Category: Music News

0 France’s HighWay Announce New Album “Last Call for Rock’N’Roll” Out April 2026; Unveil First Single “Hi-Way” Out Now!

December 12, 2025
by Asher
· HighWay · Music News

NEWS RELEASE

Montreal, QC – December 12, 2025

France’s HighWay Announce New Album “Last Call for Rock’N’Roll” Out April 2026

Unveil First Single “Hi-Way” Out Now!

L-R – Ben Chambert – Lead Guitar, Backing Vocals, Florian Arnaud – Rhythm Guitar, Backing Vocals, Benjamin Folch – Lead Vocals, Cerise Pouillart – Bass, Backing Vocals, Romain Chambert – Drums

Photo Credit – Mr. Cana Photography

French hard rock powerhouse HighWay is back with a vengeance. After the acoustic detour of The Journey (2022), the band returns louder, bolder, and more electric than ever with their sixth studio album, Last Call for Rock’N’Roll, set for release on April 24th, 2026.

The first single, “Hi-Way”, is now streaming and immediately sets the tone for what fans can expect: unstoppable riffs, soaring vocals, and the kind of raw energy that has defined HighWay’s sound for over two decades.

“We realized we’d never written a song called HighWay! All the greats, Motorhead, Iron Maiden, and Black Sabbath, have their eponymous track. So why not us? Musically, it’s a return to the big rock song with a groovy verse, a spooky orchestral bridge, and a riff that fans will love,” explains frontman Ben Chambert.

The single’s accompanying video introduces HighWay’s new line-up, showcasing the band’s explosive live energy. Joining founding brothers Ben and Romain are bassist Cerise Pouillard (formerly of AC/DC tribute Ladies Ballbreaker) and guitarist Florian Arnaud, whose addition brings twin-guitar firepower and massive backing vocals to the band’s stage sound.

Watch and listen to the music video for “Hi-Way” at https://youtu.be/qPYb7fBvNAU

Add to your Spotify playlist – https://kuronekomedia.lnk.to/LCFRnR

Produced, mixed and mastered by Brett Caldas-Lima (Ayreon, Devin Townsend, Megadeth), the album features 12 brand-new tracks that blend power, melody, and emotion in a timeless hard rock spirit. From high-octane anthems like “Bang Bang!” and “Go! Go! Go!” to intimate ballads like “Mayday”, the record explores life’s highs and lows with authenticity and passion.

“Fans will be blown away by this record. After the acoustic break of The Journey (2022), we’re back to pure rock—100% electric, high voltage, but still full of melody, vocals, and surprises. Writing and recording these songs was a passionate process, and with producer Brett Caldas-Lima, we refined every detail. The lyrics are more personal and intimate than ever, reflecting real-life experiences we wanted to share. We feel more mature as songwriters, and we’re proud of this album on every level, songwriting, sound, and production.” – HighWay

Formed in 1999 after being inspired by AC/DC’s “Live at Donington,” HighWay has played over 500 European shows, sharing stages with legends like Michael Schenker Group, Gotthard, Jeff Scott Soto, and Nashville Pussy. With influences ranging from AC/DC and Queen to Aerosmith and Guns N’ Roses, the band has carved out its place in the “new wave of European Classic Hard Rock.”

Now, with “Last Call for Rock’N’Roll,” HighWay is ready to take things to the next level, delivering a massive live sound, unforgettable hooks, and a renewed sense of purpose. Don’t miss the Last Call. HighWay is back and louder than ever.

Due out on April 24, 2026, “Last Call for Rock’N’Roll” is available for album pre-order at https://highwayshop.sumupstore.com/

Track Listing:
1. LAST CALL (FOR ROCK N’ ROLL) – 5:13
2. HI-WAY – 4:40
3. ¡ BANG BANG! – 3:47
4. NINETIES ACTION MOVIE – 5:16
5. PEACE OUT – 5:44
6. MAYDAY – 4:25
7. GO! GO! GO! – 5:48
8. LET ME – 4:54
9. D.K/D.C – 3:16
10. RAT RACE – 6:00
11. ACTION – 4:32
12. (DON’T) LOOK BACK – 5:09
Album Length: 58:48

Album Band Line Up:
Ben Chambert: Lead guitar, Backing vocals
Benjamin Folch: Vocals
Sam Marshal: Bass Guitar, Backing vocals
Romain Chambert: Drums

Live Band Line Up:
Ben Chambert: Lead guitar, Backing vocals
Florian Arnaud: Rhythm guitar, Backing vocals
Benjamin Folch: Vocals
Cerise Pouillart: Bass Guitar, Backing vocals
Romain Chambert: Drums

More info: https://linktr.ee/highway_the_band

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“THANK YOU TO HIGHWAY WHO SUPPORTED US ON OURMISSION EUROPEAN TOUR. A GREAT BAND WHO RECEIVED A SUPERB REACTION FROM OUR FANS.” – Michael Schenker

“IT WAS A PLEASURE HAVING YOU GUYS! YOU TRULY LIVE THE ESSENCE OF ROCK N ROLL” – Jeff Scott Soto

“The Journey” proves to be an album of great richness confirming HighWay’s talent.” – Music Waves (2022 – The Journey)

“We let ourselves be lulled by the ever-present groove. The American spirit allows this album, as exemplified by ” Motel in Alabama,” on which Benjamin Folch excels, accompanied by discreet backing vocalists. Here, we navigate through emotion, skill, and warmth. Surprises abound, some truly astonishing. We’re swept away to a Spanish-infused fiesta with ” In the Circus of Madness ,” a genuine gem of exquisite delicacy. Musically, we find club-like and sometimes intimate atmospheres, with light touches of violin and piano (” Have A Beer “), and captivating choirs ( “Freedom “). The finale, “The Journey,” is practically a rock opera. There’s no need to list them all here, as the title “The Journey” says it all. HIGHWAY has what it takes to hold their own against many internationally established bands, and I hope they receive the recognition they deserve. Well done!” Among The Living (2022 – The Journey)

“What 80’s lover will resist this totally festive spirit, which mixes ambition (Become Someone), love of music(I Like It, United States Of Rock’N’Roll), or sex (Mr King Size, Highway O Love) ? All the clichés of the unstoppable album are there, proud to resurrect a past that we thought had disappeared but which was in reality only asleep. Despite some sometimes approximate choruses (Breath of life), HIGHWAY manages to carry me in his luggage every time he listens. That’s why I’m getting carried away… HIGHWAY joins the exclusive club of teams capable of breaking down borders in order to explode abroad. On two conditions: tirelessly travel the roads of France and Navarre in order to convince the public and force themselves to publish a new album within the next eighteen months. Do everything, in short, so that we talk about HIGHWAY. Will promotion, distribution, financial and media resources be there ??? To be continued very, very closely…” – Metal-Integral (2022 – The Journey)

“From start to finish Ben Chambert is literally the driving force behind this album. Exploring melodies influenced by southern Blues Rock, with a heavy taste of early Guns N’ Roses, it immediately grips your attention. And the solos, though short, are very decent. Another interesting feature about Highway that really stands out is the outstanding vocals chorus done in a very Queen-like fashion, without taking the spotlight away from the lead singer Benjamin Folch. Naturally, his voice is very pure Rock oriented, with a taste of whisky to it. Harsh, yet melodic, and capable of diverse vocal arrangements, and a brilliant English fluency. This is brilliantly demonstrated in “Separate Ways”, as well as a Ronnie James Dio reminiscence in “Damned Me”. Jeff Scott Soto, longtime friend as roadrunner of the band, made a strong contribution in «Wake Up». In conclusion, “IV” is a great return from Highway and it won’t disappoint Rock fans, especially those who are already familiar with the band’s work and sonic identity. 8/10” – The Black Planet (IV – 2017)

“So yes, this latest one has been a long time coming, but the result is up to par, high-end hard rock, don’t miss it from this pancake, don’t hesitate to buy, and it more than deserves to support this group! And fingers crossed that the baby will be followed by lots of little brothers and sisters !” – Rock Meeting (2017 – The Chronicle)

“From the 1st note with the assertive blaster ‘Become Someone’ that’s followed up with the old school crackly effect mono blues starting ‘I Like It’ and later the bluesy ballad ‘Freedom’. There is also the amazing acoustic ‘Highway O’ Love’ and the AC/DC Johnson-era guitar sounding ‘On My Knees’ to get excited over. Complete proof that France has some killer bands on offer in the way of Rock!” – Metalville Zine (2011 – United States of Rock n Roll)

“In the end, another beautiful representative of the quality of hard rock in France, delivered by a happy group of friends, and led by a damn good guitarist. To listen but above all to see on stage because the energy and good humor they exude cannot leave you indifferent.” – Aux Portes du Metal (2011 – United States of Rock n Roll)

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0 Exitus Stratagem Records – AITTALA Drops Video for “Ever After” – A Modern Metal Ballad of Conflict and Redemption From Second EP of 2025 “Ill-Gotten Gains”

December 11, 2025
by Asher
· Aittala (Exitus Stratagem Records) · Music News

NEWS RELEASE

Montreal, QC – December 11, 2025

AITTALA Drops Video for “Ever After” – A Modern Metal Ballad of Conflict and Redemption

Welcome New Bassist Dane Taylor

EP Out Nov 21st via Exitus Stratagem Records

AITTALA Lineup – Gary ‘Smith’ Zeus (Drums), Eric Aittala (Guitar/Vox), Dane Taylor (Bass)

Genre-defying metal band AITTALA (pronounced EYE-tah-la) has released the official lyric video for “Ever After,” the haunting centerpiece of their second EP of 2025, “Ill-Gotten Gains,” out now via Exitus Stratagem Records.

“Ever After” stands apart as a modern-day metal ballad, weaving heavy riffs with melodic textures to explore themes of internal conflict and the elusive search for redemption. It’s a poignant counterpoint to the chaos-driven narratives of earlier tracks on the EP, offering listeners a glimpse into the emotional depth that defines AITTALA’s songwriting.

Watch the video for “Ever After” via its premiere on MetalInsider HERE.

Released in November 2025, “Ill-Gotten Gains” continues AITTALA’s tradition of blurring genre lines. The EP fuses elements of traditional heavy metal, doom, groove, and progressive influences into a cohesive sonic journey. Lyrically, the songs delve into the darker side of human ambition, chaos for personal gain, the inevitable consequences, and the struggle for absolution.

The EP opens with “Isolation,” a doomy, heavy piece that confronts the fallout of past decisions, setting a dark and reflective tone. The title track, “Ill-Gotten Gains,” follows with a riff-driven intensity that shifts into a crushing interlude, lyrically exploring the exploitation of chaos for personal benefit. “Blacklisted” brings groove and sludge to the forefront, exposing manipulators and serving as a counterpoint to the themes of the earlier songs. The mood softens with “Ever After,” a modern metal ballad that wrestles with internal conflict and the elusive promise of redemption. Closing the EP, “Ashes” channels classic heavy metal energy, telling the story of someone in over their head, dragging others down in their descent.

The EP’s artwork resurrects AITTALA’s infamous mascot Frank, a cartoon pig head in a pentagram, first conceived in 2014 for the album “Effigy”. This updated interpretation of Frank embodies the record’s central theme: the shady figure who thrives in chaos, ready to deliver “ill-gotten gains” for the right price. It’s a fitting visual for a release steeped in stories of exploitation, downfall, and the elusive search for redemption.

AITTALA was formed in 1991 in the Netherlands and quickly became a fixture of the Dutch metal scene, sharing stages with The Gathering and Sadist before disbanding in 1993. Resurrected in 2008, the band has since released six full-length albums and multiple EPs, each showcasing growth while retaining their distinctive voice. With “Ill-Gotten Gains,” AITTALA continues their journey of evolution, proving once again that their sound is impossible to confine to a single genre.

“Ill-Gotten Gains” (released Nov 21) is available from Exitus Stratagem Records – https://hypeddit.com/aittala/illgottengains

Music Video – “Isolation” – https://youtu.be/V5Y_azlkGLg

Music Video – “Ill-Gotten Gains” – https://youtu.be/IjlP92y_sQg

In additional news, AITTALA has welcomed bassist Dane Taylor to the live lineup to join founding member Eric Aittala (guitars/vocals) and drummer Gary “Zeus” Smith (THE FIFTH, ex-MR BLACKWELL). Taylor’s arrival injects fresh energy into the band’s dynamic, reinforcing their commitment to pushing boundaries while staying true to their unique sound.

Track Listing:
1. Isolation – 4:22
2. Ill Gotten Gains – 4:20
3. Black Listed – 3:35
4. Ever After – 4:29
5. Ashes – 3:50
EP Length: 20:37

For more info: Exsrmusic.com | Aittala.com | Facebook.com/aittalamusic | Instagram.com/aittalamusic

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“Six full-lengths, two EPs, strong and steady since 2008. Dang. What keeps North Carolina trio AITTALA going? Sheer compulsion for music making is my guess. There’s nothing like the experience of the real thing, despite the obscene ease and seductive sophistication of AI fakery. To hear and feel heavy music live from their minds and voices and hands of real human beings just like you – well, there’s just nothing like it. Bands with stubborn longevity like Aittala serve as an inspiration to the scene. Pick up an instrument, get to jamming, let your voice be heard. If this is your first encounter with the band, perhaps “Isolation” is as good an introduction as any. Mysterious strumming, powerful emphatic chords, and wall-shaking disruption clears the path for soulful, soaring guitar soloing and somber Gothic intonations.” – Doomed & Stoned (2025)

“Bookended by “Machines (Prologue)” and “Machines (Epilogue)”, the album’s structure feels like a full-circle journey. One that captures the essence of the band’s evolution. The blend of storytelling and heavy music makes it clear why these tracks were worth bringing back. With Machines, Aittala doesn’t just revisit the past. They make it hit harder than ever.” – Amplify The Noise (2025 – Machines EP)

“Captivatingly versatile, genre-connecting with plenty of attitude. An intensely powerful and emotionally captivating Electric Doom/Heavy/Power HouseTrip that is excellent at combining expansive melodies and atmospheric melancholic heavy touch. 8/10” – FFM-Rock (2025 – Machines EP)

“A pure blast of good tunes flying around for life. A retro llike cover artwork, it matches it all. The atmosphere and the old tunes still ringing after so many years like it was yesterday. A very good album to own with pleasure. Aittala is here to stay, get your dose of good tunes 100/100.” – The Metal Mag (2025 – Machines EP)

“Eric Aittala is obviously nostalgic on ‘Machines’. But that in no way means that the sound is frozen in the past. On the contrary, the production is modern and powerful. The individual songs are thus transferred to the here and now. A good album, even if the band is ‘only’ a duo.” – Metalheads Forever Magazine (2025 – Machines EP)

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0 Instrumental Metal SILAS FERNANDES Unveils New Videos “Earth Was Boring” and “Escape The Reality Room” from Latest Album “Carbon Purge Acceleration”

December 10, 2025
by Asher
· Music News · Silas Fernandes

NEWS RELEASE

Montreal, QC – December 10, 2025

Instrumental Metal SILAS FERNANDES Unveils New Videos “Earth Was Boring” and “Escape The Reality Room”

New Album “Carbon Purge Acceleration” Out Now!

Photo Credit – Marisa Terra Fernandes

Acclaimed guitarist, producer, and content creator Silas Fernandes (founder of Electric Eye Audio, producer of guitar pedals and digital tools for metal guitarists and creator of the popular YouTube show Rig on Fire) has released two new videos, “Earth was Boring” and “Escape The Reality Room,” from his latest album “Carbon Purge Acceleration,” which dropped this past September. Known for his fusion of industrial metal, shred guitar, and progressive influences, Fernandes continues to push boundaries with instrumental music that blends aggression, melody, and thought-provoking themes.

Formed out of Fernandes’ departure from a cover band with Andreas Kisser (Sepultura) in the 1980s, his solo career has been defined by innovation and independence. Inspired by legends like Joe Satriani, Steve Vai, and Tony McAlpine, Fernandes has carved out a unique sound described in five words: industrial, shred, instrumental, melodic, metal.

His latest videos reflect Fernandes’ vision of instrumental music as more than just a technical display. “Earth was Boring” is a heavy, aggressive track that fuses modern metal with metalcore elements, climaxing in a melodic shred solo. The video for that track features robotic vocal samples sourced from the Killer Instinct character Fulgor, reversed to create a distinct tone. The video for “Escape The Reality Room” alternates between thrashy modern riffs and calm, melodic passages reminiscent of Joe Satriani, offering listeners a dynamic journey through sound and imagery.

“I hope fans take the titles of each song seriously. Each track was written based on visuals and contemporary matters,” says Fernandes.

Watch the videos at the following links:

Earth was Boring – https://youtu.be/t2cg6cbJf_w

Escape The Reality Room – https://youtu.be/zKEGQIr01Bk

Fernandes’ new six-track album “Carbon Purge Acceleration” unfolds as a sonic journey that shifts fluidly from aggressive intensity to ethereal soundscapes. He describes the work as “a true creative cauldron,” blending fusion, modern progressive metal, and nostalgic eighties influences without being confined to genre labels. The album’s artwork reinforces its thematic depth, portraying a divine digital entity revered by worshippers blind to its destructive force, an allegory for the entanglement of technology and chaos in contemporary life. Each track contributes to this layered narrative, “John Hughes Didn’t Direct My Life” channels a nostalgic, 80s-inspired shred; “Flight of the Navigator”, surges forward with fast-paced prog metal, fusion harmonies, and daring time signatures; “Heavy Droids” explores the complexity of 7/4 prog metal, weaving in melodic, slow-tempo passages; and “The Death of Synthetic Curation” closes with a haunting solo guitar piece, drenched in ambient effects that linger like echoes of dissolution. Together, these compositions form a bold, genre-defying statement that is both visceral and thought-provoking.

Recommended for fans of Steve Vai, Fear Factory, Meshuggah, Devin Townsend, and Periphery, “Carbon Purge Acceleration” (released Sept 21st, 2025) is available at the following links:

All Digital Platforms – https://silasfernandes.hearnow.com/

Online Store – CD / Merch – https://www.silascf.com.br/en/services-5

Bandcamp – https://silasfernandes.bandcamp.com

Track Listing:
1. Earth Was Boring – 4:21
2. Escape the Reality Room – 3:47
3. Heavy Droids – 4:09
4. Flight Of The Navigator – 3:39
5. John Hughes Didn’t Direct My Life – 5:19
6. The Death of Synthetic Curation – 5:05
Album Length: 26:20

Album Recording Credits:
• All songs performed by: Silas Fernandes
• All songs written by: Silas Fernandes
• Produced by: Silas Fernandes
• Mixed by: Silas Fernandes
• Mastered by: Adair Daufembach
• Album Artwork by: Jukka Nieminen from Grandio design.

Album Band Line Up:
Silas Fernandes: Guitars, bass, programming of drums, Production, Mix

Live Band Line Up:
Silas Fernandes – Guitars
Raphael Arruda – Drums
Nikolai Ck – Bass

For more info: Silascf.com.br | Facebook.com/silas.fernandes.165 | Instagram.com/silasfernandesguitar

About: Silas Fernandes, a Brazilian-born guitarist, producer, and content creator now based in Virginia, USA, has carved out a distinctive voice in the world of instrumental music. His work fuses industrial textures with the speed of shred, the complexity of progressive metal, and the raw energy of thrash, resulting in soundscapes that defy convention and provoke reflection. Backed by sponsorships from EMG Pickups, Solar Guitars, Black Smith Strings, and Electric Eye Audio, Fernandes reached a milestone in 2024 when Solar Guitars unveiled his signature model, the A1.6 Silas Canibalismo. With a career spanning more than 35 years, he has collaborated with artists across Brazil, taught at the renowned IG&T, and continues to inspire audiences worldwide through workshops, clinics, and his ever-evolving solo releases.

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0 THUNDEROR “Pump Up The Volume” w/ First Single Off New Album “Bleed For It” Out March 2026 + Canadian Tour w/ Burning Witches + EU Tour w/ Chris Holmes (W.A.S.P.)

December 9, 2025
by Asher
· Music News · Thunderor

NEWS RELEASE

Montreal, QC – December 9, 2025

THUNDEROR “Pump Up The Volume” w/ First Single Off Forthcoming Sophomore Album “Bleed For It” Out March 2026

+ Canadian Tour w/ Burning Witches & EU Tour w/ Chris Holmes (W.A.S.P.)

Thunderor L-R: Jonny Nesta (Guitar) | JJ Tartaglia (Vocals, Drums) | Brycen Gunn (Bass)

Photo Credit – Rae Chatten

Canadian heavy metal force Thunderor, fronted by JJ Tartaglia (vocals, drums, Skull Fist) and Jonny Nesta (guitar, ex-Skull Fist), alongside Brycen Gunn on bass, are igniting excitement with their high-octane new single “Pump Up The Volume.” The track offers the first glimpse of their forthcoming sophomore album, “Bleed For It,” slated for release at the end of March 2026. With their trademark fusion of Arena Rock Opera Heavy Metal, Thunderor deliver soaring vocals, massive choruses, and uplifting energy designed to inspire fans to live boldly and chase their dreams.

The single also doubles as the opening number from Thunderor The Musical, the band’s ambitious rock opera, which premiered at the Toronto Fringe Festival 2025. Featuring a cameo from Toronto Mayor Olivia Chow in the promotional clip, the track sets the tone for an album that promises both fun and depth.

“This one is a lot of fun. Turn up the music, pump up your life, Pump Up The Volume! It’s also the opening number for the Musical, and it sets the mood nicely. Although the rest of the album ventures to many different places. Special thanks to Olivia Chow and the City of Toronto for her cameo in the promo clip, super cool.” – JJ Tartaglia.

Watch and listen to the music video “Pump Up The Volume” – https://youtu.be/YfEG-0n0iz4

Add to your Spotify playlist – https://open.spotify.com/album/4FzxOaCZO4Vk9o7bnFntHK

Following their acclaimed debut, Thunderor’s second album “Bleed For It” showcases significant growth in both songwriting and performance. The band highlights improved vocals and more expansive anthem-driven choruses, delivering a soundtrack that balances raw heavy metal energy with theatrical flair. The upcoming album is a concept record, serving as the official soundtrack to Thunderor The Musical. Fans can expect a journey through uplifting themes of love, struggle, and perseverance, all wrapped in the band’s trademark high-energy sound.

Drawing inspiration from legends like Meat Loaf, Van Halen, Bruce Springsteen, The Darkness, H.E.A.T., Night Flight Orchestra, and their own roots in Skull Fist, Thunderor’s sound is a modern twist on classic heavy and hair metal.

Due out on March 27, 2026, the “Bleed For It” Vinyl Bundle Pre-Order is available at https://thunderor.bigcartel.com/product/bleed-for-it-lp-limited-bundle-pre-order

In additional news, Thunderor will be hitting the road in 2026, supporting Burning Witches on their first Canadian Tour in April, followed by a Scandinavian Tour supporting Chris Holmes (W.A.S.P.) in May (dates listed below).

Canada Tour 2026 with Burning Witches
April 20 – Piranha Bar – Montreal, QC
April 21 – La Source De La Martiniere – Quebec City, QC
April 22 – The Brass Monkey – Ottawa, ON
April 23 – The Garrison – Toronto, ON

Scandinavia Tour 2026 with HOLMES (The Sound of WASP)
May 15 – Nordic Noise – Copenhagen, Denmark
May 16 – Godset – Kolding, Denmark
May 27 – The Abyss – Gothenburg, Sweden
May 28 – Muskelrock – Blädinge, Sweden
May 29 – Lokstallet – Skövde, Sweden
May 30 – Gjerdrum Rock Club – Gjerdrum, Norway
May 31 – Sjøboden Live Scene – Mandal, Norway

For more info: Boonsdalerecords.com/thunderor | Facebook.com/ThunderorOfficial | Instagram.com/thunderor_official | Musicnovascotia.ca/artist/thunderor/

About:

Formed in 2020 by multi-JUNO-nominated musicians JJ Tartaglia and Jonny Nesta (also known for their work in Skull Fist), THUNDEROR delivers hook-driven anthems to the caliber set by their arena-rock predecessors, infused with elements of heavy metal, hair metal, and rock opera.

Their debut album, FIRE IT UP (2022), charted at #1 on Earshot’s National Loud Chart in Canada, quickly establishing the band as a rising force in the global metal scene. Extensive tours across Europe, Canada, Mexico, and South America followed, with Thunderor sharing stages alongside major acts such as Airbourne, U.D.O., Enforcer, and Night Demon.

In May 2024, the single “Get ‘Em Counted” amassed over 230K views on YouTube, further fueling anticipation for the band’s next chapter. In the summer of 2025, Thunderor unveiled Thunderor the Musical at the Toronto Fringe Festival, a bold rock opera production featuring a full cast and unreleased material that now forms the backbone of their forthcoming sophomore album.

Set for release in March 2026, the new album will feature the high-energy single “Pump Up The Volume”, a track that embodies the band’s uplifting spirit and theatrical flair. With improved vocals, bigger anthem choruses, and a concept-driven narrative, the record promises to be both a soundtrack to the musical and a standalone heavy metal experience.

If you’ve ever felt a longing for escape, a thirst for adventure, wrapped in romance and danger, allow THUNDEROR to be your soundtrack!

– 30 –

“The bottom line for THUNDEROR is that a listen is urgently required. Those who like the singing will have a lot of fun with the CD” – Vampster

“If you’re looking for a solid rock record that’s equal parts pop and metal, Fire It Up could be your jam. The songs are well crafted, catchy and fun road companions. Take it on your next drive or spin it at Saturday’s kegger. Thunderor takes not being serious very seriously. They recaptured the spirit of 80s rock staples like Ozzy to Journey but also managed to put their own stamp on it. Not many throwback NWOTHM acts succeed in putting this much character in their sound.” – Angry Metal Guy

“The moment I first heard “How We Roll,” I knew I was in trouble…and instantly hooked. Other numbers like “All or Nothing,” “On the Run,” “We Can Make It,” and the epic title track, infuse multiple sub-genres like thrash, power, and synth metal, and are the type of adventurous anthems that make life still feel like it’s worth living even on its darkest of days.” – Rewind It Magazine

“The spirit of the glorious 80’s is omnipresent on the debut, those who like authentic 80’s sound should definitely check out.” 8/10” – Rock It!

“The good mood album of the season comes from Canada. Crisp, consistently catchy songs with excellent guitar work, sometimes enhanced with appropriate keyboard sounds.” 8,5/10” – Deaf Forever

“There must be room somewhere between Steel Panther, The Darkness and The Night Flight Orchestra!” – Metal Hammer

“Thunderor the Musical is infectious, hard-rocking comic book fun that blows the roof off the place – I smiled my way through the whole show – I bet you will, too.” – Sesaya Arts Magazine

“Thunderor the Musical is raucous fun with shredding guitars and driving drums… filled with catchy anthems, flawlessly performed by powerhouse musicians.” – Grind Mag

“I’m always impressed when a drummer handles lead vocals, especially in metal, where the physical demands of drumming are intense. JJ Tartaglia nailed it, delivering flawless vocals without missing a drum beat.” – Allfather Metal

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0 Rockshots Records – Out Now! Australia’s GREYSTONE CANYON’s New Album “Something Borrowed…Something New”

December 5, 2025
by Asher
· Greystone Canyon (Rockshots Records) · Music News

NEWS RELEASE

Montreal, QC -December 5, 2025

Out Now! Australia’s GREYSTONE CANYON’s New Album “Something Borrowed…Something New”

Australian hard rock outfit Greystone Canyon returns today with their highly anticipated third album, “Something Borrowed… Something New.” Out today, as of December 5th, via Rockshots Records, the record is a hybrid collection blending brand-new original songs with powerful renditions of classic rock staples, all captured live in the studio with no click tracks, no tricks, just pure rock ’n’ roll.

Formed by vocalist/guitarist Darren Cherry, whose lifelong passion for music was inspired by AC/DC, KISS, and his father’s career as a professional musician, Greystone Canyon has built a reputation for tone, feel, fire, honesty, and organic sound. With drummer Sham (also of Nothing Sacred), guitarist Richard Vella, and bassist David Poulter, the band brings decades of experience, including Cherry’s tenure with Paul Di’Anno’s final Australian tour in 2024.

“This is our third album and is somewhat of a hybrid. It’s a mix of new original material and classic rock cover songs. It was recorded live, together in one room, no click tracks, just real rock ’n’ roll,” says Cherry.

Greystone Canyon’s new album “Something Borrowed… Something New” pays homage to rock legends like UFO, ZZ Top, Led Zeppelin, Thin Lizzy, and Neil Young, while introducing powerful originals such as Drives Us, Friend of the Fox, and Stealing Our Freedom. Inspired by Van Halen’s Diver Down, the record blends covers and originals into a dynamic listening experience. From the faithful tribute of UFO’s Doctor, Doctor and the smoky swing of ZZ Top’s Just Got Paid, to the road-trip energy of Drives Us and the heavier, metalized punch of Led Zeppelin’s Immigrant Song, the album showcases both reverence and reinvention. Originals like the acoustic, eerie Friend of the Fox and the protest anthem Stealing Our Freedom stand proudly alongside covers such as Thin Lizzy’s Suicide and Neil Young’s haunting Hey Hey, My My. With creative flourishes like “AAF,” a Hendrix-style guitar homage to the Australian National Anthem, the album captures Greystone Canyon’s ability to honour rock’s greatest while carving out its own identity.

Unlike their previous album, “Iron & Oak,” which took six years to complete, “Something Borrowed… Something New” was tracked, mixed, and mastered in just five months. Recorded at Black Lodge Studio under the guidance of Joel Taylor, the band embraced a raw, live recording method that captures the warmth, punch, and energy of musicians playing together in real time.

“This album has been the most fun we’ve had recording. Albums can be hard work and tedious, but this was a joy to make, and we think you can hear that in the recording,” adds Cherry.

Greystone Canyon are an Australian hard rock band blending classic rock, heavy metal, blues, and folk influences. Known for their organic sound and passionate performances, the band continues to evolve while staying true to their roots. Their music is inspired by life, history, and the future, with lyrics that reflect both personal experiences and broader social themes.

“Something Borrowed… Something New” is available now on December 5th, 2025, from Rockshots Records on all major streaming platforms and physical formats.

CD – https://rockshots.eu/products/greystone-canyon-something-borrowed-something-new-cd

Add to your Spotify playlist – https://open.spotify.com/album/1ZyEq4kWkhDg6RnzCbGKJj

Music Video – Suicide (Thin Lizzy cover) – https://youtu.be/VLNaHClXKc0

Music Video – Stealing Our Freedom – https://youtu.be/6SSd6fzgwhU

Track Listing:
1. Doctor, Doctor (UFO cover) – 04:16
2. Just Got Paid (ZZ Top cover) – 03:35
3. Drives Us – 05:06
4. Immigrant Song (Led Zeppelin cover) – 02:21
5. Friend of the Fox – 03:57
6. Suicide (Thin Lizzy cover) – 05:14
7. Hey, Hey, My, My (Into the Black) (Neil Young cover) – 03:22
8. AAF – 1:47
9. Stealing Our Freedom – 04:26
Album Length: 33:54

More info: Rockshots.eu | Facebook.com/greystonecanyon | Instagram.com/greystonecanyon_official

About: Greystone Canyon is an Australian hard rock band formed in Melbourne, known for their timeless blend of classic rock, heavy metal, and blues-infused energy. Their music draws on the spirit of 1970s and 1980s legends such as Led Zeppelin, Thin Lizzy, Ozzy Osbourne, and UFO while infusing modern depth, dynamic arrangements, and heartfelt storytelling.

The band released their debut album “While the Wheels Still Turn” in 2018, earning critical acclaim from both Australian and international press. The record was named “Debut Album of the Year” by Australia’s national TV program The Hard Rock Show, and received outstanding reviews across the board – including 10/10 from Rock ’n’ Load Magazine and 99/100 from The Metal Mag. Supported by multiple singles and videos amassing over 450,000 views, the album firmly established Greystone Canyon as one of Australia’s most promising rock acts.

Their sophomore record, “Iron & Oak”, followed in 2024, entering the Australian iTunes chart at #18 for Hard Rock and #82 across all genres, as well as reaching #1 on CFUR North American college radio. The album was praised by the international rock media, with several 10/10 scores, and produced over 250,000 video views within weeks of release. The band also performed alongside US heavy metal pioneers The Rods, further cementing their reputation for powerful and emotionally charged live shows.

After years of honing their craft and refining their sound, Greystone Canyon return in 2025 with their third full-length album, “Something Borrowed…Something New” – a record that captures the raw, organic essence of a real rock band performing live together. Recorded at Black Lodge Studio in Melbourne with producer and engineer Joel Taylor, the album was tracked entirely live in one room, without click tracks or digital edits. The result is a vibrant, honest, and deeply musical release that mixes brand-new Greystone Canyon originals with hand-picked classic covers from the artists who shaped their identity, including Thin Lizzy, ZZ Top, Led Zeppelin, UFO, and Neil Young.

Frontman Darren Cherry, who also performed with Paul Di’Anno’s (ex-Iron Maiden) Australian touring band in 2024, leads the lineup featuring Richard Vella (guitars, vocals, keyboards), David Poulter (bass), and Sham Hughes (drums, keyboards, mastering). Together, they embody the spirit of traditional rock music – played with authenticity, precision, and passion.

With “Something Borrowed…Something New“, Greystone Canyon pays tribute to the golden age of rock while reaffirming their identity as a band devoted to tone, feel, fire, honesty, and organic sound. It’s a record that reminds listeners of what real rock ’n’ roll is meant to be — alive, human, and timeless.

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0 Canadian Death Metal HARVESTED Unleashes A Brutal Reckoning w/ New Video “Gathered and Deluded” From Latest Album “Dysthymia” Out Now!

December 4, 2025
by Asher
· Harvested · Music News

NEWS RELEASE

Montreal, QC – December 4, 2025

Canadian Death Metal HARVESTED Unleashes A Brutal Reckoning w/ New Video “Gathered and Deluded”

New Album “Dysthymia” Out Now!

Album Line-up: (L-R) – Jacob Collins – Drums, Vitto Oh – Guitars, Mitchi Dimitriadis – Guitars, Adam Semler – Vocals, Eric Forget – Bass

Photographer Credit: Kristen Semler

Ottawa/Gatineau-based death metal band Harvested has premiered their crushing new video “Gathered and Deluded” exclusively through NoCleanSinging. The track is taken from their latest full-length album “Dysthymia,” a record that pushes the band’s sound to new extremes while exploring the brutal realities of mental illness.

Harvested’s sound can be summed up in five words: Heavy, Brutal, Fast, Aggressive, Violent. Drawing influence from death metal titans such as Cannibal Corpse, Suffocation, The Zenith Passage, Cattle Decapitation, and Suicide Silence, the band blends old-school death metal ferocity with modern technicality and deathcore intensity.

“Gathered and Deluded” stands out as the album’s slamming death metal centerpiece, weaving in old-school grooves with technical flourishes. Lyrically, the track delves into the darker realities of cults and hive-mind psychology, continuing the band’s thematic focus on mental illness.

Watch the music video premiere of “Gathered and Deluded” now via NoCleanSinging HERE.

Following their 2022 EP debut, “Dysthymia” represents Harvested’s evolution in songwriting, production, and musical prowess. Recorded with Joe Lyko of Dark Moon Productions, who took care of mixing and mastering duties, the album balances relentless aggression with psychological depth. Each track explores facets of mental illness, inspired by horror and thriller influences as well as real-life experiences.

“This album is the level-up for Harvested. It’s more technical, more brutal, and more cohesive. Fans who’ve seen us live already know how intense these songs are, and now we’re excited to share them with the world,” says Dimitriadis.

Harvested was formed in 2019 by vocalist Adam Semler, guitarist Mitchi Dimitriadis, drummer Jacob Collins, bassist Eric Forget, and guitarist Vitto as a side project that quickly grew into a powerful presence within the Canadian extreme metal scene. Each member brought with them a wealth of experience and credibility from their work in other bands, making Harvested a union of seasoned musicians deeply rooted in the community. Semler, co-founder of A Scar For The Wicked and guitarist for Sons of the Nether, joined forces with Dimitriadis, who plays guitar for Thalassophobia and fronts Hatred Reigns. Forget, formerly a co-vocalist for A Scar For The Wicked and now bassist for Sons of the Nether, added further depth to the lineup alongside Collins, drummer for Thalassophobia and formerly of Harmoniaq. Completing the group is Vitto, whose guitar work in Fumigation and Nirthal

“We originally just wanted to have fun and change things up. I’d always played guitar in bands and figured I’d try a shot at vocals,” says Semler.

Their collective experience has earned Harvested recognition in outlets such as MetalSucks, which named them among “10 Modern Canadian Death Metal Bands” to watch.

Known for their tight, athletic performances, Harvested delivers blistering speed, crushing grooves, and uncompromising brutality on stage. With “Dysthymia” now complete, the band looks forward to bringing their new material to audiences across Canada and beyond.

“If the reception is strong, fans can expect a second album on the horizon,” Dimitriadis adds.

Recommended for fans of Cattle Decapitation, Decapitated, and Cannibal Corpse, Harvested‘s “Dysthymia” is available at the following links:

Album Stream – YouTube – https://youtu.be/ni9XelZ6zHE

Spotify – https://distrokid.com/hyperfollow/harvested1/dysthymia

Album order (released August 1st) – https://harvested.bandcamp.com

Music Video “Harvested” – https://youtu.be/geF_C-Qn_7s

Lyric Video “The Infestation” – https://youtu.be/XwQ1bs7NdZw

Playthrough “Synaptic Confusion” – https://youtu.be/HzvwY-r_NMg

Track Listing:
1. Harvested (3:28)
2. Repressed Neurosis (3:32)
3. Unending Madness (3:21)
4. Synaptic Confusion (3:30)
5. Designed Dilemma (3:18)
6. Gathered and Deluded (3:00)
7. Voices of the Void (3:16)
8. Unanchored (3:51)
9. The Infestation (4:36)
Album Length: 31:55

Album Credits:
Artwork by: CJ Bertram
All songs written and produced by: Harvested
Mixed and Mastered by: (Joe Lyko) Darkmoon Productions

Album Band Lineup:
Adam Semler – Vocals
Mitchi Dimitriadis – Guitars
Vitto Oh – Guitars
Eric Forget – Bass
Jacob Collins – Drums

Live Band Lineup:
Adam Semler – Vocals
Mitchi Dimitriadis – Guitars
Vitto Oh – Guitars
Eric Forget – Bass
Nick Rodgers – Drums

More info: Facebook.com/harvested666 | Instagram.com/harvestedband

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“Canadian death metal band Harvested announce their new album Dysthymia, out August 1. The record will be their first release since their 2022 demo and blends technical, brutal and old-school death metal into a sound all their own.” – Decibel Magazine

“Your muscles are about to reflexively twitch, your head is about to hammer, your pulse is about to accelerate. Audio worms will slither into your ear canals and take up residence there. Some of your cranial neurons may start spinning, creating visions of fast devils and hulking monsters. Those are our predictions of what will happen when you see and hear the playthrough video we’re premiering for the song “Synaptic Confusion” by the Ottawa-based death metal band Harvested. It’s an excellent way to rev up your own motor as Harvested rev up theirs.” – No Clean Singing

“Dysthymia is an impressive first full-length effort for Harvested. It’s absolutely brutal and groovy in it’s more ’90s death metal approach, but they give it a modern coating of paint that makes it feel more relevant and weaves in some intricacy for the tech-fiends without losing sight that it’s still an aggressive death metal album. There’s something for pretty much anyone who likes extreme music here. A very promising future for these guys.” – Dead Rhetoric

“Lyrically poignant, brutally heavy, and bursting with engagingly twisted, hook-filled instrumentation, Dysthymia is a helluva debut, and one Harvested should be proud of. As poetically as I have waxed, I still believe there’s room for Harvested to grow. God help those who might lay their ears on a sophomore effort from this line-up, should they remain intact. Rest assured, I’ll definitely be watching and waiting. For now, however, I wholeheartedly recommend you spend some long-lasting, quality time with Dysthymia.” – Angry Metal Guy

“If you had the chance to see their video of ‘Harvested’ before the album release, you would be able to see how brutal and technical they sound. Harvested knows how to hit you like a punch in your chest, from their first riffs. By the way, riffs are something that you won’t miss here. Mitchi Dimitriadis and Vitto Oh are responsible machine-gun-like guitar picks. The drum sound also hits you with all blasts, and thankfully it’s not that digitalized soulless recording style that a lot of bands fall into now. It carries good organic production qualities, in good measure. My honourable congratulations also go to all the effort the bassist Eric Forget has made to keep his bass present among all the heaviness of the other instruments, and through the complexity of playing his own parts. The vocalist Adam Semler completes the team with good vocal lines… As always, Heavy Metal Canadian bands never disappoint us! And Harvested is one more band to honour its Heavy Metal scene with this incredible album, “Dysthymia”.8.5/10” – Ever -Metal

“If you’re into relentless death metal in the vein of CANNIBAL CORPSE and DYING FETUS, HARVESTED from Ontario could be your favorite new band. These guys have churned forth a classic of brutality with “Dysthymia”. The sound is just as clear and professional as those bands and HARVESTED deal crushing riffs and transitions with appalling intensity. One of the best things about this album, which separates it from a lot of “brutal” efforts, is that the songs are easily distinguishable and don’t melt together in a faceless mush.” – Wormwood Chronicles

“Following a demo released in 2022, Dysthymia represents a true validation of the potential of this group from Ottawa (Ontario, Canada), which deserves special attention. Combining brutal death metal with ‘old school’ influences, the quartet brilliantly demonstrates that their music will resonate with crowds during their concerts… With titles like ‘Repressed Neurosis’, ‘Unending Madness’, ‘Designed Dilemma’, ‘Gathered And Deluded’, ‘Unanchored’, or ‘The Infestation’, Harvested sets the tone! The album was produced by the band itself with mixing and mastering by Joe Lyko of Darkmoon Productions, achieving a modern sound that remains rooted in the fundamental elements of death metal.” – Metallian

“Harvested Delivers 50 Shades of Vicious on ‘Dysthymia’… Dysthymia is one of the year’s best metal records.”-The Rock Father

“If you like brutal death metal with technical elements, this is a great album.” – ZwareMetalen

“HARVESTED deliver flawless death metal with technical sophistication, powerful riffs, gripping vocals and brutal energy.” – MetalUnderground.at

“Harvested channel the struggles of mental illness within the seedy confines of death metal on their debut album, Dysthymia. The group doesn’t skimp on the gorier details, like the depictions of torture on opener “Harvested,” but much of the lyrical prose isn’t that graphic. It takes the views of mental illness from not only a personal perspective, but globally as well. Their death metal has nods to the classics like Cannibal Corpse and Suffocation, while adding a bit of technical bounce as they do on “Designed Dilemma.” Harvested does well with capturing the genre from every corner. Speed freaks will love “Gathered And Deluded,” those with some head banging in their hearts will get down to “Unending Madness” and “The Infestation” ends Dysthymia with a stark message.” – Heavy Music Headquarters

“After knocking the first three tracks out of the park like a home run into the stratosphere, “Synaptic Confusion” goes harder and faster during an opening onslaught second to none before getting menacing and sinister with a slower churn and burn. A violent delight with a catchy hook and a scream-a-long lyrical narrative in the chorus, its the kind of blunt force trauma that everyone can enjoy without a visit to the hospital. Maintaining the quality levels of both musicianship and song writing throughout the record seems like an impossibility of reason and yet its probably why this record took three years to complete because “Designed Dilemma” is another absolute beast. It’s like the band have taken your favourite Death Groove Thrash cut and adrenalized it by mainlining caffeine until their eyes pop out on stalks. The energy levels are as ridiculous as the poise and precision as the band conjure a Technical Death Metal tune of the highest order.” – Metal Noise

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0 Streaming Now! Quebec Deathcore Force DISCOVERY THROUGH TORMENT’s EP “Telesynthetic Rebirth”

December 4, 2025
by Asher
· Music News · Discovery Through Torment

NEWS RELEASE

Montreal, QC – December 4, 2025

Streaming Now! Quebec Deathcore Force DISCOVERY THROUGH TORMENT’s EP “Telesynthetic Rebirth”

+ New Video “Arcane Inception”

Saint-Jean-sur-Richelieu, QC, Canada deathcore force Discovery Through Torment is set to unleash their new EP, “Telesynthetic Rebirth,” with an exclusive advance stream premiering on Decibel Magazine a full day ahead of its official release on December 5th. Fans can experience the band’s most ambitious and brutal work yet before it drops worldwide.

Listen to the EP’s full stream premiere on Decibel Magazine HERE.

Formed out of a desire to push heaviness to its limits, Discovery Through Torment has carved a reputation in the Quebec underground for its uncompromising blend of slam, brutal death metal, and blackened atmospheres. Since their debut, “Divine in Blood” (2020), and the acclaimed follow-up, “The Mangled God” (2022), the band has evolved into a sharpened five-piece lineup, now fronted by vocalist Alex Desroches. With “Telesynthetic Rebirth,” they deliver a bold new chapter defined by narrative-driven lyrics, cinematic scope, and relentless aggression.

“On this EP, we took the time to experiment a lot and find the right balance between sounding fresh and staying true to our sound. It’s very dark and heavy, with sci-fi atmospheres and plenty of surprises. We are very proud of this one, it hits HARD,” adds the band.

The EP plays out like a video game-inspired descent into collapse and conquest, pulling listeners through five chapters of divine downfall, human abduction, and engineered genocide. Musically, it balances towering, cinematic compositions with suffocating heaviness, fusing slam brutality and blackened deathcore atmospheres into a relentless narrative arc. It begins with “Dethronement,” a grand opener announcing the fall of the Mangled God with epic scale, before plunging into “Arcane Inception,” where crushing riffs expose the apocalyptic intentions of a new force rising from the ashes. The tone grows colder and more clinical in “Veil Unfurling,” transforming captives into telepathic servants through a chilling blend of atmosphere and brutality. The intensity reaches its peak in “Lesions,” a punishingly direct assault that warns of inevitable demise with twisted vocal lines and relentless weight. Finally, “First Encounter Assault Regiment” closes the record with a genocidal march, its towering chorus and cliffhanger ending leaving the storyline suspended in anticipation of the destructive chapter still to come.

The EP’s artwork mirrors this ominous narrative, drenched in red hues and desolate landscapes that hint at alien origins and looming menace. Adding to its depth are several fun details: hidden nods to the first F.E.A.R. game woven into track titles and lyrics, the clinical edge of “Veil Unfurling” born from a binge of House M.D., and synth layers crafted in DIY fashion by guitarist Sam experimenting at home.

For fans of Aversions Crown, Rings of Saturn, and Mental Cruelty, “Telesynthetic Rebirth” drops December 5th, 2025, on all major platforms.

“Telesynthetic Rebirth” arrives December 5, 2025 is available for EP pre-order at https://discoverythroughtorment.bandcamp.com/

Add to your Spotify playlist – https://open.spotify.com/artist/3cttRrJzJ5CxdMlaJPkNtq?si=WK9PdT1SQ-yZOes9PP50IA

Music Video – “Arcane Inception” – https://youtu.be/XLjCTuAoXew

Track Listing:
1. Dethronement – (4:36)
2. Arcane Inception – (3:40)
3. Veil Unferling – (4:29)
4. Lesions – (3:35)
5. First Encounter Assault Regiment – (4:19)
Album Length – (20:39)

Album Recording Credits:
• All songs performed by: Discovery Through Torment
• All songs written by: Discovery Through Torment
• Produced by: Discovery Through Torment
• Mixed by: Maxime Lacroix of House of Gain Studio
• Mastered by: Maxime Lacroix of House of Gain Studio
• Album Artwork by: Mark Erskine of Erskine Designs
• Canadian Content (MAPL)

Album Band Line Up:
Charles-Étienne Lafrance – Drums
Samuel Fortin – Guitar
Frédéric Ricard – Guitar
Alexandre Desroche – Vocals
Alexis Lafrance – Bass

Live Band Line Up:
Charles-Étienne Lafrance – Drum
Samuel Fortin – Guitar
Frédéric Ricard – Guitar
Alexandre Desroche – Vocals

More info: Facebook.com/DiscoveryThroughTorment | Instagram.com/discovery.through.torment

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“It certainly won’t take long for Discovery Through Torment to attack again with the next chapter in their already solid career, and I can’t wait to see what’s next for such an up-and-coming Deathcore ensemble after the striking and incendiary Telesynthetic Rebirth. Best moments of the album: Arcane Inception and Lesions. Worst moments of the album: None.” – The Headbanging Moose

“Discovery Through Torment ont ouvert la soirée avec leur interprétation de pièce Slam/Deathcore. On a été servie avec des Breakdowns crasseux et des grooves de cavernes. Musiciens talentueux et un chanteur qui contrôle très bien les tonalités de haut à très gras. En fait, c’est bien Alex Desroches qui est aussi chanteur de Ignominy. Leur setlist est disponible sur Spotify

Discovery Through Torment opened the evening with their rendition of slam/deathcore tracks. We were treated to grimy breakdowns and cavern grooves. Talented musicians and a singer who masters the tones from high to very fat. In fact, it’s Alex Desroches who is also the singer of Ignominy. Their setlist is available on Spotify” – Ondes Chocs (Kaboom Fest @ Foufounes Électriques, Mtl – September 29 and 30, 2023)

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0 JON HARRIS Pays Tribute to Quincy Jones in New Playthrough Video “Mustard N Ketchup” From Album “Parallel Heart” Out Now!

December 4, 2025
by Asher
· Jon Harris · Music News

NEWS RELEASE

Montreal, QC – December 4, 2025

JON HARRIS Pays Tribute to Quincy Jones in New Playthrough Video “Mustard N Ketchup”

Latest Album “Parallel Heart” Out Now! via Epictronic

Get ready to move! Canadian (Edmonton, AB) instrumental rock phenomenon JON HARRIS is back with a new playthrough video for his track, “Mustard N Ketchup,” a standout cut from his critically acclaimed album, “Parallel Heart.”

This new video gives fans a deep dive into the technical wizardry and infectious grooves that make Harris a must-watch guitarist. Blending vast rock dynamics with irresistible funk and dance elements, “Mustard N Ketchup” is a high-energy track that defies genre, proving that instrumental music can be the heart-pounding foundation of pure rock ‘n’ roll.

Jon Harris revealed the surprisingly sophisticated recipe behind the track, citing some of music history’s biggest names as inspiration:

“I get asked about this song more than any other on the record, probably because it stands out in a lot of ways. Mustard N Ketchup is my homage to one of my all-time favourite producers, Quincy Jones, and the magic he created with Michael Jackson and legendary Toto guitarist Steve Lukather. I’ve always loved the sound of the ’80s, and I’ve always loved dance music. To me, it’s the heartbeat of rock, as music should make you move!”

Harris, who is also an accomplished chef, ties the track’s title back to his culinary expertise, reinforcing the idea of a universal language of creation:

“The title is also a nod to my life as a chef, where everything starts with the basic building blocks of flavour. Whether it’s food or music, great things come from a solid foundation.”

Watch the new “Mustard N Ketchup” playthrough video – https://youtu.be/0OIJlqg9Btk

“Parallel Heart” continues to showcase Harris’ mastery of instrumental rock, blending technical precision with emotional resonance. While completely instrumental, the album conveys stories of tension and release, exploring the space between connection and chaos, creative ambition and everyday demands. From the pulsing energy of Togetherness to the shimmering retro feel of 97BPM, each track builds its own emotional narrative.

Harris, who performed guitar, drums, bass, piano, and production on the record, proves himself not only a guitarist to watch but a full-scale sonic architect. His sound bridges blues-soaked rock, synth-driven textures, and funk grooves with cinematic flair, evoking a blend that’s reminiscent of Jeff Beck meeting Prince with a modern rock edge.

Stream the full album “Parallel Heart” now (released Dec 13, 2024) via Epictronic.: https://orcd.co/parallelheart

Track Listing:
1. If You Wouldn’t
2. Wasted Entertainment
3. Entitled
4. Mustard N Ketchup
5. Parallel Heart
6. Mehnoynoy
7. 97BPM
8. My Little Lady
9. Togetherness
10. Humpty Dumpty

More Info – https://linktr.ee/jonharrisrocks

-30-

“It’s a looping track (Entitled) that turns noodling guitar solos into an optimistic resolve. ” – Exclaim!

“guitar virtuoso Jon Harris offers a welcome throwback on ‘Togetherness’, the second single to be released from his forthcoming LP ‘Parallel Heart’. An instrumental number, its mid tempo and groove oriented base is immediately reminiscent of works by Joe Satriani, but unlike so many fretboard freaks, Harris clearly values a great melody instead of a pure shred. Here, he lays down a semi bluesy tone over a solid rock groove, before branching out to inject a funk derived rhythm with a cleaner tone, and bell like melodies. The arrangement eventually finds room for a few slightly fuzzy sounding harmonics and a melody that could be one of Satch’s best, circa ‘The Extremist’.” – Real Gone Rocks

“It’s Friday! And we have the pleasure of adding the new single “Togetherness” from six-string slinger Jon Harris. An instrumental driving rock track with an accessible melody and plenty of layered soloing to keep you engaged throughout, “Togetherness” is a rewarding five minutes without those pesky vocals! Taken from his forthcoming album “Parallel Heart” set for a December release, catch Jon Harris on your Home for the Best New Rock…W-J-O-EEEE!”

“His artistic ability blends technical brilliance and emotional depth, creating immersive soundscapes that push the boundaries of rock.” – Video Sound Art Magazine

“If melodic and elegant instrumental hard rock is music you tend to enjoy, and you appreciate some occasional funky interceptions in such landscapes, then this is an album that you probably will find to be an enjoyable and rewarding experience.” – The Viking in the Wilderness

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0 PYTHONIC Unleash Ferocious Single “Liturgy” Ahead of SLAUGHTERFEST 2025 + New EP “Decomposition” Out Dec 2025

December 4, 2025
by Asher
· Music News · Pythonic

NEWS RELEASE

Montreal, QC – December 4, 2025

PYTHONIC Unleash Ferocious Single “Liturgy” Ahead of SLAUGHTERFEST 2025 in Edmonton

+ New EP “Decomposition” Out Dec 19th, 2025

Pythonic – Back Row – L to R: Max Hiske (Bass) | Morgan Warriner (Lead Vocals) | Vincent Kohut (Rhythm Guitar & Backing Vocals)

Front Row – L to R: Jayden Warriner (Drums) | Ryan Hunter (Lead Guitar )

Photo Credit – Carsen Warriner

Saskatoon, Canada’s death thrash force Pythonic has announced the release of their second single, “Liturgy”, following the success of their first single, “Guiltfeeder”. Both tracks pave the way for the band’s highly anticipated sophomore EP “Decomposition,” set to drop on December 19, 2025.

Formed by guitarist Vincent Kohut, Pythonic was born out of a desire to break free from subgenre constraints and deliver metal in its purest, most aggressive form. Alongside lead guitarist Ryan Hunter, bassist Max Hiske, drummer Jayden, and new vocalist Morgan Warriner, the band has forged a sound described as aggressive, groovy, raw, thick, and dirty.

“Liturgy came out so good on the recordings, we couldn’t help but spotlight this track. The riffs rip, the drums rip, the bass rips, what can we say, this song rips. It’s such a classic metal song, with lyrics about summoning a demon under a blood moon. Morgan’s guttural delivery took it to another level,” says the band.

Listen to “Liturgy” via its premiere on Bravewords HERE.

The band’s second EP, “Decomposition”, represents a heavier, more death-metal-oriented chapter for Pythonic. Tracks such as “Conceit”, “Pills”, and “Collateral” showcase themes of corruption, addiction, toxic relationships, and triumph, while “Liturgy” embodies the band’s darker, more extreme influences. The EP artwork, created by Danya Lawton, visually decays the band’s debut imagery to reflect the reimagined nature of the songs.

“When we brought in Morgan as our new singer, the songs came alive again. What once felt tired now feels powerful; his vocals gave them the chance they deserved. Max’s bass adds a soul-shaking thump, especially on Collateral, while Jayden’s heavier drumming drives the tracks with ferocity and double kicks. We also worked with Reid Paraszczynec of Lucid Distortion Audio, a longtime friend of Vincent and Ryan, whose mixing and mastering made the songs sound phenomenal. Reid’s sharp ear and easygoing nature helped usher in the next chapter of Pythonic the right way,” adds the band.

Fans can brace themselves for an all-out assault of crushing riffs, pounding bass, unrelenting drums, and guttural vocals, solidifying Pythonic as a powerhouse in Canada’s rising metal scene.

The band is set to storm Slaughterfest in Edmonton, AB, on December 6th, sharing the stage with Display of Decay, Brain Stem, Ages of Ashes, A Modern Prometheus, and Cell – info.

Recommended for fans of Lamb of God, Morbid Angel, Devildriver, and Black Dahlia Murder, “Decomposition” will be available on digital platforms on December 19, 2025.

EP pre-order – https://pythonic.bandcamp.com/album/decomposition

Track Listing:
1. Guiltfeeder (4:23)
2. Conceit (4:00)
3. Pills (3:09)
4. Liturgy (3:42)
5. Collateral (3:38)
EP Length: 18:54

EP Recording Credits:
All songs performed by Pythonic
All songs written by Pythonic with Alex Conley
Produced by Pythonic
Mixed by Reid Paraszczynec / Lucid Distortion Audio
Mastered by Reid Paraszczynec / Lucid Distortion Audio
EP Artwork by Danya Lawton

EP and Live Line-Up
Morgan Warriner – Lead Vocals
Ryan Hunter – Lead Guitar
Vincent Kohut – Rhythm Guitar and Backing Vocals
Max Hiske – Bass
Jayden Warriner – Drums

More info: https://www.facebook.com/pythonicband | https://instagram.com/pythonicband

About: Born in Saskatoon, SK, Pythonic is a death‑groove metal powerhouse that fuses the ferocity of Lamb of God, Black Dahlia Murder, and Cryptopsy with its own raw, uncompromising vision. Conceived by guitarist Vincent Kohut as a project free from subgenre boundaries, the band embraces the philosophy that “metal is metal.” Together with lead guitarist Ryan Hunter, Kohut carved out a sound that is aggressive, groovy, thick, and unapologetically dirty, a sonic identity that refuses to be confined. The addition of Morgan Warriner on vocals and Max Hiske on bass has solidified Pythonic’s most devastating lineup to date. Warriner’s guttural range, soaring highs, and earth‑shaking lows have been praised as transformative, while Hiske’s thunderous bass lines add depth and weight to every track. Anchored by Jayden’s relentless drumming, the band operates as a tightly locked unit, delivering a crushing live experience.

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““EP 1” is a testament to Pythonic‘s dedication to their craft and their refusal to be confined by sub-genre limitations. Each song is a blend of technical prowess and raw emotion, offering listeners a chance to experience the full spectrum of the band’s capabilities. It is recommended for fans of Machine Head, Trivium and Pantera.” – Metal-Rules (EP01 – 2024)

“Pythonic comes from Canada with ‘Epica’, a track that features fast-paced guitar riffs, heavy drums and an engaging, torn vocal that delivers to listeners the essence of metal and subverts such as alternative, thrash and even melodic, being perfect to the circle and not to leave anyone standing still.” – Os Garot Os Deliverpool (EP01 – 2024)

“Pythonic has an EP for you. Blending Thrash with Old School Swedish Death Metal, the band manages to sound like Entombed but without losing its unique style… So if you have a few minutes of anger to drain, these guys are going to cover you!” – Metal Eclipse Reviews (EP01 – 2024)

“Overall I’m a pretty big fan of this record. If you want something that sounds maybe like an Anthrax or a Slayer record then you really want to check this out. The most dynamic and unique part of this EP, in particular is the vocals are double-tracked and they’re very high in the mix which is something that is somewhat different than a lot of the other metal releases this year which I greatly appreciate. If you want something that has a lot of the thrash guitar element then you’re really going to want to check this out. The guitar and drum parts are fantastic, they really keep the songs very tight even though the vocals are very in your face and they’re usually the the first thing that you would notice with this kind of record but overall this is very strong.” – Brutally Delicious (EP01 – 2024)

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0 GRAVEWITCH Unleashes New Music Video “Mistress of Hate” from Self-Titled Album Out Now!

December 3, 2025
by Asher
· Gravewitch · Music News

NEWS RELEASE

Montreal, QC – December 3, 2025

GRAVEWITCH Unleashes New Music Video “Mistress of Hate” from Self-Titled Album Out Now!

Extreme metal duo Gravewitch have released their brand-new music video “Mistress Hate,” a blistering visual companion to their self-titled album, which dropped this past June via Rock Sun Records. The release marks a defining moment for the band, showcasing their evolution from raw beginnings to a fully realised professional sound.

Formed in 2013 by childhood friends Chris Fleming (guitar/vocals) and Andrew Ingraham (drums), Gravewitch was born out of a shared passion for heavy music and a desire to carve their own path in the underground scene.

“We’ve been best friends since childhood and decided to create Gravewitch when we were sophomores in high school. This band has always been about pushing ourselves creatively and staying true to our vision,” says Fleming.

Fusing elements of Black Metal, Thrash, Death Metal, Melodic Death Metal, and Cascadian Black Metal into a sound that is both punishing and atmospheric, Gravewitch is relentless, melodic, heavy, intriguing, and old-school.

Gravewitch’s self-titled album takes listeners on a dark and diverse journey through ten tracks, each with its own distinct theme and musical identity. From the haunting portrayal of early 1900s insane asylums in Damnable Evil to the personal nightmare of sleep paralysis in Phantasm, the band blends thrash, black, and melodic elements with precision. Mistress of Hate revisits the brutality of witch trials, while Ritual Reanimation summons undead armies through thrash-driven intensity. Nature and atmosphere dominate Atmospheric Alterations, contrasting with the chilling true-crime narrative of White City Devil about serial killer H.H. Holmes. Woodland Trance evokes haunted forests with cascadian black metal textures, and Systematic Fallout delivers pure thrash chaos alongside the band’s first-ever guitar solo. War themes emerge in Operation Overlord, immersing listeners in the chaos of D-Day, while The Once Sacred Gift of Life closes the album with grief, mortality, and the origins of Gravewitch’s sound. Together, the record showcases the duo’s ability to fuse extreme metal subgenres into a cohesive yet varied listening experience.

“Written during the chaos of 2020, our self-titled album reflects the uncertainty of the times. We had no idea if these songs were ever going to see the light of day. The chaotic energy of the world matched the diversity of the music, so we embraced different lyrical topics that had nothing to do with each other,” adds Fleming.

The new video “Mistress Hate” captures the raw energy and occult-inspired aesthetic that defines Gravewitch. Filmed in South Wales, United Kingdom by Ritual Video, the clip features the same actress who played “The Witch” in the band’s debut video Circle of Power from their first album “The Summoning.”

Watch “Mistress of Hate” – https://youtu.be/ppa8bA5rk0A

Recommended for fans of Kreator, Dark Funeral, Amon Amarth, Uada, and Skeletonwitch, Gravewitch‘s self-titled album, released on June 18, 2025, via Rock Sun Records, is available on all digital platforms and CD.

Bandcamp (CD) – https://gravewitchofficial.bandcamp.com/album/gravewitch

Add to your Spotify playlist – https://open.spotify.com/album/7kBWr27iJzjvjOfTLP3ZgM

Track Listing:
1. Damnable Evil (4:24)
2. Phantasm (4:21)
3. Mistress of Hate (4:13)
4. Ritual Reanimation (4:35)
5. Atmospheric Alterations (4:31)
6. White City Devil (4:00)
7. Woodland Trance (5:09)
8. Systematic Fallout (4:21)
9. Operation Overlord (5:27)
10. The Once Sacred Gift of Life (3:32)
Album Length: 44:38

Album Credits:
All songs performed by: Chris Fleming & Andrew Ingraham
All songs written by: Chris Fleming & Andrew Ingraham
Produced by: Johnny Davis
Mixed by: Johnny Davis
Mastered by: Jay Maas
Artwork by: Agustinsane Iryanto

Band Lineup:
Chris Fleming: Guitar/Vocals/Bass
Andrew Ingraham: Drums

More info: Facebook.com/gravewitch | Instagram.com/gravewitchofficial

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“Turn the ignition on this song (Mistress of Hate) and it will rev up your engine into the red zone damned fast, with drums and bass pumping like high-octane pistons, the guitars going fiery and wild, and the vocals gnashing at your throat.” – No Clean Singing

“There’s a lot to savour here as Gravewitch inserts flecks of death and thrash into their already potent formula. I’ve given this album quite a few spins now and I recommend you do too.” – Neil Arnold / Metal Forces Magazine

“A blood-soaked gore-fest, of intense proportions; ‘Gravewitch’ does just as expected; fulfilling its purpose. Brilliant technical precision’s where this is at, though structurally and tonally, it’s not that different to most others in the same genre. So mainly, it just needs to introduce some variation and original signature touches, to add to the already highly skilled craftsmanship. Melodically, there’s room for growth, but all in all, an effective album, with a lot of well showcased musicianship. 9/10” – Rock Queen Reviews

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