Category: Music News

0 NYC Thrashers ANOTHER DEMON Signs To Ragebreed Records for Re-Release of EP “As Above So Below” ft. Guest James Murphy (Testament, Death, Obituary)

March 25, 2026
by Asher
· Another Demon · Music News

NEWS RELEASE

Montreal, QC – March 25, 2026

NYC Thrashers ANOTHER DEMON Signs To Ragebreed Records for Re-Release of EP “As Above So Below” ft. Guest James Murphy (Testament, Death, Obituary)

L-R – Frank Tosi – Lead Guitars, Dave English – Drums, Max Capshaw – Vocals, Jun Takeshita – Lead Guitars
Photo Credit: Another Demon

NYC thrash metal outfit Another Demon will officially re‑release their debut EP “As Above So Below” on April 18th, 2026, through Ragebreed Records, with global distribution handled by Earache Records. Originally unveiled independently, the EP now returns with expanded reach and renewed momentum as the band continues its rapid ascent through the East Coast metal ranks.

Formed in 2023, Another Demon has quickly carved out a reputation for a sound they define in five words: Powerful, Fast, Aggressive, Thrashing, Evil. Their music fuses high‑velocity riffing, death‑tinged precision, and a dark atmospheric edge—an approach that feels instantly familiar to fans of classic thrash while pushing into new territory.

“We feel like anyone hearing us for the first time will immediately get what we’re about. Another Demon is the kind of band you can feel instantly familiar with and instantly want more,” says guitarist Frank Tosi.

The EP delivers a layered listening experience, offering both surface‑level adrenaline and a deeper emotional catharsis. The band’s collaborative writing process, built on trading riffs, expanding ideas, and prioritizing results over ego, creates songs that feel cohesive, urgent, and alive.

A major highlight of “As Above So Below” is “Drawn and Quartered,” featuring a guest solo from legendary guitarist James Murphy (Testament, Death, Obituary), whose presence adds both historic weight and technical ferocity to the record. Across its six tracks, the EP delivers a spectrum of thrash intensity: “Reduced to Ash” erupts with frantic, horror‑driven chaos inspired by The Evil Dead, while “Deaf Gods” channels spiritual collapse and frustration through sharp, unrelenting heaviness. “Skull Vessel” pushes deeper into the band’s darker, riff‑forward territory, and “War March” unfolds as a slow‑burning, cinematic descent, massive, ominous, and ritualistic. The title track, “As Above So Below,” ties the EP together with atmosphere, weight, and precision, capturing the full scope of the band’s vision.

Another Demon is powered by four musicians deeply rooted in the NY/NJ/CT heavy music scene. Bassist and vocalist Max Capshaw, known for his work with Sick Of It All, H2O, Murphy’s Law, and Burn, brings decades of hardcore pedigree and a commanding presence at the front of the band. Frank Tosi, the EP’s primary songwriter, shapes the group’s modern thrash identity with guitar work that is tight, aggressive, and atmospherically driven. Alongside him, guitarist Jun Takeshita blends 80s thrash with the intensity of Japanese punk and metal, expanding the band’s sonic range with speed, melody, and precision. Behind the kit, Dave English delivers dynamic, powerful drumming that fuels the band’s relentless pace and rhythmic complexity. Together, they forge a sound built on heavy riffing, razor‑sharp execution, and a balance of pure aggression and immersive atmosphere, music that hits hard and stays with you long after the final note fades.

The tracks on “As Above So Below” were shaped over years of dormancy and renewed creative drive. With a full‑length album currently in development, the band promises an even broader expression of their identity.

“These songs reflect our influences and personal tastes. The full‑length will show even more of our collective personality—our best, our heaviest, and our most honest work,” adds Tosi.

Recommended for fans of Slayer, Testament, Exodus, Overkill, and Immortal, “As Above So Below” is available on the following platforms.

Single Stream – Drawn and Quartered ft. James Murphy (Testament, Death, Obituary) – https://www.youtube.com/watch?v=F7m8elmZ2H8

Add to your Spotify Playlist – https://open.spotify.com/artist/3kNaNyl0Lcp2NffXJUwjT6?si=SbY0-uwdTE6jlNyjTIRDJA

Bandcamp – https://anotherdemon.bandcamp.com/album/as-above-so-below

Track Listing:
1. Reduced To Ash – 3:13
2. Deaf Gods – 3:05
3. Skull Vessel – 1:49
4. Drawn and Quartered ft. James Murphy (Testament, Death, Obituary) – 5:42
5. War March – 5:44
6. As Above So Below – 5:45
EP Length: 25:20

EP Band Line Up:
Max Capshaw – Vocals / Bass
Frank Tosi – Lead Guitars
Jun Takeshita – Lead Guitars
Frank Vaturina – Session Drums

Live Band Line Up:
Max Capshaw – Vocals
Frank Tosi – Lead Guitars
Jun Takeshita – Lead Guitars
Fred Romer – Bass Guitar
Dave English – Drums

More info: https://linktr.ee/another_demon_official

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“Another Demon is some of the best new Thrash Death out there. Glad to be a part of it. The music shreds and crushes!” – James Murphy of Death/Testament/Obituary/Cancer

“Frank writes great metal. Full of shredding evil guitars and catchy songwriting. I could listen to this all day!” – Karl Sanders of Nile

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0 Canadian Modern Metal BURY THE PAST Introduces Its New Era With Their Heaviest Single “Clarity”

March 24, 2026
by Asher
· Bury The Past · Music News

NEWS RELEASE

Montreal, QC – March 24, 2026

Canadian Modern Metal BURY THE PAST Introduces Its New Era With Their Heaviest Single “Clarity”

L-R – Kris King (Bass) – Patrice Jolicoeur (Guitar) – Charles Morin (Vocals) – Til Dubois (Guitar) – Mathieu Fréchette (Drums)

Photo Credit – Sylvain Courchaine (Eighty Oaks Photography)

Metalcore/Post‑Hardcore outfit Bury the Past has officially dropped their brand‑new single “Clarity,” now available on all major streaming platforms. The track marks a defining moment for the five‑piece Canadian band as they step boldly into a heavier, more modern metal direction.

Formed through the natural evolution of guitarist Til Dubois’ creative vision, Bury the Past has grown into a powerhouse collective of musicians from across the Gatineau/Quebec scene. With the addition of drummer Mathieu “Fretch” Fréchette (Fractures & Outlines / Soulthief (Upstate Records) & 2025 Wacken Metal Battle Canada National Finalists), the band found the missing piece that would help shape their new sonic identity.

“Clarity was the first song we wrote together with the latest lineup. It introduced a new drumming style as I joined the band permanently. From fast‑paced verses to slower, heavier sections, the single shows what we’re capable of,” says drummer Mathieu Fréchette.

Musically and lyrically, “Clarity” is a turning point. The band leans into a more aggressive, modern metalcore sound while keeping the emotional depth and diversity that define their identity. Though heavier than previous releases, the band emphasizes that Bury the Past refuses to be boxed into a single genre; evolution is part of their DNA.

If fans are expecting more intensity, they won’t be disappointed.

“Heavy, catchy, emotional, evolving, diverse, that’s how we’d describe our sound. “I think fans are really going to appreciate the new direction. Having Til back on guitar is a major upgrade, and the writing process has never been smoother,” adds Fréchette.

The band’s lyrics, primarily crafted by vocalist Charles Morin with contributions from Til and Kris, draw from everyday struggles, personal experiences, and the universal challenges humanity faces. The result is music that hits as hard emotionally as it does sonically.

Bury the Past pulls inspiration from giants like The Ghost Inside, August Burns Red, The Amity Affliction, Alexisonfire, and Parkway Drive, blending metalcore, modern metal, and post‑hardcore into something uniquely their own.

And while their music is serious, the band’s personality is anything but one‑dimensional. From inside jokes like shouting “Tooteeth” (a reference to Til’s cats) to a lineup spanning ages 20s to 50, Bury the Past is a family built on passion, humor, and a shared love for heavy music.

With plenty of material already written and waiting for the studio, fans can expect more singles from Bury the Past in the near future.

“Timing is key, but trust us, there’s a lot more coming,” adds Fréchette.

Turn it up, dive in, and hear the new era of Bury the Past. “Clarity” is streaming now on all major platforms.

Add to your Spotify Playlist – https://open.spotify.com/track/58hT043E252gg4jgq2m2fB

YouTube – https://www.youtube.com/watch?v=Y7VPu2lWhu8

Single Recording Credits:
• All songs performed by: Bury the Past
• All songs written by: Bury the Past
• Produced by: Tiny Rik Productions
• Mixed by: Tiny Rik Productions
• Mastered by: Tiny Rik Productions

Band Line Up:
Kris King (Bass)
Patrice Jolicoeur (Guitar)
Charles Morin (Vocals)
Til Dubois (Guitar)
Mathieu Fréchette (Drums)

More info: https://linktr.ee/burythepast

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0 SEVEN METAL SINS Unveils First Single “Wolves Of The Last Dawn” From New Album “Legacy Of Chaos” Out June 2026

March 24, 2026
by Asher
· Music News · Seven Metal Sins (Rockshots Records)

NEWS RELEASE

Montreal, QC – March 24, 2026

SEVEN METAL SINS Unveils First Single “Wolves Of The Last Dawn” From New Album “Legacy Of Chaos” Out June 2026 via Rockshots Records

Seven Metal Sins unveil “Wolves Of The Last Dawn”, the first single taken from their forthcoming full-length album “Legacy Of Chaos“, set for release on June 5th, 2026, via Rockshots Records.

Listen (Spotify): https://lnk.to/ybAMOx

YouTube Stream – https://www.youtube.com/watch?v=X3y7GC60LXo

Seven Metal Sins unveil “Wolves Of The Last Dawn”, the first single taken from their forthcoming debut album “Legacy Of Chaos“, set for release on June 5th, 2026 via Rockshots Records.

Formed in 2024 by former Manigance members Stéphane Lacoude (bass) and Patrick Soria (drums), Seven Metal Sins quickly evolved into a fully realized band with the addition of guitarist Antton Iriart, vocalist Claw-G., and guitarist Frédéric Auclerc. Built on experience but driven by a renewed artistic vision, the band channels a direct and uncompromising approach to heavy metal.

“Wolves Of The Last Dawn” stands as a clear introduction to the band’s identity: a high-energy track rooted in classic heavy and power metal, defined by sharp riffing, galloping rhythms, and a commanding vocal performance. The song combines intensity and melodic clarity, delivering an immediate impact while maintaining a strong structural focus.

Lyrically, the track reflects the thematic core of “Legacy Of Chaos“, exploring a world shaped by tension, collapse, and resistance. Through dystopian imagery, the band addresses contemporary issues such as environmental decline, social instability, and the consequences of unchecked power, translating these elements into a direct and evocative narrative.

As the band explains, “This song captures the urgency and tension that run through the entire album. It’s about standing at the edge of collapse and choosing whether to resist or surrender. The imagery of the ‘last dawn’ represents that fragile moment before everything changes.”

Musically, Seven Metal Sins draws from the foundations of classic heavy metal while incorporating the speed and precision of modern power metal. Their sound is built on tight, riff-driven songwriting, dynamic rhythmic shifts, and a balance between aggression and melody, positioning the band within a contemporary yet tradition-aware metal framework.

The single anticipates the release of “Legacy Of Chaos“, an eleven-track debut that delivers a cohesive and high-impact listening experience, combining intensity, structure, and thematic depth. Mixed by Jérémie Garat (Reseda Prod) and mastered by Simon Capony (Basalte Studio), the album presents a powerful and well-defined production that enhances the band’s sonic identity.

With “Wolves Of The Last Dawn”, Seven Metal Sins set the tone for a debut album that does not look back with nostalgia but rather reaffirms the relevance of heavy metal through clarity, energy, and purpose.

For fans of: Accept, Primal Fear, Judas Priest, early Helloween

New album “Legacy Of Chaos” out June 5th, 2026, from Rockshots Records.

PRE ORDER “Legacy Of Chaos“: https://rockshots.eu/products/seven-metal-sins-legacy-of-chaos-cd

Track Listing:
1. The Fall (Intro) – 0:57
2. Scars of Injustice – 4:35
3. No Sanctuary – 4:22
4. Hypocrisy – 4:07
5. Eternal Downfall – 4:57
6. Feel the Steel – 4:20
7. Wolves of the Last Dawn – 4:36
8. Beyond the Breaking Point – 4:01
9. Sun Eaters – 5:00
10. Rise of the Phoenix – 3:55
11. King of Sorrow – 6:25

Seven Metal Sins Line-up:
Claw-G.: Vocals
Antton Iriart: Guitars
Frédéric Auclerc: Guitars
Stéphane Lacoude: Bass
Patrick Soria: Drums

More info:

https://www.rockshots.eu/

https://www.facebook.com/sevenmetalsins

https://www.instagram.com/seven_metal_sins.official

BIOGRAPHY:

Seven Metal Sins is a European heavy metal band formed in April 2024 by Stéphane Lacoude (bass) and Patrick Soria (drums), both former members of the French act Manigance. After years of shared experience, the two musicians reunited with a clear intention: to return to a more direct, uncompromising approach to songwriting, rooted in the essence of heavy metal while reflecting a renewed creative vision.

The project quickly gained momentum with the addition of guitarist Antton Iriart, whose compositional input became a central element in shaping the band’s sound. In December 2024, vocalist Claw-G. joined the lineup, bringing a powerful and distinctive voice that added intensity and character to the music. The formation was completed in March 2025 with guitarist Frédéric Auclerc, further expanding the band’s harmonic depth and overall dynamic range.

With this solid lineup in place, Seven Metal Sins began refining their musical identity, built on a combination of classic heavy metal foundations and the energy of power and speed metal. Their sound is defined by sharp, riff-driven structures, galloping rhythms, and a strong melodic sensibility, balanced by a modern production approach that emphasizes clarity and impact.

The band made its official debut with the single “Hypocrisy” in April 2025, marking the first step in a focused creative path that led to the completion of their first full-length album, “Legacy Of Chaos“, set for release on June 5th, 2026, via Rockshots Records.

Lyrically, Seven Metal Sins draws inspiration from the fractures of contemporary society, addressing themes such as environmental decline, social instability, and authoritarian drift. These elements are often framed through dystopian and science fiction imagery, creating a narrative that resonates with both present realities and possible futures.

With “Legacy Of Chaos“, Seven Metal Sins establishes a clear artistic identity: a band rooted in experience, driven by purpose, and committed to delivering heavy metal that is direct, intense, and relevant within today’s landscape.

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0 Out Now! Italian Melodic Death KARMIAN Unleashes New Concept Album “Horror Vacui” – A Haunting Dive Into the Void of the Human Psyche

March 20, 2026
by Asher
· KARMIAN (Rockshots Records) · Music News

NEWS RELEASE

Montreal, QC – March 20, 2026

Out Now! Italian Melodic Death KARMIAN Unleashes New Concept Album “Horror Vacui” – A Haunting Dive Into the Void of the Human Psyche

Rockshots Records proudly announces the release of Horror Vacui, the new full‑length album from Italian melodic death metal force Karmian, available March 20th. A concept record rooted in true events, “Horror Vacui” marks the band’s most ambitious, introspective, and emotionally charged work to date, a descent into the psychological and existential void behind real acts of murder and moral collapse.

“Horror Vacui is the darkest and most introspective chapter of our journey. A descent into the psychological and existential void that hides behind real acts of murder and madness,” says the band.

Recorded, mixed, and mastered at Audiocore Studio by Luca Cocconi and Simone Sighinolfi, the nine tracks on “Horror Vacui” transform true Italian crime cases into harrowing portraits of human fragility, alienation, and the emptiness that breeds violence. Vocalist and lyricist Andrea Bertolazzi approached each story not to sensationalize, but to expose the void beneath the brutality. As he explains:

“We didn’t want to glorify horror; we wanted to expose its roots. This record is about the emptiness that breeds violence, and the fragile humanity that hides beneath.”

From the tragic collapse of nurse Sonya Caleffi to the cult‑like spiral of the Beasts of Satan, from the myth‑shrouded Alleghe murders to the disturbing obsessions of Marco Mariolini and Gianfranco Stevanin, each track becomes a psychological study rendered through Karmian’s signature blend of aggression, melody, and narrative depth.

With “Horror Vacui,” Karmian pushes their sound further than ever. The album fuses Swedish‑influenced melodic death metal with cinematic tension, intricate arrangements, and a raw, live‑driven production approach. Every instrument was recorded acoustically without studio trickery, preserving the band’s trademark authenticity.

“It’s our most mature and intense work to date, melodic death metal meets cinematic tension, raw energy, and psychological storytelling. We wanted the album to leave a lingering sense of inner unease, a discomfort that wounds, but is also exorcised through the act of listening,” adds the band.

The result is an album meant not just to be heard, but felt, a visceral experience that lingers long after the final note. The band hopes listeners will explore the layers of meaning, the connections to real events, and the emotional weight embedded in every riff and lyric.

“Horror Vacui” stands as Karmian’s most profound artistic statement, a fusion of philosophy, extreme metal, and psychological exploration. It is a record that challenges, confronts, and compels reflection on the abyss within.

Recommended for fans of The Haunted, Kataklysm, Heaven Shall Burn, At The Gates, early Dark Tranquillity, and early In Flames, “Horror Vacui” is available now as of March 20th, 2026, through Rockshots Records.

CD – “Horror Vacui” – https://rockshots.eu/products/karmian-horror-vacui-cd

Add to your Spotify playlist – https://open.spotify.com/album/4lEIA86baPxAQIlIq7jCzE?si=4lFqJB9MQQGnYxBluhv5cA

Music Video – Libido Et Mors – https://www.youtube.com/watch?v=qe4bccF7cx4

Visualizer – Beastmaster Of The Void – https://www.youtube.com/watch?v=-NhBZGSShJE

Lyric Video – Beyond The Dream Gate – https://www.youtube.com/watch?v=YOH-uCK88qI

Track Listing:
1. One Thousand Shining Bubbles – 06:38
2. Beastmaster of the Void – 03:21
3. Gott Mit Uns Nicht – 04:38
4. The Call of the Abyssal Bell – 06:17
5. Black Magical Soap Opera – 03:54
6. Temple of the Fleshless Goddess – 03:23
7. Libido et Mors – 03:40
8. Beyond the Dream Gate of Fear – 04:16
9. Maker of Angels – 04:43
Album Length: 40:50

Karmian Line-Up:
Andrea Bertolazzi: Vocals
Andrea Baraldi: Guitars
Michele Perla: Guitars
Luca Marmi: Bass
Nicholas Badiali: Drums

More info:

https://rockshots.eu/

https://www.instagram.com/karmian_official/

https://www.facebook.com/KarmianBand/

BIOGRAPHY:

Originating from Modena, Italy, Karmian stands as one of the most consistent and distinctive voices in Italian melodic death metal, forging a sound that blends raw aggression, melodic nuance, and strong conceptual depth. Their music draws from the sharp-edged intensity of the Swedish tradition while embodying a uniquely Italian sense of drama, history, and emotional resonance.

The band’s earliest incarnation dates back to 2005, when founders Andrea Baraldi, Mauro Leone, and Nicholas Badiali formed a project under the name When the Storm Broke. Though the group disbanded in 2009 after several lineup changes, the experience laid the foundations for what would later become Karmian. In 2011, the founding members revived the project with the addition of vocalist Andrea Bertolazzi, giving rise to the definitive identity of the band and solidifying their path within melodic death metal.

Karmian debuted in 2012 with the EP “Ways of Death”, a conceptual release exploring psychological decline and the “ways of death” – themes that would become central to the band’s artistic identity. Years of touring across Italy and Europe further strengthened their presence within the extreme metal scene, leading to their first full-length album, “Surgere et Cadere” (2018). Rooted in historical and mythological narratives, the album recounts the struggle of the Celtic Boii tribe against the Roman Empire, showcasing the band’s lyrical ambition and intricate musicianship.

Following extensive touring, including performances with Dying Fetus, Mortuary Drape, and Venom Inc., Karmian released “Live at Slaughter Club” (2022), a testament to their intensity and authenticity on stage. After the pandemic years, the lineup evolved with the arrival of Luca Marmi (bass) and Michele Perla (guitars), marking the beginning of a darker, more elaborate creative phase.

This evolution culminates in their most ambitious work to date: the 2026 full-length “Horror Vacui”, recorded at Audiocore Studio with Luca Cocconi and Simone Sighinolfi. The album explores the psychological and existential void behind real acts of Italian murder and madness, transforming nine true-crime cases into allegorical portraits of emptiness, collapse, and human frailty. Musically, “Horror Vacui” expands the band’s soundscape through intricate dual-guitar writing, powerful rhythmic structures, and Bertolazzi’s blend of guttural intensity and narrative expressiveness.

Across their discography, Karmian have built a reputation for merging conceptual storytelling with extreme metal intensity. Whether navigating historical epics or psychological abysses, their work is defined by a commitment to exploring the deeper forces that drive human behavior – resistance, decline, obsession, and the void within. “Horror Vacui” stands as the culmination of this journey: a mature, uncompromising statement of artistic vision, philosophy, and melodic death metal identity.

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0 TAMPA DEATH FEST Announces Band Submissions For 2026 Lineup

March 19, 2026
by Asher
· Music News · Tampa Death Fest

NEWS RELEASE

Montreal, QC – March 19, 2026

TAMPA DEATH FEST Announces Band Submissions For 2026 Lineup

Celebrating eight years of showcasing some of the most debaucherous and brutal extreme metal to roll through the state of Florida. Tampa Death Fest returns for two nights of uncompromising extreme metal on September 4th and 5th at the legendary Brass Mug in Tampa Bay, Florida.

The festival has announced it’s accepting band submissions to fill remaining slots for its 2026 lineup. Bands interested in performing at Tampa Death Fest are encouraged to submit their materials before the April 1st deadline. TDF welcomes extreme-metal acts of all styles and origins, with a commitment to curating a lineup that reflects the genre’s depth, diversity, and global reach.

Bands can apply their EPK at: tampabaymetalscene.booking[@]yahoo.com

Since launching in 2019, Tampa Death Fest has cemented itself as a cornerstone of the underground extreme‑metal community. Rooted in the city widely hailed as the Death Metal Capital of the World, TDF continues to unite bands, fans, and local businesses under its guiding mantra: “Strength Through Unity, Unity Through Metal.”

Each year, TDF showcases a diverse roster of international, national, and regional acts, offering a platform for rising underground talent to share the stage with established legends. Past editions of TDF have hosted such notable acts as Satan, Venom, Inc, Ringworm, Diabolic, Leishmaniasis (Colombia), Repulsive Vision (UK), Massacre, Atheist, GraveHuffer, Blasphemation, Carpathian Funeral, Kill The Imposter, Sadistic Vision, Nibiru, Merciless Scum, Quiescent Mantis, MRSA, Pantheon, and more.

With an ever‑growing international presence, Tampa Death Fest continues to strengthen connections across Florida and beyond, fostering a spirit of collaboration and community engagement within the metal scene.

Event Details:
Dates: September 4-5, 2026
Location: The Brass Mug, Tampa Bay, FL

About Tampa Death Fest:
Founded in 2019, Tampa Death Fest has grown into a premier event within the extreme metal world. The festival’s mission is to uplift artists, unite fans, and celebrate the culture of heavy music through a shared passion for brutality, creativity, and community.

More Info: https://www.facebook.com/profile.php?id=61577052471967

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“With Tampa’s legendary death metal scene, I think we can all agree that there should be a fest in this city. There have been a few, but they have come and gone. This includes the three-day Tampa Deathfest that just happened in October 2023. What I like about this Tampa Deathfest is it not only hailed legends, such as Hellwitch and Venom, Inc., but it also represented the local talent we still have here.”- Infernal TV

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0 Canada’s IRON KINGDOM Unveils First Single “Defenders” From Sixth Album “Shadows and Dust” Out June 2026 + Cross Canada Tour!

March 19, 2026
by Asher
· Iron Kingdom · Music News

NEWS RELEASE

Montreal, QC – March 19, 2026

Canada’s IRON KINGDOM Unveils First Single “Defenders”

Sixth Album “Shadows and Dust” Out June 6th, 2026 via Steel Shark Records

Headline Hometown Show in Vancouver + Cross Canada Tour! and Armstrong Metal Fest, Loud As Hell Open Air Fest

L-R: Max Friesen (Drums) | Chris Osterman (Lead Vocals / Lead Guitar) | Megan Merrick (Lead Guitar) | Leighton Holmes (Bass)

Photo Credit – Cailin Haley

Vancouver, Canada’s traditional heavy metal torchbearers IRON KINGDOM proudly announce the release of “Defenders,” the first single and music video from their upcoming sixth studio album, “Shadows and Dust,” due out June 6, 2026. The album is also being released in partnership with Steel Shark Records (France), which will offer an exclusive EU edition limited to just 300 double‑CD copies. Disc 1 will contain the full “Shadows and Dust” album, while Disc 2 will feature a “Best Of” collection highlighting tracks from Iron Kingdom’s previous five releases. In addition, the label will introduce a third vinyl colour (100 copies) available only to EU fans.

“Defenders” sets the tone for “Shadows and Dust” with a powerful blend of speed, emotion, and classic heavy metal grit. Inspired by the Battle of Gdansk, the track pays tribute to the Polish soldiers who held their ground for seven days against Nazi invasion, an act of courage that deeply resonates with vocalist/guitarist Chris Osterman, whose own family history is tied to the conflict.

“Being that my family is half Polish, this song strikes a chord for me. I imagined what my great‑grandfather experienced riding with the Polish cavalry in WWII, and I also imagined what people in Ukraine must be feeling right now. Even though the song is fast and heavy, it’s very emotional. It speaks to the courage of those who defend their families, their friends, and their way of life,” says Osterman.

Musically, “Defenders” channels the band’s signature blend of classic heavy metal, drawing influence from acts like Tyran Pace and Primal Fear, with soaring melodies, galloping riffs, and a relentless sense of urgency.

Watch and listen to the music video for “Defenders” at https://www.youtube.com/watch?v=t3k7tW5-9Os

“Shadows and Dust” sees IRON KINGDOM exploring darker lyrical themes, death, hardship, impermanence, while maintaining the triumphant spirit and melodic fire that define their sound.

“This album plays in a dark realm of topics, but I think that’s what will make it accessible to people going through tough times. The music shows hope for a positive way out. It’s a journey from front to back,” adds Osterman.

The album’s artwork by Alan Lathwell was inspired by the track “Blood and Steel” and the Malazan Book of the Fallen series by Steven Erikson, depicting an army marching through a harsh, unforgiving landscape, a metaphor for perseverance through adversity.

IRON KINGDOM will celebrate the release of “Shadows and Dust” with a hometown headline show at the Rickshaw Theatre on June 5, delivering the high‑energy, classic‑metal stage show they’ve become known for. Info at https://orangetickets.ca/detalles_evento.php?id_evento=2127

Following the album launch, the band will hit the road across Western Canada with confirmed festival appearances at Armstrong Metal Fest and Loud As Hell Festival.

True North Strong And Heavy Canadian Tour – Iron Kingdom, W.M.D.
https://www.iron-kingdom.com/tour-dates
June 5 – Vancouver, BC – The Rickshaw
July 2 – Nanaimo, BC – The Globe
July 3 – Victoria, BC – Lucky Bar
July 4 – Cumberland, BC – The Waverley
July 5 – Powell River, BC – The Carlson Loft
July 17 – Armstrong, BC – AMF 2026
July 21 – Prince George, BC – Knox Performance Centre
July 23 – Whitehorse, YT – Lefty’s Well
July 24 – Dawson City, YT – The Pit
July 25 – Dawson City, YT – The Pit
July 26 – Whitehorse, YT – The 98 Hotel
July 28 – Yellowknife, NT – The Underground
July 29 – Fort Smith, NT – Dirty O’ Fergie’s
July 30 – Edmonton, AB – Starlite
July 31 – Drumheller, AB – LAH 2026
Aug 1 – Winnipeg, MB – Park Theatre
Aug 2 – Thunder Bay, ON – Bloom Bar + Lounge
Aug 3 – Sudbury, ON – The Lounge 390
Aug 4 – London, ON – Supply & Demand
Aug 5 – Waterloo, ON – Maxwells
Aug 6 – Ottawa, ON – Dominion Tavern
Aug 7 – Toronto, ON – Bovine
Aug 8 – Montreal, QC – Foufounes Electriques
Aug 9 – Sherbrooke, QC – Le Murdoch
Aug 11 – Woodstock, NB – Monteith Manor
Aug 12 – Halifax, NS – Gus’ Pub
Aug 14 – Corner Brook, NL – Retro
Aug 15 – St. John’s, NL – The Rockhouse
Aug 17 – Truro, NS – Marigold Cult. Centre (Lobby)
Aug 18 – Quebec City, QC – L’Anti
Aug 19 – Hamilton, ON – Doors Pub
Aug 21 – Saskatoon, SK – Black Cat Tavern
Aug 22 – Calgary, AB – Dicken’s
Aug 23 – Kelowna, BC – Jackknife Brewing

Formed in 2011, IRON KINGDOM have spent over a decade championing the classic heavy metal tradition, drawing influence from legends such as Iron Maiden, Judas Priest, Helloween, The Scorpions, and Rush. Known for their electrifying live performances, intricate musicianship, and unwavering dedication to the genre, the band has toured extensively across Canada, the USA, Europe, and Brazil, sharing stages with acts like Night Demon and Blaze Bayley.

“Shadows and Dust” marks the next chapter in their evolution, an album that blends old‑school metal spirit with fresh energy and emotional depth.

Album Teaser – https://www.youtube.com/watch?v=nmWn8pKOyh0

Album pre-order (release date June 6th, 2026) available at the following links:

Official Merch store: https://www.iron-kingdom.com/shop
Bandcamp: https://iron-kingdom.bandcamp.com/music

Track Listing:
1. Defenders
2. Eternal Emperor
3. Dreamless Sea
4. Deadhouse Gates
5. Line Of Fire
6. Blood And Steel
7. Shadow Of Time
8. Dark Demands
9. Starlight
10. Sacred Fire

For more info:
https://www.iron-kingdom.com
https://www.facebook.com/ironkingdomofficial
https://www.instagram.com/iron_kingdom

– 30 –

“Loads of riffs and melodies some excellent lead breaks and pounding rhythms. This is bonafide, foot on the monitor, fist pumping, horn throwing real metal. I have never heard Iron Kingdom before but on the strength of this I will be obtaining the back catalogue very soon.” – My Global Mind (The Blood of Creation 2022)

“If you haven’t checked out Iron Kingdom’s earlier releases and you dig pure ’80s metal, grab a copy of The Blood of Creation then get ready to hunt down their earlier catalog. You will not be disappointed.” – The Metal Crypt (The Blood of Creation 2022)

“I am compelled to say that IRON KINGDOM most surely outdone themselves with “The Blood Of Creation”… A distinctively distinguished experience in Heavy Metal relishment distils at an epically entrancing adventure, should you desire it… an injection in infectiously venomous momentum most definitely deserves interest – do check it out.” – Metal Temple (The Blood of Creation 2022)

“With The Blood Of Creation, Iron Kingdom have forged a masterpiece that brings tears of joy to the eyes of every traditional metalhead. There is only high-quality material and everyone is encouraged to include this album in their choice of this year’s Top10. ” – Soundmagnet (The Blood of Creation 2022)

“To put a bow on IRON KINGDOM’s The Blood of Creation, it’s dang good, borderline perfect and any fan of hard rock and heavy metal that is slathered with soaring epic vocals, dual guitar rhythm and shredding solo’s layed down on a feather bed of thunderous, galloping and filling chattering drums and bass then go, go, go get you some of this. A monster thank you to Chris for taking the time to chat me up and gift me this glorious CD. Now I need to go and get the back catalog…” – KNAC (The Blood of Creation 2022)

“a barnstorming barrage of blistering heavy metal, highly head bang-able and immensely infectious.” – Metal Gods TV (The Blood of Creation 2022)

“”The Blood of Creation” is a satisfying excursion into metal classicism.” – Wormwood Chronicles (The Blood of Creation 2022)

“This is a solid album of heavy metal delivered in the style that is true to the cause and therefore, what the listener gets here with ‘The Blood of Creation’, is an album which mounts its steeds and charges forward in a cavalry strike as galloping riffage and rhythms never give the listener the chance to let up with tracks such as ‘Queen of the Crystal Throne’, ‘In the Grip of Nightmares’ and ‘Witching Hour’ having some very impressive twin guitar lines. This would impress any fan of Iron Maiden, Riot V and Iced Earth, but also sticks within the remit of trad metal with bands such as Katana, Skelator and Toledo Steel.” – Metal Digest (The Blood of Creation 2022)

“Anyone who likes beautiful and playful melodies, extensive guitar solos, detailed arrangements and double lead guitars will be well served with “The Blood Of Creation”.” – PowerMetal.de (The Blood of Creation 2022)

“The musicianship is solid, the lead work sharp and Osterman’s high-pitched vocals can certainly hit the heights. His soaring shrill delivery on ‘Queen of the Crystal Throne’ demonstrates that perfectly. New drummer Max Friesen makes his recording debut for the band and puts in a sterling effort with some robust and powerful performances.” – Ever-Metal (The Blood of Creation 2022)

“Iron Kingdom created an iron-bound, battle-hardened piece of traditional Heavy Metal that truly made me want to turn the clock back to those long-gone days of glory. Times when metal was just that, the pure joy of a style that was still new, exciting, and powerful. Or to let the band speak in their own words, they “…decided to play metal the way it used to be played in the 70s and 80s.” Well, mission fucking accomplished. Well done, guys.” – Rock Music Raider (The Blood of Creation 2022)

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0 Rockshots Records – RIMMAR Shares New Music Video “These Ruins” ft. Marco “Biuller” Bertuccioli (Smelly Boggs, J27, 80’s Sunset Strip)

March 18, 2026
by Asher
· Music News · Rimmar (Rockshots Records)

NEWS RELEASE

Montreal, QC – March 18, 2026

RIMMAR Shares New Music Video “These Ruins” ft. Marco “Biuller” Bertuccioli (Smelly Boggs, J27, 80’s Sunset Strip)

“It’s a dream come true, lasting for years. Now everything can begin”.

With these words, Italian guitarist and composer Marco Rinaldi introduced Rimmar, his visionary solo project. Today, that vision continues to unfold with the release of the new music video “These Ruins”, out now via Rockshots Records, marking a new chapter in the cycle of the latest album “Raises”.

Far from being a traditional band, Rimmar remains a one-man artistic endeavor driven entirely by Rinaldi’s creative direction. As with the entire “Raises” album, “These Ruins” is fully written, composed, and arranged by Rinaldi himself, blending classic, progressive, and industrial metal with synth-driven and electronic elements into a sound that is both modern and distinctly recognizable.

Continuing the conceptual path established by singles “Planet Mars” and “Unreal“, “These Ruins” explores a more introspective dimension within the album’s narrative framework. In comparison, earlier releases focused on rebirth, transformation, and elevation, the new single turns toward the idea of constraint, those invisible forces that bind the individual – and the inner tension required to break free. The result is a track that balances melodic depth and rhythmic impact, expanding the project’s emotional range.

The song features Marco “Biuller” Bertuccioli (Smelly Boggs, J27, 80’s Sunset Strip), whose vocal performance brings a raw and expressive edge, enhancing the track’s intensity and reinforcing its thematic weight. His contribution adds a distinctive character while remaining fully integrated within Rimmar’s sonic identity.

At the core of the project lies a composition-first approach: Rinaldi develops each piece starting from riffs or rhythmic structures, later expanding them through layered arrangements, synth textures, and detailed production work. Lyrics emerge from reflections, dreams, and personal insight, serving the music rather than guiding it – “The word is a servant of music in my case”, he explains.

The music video for “These Ruins” transforms the track’s tension and atmosphere into a striking visual language, reinforcing the project’s identity and narrative through a hybrid sound that fuses metal, electronic elements, and progressive influences.

Watch the official video for “These Ruins” at https://www.youtube.com/watch?v=J4mRkMrC2G8

Originally released on July 4th, 2025, the full-length “Raises” introduced a concept centered on rebirth, transcendence, and emotional elevation, symbolized by the image of a constantly rising volume knob. The record features a cast of exceptional guest performers from the Italian metal scene. Among them, Fabio Lione (Rhapsody of Fire, Angra) appears on two tracks (“Mighty Messenger” and “Vortex”), along with Kyo Calati (MindAheaD), Marco Andreotti (Imagine Dragons tribute), Mattia Fagiolo (White Thunder, Dragonhammer), and Alessandro Cola (Eldritch), each lending their voice and energy to the project.

For fans of Devin Townsend, Pain, Nine Inch Nails, and Faith No More, Rimmar stands at the intersection of power, experimentation, and modern songwriting, continuing to shape a distinctive voice within the contemporary metal landscape.

Digital Album – https://lnk.to/LSOElQT4

CD ORDER: https://rockshots.eu/products/rimmar-raises

Music Video – Mighty Messenger ft. Fabio Lione – https://www.youtube.com/watch?v=e2SbBTPXG6I

Music Video – “Planet Mars” – https://www.youtube.com/watch?v=O2JwJ8UtSO4

Track Listing:
1. Unreal (feat. Mattia Fagiolo)
2. Mighty Messenger (feat. Fabio Lione)
3. These Ruins (feat. Marco Bertuccelli)
4. 8th Sin (feat. Marco Andreotti)
5. Planet Mars (feat. Mattia Fagiolo)
6. Vortex (feat. Fabio Lione)
7. Queen of the Gold (feat. Marco Bertuccelli)
8. Cruel Summer (feat. Kyo Elisa Proietti)
9. Raises

Rimmar Line Up:
Marco Rinaldi: Guitars
Tommy Pellegrini: Rhythm Guitars
Marco Moretti: Drums
Alessandro Cola: Bass Guitar

More info:

– https://rockshots.eu/

– https://www.facebook.com/profile.php?id=100063487690785

– https://www.instagram.com/rimmar_official/

– 30 –

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0 ASHEN HORDE Announces New Album “The Harvest” Out May 2026; Unveil Music Video “Entropy and Ecstasy”

March 17, 2026
by Asher
· ASHEN HORDE · Music News

NEWS RELEASE

Montreal, QC – March 17, 2026

ASHEN HORDE Announces New Album “The Harvest” Out May 2026; Unveil Music Video “Entropy and Ecstasy”

Photos by @still.squill (Trevor); Photo Dun Right (Karl); unknown (Robin)

Los Angeles extreme‑metal shapeshifters Ashen Horde return on May 1st, 2026, with “The Harvest”, their fifth full‑length album and the first to feature new vocalist Karl Chamberlain (Putrefier, Alcyone, Necrotic Remains). Known for weaving black metal, death metal, prog, and 90s‑inspired grit into something unmistakably their own, Ashen Horde push their sound further than ever, embracing melody, chaos, and sharp contrasts across eight thematically linked tracks.

Alongside the album announcement, Ashen Horde have unveiled the first single, “Entropy and Ecstasy”, a whirlwind of jagged riffs, angular Voivod‑like progressions, and Chamberlain’s soaring, chilling vocal hooks. The accompanying video represents a major milestone for the band: despite recording the entire album remotely, this is the first time the members have appeared together on camera.

The first preview to the album, “Entropy and Ecstasy,” captures the album’s core idea: finding exhilaration in collapse. The song follows a couple who thrive on the chaos of a world falling apart, a concept Portz admits was likely sparked by the early COVID lockdowns.

Guitarist and primary songwriter Trevor Portz recalls being floored by Chamberlain’s audition:

“I sent him a demo of ‘Entropy and Ecstasy’ with unfinished lyrics, and he sent back his take. His vocals on the line ‘how can we thrive if we expect to survive?’ still give me chills.”

Listen and watch the music video for “The Harvest” via its premiere on NoCleanSinging HERE.

Add to your Spotify playlist – pre-save – https://show.co/z0ZVdF9

“The Harvest” marks a turning point for Ashen Horde. After a decade as a studio‑driven project, the band is preparing to play its first‑ever live shows in May, coinciding with the album’s release. It’s also the first full‑length to feature Chamberlain, whose dynamic range helped reshape the band’s sonic identity.

While Ashen Horde’s previous four albums were tightly constructed concept records, “The Harvest” takes a different approach. Each track stands alone, yet all orbit the idea of endings, personal, societal, historical, and cosmic.

“I didn’t have a single story this time, but the lyrics kept circling reactions to things ending. From societal collapse to ancient rituals to the last days of Pompeii, everything tied together naturally,” explains Portz.

Musically, the album is a showcase of the band’s eclectic influences. From the opening track, “Autumnal”, a slow-burning ascent into full black‑metal fury, inspired by the Sensorio light installation in Paso Robles. “Backward Momentum” blends Opeth‑style clean‑vocal layering with 90s‑rock riffing and one of Portz’s favorite solos on the album. “Voids in the Ash” pairs grunge‑inflected vocal harmonies with hyperspeed black‑metal bursts, telling the story of Pompeii from both mortal and divine perspectives. “The Apparition” channels early death metal before spiraling into odd‑meter prog weirdness. The title track, “The Harvest,” closes the album with an apocalyptic vision inspired by Iceland’s stark landscapes and the album’s striking cover art.

The album’s cover, featuring two red skeletons locked in an eerie, autumnal tableau, was created by artist Venus Kohana, whose work Portz discovered at an art show. The imagery’s blend of beauty, decay, and ritual perfectly mirrors the album’s themes.

“I bought a print and couldn’t stop staring at it. Eventually, I realized it had to be the cover. It even inspired the lyrics to the title track.”

For over a decade, Ashen Horde has carved out a unique place in extreme metal, refusing to be confined to any single subgenre. Rooted in black and death metal but unafraid to explore melodic prog, 90s alternative, and avant‑garde experimentation, the band appeals to fans of Opeth, Enslaved, Amorphis, Ihsahn, and metal’s more adventurous corners.

Originally founded as a solo project by guitarist and primary songwriter Trevor Portz, Ashen Horde has evolved into a full lineup featuring vocalist Karl Chamberlain and Australian-based drummer Robin Stone (The Amenta, Convulsing).

“The Harvest” represents the band’s most dynamic, collaborative, and ambitious work to date.

Album pre-order (release date May 1, 2026) available on limited splatter vinyl and CD (along with t-shirt bundles) on Bandcamp, as well as everywhere digitally – https://ashenhorde.bandcamp.com/album/the-harvest

Tour Dates:
May 14 – Montclair, NJ – The Meatlocker
May 15 – Wallingford, CT – Cherry Street Station
May 16 – Brattleboro, VT – Midnight’s

Track Listing:
1. Autumnal (6:12)
2. Entropy and Ecstasy (5:47)
3. Backward Momentum (5:21)
4. Voids in the Ash (5:41)
5. Remnant (4:37)
6. A Place in the Rot (4:38)
7. Apparition (4:57)
8. The Harvest (5:46)
Album Length: 43:03

Credits:
Mixed by Ricardo Borges and mastered by Tony Lindgren at Fascination Street Studios
Artwork by Venus Kohana (venuskohana.com)

Lineup:
Trevor Portz: Guitar, Bass, Harmony Vocals
Karl Chamberlain: Vocals
Robin Stone: Drums

More Info:

https://www.facebook.com/AshenHorde/

https://www.instagram.com/ashenhorde

-30-

“The harvest is coming! The new Ashen Horde album is a multi-faceted journey into every nook and cranny of extreme metal. “The Harvest” is challenging and quirky, but unlike a lot of other progressive/experimental releases, it never loses track of the key ingredient in music – good songwriting. All tracks are well-crafted and interesting in their own right, and the skillful instrumental performances are more like the icing on the cake and not the main focus. Highly recommended!” – Nik Sundin (Dark Tranquillity)

“Antimony; 3/5 rating; “the sound Ashen Horde has developed over three albums is pretty much theirs alone. It’s a dense but accessible approach that rewards both casual listens and sustained attention.” – Angry Metal Guy (2023 – Antimony)

“Equal parts blackened madness, death metal riffing, and clean vocals, “The Neophyte” should get just about anyone stoked for Antimony.” – Metal Injection (2023 – Antimony)

“an amazing odyssey all around and the amount of remarkable coherency as well as the instrumentation work and musicianship is just top notch.” – Metal Purgatory (2023 – Antimony)

“Progression like what Ashen Horde has undergone over the years is what the best tales in the underground are made out of.” – Head-Banger Reviews (2023 – Antimony)

“Fallen Cathedrals; 4.0 rating; “I can’t recommend this enough for fans of black and death metals being combined in unique ways.” – Angry Metal Guy (2019 – Fallen Cathedrals)

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0 Gore House Prod. – ONCHOCERCIASIS ESOPHAGOGASTRODUODENOSCOPY Unleashes Blasting Fury and Vile Gutturals w/ “Gutted & Corpsed” From New Album “Fugue Gnawed from the Scabbed God Cerebrum”

March 16, 2026
by Asher
· Music News · Onchocerciasis Esophagogastroduodenoscopy (Gore House Productions)

NEWS RELEASE

Montreal, QC – March 16, 2026

ONCHOCERCIASIS ESOPHAGOGASTRODUODENOSCOPY Unleashes Blasting Fury and Vile Gutturals w/ “Gutted & Corpsed”

New Album “Fugue Gnawed from the Scabbed God Cerebrum” Out April 2026 via Gore House Productions

L – R – The Popuko – Guitars, Drums, Bass, Backing Vocals, Alice Simard – Guitars, Drums, Jesse Agiomamitis – Vocals

Stillbirth Records / Gore House Productions proudly presents “Gutted & Corpsed,” the second single from apocalyptic brutal death metal entity Onchocerciasis Esophagogastroduodenoscopy (OxE). The track follows the pulverizing first single “Hurt Beyond Healing,” offering another glimpse into the dissonant, experimental, and violently immersive world of the band’s upcoming full‑length “Fugue Gnawed from the Scabbed God Cerebrum,” out April 3rd, 2026.

Where “Hurt Beyond Healing” delivered a “standard ass‑beater” of frantic riffs and chaotic vocal assaults, “Gutted & Corpsed” dives deeper into OxE’s alien sonic architecture. The track erupts with relentless blasting and subterranean gurgles before collapsing into a nightmarish mid‑section, “like a portal to the underworld has been opened,” as the band describes it. Angular riffs, unearthly shrieks, and warped textures pull the listener into a disorienting void before the song returns to its opening barrage with renewed ferocity. Lyrically, it pushes the album’s overarching theme of cosmic annihilation forward, delivered through OxE’s signature cryptic, imagery‑driven writing style.

“We chose this as one of our singles because it’s relatively straightforward compared to what people can expect elsewhere on the LP. But some of our weirder elements are still present in both our first single Hurt Beyond Healing and now this second Gutted & Corpsed,” says vocalist Jesse Agiomamitis.

Listen to “Gutted & Corpsed” via its premiere on NoCleanSinging HERE.

“Fugue Gnawed from the Scabbed God Cerebrum” marks OxE’s most ambitious and experimental release to date. Musically, the album is a labyrinth of dissonant brutality, warped synths, and organic instrumentation, subjected to “various levels of sonic destruction,” creating an alien, otherworldly soundscape. German multi‑instrumentalist The Popu cites Nithing, Agonal Hymns, and Dripping’s “Disintegration of Thought Patterns During A Synthetic Mind Traveling Bliss” as major influences on the LP’s sonic identity. Lyrically, the album follows a cryptic narrative centered around a cosmic “godslayer” on a universe‑shattering rampage, an allegory for inner turmoil, mental illness, and existential collapse.

“Start‑to‑finish, the album is dissonant, punishing, and disorienting. The character and his actions mirror the overall feeling of the album: cold, calculated, and violent,” adds Jesse.

The album’s artwork, created by the renowned Mei Maro, weaves together mythological, folkloric, and personal influences into a single grotesque vision that reflects the band’s thematic obsessions.

Recommended for fans of Deathspell Omega, Disentomb, Artificial Brain, First Fragment, Disgorge, and Ulcerate, OxE‘s “Fugue Gnawed from the Scabbed God Cerebrum” is their longest and most refined release yet: no filler, no restraint, and no compromise.

Album pre-order for CD, Cassette, and digitally from Stillbirth Records / Gore House Productions at https://orcd.co/scabbed-god-cerebrum

Formed in Quebec City, Onchocerciasis Esophagogastroduodenoscopy began as a solo project by guitarist Alice Simard before evolving into a multinational trio with the addition of Australian vocalist Jesse Agiomamitis and German multi‑instrumentalist The Popu. Their sound, described in five words as Inhuman, Unnerving, Calculated, Chaotic, Apocalyptic, draws from brutal death metal, black metal, avant‑garde experimentation, and influences ranging from Dark Souls to Berserk to real‑world mythology.

Track Listing:
1. Conquering Divinity – 3:17
2. The Fallen Lament, Paralytikus Ascends – 1:21
3. Severing What Makes Me Human – 2:41
4. Apotheotic Apotemnophilia – 3:03
5. Entombed Within the Infinite Panopticon – 2:23
6. Gutted & Corpsed – 3:05
7. Heaven’s Empty Halls – 5:13
8. Hurt Beyond Healing – 2:33
9. Abyssikataplexika – 2:35
10. Vile Verses Flogged into the Wings of Angels – 1:23
11. Forged in the Blackest Reaches of Blasphemy – 4:58
Album Length: 32:32

ROLES:
Jesse Agiomamitis: Vocals, Lyrics
Alice Simard: Composition, Guitars, Lead Guitars
The Popu: Additional Songwriting, Mixing and Mastering, Guitars, Bass, Orchestration and Sound Design, Additional lyrics, Additional Vocals

More info:

https://gorehouseproductions.com/

https://www.facebook.com/OnchoOfficial

https://www.instagram.com/onchocerciasis_official

-30-

“It’s brutal as fuck, but it’s also explores the entire bouquet of sick creativity extreme music has to offer. The Fallen Lament is fun. It’s violent and it loves to blur boundaries between already scummy, disgusting genres.” – Vox & Hops Metal Podcast (The Fall Lament – 2024)

“This EP is definitely for the lovers of the extreme – fans of Deathspell Omega, Defeated Sanity, and Ulcerate will dig the fuck out of this record. So will fans of Dehumanizing Itatrian Worship, whose Kiryu Zhang contributes vocals on the last track of the EP, ‘Facial Gutting’. 9/10” – Ever Metal (The Fall Lament – 2024)

“The tracks revolve around blast beats and slams with some truly impressive breakdowns on display. Lyrics are themed around many different influences including mental health issues that have plagued the bands members, anime and video games making for an interesting read. In essence this EP provides a really promising preview of things to come for this band, who have the potential based on this evidence of creating something special.” – The Razor’s Edge (The Fall Lament – 2024)

“OxE are a different beast, very heavy and extreme but different to most bands of this ilk. The best way to describe them would be like Mortician, but with slam riffs! They have that downtuned bass that trawls the depths of hell with its tone and razor-sharp guitars, frantic programmed drums and some seriously deranged vocals. The tracks are short and sweet, the whole EP only goes on for ten minutes twenty one secs but in that time, you feel so bludgeoned and battered listening to it that it feels much longer, almost like you are succumbing to some exquisite torture!| – The Razor’s Edge (The Fall Lament – 2024)

“What’s cool here is when the music slows down almost to a crawl and sounds creepy as fuck, with a horror/suspense-like feeling that’s not without reminding me of some of the most disgusting episodes of the X-Files when they had some kind of monster eating its victims or what have you, and you can probably throw in a few horror B-movies in there as well. The Fallen Lament is kind of chaotic and dissonant and certainly sets itself apart in the sea of brutal death metal releases out there. 4/5” – The MetalCrypt (The Fall Lament – 2024)

“primal and brutal variety of dramatic and booming extreme metal ” – The Viking in the Wilderness (The Fall Lament – 2024)

“Brutal gore death grind metal with pig squeally vox” – 89.9 WORT FM – The Moshpit (Madison, WI) (The Fall Lament – 2024)

“It’s been a long time since I heard anything like this mentioned, and the truth is that I haven’t been disappointed. Those from Canada bring us the best formula to execute it. This is based on being as heavy as they are fluid, without giving up the occasional surprise in the form of extra convolutions, which, by the way, fits like a glove. I was extremely grateful that they didn’t focus on composing ultra-heavy and simplistic «ruido» with little direction twist like many others do, reminding us once again that Slam can be rich in nuances within its borders.” – Broken Tomb (The Fall Lament – 2024)

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0 PIRANHA PIT FEST III (Montreal) Announces 2026 Lineup w/ MACABRE, KINGS OF THRASH, GORGASM, ATROPHY, PESSIMIST, DBC, and More!

March 16, 2026
by Asher
· Music News · Piranha Pit Fest

NEWS RELEASE

Montreal, QC – March 16, 2026

Festival Assets – Photos, Posters, Set Times HERE (for media use only)

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PIRANHA PIT FEST III (Montreal) Announces 2026 Lineup w/ MACABRE, KINGS OF THRASH, GORGASM, ATROPHY, PESSIMIST, DBC, and More!

PIRANHA PIT FEST III has unleashed its 2026 lineup for two ferocious nights of death metal, thrash, and heavy metal mayhem returning to Montreal on May 1–2, 2026. Presented by Piranha Bar (680 Ste-Catherine Ouest) and Dungeonworks Productions, the festival welcomes metal fans back for one of the city’s most extreme annual events featuring MACABRE, KINGS OF THRASH, GORGASM, ATROPHY, PESSIMIST, DBC, and many more.

Friday night will erupt with breakneck speed, gore‑drenched riffs, and pure old‑school savagery as some of death metal’s most respected forces descend upon the city. Saturday night will shift into a high‑voltage celebration of classic thrash, speed, and the unshakable power of traditional heavy metal.

Facebook Event: https://www.facebook.com/events/1154523419943924/
Tickets (Individual daily ticket or Weekend Pass) – https://www.eventbrite.com/e/piranha-pit-fest-3-tickets-1977767497826

Ticket holders will receive a bracelet based on their ticket type. Weekend‑pass holders will keep the same bracelet on for the entire duration of the festival.

Check out the festival Spotify playlist – https://open.spotify.com/playlist/0uQStdodVpgpAkvnx5d8Ak

=======

Co-headlining opening Friday night on May 1st, Chicago’s long‑running trio MACABRE brings their unmistakable brand of Murder Metal to Montreal, an unholy fusion of death metal, thrash, grind, and twisted nursery‑rhyme melodies. Since 1985, the band has carved out a cult legacy with their darkly humorous, true‑crime‑obsessed storytelling and a lineup that has remained unchanged for four decades. Expect a wild, theatrical, and utterly unmistakable performance from one of extreme metal’s most unique and enduring acts.

Music Video – Joe Ball Was Hi Name – https://www.youtube.com/watch?v=O8_WaVOwfA4

Also co-headlining night one of Pit Fest III, Chicago’s GORGASM stands as one of the defining forces in American brutal death metal. Since the mid‑90s, the band has carved out a reputation for hyper‑technical riffing, relentless blast‑driven intensity, and a signature blend of brutality and precision that helped shape the genre’s modern sound. Their cult‑classic releases, packed with surgical musicianship and uncompromising extremity, have earned them a loyal global following. Expect a devastating, high‑velocity set from one of brutal death metal’s most respected and enduring names.

Visualizer – Carnal Demise – https://www.youtube.com/watch?v=-4KLfltEE5s

Also supporting Friday night, extreme‑metal veterans PESSIMIST, born from Baltimore’s early ’90s death‑metal underground, have long carved out their own territory with a vicious blend of technical precision, old‑school thrash influence, and a relentlessly dark, sinister atmosphere. The band is now gearing up for the release of “Keys to the Underworld,” their first full‑length album in over two decades, with early previews hinting that it may be their most uncompromising and extreme material yet.

Album Stream – Slaughtering the Faithful – https://www.youtube.com/watch?v=DoSP0qXr5cw

Co-headlining night two on Saturday, May 2nd, featuring former classic‑era members of Megadeth, David Ellefson and Jeff Young, KINGS OF THRASH deliver a high‑octane celebration of the golden age of American thrash metal. Known for performing iconic albums and deep cuts from the genre’s most influential catalog, the band brings unmatched authenticity, razor‑sharp musicianship, and the raw spirit of the 80s thrash movement. Their live shows are a full‑throttle tribute to the era that shaped heavy metal history, making them a must‑see highlight for fans of speed, precision, and old‑school aggression.

Music Video – Lockdown – https://www.youtube.com/watch?v=d9eqD1kMDqQ

Also co-headlining Saturday Night, Tucson, AZ’s ATROPHY are one of Arizona’s most respected thrash exports, known for their razor‑tight riffing, socially charged lyrics, and high‑energy attack. Their two late‑80s/early‑90s albums on Roadrunner Records, Socialized Hate and Violent by Nature, earned them a devoted cult following and cemented their place in the classic thrash canon. After reuniting in recent years with renewed fire, Atrophy continues to deliver the same sharp, adrenaline‑fueled intensity that made them stand out in the genre’s golden era. Expect a fierce, old‑school thrash assault from a band that helped define the sound of Southwestern speed metal.

Lyric Video – Punishment For All – https://www.youtube.com/watch?v=ECg8hBDyhn4

Also supporting night two, local legends and a cornerstone of Quebec’s late‑80s thrash scene, DBC (Dead Brain Cells) emerged from Montreal with a sound that blended razor‑sharp speed, crossover energy, and socially conscious lyrics. Their cult‑classic albums Dead Brain Cells (1987) and Universe (1989) showcased a band unafraid to push beyond traditional thrash, mixing technical musicianship with progressive, sci‑fi‑driven themes. After years of underground reverence, DBC’s return to the stage has reignited their legacy as one of Canada’s most unique and forward‑thinking thrash exports. Expect a powerful hometown performance from a band that helped shape Montreal’s metal identity.

Lyric Video – Pendulum – https://www.youtube.com/watch?v=GDgyjvpKuoU

Other standout attractions at this year’s Pit Fest III: Canadian (Montreal/Toronto) metal veterans ENTROPY, known for their fierce blend of thrash, death, prog, groove, and power metal. With four independent albums and a global cult following, they’ve shared stages with legends like Annihilator, Fear Factory, Razor, Obituary, and Anvil. Expect a hard‑hitting set from one of Canada’s most distinctive underground acts. Montreal’s DOUBLE CROSS is a crossover thrash/hardcore delivering fast, aggressive, no‑frills energy. With their raw punk edge and high‑intensity live attack, they are one of the city’s rising underground standouts. Montreal crossover thrashers MUTANK explode with high‑energy, pit‑ready aggression inspired by Slayer, Exodus, D.R.I., and Suicidal Tendencies. Formed in 2013, they’ve built a reputation for fast, chaotic riffing, wild live shows, and a relentless DIY spirit. Their long‑awaited new album, Think Before You Think, marked their return with ten tracks of volcanic thrash fury, following their cult‑favorite EP W.H.A.T.S.T.H.A.T. and their Wacken Open Air appearance after winning the Wacken Metal Battle Canada. Expect a ferocious, high‑octane set built for moshing. Toronto’s WARMACHINE delivers a melodic yet heavy blend of power and thrash metal, active since 1994 and recently revived after a five‑year hiatus. Led by vocalist/guitarist Joe Di Taranto, the band is known for tight musicianship, strong hooks, and energetic live performances. With albums like Left for Dead and a new release in the works, Warmachine returns to the stage with renewed fire and a sharpened modern edge.

FRIDAY, MAY 1 – DEATH METAL NIGHT
Headlined by two legendary forces of brutality:
Macabre (co-headliners)
Gorgasm (Co-headliners)
Pessimist
Lividity
Deceased
Disgust
Double Cross
Cystic Embalmment

SATURDAY, MAY 2 – THRASH & HEAVY METAL NIGHT
Featuring a massive thrash metal showcase:
Kings of Thrash (co-headliners)
Atrophy (co-headliners)
DBC (Dead Brain Cells)
Meliah Rage
Warmachine
Entropy
Deadwolff
Mutank
Stregoneria
World On Alert

About PIRANHA PIT FEST:
Launched as a celebration of Montreal’s thriving extreme‑music community, PIRANHA PIT FEST has quickly become a staple for fans of death metal, thrash, and underground heavy music. The 2026 edition marks its biggest and most ambitious lineup yet, bringing together international heavyweights and local legends for two nights of pure sonic devastation.

For more info: https://www.facebook.com/dungeonworksprods

Sponsored by:
OROCK Longueuil Inc.
Loud Trax
Absolute Underground Magazine
Labatt
Asher Media Relations

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