Category: EPKs

0 EPK – In Solastalgia, EitherWay (2021)

April 13, 2021
by Asher
· EPKs · In Solastalgia, EitherWay

EPK – In Solastalgia, EitherWay (2021)

For fans of Milanku, Mogwai, Godspeed You! Black Emperor, Neurosis

Facebook.com/In-Solastalgia-EitherWay-113534206766985 | Instagram.com/insolastalgiaeitherway/

InSolastalgiaEitherWay.bandcamp.com

EP Title: Morii
Release Date: October 8, 2021
Label: Self-Release
Distribution: Amplify

“”Morii” proposes a post rock with multiple facets, sometimes muscular, sometimes cinematic or even melancholic but always fascinating.4/5″ – Music Waves

“”Morii” propose un post rock aux multiples facettes, parfois musclé, parfois cinématique voire mélancolique mais toujours passionnant. Une réussite pour In solastalgia, Either Way qu’il faudra suivre de très près.4/5″ – Music Waves

“Some of the most special musicians are the ones who look beyond the actual music. It seems counterintuitive since musicians make music for a living, but some tend to lean more towards artists than a music makers. Jean Philippe Hébert would land in the former category with his latest solo project In Solastalgia, Either Way. Hébert has been working diligently over the last several months to bring this project to life, and it’s finally arriving with the music video release of “Morii,” the title track to his new six-song EP. Judging by the spectacular visual accompaniment to the song, you can tell that there’s so much more on Hébert’s mind than just chords and verses.” – V13

“The cinematography behind In Solastalgia, Either Way is not something that can be understated. Their music is a complete audio visual experience that dramatically intertwines progressive post-rock and vivid imagery that is best experienced live. In lieu of live events right now, In Solastalgia, Either Way conveys their messages through music videos such as the one for ‘Opia’.” The Prog Space

“Between soothed delicacy ( « The Warlike Fox », nice acoustic piece ) and mystery veil ( the last two titles being accompanied by a darker aura, even if « Solastalgia » will finally light up by its pretty arrangements ), Morii is a unique introspective experience, which can evoke groups like Mogwai or Godspeed You! Black Emperor, are groups often questioning their music and constantly renewing themselves. In Solastalgia, Either Way seems to express a feeling in this spirit on Morii, his music certainly taking on a completely different dimension live with video projections. Hoping that a European tour will not be long.” – Eklektik Rock

“On peut sentir l’influence notamment de Goodspeed You! Black Emperor dans le son de Jean Philippe Hébert. ” – Le Canal Auditif

“The title track is quite friendly with shimmering guitars and a homely melody, including an effective increase in energy potential. After the acoustic-melancholic pink-floyd reminiscence ‚ The Warlike Fox ‘ make In Solastalgia, Either Way with ‚ Zenozyne ‘ on Dark Ambient, who gets into a cluster of noise and voodoo and effectively with ‚ La Solastalgie ‘ on powerfully thick pants in Post Rock. Rating: 9/15 points” – Betreutes Proggen

“Jean-Philippe, multi-instrumentiste reconnu, a déjà accompagné pas mal de vedettes locales durant sa jeune carrière et se consacre aujourd’hui à ce projet post-rock pensé autour de l’idée philosophique de Glenn Albrecht décrivant une forme de détresse existentielle causée par le changement environnemental. Vaste sujet défendu par une musique instrumentale à l’émotion tangible où les six titres suivent un parcours balisé par les standards du post-rock mais rehaussé, par exemple sur le 4e volet, d’une ballade folk mélancolique; oxygénation salutaire avant de replonger dans des inquiétudes palpables et dramatiques. Intéressant!” – Prog Censor

“Après plusieurs années de travail, il sort son premier projet solo « In Solastalgia EitherWay », qui a été construit autour de l’idée du philosophe Glenn Albrecht. Il décrit une forme de détresse émotionnelle ou existentielle causée par le changement environnemental. Ce projet combine l’amour de l’artiste pour la nature et la musique. L’approche musicales varient de Godspeed You! Empereur à des moments plus lourdes comme Opeth. Vous pourrez entendre tous ces mondes se fusionner dans sa musique. Le son de cet EP (30min.) tourne autour du post-rock instrumental tantôt lourde, tantôt atmosphérique et parfois cinématique. Des titres comme ‘’Opia’’ qui débute tout doucement avec une guitare acoustique ainsi que la guitare électrique aérienne, dont la progression nous amène vers un son plus métallique. JP HÉBERT nous présente ici un projet totalement différent ce qu’il fait habituellement. Sans faire une comparaison directe avec Alex Henry FOSTER. Je pense que si vous aimez la musique de AHF vous allez apprécier « In Solastalgia EitherWay ». Qui soit en passant sont 2 artistes de chez nous au Québec !! Un début prometteur !!” – Profil Prog

“The Post Rock band In Solastalgia Either Way is one band that is on my own radar. This is an all-star band of experienced touring musicians.” – Montreal Rocks

Track Listing:
1. Good People, Bad Medecin. (4:25)
2. Opia (6:40)
3. Morii (4:45)
4. The Warlike Fox (2:59)
5. Zenozyne (5:39)
6. La Solastalgie (4:36)
EP Length: 29:07

EP Recording Credits:
• All songs performed by: Jean Philippe Hébert and Max Gosselin on Drums
• All songs written by: Jean Philippe Hébert
• Produced by: Jean Philippe Hébert
• Mixed by: Ryan Battistuzzi
• Mastered by: Ryan Battistuzzi
• EP Artwork by: Jean Philippe Hébert and photo by Élise Charbonneau
• Member of SOCAN
• Canadian Content (MAPL)

EP Recording Band Line Up:
Jean Philippe Hébert on guitars, keys and Max Gosselin on Drums

Live Band Line Up:
Jean Philippe Hébert – Guitars
Balloo – Bass
Vithou – Keys
Gabriel – Guitars
Maxu – Drums

Photo Credit – Elliot Maginot

About:

Jean Philippe Hébert is an academically trained guitarist. Originally from Québec City, JP was educated at Notre-Dame-De-Foy campus, a private college in the outskirts of Quebec capital. He grew up surrounded by nature with one brother and two parents in the medical field.

As a young boy, JP would admire a guitar that had been hung on the wall of his house for ages, until he found the courage to ask for the instrument and some lessons. As a teenager, JP played a lot, concentrating his efforts towards a heavy style of music, until he started college and began studying classical and jazz. He is also a multi-instrumentalist; playing not only guitar but piano, drums and bass as well as banjo, mandolin and other specialized guitars.

His musical abilities landed him many gigs with prominent local Quebec City acts like Elliot Maginot, Lisa Leblanc and Les Soeurs Boulay to name a few. For over a decade now he has been lead guitarist on many of these projects both in-studio and live settings.

He is currently working on a solo project “In Solastalgia EitherWay”, which is the fruit of many years of work; it was built around the philosopher Glenn Albrecht idea that describes a form of emotional or existential distress caused by environmental change. This project combines JP’s love for nature and music. His influences vary from Godspeed You! Black Emperor to Goat and to heavier things like Opeth. You can hear all these worlds colliding in his music, somehow perfectly placed in chaos.

The debut 6 song EP entitled “MORII” will be released on October 8, 2021 that will then be followed by a series of concerts. The concerts themselves will be worked on as moving portraits, as he will work closely on visuals with videographers. This project is both musical and visual.

0 EPK – Eclipser – Pages (2021)

April 12, 2021
by Asher
· Eclipser · EPKs

EPK – Eclipser – Pages (2021)

Publicist – Jon Asher – jon[@]ashermediarelations[.]com

For Fans of Ulcerate, Deathspell Omega

EP Title: Pages
Release Date: May 28, 2021
Label: Self-Release

Facebook.com/eclipserofficial | Twitter.com/Eclipseroffici1 | Instagram.com/band_eclipser/

Eclipser.bandcamp.com | Spotify

“The writing and recording of this EP were pretty chaotic and we think it comes through in the music. We had some member changes that forced us to reinvent our sound and move away from our previous release (Pathos). We finished tracking drums right before the first wave of covid hit Canada so we had to learn to track the rest of the album from home. There’s a good mix of aggression and melody both within the songs and from one to another.

We recorded the drums and re-amped the strings at Apartment 2 recording (Topon Das – Fuck The Facts). We then finished tracking the vocals ourselves, then passed everything over to Reverence Audio for mixing. We then moved everything back to Apartment 2 for mastering.” – Eclipser

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“…an impressive example of the modern North American black metal scene, handily matching the technical creativity and melodic nuances exemplified in recent outings from Infera Bruo and Botis.” – Angry Metal Guy (2019 Review – Pathos)

“Of this band’s many layers, their vocals are perhaps the most haunting and ungodly element: shrill, disturbing shrieks diverge from inhuman guttural lows to form a sort of infernal harmony that jarringly punctuates the pulsating wall of noise surrounding it.” – Invisible Oranges

“From the ancient depths where long forgotten fears sleep comes Ottawa’s Eclipser. Their blackened death metal style tears and claws at your insides like a caged animal yearning to be free.” – Toilet Ov Hell

“This is black metal played with dark brutality and dissonant intensity. It’s a blackened hybrid that focuses more on black metal than anything else, but still finds time to incorporate death metal elements into itself with a voracious hunger. It’s overwhelmingly bleak and aggressive, but has surprising moments of melody and coherence mixed in with its jagged dissonance and unfriendly exterior.” – Wonderbox Metal (2019 Review – Pathos)

Pathos is their remarkably self-assured debut, and it culls elements both modern and primordial from black and death metal – resulting in an album that’s simultaneously grandiose, brutal, and completely evil.” – Dreams of Consciousness (2019 Review – Pathos)

“If moody, brutal, atmospheric blackened death is your thing, Pathos needs to be put into your little grim, frostbitten ear-holes.” – Sentinel Daily (2019 Review – Pathos)

“…an extremely promising debut from a band only two years into their career.” – Distorted Sound (2019 Review – Pathos)

“… a refreshing album that holds nothing back, delivering fiery punch after fiery punch until you are nothing but ash being carried away by a cold winter wind.” – Trve North Reviews (2019 Review – Pathos)

“…a stellar debut.” – Black Metal Daily (2019 Review – Pathos)

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Top L-R – Christian Beaupre – Guitar, Sebastien Choquette – Bass
Bottom L-R – Ryan Menard – Guitar, Vocals, Chris Joyal – Drums

A name derived from the all-obscuring sound they produce, Ottawa, Ontario’s ECLIPSER spews forth a foreboding polarity of soaring melodies and nightmarish dissonance, coiled together to create a dreadful malaise of blackened death metal promised to starve the light of everything it touches.

Shared Stage with:
Carach Angren, Mors Principium Est, Wolfheart, Cognitive, Monotheist, The Machinist, Bane (Serbia), Uhtcearu, Venom Prison, Homewrecker, Joy, Black Mass

Discography:
2021 – Pages – EP
2019 – Pathos – LP
2018 – Promo
2017 – Demo

[Download EP Cover | Download EP Lyrics]

EP Title: Pages
Release Date: May 28, 2021
Label: Self-Release

Track Listing:
1. Pages (3:10)
2. Matternaught (1:26)
3. Carry Your Burden (2:46)
4. To Never Wake Again (2:29)
5. Fathomless (4:46)
EP Length: 14:38

EP Credits:
• All songs performed by: Eclipser
• All songs written by: Eclipser
• Produced by: Eclipser
• Mixed by: Mike Raymond @ Reverence Audio
• Mastered by: Topon Das @ Apartment 2 Recording
• Album Artwork by: Misanthropic-art
• Canadian Content (MAPL)

EP Band Line Up:
Ryan Menard – Guiatr, Vocals
Christian Beaupre – Guitar
Sebastien Choquette – Bass
Chris Joyal – Drums

0 EPK – Bloodsport – Lethal Tender (2021) (Nightstrike Records) (80s Metal Homage To Jean Claude Van Damme)

April 12, 2021
by Asher
· Bloodsport · EPKs

EPK – Bloodsport – Lethal Tender (2021) (Nightstrike Records) (80s Metal Homage To Jean Claude Van Damme)

Publicist – Jon Asher – jon[@]ashermediarelations[.]com

For fans of Helloween, Exciter, Queensryche, Judas Priest

“We were really wanting to continue with the Bloodsport movie theme because it’s such a hit movie for cult cinema, not to mention it’s Van Damme’s best in terms of action and authenticity! Alas, we decided not to focus too much on one film, as he has close to a dozen good martial arts films from that era, all of them totally awesome in their own way. So, we went with Lionheart, which is a childhood favourite of mine and something I’ve owned on VHS for as long as I can remember. The movie totally rips! To anyone who hasn’t seen it: you’re in for a wild ride Van Damme style! We feel like our music acts as a second soundtrack to the films! They are completely and respectfully dedicated to the glory of those films.” – Bloodsport

EP Title: Lethal Tender
Release Date: March 12, 2021
Label: Nightstrike Records
Distribution: Nightstrike Records

Facebook.com/bloodsportmetal | Instagram.com/bloodsport_band | Youtube

Bloodsportband.bandcamp.com (Limited Edition Cassette)

Formed in early 2018 in Vancouver, Bloodsport is a band not only created to pay tribute to Jean-Claude Van Damme and all the exhilarating films he’s put out, but also to redefine the best aspects of 80s heavy metal and speed metal – the music many of us grew up with! Chock-full of fast riffing, crazy solos, pounding drums and, featuring Jan Loncik – one of the best metal vocalists in Canada – the trio can do no wrong! Bloodsport truly takes it to the next level, incorporating the odd time signature and unconventional song structure to their lengthy, riff-laden tunes. Welcome to the Kumite!

Story Angles / Fun Facts:

1. Bloodsport is split up between two provinces, with members residing in British Columbia and Alberta. Due to the band’s studio-only approach thus far, the recording of this newest EP was straightforward, but with plans to take on live shows down the road, this could get more complicated. Bloodsport has “live” members ready to go and the rehearsals will likely happen in Vancouver, British Columbia.

2. On “Lethal Tender”, vocalist Jan Loncik filled many shoes, including as bassist and drummer, not to mention he recorded, mixed and mastered the whole thing! An integral member of Bloodsport, Jan is a fantastic musician and also plays in the bands Hrom and Radyator.

3. All Bloodsport lyrics and themes revolve around Jean-Claude Van Damme’s movies in the late 80s and early 90s specifically focused on his martial arts films.

4. The band’s artwork is done by close friend and skillful painter (not to mention highly underrated), Constance Knight. A quick search of her work will reveal amazing hand-painted pieces – she can be contacted through her Instagram page.

5. Vocalist Jan Loncik and lead guitarist Joey Kolsteren have only met once in real life.

Left to right – Dragos B. – Guitar, Jan Loncik – Vocals + Drums & Bass (studio), Joey Kolsteren – Lead Guitar

[Download Album Cover | Download EP Lyrics]

EP Title: Lethal Tender
Release Date: March 12, 2021
Label: Nightstrike Records
Distribution: Nightstrike Records

Track Listing:
1. Lethal Tender (7:53)
2. Lion’s Den (5:06)

EP Recording Credits:
• All songs performed by: Bloodsport
• All songs written by: Dragos B.
• Produced by: Jan Loncik
• Mixed by: Jan Loncik
• Mastered by: Jan Loncik
• EP Artwork by: Constance Knight

EP Band Line Up:
Dragos B. – Guitars
Joey Kolsteren – Guitars (Lead)
Jan Loncik – Vocals + Drums & Bass (Recording only)

Discography:
Lethal Tender EP (2021)
Kumite Attack EP (2018)

0 EPK – The Wring – Wring² Project Cipher (2021)

April 4, 2021
by Asher
· EPKs · The Wring

EPK – The Wring – Wring² Project Cipher (2021)

ft. album guests Marc Bonilla (Keith Emerson Band, California Transit Authority, Glenn Hughes), Bryan Beller (Joe Satriani, The Aristocrats, Dethklok, Steve Vai), Thomas Lang (Robert Fripp, Peter Gabriel, Robbie Williams), Jason Henrie, Jason Sadites

Publicist – Jon Asher – jon[@]ashermediarelations[.]com

For fans of Rush, Fates Warning, Dream Theater, Queensryche, The Dead Daisies

Album Title: The Wring2 – Project Cipher
Release Date: May 28, 2021
Label: Self-Release

“If in the ’80s, Geddy decided to shun the synthesizer and Alex became a disciple of Dave Mustaine instead of Midge Ure, Rush might have sounded something like this. The album is 7 songs with one instrumental and 6 vocal tracks. It is a rock record with bits of proggy stuff hidden inside. The players are diverse and really complement each other and the overall vibe.” – The Wring

TheWring.ca | Facebook.com/thewringband | Instagram.com/wringband | Youtube

Thewring2.bandcamp.com | Apple Music | Spotify

““Wring² Project Cipher comes with a heavy, classic rock feel, but there’s an epic, questing nature to tunes like Sorceress, Steelier and Dose that pushes The Wring beyond metal norms and into prog territory.” – Prog Magazine

“The extreme professionalism on display throughout this entire album, although a labour of love, is a true master class of musicianship performed by musicians who are truly at the top of their game, making the industry what it is today. The sheer attention to detail is a credit to each and every performer as they tailor their craft neatly and precisely throughout every track, with nothing less than perfect being the order of the day.” – Stargazer Music Magazine

“Overall, the entire album is laden with a rich tapestry of sound and lyrics, well thought out and carefully developed by founder member and visionary Don Dewulf, taking the listener on that perfect journey of thought, and is a credit to its makers gathering no dust in any collection. 10/10” – Stargazer Music Magazine

“Thanks to his renowned session musicians and original compositions, The Wring is a refreshing discovery that offers a personal reading of modern metal. 4/5” – Music Waves

“What sounds at first to be a straight-forward rock album, turns out to be so much more. It’s a tad short, but sometimes less is more. You can hear many influences in these tracks, some of them familiar, but The Wring have stamped their own identity all over it. This should keep you going for the time being but expect more from Don Dewulf with The Wring³ already in the recording stage!” – The Prog Space

“Dewulf’s guitar work shines throughout, at times reminiscent of Alex Lifeson in his prime, such as his powerful solo on ‘Steelier’ which soars above the raging musical maelstrom below. There’s even a funk-infused breakout on ‘Dose’, which is infectious with its driving hook. It’s an absorbing record, one that takes time to soak in, but several plays ensure that it’s burnt deep into the memory. When those end-of-year lists come round, ‘Wring² Project Cipher’ is likely to be pushing for a slot.” – The Razor’s Edge

“The Wring generally succeed at what they’re going for—Dewulf has produced a fun, catchy record. Particularly on the album’s middle section (“Cipher,” “Steelier” and “Dissension”), there’s some great songs with great riffs. If you’re after some new prog, you could do a lot worse than this album, and I found it quite hard to score.” – Angry Metal Guy

“The overall sound is something like the heavier side of Rush, with hooks and melodic elements smoothing out the guitar crunch, making this very accessible.” – The Progressive Aspect

“Coming out of nowhere with a completely experienced, well-produced, and polished debut record full of complex compositions and dynamics for vocals, guitar, bass, and drums is Sudbury’s newest best-kept secret: The Wring… I give this album a solid 63 out of the 67 moons of Jupiter, including all four Galilean moons. Highly recommend it for fans Tool, Opeth, Soundgarden, Rage Against The Machine, or if you listened to your dad’s records growing up.” – Kipp Grose, Asylum Club

========================

[Download Album Cover | Download Album Lyrics]

Album Title: The Wring2 – Project Cipher
Release Date: May 28, 2021
Label: Self-Release

Track Listing:
1. The Light (4:10)
2. Sorceress (4:44)
3. Cipher (4:29)
4. Steelier (4:25)
5. Dissension (4:08)
6. Dose (3:27)
7. Touch (4:29)
Album Length: 29:54

Album Credits:
• All songs performed by: Dewulf/Lang/Bonilla/Beller/Henrie/Sadites
• All songs written by: Music: Dewulf, Lyrics: Dewulf with Bonilla & Kraus
• Produced by: Dewulf
• Mixed and Mastered by: Forrester Savell
• Album Artwork by: Melissa Friesen
• Member of SOCAN
• Canadian Content (MAPL)

Recording Line Up:
Don Dewulf – Guitars
Thomas Lang – Drums
Marc Bonilla – Vocals
Bryan Beller – Bass – 3 tracks
Jason Henrie – Bass – 4 tracks
Jason Sadites – Guest Solo on 1 track

Discography:
2021 – The Wring2 – Project Cipher
2019 – 48 oz. – Single
2017 – The Wring – Album

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The album as a whole:
If in the 80’s, Geddy decided to shun the synthesizer and Alex became a disciple of Dave Mustaine instead of Midge Ure, Rush might have sounded like this. The album is 7 songs with one instrumental and 6 vocal tracks. It is a rock record with bits of proggy stuff hidden inside. The players are diverse and really complement each other and the overall vibe.

Track by track explained Don Dewulf :
The Light – A very fun song to play. Lots of changes and riffs. This is one song where Marc totally took the vocals in his own direction. I had a much heavier vision but he has a style that really works against the riffs and strange, shifting time signatures.

Sorceress – One of my favourite tracks. The riffs are quirky but really fit the mood. I had composed a very complicated bass part and when I gave it to Bryan Beller, he tossed it out and primarily mirrored the guitar with his bass lines. While my ego was injured, it turns out he was 100% right… the bass totally drives the song. Marc also did a cool spoken-word part in the pre-chorus which was unexpected and totally fits! A friend of mine, Steve Kraus wrote the lyrics for this song and they are fantastic. One of the very few parts not composed by me.

Cipher – An instrumental track. I played this on a 7-string so there is a massive low end. The parts are short enough and musical enough to hold interest without vocals. I really like the bass and guitar solos here too. A combination homage to YYZ and March of the Fire Ants. Jason Henrie played some killer bass on this track and created an awesome video also.

Steelier – This song started with the pre-chorus – a very jazzy progression in the spirit of Steely Dan. I named the rough early version “Steelier” in that context. When the lyrics came later, the story is about perseverance and maintaining one’s wonder in the face of adversity so I thought the demo name was appropriate. The chorus is in an odd time, but fits perfectly, I love when that happens.

Dissension – A pretty straight-ahead rocker. I went for a Dio vibe with the lyrics… I could not tell you what Holy Diver is about but the lyrics are awesome. I tried to capture some of that ‘strength in phrases’ approach. Of course, Triple 6 is a reference to the devil in all of us. Has a cool breakdown and a phenomenal guest solo from Jason Sadites.

Dose – Another fun song with a great chorus. Marc did an amazing job on this song. Lots of little bits of odd time that add flavour and dynamics. Great bass lines and my Lifeson-esque solo. Most of the record is a 1981 Les Paul Custom through a Marshall amp. In this song, I use a Strat which is very unusual for me. I like the thin jangle and how it works in this song.

Touch – I love the main riff. It started life as a very Toolish part, but I found it a bit jarring so I added 3 to the 5 so Marc could sing in 4. Good chorus. Cool odd time breakdown and a neat little solo. The end is pure pretentiousness. The main riff changes time signature 13x but the vocals and reprise of the intro riff smooth it out, so it all works.

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BAND STORY ANGLES / FUN FACTS:

I (Don Dewulf) am proud of my music. I am proud of my affiliation with some of the great players of this generation. Music is the food of the soul and having Thomas Lang, Marc Bonilla or Bryan Beller say they enjoy playing my songs and then give me their serious attention and very best effort is beyond my dreams.
Jason Henrie was supposed to track all of the bass parts on this record but personal commitments precluded that so he reached into his Social Media Rolodex and connected me with Bryan Beller and Stu Hamm as potential candidates to complete the bass tracking. I contacted them both. Stu was interested, but unavailable due to other commitments. Bryan jumped on it and we connected instantly. I messaged Stu back to let him know and he told me he could now do the project. I’d already committed to Bryan so I had to turn down Stu Hamm!! How crazy is that?
I always wanted The Wring to be a ‘band’ with equal input and collective focus. It never turned out that way. I wrote everything, decided everything, paid for everything. It was a somewhat lonely place. Then I met Mikael Akerfeldt. I am a very big Opeth fan. I asked him many questions about his songwriting and band process. He told me that he does everything, writes everything and the guys just learn what he gives them. He said he even taps out the drums on a machine for Axe. So really, Mike is Opeth and Opeth is Mike. I do the same. So, on a much, much, much smaller scale, I realized that I am the Wring. And it was good.
The Wring opened for Diamond Head in 2018. When I walked into the venue, I immediately spotted Brian Tatler on the stage. I had been a fan since the ’80s and it was such a surreal feeling knowing we would share a stage with them. I just shook his hand. Couldn’t even speak. We played a great set and I gave one of our CDs to Brian’s wife after the show. That gig was an honour for me but it also put the world into perspective when you have legends like Diamond Head playing these club gigs while horrible pop garbage sells trillions.
The Wring opened a show in Ottawa. The Dead Daisies and Hookers & Blow were the main acts with 4 bands on the bill. The place was full for our set and the crowd was awesome. I remember two things about that show, the sound man let us play for 40 minutes instead of 30 and we were the only band that didn’t play any cover songs.

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About:

The Wring is a progressive rock project created in 2015 by guitarist Don Dewulf who had compiled a large inventory of compositions that he had fully demoed, just needing players to turn the demos into songs. The project started out in a band format with local musicians and they released a debut self-titled album in 2017.

After a series of live dates sharing stages with Anvil, Diamond Head, and Dead Daisies, the band dissolved. A chance conversation with Mikael Akerfeldt inspired Dewulf to forge ahead with new material, re-connecting with bassist Jason Henrie and engaging world-renowned musicians to perform, bringing the new songs to another level.

The result of that was “The Wring 2 – Project Cipher” releasing in 2021, which will feature album guests Bryan Beller (Joe Satriani, The Aristocrats, Dethklok, Steve Vai), Thomas Lang (Robert Fripp, Peter Gabriel, Robbie Williams), Jason Henrie, and Jason Sadites.

Always starting with a riff, Dewulf builds compositions that showcase his signature blend of classic heavy rock meets prog. The lyrics come after the music is done and are usually a targeted response to an interaction that has sparked anger. The translation of emotion into words is subtle, often belying the more aggressive undertones. Expect more from Dewulf with The Wring3 already in the recording stage!

Shared Stage With:
Anvil, Diamond Head, Sven Gali, The Dead Daisies, Hookers & Blow

Tours and Festivals:
2018 – Budweiser New Music Festival – Sudbury – Finger Eleven, Glorious Sons, Crown Lands

0 EPK – Kill The Imposter – The Violence Sessions (2021) (The Legend Agency)

April 2, 2021
by Asher
· EPKs · Kill The Imposter (The Legend Agency)

EPK – Kill The Imposter – The Violence Sessions (2021) (The Legend Agency)

For fans of Emmure, Thy Art Is Murder, Fit For an Autopsy, Alpha Wolf

Album Title: The Violence Sessions
Release Date: May 28, 2021
Label: The Legend Agency
Distribution: Tunecore

Facebook.com/thelegendagency | Instagram.com/thelegendagency

Facebook.com/killtheimposter | Instagram.com/killtheimposter | YouTube

Spotify | Apple Music | Big Cartel| Linktr.ee/killtheimposter

Kill The Imposter is an Orlando, USA-based deathcore band that was formed in late 2018. Pulling musical inspiration from everywhere, the intention of this four-piece band is to make you move in any capacity you see fit.

Coming from local and national bands, Kill The Imposter brings experience, drive, and mayhem, to the stage. The quartet banded together over a shared love for heavy and violent music, after sharing the stage for one song they knew they had something special, so they sat down together and within a week had 3 songs written and a video lined up. They haven’t stopped since that first sit down, and they won’t stop.

One of the founding members Danny Arrieta (guitar) is the primary music writer getting help with arrangement by Johnny Nobody (vocals). Nick Colvin (drums) carries the aggressive speed and heavy grooves with Wilson Bembry ( bass) definitely sharing and blending the thundering lows and technical playing between all of it.

Since they got together, Kill The Imposter has released “The Decimation” (2019), “A Strain Of Agony” (2020) and “The Violence Sessions” (2021). They have pummeled the stages of Central Florida Metal Fest and Tampa DeathFest and played alongside heavy hitters such as Nile and Terrorizer.

Discography:
2021 – The Violent Sessions – LP
2020 – A Strain Of Agony – EP
2019 – The Decimation – EP

Shared Stage with: Nile, Terrorizer, King810, Machinist

Tours and Festivals:
2020 – Central Florida Metal Fest – Orlando, Fl, US
2020 – Tampa Death Fest – Tampa, FL, US
2019 – Central Florida Metal Fest – Orlando, Fl, US
2019 – Moshers Ball – New Smyrna Fl, US

Award Nominations:
2020- Best of the Bay – Metal Category Runner Up (Tampa Bay, FL)

Artist Endorsements:
Black Hope Curse Clothing, Liquid Death Mountain Water, InEarz Ear Monitors, Scorpion Percussion, Pig Hog Cables, Everytune Bridge

Album Title: The Violence Sessions
Release Date: May 28, 2021
Label: The Legend Agency
Distribution: Tunecore

Track Listing:
1. Broken Crown (2:36)
2. Dongan Hills (3:35)
3. Evil Ways (3:11)
4. False Prophet (3:33)
5. Mace (3:02)
6. Suffer Alone (3:46)
7. Unfit Coward ft Taylor Barber of Left To Suffer (2:30)
EP Length: 22:17

Album Credits:
• All songs performed by: Kill The Imposter
• All songs written by: Johnny Nobody, Daniel Arrieta, Wilson Bembry, Nicholas Colvin
• Produced by: Jarret Pritchard
• Mixed by: Jarret Pritchard and Chris Acosta
• Mastered by: Jarret Pritchard
• Album Artwork by: Johnny Nobody

Album / Live Band Line Up:
Johnny Nobody – Vocals
Danny Arrieta – Guitars
Wilson Bembry – Bass
Nicholas Colvin – Drums

Discography:
2021 – The Violent Sessions
2020 – A Strain Of Agony – EP
2019 – The Decimation – EP

0 EPK – 30 immolated; 16 returned – The Burial of The Dead (2021) – Excerpts from Igor Stravinsky’s The Rite of Spring

March 28, 2021
by Asher
· 30 immolated ; 16 returned · EPKs

EPK – 30 immolated; 16 returned – The Burial of The Dead (2021) – Excerpts from Igor Stravinsky’s The Rite of Spring

Publicist – Jon Asher – jon[@]ashermediarelations[.]com

For fans of Portal, Howls of Ebb, Morbid Angel, Gorguts, Imperial Triumphant

“The album as a whole is a sneak peek into a larger project to be released in several three-movement chunks over the next several years. It is an arrangement of Igor Stravinsky’s The Rite of Spring – a ballet written in 1913 that shocked audiences to the point of starting a riot in Paris. The aesthetic of the work is considered part of the ‘primitivism’ movement from the early modernist period in that its basic ingredients are simplistic and rhythmic, with melodies inspired by Russian folk melodies. The music retains its dissonance through its strange use of harmony and colour, angular rhythms, and sudden changes. Our arrangement and use of samples paint a sonic picture of ritualistic murder from the Midsommar festivities.” – 30 immolated; 16 returned

Album Title: The Burial of the Dead – Excerpts from Igor Stravinsky’s The Rite of Spring
Release Date: May 14, 2021
Label: Self-Release

Official Website: Warwickmusicproductions.wordpress.com/91-2/

“…a pure and utter disgusting avant-garde dissonant Death Metal masterpiece.” – Pest Webzine

“…a suffocating experience for the listener who will explore the depths of death and darkness.” – Pest Webzine

“Avant-Garde metal at its most brutal and entertaining” – Karina Davy, Neurotic Entertainment

“Festering in the bowels of Hamilton, Ontario, avant-garde extreme metal, with a very unique stage show, be sure to check this band out!” – Kelly Pink, Live Events 4 U

===============================

STORY ANGLES / FUN FACTS ABOUT THE BAND

1. The band 30 immolated; 16 returned originally formed for the purpose of performing Dr. Death’s thesis work of the same name back in 2011 in Edmonton, Alberta. The premiere took place at a famous experimental noise/punk venue named The Bohemian that has since closed its doors. The premiere featured a choreographer and three professional experimental dancers that were each outfitted with wearable customized electronic instruments that reacted to their subtle movements (Reflexive Electronic Instruments). The show was a huge success, reaching the venue’s maximum capacity by the time of the performance with the fire marshall intervening. The thesis was defended in the summer of 2017 and is now a published work at the University of Alberta Libraries and is also available on the band’s Bandcamp page.

2. The concept behind the band 30 immolated; 16 returned is based on the characters and story of The Marquis de Sade’s 120 Days of Sodom. In both the studio albums and live shows, the libertines (band members) transport the audience into an atmosphere of sexual sadism and abusive violence through both sonic and visual oppression, with their costumes, props, and actions.

3. All of the instruments and vocals were tracked, edited, and mixed by 30 immolated; 16 returned. Mastering was completed by Jonsson at Dark Prod. Studios in Stockholm, Sweden.

4. Both Madame Champville and Dr. Death have earned Ph.D.’s in music theory and composition from the University of Alberta. Because of their experience in Canadian classical music and international lectures in cultural studies, there is a great academic interest in music and concepts.

5. In addition to the shows for promoters, 30 immolated have also hosted a number of shows under the name of Warwick music. We have invited: Old Witch, MetaladiaN, DirtStar, DemonSkulls, and NorthShroud to play with us.

[Download Album Cover | Download Album Lyrics]

Album Artwork – “Bulima” by Kayla Rulys

Album Title: The Burial of the Dead – Excerpts from Igor Stravinsky’s The Rite of Spring
Release Date: May 14, 2021
Label: Self-Release

Track Listing:
1. Introduction (Spleen) (1:30)
2. The Augurs of Spring (The Burial of the Dead) (3:57)
3. The Ritual of Abduction ( Glorious Love/Languid Agony) (2:48)
4. Spring Rounds (A Paean) (4:22)
Album Length: 12:38

Album Credits:
• All songs performed by: 30 immolated ; 16 returned
• All songs written by: Igor Stravinsky
• All songs arranged by: Dr. Death and drums arranged by Mr. Bones and Dr. Death
• Produced by: Dr. Daniel Brophy
• Mixed by: Dr. Daniel Brophy
• Mastered by: Jonsson at Dark Prod. Studios in Stockholm, Sweden
• Album Artwork by: Kayla Rulys
• Canadian Content (MAPL)

Album Recording and Live Band Line Up:
Dr. Death – Garrote and Vomit
Madame Champville – Whips and Shrieks
Father Bones – Impalement and Bellows
Disgusting Smith – Flayer and Barks
With additional personnel: Xena T (as the slave/dancer)

================

Track by Track explained:
1. Introduction (Spleen) – It begins with a complex sample involving sacrifice by drowning, background melodies taken from the orchestral introduction of the original slowed down and distorted, and the opening theme. It moves into the main material with a large cymbal fade in.

2. The Augurs of Spring (The Burial of the Dead) .- begins with a primal pounding of all instruments in unison in a moderato tempo. It then carries through several textural changes, complex harmonies, and folk-like melodies that trade between guitars. The vocals are minimal, but are inspired by T.S. Eliot’s famous work The Wastelands

3. The Ritual of Abduction ( Glorious Love/Languid Agony) – a blistering quick movement in which the bass is featured with strange obtuse melodies. The guitars form kaleidoscopic harmonies while the drums play unstoppable blast beats throughout. The lyrics are inspired by Vladimir Pushkin’s poem “Spleen.”

4. Spring Rounds (A Paean) – the slower movement with the guitar and bass beginning the song with a strange bird-like melody. This fades away into a slow lumbering texture in which the guitars and rhythm section are separated through counterpoint. Near the end, the tempo of the song changes drastically to be blistering quick with simplistic melodies in the guitars and a drone in the bass. The song ends as it began – with a strange bird-like melody and a sample of the river in which the victim was drowned.

================

Top – L-R – Dr. Death (garotte and vomit), Disgusting Smith (Flayer and Barks)

Bottom L-R – Madame Champville (Whips and Shrieks), Mr. Bones (Impalements and Bellows)

30 immolated; 16 returned are Hamilton, Canada’s most despicable extreme metal band. Developed through intense and abstract systematic theories of chaos and transgression – 30 immolated depicts the sexual taboos found in the Marquis de Sade’s 120 Days of Sodom, through a non-stop battery of screaming guitars, punishing drums, and thundering bass accompanied by the cries of torture and violence. In addition, Madame Champville often brings her favourite pet(s) / slave(s) along, who under threat of further violence, distribute gifts of Shit Cookies and Blood to the band’s spectators.

30 immolated; 16 returned began their sadistic journey in Edmonton, Alberta, but have since moved to southern Ontario in search of new willing victims! They have since played several concert dates in Toronto and Hamilton, most notably at the Hamilton Death Fest for Neurotic Entertainment and as openers for Toronto’s own Arcanevil, and for Mexican death metal outfits Darkside Ritual and Disrupted.

30 immolated; 16 returned ’s sonic violence has been exported internationally with physical and digital sales in China, the United States, and Slovenia. Their goal is to continue to expand their terror throughout southern Ontario, Canada, and beyond to the rest of world!

Discography:
2021 – Igor Stravinsky’s The Rite of Spring
2019 – Self-Titled LP 30 immolated ; 16 returned

Shared Stage with:
Death Perception, MetaladiaN, Demon Skulls, DirtStar, Old Witch, Six of Swords, Cryophillic, Northshroud, ArcanEvil, Lutharo, Human Compost, Display of Decay, Raider, Moltar, Tortured Saint, Psyothic, Disrupted, Kalihira, Darkside Ritual, Death Toll Rising

Tours and Festivals:
2019 – Spirals of Northern Ash Tour
2018 – Hamilton DeathFest – Hamilton, ON

0 EPK – Pantheon – Age of Wolves (Vinyl Release) (2021) (Necrotic Records)

March 24, 2021
by Asher
· EPKs · Pantheon - Age of Wolves (Vinyl Release) (2021) (Necrotic Records)

EPK – Pantheon – Age of Wolves (Vinyl Release) (2021)

Publicist – Jon Asher – asher[@]ashermediarelations[.]com

For fans of Dissection, Carcass, At The Gates, Dying Fetus, Amon Amarth

“Age of Wolves is an intricate merging of heavier, mid-paced poundage with the older, fast-paced death/thrash character.” – Pantheon

Album Title: Age of Wolves (Vinyl Release)
Release Date: May 27, 2021
Label: Necrotic Records (NA), Doc Records (EU), Vidar Records (EU), Old Shadow Records (SA)
Distribution: Necrotic Records/Doc Holliday Metal Productions

Facebook.com/pantheon666 | Instagram.com/pantheon_metal_666

Pantheon666.bandcamp.com | Spotify | Apple Music

“This album is so diverse and so free of genres, “Age Of The Wolves” puts forth a collection of Death metal rooted riffs, sick thrashy grooves reminiscent of Amon Amarth and Dying Fetus’ style.“ -Wayne Ortiz of Blackened Promotions

“Age of Wolves” is an album with strong, fresh appeal, and even the die-hard late 80s early 90s death metal cultists should give this album a listen. It’s more of an extreme metal album, so give it a shot!!” – Soulgrinder Zine

[Download Album Cover | Download Album Lyrics]

Album Title: Age of Wolves (Vinyl Release)
Release Date: May 27, 2021
Label: Necrotic Records (NA), Doc Records (EU), Old Shadow Records (SA)
Distribution: Necrotic Records/Doc Holliday Metal Productions

Vinyl Track Listing:
1. Serpent Death Cult (4:00)
2. Awakening the Gods (3:19)
3. Age of Wolves (3:52)
4. Lust of the Beast (4:20)
5. Left My Mark (4:13)
6. Presence of Dark (4:36)
7. Choir of Death (3:54)
8. Eclipse of the Worm Moon (4:25)
Bonus Tracks on Vinyl Only
9. Arcane Oath (7:14)
10. Hand of Doom (Black Sabbath cover) (7:02)
Vinyl Album Length: 47:01

Vinyl Album Credits:
• All songs performed by: Pantheon
• All songs written by: Pantheon
• Produced by: Jason Tedford
• Mixed by: Jason Tedford
• Mastered by: Jason Tedford
• Album Artwork by: Jasmine JMC
• Member of ASCAP

Album and Live Band Line Up:
B.J. Cook – Vocals, Lead Guitar
Buzzy Leistikow – Vocals, Guitar
Donnie Larkin – Drums
Jeremiah Baker – Bass

Pantheon features members from Arkansas Metal veterans Epoch of Unlight, Fallen Empire, Tangled in Ruin, Abandon the Artifice, and Splattered in Traffic. Playing old-school blackened death thrash metal with groove elements, Pantheon has quickly secured a diehard following breaking the trends in the Mid-South and Midwest Metal scene. Pantheon’s debut album “Age of Wolves” was released in July 2020 by Necrotic Records and continues to receive excellent reviews as the band prepares for its vinyl release in April 2021. Pantheon is preparing for major touring opportunities once the live music venues open post covid times. Current endorsements, Black Harbor Strings, Pig Hog cables, Coffin Case.

Pantheon is
B.J. Cook – Vocals, Lead Guitar
Buzzy Leistikow – Vocals, Guitar
Donnie Larkin – Drums
Jeremiah Baker – Bass

Discography:
2021 – Age of Wolves – Vinyl (Necrotic Records)
2020 – Age of Wolves – CD (Necrotic Records)

Shared Stage with:
Vore, Seahag, Giant of the Mountain, Vesperian Sorrow, Tel Anorath, Evil Incarnate

Artist Endorsements:
Black Harbor Strings, Pig Hog Cables, Coffin Case

0 EPK – Draemora – Death Rectangle (2021)

March 24, 2021
by Asher
· Draemora · EPKs

EPK – Draemora – Death Rectangle (2021)

Publicist – Jon Asher – asher[@]ashermediarelations[.]com

For fans of Wage War, Whitechapel, Periphery, Architects, Spiritbox

“Lyrically with Death Rectangle I wanted to make songs that anyone could very easily imprint their own life into. These songs all have deep meaning to me but we strayed away from using any specific references so that the listener could make it whatever their imagination wants it to be. We think that is the best way to make a song. Musically this collection of songs is mostly dark and heavy sounding. It wasn’t intentional, but like we’ve said before, when this was written we were all locked up and lost our jobs, and had to watch the world riot and go nuts so we’re not surprised it sounds that way.” – Draemora

Album Title: Death Rectangle
Release Date: June 18, 2021
Label: Self-Release
Distribution: Distrokid

Draemora.com | Facebook.com/Draemoramusic | Instagram.com/draemoramusic | YouTube

Spotify | Apple Music | Amazon

Tour Dates: Draemora w/ Hed PE
July 24 – Liquid Joe’s – Salt Lake City, UT
July 27 – Herman’s Hideaway – Denver, CO
July 28 – The Royal Grove – Lincoln, NE
July 29 – The Back Bar – Janesville, WI
July 30 – The Forge – Joliet, IL
July 31 – Diesel Concert Lounge – Chesterfield, MI
August 1 – Music Factory – Battle Creek, MI
August 3 – Red Flag (prev. Fubar) – St Louis, MO
August 4 – Club 1175 – Kansasville, WI
August 5 – Hobart Art Theatre – Hobart, IN

“Draemora’s new EP Awakening is a 17 minute melodic death metal piece with more twists and turns than your average M. Night Shyamalan movie. This is a band that doesn’t stick to the tradition melo-death sounds, instead looking to incorporate some clean singing, some progressive sections and some experimental sounds… This is an EP that incorporates many different sounds, but doesn’t have any filler… A very unique debut release from Draemora.” – Metal Injection (Review Awakening EP 2020)

“‘Guilt’ features the band’s penchant for mixing their brutal modern metal with glorious rock melodies! Think of a sound that meshes Gojira, Alien Weaponry, Faith No More, and the more recent era of Lamb of God, and you might begin to understand the group!” – Ghost Cult Mag (Review Awakening EP 2020)

“In this playthrough of their song “Guilt” we see Terry from Draemora ripping away with his Fender Telecaster. His tele is loaded with a single EMG 57 and he’s boosting that guy with an Ibanez TS9 going directly into his Mesa. The deadly tone of the 2-channel and a heavy rhythm hand are such a great combo.” – Gear Gods (Review Awakening EP 2020)

“A haunting, eerie melody opens “Home” with the an Allegaeon esq melodic moment before some DJent infused riffage takes hold and Wood delivers the kind of unclean vocals that leave you with 3rd degree burns on the inside of your throat. Jenkins interjects with a pair of clean sung verses over some almost Grungy Metalcore and you have a track with perhaps a trio of different styles in a single offering that works because of the cognitive tissue of the narrative.” – Metal Noise (Review Awakening EP 2020)

KISW 99.9FM (Seattle) – BJ & Migs L&L BAND OF THE WEEK: Draemora (June 10, 2020)

“LEGION OF SCUM, with its dynamic and pressing drums and sharp riffing, surely one of our favorite tracks.” – HardRockHeavyMetal (Review Awakening EP 2020)

“It’s an EP with its own style and remarkable musical skills, drum work, guitar chords, melodic and a talented throaty voice.” – Darkzen Metal Angels (Review Awakening EP 2020)

===============================================

STORY ANGLES / FUN FACTS ABOUT THE BAND

1. On these recordings the band made a decision from the beginning to stray away from sounds that were “safe” to construct the building blocks for the album. Two big inspirations for the sound of the mixes were from Lamb of God’s third release “Ashes of the Wake” and Whitechapel’s last release “The Valley”. We wanted a dry, raw, “real” sound for these songs so that it didn’t feel so exhausting to listen to the same snare sound and guitar plugin that everyone on earth uses. We also left mistakes in there and resisted the urge to edit everything perfectly, although it is played to a click and there is definitely editing, we tried to be tasteful while making decisions about what to fix and what to leave alone. We felt that a good song is a good song and we should steer away from concentrating too much on sounding like everyone else and let our songs speak for themselves. There is a bit of production on these but we did our best to keep a lid on it.

2. Everything in the recordings was recorded at Terry’s house upstairs in his home studio. He also mixed and mastered this time instead of having an outside source help (as opposed to the EP).

3. Death Rectangle originally going to be called, “Summoning the Wretched” and the album was going to be called “Slaves Until Death” until a few months before us finishing the album.

4. We added the song “Victorious” to the end of the album at the last minute. The whole song was written right after Terry got a new 7 string guitar that was tuned to drop G and wrote the whole song in an evening. The entire song was written in just a few days and was originally going to be a single to release during the pandemic, but we all thought that was lame and that we should release the whole thing right now. It’s not like we’re gonna lose a bunch of money if we don’t and we are already working on the next full length, so we’re not worried anyway.

5. In “The Cleansing”, the song starts and ends with an intense chug pattern that starts with the guitar and then joined by the bass and drums. This syncopated rhythm at first glance may seem nonsensical but has defined repetition points as the riff progresses. This song was in the works earlier on in the writing process of the album, so when it came to working on this part as a group, it was a great test of our ability to work and perform with one another as it relies heavily on everyone being on the same page for an extended period of time. Initially, it was quite a challenge to accomplish however with time and practice it has become in some ways a staple of our practices and to strengthen our trust in one another to be in the pocket as a unit.

[Download Album Cover | Download Album Lyrics]

Album Title: Death Rectangle
Release Date: June 18, 2021
Label: Self-Release
Distribution: Distrokid

Track Listing:
1. The Cleansing (6:06)
2. Slaves Until Death (4:44)
3. Death Rectangle (4:19)
4. Requiem (3:23)
5. What You’ve Become (5:00)
6. Gouge Out My Eyes (3:57)
7. Blood Moon (3:34)
8. Screaming Into the Void (3:56)
9. Metacognitive (4:08)
10. Victorious (3:36)
Album Length: 42:46

Album Recording Credits:
• All songs written by: Terry Paulson
• Produced by: Terry Paulson
• Mixed by: Terry Paulson
• Mastered by: Terry Paulson
• Album Artwork by: Bre Diaz

Album / Live Band Line Up:
Terry Paulson: Guitar/Vocals
Jared Conellie: Drums
Ricy Bjorklund: Bass
Taylor Wood: Vocals

Discography:
2021 – Death Rectangle – LP
2020 – Omerta (single)
2020 – Let Go (single – Chimaira cover)
2020 – Minerva (single – Deftones cover)
2020 – Awakening EP

Draemora was formed in November 2019 in the Seattle, USA area by Terry Jenkins (vocals/guitar) after his separation from his previous band Odyssian. Seeing it as an opportunity to take a chance and try something different, he wrote a handful of songs with lyrics and demoed them out at his house. These demos attracted the attention of soon to be bandmate, ex-Jesus Wears Armani drummer Jared Conelie and ex-Odyssian vocalist Taylor Wood.

After fleshing out the demos with their own personal touches on the songs, Jenkins found local guitar player Max Taylor and set out to record the 5 song EP “Awakening” that was debut during June 2020.

The EP was nothing short of heavy, melodic metal infused with honest and heartfelt lyrics. This combination worked perfectly with the band’s mission to evoke an intense emotional and spiritual experience that brings out the raw emotions that are suppressed all day in normal day-to-day lives.

With a slight pause in the band’s plans due to the 2020 COVID-19 pandemic, Draemora has just completed their follow-up full-length “Death Rectangle” planned for release on June 18, 2021, a full year since unleashing their introductory EP “Awakening”.

On this new album, Draemora has truly explored an evolution from their previous release. Musically, the collection of songs are mostly dark and heavy sounding. It wasn’t intentional, but when the band was writing the new record, they were all locked up and lost their jobs due to the Covid-19 pandemic, along with watching their hometown riot during George Floyd protests. The songs all have deep meaning to the band, but they strayed away from using any specific references so that the listener could make it whatever their imagination wants it to be. They think that is the best way to make a release.

The band adds:

“We are really finding our sound on this album and where we all fit together and the two singles on here were so obvious to us because they sounded so good as demos. We could tell instantly that “Death Rectangle” was a single, it’s got a catchy riff, pounding drum parts and a chorus that we hope everyone will join in on when we can eventually play it live. Our planned second single “Victorious” is exactly the same way. We were going to actually separate it from the album and let it be a song on its own, but at the last minute, we decided it was the perfect way to end the album, because it has that great classic formula in there with a twist to the parts that really puts our stamp on it in a great way. Our main goal in mind for this release was that we wanted people to enjoy it live, so we made big choruses and really big recognizable parts that made us feel great when we were writing the whole record. It’s 10 songs that we all felt were nothing but bangers, we don’t put filler on anything, if there were only 8 good songs out of 50, then the album would be 8 songs and that’s that. As far as the next thing, we’re already working out new stuff as we’ve finished this so hopefully next year we’ll be back with another full length, that’s the goal at least.”

“Death Rectangle” is due out on June 18, 2021 and will be available on all major digital platforms.

Past Features :
– KISW 99.9 FM (Seattle, WA) – BJ & Migs BAND OF THE WEEK June 10, 2020

0 EPK – Songs of Petrichor – She’s In Black (single) (2021)(Wall of Sound Records)

March 24, 2021
by Asher
· EPKs · Songs of Petrichor

EPK – Songs of Petrichor – She’s In Black (single) (2021)

Publicist – Jon Asher – asher[@]ashermediarelations[.]com

Label: Wallofsoundsa.com | Facebook | Instagram

Facebook | Instagram | Spotify

Single: She’s In Black
Release: July 25, 2021
Record Label: Wall of Sound Records

L-R – Shaharyar Hamdani (Vocals, Guitar), Yousuf Masood (Guitar, Bass), Omair Soomro (Drums, Lyrics)

A nostalgic, melancholic revival of influenced 70’s prog, 90’s grunge, and South Asian classical music, Songs of Petrichor has fused a refreshing sound from the Middle East. With all members of the band being multi-instrumentalists, the crafting of songs has always taken an interesting approach with each of them having mutual respect for each other’s instrumentation.

Admitting that they are first and foremost a live experience, Songs of Petrichor’s true chemistry comes to life when adding improvisation to their stage performance, but in the meantime, with lockdowns around the globe, they feel it is necessary to allow the public to enjoy their sonic adventures online until then.

Songs of Petrichor’s goal with their forthcoming record is to take listeners on a journey of rain-induced sentiment, strong emotions, and adoration for the classic yet modern love of rock.

BAND STORY ANGLES / FUN FACTS

1. The band likes to joke about how Songs of Petrichor was actually started in the corporate world. I (Omair) had a review meeting with the COO of the Company after the successful completion of a project. As the discussion turned surprisingly informal towards the end, I was asked “So what do you do outside of work?”. Upon finding out that I am a musician, I was told “Take this number and call this young man who is very dear to me”. I got a business card on my Whatsapp named “Sheru Jeddah”. Later on, I found out we both were asked to contact each other which we did. We had an awkward phone call where Shaharyar told me he loves the Beatles and we had a common friend from back home who had passed away recently. Hesitantly, we decided to meet up at a mutual friend’s place as a formality which I was personally dreading as it was just for the sake of meeting up. Turned out I finally met a musician with whom I share a broad range of similar musical taste. Oddly, we were both listening to Ravi Shankar while driving to the same location to meetup. For one we were both die-hard Zeppelin fans. Later, we created Songs of Petrichor.

2. Shaharyar and Omair started the music much earlier on around July 2019 and named the band ‘Petrichor’. The missing element was Yousuf, who joined the band around October 2019. He was the final jigsaw piece. We changed the band name to ‘Petrichoir’ as ‘Petrichor’ was taken by a strange DJ and also because Shaharyar was in a choir. Later on, just before the Pandemic, we changed to ‘Songs of Petrichor’. We were forced to stop jamming and writing from February 2020 to late August 2020 due to COVID19.

3. All the members are multi-instrumentalists. There are songs where Yousuf has influenced the drum ideas and Omair has written the guitar and vocal melodies. Especially while free jamming, the band members keep switching between instruments for fun. Consequently, even during songwriting, there is a lot of cross-influence as all members seem to have perspectives on each instrument.

0 EPK – The Boy Who Cried Wolf – Bellicose (2020)

March 22, 2021
by Asher
· EPKs · The Boy Who Cried Wolf

EPK – The Boy Who Cried Wolf – Bellicose (2020)

For fans of Every Time I Die, Cancer Bats, Brand New, The Chariot, Chevelle

Album Title: Bellicose
Release Date: December 12, 2020
Label: Self-Release

Facebook.com/tbwcw | Instagram.com/tbwcwolf | Youtube | Soundcloud.com/tbwcw

TBWCW.bandcamp.com

The Boy Who Cried Wolf started their activity as two local bands from Bucharest, Romania colliding, Bogdan from CHESTER and Mihai from Breathelast), later on adding Alex (PZFI, Backstage Hero) to give it a sincere go at writing some tunes that would better react to their primal needs to play some wild, fast-paced music, inspired by old school metal combined w/ Hardcore / Punk vibes. Other sounds may occur.

Shared Stage w/: Cancer Bats, Shai Hulud, PORN (USA)

“This album is furious anger aimed at the clashing worlds that keep colliding onto us, turning us into feral beasts, nurturing the darkest of wishes, bidding serenity a sickening farewell. We breathe secret wars in every cell that struggles for better days. bellicose.” – The Boy Who Cried Wolf

[Download Album Cover | Download Album Lyrics]

Album Title: Bellicose
Release Date: December 12, 2020
Label: Self-Release

Track Listing:
1. Intro (2:09)
2. Bellicose (Acoustic) (2:57)
3. Ghostriders II (1:34)
4. Cloak & Bladder (2:25)
5. Saturnine (2:15)
6. Swarms (1:59)
7. The Night After (4:38)
8. In Midnight Clad (4:23)
9. The March feat Zda (2:54)
10. It Makes Waves (3:04)
11. Vengeance Of (4:15)
12. Selina, The Years Have Not Been Kind (2:40)
13. Bellicose (Electric) (3:44)
14. Balada Bormasinii (Hidden Track) (4:55)

Album Credits:
• All songs performed by: TbWcW
• All songs written by: TbWcW
• Produced by: TbWcW & Marius Costache (Studio148)
• Mixed by: Marius Costache (Studio148)
• Mastered by: Marius Costache (Studio148)
• Album Artwork by: Sweeter Than Revenge (Bogdan Purghel of TbWcW)

Album Band Line Up:
Bogdan Purghel “Bacovia” – Guitar / Bass / Vocals
Alexandru Guta – Drums
Mihai Ionut Andrei – Vocals

Discography:
2020 – Bellicose
2013 – Bad Time Stories

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