s Thesis” ft. Mikael Salo. The song is from the anime series Neon Genesis Evangelion and was originally composed and performed by Hidetoshi Satō. with lyrics by Neko Oikawa, and arrangement by Toshiyuki O’mori.

The video can be viewed at https://youtu.be/J_ReKWk8k38

The band adds:

“When we decided to do a covers EP of anime opening songs, this song was one of those choices that were staring us down because of how legendary Neon Genesis Evangelion is, along with its opening ‘A Cruel Angel’s Thesis’. The show deals with some very deep themes such as morality, individuality, and responsibility, all delivered with an aura of depression largely due to the creator’s mental state at the time. The original performance of the song captures the series’s life-affirming message, by enunciating the joyful and glorious side of the story.

Great care was taken to make timeless elements such as the salsa-like rhythmic feel and 90s keyboard sounds present themselves strongly along with the heavier and more powerful elements we introduced into the arrangement. Most of us are also familiar with the show, therefore its emotional weight definitely came through in our playing while recapturing the power of the original version. This will also be our former vocalist Mikael Salo’s last EVERFROST song. If this song wasn’t already challenging enough, the original track’s vocal is also on the hard end of the scale. Mikael did a fantastic job on this, marking a very fitting song to go out on.

In the end, this was the most challenging song of the EP! Curiously enough, Evangelion is fittingly a challenging series to decipher, but easy for many people to relate to. We hope this translates to our cover of the song, we for sure feel it does!”

“Frostbites” is available at the following link – https://bfan.link/frostbites

Previous Videos:

Flyers – https://youtu.be/1NCl8_45kHc

Gotta Catch ‘Em All – https://youtu.be/gulzQhT2pto

Hacking The Gate – https://youtu.be/tG5jqVZzOzo

Track Listing:
1. Gotta Catch ‘Em All (feat. Mikael Salo) – 3:17
2. Flyers (feat. Rob Lundgren) – 3:30
3. Hacking to the Gate (feat. Shiro Neko) – 4:36
4. A Cruel Angel’s Thesis (feat. Mikael Salo) – 4:22
EP Length: 15:46

Album Credits:
Samuli Heiskanen – Lead guitars
Joose Ylianttila – Rhythm guitars
Benji Klint-Connelly – Keyboards
Roi Partanen – Bass
Jope ‘James’ Salminen – Drums

Cover artwork by Sunako
Promo photos by Tapio Ranta-aho
Photo edits by Benji Klint-Connelly
Outfits by Heli Mäensivu

Songs arranged by Benji Klint-Connelly and EVERFROST
Mixed by Benji Klint-Connelly
Mastered by David Gnozzi

About:

EVERFROST is a Finnish symphonic power metal band known for incorporating Japanese anime and manga influences into their music, visuals, and storytelling.

Metal fans and anime enthusiasts alike have described EVERFROST numerous times as the band they were always looking for as the music is created from a passionate desire to energize you, make you happy, and take you away from the struggles of everyday life.

The familiar influences of classic and modern Finnish heavy metal (Nightwish, Beast in Black, Sonata Arctica, Wintersun, etc) are present in the EVERFROST sound, however, the band’s trademark wintery style combined with elements from non-metal genres such as Eurobeat, dance-pop and anime music bring a unique freshness to the mix. The result is an addictive cocktail that has proven to find its way into a wide variety of playlists, DJ sets, parties, and live events.

Another big reason people fall in love with EVERFROST is because of how immersive the band’s universe is. Each album features ongoing stories of a group of characters living in a cursed city, sealed off from the world. The concept is inspired by the ‘secret cities’ experiments established during the Cold War.

The band’s latest full-length album ‘Winterider’ was in particular quite a unique release in the metal world, being a concept album featuring this world and characters in a fully coherent manga comic, following the story and working in tandem with the songs. It received critical acclaim and high scores from multiple well-known metal media outlets such as Kaaoszine, Powerplay Magazine, Bravewords, and Tuonela Magazine.

“9/10 The next great power metal band.” – BRAVEWORDS

The album also made it to Disk UNION Japan’s top 10 charts for two weeks, charting at number 1 for the first week.
The band also won Tuonela Magazine’s ‘best new discovery’ award for 2019.

While the music may sound energetic and cheery, the lyrical themes are usually dark, melancholic, and vulnerable, dealing often with escapism through fantasy and entertainment, death and loss, social isolation, and hardship. These feelings and ideas are manifested in the stories and characters, however, the core inspiration stems from how cruel and cold the real world can be at times. This combination of happy music with sad lyrics empowers listeners in whatever stage they are going through or have been through in their lives.

The band features keyboardist and songwriter Benji Klint-Connelly, guitarists Samuli Heiskanen and Joose Ylianttila, bassist Roi Partanen and drummer Jope ‘James’ Salminen. Past members have included vocalists Hew Wagner and Mikael Salo (Thy Row, Dyecrest). The band has also featured and worked with many other esteemed musicians such as Rob Lundgren (Mentalist, Reveal), Yannis Papadopoulos (Beast in Black), Asim Searah (Damnation Plan, ex-Wintersun), Sara Strömmer (Shereign, ex-Fear of Domination) and Bini Silvennoinen (Blame Me!).

For more info:
https://www.rockshots.eu
https://www.facebook.com/everfrostfinland
https://www.instagram.com/everfrostfinland
https://twitter.com/everfrosttt

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—
ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780 | jon[@]ashermediarelations[.]com
Facebook @AsherMediaRelations | Instagram @AsherMedia | Tweet @AsherMedia
(Rockshots Records, Extreme Metal Music, Armstrong MF, Loud As Hell, Metalocalypstick, Decimate MF, Electric Highway Fest, Wacken Metal Battle Canada/USA, Hyperspace MF, Le FestEvil)

0 Rockshots Records – Out Now! France’s BLACK HOLE’s New Album “Whirlwind of Mad Men” + New Music Video “Never Surrender”

November 11, 2022
by Asher
· Black Hole (Rockshots Records) · Music News

NEWS RELEASE

Montreal, QC – November 11, 2022

Rockshots Records – Out Now! France’s BLACK HOLE’s New Album “Whirlwind of Mad Men”

New Music Video “Never Surrender”

Black Hole‘s new album “Whirlwind of Mad Men” is now out as of November 11th via Rockshots Records. The full-length presents anthemic guitar riffs, powerful rhythms, frenzied solos, and enlightening vocals, to give fans a power metal quintet that’s progressive, symphonic, and strongly influenced by masters of the genre such as Stratovarius, Kamelot, Powerwolf, Nightwish, and Iron Maiden.

For the album’s release day, Black Hole is sharing their latest music video for their single “Never Surrender”, a track that offers up a Celtic atmosphere that is inspired by the character of “Braveheart” William Wallace who fought to save his land.

“It is a message to all those who have fought, are fighting, and will fight for their country and their freedom.” adds the band.

Watch the music video for “Never Surrender” at https://youtu.be/X1OKynpcx40

Black Hole‘s sophomore full-length “Whirlwind of Mad Men” navigates between heavy and power metal with melodies carried between the vocals and guitar solos along with being supported by solid rhythmic parts and great orchestral pieces which give intensity to the compositions. The diversity of all the songs allows listeners to travel through various atmospheres and contexts. The album’s goal is to give feelings of power while mastering strong emotional moments.

The new album also features new member Christophe (keyboards/orchestrations), adding more epic and orchestrated tracks. A collaboration that promises to be more interesting than their previous record “Lost World”. Mixing and mastering were helmed by Roland Grapow (ex-Helloween, Masterplan) who also added a guitar solo on the album’s cover track of Iron Maiden’s “Fear of the Dark”.

“We are very happy to be releasing this powerful symphonic metal album. We have worked hard to deliver a high-quality product. The lyrics, the moods, the symphonic arrangements, and the performances of each individual give a special resonance to this record. The overall sound and the sound of each instrument has been an essential point throughout the genesis and we are proud of the finished product. The visual side is not to be outdone. The high-quality artwork represents well the universe of the themes and the general atmosphere of the album. We hope that fans will take as much pleasure to listen to it as we did to conceive it.” adds the band.

Recommended for fans of Stratovarius, Kamelot, Powerwolf, Nightwish, and Myrath, BLACKHOLE’s “Whirlwind of Mad Men” is available at the following links:

Digital – https://bfan.link/whirlwind-of-mad-man

CD – https://bit.ly/Whirlwind_CD.

Track Listing:
1. Chasing The Kraken – 3:56
2. Walking With The Devil – 4:12
3. Dark Horizon – 4:19
4. Whirlwind of Mad Men – 3:51
5. Legend of Justine – 5:04
6. My Precious Dream – 4:56
7. Never Surrender – 5:24
8. Breaking The Rules – 5:43
9. Line of Sight – 5:41
10. My Friend – 4:30
11. Deliverance – 7:07
12. No Return – 3:12
13. Fear of the Dark (Iron Maiden cover) – 7:31
14. Dream On (Aerosmith cover) – 4:30
Album Length: 1:10:01

Black Hole is:
Fabio Torrisi (vocals)
Matthieu Acker (Guitar)
Patrick Umber (Bass)
Christophe Brunner (Drums)
Christophe Burghard (keyboards/orchestrations)

For more info:
https://www.rockshots.eu
http://www.black-hole.fr
https://www.facebook.com/blackhole.official.fanpage

About: Black Hole was formed in the East of France and is a collective of musicians who play and perform for the pleasure and passion of metal above all. Their new album “Whirlwind of Mad Men” follows their two EPs “Victim of Illusion” (2000), “Children of the Sun” (2006), and their first full-length 2018’s “Lost World” (Via Nocturna). Since their inception, Black Hole has supported bands like Nightwish, Rage, Evergrey, John Oliva’s Pain, Firewind, Circle II Circle, Jeff Scott Soto, Nightmare, Vulcan, Killers, Shakra, Tankard along with performing on multiple festivals in France (Foire aux Vins, Festival Fracass), Germany (Regio Jam), and Belgium (Devil’s Rock for an Angel).

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0 Have You “Seen” SCATTERED STORM’s New Music Video… A Homage For Their Love of Star Wars + New EP “In This Dying Sun” Out Nov 11th

November 10, 2022
by Asher
· Music News · Scattered Storm

NEWS RELEASE

Montreal, QC – November 10, 2022

Have You “Seen” SCATTERED STORM’s New Music Video… A Homage For Their Love of Star Wars

New EP “In this Dying Sun” Out Nov 11th via Bloodblast Distribution (powered by Nuclear Blast and Believe Digital)

L- R – Jay Arriaga – Drums, Keyboards, Samples, Andre Accosta – Vocals, Kevin Armstrong – Guitar, Brian Fausnaugh – Bass

El Paso, TX’s Scattered Storm etched their way into the metal scene last year with their debut “Oblivion” and now they have returned with a darker, more proggy offering with “In This Dying Sun” due out on November 11th via Blood Blast Distribution (powered by Nuclear Blast and Believe Digital). Showing a certain evolution from the previous effort, they still implement a lot of their core elements which are ambiance, groove, and melodies, but with this new record, they felt the need to explore faster tempos with machine gun-like riffs. They explain the EP further:

“We never lost track of the bigness, especially with Tue Madsen mixing and mastering this record. In our talks, we really emphasized that to him, even though songs are faster, we still want them to sound huge. And boy did he deliver. Sonically this record has been the best one. Madsen was even kind enough to feature the title track for his drum sample pack through Drum Forge because he really dug the song.”

Part of their evolution can be attributed to bringing in their new bass player Brian Fausnaugh full fold. He had recorded previously with them on some songs, so it was a no-brainer. Lyrically, they still draw from books, movies, series, and whatever piques their interests. This EP is intended to be a journey, discussing evolution, putting yourself back together, and the teachings of Yoda.

Today, in celebration of the release of “In this Dying Sun“, Scattered Storm is sharing their new music video for the EP’s closer “Seen”, a musical and lyrical homage to Star Wars.

“This was a very complex song to write vocals to. Because it has many changes. Many ups and downs. Overall it is a very dark song. Its slow riffs and rhythms make it feel like you are in Darth Vader’s home. We used a lot of Star Wars references in this song. Yoda’s teachings. The evolution of being good but then going to a dark place. Fear is the path we yell. As Fear leads to anger, anger leads to pain, and pain leads to suffering. All indications that you are pretty much heading to a dark place.” adds drummer Jay Arriaga.

The video can be seen and heard via its’ premiere on Metal Insider HERE.

Heavy and futuristic, Scattered Storm is recommended for a wide variety of metalheads as they encompass s good blend of the sludge from Meshuggah, the ambiance of Tesseract, and the epicness of Devin Townsend, and are influenced by bands like Fear Factory and Mnemic

“In this Dying Sun” comes out on November 11, 2022, via Blood Blast Distribution (powered by Nuclear Blast and Believe Digital) and is available at the following link – https://bfan.link/in-this-dying-sun

Previous Videos:

Music Video – Bloody Love – https://youtu.be/XR1ualbw3VI

Music Video – In This Dying Sun – https://youtu.be/dTTWILNBBMM

Track Listing:
1. Bloody Love – 4:44
2. The Process – 3:49
3. Hollow – 4:16
4. In this Dying Sun – 3:42
5. Seen – 4:49
EP Length: 21:12

Recording and Live Band Lineup:
Jay Arriaga – Drums, Keyboards, Samples
Kevin Armstrong – Guitar
Brian Fausnaugh – Bass
Andre Accosta – Vocals

For more info:
https://linktr.ee/scatteredstorm
https://www.facebook.com/scatteredstormband
https://www.instagram.com/scatt_storm

About:
Scattered Storm is an El Paso, Texas-based metal band which formed three years ago with the collaboration between Jay Arriaga (drums) from No Life on Earth, Years of Cold, and Kevin Armstrong (guitar) from Mondoshawan, Section 6. From there Andre Acosta from Pissing Razors, Hereafter the Wave and current No Life on Earth frontman joined the ranks on vocals. Having recorded a couple of songs on Bass for both Oblivion and In This Dying Sun, Brian Fausnaugh (Random Allusion, Limerance) finally joined the ranks full time replacing Eddie Garcia on bass. Scattered Storm recorded In This Dying Sun in 2021 at Javier’s Studio Empty Paradise Studios for its release on November 11th, 2022 via Blood Blast Distribution to follow their 2021 debut EP “Oblivion”.

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“Scattered Storm’s second offering delivers an eclectic mix blending various elements of Heavy Metal and Prog. Andre Accosta delivers a very good vocal performance with a multitude of ranges and dynamics to fit the mood of each song. Kevin Armstrong’s guitar style builds a foundation that is well-balanced with the bass and drums. The band is tight with the tempo changes and does a very nice job with the keys, adding an atmospheric and dark ambiance feeling to the songs.” – Metal Express Radio

“There is little doubt that these new cuts are darker and more personal than the first record while there is also a little more bark and bite as if the shackles are off this time around. “Hollow” offers beauty in clean vocals and twisted melodies while Kevin Armstrong’s riffs keep up the energy levels but it’s the stuccato riff breaks of title track “In This Dying Sun” that ignite the fires. Punching like Prong with its tight rhythms, the clean vocals cut against the grain offering a decent balance between melodic and heavy with Accosta having some moments eerily reminiscent of the much missed Matt Holt of Nothingface. That continues into “Seen” before the spine juddering riffs and unclean roar take hold like a designer drug fueled rage in bombastic style. Where Scattered Storm go from here is going to be intriguing given the waves of turbulence and eccletic violence found here” – Metal Noise

“Their music is dark and futuristic with plenty of ambience to balance the heavy.” – New Noise Magazine (2021 – Oblivion)

“Chugging guitars, punishing drums, brutal, throat throttling vocals… Yep, it’s all here and a lot more with the latest music video for “Necronomicon” from Scattered Storm. Reminding you of what live music used to be all about, the band torches the room in this electric performance video, as an eager audience beholds the musical greatness that is this Texas supergroup.” – V13 (2021 – Oblivion)

“Their sound has been compared to the likes of Fear Factory, Gojira, Messuggah & TesseracT, & their new single, ‘Kingslayer” definitely would fit in the realm of HEAVINESS.” – KLAQ 95.5 FM (El Paso, TX) (2021 – Oblivion)

0 Norway’s Féleth Now Streaming Their Technical Melodic Death Metal Album “Divine Blight” (Mixed and Mastered by Christian Donaldson (Cryptopsy))

November 10, 2022
by Asher
· Feleth · Music News

NEWS RELEASE

Montreal, QC – November 10, 2022

Norway’s Féleth Now Streaming Their Technical Melodic Death Metal Album “Divine Blight”

Mixed and Mastered by Christian Donaldson (Cryptopsy)

Féleth, from northern Norway, is now streaming their second album “Divine Blight”, which they see as a solid step up from 2020’s “Depravity”. They take on real-life events and put them to provocative music best described as melodic death metal with a healthy dose of technical death metal added in. The lyrical themes are often inspired by things that vocalist Espen Dagenborg finds massively wrong such as politicians waging war, being greedy, and also how humans can be extremely hateful against others. Then again there are also songs that are somewhat purely fictional, mostly showcasing his lyrical style.

As Féleth was the continuation of a former thrash metal band, IronBound, it’s natural to say that they started out as a thrash death band. As the then-young boys started to discover the joys of death metal the sound evolved more toward that. Along with the newfound joy came the struggle, for death metal wasn’t easy to play. After finally mastering the ways of death metal and having released “Depravity” disaster struck. The now not-so-young boys had developed a taste for technical death metal and big hooks. When the time came to work on “Divine Blight” they already had a handful of finished songs to choose from, each one a work of art – melodic, technical, brutal art. The band comments:

“After getting signed with our new label “Rob Mules Records” and playing some pretty sick gigs at both Buktafestivalen and Tons of Rock, we’re super stoked to release our new album “Divine Blight”. It was a long and tedious process of selecting, practicing, and recording, but the result will speak for itself. Our best album thus far. It’s a collection of stories based on the dystopian path humanity is set on. We felt that throughout this new journey of an album we’ve refined our songwriting and successfully achieved a style that’s not only ass-whoppingly brutal, but also more complex emotionally and lyrically. It is clear that we’ve got multiple influences and styles throughout the album which all contribute to a massive sonic package. It’s definitely a death metal album with some subtle takes on some of its many subgenres. Two and half years after our debut “Depravity” we’re ready to present ‘DIVINE BLIGHT’.”

The album was mixed and mastered by Christian Donaldson (Cryptopsy) and the album artwork was done by Kahinienn Graphix. The Northern Norwegian technical death rock is recommended for fans of Fit For An Autopsy, Inferi, and Soreption.

The album “Divine Blight” comes out on November 11, 2022, and can be heard in full before its official release on Metal-Rules HERE.

Music Video – Majesty – https://youtu.be/yce26-EGFMI

Visualizer – Avarice – https://youtu.be/E2J3NnHAmsk

Lyric Video – USA ft. Petter Carlsen – https://youtu.be/7jURKrmgt0M

Track Listing:
1. Majesty – 03:46
2. Caretaker – 03:58
3. Riven – 03:51
4. En Elskovsdans – 03:10
5. The Serpent – 03:32
6. Casanova – 03:35
7. Deadlands – 04:26
8. Absence – 04:09
9. USA – 05:32 ft. gust vocals Petter Carlsen
10. Avarice – 05:33
Album Length: 41:37

Album Credits:
All songs performed by Féleth
Guest vocalist Petter Carlsen on USA
All songs written by Féleth
Produced by Féleth
Mixed and Mastered by Christian Donaldson
Assistant Engineer Jonathan Mazzeo
Album Artwork by Kahinienn Graphix

Live and Album Lineup:
Espen Dagenborg – Vocals
Thomas Nyvoll – Guitar
Alexander Stamnes – Guitar
Brage Ingebrigtsen Westgaard – Bass
Aleksander Alsen – Drums

For more info:
Facebook.com/FelethBand
Instagram.com/felethband

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““Majesty” is an exciting introduction to the differing styles and techniques that Féleth intertwine in their songwriting, drawing together ingredients from technical and melodic death metal in a white-hot rush that nevertheless is home to some bone-smashing grooves. “Avarice” puts those genre ingredients on display again, but expands the musical palette and makes the song an even ore multi-faceted and atmospheric experience. With no room to gasp a breath, the song explodes in a flurry of fleet-fingered, fret-leaping guitar work, neck-cracking drumming, and flame-throwing vocal intensity. But groaning chords and shrill, eerie melodic overtones also create dark and deleterious moods, building tension and fear. While the vocals are utterly unhinged in their madness (and doubled in the chorus for extra intensity), squirming guitar arpeggios create a different dimension of insanity, coupled with agony, and martial drum patterns and a misery-steeped closing solo add to the song’s relentless dynamism. On top of all that, the song also punches like a heavyweight fighter.” – No Clean Singing (Divine Blight 2022)

“Feleth is gaining a name for itself despite only being around for a couple of years. They are developing their sound and their technical ability rapidly and this release shows that development, especially in songwriting where they bring different elements in to add color. An excellent example of melodic/technical death metal and worth anyone’s hard-earned cash.” – My Global Mind (Divine Blight 2022)

“Depravity the newest album from Feleth is one brutal album full of riffs and hooks to keep even the most particular entertained. Feleth mix the roots of the Norwegian metal scene, with the death metal tone they strive for to create some well crafted blackened death metal, similar to that of Shadow of Intent.” – Metal Injection (Depravity 2020)

“With a melting pot of ideas, yet rooted in delivering a head-smashing and neck-destroying style of metal, Féleth are aggressive newcomers to a scene that constantly looks to surprise… Féleth deliver heavy and extreme noise so very well.” 9/10 – Games, Brrraaains & A Head-Banging Life (Depravity 2020)

“straight up heaviness and brutality, tech offerings and melodic atmopsheres, and enjoyable groove.” – Dead Rhetoric (Depravity 2020)

“Féleth: Transcends the traditional limits of the genre…” – Permafrost.today (Depravity 2020)

“9/10 “Féleth offer an edge-of-your-seat experience that is both fresh and captivating.” – Metal Inferno (Depravity 2020)

“Féleth does death metal fast and aggressive, reigning in their impressive technical chops for maximum impact, keeping their riffs (and songs, for that matter) relatively short and to the point. They strike a pretty even balance between chunky chords and caustic melodies, most of which are designed to coax headbanging than to impress with virtuosity. The album is front-loaded with catchy bangers, saving the more technical and weird bits for the latter half.” – Tolet Ov Hell (Depravity 2020)
—
ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780 | jon[@]ashermediarelations[.]com
Facebook @AsherMediaRelations | Instagram @AsherMedia | Tweet @AsherMedia
(Rockshots Records, Extreme Metal Music, Armstrong MF, Loud As Hell, Metalocalypstick, Decimate MF, Electric Highway Fest, Wacken Metal Battle Canada/USA, Hyperspace MF, Le FestEvil)

0 Out Now! Canadian Punks THE BLOODY HELL Punch Out New Album “Nobody Cares”

November 10, 2022
by Asher
· Music News · The Bloody Hell

NEWS RELEASE

Montreal, QC – November 10, 2022

Out Now! Canadian Punks THE BLOODY HELL Punch Out New Album “Nobody Cares”

L-R – The Bloody Hell – Kyle Cantfell – Drums, James Densley – Lead Guitar / Piano, Ian Kean – Guitar / Vocals, Joe Woods – Bass
Photo Credit – Ian Kean

Formed in 2017, The Bloody Hell has gotten dirtier and more polished at the same time, with the band infecting fans with their pop-cultural hooks and concepts, while the guitars keep getting louder and the vocals becoming uglier. The Bloody Hell is pretty much what would happen if George Thorogood sang for the Misfits, but all the songs were written by Tom Petty.

Super catchy horror rock songs about drinking and heartache are played at punk rock speed with a lineup that features vocalist/guitarist Ian Kean (guitar, vocals), guitarist and pianist James Densley also known from Bubbles and The Shit Rockers, the band fronted by the character Bubbles from the hit TV show The Trailer Park Boys, drummer Kyle Cantfell (Elektric Mistress), and bassist Joe Woods (Root Cellar).

Fast forward now to 2022, and these Canadian punk rockers from Halifax, Nova Scotia return in 2022 to finally release their long-awaited follow-up to their 2018 debut self-titled album. Entitled “Nobody Cares”, the sophomore full-length is out now as of November 10th. Over the last two years during the Covid pandemic, the band shared two singles and music videos, “Nobody Cares About America Anymore” and “When You’re Gone” off the record to a great reception from fans.

“The album took about 3 years to complete due to Covid restrictions, lockdown, and all the madness that was the pandemic. With this album, we feel our sound has evolved nicely from the previous record released in 2018. We have worked hard to shape our songwriting and storytelling abilities and that is thoroughly displayed over the nine tracks on this album. We are hoping that fans who loved our first album will be super excited to hear this one to see how our songwriting has progressed. And we hope that people hearing us for the first time will find something in our sound to relate to or sing along with.” adds vocalist/guitarist Ian Kean.

“Nobody Cares” features The Bloody Hell’s signature sound of raspy aggressive, catchy horror, and politically charged antics over nine tracks that clock in at just over 28 minutes. From tracks like “Hide Away” with its fast punky driving riff and slick earworm guitar lead to “Barbra” a cover of an old Canadian punk song by Vancouver legends Modernettes to even having saxophone on “G” along with added piano on “As Above” and “So Below”, punk fans will find it to be an energetic and passionate sonic experience that conveys stories from lived experiences that many can relate to.

“It’s a true story and we mean every word, hook, and note on it. We give an emotional rollercoaster for your eyes and mind with twists and turns, ups and downs. Just as life is. All the lyrics come from personal experiences whether it be a relationship failure or success, a wild story of substance abuse, or just an observation about world events. I write what I know and try to be truthful in my lyrics.” says Kean.

With a big emphasis on storytelling, so are the two music videos they released to support the album, which can be viewed below.

When You’re Gone – https://youtu.be/FjE2iDebguY

Nobody Cares About America Anymore – https://youtu.be/4QVIfLQY2Ys

Suitable for a variety of fans, The Bloody Hell cites influences ranging from Misfits, Nirvana, and Motorhead, anyone who enjoys a fun and dirty romp with a bull horn of grungy vocals.

Their new album “Nobody Cares” is available on all digital platforms and cassette as of November 10th, 2022 at https://linktr.ee/thebloodyhellhfx.

Track Listing:
1. As Above – 1:10
2. Hide Away – 3:47
3. When You’re Gone – 3:20
4. Barbra – 2:09 (Modernettes cover)
5. G – 6:00
6. Nobody Cares About America Anymore – 3:38
7. Rulers of the Night – 3:34
8. Dead to Me – 3:01
9. So Below – 1:38
Album Length: 28:20

Album Recording Credits:
• All songs performed by: The Bloody Hell
• All songs were written by: The Bloody Hell
• Produced by: Ian Kean
• Mixed by: Alex Burris
• Mastered by: Alex Burris
• Album Artwork by: James Densley
• Canadian Content (MAPL)

Album and Live Band Lineup:
Ian Kean – Guitar / Vocals
James Densley – Lead Guitar / Piano
Kyle Cantfell – Drums
Joe Woods – Bass

For more info:
Facebook.com/thebloodyhellhfx
Instagram.com/thebloodyhellhfx
Twitter.com/TheBloodyHell1

– 30 –

“Sound wise it’s very accessible, an up-tempo and fun listen that is easy on the ear and compelling to the mind, with influences that the band cite as ranging from Misfits, Nirvana, and Motorhead and it’s filled with catchy hooks and grungy raw-edged vocals, a winning combination in this particular context, it’s very broad spectrum and if you like a horror twist then it could be even more appealing to you. Lyrically the content is interestingly often ambiguous and delivered with clarity of content so you can give them your own interpretation.” – The Punk Globe (Self-Titled 2018)
—
ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780 | jon[@]ashermediarelations[.]com
Facebook @AsherMediaRelations | Instagram @AsherMedia | Tweet @AsherMedia
(Rockshots Records, Extreme Metal Music, Armstrong MF, Loud As Hell, Metalocalypstick, Decimate MF, Electric Highway Fest, Wacken Metal Battle Canada/USA, Hyperspace MF, Le FestEvil)

0 Canadian Power Metal RAVENOUS Want You To Know “The Claw Is The Law” w/ Mortal Kombat Video Game Music Video

November 9, 2022
by Asher
· Music News · Ravenous

NEWS RELEASE

Montreal, QC – November 9, 2022

Canadian Power Metal RAVENOUS Want You To Know “The Claw Is The Law” w/ Mortal Kombat Video Game Music Video

L-R: Ravenous Current Line Up
Skyler Mills (Guitar) | Dave Crnkovic (Drums) | R. A. Voltaire (Vocals) | Chris Valax (Bass) | Jake Wright (Guitar)
Photo Credit – Monika Deviat

Canadian power metal Ravenous is celebrating the one-year anniversary of their highly praised 2021 album “Hubris” with a new music video for their track “Claw is the Law” that features guest vocals, accordion, and mandolin from members of The Dread Crew of Oddwood.

The video idea came from Wolfbeard O’Brady (Reece Miller – The Dread Crew of Oddwood, Frontman) and was fully edited/animated by him in celebration of the 1 year anniversary of Ravenous’ sophomore album “Hubris” and the 30-year anniversary of the Mortal Kombat video game.

“I’ve always wanted to do a fighting game music video, and I felt like this collaboration was a perfect opportunity to rep the over-the-top everything that is ‘Claw is the Law’”. comments The Dread Crew of Oddwood’s Wolfbeard O’Brady.

The music video for “Claw is the Law” can be seen and heard at https://youtu.be/3P3E6CoF7FY

In additional news, Ravenous has also launched a Patreon campaign for exclusive content for fans from the band, such as instrumentals, shirts, tabs, discord access, and to support the Speed Metal army. For more info, please visit the following links:

Video – https://youtu.be/uOR3tVK2GCw

https://www.patreon.com/RavenousEternalHunger

Taking their performance, writing, and musicianship seriously, but allowing tongue-in-cheek humour and pop culture references to resonate through the songs, Ravenous is bringing fans anthemic tunes from a time when metal was hungry.

Their latest studio album “Hubris” was released on October 22nd and was produced by the band with mixing and mastering done by Fredrik Nordström (In Flames, Opeth, Firewind). The full-length features guests Vincent ‘Jake’ Jones of Aether Realm, Heinrich Yoshio of Aether Realm, Mathias Blad of Falconer, Nina Osegueda of A Sound of Thunder, and The Dread Crew of Oddwood (Full Band).

Bringing a full lineup of experienced musicians together, ones that have toured extensively and are fully dedicated to providing a high-energy, high-intensity live experience. Ravenous seek to inspire others to find that inner triumph and glory that drove them to form this project – whether that means starting their own band, or just finding the strength to make a change in their lives – they seek to empower their followers through every step of their journey.

Recommended for fans of Blind Guardian, Falconer, Sabaton, and Unleash the Archers.

“Hubris” was released on October 22, 2021, via Feast Beast Records for North America and Europe along with a Japanese release via Spiritual Beast Records, which included two exclusive tracks.

Album digital stream and download are available on Spotify, Ravenouseternalhunger.bandcamp.com, and Apple Music.

Previously released videos:

Animated music videos for “Die 1000 Deaths” ft. Heinrich Yoshio of Aether Realm.
English Version – https://youtu.be/uvVkYDINa-0
Japanese Version – https://youtu.be/Tz6-pmChuJ0
Lyric Video – “Astral Elixir” – https://youtu.be/iVvbuTw2veA

Track Listing:
1. Carnage in Carthage (4:37)
2. Astral Elixir (5:16)
3. Son of Storms (4:33)
4. Die 1000 Deaths (5:24) (3rd Guitar Solo by Heinrich Yoshio of Aether Realm)
5. Bridgeburner (6:10)
6. The Alder Queen (3:17) (ft. Lead Vocals by Nina Osegueda of A Sound of Thunder)
7. March of Hunger (4:47)
8. Claw is the Law (5:24) (ft. Lead Vocals, Accordion, Mandolin, and Gang Vocals by The Dread Crew of Oddwood)
9. Onwards & Upwards (4:09) (ft. Lead Vocals by Mathias Blad of Falconer)
10. …Of Beasts and Faust (10:21) (ft. Lead Vocals by Vincent Jones of Aether Realm)
Total Length 53:57
Japanese Version Exclusives
11. Cakaw Te Partiro (Bonus) – 3:13
12. 一瞬千撃 (Bonus) – 5:25
Total Length 62:34

For more info:
Ravenouseternalhunger.com
Facebook.com/RavenousE.H
Twitter.com/Ravenous_EH
Instagram.com/ravenouseternalhunger
EPK

– 30 –

“#2 on Top 30 Power Metal Albums of 2021”- Last Rites

“one to watch in the power metal scene” – Bravewords

“Calgary’s Ravenous have fused their flamboyant cross-breeding of European power metal and early ‘80s US speed metal, using it like a sharp ’n’ shiny scythe to forge their way through the crowded underground. Past accomplishments have included tours and gigs with Delain, Alestorm, Hammerfall, Striker and Powerglove with festival appearances and headliners interspersed in between. Considering all of the above, it shouldn’t come as a surprise a large part of this quintet’s musical vocabulary involved loving it speedy, epic, melodically grandiose while having a sword waving good time in the process.” – Decibel Magazine

“Ravenous aren’t afraid to put it all out there; symphonic assaults blend with all-out thrash metal, underpinned by some of the most enthusiastic power metal of the year. From start to finish Hubris is chock full of anthemic and contagious fist-pumping, head-banging songs featuring dramatic vocals and shredding solos. Power metal fans rejoice: Hubris is a worthy addition to your collection.” – Heavy Music Headquarters

“A great album of Power Metal, and even more. 9.5/10” – Metal Express Radio

“a sparkling speed metal fuelled power metal rampage, raising fists high, banging heads hard, and causing fans everywhere to roar out loud with delight. 5/5” – Metal-Roos

“a sparkling speed metal fuelled power metal rampage, raising fists high, banging heads hard, and causing fans everywhere to roar out loud with delight.10/10” – Metal Gods TV

“Hubris reminds me of early Dragonforce (the faster numbers) and Orden Ogan (the mid-paced material) though the songwriting is a notch or two below those bands currently. This is a solid second album from Ravenous, who display significant upside, and fans of the aforementioned bands will want to give it spin. 3.75/5” – The Metal Crypt

“Ignoring Ravenous E.H. would be as foolish as turning your back on Arya Stark” – Tinnitist

“Ravenous is not your squeaky clean, hyper-active, frilly shirts with puffy sleeves, keyboard-driven, ballerina, musical-box type of Power Metal, but more your mud and blood and grime with style” – Metal Rules

“A power metal album with enough to the longstanding traditions that makes the style fun and exciting for those who crave melodies and hooks” – Metal Observer
—

ASHER MEDIA RELATIONS

Jon Asher – Music Publicist
#.514.581.5780
jon[@]ashermediarelations[.]com
Facebook @AsherMediaRelations
Instagram @AsherMedia
Tweet @AsherMedia

0 Canadian Extreme Thrashers KORROSIVE To Unleash New Album “Toxic Apokalypse” On Cassette / CD / Vinyl via CDN Records

November 9, 2022
by Asher
· Korrosive · Music News

NEWS RELEASE

Montreal, QC – November 9, 2022

Canadian Extreme Thrashers KORROSIVE To Unleash New Album “Toxic Apokalypse” On Cassette / CD / Vinyl via CDN Records

New Video “Radioaktive Scourge”

Canadian thrashers Korrosive announce they will be unleashing CDs, cassettes and vinyl of their latest album “Toxic Apokalypse” via CDN Records. CDs will be due out on November 18th, with cassettes and vinyl for release in 2023 (release to be announced at a later date). The full-length was released digitally on October 7th of this year.

Korrosive is from Toronto, ON that is in your face, unapologetic, and is definitely one that offers a high-octane headbanging experience, unlike anything you’ve heard before as they explore and push the boundaries of thrash metal with extreme influences.

“We want to be a thrash metal band that combines the elements of thrash in its roots, but also breaks down walls by incorporating various influences from grind and death, or whatever comes to mind to mix it up.” says vocalist Rad Zarei.

Their new album “Toxic Apokalypse” follows their first full-length 2021’s “Kaustic Hordes” and the 2019 EP “Melting from Within”. Featuring eight assaulting bangers, each song on the album is quite different in a way from each other, and yet, still uniquely Korrosive. They push each track with speed and extremity, from ‘Fatal Strike’ that has a ton of blast beats and solos, yet is still unmistakably thrash, to ‘Radioaktive Scourge’, filled with pure aggression, unlike anything they’ve released before. From its speed, the lyrics, and the sheer intensity, this song may be the shortest track on the record, but makes the largest impact and it’s over before you know it. And also strongly recommended is ‘Hail the Hellfire’, perhaps the band’s anthem to the entire “Toxic Apokalypse” album. Written as a reflection of the period when the full-length was being composed, this track discusses the brutality of war and the end result of each and every individual involved in its cause, regardless of side.

The band adds:

“Diabolical, fast, unforgiving armageddon. From slow passages, mid-tempo bangers, hyper-fast blast beats, and the occasional odd-time signature, it’s a ride in extreme thrash unlike anything before. Toxic Apokalypse is an album that will hit you hard, fast, and leave you with a ‘what the f*ck just happened?’ feeling.”

Lyrically, the music sets the overall tone for how the lyrics are written and substance. Songs deal with topics of science fiction, armageddon, and “what if” scenarios. The album art was created by the infamous Ed Repka (Dark Angel, Death, Hirax, Megadeth, Suicidal Angels, Venom).

“Typically, the way we write songs is to have each song done or be in the middle of the writing process, and I would create something out of that. It is rare for us that lyrics get written first before the song is made,” adds Zarei.

One thing that the mosh pit can always expect from Korrosive is the energy they bring to their shows.

“I always think of a show, regardless of venue, as a performance that is meant to capture the crowd. And as a band, Korrosive always exudes that level of intensity during our shows.”

Recommended for fans of Sodom, Kreator, Death, and Sepultura, “Toxic Apokalypse” was produced by Ben Erikson with mastering done by Arthur Rizk (Power Trip, Kreator, Cro-Mags, Municipal Waste, Soulfly).

Lyric Video – Radioaktive Scourge – https://youtu.be/9YZc6iJwsLM

CD and cassette pre-order is available at the following links:

CD – https://cdnrecords.com/shop/korrosive-toxic-apokalypse/

(CD / Cassette) – https://korrosivemetal.bandcamp.com/album/toxic-apokalypse

Vinyl pre-order link to be issued at a later date.

Spotify

Track Listing:
1. Into Nekropolis 05:28
2. Radioaktive Scourge 01:48
3. The Goddamned 04:47
4. Fatal Strike 03:28
5. Libertad y Muerte 05:15
6. Infernal Onslaught 05:10
7. Hail the Hellfire 04:20
8. Karnage Incarnate 07:39
Album Length (37:55)

Album Credits:
• All songs performed by: Korrosive
• All songs written by: Korrosive
• Produced by: Ben Erikson
• Mixed by: Ben Erikson
• Mastered by: Arthur Rizk
• Album Artwork by: Ed Repka
• Music is Canadian Content (MAPL)

Album and Live Band Lineup:
Rad Zarei – Vocals
Jack Neila – Guitars
Kaveh Afshar – Drums
Derek Solomos – Guitars
Carlos Rodriguez – Bass

For more info:
https://www.facebook.com/korrosivethrash
https://www.instagram.com/korrosivethrash

– 30 –

“If you like your thrash metal with a little San Francisco and a nice helping of Germany, then this is the album for you. “Toxic Apokalypse” is already out on CDN Records from Canada and it’s a must for any metal fan who likes it hard, nasty, and ripping off heads! This is easily in my top five metal albums of 2022.” – Pete Altieri, Murder Metal Mayhem

“It’s an album which is relentless, something that any self-respecting thrash fan would want. And yet, there is some balance to the album. It’s paced well, with the tempo picking up again at the tail end of the album” – UK Thrashers

0 Canada’s RED CAIN Pay Homage To Wheel Of Time With Music Video For Commanding New Single “Fisher King”

November 9, 2022
by Asher
· Music News · Red Cain

NEWS RELEASE

Montreal, QC- November 9, 2022

Canada’s RED CAIN Pay Homage To Wheel Of Time With Music Video For Commanding New Single “Fisher King”

L to R: Samuel Ridout (guitar), Tyler Corbett (guitar), Evgeniy Zayarny (vocals), Kalie Yan (bass, vocals), Taylor Gibson (drums)

Red Cain, from Calgary, Canada is a modern progressive metal project with Eastern European roots. They have been making waves since their first release in 2016, with award-winning concept albums and music videos. The next chapter in their ongoing saga is a music video for the single “Fisher King” that conceptually takes place in the universe of the legendary Wheel of Time fantasy series. It comes off a yet-to-be-titled album that is expected sometime next year. The band comments on the single:

“’Fisher King’, was written in its original form over 10 years ago, long before Red Cain’s existence as a band – so it was an extremely cool experience to go back to this old track, rewrite, and revitalize it to fit our sound. Much like our upcoming album, “Fisher King” keeps the quintessential Red Cain “melancholy and rage” but takes the death metal influences from “Kindred: Act II” even further, featuring a huge growl-centric chorus, a variety of down tuned, sludgy riffs, and gripping, raw vocal hooks and melodies.”

Red Cain’s first two full albums, “Kindred: Act I” and “Kindred: Act II” conceptually told a sprawling story of how raw and primal ancient myth collides with modern society and human yearning toward the stars, toward perfection. The albums contained a ton of genre inspirations, from gothic rock to ambient electronica, power, black, and death metal, and were universally lauded for their inventiveness, variety, and strong conceptual content. They continue this momentum with their upcoming release.

“Fisher King” is unsettling, bombastic, and unrelenting, this track showcases a musical and lyrical contest of wills between the “Chosen One” archetype, and his antithetical, flawed, yet lethal opponent caught in his unrelenting march. It is recommended for fans of Kamelot, Mastodon, and Powerwolf.

Watch and listen to “Fisher King” via its premiere on Metal-Rules HERE.

Red Cain is:
Evgeniy Zayarny – Vocals
Samuel Ridout – Guitars
Tyler Corbett – Guitars
Kalie Yan – Bass, Vocals
Taylor Gibson – Drums

For more info:
https://redcain.ca
https://www.facebook.com/redcainofficial
https://instagram.com/redcainarmy
https://redcain.bandcamp.com
Spotify

About:

Melancholy and Rage

Born out of the vast prairies and snowy peaks of Alberta, Canada, Red Cain is a modern progressive metal project with Eastern European roots. With intricate songwriting, powerful vocals, eerie soundscapes, and strong electronic-backed groove, Red Cain champion a fluid, dynamic, and unique style centered around telling dark, conceptual Faustian sagas and constructing those into an unforgettable live experience. Described by frontman Evgeniy Zayarny as a vehicle of “Melancholy and Rage”, Red Cain delivers power, flair, thematic Slavic influence, and intricate, lethal edge in their work. Listeners might well pick out elements reminiscent of such luminary acts as Kamelot, Symphony X, Tesseract, Lord of the Lost, whipped into a venomous new shape. The current incarnation of this Canadian metal band is of these influences mixed with a lot of vodka and Eastern European melancholy, shaken and stirred.

Red Cain self-released its debut self-titled EP in North America in 2016 to excellent reviews, and followed this up with two award-winning full-length albums, “Kindred: Act I” in 2019, and AFA-funded “Kindred: Act II” in 2021, working with Sliptrick Records globally to have over 3500+ physical copies sold, as well as over 200,000 digital streams to date. The band has hit #1 on the Canadian National Loud Charts on multiple occasions and is a 1x winner and 3x nominee for the Metal Recording of the Year at the YYC Music Awards.

The band has created 13 videos, of which 2 are full-length, high-production music videos for “ZERO” and “Juliet”. The latter two videos have won 17 awards at international music festivals, including the Berlin Short Film Festival, Venice Shorts, Global Shorts, IndieX FilmFesti, AIFF, and Hollywood Art & Movie Awards, among others. The band has a strong history of collaboration, with a highlight being our work with Juno Award-winning vocalist Kobra Paige of heavy metal band Kobra and the Lotus, on the track “Wing of the Crow”.

Red Cain released our latest album “Kindred: Act II” globally with Sliptrick Records in 2021, with a particular focus on promotion and engagement in the United States and Eastern Europe, where the band has received significant traction in 2020-21. With live performances stunted by COVID, the band has focused strongly on building out the concept behind the two-album “Kindred” arc with non-musical collateral, creating story content and custom art for the album concept.

With a significant upward trend of fan interest for this release, and 100,000 + digital streams, Red Cain has our set sights firmly set on another ambitious and conceptually exciting project, with the next release cycle coming in late 2022 with the first single “Fisher King”.

– 30 –

What the press is saying:

“This is a track (Sunshine (Blood Sun Empire) that infuses their progressive and power metal sound, similar to that of Symphony X and Kamelot. Alongside this, there are also faint similarities to bands like Dream Theater and even Korn. This is a nearly 6 minute track that doesn’t let up and doesn’t fear to change up its style throughout.” – Metal Injection

#10 Red Cain !earshot – The National Loud Chart For the Week Ending: Tuesday, February 9, 2021 (Earshot)

“From the proggy goodness of album opener “Kindred”, to the blast beats of “Baltic Fleet”, to the epic closer “Sunshine (Blood Sun Empire), there is something here for every fan of progressive power metal. With this being Act II in Red Cain’s Kindred body of work, I really feel as though I entered a movie theater right in the middle of an epic saga. Each song is a journey in and of itself, but each also contributes to the overall fantastic voyage. I will absolutely be purchasing Act I of this amazing tale and listen from start to finish, the way it was intended. Do yourself a favor and do the same!” – Metal Rules

“If you like your music melodic, mysterious, and gothic, with a progressive power metal base, then this is for you. This has been a joy to review and yet another band to add to my favoured list. ” – The Prog Space

“Zayarny is a powerhouse vocalist and the contortions he forces into Red Cain make for a very diverse record.. the talent behind the record is undeniable, and at the very least, Kindred proved far more creative and thought-provoking than most death metal records I’ve recently tackled. You should give it a shot — even if you’re not a big weenie..” – Angry Metal Guy

“Overall, ‘Kindred: Act II’ is an interesting mix of styles that combine together in technical wizardry to set the backdrop for the continued tales of the warrior Zalcoatl. There’s some unexpected musical influences that bubble to the surface, particularly the liberal use of electronic elements provides a futuristic, yet gothic, element to the tales. Vocally, there’s some clear inspiration from Kamelot going on here. They’re predominantly clean, but with a wide range between high pitched and deep passages. The guitar work is pretty varied as well and at times even hits a distinctly djent groove that seems to appear out of nowhere!… Fans of Kamelot and Mastodon alike will find some common ground with ‘Kindred: Act II’ (and Act I for that matter).” – Uber Rock

“These seasoned metal performers brought me to school with a clear cut album, delivered beautifully across seven tracks. The epic highs and lows of the album leave me wanting more… My hat is off to RED CAIN!” – Metal Temple

“With a flurry of progressive guitars, grandiose vocals and intriguingly wild effects, Red Cain burn brightly from the very start with the opening track, Kindred.” – Games, Brrraaains & A Head-Banging Life

0 Halifax’s KILMORE Summons The “Tempest” To Introduce Their Forthcoming EP “From the Inside” Coming 2023

November 8, 2022
by Asher
· Kilmore · Music News

NEWS RELEASE

Montreal, QC – November 8, 2022

Halifax’s KILMORE Summons The “Tempest” To Introduce Their Forthcoming EP “From the Inside” Coming 2023

L-R: Killmore – Jon MacIsaac (Drums), Dan Doran (Guitar), Neil Spence (Bass), Heather Harris (Vocals/Guitar)
Photo Credit – Kayla Macaulay Photography

Halifax, Canada’s Kilmore create a brand of soulful psychedelic stoner rock as a yearning for expression and escapism. Their musical endeavors see them unearthing the realities of life through sounds and wanting to create something new. Featuring magnetically emotive passages contrasted against assaults of groove-forward aggression, the band conveys themes surrounding rebirth, love, hate, frustration, understanding, and the search for truth to permeate their darker-edged sonic palette.

Today, the quartet unveils their latest single “Tempest” accompanied by a music video, which will be featured on their forthcoming EP “From the Inside”, which follows their East Coast Music Award-nominated 2015 EP “City Lights”, and 2018 LP “Call of the Void”, which won the “Loud Recording of the Year”.

Vocalist and guitarist Heather Harris explains the single:

“We planned to have six tracks on our next EP, and ‘Tempest’ was one of the most unyielding to nail down, it took us a while to get the groove of it. To me, it sounded transcendent but chaotic, like a tempest rising. We thought it would be a good first introduction to ‘From the Inside’ as it has a groovy progressive feel.”

“Tempest” is about someone coming into your life like a hurricane. Harris experienced this while welcoming her son into the world, a world that seemed so disrupted at the time. The song speaks of a vigorous figure finding its place in a hectic world while shining brightly through the darkness.

“Tempest” is one of many songs that Kilmore had worked on over the past couple of years while being locked down during the pandemic.

“We have grown a lot musically with each record we have released. ‘City Lights’ was more rock-influenced, ‘Call of the Void’ swayed more in the metal, stoner rock realm, and our upcoming EP ‘From The Inside’ brings both elements.” adds Harris.

“From the Inside” will be a form of groovy, psychedelic rock with metal components. Lyrically, it was written at a time of disarray around the world with internal struggles as well. During its writing process, Heather Harris became a new mother and was searching to find her place in a new reality, which speaks loudly in the vocal and lyrical emotions on the EP. Fans will find themes of destruction while others of hope, each song has its own substance and identity.

“We worked with producer Jon Landry (The Stanfields) who is a seasoned songwriter himself and he really brought in a unique perspective to the songs. We recorded the whole EP in our basement studio which gave us the time needed to craft each song and bring life to the recordings. Musically, some songs came out easier than others, and some needed more time to capture the essence we were looking for. When I wrote the lyrics, the themes were formed from the emotions I felt from the music. This was an intense time for me with the world seeming so unpredictable and disorganized, there were a lot of feelings brewing inside. This comes across in the lyrics and artwork for the album.” says Harris.

More songs will be revealed in lead up to the 2023 release of their EP “From the Inside’.

Watch and listen to “Tempest” at https://youtu.be/PDwLKegFKh4

Digital – https://linktr.ee/kilmore

Kilmore finds its roots deep in influence from two siblings who immigrated from Newry, Northern Ireland at an early age to Vancouver, BC, and eventually to Halifax, Nova Scotia. Two new Canadians growing up in the nineties, finding their musical diet of grunge to surpass the time.

Fast forward to 2013, sister and brother Heather Harris (vocals, guitars) and Dan Doran (guitars) formed with the addition of Neil Spence (bass) and Lor Sangster (drums) to the original lineup. Sangster was later replaced in 2019 by Jon MacIsaac (drums) from local bands Chosen Lung, Burdened, Earth Alter to complete the current lineup.

Dark, aggressive, brawny, and haunting, Kilmore is recommended for fans of Royal Thunder, Baroness, Windhand, and The Damn Truth.

(Artwork by Stephen MacDonald)

For more info:
https://kilmore.ca
https://www.facebook.com/kilmoreband
https://www.instagram.com/kilmoremusic

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Earshot Top 200 – Kilmore – Call The Void – #118 – July 2018 (Earshot)

“INFECTIOUS MELODIES WITH VOCALS TONED TO PERFECTION, INCREDIBLE MUSICIANSHIP WITH HIGH PRODUCTION VALUE, CATCHY HOOKS, METALLIC EDGE, AND INSATIABLE GROOVE.” – THE RIPPLE EFFECT

“Call of the Void, the riffs are relentless as the band channels gloom through minor chords…The spirit of darkness breathes through the lyrics as Kilmore reminds us rock is alive and well.” – The Coast

“the heavy and bluesy sounds really drive home those themes of reckless behaviour and dark feelings… The band effectively portray their intended emotions and messages to the listener through their music while providing them with something to bang their head—or groove—to.” – The East Magazine

“The opening title cut begins City Lights with brawny, distorted guitar licks, steadily pounding drums and wailing vocals akin to classic rock radio. This sets the tone for the four-piece’s muscular sound, as tracks like “Rising Sun” and “Weight of the World” are similarly stuffed with meaty riffage, while “Peace of Mind” is slightly more restrained and slow-burning. The curveball is “Younger Years,” which ventures into a folk rock direction with its acoustic strums.” – Exclaim!

#8 on This Week’s Top 11 Playlist: 08 April 2016 – A Journal of Musical Things – Alan Cross (Kilmore, City Lights, City Lights EP)

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