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Category: Music News

0 TOUR REMINDER – MATT MILLER Kicks-Off “3 Shredders Tour” w/ RENE BENTON, MANUEL & Special Guest BIKO WRIGHT

  • April 7, 2026
  • by Asher
  • · Matt Miller · Music News

NEWS RELEASE

Montreal, QC – April 7, 2026

MATT MILLER Kicks-Off “3 Shredders Tour”

w/ RENE BENTON, MANUEL & Special Guest BIKO WRIGHT (History Channel’s Alone, Discovery’s Expedition Bigfoot)

New Album “Fiber Momentum” Out Now! via Exitus Stratagem Records

L-R – Justice Robinett (Bass), Jordan Kelso (Drums, Synth), Matt Miller (Guitars, Synth), Biko Wright (Vocals)

Photo Credit – Lilly May Everett

Matt Miller, tech‑death guitarist, composer, and relentless riff machine, is kicking off the 3 Shredders Tour, a lead‑guitar showcase uniting shred titan Rene Benton and explosive guitar virtuoso Manuel. Think the spirit of the G3 Tour, but cranked into the extreme‑metal realm: faster, heavier, and unapologetically intense.

The tour brings together three boundary‑pushing players at the forefront of modern metal. Joining Rene Benton on select dates is legendary bassist Kelly Conlon, known for his work on Death’s iconic “Symbolic” album and the tours that followed. His involvement injects a rare dose of metal history into an already stacked lineup.

Adding even more star power, audiences will have the chance to meet Biko Wright, Matt Miller’s vocalist and a fan‑favorite survivalist from History Channel’s Alone and Discovery’s Expedition Bigfoot. His crossover appeal continues to draw both metal fans and viewers of his television work.
​
​“We are stoked to be hitting the road this April with Manuel and Rene Benton, it’s going to be a shred guitar extravaganza! Also, get the chance to meet survival expert Biko Wright from the TV shows Alone and Expedition Bigfoot,” adds Miller.
​
With three world‑class musicians on one bill, the 3 Shredders Tour promises nights of blistering solos, technical mastery, and genre‑bending creativity.

The 3 Shredders Tour w/ Matt Miller, Rene Benton, Manuel, Biko Wright​
April 10 – Reno’s Chop Shop – Dallas, TX
April 11 – Hi-Tone – Memphis, TN
April 12 – SK8 Bar – Kansas City, MO
April 13 – Reggie’s Music Joint – Chicago, IL
April 15 – Driftwood Charbar – Minneapolis, MN
April 16 – Boheme – Sheboygan, WI
April 17 – Alley Cat – Iowa City, IA
April 18 – Gray’s Keg – Lincoln, NE
April 19 – Rockwell Event Center – Amarillo, TX

Matt Miller’s September 2025 release, “Fiber Tormentum” on Exitus Stratagem Records, marks a major creative shift, evolving from an instrumental concept into a full band effort with vocalist Biko Wright, drummer Jordan Kelso, and bassist Justice Robinett.

“I knew it needed vocals and the input of other people to make it come to life,” says Miller.

The album blends technical death metal, power metal, and progressive elements into his heaviest and most melodic work yet, built around a loose sci‑fi concept of an alien species rewriting human DNA, an idea shaped by post‑COVID anxieties.
​
The late Joshua Nassaru Ward (Voraath) created the album’s striking artwork, depicting the agony of forced transformation, echoing the record’s themes of tension and invasion. Miller’s journey to this point includes launching his solo project in 2020, touring with Rings of Saturn and Possessed, and assembling a lineup with diverse musical backgrounds. Recording the album came with memorable moments from Wright tracking vocals between filming Expedition Bigfoot to the band getting banned from music stores for sampling high‑end instruments. Hidden somewhere on the record is Wright’s triumphant “One Take Willy” shout.
​
From his early 2017 EP to 2022’s “Monument of Velocity,” Miller has steadily pushed extreme music forward.

Recommended for fans of Necrophagist, Symphony X, Wintersun, The Faceless, and Death, “Fiber Momentum” (released Sept 12th) is available on all major platforms through Exitus Stratagem Records.

Digital – https://hypeddit.com/mattmiller/fibertormentum​

CD – https://www.exsrmusic.com/store/p/wnn3m10s6beq0pbmnot0e17ghvj629​

Music Video – Effecively Neutralized – https://www.youtube.com/watch?v=hJDoR9JL9b8​

Band Playthrough – Summoned – https://www.youtube.com/watch?v=5FJxxg_dd2k​

Playthrough – Abiotic Origin – https://www.youtube.com/watch?v=AXXx2EN21OQ​

Track Listing:​
1. Descent into Violence (5:04)
2. Summoned (3:33)
3. Effectively Neutralized (4:53)
4. Blight and Disfigurement (3:23)
5. Maimed Paralyzed Dead (3:12)
6. Horror Beyond Comprehension (3:15)
7. Fiber Tormentum (Instrumental) (3:31)
8. Abiotic Origin (3:14)
Album Length: 30:08

Album Lineup:​
Matt Miller (Guitars, Synth)
Jordan Kelso (Drums, Synth)
Justice Robinett (Bass)
Biko Wright (Vocals)

For more info:

​https://www.exsrmusic.com/

https://mattmillerhhakmusi.wixsite.com/mattm

https://www.facebook.com/matt.miller.96995238/

https://www.instagram.com/mattmiller630/​

– 30 –

“All in all, it’s a fascinating song (Effectively Neutralized) — head-spinning and heart-palpitating but also a heavy-hitter and a conjurer of strange, sinister, and haunting visions. In other words, in the space of just five minutes it pulls off a lot of impressive feats. And the well-filmed and well-edited video for it is a perfect complement, in that it shows us how all these talented performers executed all the impressive accomplishments.” – NoCleanSinging

“Hell yeah. Holy moly canoli. Fiverr to Fiber Momentum, and that was the album. This song is Descent into Violence. Holy moly canoli, dude. Go support, Matt Miller. That was absolutely badass. Total shredding.” – Omar Rodriguez – The Metal Mixtape – YouTube Channel

“The songs on “Fiber Tormentum” are rather good, and make for very interesting listening sessions.” – Metal Temple
​
“”Fiber Tormentum” is a real killer and so refreshingly creative that you can’t help but toast this previously unknown genius in awe! Cheers! 9/10″ – PowerMetal.de

“Soaring, crushing, ferocious, emotive, and relentless, are words that strongly describe Decrepit Shed. The album has a lot to offer from various metal sub-genres and encompasses the best elements of technical guitar playing while still having well-written songs”. – Brave Words

“Monument of Velocity” initially had a different title and was not going to be a Matt Miller release and some of the songs were written with vocals in mind and were not going to be instrumental, however, it turned out to be the sixth of seven powerful albums in his discography. contains eight tracks full of technical and progressive metal eliciting feelings of suspense, and tension while being fun, melodic and brutally heavy. Miller’s melodic and relentless music has a wide range of influences and is recommended for fans of Jeff Loomis, Necrophagist, and Obscura.” – Rock’n’ Load

“Even though Miller’s music is instrumental, he likes to think of the guitar as a voice. Which in turn makes him ask what is the guitar saying? He is able to easily convey emotion, tone, and a story even without the use of vocals. Throughout his releases, his music has developed a more modern sound in both the music and the production. Musically the songs are more well written and a lot of the ideas he writes are being accurately represented. He is always trying to push himself as a musician and this is reflected in his discography. Influenced primarily by technical and progressive death metal with a dash of power metal and symphonic metal as well, Matt Miller’s music is recommended for fans of Obscura, Dragon Force, and Racer X” – Metal Sucks

“Mr. Miller can shred like his fingers are on fire” – Ever-Metal.com

“Matt shreds all over this album with guitar solos galore”. – Transcending the Mundane

“Soaring, crushing, ferocious, and emotive, Miller conveys a wide range of tones throughout his instrumental music. It is recommended for fans of Dragon Force, Racer X, and Jeff Loomis” – Metal-Rules

“For guitar enthusiasts, I guess it is a feast for the eyes and ears.” – Antichrist Magazine

—
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0 Preview the HYPERSPACE METALFEST 2026 Lineup with the Official Spotify Playlist ft. SANCTUARY, EDGE OF PARADISE, ATAVISTIA & More

  • April 6, 2026
  • by Asher
  • · Hyperspace Metal Festival · Music News

NEWS RELEASE

Montreal, QC – April 6, 2026

Preview the HYPERSPACE METALFEST 2026 Lineup with the Official Spotify Playlist

ft. SANCTUARY, EDGE OF PARADISE, ATAVISTIA, VOIDCHASER, OWLBEAR, ARTIFICIAL LANGUAGE, and more!

Vancouver – April 16-17 (The Cobalt), April 18 (Rickshaw Theatre)

With Vancouver, B.C.’s leading melodic and power metal festival, HYPERSPACE METALFEST, gearing up for its 7th edition, fans can now get an early taste of the 2026 lineup through the festival’s newly released Spotify preview playlist. Ahead of the three‑day event, set for April 16 and 17 at The Cobalt and April 18 at the Rickshaw Theatre, the playlist showcases this year’s full roster, featuring SANCTUARY, EDGE OF PARADISE, ATAVISTIA, VOIDCHASER, OWLBEAR, ARTIFICIAL LANGUAGE, and more.

Check out the HMF 2026 Lineup Spotify Playlist – https://open.spotify.com/playlist/29rcYoWLyYXPFyN7OKdPDB?si=7Kke2MVVSyS6v_Lxe5-KSg​

“The full lineup for Hyperspace Metal Festival VII is here! Sanctuary will be performing a Canadian exclusive performance of Into The Mirror Black in its entirety! Atavistia will headline night 1, which will feature a heavy emphasis on melodic death metal. Night two headliner Edge of Paradise will cap off a night of epic symphonic and melodic power metal! After this year, the festival will be going on indefinite hiatus, so if you’ve been wanting to make it to Hyperspace, this could be your last chance. Let’s rage together at the Rickshaw and the Cobalt one last time!” adds festival organizer Joey Hockin of Journeyman Productions.

Check out Hockin‘s interview about this year’s festival lineup with Metal-Rules.com HERE.

“Lovers of Melody and Power Unite! Hyperspace Metalfest VII is Nigh!” – Decibel Magazine​

Hyperspace Metal Festival VII – April 16th – 18th.​
One-day passes and three-day passes are available at http://hyperspace-vii.eventbrite.ca/​

Facebook Event – https://www.facebook.com/events/858534116963447​

HYPERSPACE METAL FESTIVAL VII​
​
Day One – April 16
​
Atavistia
Inpathos
Hyperstrike
Ravensun
Kayas​
​
Day Two – April 17
​
Edge of Paradise
The Scepter
Lycanthro
Ophelia Falling
Valley of Despair​
​
Day Three – April 18
​
Sanctuary – Performing Into The Mirror Black in its entirety
Owlbear – Canadian Debut
Artificial Language – Canadian Debut
Voidchaser
Witchkiller

About The Bands:

This year’s HMF headliner, Sanctuary, will make their exclusive Canadian appearance unforgettable by performing their acclaimed 1990 album Into the Mirror Black in full.
​
Formed in Seattle in 1985, Sanctuary quickly became a major force in the city’s metal scene, driven by the soaring vocals of the late Warrel Dane. Their debut, Refuge Denied (1988), produced by Dave Mustaine (Megadeth), put them on the global metal map, followed by the darker and more refined Into the Mirror Black in 1990. The rise of grunge paused the band’s momentum, leading members to form Nevermore, but Sanctuary reunited in 2011 and returned to major festival stages worldwide.
​
They released The Year the Sun Died in 2014 and the archival collection Inception in 2017. After Dane’s passing later that year, the band continued with Joseph Michael on vocals, earning strong support from fans. Today’s lineup features Michael, original members Lenny Rutledge and Dave Budbill, plus bassist George Hernandez, with a second guitarist joining them live.
​
Sanctuary will perform special sets of Refuge Denied and Into the Mirror Black at select 2026 festivals and is currently working on a new album, Transmutation. The band is ready to bring fresh music and a powerful new show back to Europe and beyond. See you on the road!

​https://www.sanctuaryofficial.com/​

Video – Future Tense – https://www.youtube.com/watch?v=v5NCBaPE3k0

====

Headlining the night two of HMF, Los Angeles’ Edge of Paradise arrives fresh off extensive North American touring with Delain, Xandria, and Japan’s Lovebites. Hyperspace Metal Fest in Vancouver is one of several major headline appearances for the band this year, alongside Fire It Up Festival in California and Rock in Rautheim in Germany, with more dates on the way.
​
The band recently released a striking new video for “Martyr (Monster)” from last year’s hit album Prophecy, expanding their immersive sci‑fi universe and showcasing new keyboardist Alex Nasla in his first performance with the group. The video’s second act reimagines the track as an instrumental, further deepening the album’s sonic world.
​
Known for their cinematic fusion of heavy riffs, soaring vocals, electronic textures, and vivid storytelling, Edge of Paradise, fronted by vocalist and visual artist Margarita Monet, has toured more than 30 countries and released acclaimed albums including Universe, The Unknown, Hologram, and now Prophecy (Napalm Records, 2025). Widely praised as their most ambitious work yet, Prophecy introduces 8‑string guitars and explores the looming “Singularity,” balancing futuristic themes with Monet’s emotional lyricism and artwork.
​
The band’s expanding creative universe also includes a graphic novel series that enriches the albums’ narratives. Lead single “Death Note” has quickly become a fan favorite, accompanied by a visually rich, cinematic video directed by Monet. With their bold artistic vision, relentless touring, and multi‑dimensional storytelling, Edge of Paradise continues to push modern rock forward—inviting fans into a world where music, art, and imagination collide.

​https://www.edgeofparadiseband.com/​

Video – Martyr (Monster) – https://www.youtube.com/watch?v=GtHYeuZpXbA

====

Headlining the first night of HMF, Atavistia (HMF Alumni) is a Canadian symphonic melodic death metal band that blends aggressive riffs, cinematic orchestrations, and melancholic atmospheres. The band has built a strong international following, particularly across Europe, through consistent releases and extensive touring alongside established acts. Known for their powerful live performances and polished production, Atavistia continues to push their sound forward while remaining rooted in melodic death metal.

​https://linktr.ee/atavistia​

Video – Eternal Oceans (Reforged) – https://www.youtube.com/watch?v=vthxzis6lzs

====

Voidchaser, a progressive metal band from Montreal and Stockholm, has rapidly gained international attention since 2023, earning praise from major outlets across the Americas and Europe. Their 2024 concept album Solace surpassed 250,000 streams and charted globally, followed by the 2025 EP Trust, which features high‑profile collaborations. In 2025, the band launched their debut international tour, performing at ProgPower Europe, the inaugural ProgStorm Festival, and sharing stages with Threshold, Kingcrow, Vulkan, Nospūn, and more.

​https://www.voidchaser.net/​

Video – Time (feat. Universe Effects) – https://www.youtube.com/watch?v=nnxaEiAmBv4​

====

Owlbear, forced to cancel their 2025 HMF appearance, is now set on taking the stage in 2026. Formed in 2020 by North American metal veterans Katheryn Scary, Jeff Taft, and Leona Hayward, the band quickly evolved from a remote project into a full live act following the success of their 2023 debut Chaos to the Realm and their 2024 performance at Chicago’s sold‑out Legions of Metal festival. Drawing on classic heavy and speed metal with lyrics inspired by beloved games and fantasy worlds, Owlbear continues to build momentum with their acclaimed sophomore album, Feather & Claw

​https://www.facebook.com/OwlbearMetal​

Lyric Video – Hawkriders Of The Waste – https://www.youtube.com/watch?v=1AXFZ3ZmF5o

====

Artificial Language is a progressive rock/metal band from Fresno, California, known for blending technical precision with a cinematic, emotionally driven sound. Since 2017, they’ve built a reputation for intricate songwriting and immersive arrangements that bridge the intensity of metal with the expansiveness of modern prog. Their evolution continues through ambitious studio work and striking visual storytelling, including their standout “Skinwalker” music video.

​https://www.artificiallanguagemusic.com/​

Video – Skinwalker – https://www.youtube.com/watch?v=nyHudUCLQIM

====

Ophelia Falling, a Vancouver‑based symphonic metal band and HMF alumni, blends soaring vocals with driving power metal, orchestra, and choir, gaining early momentum after Chelsea Rose joined in 2015 and their explosive 2018 debut. With the lineup solidified by bassist Sylvain Maltais and drummer Chris Pallot, the band’s rise included their Savage Love EP, soundtrack placements, and performances at Wacken Battle Canada and Decimate 2.0. Their 2020 debut album, Destroyed in Delight, continues to receive global radio play, and the band is now writing new material as they prepare for their return to the stage.

​https://www.opheliafalling.com/​

Music Video – Destroyed in Delight – https://www.youtube.com/watch?v=ksRUe2mCS5I

====

The Scepter is an Ottawa heavy metal band known for blending classic metal power with a sharp modern edge. Formed by seasoned musicians united by their love of traditional metal, the group has built a reputation for high‑energy performances and commanding, riff‑driven songwriting. With new music underway and momentum growing, The Scepter stands poised as one of Ottawa’s strongest emerging voices in the next wave of heavy metal.

​https://www.facebook.com/thesceptermetal​

Stream – Protector of the Skies – https://www.youtube.com/watch?v=gA0xp6VoWEY

====

Inpathos is a melodic death metal band from Bellingham, WA, blending Scandinavian‑inspired riffs with rhythms influenced by the founding Boulos brothers’ Lebanese heritage to create a distinct and dynamic sound. They have released an EP and three LPs, including 2025’s Apparitions, and have performed alongside acts like Be’lakor, Anciients, and Nekrogoblikon at sold‑out Pacific Northwest venues. The current lineup features Patrick Bradford, Alex Mattison, Brendan Brendible, and brothers Adonis and Nabil Reed‑Boulos.

​https://www.inpathosofficial.com/​

Music Video – Radiance – https://www.youtube.com/watch?v=aokQVIH35EU

​====

Lycanthro, an Ottawa‑based power metal force and HMF alumni, blends power, thrash, and traditional metal into a bold, cinematic sound inspired by classic horror, mythology, and genre legends like Savatage and W.A.S.P. Their acclaimed 2021 full‑length Mark of the Wolf showcased dynamic storytelling and helped propel them onto stages such as Power Metal Quest Fest and Legions of Metal. Now signed to Psychomanteum Records, the pack is hard at work on their anticipated second album, proving the howl never dies and the hunt never ends.

​https://lycanthrometal.com/​

Video – Far Beyond The Walls – https://www.youtube.com/watch?v=g5ImX4EEwjk

====

Witchkiller emerged from Ottawa’s early‑’80s metal underground as one of Canada’s standout heavy metal forces, gaining a cult following with their powerful blend of classic metal and NWOBHM‑inspired intensity. Their 1984 EP Day of the Saxons became a defining release of the era, and after disbanding in 1985, the group reignited in 2012, introducing their legacy to a new generation. Today, Witchkiller remains a celebrated name in traditional metal, their influence continuing to resonate through collectors, die‑hard fans, and the genre’s modern revival.

​https://www.facebook.com/profile.php?id=100064302991214​

“Day of the Saxons” LIVE Headbangers Open Air 2025 – https://www.youtube.com/watch?v=zcVtxUuhRmk

====

Valley of Despair is an independent metal band from Edmonton blending modern rock, power metal, and thrash, earning national attention when their 2024 debut EP Burn At The Stake hit #1 on college radio and charted on the Earshot National Loud Chart. They toured Western Canada in 2025 with festival stops in Armstrong and Yellowknife and are now preparing their full‑length debut for release in 2026. The band features Cheryl Leia, TJ Buggins, Joel Croft, and Preston Lehoux.

​https://valleyofdespair.ca/​

Video – Burn At The Stake – https://www.youtube.com/watch?v=vJcccWhNpUs

====

Born of “The Blade,” Seattle, WA, Hyperstrike brings action, danger, and excitement back to heavy metal. Feat. members of Xoth, Ghost Ship Octavius. Chop Daddy on Nasty Slap Bass, Brain Lord on Explosive Pipes, Siberian Claw on Ripping Guitar, and Goblin Hammer on epic drums.

​https://www.facebook.com/hyperstrikeband​

Video – Leaving You Again – https://www.youtube.com/watch?v=vuLjvIJyz8w

====

Ravensun is a Vancouver Island-based melodic death metal band. Themes of war and brutality are the main focus of the lyrical content. Blending soaring vocals, driving riffs, and atmospheric soundscapes into a style that bridges modern metal and classic influences. Known for their dynamic live performances and emotionally charged songwriting, the band has quickly become a standout presence in the BC metal scene. With new music in development and a growing regional following, Ravensun continues to expand its sound and carve out its place in Western Canada’s heavy music landscape.

​https://www.facebook.com/ravensunmetal​

Live at Armstrong MetalFest 2024 – https://www.youtube.com/watch?v=qxPgSDlXgCs

====

Replacing the originally announced Thorsguard, who unfortunately canceled, Vancouver melodic death metal band Kayas has been asked to join the lineup. Known for blending melodic intensity with modern aggression, creating a sound that bridges classic influences and contemporary edge. Their dynamic live performances and tightly crafted songwriting have quickly earned them a growing presence in the West Coast metal scene. With new music underway and momentum building, Kayas continues to carve out their identity as one of Vancouver’s most promising rising acts.

​https://linktr.ee/kayasofficial​

Music Video – Reflections in the Water – https://www.youtube.com/watch?v=y1VQ07Pej40

====

To follow updates for Hyperspace Metal Festival 2026, please visit the following links:
​Facebook.com/HyperspaceMetalFestival​
​Instagram.com/HyperspaceMetalFestival​

Festival Press Materials Dropbox HERE.

Over the six editions of Hyperspace Metal Festival, bands from all over the world have come to play power, prog, melodic death, and speed metal on the Canadian West Coast. The festival has presented lineups that have included performances by Týr, Flotsam and Jetsam, Skelator, Enforcer, Psyhostick, Trollfest, Aether Realm, Exmortus, Striker, Riot City, Into Eternity, Witherfall, Lunar, Planeswalker, Iron Kingdom, Helion Prime, Crimson Shadows, West of Hell, Judicator, Odinfist, Tanagra, Scythia, Greyhawk, The Order of Chaos, Red Cain, and many more.​
​

– 30 –

“It’s Western Canada’s premier melodic and power metal festival with a lineup of local, national, and international acts ranging from Sweden’s Enforcer and Toronto’s Crimson Shadows to local faves Crüzer. All told, 15 acts will turn amps to 11 and bring the noize to headbanging fans.” – Stuart Derdyn, Vancouver Sun (2025)

—
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0 Tampa Hosts U.S. Edition of Wacken’s Global Warm‑Up: 35 Shows, 35 Countries, One Day

  • April 6, 2026
  • by Asher
  • · Music News · Wacken Metal Battle USA

NEWS RELEASE

Montreal, QC – April 6, 2026

Tampa Hosts U.S. Edition of Wacken’s Global Warm‑Up: 35 Shows, 35 Countries, One Day

Tampa, Florida, hosts the U.S. edition of the Inaugural Tampa Metal Meeting

Wacken Open Air, the world’s largest heavy metal festival and widely regarded as the Mecca of Heavy Metal, will celebrate its 35th anniversary with an unprecedented Global Warm-Up Party on Saturday, April 18th, 2026. The event will take place simultaneously in 35 countries worldwide, uniting the global metal community in a single day of celebration.

In the United States, the official anniversary event will be hosted at The Brass Mug in Tampa, Florida, as part of the inaugural Tampa Metal Meeting, Florida’s newest metal festival.

The Tampa edition will feature a powerful lineup headlined by Florida death metal pioneers Malevolent Creation, alongside the long-awaited return of local underground favorites Psykotribe. In addition, the event will host the Wacken Metal Battle Southeast USA Regional Final, a key component of the globally renowned Wacken Metal Battle competition.

The Wacken Metal Battle is the world’s largest battle of the bands, currently involving 103 participating countries that host local, regional, and national finals. The ultimate World Final takes place at Wacken Open Air in Germany, offering winning bands extraordinary opportunities, including thousands of euros in prizes, professional gear from top brands, networking opportunities with major players in the industry, and confirmed bookings at European festivals, including Wacken Open Air, the following year.

The U.S. event is presented by Piox Promotions, a company with a long-standing relationship with Wacken Open Air. Piox Promotions serves as the Wacken Metal Battle promoter in the Caribbean and Southeast USA regions. It’s mission: to empower underground metal scenes by creating real opportunities for bands to grow beyond borders through Wacken Open Air initiatives

With its combination of legendary artists, emerging underground talent, and part of the official Wacken programming, the Wacken Open Air 35th Anniversary Global Warm-Up Party promises to be a historic gathering for metal fans and musicians alike.

Event Details:

Event: Wacken Open Air 35th Anniversary Global Warm-Up Party

Date: Saturday, April 18th, 2026

Location: The Brass Mug – Tampa, Florida

Host Event: Tampa Metal Meeting (Inaugural Edition)

Ticket Info: https://tmm2026.eventbrite.com/​

Further press materials, including a list of all participating countries, short interviews with selected Metal Battle promoters, and short biographies of selected bands, can be found here.

About Wacken Open Air:​
Wacken Open Air is the largest heavy metal festival in the world. Starting with 800 visitors in 1990, nowadays 85,000 fans from all over the world travel to Wacken every year, turning the small village in Schleswig-Holstein into the center of the festival scene for several days. The organizing WOA Festival GmbH is connected to a broad network, including band management, the Wacken Foundation, tour booking, music publishing, Travel & Stay, merchandising distribution, and ticketing. In cooperation with partners, these results in creative solutions and ideas that revolutionize the festival experience, enable technical innovations, and produce extraordinary event concepts. Wacken Open Air 2026 will take place from July 29 to August 1, 2026.

-30-

​
—
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0 Protected: EPK – NOX – Night Terror (single) (2026)

  • April 5, 2026
  • by Asher
  • · Music News · NOX

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0 Rockshots Records – Out Now! DUST’s New Concept Album “Thoughts Of A Falling Man”

  • April 3, 2026
  • by Asher
  • · DUST (Rockshots Records) · Music News

NEWS RELEASE

Montreal, QC – April 3, 2026

Out Now! DUST’s New Concept Album “Thoughts Of A Falling Man”

Italian modern metal force DUST proudly releases their highly anticipated sophomore album, “Thoughts Of A Falling Man,” available worldwide today, April 3rd, 2026, through Rockshots Records.
​
Marking a decisive evolution in the band’s sound, “Thoughts Of A Falling Man” pushes DUST into heavier, darker, and more introspective territory. The record unfolds as a conceptual near‑death journey, where the protagonist confronts guilt, judgment, and inner demons in a suspended dimension between eternity and oblivion. The result is a visceral, immersive experience that captures the psychological collapse and spiritual limbo at the heart of the album’s narrative.
​
Musically, DUST deliver their most uncompromising work to date, an intense fusion of death metal brutality, groove‑driven heaviness, thrash aggression, and black metal atmosphere. Sharp riffing, tightly controlled dynamics, and a constant sense of tension shape a cohesive and oppressive sonic landscape from start to finish.
​
Recommended for fans of Parkway Drive, Jinjer, and Trivium.

New album “Thoughts Of A Falling Man” is available from Rockshots Records at the following links:

CD – “Thoughts Of A Falling Man”: https://rockshots.eu/products/dust-thoughts-of-a-falling-man​

Add to your Spotify playlist – https://open.spotify.com/album/1TK3rd7uHqF3kSfIc7w9KU

​

Music Video – “Bodyless” – https://www.youtube.com/watch?v=uyE8ltsPBfY

​

Track Listing:​
1. Intro – 1:49
2. Before Your Awaken – 5:23
3. Death’s Ashes Upon Me – 3:52
4. Contemptus Mundi – 3:58
5. Fragments of Mirror – 4:26
6. Thoughts of a Falling Man – 6:40
7. Bodyless – 3:44
8. The Reaping of the Scythe – 3:56
9. Beyond the Void – 6:06
Album Length: 39:54
​
​Dust Line-Up:​
Riccardo Pirozzi: Vocals
Stefano D’Angelo: Guitars
Federico Ignini: Guitars
Francesco D’Elia: Bass
Eric Di Donato: Drums

More info:​
​https://rockshots.eu | https://www.instagram.com/dust__band/ | https://www.facebook.com/DustTorino​

BIOGRAPHY:​
​Dust is an Italian metal band formed in 2016 from an idea by vocalist Riccardo Pirozzi and former drummer Stefano Brogi. Born out of a period of personal struggle and artistic urgency, the project took shape as a direct and uncompromising outlet for expressing inner conflict, anger, and introspection. After an initial phase of experimentation, the band gradually assembled its core lineup, defining a sound rooted in heaviness, emotional depth, and narrative intensity.

With the addition of guitarist Stefano D’Angelo and bassist Andrea Lege, Dust released their debut album “Break The Silence“, recorded and produced by Andreas Polito at Rocklab Studios in Turin. The record marked the band’s official entry into the Italian underground metal scene, earning attention for its raw approach and dark thematic focus. Shortly after, guitarist Federico Ignini joined the lineup, allowing Riccardo to focus exclusively on vocals and lyrics, particularly during live performances.

Following the album’s release, Dust became increasingly active on the live circuit, sharing the stage with established acts and performing across Italy and Eastern Europe, including shows in Serbia, Croatia, and Romania. These experiences played a key role in shaping the band’s identity, strengthening both their musical cohesion and their commitment to an authentic, no-frills live approach focused on intensity and connection rather than visual excess.

After several lineup changes, Dust reached a stable formation in 2023, solidifying their current lineup: Riccardo Pirozzi on vocals, Stefano D’Angelo and Federico Ignini on guitars, Francesco D’Elia on bass, and Eric Di Donato on drums. This renewed stability marked a turning point for the band, allowing them to refine their sound and push their songwriting toward a heavier, more focused, and mature direction.

Conceived as a concept album, “Thoughts Of A Falling Man” unfolds as a near-death journey, exploring themes of guilt, judgment, inner collapse, and spiritual limbo. Musically, it represents a significant evolution from the debut, blending elements of death, groove, thrash, and black metal into a darker, more compact, and uncompromising sound.

– 30 – ​

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0 Romanian Folkcore DIRTY SHIRT Teams Up with Hungarian Legends Besh o droM for Explosive Duo Version of “Büntető”

  • April 3, 2026
  • by Asher
  • · Dirty Shirt · Music News

NEWS RELEASE

Montreal, QC – April 3, 2026

Romanian Folkcore DIRTY SHIRT Teams Up with Hungarian Legends Besh o droM for Explosive Duo Version of “Büntető”

Dirty Shirt, one of Eastern Europe’s most innovative and high‑energy metal bands, announces the release of their new single “Büntető”, a powerful collaborative re‑imagining of the Hungarian folk hit originally performed by world‑renowned group Besh o droM. The track marks the second single from Dirty Shirt’s next studio album, following the success of their first preview, “FOMO.”​
​
The collaboration brings together two of the region’s most dynamic musical forces, blending Dirty Shirt’s signature heavy, dance‑driven metal with Besh o droM’s virtuosic approach to Eastern European and Balkan folk traditions. The result is a 194 BPM explosion of energy, featuring 16 musicians and a seamless fusion of traditional instrumentation with modern metal intensity.

Dirty Shirt describes the partnership with Besh o droM as natural, inspiring, and full of mutual respect.
​
​“We are very happy to have made this collaboration. We love Besh o droM’s music, and it was wonderful to see how open they were to working together with us. One of the highlights was performing the song together at Dirty Fest 2025, and part of the video includes footage from that incredible concert,” says the band’s leader, Mihai Tivada.

Dirty Shirt has been performing their live version of “Büntető” for over a year, including a standout moment at Pol’and’Rock Festival 2025, where the song became one of the most celebrated highlights of their set. Fans have been eagerly awaiting an official release.
​
​“Many fans already know the song from our concerts, and it always gets an incredible reaction. We’re confident they’ll love this studio version, especially since we’re teaming up with one of the greatest gypsy/folk/rock bands from Hungary, Besh o droM,” adds Mihai.​
​
At its core, “Büntető” is about positive, uplifting energy and the belief that music transcends borders. Lyrically inspired by traditional Hungarian folk themes, the song tells a vivid story rooted in village life, relationships, and raw human emotion. Musically, it merges the fiery spirit of gypsy folk with Dirty Shirt’s unmistakable modern folkcore metal sound.
​
The release of “Büntető” also comes as Dirty Shirt wraps up their triumphant Dirtylicious Decade Tour, with 8 of 11 shows sold out, and prepares for a packed summer festival season, including their third appearance at Wacken Open Air in Germany.

Recommended for fans of Skindred, Bloodywood, Alestorm, Dubioza Kolektiv, Russkaja, and The Hu.

Watch and listen to the video for “Büntető” at https://www.youtube.com/watch?v=U7v19wziCY8

​Add to your Spotify playlist – https://ffm.to/bntet​

First single “FOMO” (Fear of Missing Out) – https://www.youtube.com/watch?v=tyloBE8YbqY

​
​
The band also recently released a full live performance from Pol’and’Rock Festival 2025 – https://www.youtube.com/watch?v=v67KzzE6ivk

​

DIRTY SHIRT Dirtylicious Decade Tour​
Ticket Info – https://www.ambilet.ro/dirtyshirt/
​17.04.2026 – Oldies Pub – Sibiu
19.04.2026 – The Station – Petrosani
08.05.2026 – Log Out – Baia Mare
09.05.2026 – Soho Music Hall – Bistrita
22.05.2026 – Terasa Flex – Arad
23.05.2026 – In Spatele Casei – Timisoara

For more info: https://linktr.ee/dirtyshirtband​
​
​About Dirty Shirt:​
For over 30 years, Dirty Shirt has stood as one of Eastern Europe’s most original and successful rock/metal acts. Formed in the mid‑90s as a wedding band, they evolved into a genre‑blending powerhouse known for fusing modern heavy music with the vibrant energy of Eastern European traditional sounds. Their explosive live shows and innovative approach have taken them to major festivals across Europe, including Hellfest, Wacken Open Air, Pol’and’Rock, Electric Castle, and more—and earned praise from outlets such as Metal Hammer, Rock Hard, Metalsucks, and Hard Rock Mag. Dirty Shirt has performed over 1000 shows in 17 countries and shared stages with Megadeth, Godsmack, Gogol Bordello, Skindred, and Orphaned Land.
​
​About Besh o droM:​
Formed in Budapest in 1999, Besh o droM is one of Hungary’s most influential and internationally celebrated world‑music groups. Their sound blends the folk traditions of Hungary, Eastern Europe, and the Balkans with modern elements, creating a unique “virtual folklore” free of cultural borders. Over the past 25 years, they have performed on five continents at major world‑music, folk, gypsy, jazz, and rock festivals. Their album Besh o droM20 spent several months on the World Music Chart Europe Top 20, and the band continues to evolve with new music and a dynamic, mature sound.

-30-

“Long time readers will know by now that I am partial to the weirder side of heavy music. Dirty Shirt certainly has my attention this week. They’re like a mix of 6:33, Russkaja, and Turisas. This is bombastic, fun metal with Romanian folk mixed in. ” – Metal Injection

“Dirty Shirt, Your New Favorite Transylvanian Folk-Core Band ” – Metal Sucks

“DIRTY SHIRT only sound like DIRTY SHIRT.” – Metal Temple

“Is it catchy? Yes. Is it fun? Yes. Is it utterly mental? Yes. Highly recommended” – Metal Observer

” “…you’ve never heard anything quite like this before”” – Sonic Abuse

“This album is buoyant, blistering and bolshy; you certainly want to get your dose now!” 8/10 – Powerplay Magazine (2022 – Get Your Dose Now!)

“”Whoa! ‘Get Your Dose Now!’ is definitely not your average metal album. It’s simply something that you won’t hear anywhere else. Dirty Shirt is the real deal with extraordinarily talented musicians and a uniqueness that sets them apart from the crowd. If you’re in the market for some new music, this band offers something for everyone, from hardcore metal and thrash to tribal and traditional. It’s like your grandmother’s goulash recipe, a little of this and a little of that, with the end result being magical and inimitable.” – Uber Rock (2022 – Get Your Dose Now!)

“Dirty Shirt did a good job again and ‘Get Your Dose Now!’ is a very nice album to listen to and it deserves a listen.” – Folk-Metal.nl (2022 – Get Your Dose Now!)

“with DIRTY SHIRT you have joy in life and fun in music. They ignite a light in the currently dark world. A good mood is guaranteed. So get your dose today, now, get vaccinated against sadness and depression. before it’s too late. – Saitenkult (2022 – Get Your Dose Now!)

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0 Gore House Prod. – Streaming Now! ONCHOCERCIASIS ESOPHAGOGASTRODUODENOSCOPY’s New Album “Fugue Gnawed from the Scabbed God Cerebrum”

  • April 2, 2026
  • by Asher
  • · Music News · Onchocerciasis Esophagogastroduodenoscopy (Gore House Productions)

NEWS RELEASE

Montreal, QC – April 2, 2026

Streaming Now! ONCHOCERCIASIS ESOPHAGOGASTRODUODENOSCOPY’s New Album “Fugue Gnawed from the Scabbed God Cerebrum”

L – R – The Popuko – Guitars, Drums, Bass, Backing Vocals, Alice Simard – Guitars, Drums, Jesse Agiomamitis – Vocals

Apocalyptic brutal slamming death metal entity Onchocerciasis Esophagogastroduodenoscopy (OxE) has partnered with Decibel Magazine for the exclusive stream premiere of their long‑awaited full‑length album, “Fugue Gnawed from the Scabbed God Cerebrum,” ahead of its official release on April 3, 2026, through Stillbirth Records / Gore House Productions.

The Decibel stream marks the first opportunity for fans to experience the album in its entirety, an eleven‑track descent into dissonant barbarity, cosmic violence, and experimental extremity. The LP represents OxE’s most ambitious and punishing work to date, expanding their sonic identity far beyond the foundations laid on their previous EP, “The Fallen Lament.”

Listen to the album in full on Decibel Magazine HERE.

OxE’s lineup spans three countries: Quebec City, Canada (Alice), Australia (Jesse), and Germany (Popu), yet their creative synergy is seamless. Originally a solo project by guitarist Alice Simard, OxE evolved into a collaborative force after Jesse joined in 2019. Popu, a longtime fan, later connected with Alice through their shared love of the obscure bullet‑hell game Touhou Project, completing the trio. Their influences range from Disentomb, Artificial Brain, and Deathspell Omega to video games (Dark Souls, NieR), anime (Berserk, Evangelion), and global folklore.
​
​“Fugue Gnawed from the Scabbed God Cerebrum” is a meticulously crafted sonic nightmare. Musically, the album pushes OxE into their most experimental territory yet, layering warped synths, organic instrumentation, and alien sound design between the carnage of their signature riffs and gutturals.
​
​“Start‑to‑finish, the album is dissonant, punishing, and disorienting. Many of the lyrical subjects are larger-than-life. The songs tell the story of a single entity, a godslayer, on a God‑of‑War‑esque rampage through the universe, all veiled in obscurity,” says vocalist Jesse Agiomamitis.
​
German multi‑instrumentalist The Popu adds:

“This is the most experimental OxE release to date. The synths and organic layers were destroyed and reshaped to give the soundscape an alien feel. I was heavily inspired by Nithing’s ‘Agonal Hymns and Dripping’s ‘Disintegration of Thought Patterns During A Synthetic Mind Traveling Bliss.’”​
​
The album’s artwork, created by Mei Maro, reflects the band’s fascination with folklore, mythology, and surreal horror, an amalgamation of the influences that shaped the record’s writing.
​
From the chaotic opener “Conquering Divinity” to the melodic yet brutal closer “Forged in the Blackest Reaches of Blasphemy,” the album traverses a wide spectrum of textures and emotional weight. “Heaven’s Empty Halls” introduces dungeon‑synth‑esque atmospheres. “Entombed Within the Infinite Panopticon” delivers one of the album’s heaviest breakdowns. “Abyssikataplexika” showcases some of the most inhuman vocal performances OxE has ever recorded. “Apotheotic Apotemnophilia” explores melodic territory while maintaining crushing heaviness. Every track contributes to the overarching narrative of cosmic annihilation and psychological descent.

Recommended for fans of Deathspell Omega, Disentomb, Artificial Brain, First Fragment, Disgorge, and Ulcerate, OxE‘s “Fugue Gnawed from the Scabbed God Cerebrum” is their longest and most refined release yet: no filler, no restraint, and no compromise.

Album pre-order for CD, Cassette, and digitally from Stillbirth Records / Gore House Productions at https://orcd.co/scabbed-god-cerebrum​

Track Listing:​
1. Conquering Divinity – 3:17
2. The Fallen Lament, Paralytikus Ascends – 1:21
3. Severing What Makes Me Human – 2:41
4. Apotheotic Apotemnophilia – 3:03
5. Entombed Within the Infinite Panopticon – 2:23
6. Gutted & Corpsed – 3:05
7. Heaven’s Empty Halls – 5:13
8. Hurt Beyond Healing – 2:33
9. Abyssikataplexika – 2:35
10. Vile Verses Flogged into the Wings of Angels – 1:23
11. Forged in the Blackest Reaches of Blasphemy – 4:58
Album Length: 32:32
​
​ROLES:​
Jesse Agiomamitis: Vocals, Lyrics
Alice Simard: Composition, Guitars, Lead Guitars
The Popu: Additional Songwriting, Mixing and Mastering, Guitars, Bass, Orchestration and Sound Design, Additional lyrics, Additional Vocals

More info: ​​

​https://gorehouseproductions.com/​

​https://www.facebook.com/OnchoOfficial​

​https://www.instagram.com/onchocerciasis_official​

-30-

“First of all besides the insane moniker and album title, I don’t even know how to label this shit. If you know, you know… It sounds like an army of angry lawnmowers rolling over cliffs and boulders, LOL! Fuck it… four tacos out of five!” – Micha Kite – Metal Underground​
​
​“A complex and bizarre name reflects the complex and bizarre nature of this band. Mixing Slam, Brutal Death Metal, hints of prog metal and other influences makes for a heady brew of extreme music…. This eclectic approach never lets up for the whole of the album, with so many familiar yet alien sounds emerging, riffs that sound like they were written by a thrash band, or slow dirgey sections that come straight from doom metal’s playbook. Does this approach work? Incredibly, yes! The album stays fresh and interesting; there is always something you draw your attention to and keep you listening. Combine this with the band’s art and lyrical efforts and it makes for a crazy, heady mixture of the heavy and the ridiculous, but at least it’s never boring!” – The Razor’s Edge​
​
​“Because the band varies quite a lot within the framework and smuggles in unwholesome elements, ‘Fugue Gnawed from the Scabbed God Cerebrum’ remains captivating from start to finish. Every listen reveals new details, and the craftsmanship and tight compositions make this album a delightful cocktail of proggy avant-garde brutal tech death slam jazz. Or something like that. Surprising, unexpected, and constantly memorable: this is a top record of brutality.” – Musika​
​
​“Victims of brutal death metal will recognize the trauma inflicted by the song’s (Gutted and Corpsed) opening, a combination of furiously rattling snare-drums, sewer-gurgling riffage, and equally grotesque sewer-dwelling vocals, but even there the band also discharge shrill and weirdly squirming frequencies and shotgun blasts, as well as slamming hammer blows and bursts of viciously darting and insanely screaming fretwork. But the song shifts, opening a portal to an even more macabre cavalcade of screeching and bizarrely contorting tonalities (some of which are ejected from a contorting throat), accompanied by sudden and equally crazed percussive contortions and thudding bass-level throbs. Ghosts might be wailing and screaming, and there’s a guitar solo in the mix too, but it too has lost its mind. Near the end, when the drumming has become heavily medicated and slumbers, the music changes even more dramatically. Something like a flute enticingly whispers, and something like an oboe woozily wanders against a backdrop of gentling shimmering strings — a little caress to help you begin unscrambling your brain.” – No Clean Singing
​
​
​“The speed of the drums, the ferocity of the vocals, the intensity of the guitars and how all of that blends together in the most diabolical way… Onchocerciasis Esophagogastroduodenoscopy are pushing boundaries here.. what they have created here is fascinating and admirable.. it is an unforgettable listen…” – Games Brrraaains and Head-Banging Life

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0 Progressive Sludge Trio APE VERMIN Embark On “The Riders of The Damned Tour Part 2” w/ MEAN GREEN

  • April 2, 2026
  • by Asher
  • · Ape Vermin · Music News

NEWS RELEASE

Montreal, QC – April 2, 2026

Progressive Sludge Trio APE VERMIN Embark On “The Riders of The Damned Tour Part 2” w/ MEAN GREEN

North Carolina progressive sludge metal trio Ape Vermin will hit the road this spring for “The Riders of the Damned Tour Part 2,” across the U.S. alongside stoner metal trio Mean Green. The run supports Ape Vermin’s crushing full‑length “Andromedas Colossus,” the band’s most dynamic, melodic, and brutally expansive release to date.
​
The tour launches May 16 at Bull City Metal Fest in Durham, NC, and storms across the Southeast, Texas, the Southwest, and the Mountain states before closing June 12 in Chattanooga, TN (dates listed below).
​
The announcement arrives alongside the release of the band’s new lyric video for “Awakened,” created by filmmaker Kenji Tsunami of Tsunami Films (also bassist for Narcotic Wasteland). The track, an explosive fusion of sludge, thrash, and cosmic devastation, showcases the album’s apocalyptic themes and the band’s sharpened, evolved sound.
​
​“‘Awakened’ is my personal favorite. Hell has come back to life. The Colossus is awake. Prepare for your imminent obliteration,” says guitarist/vocalist Brett Lee.

Watch the lyric video for “Awakened” at https://www.youtube.com/watch?v=TFKiEXOC0qI

​​
Formed in 2017 by Brett Lee, drummer Seth Lynn, and bassist Jared Edge, Ape Vermin has carved out a reputation for no‑frills, high‑volume, amplifier‑worshipping heaviness. Their sound, described by the band as Colossal, Epic, Unique, Exciting, Heavy, pulls from sludge, doom, thrash, groove metal, death metal, and progressive rock.
​
With “Andromedas Colossus,” Ape Vermin pushes further into a dark, prophetic sonic realm built over a decade of writing. The album’s ten tracks range from the obliterating opener “Obliteration Imminent” to the tribal‑tinged instrumental “Pulse Driver,” the environmentally charged “Mining the Colossus,” and the epic closer “Return to Andromeda.” Lyrically, the record explores outer‑space phenomena, extraterrestrial mythos, prehistoric terror, psychedelic visions, and sci‑fi horror, an entire universe crafted in Lee’s mind.
​​
“We want to take listeners on an epic sonic journey. This record is extremely dynamic, melodic, visceral, and dark. Fans can expect even more crushing material. We’re already working on the next LP,” 
adds Lee.

Recommended for fans of High on Fire, Crowbar, Mastodon, Yob, and Conan, check out “Andromedas Colossus” (released May 17th, 2024) at the following links:

Bandcamp – https://apevermin.bandcamp.com/​

Add to your Spotify playlist – https://open.spotify.com/album/1Y5DAyV5AP3hLNSMDfuQkh

“The Riders of The Damned Tour Part 2” w/ Ape Vermin, Mean Green​
5/16 – Durham, N.C – Bull City Metal Fest
5/17 – Winston-Salem, N.C – The Den
5/18 – Atlanta, GA – Boggs Social
5/19 – Savannah, GA – TBA
5/20 – Jacksonville, FL – Jack Rabbits
5/21 – Orlando, FL – TBA
5/22 – Tampa, FL – Brass Mug
5/23 – Lafayette, LA – Freetown Boom Room
5/24 – Dallas, TX – Reno’s Chop Shop
5/25 – Corpus Christi, TX – Boozers
5/26 – San Antonio, TX – TBA
5/27 – Austin, TX – TBA
5/28 – Houston, TX – Black Magic
5/29 – El Paso, TX – The Rockhouse
5/30 – Albuquerque, NM – TBA
5/31 – Scottsdale, AZ – Pho Cao
6/2 – Palmdale, CA – Transplants Brewery
6/3 – Las Vegas, NV – The Griffin
6/4 – Salt Lake City, UT – TBA
6/5 – Cheyenne, WY – TBA
6/6 – Denver, CO – TBA
6/7 – Colorado Springs, CO – Whats Left Records
6/8 – Kansas City, MO – The Warehouse
6/9 – Chicago, IL – Reggies
6/10 – Lexington, KY – Als Bar
6/11 – Nashville, TN – TBA
6/12 – Chattanooga, TN – JJs Bohemia

Track Listing:​
1. Obliteration Imminent – 5:12
2. Colony – 7:00
3. Solaruss – 5:30
4. Pulse Driver – 3:47
5. Mining The Colossus – 8:06
6. Signal Transmissions – 2:45
7. Motherlode – 8:32
8. Awakened – 3:17
9. Unearthing the Artifact – 7:43
10. Return to Andromeda – 7:57

Album/Live Band Line Up:​
Guitarist/Vocalist – Brett Lee
Drummer – Seth Lynn
Bassist – Jared Edge

More info: Facebook.com/ProgressiveDoom | Instagram.com/ape_vermin_official​

-30-

“North Carolina progressive sludge metal juggernaut Ape Vermin have released a brand‑new lyric video for “Awakened,” the eighth and most explosive track from their latest EP, Andromedas Colossus, released in 2024… Kenji Tsunami’s visual interpretation amplifies the track’s themes of cosmic destruction, ancient forces, and the return of something colossal and malevolent. The lyric video mirrors the EP’s overarching atmosphere, dark, prophetic, and unrelenting, while giving fans a deeper look into the world Ape Vermin has constructed across the record… an epic celestial journey.​” – Decibel Magazine (Awakened – Lyric Video)

“Ape Vermin’s Andromedas Colossus is doom to the core. Though a lot for one sitting, it’ll sustain your attention during a long walk or drive. Fans of the genre will find much to relish, be it individual tracks or the whole, and it’s certainly one of the standout albums of the year so far.” – Doomed And Stoned

“Lovers of slow, massive riffs, rejoice! Ape Vermin is here for your daily dose of gnarly Sludge and Doom Metal music!” – Ghost Cult Magazine

“Ape Vermin have delivered a bone-crunching album that pulls no punches with it’s fearless attitude and exploration into SONIC and PSYCHEDELIC manipulation of the highest order.” – Outlaws of The Sun

“if you’re looking to be transported to another crushingly heavy musical universe, Ape Vermin are worth a listen.” – Rough Edge

“These axe-generated discharges alone were the stuff of Tony Iommi’s nightmares, but then the bass-made ferociously fuzz-rich, rhythmic rumbles and intensely explosive drumming sealed the deal. All combined and then topped off with Lee’s caveman-like gutturalized grunting vocals, it was a recipe that could’ve resulted in APE VERMIN being culpable for assault & battery charges.” – Riff Relevant

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0 Prog Rock Visionaries LUFEH Announce New Album “Overwhelmed” Out May 2026; Streaming First Single “He Commands The Sun and The Stars”

  • April 1, 2026
  • by Asher
  • · Lufeh · Music News

NEWS RELEASE

Montreal, QC – April 1, 2026

Prog Rock Visionaries LUFEH Announce New Album “Overwhelmed” Out May 2026

Streaming First Single “He Commands The Sun and The Stars”

Progressive rock outfit LUFEH returns with their most ambitious and emotionally charged work to date, “Overwhelmed,” the band’s long‑awaited new studio album, set for release on May 29, 2026. Leading the preview to the full-length is the explosive first single, “He Commands The Sun and The Stars,” a track that captures the band’s signature blend of technical mastery, soaring melodies, and cinematic storytelling.
​
Recorded at the legendary Sunset Sound in Los Angeles, “Overwhelmed” marks a major evolution for LUFEH, musically, lyrically, and creatively. The album introduces the band’s new featured vocalist and electric violinist, Ginny Luke, whose dynamic performances add a new dimension to LUFEH’s sound.
​
​“This album is the result of a lot of dedication, maturity, and the realization of a dream. We focused on strong, memorable vocal melodies while keeping the complex musicianship our fans love. It’s the perfect balance of sophistication and catchiness,” says founder and drummer Lufeh Batera.
​
While LUFEH’s 2020 debut, “Luggage Falling Down,” leaned heavily into technical, instrumental complexity, “Overwhelmed” takes a more melodic, vocal‑driven approach without sacrificing the band’s progressive roots.
​​
“We wanted songs people could sing with us. All eight tracks have choruses that stick with you. It’s complicated music that’s also catchy, and I think fans will really dig that blend,”
 explains Batera.
​
The album features eight meticulously crafted tracks, each around four minutes long, shaped through a collaborative writing process between members in Los Angeles and São Paulo. Despite the distance, roughly 70% of the album was created online, showcasing the band’s modern, global workflow. “Overwhelmed” explores emotional turbulence, spiritual renewal, and the struggle to stay grounded in a chaotic world. From the uplifting message of “Breathe” to the rock‑opera drama of “Feels Like I’m a Ghost,” the album blends heavy moments with melodic clarity and introspection.
​
​“Overwhelmed” also marks the debut of Ginny Luke as LUFEH’s featured vocalist. An internationally recognized electric violinist and singer, Luke has performed with Foo Fighters, Britney Spears, Snoop Dogg, Miguel, and many others.
​
Her violin appears on three tracks, “Overwhelmed,” “Feels Like I’m a Ghost,” and “Live the New Today”, adding a dramatic, orchestral edge to the band’s progressive sound.
​
​“Ginny brought a whole new dimension to this album. Her voice and violin transformed the music into something unique and powerful,” adds Batera.

LUFEH’s lineup is built on decades of friendship and collaboration. Guitarist Deio Tambasco and bassist Duca Tambasco have been playing with Batera since the early ’90s in their original band Anno Domini. Their long‑standing chemistry fuels the band’s tight, expressive sound.
​
“We’re all in our 50s, but we feel like we’re 30. We’ve been friends forever. There’s no ego in this band, just honesty, passion, and a lot of love,” adds Batera.

The first single, “He Commands The Sun and The Stars,” is a rhythmic tour‑de‑force anchored by Batera’s intricate drumming and a massive, unforgettable chorus. Lyrically, the song explores the rise and unraveling of a powerful figure worshipped by the masses, until the crowd begins to question him.
​
​“It’s one of my personal favorites. It’s complex, but the chorus stays in your head. That’s exactly the balance we aimed for,” comments Batera.

Recommended for fans of Rush, Dream Theater, Haken, Sleep Token, and Tool, listen to “He Commands The Sun and The Stars” at the following links:

YouTube – https://www.youtube.com/watch?v=l0WG8j9ovlU

​Add yo your Spotify playlist – https://open.spotify.com/track/3F0lCl87w8HoigLE1jPOnJ​

Bandcamp – https://lufehband.bandcamp.com/​

Track Listing:​
1. He Commands The Sun and The Stars – 4:22
2. Breathe – 4:03
3. Double Dip – 4:39
4. Overwhelmed – 4:30
5. Feels Like I’m A Ghost – 5:43
6. Live The New Today – 4:50
7. War of Emotions – 3:50
8. End of the Tunnel – 4:18

Album Recording Credits:​
• All songs performed by: Duca Tambasco, Deio Tambasco, Gera Penna, Lufeh Batera, and Ginny Luke
• All songs written by: Duca Tambasco, Deio Tambasco, Gera Penna, and Lufeh Batera
• Produced by: Gera Penna
• Mixed by: Adair Daufembach
• Mastered by: Adair Daufembach
• Album Artwork by: Lufeh Batera

Album and Live Band Line Up:​
Duca Tambasco – bass and backing vocals
Deio Tambasco – guitar and backing vocals
Gera Penna – keyboard and backing vocals
Lufeh Batera – Drums
Ginny Luke – vocals (featuring)

More Info:

​http://www.lufehband.com​

​https://www.facebook.com/lufehband​

​https://www.instagram.com/lufehband/​

About:

LUFEH is a progressive rock/metal band blending technical musicianship with emotional depth, jazz fusion influences, and Brazilian musical roots. Founded by drummer Lufeh Batera, the band is known for its sophisticated arrangements, dynamic performances, and genre‑defying creativity. Overwhelmed is the band’s second studio album, following their 2020 debut Luggage Falling Down.

– 30 –

“From the riff heavy opener Find My Way to the latest single ‘My World’ and the sharp riffs of closing track The Edge’, these are 20-minute epics condensed into welcome four-minute compositions. It’s an interesting stance for any progressive band but Lufeh have caught it right on the nail. This is an album full of cleverness and maturity. A joy to listen to, Luggage Falling Down’ provides opportunity to marvel at the quality and the playing. In a world which has lost its marbles, this album is a breath of fresh air. 8/10” – Powerplay Magazine UK (2020 – Luggage Falling Down)

“Luggage Falling Down will be a pleasant surprise for those who enjoy their prog on the heavy side, with occasional flourishes of metal, plenty of instrumental workouts, short song formats and a strong foundation in jazz. The eight songs are technical, energetic and always seeking a melodic hook.” – DPRP (2020 – Lugage Falling Down)

“In addition to brevity, there is Luggage Falling Down nothing wrong. Fantastic prog metal, crisply short songs that are still varied. Matching singing in the intersection between James LaBrie And Brendon Boyd as well as terrific guitar and drum inserts. Very entertaining and fun…. Luggage Falling Down a very entertaining record ahead of us. 9 /10 does that for me.” – Sound Magnet

“Anyone starting to get tired of all the cliché album titles and song titles? LUFEH are going their own way and I really like this album title ”Luggage Falling Down”!… I have to say the LUFEH guys have some moves of their own, which makes this album more interesting than most progressive metal albums. The RUSH vibes are not the most obvious ones, but the verse of ”Trial Of Escapade” clearly shows that these guys like the Canadian trio. There’s a smashing guitar solo from Dornellas in this one too.” – Melodic.net – (2020 Luggage Falling Down)

“A track from prog debutants Lufeh now, as I ‘Find My Way’ straight into being earwormed by their Prog metal goodness. Guitar solos that sound like they’ve been written by some of the hard rock greats, with plenty of atmospheric synths and across the board able musicianship means this one was a sure fire hit from the off!” – Uber Rock (2020 Luggage Falling Down)

“This is heavy prog with some strong elements” – Prog Archives (2020 Luggage Falling Down)

—

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0 Instrumental Prog-Metal Quartet PHAETON Announces “The Cosmic Dissonance Tour” Across British Columbia in Support of New Album “Neurogenesis”

  • March 31, 2026
  • by Asher
  • · Music News · Phaeton

NEWS RELEASE

Montreal, QC – March 31, 2026

Instrumental Prog-Metal Quartet PHAETON Announces “The Cosmic Dissonance Tour” Across British Columbia in Support of New Album “Neurogenesis”

ft. Album Guest Derek Sherinian (Dream Theater, Planet X, Sons of Apollo)

Front (L-R): Kevin Thiessen (Guitars, Keyboards), Ferdy Belland (Bass), Daniel Airth (Guitars), Back: Colin Righton (Drums)

Photo Credit – Scott Courtemanche

British Columbia’s all‑instrumental progressive metal force PHAETON is gearing up to hit the road for their 2026 Canadian West Coast “The Cosmic Dissonance Tour,” supporting their latest third full‑length album, “Neurogenesis,” released this past October 2025. The tour marks the band’s first extended run across the province of British Columbia since the release of their 2020 sophomore album “Between Two Worlds.” It promises a blistering showcase of their evolving, hyper‑melodic, and technically ferocious sound.
​
Formed in 2017 in the mountain city of Kimberley, BC, Phaeton, Kevin Thiessen (guitars, keyboards), Daniel Airth (guitars), Ferdy Belland (bass), and Colin Righton (drums) have carved out a unique place in Canada’s metal landscape. Their fusion of neoclassical melodicism, crushing riff architecture, and cosmic prog-metal atmospherics has earned them a growing international following and stages alongside Beyond Creation, Anciients, and Bison.
​
​“We’re beyond stoked to finally pull off a tour like this. We impress many people through our recordings, but live it’s a souped‑up, heavy‑hitting experience that gets in your face right before it’s melted down to the skull. We’re playing selections from all three of our albums and bringing our A‑Game. This won’t be the last time we rock across British Columbia, but we plan to make this first stint something special for everybody to remember,” says bassist Ferdy Belland.

Phaeton 2026 Canadian West Coast Tour:​
April 4 – Cranbrook, BC – Shotties Nightclub w/ The Honeymans, Brotherhood of Lost Souls, and Garuda (Ferdy’s 55th Birthday Party) – info​
April 8 – Kamloops, BC – Blue Grotto Nightclub w/ Tortion – info​
April 9 – Kelowna, BC – Dunnenzie’s Downtown w/ Tortion – info​
April 10 – Vancouver, BC – Cobalt w/ Vaegon, Quasicosm, No Faith in Fortune (Hyperspace Metal Festival VII Pre-Party) – info​
April 11 – Mission, BC – Captain’s Cabin Pub w/ Anthem (Rush tribute), The Bifurcated – info​
​
Following their acclaimed releases, self-titled (2018) and “Between Two Worlds” (2020), the band’s new and third album, “Neurogenesis,” sharpens their signature sound into something more concise, more dynamic, and more thematically unified. Inspired by concepts surrounding the technological singularity, cybernetic evolution, and the future of human identity, the album blends jazz‑fusion sensibilities with prog‑metal precision, djent‑infused heaviness, and neo‑classical melodic architecture.
​
Tracks such as “Tethys Rising,” “Isochron,” “Synesthesia,” “Arachnid,” and the expansive title track “Neurogenesis” explore everything from cosmic awe to psychological phenomena to dystopian futurism, without a single lyric. Phaeton’s instrumental approach allows listeners to project their own narratives, guided only by the band’s kaleidoscopic riffs, soaring leads, and tectonic rhythmic shifts.
​
Named after the mythical proto‑planet believed to have collided with primordial Earth, Phaeton channels cosmic chaos into meticulously crafted instrumental soundscapes. Their music draws from Dream Theater, Rush, Devin Townsend, Meshuggah, Mastodon, Gojira, and the jazz‑fusion giants of the 1970s, while maintaining a distinct identity rooted in technical virtuosity and interstellar imagination.
​
The band’s writing process is a fluid, collaborative effort, with each member contributing compositions and refining arrangements as a unit. Their live performances are heavier, crunchier, and more visceral than their polished studio recordings, an unexpected duality that has become a hallmark of their reputation.

“Neurogenesis” (released Oct 24th, 2025) is available now on digital platforms via INB Music. Vinyl editions arrive later this year.

Spotify – https://open.spotify.com/album/46CVWFcd3u2pSRt0D9pSrV​

Bandcamp – https://phaetonband.bandcamp.com/​

Previous Singles:

Band Playthrough – Augmented – https://www.youtube.com/watch?v=Oy28HaTZjvY

​Band playthrough – Arachnid – https://www.youtube.com/watch?v=QxyU0U-vSOc​

Isochron ft. Derek Sherinian – https://www.youtube.com/watch?v=Ri8wXGYJcJg

​

Track Listing:​
1. Tethys Rising (6:25)
2. Discontinuum (6:37)
3. Isochron (4:12) ft. Derek Sherinian
4. Synethesia (6:24)
5. Arachnid (4:48)
6. Augmented (4:37)
7. Neurogenesis (6:16)
Album Length: 39:19

Band Lineup:​
– Colin Righton: Drums & Percussion
– Daniel Airth: Lead & Rhythm Guitars
– Kevin Thiessen: Lead & Rhythm Guitars, Keyboards
– Ferdy Belland: Electric Bass

For more info: https://linktr.ee/phaetonofficial​

Fun facts about the band:

Bassist Ferdy Belland owns nearly 8,000 vinyl records, collects Bronze Age comics and militaria, and has a long career as a respected music journalist.
​
Drummer Colin Righton is an exceptional chef and tennis fanatic, known as the “Gordon Ramsay of prog‑metal.”
​
Guitarist Daniel “Danimal” Airth is the quietest member of the band despite his ferocious riff output.
​
Guitarist/keyboardist Kevin Thiessen is one of BC’s top recording engineers and a die‑hard Back to the Future fan.

– 30 –

“A creative restlessness drives the music of Phaeton, British Columbia’s fieriest instrumental prog metal quartet. Their new album, Neurogenesis (INB Music), defies the notion that a lack of vocals can be a disadvantage, with smart, detailed tunes that get the balance between virtuoso showboating and tight, taut songwriting just about right. A cameo from Derek Sherinian on the exotic Isochron is a neat bonus, but this band have hooks and dynamics to burn, and Synesthesia and the title track are simply masterful.” – Prog Magazine

“Hailing from picturesque Kimberly, British Columbia — which is actually closer to Montana’s Glacier National Park than anywhere geographically challenged Americans might have heard of in British Columbia — comes progressive metal quartet Phaeton. Earlier this year the band released their third full-length, Neurogenesis a collection of songs with dizzying and intricate salutations to Cynic, BTBAM, Meshuggah and fellow BC-ers Anciients (who hail from the more recognizable Vancouver). Today we present the play through video of the album’s fourth single “Augmented.” Normally, we frown upon play through videos around these parts, but gave Phaeton a mulligan because not only does the track rule in a structured ‘tear-that-math-textbook-up!’ sort of way, but also because it reminds us a teensy bit of the classic Animusic digital video series.” – Decibel Magazine (Video Premiere: Getting Tech-y With Phaeton’s “Augmented”)

“Neurogenesis refers to the formation of new nerve cells in the brain. A suitable album title for a band that sees intellectual complexity as a pillar of their work. In this case, the brain consists of progressive heavy metal. Its way of thinking is fueled by a long learning process as well as a rich wealth of experience. That the “big names” of the genre have manifested themselves in it is also recognizable without neurological expertise. The art of the Canadian quartet consists of implementing the whole purely instrumentally. They succeed in doing this on “Neurogenesis” even a little better than on the predecessor “Between Two Worlds” (2023). The pieces are composed more clearly to the point, without losing any sophistication. Although the absence of the human voice still makes itself felt as a musical ‘guiding force.’ Once again, the band provides an extensive ‘track-by-track’ in which the backgrounds of the pieces are explained. And: Already, another EP as well as the successor to ‘Neurogenesis’ have been announced with title and release year. Someone is thinking ahead. Top Track: Isochron (feat. Derek Sherinian)” – Eclipse Magazin

“”Neurogenesis” one of the hottest tips of the running season. At least when it comes to instrumental prog, the band has reached the top of the annual list!” – PowerMetal.de ​
​
​“Explore the sonic evolution of PHAETON in their album Neurogenesis, blending melody and heavy instrumentation for a unique experience.” – Bass Musician Magazine​
​
​“Neurogenesis is a crushing and cerebral listen from a band that has sharpened its sound to a fine point. Phaeton confidently bridges the gap between melody and pure, unadulterated musicianship. They fuse the ferocious compositions of modern metal with the ambitious spirit of classic prog rock, creating a unique and thrilling sound that stands alone.” – AltYegMusic​
​
​“Oh prog-metal how we love thee…case in point, the new single ‘Isochron ft. Derek Sherinian’ from Phaeton. This dandy little slice of modern prog-metal is not only exceptionally recorded but is jammed full of stabbing riffs, fluid bass lines, drum rolls galore and of course keyboard wizardry courtesy of the legendary Derek Sherinian (Dream Theater, Planet X, Sons of Apollo). Keep an eye out for the new album “Neurogenesis” from PHAETON set to drop on Oct. 24th and to tide you over listen up for ‘Isochron’ on your Home for the Best New Rock… W-J-O-EEEE” – WJOE – Findlay’s Home for Rock & Roll​
​
​“I’ve always maintained that instrumental bands have to work harder at their craft, because the lack of vocals is one more thing they have to find a replacement for. Lead guitar breaks can take the place of vocals, as can keyboards. They do a solid job of this on the album… They have the chops, that’s for sure.” – Metal-Temple”Neurogenesis“ is a work that combines virtuosity, atmosphere and emotion in extraordinary balance.” 4/5 – MetalUnderground.at
​
“PHAETON’s Neurogenesis: Where Prog-Meets-Precision, and Machines Whisper to the Riffs” – Papy Jeff Metal
​
“Phaeton’s sound is a kaleidoscope of progressive sounds, tech-death, thrash and djent… The album opens with the song “Tethys Rising” has in it’s a lot of austerity, but you can hear perfectly strong and expressive here sound and style. Song “Discontinuum” also holds the right one level and very exciting. The dynamics and rhythm are impressive here. Piece “Isochron” with the guest participation of Derek Sherinian, he enriches and has in great riffs, but there are also Middle Eastern elements, which it also increases the effect. Number “Synethesia” it emphasizes even more the intensity and complexity of sounds with a lot of power and energy. Track “Arachnid” he has a lot of neoclassical playing, but he doesn’t forget about it crushing playing with lots of thrills. Song “Augmented” it also has a specific level to it. Title piece “Neurogenesis” he crowns the album with pride and precision. You can hear perfectly balanced music here, which has a claw, feistiness and focuses on diversity and versatility. 4/5″ – W-Mgnieniu-Rocka

​
—
ASHER MEDIA RELATIONS
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#.514.581.5780
jon[@]ashermediarelations[.]com
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