Category: Music News

0 Montreal Tech-Death VOLUBILIS Unleashes Its Next Sci‑Fi Epic With New Single “Le Flamboiement Stellaire” From Debut Album “Theasterion” Out July 2026

June 19, 2026
by Asher
· Music News · Volubilis

NEWS RELEASE

Montreal, QC – June 19, 2026

Album Download HERE (for media use only)

Montreal Tech-Death VOLUBILIS Unleashes Its Next Sci‑Fi Epic With New Single “Le Flamboiement Stellaire”

Debut Album “Theasterion” Out July 2026

L-R – Shawn Hillman (Fretless bass) | Miguel Marcheterre-Pina (Guitar) | André Dubien (Vocals)

Photo Credit – Jade Weeles & Miguel Marcheterre-Pina

Montréal’s rising technical death‑metal force Volubilis announces the release of their second single, “Le Flamboiement Stellaire,” the follow‑up to their first single “Ashes & Embers” and the latest preview of their upcoming debut conceptual full‑length “Theasterion,” arriving July 10th, 2026.

Founded in 2020 by Afro‑Canadian multi‑instrumentalist and world‑builder Miguel Marcheterre‑Pina, Volubilis has evolved from a pandemic‑era bedroom project into one of Canada’s most promising new progressive and technical metal acts. Joined by André Dubien (vocals), Jacob Collins (drums), Alexis Rioux (guitar), and Shawn Hillman (fretless bass), the band has quickly gained recognition for its intricate musicianship, ambitious storytelling, and immersive sci‑fi universe.

“Le Flamboiement Stellaire” serves as the album’s opening chapter, both musically and narratively. Written with the intention of becoming a tech‑death anthem, the track explodes with prestissimo riffing, melodious solos, and relentless blast beats. It is also the only song on the album written in French, grounding the band’s conceptual universe in Québec’s metal identity.

“Le Flamboiement Stellaire was written to purposefully become a metal hit. With prestissimo, intricate riffs, melodious solos and blasting drums, the song is an homage to tech‑death’s best acts. We insisted on writing lyrics in French to make it a veritable testimony of Québec’s vernacular metal,” says Miguel Marcheterre‑Pina

Lyrically, the single introduces the prophecy at the heart of “Theasterion”, the foretelling of a catastrophic supernova, the political fracture it creates within a human colony, and the mercenaries who flee to the hostile planet Theasterion in search of survival.

Listen to “Le Flamboiement Stellaire” at the following links:

Lyric Video – https://www.youtube.com/watch?v=n_DXs3fYcgw

Add to your Spotify Playlist – https://open.spotify.com/track/4KEBCN1yM2mLJwp9ME6GF4

A sweeping sci‑fi epic told through six tracks, “Theasterion” blends technical death metal, progressive structures, neoclassical flourishes, and cinematic world‑building. The album explores humanity’s collapse, interplanetary survival, and the enigmatic Homo Cumulus, an anthropoid species native to Theasterion.

Musically, the record pushes Volubilis’ songwriting into more complex, immersive territory, with influences ranging from Beyond Creation, Vale of Pnath, and Obscura to Ne Obliviscaris and neoclassical composition.

Album pre-order / pre-save available at the following links:

Digital pre-save – https://distrokid.com/hyperfollow/volubilis1/theasterion

Bandcamp – https://volubilisband.bandcamp.com/album/theasterion

Track Listing:
1. Le Flamboiement Stellaire (5:16)
2. Theasterion (6:30)
3. Homo Cumulus (5:48)
4. Ashes & Embers (4:50)
5. The Prism (4:01)
6. Unukhalai Supernova (6:24)
Total Album Length: 33min

Album Band Line-up:
Miguel Marcheterre-Pina – Rhythm, lead and acoustic guitars, composition, concept art, lyrics.
Shawn Hilman – Fretless Bass, Contrabass
André Dubien – Vocals, lyrics on songs 03 & 06.
Jacob Collins – Drums
Alexis Rioux – Guest solos on songs 01, 02, and 03.
Michelle Gao: Violin, viola on song 06

Live Band Line-up:
Miguel Marcheterre-Pina – Guitar, backing vocals
Shawn Hilman – Fretless Bass
André Dubien – Vocals
Jacob Collins – Drums
Alexis Rioux – Guitar

More info:

https://bio.site/volubilis

https://www.facebook.com/profile.php?id=100093419962099

https://www.instagram.com/volubilisband/

About: Volubilis is a Montréal‑based technical death metal band founded in 2020 by multi‑instrumentalist Miguel Marcheterre‑Pina, originally conceived as a pandemic‑era solo project. It soon expanded into a full lineup featuring André Dubien, Jacob Collins, Alexis Rioux, and Shawn Hillman, quickly establishing itself as one of Canada’s most promising new extreme‑metal acts. After releasing their first single, “Ashes & Embers” in 2025, the band now returns with their ambitious conceptual debut album, “Theasterion.” Defined by colossal blast beats, monstrous vocals, and sweeping harmonies, their sound delivers a fresh and immersive take on progressive and technical metal. Rooted in a self‑created sci‑fi universe and driven by world‑class musicianship, Volubilis push extreme metal into bold new artistic territory.

Volubilis has received support from FACTOR and Concordia University’s FASA.

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0 STAGES OF DECOMPOSITION Unleashes New Music Video “Drilling Of The Cerebellum” + LA Show Date w/ DEVOURMENT and more!

June 18, 2026
by Asher
· Music News · Stages of Decomposition (Gore House Productions)

NEWS RELEASE

Montreal, QC – June 18, 2026

STAGES OF DECOMPOSITION Unleashes New Music Video “Drilling Of The Cerebellum”

LA Show Date June 21st w/ DEVOURMENT and more!

Los Angeles death‑grinders Stages of Decomposition have dropped a brand‑new music video for “Drilling Of The Cerebellum”, the opening track from their latest full‑length album “Raptures of Psychopathy,” out now via Gore House Productions.

Since erupting onto the scene with their acclaimed debut “Piles of Rotting Flesh,” Stages of Decomposition have carved out a reputation for sadistic, unrelenting brutal death metal and a relentless touring schedule. With “Raptures of Psychopathy,” the band pushes deeper into the darkest corners of human depravity, crafting a concept album rooted in horror, psychological distortion, and the grotesque realities of the human mind.

The band shares:

“Raptures of Psychopathy captures the minds of the psychotic, something all humans can relate to in one way or another. We all carry aggression, and for us, music is the release. This album defines the raptures we experience when going through our own psychopathies.”

The album’s opening track, “Drilling Of The Cerebellum,” offers a disturbing glimpse into the mind of serial killer Jeffrey Dahmer, setting the tone for the album’s descent into psychological horror. The new music video amplifies that narrative with imagery and pacing that mirror the song’s frantic riffs, inhuman drumming, and cavernous gutturals.

Watch the video at https://www.youtube.com/watch?v=yhdhRMFKgBk

Across the album’s eleven tracks, Stages of Decomposition explores a wide spectrum of horror, from serial killers to possession, mob mentality, and human extinction. Each song embodies a specific psychopathic narrative, delivered through frantic riffing, merciless blast beats, and guttural vocal savagery.

Recommended for fans of Kraanium, Suffocation, Mortician, and anyone who craves slamming, gore‑soaked brutality.

“Raptures of Psychopathy” (released February 2, 2024) is available on CD, Cassette, and all digital platforms – https://orcd.co/raptures-of-psychopathy

In additional news, Stages of Decomposition will be performing in Los Angeles on Sunday, June 21st at 1720 alongside death metal legends Devourment, Mortiferum, Civerous, and Mortal Wound. Event details at https://www.facebook.com/events/1275326321226596

Track Listing:
1. Drilling of the Cerebellum – 4:59
2. What Lies Within – 3:10
3. Beast of Jersey 2:42
4. Killing Under Possession – 3:36
5. Murder by Proxy – 3:26
6. Skid Row Slasher – 3:36
7. Carve out the Eyes – 2:37
8. Fetal Devourment – 3:04
9. Crawl Space Burial – 3:12
10. Human Extermination – 3:46
11. Mass Psychosis – 2:09
Album Length: 36:19

More info:

https://gorehouseproductions.com/

https://www.facebook.com/StagesofDecomposition

https://www.instagram.com/stagesofdecomposition_official

-30-

“Listen to it because it contains quality and can easily be your new favorite band” – Dark Souls United

“Raptures of Psychopathy provides you with a savage dose of primitive death metal chocked full of pummelling brutal riffs and harsh guttural vocals. If you like your death metal with a layer of grit that you can scrape off with a knife then this is for you.” – The Razor’s Edge

“Seriously, you have to love how ‘matter of fact’ this album is. How straightforward and unsophisticated Stages of Decomposition are. It takes some serious talent to make a listener pay this much attention when they’re being f**ked up vigorously by the music. What more do you want to hear? There’s no point going into detail about each and every track as it’s a non-stop barrage of wickedness. There is a ton of talent in this band and for all its brutality, it does deliver compelling death-grind noise. The personification of extreme in ways that few will be prepared for. Don’t be surprised if you find yourself bleeding from every orifice come the end, if you do manage to make it that far.” – Games, Brrraaains & A Head-Banging Life

“On their new album Raptures of Psychopathy, Stages of Decomposition lean into the most violent and punishing aspects of their sound, and we have a prime example in the new album track we’re presenting today, along with a blood-spraying video… The song’s name is “Skid Row Slasher”. It’s based on true stories of serial killers, both of whom preyed on the homeless population of L.A…. The music is itself undeniably, and viciously, psychotic. The riffing is fast and frenzied, corrosive and cutting, and utterly crazed. The drums clatter at high speed, like automatic weaponry with a groove. The bass slugs like a heavyweight high on adrenaline. Equally rabid, the vocals expel raw guttural roars, crazed screams, and strangled gagging and gurgling excretions. It’s all macabre, and it’s all viscerally electrifying. But the band also make room for pulverizing slams capable of splitting concrete. It’s a kick to watch the band cut loose in the video, too, and of course there will be blood….” – No Clean Singing

“If you like Brutal Death, you’ll love Raptures of Psychopathy. Why should you? Stages Of Decomposition takes all the elements of this style and aligns them under a thick greasy Old School mix, nothing more, nothing less!” – Acta Infernalis

“three quarters of an hour of the most violent death metal, with the desire to break necks at all costs! It’s not kidding, it’s trying to make Cannibal Corpse look like choirboys and it vomits eleven explosions at us with all the bile, pus and of course blood inherent to the genre!” – Soil Chronicles

“This is pure bang your head ‘till it pulps music. From growling guitars to smash the kit into pieces drumming, then snarling vocals, and a horror tinge (as we’ll see). It’s only right that they’re signed to Gorehouse Productions… Stages of Decomposition are tight, they can be felt as well as heard. The album (Piles of Rotting Flesh) is consistent with no weak moments. You will bleed, this will hurt. For proof check the official video below.” – Severed-Cinema

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0 TONIC BREED Unleashes “Name Dealer” EP ft. guests from Whitesnake, Flotsam and Jetsam, Five Finger Death Punch, ex-Lamb of God, ex-Megadeth

June 18, 2026
by Asher
· Music News · Tonic Breed

NEWS RELEASE

Montreal, QC – June 18, 2026

TONIC BREED Unleashes “Name Dealer” EP ft. guests from Whitesnake, Flotsam and Jetsam, Five Finger Death Punch, ex-Lamb of God, ex-Megadeth

Tonic Breed, the long‑running Norwegian thrash and heavy‑metal project led by Patrik K. Svendsen, returns in 2026 with its most ambitious and star‑studded release to date: the new EP “Name Dealer”. Reinvention has always been at the heart of Tonic Breed, and this EP pushes that ethos further than ever, bringing together an elite roster of guest musicians whose contributions elevate each track into its own distinct sonic world.

The EP features performances from Tommy Aldridge (Whitesnake, Ozzy Osbourne), Joel Hoekstra (Whitesnake, Trans‑Siberian Orchestra), Chris Adler (ex‑Lamb of God, ex‑Megadeth), Michael Gilbert (Flotsam and Jetsam), Charlie Engen (Five Finger Death Punch, Scale The Summit), and producer/mixer Adrian Bjerketvedt, along mastering by Steve Kitch except for track 3 “Anew” mixed and mastered by Gene “Machine” Freeman, “Name Dealer” stands as Tonic Breed’s most diverse, dynamic, and collaborative work yet.

“Name Dealer is the second EP in the new Tonic Breed format, where guests are invited to perform on the tracks. The first two songs were released last year, and the EP was completed with an additional two songs on June 10th. I’m extremely happy with the quality of the songs and the musicians involved in the process. This EP experiments with everything from the old recipe while adding new layers such as orchestration and different songwriting approaches. The quality of the deliveries from everyone involved is beyond my expectations. Everything from the musical contributions from the guests to the mixing and engineering process in the final stages of the song creation has exceeded what I hoped for,” says Svendesen.

Across its four tracks, the EP showcases the full spectrum of Tonic Breed’s identity: thrash roots, melodic depth, emotional storytelling, and the unmistakable fingerprints of world‑class guest performers.

The EP opens with a track that wastes no time establishing its intensity. Title track “Name Dealer” hits immediately, fast, sharp, and unrelenting, yet anchored by a rare melodic hook in the chorus, something not typically associated with Tonic Breed’s catalogue. The song is elevated by the powerhouse duo of Tommy Aldridge on drums and Joel Hoekstra on guitar, whose performances bring a level of precision and fire that Svendsen describes as exceeding all expectations. Their involvement marks a milestone collaboration for the project, adding both prestige and unmistakable character to the track.

The second track, “Close In,” featuring Charlie Engen on drums, shifts into a more expansive emotional space. Musically, it’s a layered semi‑ballad; clean passages, heavy surges, harmonies, choirs, and orchestration intertwine to create the most dynamic arrangement Svendsen has ever crafted. Lyrically, the song explores the long‑term weight of loss, not just the moment of impact, but the lingering emotional gravity that follows. It’s a deeply personal piece, balancing vulnerability with power.

A high‑octane eruption of riffs and rhythmic force, “Anew” features Chris Adler, whose unmistakable drumming reshaped the song from the ground up. Originally built from a rough demo, the track evolved through collaborative restructuring, with Adler taking the lead in forging a more unique and effective arrangement. For fans of Adler’s signature style, this track delivers in full; Svendsen calls it the most Lamb of God‑esque performance he’s heard from Adler since his time in the band. It’s a rare opportunity to hear Adler’s drumming behind someone else’s riffs, and the result is explosive.

Closing the EP is a pure thrash assault, direct, sharp, and free of filler. “The Die Is Cast” channels the spirit of ’80s thrash while weaving in touches of melody and atmosphere. Lyrically, it paints the image of a once‑mighty war machine lying broken among the wreckage of others like it, its silence heavy with the memory of destruction. The track features Michael Gilbert, whose presence ties the song directly to the era and genre that inspired it. His contribution adds authenticity and weight, making this a standout moment for longtime thrash fans.

Tonic Breed began in 2006 as a four‑piece band from Sarpsborg, Norway, but since 2019 has evolved into a one‑man project driven by Svendsen’s vision and a rotating cast of elite collaborators. Over the years, Tonic Breed has worked with some of metal’s most respected musicians, including Dirk Verbeuren (Megadeth), Bernt Jansen (Artch/Wig Wam), Björn Strid (Soilwork), Martin Skriubakken (Endezzma), Oliver Palotai (Kamelot), and “Name Dealer” continues that tradition with its most impressive lineup yet.

Listen to “Name Dealer” (released June 10th, 2026) at the following links:

Add to your Spotify playlist – https://open.spotify.com/album/1bMoNWS8EiuLAD2NDrurnj

Music Videos:

Name Dealer – https://www.youtube.com/watch?v=etvT8PAeRAU

Close In – https://www.youtube.com/watch?v=9-S1fQgYR0A

Anew – https://www.youtube.com/watch?v=wx-8n9qs5cY

The Die Is Cast – https://www.youtube.com/watch?v=mAC4_K0Sqko

Track Listing:
1. Name Dealer ft. Tommy Aldridge (drums), Joel Hoekstra (lead guitars) – 3:48
2. Close In ft. Charlie Engen (drums), Adrian Bjerketvedt (guitars and lead guitars) – 5:45
3. Anew – Chris Adler (drums) – 3:31
4. The Die is Cast ft. Michael Gilbert (guitar solo) – 3:31

For more info:
https://tonicbreed.com
https://facebook.com/tonicbreed
https://instagram.com/tonicbreed

About Tonic Breed:
Tonic Breed is a Norwegian thrash and heavy metal one-man music project by Patrik K. Svendsen. Until 2019, Tonic Breed was originally a four-piece band, established in Sarpsborg, Norway, in 2006. As of 2022, Tonic Breed has released three albums and one EP. Today, Tonic Breed is constantly reinventing itself in songwriting and guest collaborations, which already include Chris Adler (Lamb of God), Dirk Verbeuren (Megadeth), Björn Strid (Soilwork), Michael Gilbert (Flotsam and Jetsam) and Charlie Engen (Five Finger Death Punch, Scale The Summit, Idealogy).

Discography:
-2026 – Name Dealer (EP)
– 2026 – Name Dealer (single) (ft. guest drums Tommy Albridge (Whitesnake, Ozzy Osbourne) and guest guitar Joel Hoekstra (Whitesnake, Trans-Siberian Orchestra))
– 2026 – Close In (single) (ft. guest drums Charlie Engen (Five Finger Death Punch, Scale The Summit, Idealogy)
– 2025 – Anew (single) (ft. guest drums Chris Adler (Lamb of God)
– 2025 – The Die Is Cast (single) (ft. guest guitar solo Michael Gilbert (Flotsam and Jetsam)
– 2025 – The Charge (single w/ Darkroot)
– 2024 – Outsold – LP – 10th Anniversary Edition
– 2022 – Fuel the Fire – EP (ft. guests Dirk Verbeuren (Megadeth), Bernt Jansen (Artch/Wig Wam), Björn Strid (Soilwork), Martin Skriubakken (Endezzma), Oliver Palotai (Kamelot)
– 2018 – Install Memory – LP
– 2014 – Outsold – LP
– 2010 – On the Brink of Destruction

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“The new EP, “Name Dealer” from Tonic Breed (Patrik Svendsen) just landed and it’s a monster. Leading the way is the title track single which features guest appearances from rock legends Tommy Aldridge (Whitesnake, Ozzy Osbourne) on drums and Joel Hoekstra (Whitesnake, Trans-Siberian Orchestra) on lead guitar. We gave it a spin and it’s like sticking your face in a furnace with mean riffs, a driving snare, rolls a-plenty, deep hooks, a blistering guitar solo and nice slicing vocals. ‘Name Dealer’ unfolds as an unforgettable heavyweight of modern metal from three dudes that have been at this game quite a while and know what it takes to bring it, and then some. Catch Tonic Breed on your Home for the Best New Rock…W-J-O-EEEE” – WJOE – Findlay’s Home for Rock & Roll

“This is a collection of songs you need to hear, so what are you waiting for? [8/10]” – Metal Noise (2022 – Fuel The Fire)

“The guest musicians really came together on this EP, it’s real luxury material. In short, it is a great return of Patrick as he has been throughout his career with Tonic Breed. If you are fans of Metallica, Testament, Pantera or Slayer, listening to «Fuel the Fire» it is essential this year. Without a doubt I will follow the career of this One Man Band with great interest.” – Broken Tomb (2022 – Fuel The Fire)

“Tonic Breed show that the embers have not gone out and this EP gives them a good old poking, tossing them around and letting the heat build-up. ” – Metal Digest (2022 – Fuel The Fire)

“Tonic Breed reinforces my growing belief that music, and particularly metal, can one day survive and even thrive without need of the corporate machine.” – Metal Disciple (2014 – Outsold – LP)

“For an unsigned act Outsold has one of the best productions I have heard in a long time. Simply put it’s a fantastic album.” – Teeth of the Divine (2014 – Outsold – LP)

“TONIC BREED could easily advance up the ranks thanks to this impressive release.” – Metal Temple (2014 – Outsold – LP)

“10/10. Album of the year 2014.” – The Metal Review (2014 – Outsold – LP)

“For an unsigned act Outsold has one of the best productions I have heard in a long time. Simply put it’s a fantastic album.” – Teeth of the Divine (2014 – Outsold – LP)

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0 GANNONDORF Crowned WACKEN METAL BATTLE USA 2026 Champions! Set To Play WACKEN OPEN AIR!

June 17, 2026
by Asher
· Music News · Uncategorized · Wacken Metal Battle USA

NEWS RELEASE

Montreal, QC – June 17, 2026

GANNONDORF Crowned WACKEN METAL BATTLE USA 2026 Champions! Set To Play WACKEN OPEN AIR!

Photo Credit – C.Huerta.Photos

One band has conquered them all! Wacken Metal Battle USA proudly crowns San Diego’s GANNONDORF as the 2026 champions. The band now seizes a coveted slot at Wacken Open Air, one of the world’s most iconic and influential metal festivals, and will advance to the international Wacken Metal Battle, where rising bands from across the globe unleash their headbanging, mosh‑ready power before a massive sea of metalheads gathered from every corner of the world.

The Wacken Metal Battle USA 2026 National Final brought together the top six bands from across the country after months of battles in cities nationwide. Representing the fiercest underground metal the United States has to offer, the final contenders were FATE DEFINED (Spokane, WA), NEMESIS (Houston, TX), GANNONDORF (San Diego, CA), RAMTHA (St. Petersburg, FL), THE VICTORIOUS DEAD (New York, NY), and THROUGH THE OCULUS (Apple Valley, CA).

After taking the stage on June 13th at Brick By Brick in San Diego, CA, before a crowd of metal‑hungry fans and a panel of industry judges including Rod Kukla (Silver Lining Music), Martin Koller (Prophecy Productions / SPKR Media), and Kelly McLauchlin (Pessimist), only one band could claim the title of WMBU 2026 Champion. GANNONDORF delivered with unrelenting fury, winning over both judges and fans to seize the crown.

WMBU organizer Eric Dow comments:

“Once again, we had a successful battle. 41 shows with over 200 bands competing. The National Final was full of talent, energy, and an overall sense of pride in our underground US bands. Thank you to all the judges, venues, media partners, promoters, bands, and, of course, the fans for making this thing happen every year. Special shout-out to Salman, Jon Asher, and Dean Guitars. Best of luck to Gannondorf at Wacken and best of luck to the rest of the bands as they move forward with their careers.”

Judges Rob Kukla, Kelly McLauchlin, and Martin Koller add:

“My fourth time judging the USA final, and I can honestly say the quality of the finalists was the best ever. Good luck to the winner, Gannondorf, in their final metal battle at the legendary Wacken Open Air.” – Rod Kukla

“What an amazing night… all the bands brought great energy, and were extremely talented – the best from all over the country – and it was fierce competition… some of the most brilliant performances I’ve seen. I know the judges agree that it was a very, very close battle, and it literally came down to fractions of a point to determine the winner. Congratulations to Gannondorf, and we wish them all the best as they represent the USA this year at Wacken!” – Kelly McLauchlin

“Congratulations to Gannondorf, the winner of the Wacken Metal Battle National Final! The final was a tight race; there were 4 bands just one point apart. Let’s push thumbs and hope Gannondorf will also rule at the Wacken Festival in Germany” – Martin Koller

Listen to all the USA national final bands on the WMBU 2026 Final Spotify Playlist – https://open.spotify.com/playlist/14751T41YocZkJCVUJWcjL?si=HGcF4x2xRXKHWR8PEaXy5w

The 2026 WMBU champion will receive the following:
– A slot at the 2026 Wacken Open Air Festival.
– Full professional backline provided.
– $1,000 USD towards flights to Germany.
– VIP camping at the festival.

Previous WMBU national winners: Mourning High (2025 – Southern California / Arizona), Cascade Effect (2024 – San Diego), Fadrait (2023 – San Diego), Mythraeum (2022 – San Diego), Monarch (2019 – San Diego), Voices of Ruin (2018 – Anaheim), and Corpse Hoarder (2017 – Philadelphia).

For the last seven years of battles (2017-2019, 2022, 2023, 2024, 2025), Wacken Metal Battle USA has hosted battles across the country to send one independent metal band to perform at the world’s largest metal festival, Wacken Open Air in Wacken, Germany. 2019 saw the festival celebrate its 30th anniversary, but due to COVID, the 2020 and 2021 editions were both canceled. As the metal community regains its strength, Wacken Open Air 2026 will be the 35th edition of the festival and will be held from July 29th to August 1st. The 2026 event is already sold out with a line-up that includes Def Leppard, Lamb Of God, In Flames, Powerwolf, Emperor, Sepultura, and Running Wild, among others. Details here.

Wacken Metal Battle USA is part of an international competition that sees bands from across the country battle each other for the chance to win their spot among over 55 other countries’ champions and represent the USA in an international battle of the bands at the world’s largest outdoor metal festival: Wacken Open Air. The battles have been hosted at the festival for over a decade and allow independent bands to showcase their talents to an international audience, along with the chance to win multiple prizes.

How it works:
Participating cities will host qualifying rounds plus a city final organized by a local city concert promoter, where one band will move forward to the American national final (date and city to be determined). The winner of the national final will advance to perform at Wacken Open Air 2026 and compete against the winners of international bands from around the globe in a major international battle. All bands will be judged during battle rounds by respected local music industry representatives.

About Wacken Open Air:
Wacken Open Air is the largest heavy metal festival in the world. Starting with 800 visitors in 1990, nowadays 85,000 fans from all over the world travel to Wacken every year, turning the small village in Schleswig-Holstein into the center of the festival scene for several days. The organizing WOA Festival GmbH is connected to a broad network, including band management, the Wacken Foundation, tour booking, music publishing, Travel & Stay, merchandising distribution, and ticketing. In cooperation with partners, these results in creative solutions and ideas that revolutionize the festival experience, enable technical innovations, and produce extraordinary event concepts. Wacken Open Air 2026 will take place from July 29 to August 1, 2026.

About the bands:

GANNONDORF (San Diego, CA) (2026 WMBU Champion) – https://www.facebook.com/Gannondorfmetaloffical

Gannondorf is an avant‑garde black metal project from the San Diego/Escondido, California area, originally formed in 2008. The band began as a fusion of black metal and video‑game‑inspired themes, later evolving through a period under the name Gravespell before returning to their original identity in 2020. Their music blends experimental, gothic, and extreme‑metal elements, drawing on dark, apocalyptic, and fantastical themes. Gannondorf’s most notable release is The Nightmare Institution (2024), an eight‑track, hour‑long album praised for its technical guitar work, atmospheric horror‑driven aesthetics, and genre‑blending approach. The project remains active and independent, continuing to expand its sound while maintaining a cult following within the California extreme‑metal underground.

FATE DEFINED (Spokane, WA) – https://fatedefined.com/about-us-epk

Fate Defined is a heavy metal powerhouse from Spokane, Washington, formed in late 2020. Blending modern aggression with old‑school thrash, they aim to define the Pacific Northwest metal sound. Their debut EP, World in Flames, dropped in May 2024, fueling a run of headlining shows, festivals, their first music video, and a tour that included the historic Knitting Factory. The band kicked off 2025 with multiple sold‑out shows, including a support slot for (Hed) P.E. The quintet continues to hit stages while writing their next record.

NEMESIS (Houston, TX) – https://www.nemesisriffs.com/

NEMESIS began as the brainchild of guitarist Nick Broussard, who started writing music soon after picking up the instrument at 13. Through high school collaborations and the unexpected isolation of COVID, Nick wrote an entire album and shaped the band’s identity before lineup changes stalled their early momentum. After reconnecting with drummer Alex and teaming up with Reagan and Ezra, the revived lineup recorded and released their debut album False Reality in summer 2023. The band quickly hit the stage, opening for major acts like Fueled by Fire, Metal Church, Armored Saint, EYEHATEGOD, Goatwhore, and Accept while performing across Texas, Louisiana, and Oklahoma. Now finishing their second album, NEMESIS enters the 2026 Wacken Metal Battle as the reigning Texas State Champion, heading to San Diego to compete for the national title.

RAMTHA (St. Petersburg, FL) – https://linktr.ee/ramthabandfl

Ramtha is an extreme‑metal band from St. Petersburg/Tampa, Florida, known for fusing death metal, thrash, grind, and hardcore into a high‑intensity hybrid sound. Active since 2022, the band has carved out a distinct identity within Florida’s extreme‑metal scene. They’ve released two EPs, Void Tyrant (2023) and Through Eyes of Death (2024), and are currently developing a third EP slated for 2026. Ramtha has earned a reputation for explosive live performances, frequently hitting Tampa’s Brass Mug and sharing stages with major acts such as Exhorder, Crypta, Worm, Gruesome, Artillery, Killing Addiction, Bandit, Gillian Carter, Dayglo Abortions, and Hong Kong Fck You. With momentum continuing to build, the band remains a rising force in the underground.

THE VICTORIOUS DEAD (New York, NY) – https://linktr.ee/hailtvd

Founded in 2023 by guitarist Jonathan Theriault, The Victorious Dead is on a mission to unleash crushing and melodic metal upon the world. Joined by drummer Jude Austin and bassist Andrew Klabin, the band released their debut EP Life of Death in June of 2024. The Sound The crushing impact of The Victorious Dead’s sound is not at all compromised by their catchy hooks and breathtaking moments. With influences such as Iron Maiden, Amon Amarth, Mastodon, and Enslaved, both musicality and demolishing riffage take top priority.

THROUGH THE OCULUS (Apple Valley, CA) – https://www.facebook.com/profile.php?id=61572792274421

Through the Oculus is a female‑fronted metal band from Apple Valley, California, formed in 2017. The group blends powerful vocals, melodic guitar work, thunderous bass, and driving drums into a modern heavy‑metal sound that quickly sets them apart in the Southern California scene. Within a short time, they began performing at iconic venues including The Viper Room, Whisky a Go Go, and Adelanto Stadium, building momentum through high‑energy live shows. Their self‑titled debut album showcased a dynamic mix of hard‑rock and metal influences, earning attention for its blend of personal lyrical themes and fictional narratives of quests, revenge, sacrifice, and destruction. The band continues to write new material and perform actively, solidifying their reputation as one of the region’s rising heavy‑music acts.

More info:
Metal-Battle.com
MetalBattleUSA.com
Facebook.com/metalbattleusa.official
X.com/MetalBattleUSA
Instagram.com/wmbusa.official

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Sponsors / Partners:
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0 THE MOURNING Unveils New Members To Lineup Jason Ashcraft (Helion Prime) and Alon Mei-Tal (Helion Prime, Nili Brosh) + New Video “If I Die I Die”

June 17, 2026
by Asher
· Music News · The Mourning

NEWS RELEASE

Montreal, QC – June 17, 2026

THE MOURNING Unveils New Members To Lineup Jason Ashcraft (Helion Prime) and Alon Mei-Tal (Helion Prime, Nili Brosh)

+ New Video “If I Die I Die”

L-R – Alex Nasla, Nanda Hayek, Jason Berlin, Jason Ashcraft, Alon Mei-Tal, Johnny Ray, Francesco Pinter.

Photo credit: Alex Nasla

Progressive metal collective The Mourning announces a major evolution in their lineup with the official addition of guitarist Jason Ashcraft (Helion Prime, Lunar, Planeswalker) and bassist Alon Mei‑Tal (Helion Prime, Levinia). Their arrival marks a pivotal moment for the band, expanding its sonic depth, technical range, and creative firepower as they enter their next chapter.

Ashcraft expresses his excitement about joining the fold:

“I’m super stoked to be coming on officially with The Mourning. I’ve had the pleasure of working with a few of the members for a while, and everyone has been very welcoming. From a musical side, it’s been fun stepping out of my comfort zone and challenging myself to explore new avenues. I look forward to future adventures with The Mourning!”

Mei‑Tal adds:

“It’s official! I’ve been a friend of the band for a couple of years now, helping out on shows, recordings, etc., but I’m very pleased to be one of the gang now. The Mourning is a great group of talented musicians and quality humans. The songs are proggy enough to be interesting, but catchy enough to be fun and memorable, and I can’t wait to join them in bringing listeners more epic tunes and top‑tier performances!”

With both musicians now fully integrated, The Mourning steps into its most ambitious and musically dynamic era yet.

Alongside the lineup announcement, The Mourning recently unveiled their powerful new single and cinematic music video, “If I Die I Die.” The track introduces the band’s renewed sonic identity, heavier, darker, and more emotionally charged, while showcasing the expanded dual‑vocal dynamic between founding vocalist Johnny Ray and newly joined Brazilian co‑vocalist Nanda Hayek (OverAlive).

Built on the band’s signature blend of cinematic songwriting, progressive metal precision, and layered vocal interplay, the song confronts fear, existential dread, and the psychological exhaustion of living under its weight. Its core declaration, “I’m tired of all this fear, I’m done living in fear”, captures the track’s central theme of liberation through surrender.

Written by Francesco Pinter and Johnny Ray, and produced, mixed, and mastered by Alex Nasla (Edge of Paradise), the single blends intricate progressive elements with a more direct, modern heaviness. The band describes it as “a psychological and spiritual battle,” moving from dread into cathartic release.

The accompanying music video mirrors the emotional arc of the song. A woman is hunted by a mysterious figure of death, terrified at first, then increasingly resolute. She rides her motorcycle toward the confrontation she has avoided, only to discover that death was never the true enemy. Fear was.

“By facing it directly, she conquers the thing that had been ruling her,” says Johnny Ray.

The Mourning’s evolution follows a landmark year for the band. In 2025, they made their live debut aboard 70000 Tons of Metal, where Kerrang! hailed them as an “outrageously talented new prog collective” and praised their 3 a.m. debut as “one of the sets of the weekend.” They later performed at Prog on the Ranch 2025, further solidifying their rising status in the progressive metal world.

With the addition of Nanda Hayek and now Jason Ashcraft and Alon Mei‑Tal, The Mourning enters a new era, one defined by expanded musicianship, deeper emotional storytelling, and a sharpened modern metal edge.

Recommended for fans of Lacuna Coil, Amaranthe, Flyleaf, Disturbed, and Evanescence, watch and listen to the video for “If I Die I Die” at https://www.youtube.com/watch?v=Pbms_iiHgAM

Add to your Spotify playlist – https://distrokid.com/hyperfollow/themourning/if-i-die-i-die

Single and Live Band Lineup:
Nanda Hayek – Female Co-Vocalist
Johnny Ray – Male Co-Vocalist
Alex Nasla – Keyboards
Jason Berlin – Drums
Jason Ashcraft – Guitar
Alon Mei-Tal – Bass
Francesco Pinter – Lead Guitar

For more info: https://www.themourningmusic.com

About: Formed by vocalist and songwriter Johnny Ray, The Mourning was created to transform personal struggle, spiritual searching, and existential weight into emotionally immediate progressive metal. Their music blends soaring dual vocals, intricate musicianship, atmospheric tension, and deeply human lyrical themes. The band’s previous album, “Hush,” established them as a rising force in modern progressive metal, exploring anxiety, trauma, meaning, and inner transformation across its acclaimed tracklist.

– 30 –

“The band blends mid to uptempo grooves while also introducing space and atmosphere in just the right places. Combining melody, technical/progressive musical elements, and harmony lead vocals, I feel this band caters to both musicians and non-musicians alike.” – Todd La Torre (Queensrÿche)

“The Mourning masterfully marries classic synth sounds, modern Haken-esque rhythms, and massive vocal hooks into a modern progressive package worthy of every fan’s undivided attention.” – Metal Injection

“In a world of clones, The Mourning is a true original and a breath of fresh air.” – Gear Gods

“With the release of “Hush”, the band continue to showcase their mastery to balance technical prowess with broader thematic appeal. The Mourning will most definitely make a big impact on the prog metal scene today and in the future.” – Metal Epidemic

“An impressive first album from a young band with room to grow. Fans of bands like Haken and Distrct 97 will enjoy this album. One to watch.” – Prog Radio

“Hush” a sensory treat that transcends the limits of perception.” – Roadie Metal

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0 Fantasy Metal SIEGE PERILOUS Unveils “Cut Down,” the Battle‑Scarred Path to Redemption From New Concept Album “Becoming The Dragon” ft. guests Fabio Lione (Rhapsody, Angra), Kristin Starkey (Twilight Force, Temperance)

June 15, 2026
by Asher
· Music News · Siege Perilous

NEWS RELEASE

Montreal, QC – June 15, 2026

Fantasy Metal SIEGE PERILOUS Unveils “Cut Down,” the Battle‑Scarred Path to Redemption From New Concept Album “Becoming The Dragon”

Album Guests Fabio Lione (Rhapsody, Angra) and Kristin Starkey (Twilight Force, Temperance)

Colorado fantasy metal heroes Siege Perilous have released the official lyric video for “Cut Down”, a high‑octane heavy‑metal assault drawn from their new concept album “Becoming the Dragon” released this past March.

“Cut Down” stands as one of the band’s most traditional heavy‑metal tracks to date, a blazing fusion of Judas Priest grit, Dio‑inspired drama, and the battle‑ready bravado of Manowar. The song follows the album’s protagonist as he cuts a bloody path across the Infinite Steppe, only to confront the truth that he has become the very villain he once sought to destroy. In a moment of reckoning, he abandons his title as Chieftain and begins the long journey home.

Watch the lyric video at https://www.youtube.com/watch?v=0kkbxuKfrhg

The new single offers a fierce glimpse of the band’s first full‑length album, “Becoming the Dragon”, a sweeping, ten‑chapter concept record chronicling the rise, fall, and transformation of the Child of Prophecy. The album blends cinematic storytelling with standalone, hook‑driven tracks, featuring guest appearances from two titans of the genre, Fabio Lione (Rhapsody, Angra) and Kristin Starkey (Twilight Force, Temperance).

Forged in Denver, CO, and rooted in fantasy, history, and cooperative storytelling, Siege Perilous blends epic riffs, soaring vocals, and cinematic arrangements into immersive power‑metal sagas. Formed by Shaughnessy McDaniel (vocals), Scott Hancock (guitar), and Mark Girard (drums), and later joined by Eric Fischer (bass) and Ryan Flanagan (guitar), the band draws inspiration from Manowar, Battle Beast, Iron Maiden, Hammerfall, Sabaton, Blind Guardian, Rhapsody, Helloween, and Avantasia.

“Becoming the Dragon” (released March 27th) is available via Crunchtronic Records on all digital platforms, along with physical CD and Vinyl, plus merch at the following links:

CD + Vinyl (Limited Edition 12″ Vinyl in Draconic Red) – https://siegemetal.bandcamp.com/album/becoming-the-dragon

Add to your Spotify playlist – https://open.spotify.com/album/2ij7lZIEXDFMn4I65Slc87

Track Listing:
1. Overture (Instrumental) – (2:37)
2. Ancient Rite – (4:37)
3. As the Dragon Falls (feat. Fabio Lione) – (4:33)
4. Child of Prophecy – (4:05)
5. Shattered Mirage – (4:07)
6. Chieftain – (4:03)
7. Cut Down – (3:01)
8. Echoes of Home (feat. Kristin Starkey) – (4:48)
9. Becoming the Dragon – (5:09)
10. Eschaton – (7:50)
Album Length: 44:54

More info: Siegemetal.com | Facebook.com/siegeband | Instagram.com/siegeperilousmetal | Tiktok.com/@siegemetal

-30-

Siege Perilous Unleashes a Dragon-Slaying Debut – Westword Denver

“The LARP-loving five-piece’s first LP is its most immersive work to date, introducing a protagonist who is destined to slay an oppressive cosmic dragon. Spoiler: He defeats the nemesis by the third track, “As The Dragon Falls,” featuring former Rhapsody of Fire frontman Fabio Lione. But it’s what follows that makes Becoming the Dragon such a mind-bending metal journey for the child of prophecy. Siege Perilous brought in operatic singer Kristin Starkey (Temperance and Twilight Force) for somber ballad “Echoes of Home.” Vocalist Shaughnessy McDaniel, bassist Eric Fischer, drummer Mark Girard, and guitarists Scott Hancock and Ryan Flanagan rally the hordes on “Chieftain” and “Eschaton,” but Becoming the Dragon is best experienced in one shot.” – Westword Denver – The Best New Music Releases of March 2026

“Siege Perilous, a group with a ton of talent and potential, have the chops to be major players in the epic metal field. They need to get out of Colorado and head over to Europe!” 10/10 – Powerplay Magazine

“Denver, CO power-metal storytellers Siege Perilous launch their full-length Becoming the Dragon, which stands as a genre-defining concept album for the modern era.” – New Noise Magazine

“The debut album from this Colorado band is another fine example of just taking what makes power metal and epic heavy metal work and putting your own spin to it all.. with the excellent production and two awesome guest spots from Fabio Leone and Kristen Starky to give this just a little more cred and you having an album that is for anyone who enjoys the likes of Blind Guardian, Rapsidity, Krilloan, and Evermore. Excellent. Excellent music.” – Heavy Debriefings

“Becoming the Dragon is an excellent album in its own right, and it shows an up-and-coming band making great strides towards becoming a force to be reckoned with… a strong debut in its own right, and one I can easily recommend for fans of epic heavy metal and fantasy-themed power metal.” – My Global Mind Magazine

“With „Becoming The Dragon“ Siege Perilous follow in the big footsteps of bands like Avantasia, Iron Maiden and Blind Guardian. And the musicians do this extremely well. Great epic, sometimes bombastic sound, strong vocal direction and very good musicians make this debut extremely worth listening to.” – Keep On Rocking Mag

“This is epic Power Metal again, with driving drums and fast guitar solos.” – Metalheads Forever Mag

“The debut album from the epic, Colorado-based power metallers is a true journey from start to finish…. The band are insanely good songwriters, and for this to be a debut album makes it feel like we have some truly special things to come in the next few years! They’re ones to watch, for sure! However, for now, this is an excellent release for anyone into the genre even a little bit!” – Overtone Magazine

“For a debut, ‘Becoming The Dragon’ is a bold and confident statement… undeniably compelling, and a promising sign of greater things to come.” – Metal Rager 666

“Siege Perilous puts all the notes in the right places and has the chops to be a player in the epic power metal arena… and Becoming the Dragon offers a glimpse of this band’s potential.” – The Metal Crypt

“orchestral power metal with a fine story” – FFM-Rock

“With ‘Becoming The Dragon’, Siege Perilous proves that they are ready for the bigger stage. For fans of Wind Rose, Hammerfall, Sabaton, Blind Guardian, and Iron Maiden, this is a must. This is power metal with heart, brains, and a sword in hand.” – Musika

“Becoming The Dragon is an ambitious work that combines epic heavy metal with orchestral elements. Siege Perilous show talent in songwriting and variety of arrangements… The mix of powerful vocals, triple guitar riffing and orchestral interjections makes the album interesting for fans of epic metal,” – MetalUnderground.at

““It’s certainly not a lack of ambition, this is a band that clearly sees itself as the natural successors to the true greats of fantasy-based power metal… Guest Fabio Lione… absolutely lays waste to all around him in the role of ‘The Dragon’ on As The Dragon Falls…. They deserve the highest praise for their commitment to the cause if nothing else.” – Sentinel Daily

“The 10 tracks keep you on the edge of your seat and even feature a collaboration with Fabio Lione, who deserves to be praised in every way… An album to enjoy!” – Nada Hay Bajo El Sol

““‘As the Dragon Falls’ is elevated to a completely different level…. The catchy melodies and gripping guitar work are among the highlights of the record…. With the melancholic dark ballad ‘Echoes of Home,’ the band proves their knack for atmospheric arrangements with depth… Kristin Starkey contributes female vocals that give the track a beautifully atmospheric dimension… The gripping, catchy anthem ‘Chieftan’ is another noteworthy and praiseworthy exception.” – Obliveon

“All the songs are catchy, well constructed and technically flawless” – Tempiduri

“Musically, this is a total love letter to the European masters. You can hear the DNA of Blind Guardian and Iron Maiden all over the place, especially in the way the guitars layer up. Having three guitarists isn’t just for show; they use that extra firepower to build some seriously big harmonies that actually stick in your brain… “Becoming The Dragon” is a damn strong start for a band that clearly lives and breathes this genre. They aren’t hiding their influences; they’re wearing them like a suit of armor and heading straight for the front lines.” – Heavy Metal Darkness

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0 “Breathe” In Progressive Collective LUFEH’s New Music Video In Support of Latest Album “Overwhelmed”

June 15, 2026
by Asher
· Lufeh · Music News

NEWS RELEASE

Montreal, QC – June 15, 2026

“Breathe” In Progressive Collective LUFEH’s New Music Video In Support of Latest Album “Overwhelmed”

Photo Credit – Joao Pinheiro

Progressive rock fusionists LUFEH have released their brand‑new music video “Breathe”, a vibrant and uplifting track from their newly released album “Overwhelmed,” out now as of May 29th. The song captures the band’s refined balance of technical sophistication and memorable, sing‑along melodies, an evolution that marks a new era for the long‑running musical collective.

“Breathe” stands out as one of the album’s most positive and energetic moments. Built on upbeat rhythms and bright melodic hooks, the track delivers a simple but powerful message: slow down, breathe, and reconnect with yourself amid the chaos of daily life. The band describes it as “a blast to play” and a reminder that sometimes the most important thing we can do is pause and take a breath.

Watch and listen to “Breathe” at https://www.youtube.com/watch?v=W0JHbR1hR5A

Recorded at the legendary Sunset Sound in Los Angeles, “Overwhelmed” represents LUFEH’s most mature and melodic work to date. While the band’s signature progressive complexity remains intact, this album places a stronger emphasis on catchy vocal melodies, memorable choruses, and emotional clarity.

The album features eight meticulously crafted tracks, designed to blend technical musicianship with accessibility. From the rhythmic intricacy of “Double Dip” to the emotional weight of “Feels Like I’m a Ghost,” the record showcases LUFEH’s ability to merge prog, fusion, metal, and Brazilian influences into a cohesive, modern sound.

A major highlight of the album is the addition of Ginny Luke as the band’s new featured vocalist. An internationally recognized electric violinist and singer, she brings a powerful new dimension to LUFEH’s sound, appearing on multiple tracks and elevating the album’s emotional and melodic impact. Luke has performed with artists such as Foo Fighters, Britney Spears, Snoop Dogg, Miguel, and many others.

LUFEH is a progressive rock band blending sophisticated, refined, and modern musical elements with deep emotional expression. Founded by drummer Lufeh, the band has evolved through decades of collaboration, friendship, and shared musical history. Guitarist Deio Tambasco and bassist Duca Tambasco, longtime collaborators dating back to their early band Anno Domini, rejoined forces with Lufeh to help shape the group’s current sound, alongside keyboardist/producer Gera Penna.

Despite living on different continents, drummer Lufeh Batera in Los Angeles and the rest of the band in São Paulo, the group wrote nearly 70% of the new album online, exchanging ideas daily and refining each track collaboratively. Their creative process is built on trust, honesty, and a shared commitment to crafting music that feels both intricate and emotionally resonant.

Influenced by Dream Theater, Rush, Vola, Tool, and Haken, LUFEH continues to push the boundaries of progressive rock while remaining grounded in melody, storytelling, and musical connection.

Listen to “Overwhelmed” (released May 29th, 2026) at the following links:

Add to your Spotify playlist – https://open.spotify.com/album/17TBW46gFIisvVekW4yyOW

Bandcamp – https://lufehband.bandcamp.com/

Track Listing:
1. He Commands The Sun and The Stars – 4:22
2. Breathe – 4:03
3. Double Dip – 4:39
4. Overwhelmed – 4:30
5. Feels Like I’m A Ghost – 5:43
6. Live The New Today – 4:50
7. War of Emotions – 3:50
8. End of the Tunnel – 4:18

Album and Live Band Line Up:
Duca Tambasco – bass and backing vocals
Deio Tambasco – guitar and backing vocals
Gera Penna – keyboard and backing vocals
Lufeh Batera – Drums
Ginny Luke – vocals (featuring)

More Info:

http://www.lufehband.com

https://www.facebook.com/lufehband

https://www.instagram.com/lufehband/

About:

LUFEH is a progressive rock/metal band blending technical precision with emotional depth and genre‑bending influences. Formed by drummer Lufeh after a long hiatus from music, the band now features guitarist Deio Tambasco, bassist Duca Tambasco, keyboardist/producer Gera Penna, and vocalist/violinist Ginny Luke. Their sound draws inspiration from Dream Theater, Rush, Vola, Tool, Haken, and Brazilian musical traditions.

Album Recording Credits:
• All songs performed by: Duca Tambasco, Deio Tambasco, Gera Penna, Lufeh Batera, and Ginny Luke
• All songs written by: Duca Tambasco, Deio Tambasco, Gera Penna, and Lufeh Batera
• Produced by: Gera Penna
• Mixed by: Adair Daufembach
• Mastered by: Adair Daufembach
• Album Artwork by: Lufeh Batera

– 30 –

“What grabbed me most on the album, besides the deeply personal approach to songwriting, was the level of talent the band has. We all know that talent isn’t the measuring stick to success, but it never hurts. This band has plenty, but they don’t let it overtake their sound. This was a feel good album with plenty of substance.” – Metal Temple (2026 – Overwhelmed)

“My take on the album: I do like that Lufeh do things their own way. For me this is an exceptional album with a fresh take on traditional metal. Ginny is a gem on vocals and the use of instruments is damn good. A flawless album that deserve nothing less than the perfect 10.” – Project Metal Music

“You need to take a listen here, and you’ll probably buy this album. Great!” – Melodic.net (2026 – Overwhelmed)

“If their debut consisted of showing their instrumental muscles, their next album Overwhelmed (released May 29) seems to focus on purely melodic choruses. It has the complexity of Haken or Rush, but with choruses that really stick in your head.” – Radio Papy Jeff (2026 – Overwhelmed)

“Lufeh has built a sound that sits at the intersection of three demanding disciplines — Progressive Rock’s structural ambition, Progressive Metal’s physical weight, and Jazz-Fusion’s harmonic and rhythmic sophistication — and has managed to do so without reducing any of the three to background texture. The integration of Ginny Luke‘s violin gives the ensemble a tonal signature that is genuinely distinctive and provides the record with some of its most memorable moments. The dual vocal format, consistently well-deployed, expands the expressive range of the material in ways that a single voice simply could not replicate. With a renewed lineup and a track record of progressive evolution, Lufeh delivers here a disciplined, technically formidable body of work that will satisfy those who take their Heavy Prog seriously.” – Progressive Rock Journal

“Very soulful breaks.Like the dynamics. The drummer is very powerful and precise. Like Rush if they were a soul band.” – CFRU 93.3 FM – Planet Groove (Guelph, ON, Canada)

“With „Overwhelmed“ LUFEH are opening a new chapter – more emotional, melodic and at the same time more powerful than ever. The title track of their upcoming album combines progressive virtuosity with haunting storytelling and marks an impressive evolution – an intense foretaste of what happened on March 29th. May 2026 is coming.” – Metalogy (2026 – Overwhelmed)

“Heavy prog shines with the new single ‘He Commands the Sun and the Stars’ from LUFEH. Dream Theater and Shadow Gallery fans will find a lot to love here including a spotlight performance from featured vocalist and electric violinist Ginny Luke. Musically the band doesn’t disappoint with soaring keys, complex percussion, driving riffs, strolling bass lines…all at a high level, which is what is demanded when you enter the sacred space of progressive rock. Just as much a beautiful performance as it is a breathtaking adventure, this track raises expectations for the new album “Overwhelmed” which can’t get here fast enough on May 29th. Catch LUFEH on your Home for the Best New Rock… W-J-O-EEEE” – WJOE – Findlay’s Home for Rock & Roll (2026 – Overwhelmed)

“Progressive hard rock’s LUFEH have just released another powerful new single, ‘OVERWHELMED (feat. Ginny Luke)’. The title track from their forthcoming album slated for a May 29th launch, this one is also like the prior single (‘He Commands the Sun and the Stars’), a masterclass of modern prog metal. Hooks that sink deep, superb performances by the band and outstanding songwriting are all on display. The anticipation for the new album is swelling with each single and based on what we’ve heard so far, we’re ready for an exceptional experience. Catch Lufeh on your Home for the Best New Rock…W-J-O-EEEE” – WJOE – Findlay’s Home for Rock & Roll (2026 – Overwhelmed)

“With Overwhelmed, LUFEH have crafted a progressive rock album that is mature without feeling restrained, technical without becoming cold, and melodic without sacrificing ambition. It is the sound of a band refining its identity while opening itself to greater emotional risk. The result is a record that feels both grand and personal, the kind of album that rewards close listening while still offering choruses, hooks, and moments of immediate impact. LUFEH are not simply flexing their instrumental muscles here. They are building songs that understand what it means to carry too much, to lose sight of the surface, and to keep reaching anyway. ‘Overwhelmed‘ may be born from pressure, but its greatest achievement is the way it turns that pressure into motion, melody, and release.” – Infrared Magazine”

Great prog album, love Feels Like I’m A Ghost song” – The Chill dude on the Couch

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0 METALADIAN Unleashes Ferocious Title‑Track Single “Deaditation” Ahead of Debut Album Out On Canada Day!

June 15, 2026
by Asher
· Metaladian · Music News

NEWS RELEASE

Montreal, QC – June 15, 2026

METALADIAN Unleashes Ferocious Title‑Track Single “Deaditation” Ahead of Debut Album Out On Canada Day!

L-R: Dan Brophy – Rhythm and Lead Guitars and Vocals, Andrew Brophy – Drums and Lead Vocals, Dustin Smith – Bass Guitar and Vocals, Ruth Guechtal – Rhythm Guitar and Vocals

Photo Credit – Andrew Brophy

Hamilton, Ontario, extreme‑metal outfit METALADIAN erupt with the release of “Deaditation,” the ferocious and hypnotic title‑track single from their upcoming debut album out on Canada Day, July 1st, 2026. After more than twenty years of composing, refining, and shaping the band’s sound, composer, lead vocalist, and drummer Andrew Brophy finally unveils the first official chapter of METALADIAN’s long‑awaited recorded legacy.

“Deaditation” is METALADIAN’s most aggressive and unrelenting work, a dizzying, chromatic, multi‑vocal assault built on a three‑stage structure: plateau, ascension, descent. Each time the cycle restarts, the tempo subtly increases, dragging listeners deeper into a spiralling frenzy.

“The interplay between vocalists is quick, dizzying and hypnotizing… the music is incrementally and constantly gaining momentum, driving the track to a spiralling frenzy by the final descent,” adds Brophy.

Lyrically, the single paints a blackened world where victims reclaim power through a psychic retaliation, a Deaditation, forcing abusers to feel the pain they inflicted “100,000 fold.” Musically, it opens with riotous crowd samples, chromatic bass lines, droning harmonies, ripping feedback, and a tribal drum solo that launches the track into its relentless progression.

Fans of extreme metal, progressive death metal, and classical‑influenced metal will immediately recognize the ambition and precision behind the single.

Listen to the lyric video for “Deaditation” at http://www.youtube.com/watch?v=3hjKm_7NoCs

Arriving July 1, 2026, “Deaditation” is the culmination of more than two decades of writing. Brophy began composing the framework on classical guitar in 2003, later expanding the material into a full three‑album arc.

The debut album is a story‑driven descent and ascent, moving through spiteful violence, spiralling depression, suicidal ideation,
confrontation with God, revenge, and finally, redemption.

“The album is drenched in violence and darkness, but with a hint of light that begins to show itself as the album progresses,” says Brophy.

Musically, the record is dense, chromatic, harmonically lush, and rhythmically punishing. Vocally, all four members contribute in a rapid‑fire call‑and‑response style: Andrew Brophy (drums, lead vocals) with melodic leads and rhythmic anchors, Dustin Smith (bass) brings guttural, ogre‑like lows, Dan Brophy (guitar) adds vicious, rabid‑dog riot vocals and Ruth Guechtal (guitar) exports ripping, high‑screeching screams. The result is a massive, layered vocal machine unlike anything in the Canadian metal landscape.

METALADIAN formed in Hamilton, Ontario, as the vehicle for Andrew Brophy’s intricate compositions, music that blends thrash, death, progressive, and technical metal with the darker works of classical composers such as Bartók, Penderecki, Mussorgsky, Stravinsky, Beethoven, and Mahler.

“Metaladian is my passion, my main source of creativity and catharsis for years,” adds Brophy.

Their sound is best described as complex, emotional, heavy, dark, and hypnotizing. The band’s lineup is deeply interconnected: Andrew and guitarist Dan are brothers, Ruth (guitar) is Dan’s wife, and Dustin (bass) is their “metal brother from another mother.”

All four also perform in the Hamilton extreme‑theatre metal act 30 Immolated; 16 Returned, and three members hold classical‑music degrees, including two doctorates in composition.

Recommended for fans of Strapping Young Lad, Metallica (early), Suffocation, Bela Bartok, and Ludwig Van Beethoven, METALADIAN’s “Deaditation” is available for pre-order at https://metaladian.bandcamp.com/

Track Listing:
1. Left Hand Path – 9:44
2. Deaditation – 6:21
3. No Worse Death Than The Loss Of All Hope – (Wondering Why I Wonder Why) – 7:35
4. Confrontation With God – 11:59
5. Cure For Judgement – 6:51
6. Welcome To Your Holy Hell – 8:49
Album Length: 51:19

Band Line-up:
Andrew Brophy – Lead Vocals – Drums
Dan Brophy – Vocals – Rhythm, Lead and Classical Guitars
Ruth Guetchal – Vocals – Rhythm Guitars
Dustin Smith – Vocals – Bass Guitars

More info:

https://www.facebook.com/metaladian/

https://www.instagram.com/metaladian

https://www.tiktok.com/@metaladian

About: Metaladian is a new band formed in Hamilton, Ontario, led by composer, drummer, and vocalist Andrew Brophy. Musically, we belong in the metal genre, but are greatly influenced by classical composers, lending itself to the progressiveness and complexity. The overall feel of the music is drenched in violence and darkness, but with a hint of light that can be achieved through our musical journey. The lead vocals, performed by drummer Andrew Brophy, are both harsh and melodic, with soaring melodies and lush harmonies, which alternate with the more thrash-style vocals from the rest of the band. The drums themselves are virtuosic, complementing the crushing riffs and flowing chords. The debut album “Deaditation” from Metaladian is the culmination of 20+ years of work. There is a great deal of variation within the album in terms of musical content, tempo, and texture.

Album Recording Credits:
• All songs performed by: Metaladian
• All songs written by: Andrew Brophy
• Produced by: Andrew Brophy
• Mixed by: Dan Brophy
• Mastered by: Andreas “Seidr Jonsson” Westholm of Dark Prod Mixing and Mastering
• Album Artwork by: Roberto Toderico of Roberto Toderico Art

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0 LA Symphonic Metal LEVINIA Sinks Their Teeth Into 2026 With Dracula Inspired Single “Bite”

June 12, 2026
by Asher
· Levinia · Music News

NEWS RELEASE

Montreal, QC – June 12, 2026

LA Symphonic Metal LEVINIA Sinks Their Teeth Into 2026 With Dracula Inspired Single “Bite”

Produced by Brandon Friesen (Halestorm, Nickelback, The Hu, Papa Roach)

L-R – Alon Mei-Tal – Guitar, Liam Alexander – Bass, Kourt Henson – Vocals, Dylan Suierveld – Drums

Photo Credit – Dream of Mirrors Photography

Los Angeles cinematic‑metal outfit Levinia returns with the third installment of their 2026 four‑single cycle, releasing their heaviest and most visceral track yet: “Bite.” The single and accompanying music video arrive as the follow‑up to the band’s recent releases “Silver Tongues” and “The Thorn,” continuing the group’s evolution into a darker, sharper, and more emotionally charged era.

“Bite,” like all four upcoming singles, is produced by Brandon Friesen (Halestorm, Nickelback, The Hu, Papa Roach), whose cinematic approach and modern metal sensibilities have helped elevate Levinia’s sound into its most refined form to date.

Drawing inspiration from Dracula, specifically the character of Mina Murray/Harker, “Bite” reimagines the classic Gothic arc of vulnerability transformed into strength. Vocalist Kourt Henson channels Mina’s evolution from prey to force of will, weaving a narrative of emotional reclamation, toxic entanglement, and the quiet power of survival.

“‘Bite’ is for anyone who’s ever felt drained by something or someone that tried to control them. It’s about finding the strength to fight back and become something stronger than what tried to break you,” says Henson.

Musically, “Bite” is Levinia at their most aggressive, relentless riffs, cinematic tension, and a vocal performance that swings between haunting restraint and explosive catharsis. Fans of the band’s heavier material, especially tracks like “Push and Pull,” will immediately gravitate toward its intensity.

The single’s artwork features a single drop of blood, a minimalist but potent symbol tied directly to the song’s themes. More than a nod to vampiric imagery, the blood represents the shedding of a former self, a transformation born from pain, loss, and the reclaiming of personal power.

“Bite” continues Levinia’s 2026 collaboration with producer Brandon Friesen, who worked closely with guitarist Alon Mei‑Tal and vocalist Kourt Henson during pre‑production to refine the band’s most ambitious material yet. The partnership has resulted in a sound that is heavier, more cinematic, and more emotionally deliberate than anything in the band’s catalog.

This single marks the third chapter in a four‑part release cycle that showcases the full spectrum of Levinia’s identity, from groove‑driven modern metal to atmospheric balladry to the ferocity embodied in “Bite.”

Recommended for fans of Within Temptation, Amaranthe, Nightwish, Lacuna Coil, and Delain, listen to “Bite” at the following links:

Video – https://www.youtube.com/watch?v=55Uw9l0cmAA

Digital – https://hypeddit.com/levinia/bite612

Previous Singles:

Silver Tongues – https://www.youtube.com/watch?v=Vqhk6j6wzKs

The Thorn – https://www.youtube.com/watch?v=30EmGiQL7ug

Levinia:
Vocals – Kourt Henson
Guitar – Alon Mei-Tal
Bass – Liam Alexander
Drums- Dylan Suierveld

More info:

https://www.leviniaofficial.com/

https://instagram.com/leviniaofficial

https://www.facebook.com/LeviniaOfficial/

About: Levinia blends symphonic atmosphere, modern metal aggression, and cinematic storytelling into a sound influenced by Epica, Lacuna Coil, Sabaton, Disturbed, and Evanescence. Formed from the ashes of Los Angeles power‑metal band Aerius, the group has spent nearly a decade refining its identity into something bold, emotional, and unmistakably its own.

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“The mixing was just absolutely incredible for the guitars. I really like that.” (referring to the complex rhythm). This was, I mean, I was super impressed. Really impressed. I love the chorus. That’s what we really love. (about catchy choruses). I love that. It was so good (about the operatic vocals), super super cool. What a good job. I’m happy that she’s back with her band. They all look like they were having a great time. That was super cool. (about the live setting) I love it. Yeah. Yeah. I love it.” (about headbanging). This was perfect. Right up my alley.” “It was very good. Very high rating. This was really cool, and I’m very happy we did this one.”- YouTube Reaction Video – The Rockin’ Roundtable (2026 – The Thorn (single)

“Overall, Liberation is a thoroughly impressive EP that should find appeal with both the modern metal and symphonic crowds, especially those craving a little extra heaviness in their material. Levinia are onto something great here, best to catch them here at the ground level and watch them explode to the next level in the near future.” – Dead Rhetoric (2018 – Liberation)

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0 Edmonton’s POWERLÖAD Drops Music Video “Drunk in a Taxi Cab” For New Album “In The Pocket” Out End of June 2026 + Tour Dates ANVIL

June 12, 2026
by Asher
· Music News · Powerload

NEWS RELEASE

Montreal, QC – June 12, 2026

POWERLÖAD Drops Music Video “Drunk in a Taxi Cab” For New Album “In The Pocket” Out End of June 2026

+ Tour Dates ANVIL (BC/AB)

L-R: Hell Hammered (Drums/Vocals), Shel Shock (Bass/Vocals), Brett Michaels (Guitar)

Photo Credit – STUDIO VON PHOTOGRAPHY

Canadian sleaze‑rock troublemakers POWERLÖAD have released their brand‑new music video for “Drunk in a Taxi Cab”, the latest single from their upcoming album “In The Pocket,” due out on June 26, 2026, from Luv Machine Records (Vinyl), Night Strike Records (Cassette) and Nice Load Records & Marital Aid (CD).

The video is a hilariously literal, grimy, one‑location ride through the life of a drunk trying to get home, shot entirely in the back of a car. The concept came straight from bassist/vocalist Shel Shock, who adds:

“One night I was in a car coming home from the bar & in the midst of all the spinning, some lyrics appeared. Anyone who’s listening to POWERLÖAD has been there, you drunks. Can’t get more literal or bonehead than that.”

A slower, swagger‑heavy rocker, “Drunk in a Taxi Cab” captures the bleary, reflective moment between the chaos of the night and the consequences of the morning, all wrapped in the band’s signature maximum-voltage street rock attack attitude.

Watch the video at https://www.youtube.com/watch?v=EnoG43vlJy0

Add to your Spotify playlist – https://open.spotify.com/artist/6r7vD3wBNn5j6qdqvKdpVk?si=qqnV1ZABQhe6IBZwtMRVrA

POWERLÖAD’s new album is eight tracks of unapologetic, high‑octane sleaze rock that chronicle a full night of the band’s self‑proclaimed lifestyle.

“We wanted this album to be almost conceptual of the POWERLÖAD lifestyle. People compare it to Tommy or The Wall, mostly because of the musicianship & lyrical themes, which are superior on In The Pocket,” adds Shel Shock.

Lyrically and musically, the band sums the album up in three words: sex, drugs, and rock’n’ roll. The record is a full‑throttle plunge into that chaos, ripping through eight filthy, high‑energy chapters that kick off with the AC/DC charged opener “Tons of Tail”, a song that sounds like it’s about lots of chicks, but it’s actually about lots of cocktails. Rolling into “Bad Girls,” a tribute to the strong, street‑owning women the band admires. “The Ballad of Shit Faced Tony” follows Toronto’s most persistent blow‑seeker, while “Chains of Rock n’ Roll” channels the reckless spirit of the Sunset Strip. The stakes rise, literally and chemically, with “Stakes Are High (& So Am I),” a gambling‑fueled Motörhead homage, before the weed‑worshipping “Defenders of the Eighth” lights up the room. “Lapdog Deluxe” dives into glam‑trash absurdity inspired by ZZ Top confusion, and the night finally collapses into “Drunk in a Taxi Cab,” a bleary, stumbling ride home that closes the album with hungover honesty.

Following the album release, POWERLÖAD will hit the road with ANVIL for three Western Canadian shows, including a hometown blowout in Edmonton, AB.

Tour Dates:
June 25 – Kelowna, BC – Unleashed Brewing Co. w/ Corpus Upir, Charlie Handsome & the Brats
June 26 – Chilliwack, BC – The Chillhouse Tour w/ Anvil
June 27 – Vancouver, BC – Astoria Tour w/ Anvil
July 2 – Edmonton, AB – Divebar Tour w/ Anvil

POWERLÖAD formed as a reaction to safe, sanitized rock, choosing instead to deliver raw, dirty, high‑energy sleaze rock built for people who want to feel “sexy as hell” when they hit play. The trio features Shel Shock (Bass + Vocals), Hell Hammered (Drums), and Brett Michaels (Guitar).

Recommended for fans of G.B.H., Motorhead, AC/DC, and Mötley Crüe, “In The Pocket”, out on June 26th from Luv Machine Records (Vinyl), Night Strike Records (Cassette), and Nice Load Records & Marital Aid (CD) is available for pre-order (CD/ Vinyl/ Cassette) at https://powerload.bandcamp.com/album/in-the-pocket

Previous Videos:

Defenders of the Eighth – https://www.youtube.com/watch?v=at0E5z-_7vw

Bad Girls – https://www.youtube.com/watch?v=Ls_2za63Sdg

Track Listing:
1. Tons Of Tail (2:36)
2. Bad Girls (3:02)
3. The Ballad Of Shit Faced Tony (2:58)
4. Chains Of Rock n’ Roll (2:51)
5. Stakes Are High (So Am I) (3:21)
6. Defenders Of The Eighth (2:42)
7. Lapdog Deluxe (2:20)
8. Drunk In A Taxi Cab (3:25)

Album Recording Credits:
• All songs performed by: Powerload
• All songs written by: Powerload
• Produced by: Powerload & Rob Lawless
• Mixed by: Rob Lawless
• Mastered by: Rob Lawless
• Album Artwork by: Adan Vazquez
• Canadian Content (MAPL)

Band Line Up Album + Live
Shel Shock – Bass, Vocals (Tracks 1, 3, 4, 6)
Brett Michaels – Guitar
Hell Hammered – Drums, Vocals (Tracks 2, 5, 7, 8)

More info:

https://www.facebook.com/POWERLOADYEG

https://instagram.com/POWERLOAD.YEG

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ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780
jon[@]ashermediarelations[.]com
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Instagram @AsherMedia
Tweet @AsherMedia

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