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Category: EPKs

0 EPK – CVINGER – Doctrines By The Figures Of Črnobog (2023)

  • August 1, 2023
  • by Asher
  • · CVINGER · EPKs

EPK – CVINGER – Doctrines By The Figures Of Črnobog (2023)

Publicist – Jon Asher – jon[@]ashermediarelations[.]com

(Slovenian black metal band with many details taken from death metal influences.)

Our concept represents the last step on the journey of departing from, fear, hate, love, humanity, conscience, and all the emotions that misguide us with subjectivity and temptations which are our worst enemies and a
gateway to self-destruction. The dissection of our weak body, for our soul to become free of the human curse
and to become the supreme being, to become God. Combined in interpreted in Slavic ancient paganism

WE ARE NOT PAGAN BLACK METAL, we craft Occult Slavic Black Metal – CVINGER

=================================

“After 7 years, we are returning with a new album. The album was written after meditation seances in
a cave of a prehistoric hunter. It is the fastest and most brutal album that we have created till now. The new album/single  DOCTRINES BY THE FIGURES OF ČRNOBOG will be released by the Polish record label Via Nocturna on the 28th of August 2023. With the new creation, we are paying homage to the Slavic old faith, especially the occult and the dark aspect of it. The band has gone through some lineup changes, and by bringing in the new blood, we have changed the perspective of creating and redefining new hellish symphonies. Soon live rituals will follow in support of their new album.” – Cvinger

For fans of Marduk, Mayhem, Gorgoroth, 1349, Morbid Angel

Album Title: Doctrines By The Figures of Črnobog
Release Date: August 25, 2023
Label: Via Nocturna (Physical) / Earache (Digital)
Distribution: Via Nocturna for physical album and Earache for digital.

Facebook.com/Cvinger666 | Instagram.com/cvingerofficial

“Embodied in Incense sees Cvinger completely cast off the uncertainty of their debut and strike out as the leader of the Slovenian black metal scene.” (2018 – Metal Observer)

“The Enthronement ov Diabolical Souls should find a welcome home among the works of 1349, Marduk and Tsjuder. While the music still lives and breathes the second wave, Cvinger’s music no longer feels like paint-by-numbers black metal. Intense, blasting and dark; this Slovenian four piece has finally found their sound.” (2015 – Metal-Observer)

Album Title: Doctrines By The Figures of Črnobog
Release Date: August 25, 2023
Label: Via Nocturna (Physical) / Earache (Digital)
Distribution: Via Nocturna for physical album and Earache for digital.

Track Listing:
1. Meditations At The World’s Demise – 3:08
2. Revelation of The Three Heade One – 5:09
3. Fury Born Out of Bones and Fire – 4:27
4. Blood Catharsis and The Mantra of Depravity – 4:21
5. The Winter Night of The Funeral Pyres – 5:42
6. Slava – 4:45
7. Totemism – 4:47
8. Cosmic Realm – 2:40
9. Doctrines By The Figures of Crnobog – 5:07
10. Chants and Canticle – 6:39
Album Length: 46:45

Album Credits:
All songs performed by Cvinger except Cosmic realm Slavic bagpipes played by Andrej Drča
All songs written by Cvinger
Produced by Cvinger
Mixed by Tim Draksler
Mastered by Tim Draksler
Album Artwork by Mitchel Nolte

Album Band Lineup:
Vocals: Khal Lucerus
Guitar and Bass: Nord Slayer
Guitar: Bagot (x member)
Drums: Morgoth

Live Band
Vocals: Khal Lucerus
Guitar: Nord Slayer
Guitar: Ichor
Bas: Corvus
Drums: Morgoth

=======================================================================

About The Album Artwork:

The artwork was created by an amazing artist Mitchell Nolte.

He understood what we wanted to say with it and the first drafts were created in only a few days. It represents a ritual of Slavs manifesting the obscure god of death and night Črnobog which in translation means the Black God

About The Album:
The whole album explores the existence of man in a Slavic spiritual realm. The splitting of his body and soul during the rites and incantations. It is a journey of lust madness, faith, and sorrow and  questioning the existence of its mortality.

=======================================================================

L-R – Khal Lucerus – Vocals, Morgoth – Drums, Nord Slayer – Guitar, Corvus – Bass, Ichor – Guitar

Photo by Blanka Slana Heine

“DEUS TUUS IN FAMA DIABLOANIMAM TUAM”

This Black metal crusade by the name of Civnger began in the winter of 2012. It was founded by vocalist Lucerus, guitarist Bagot and drummer Kireg Maschine. Cvinger is an old Slovenian word with many meanings. One of them comes from the Turkish Wars or Ottoman War and was used for the first defense wall around the church later that word was used for a wall that separated the cemetery for those who committed suicide. Inspired by the dark middle ages our journey takes us to our first release: “LORDS OF PESTILENCE I TOO SHALL BECOME FALLEN”

In January 2013 We entered Truga studio for the first time to summon our first demo / single by the name of Abyss of Horns. This release was the first stone of our sound and atmosphere.

“SLAY THE WOLVESSO THE GOATS COULD RISE AND ENTER THE MONASTERY OF FALLEN” 

In the Spring of 2013, we enter Truga studio for the second time to record the EP Monastery of Fallen. It was officially released on 16th July 2013. Later we filmed a music video for the title track. In the spring of 2014, our legion expanded. Morgoth joined as a new drummer and Obscurum as a bass player. On the 27th of June, we had our first live ritual to present our EP Monastery of Fallen.

“THE RULER OF FIRE AND DEATH TAKE THIS SOULS AND FEED THEM TO YOUR FLAMES” 

On the 23rd of September, we entered Truga Studio again to record the first full-length album by the name: The Enthronement ov Dia-bolical Souls. While the album was being mastered we record the music videos for one of the tracks from the album by the name of Summoning. The album was released on the 1st of December 2014. We promoted The Enthronement ov Diabolical Souls with East Europe tour by the name ov: Diabolical Enthronement of east europe 2014 and later we joined Melechesh and Keep of Kelesian tour in May 2015.

“GUIDED BY SECRET WORDS WRITTEN BEHIND THE DOORS OF MASTERS CHAMBERS.A NEW FUNDAMENT RISES IN THE SPIRITUAL DIMENSION” 

In July 2016 we entered Truga studio again to record the single Enchanted Conclave as an announcement for 2nd full length album in 2016. Enchanted Conclave was released 1st of September and was premiered by the world’s most dangerous magazine TERRORIZER. Later we promoted the single on MARDUK – FRONTSCHWEIN: 2015 TOUR Europe Part 3.12 December 15ten we joined Gorgoroth, Kampfar, and Gehenna on the BLACK FEST OVER X-MASS2015 tour. That was our last tour for the year 2015. We started the year 2016 in Endarker studio in Sweden, recording a new album by the name: Embodied in Incense. The album was Produced by Magnus Devo Andersson and Cvinger. Shortly after we filmed a music video for the title track Embodied in Incense which was premiered by the world’s biggest extreme magazine Terrorizer. Embodied In Incense album was 1st time presented to the public for the 3 Weeks Headlining China tour! After the tour, we crafted a video for Track MARTYR SHRINE with Portuguese video producer Guilherme Henriques Silva, as promotion for our co – headlong tour with RAGNAROK, where Embodied in Incense was 1st time presented and spread via Europe.

“REBORN IN THE FIRE IN THE SIGN OF THE GODS HAND AS BEASTS THEY WILL HUNT FOR HIM HIS NAME WHISPERED IN THE SECRET IN THE WINTER NIGHTS”
After 7 years, Cvinger is returning with a new album. The album was written after meditation seances in a cave of a prehistoric hunter. It is the fastest and most brutal album that the band has created till now. The new album DOCTRINES BY THE FIGURES OF ČRNOBOG will be released by the Polish record label Via Nocturna in the autumn of 2023. With the new creation, they are paying homage to the Slavic old faith, especially the occult and the dark aspect of it. The band has gone through some lineup changes, and by bringing in the new blood, they have changed the perspective of creating and redefining new hellish symphonies. Soon live rituals will follow in support of their new album.  

Discography:
2023 – The Doctrines By The Figures of Črnobog – LP
2016 – Embodied in incense- LP
2015 – Enchanted conclave – single
2014 – The Enthronement ov Diabolical Souls -LP
2013 – Monastery of Fallen- EP
2013 – Abyss of Horns – demo
Shared Stage with: Gorgoroth, Kampfar, Gehena, Marduk, Svart Crown, Ragnarok
Tours and Festivals:
2022: A Decade of Slavic black flame- anniversary concert
2018: Metalijotrazpaljot fest-Slovenija
2017: October Oluja fest- Croatia
2017: September Blasphemer fest- Austria
2017: May RAGNAROK co-hadliner tour est Europe
2017: April Siege of Limrick Festival- Ireland
2016: October: RAGNAROK co-hadliner tour est Europe
2016: Live after death- Slovenia
2016: BLACK FLAMES OVER CHINA TOUR
2015 :GORGOROTH, KAMPFAR, GEHENA XMASS tour
2015: MRDUK FRONTSCHWEIN Europa tour 3rd part
2015: MELECHESH, KEEP OF KALESSIN
2014: THE ENTHRONEMENT OF DIABOLICAL EAST EUROPE

0 EPK – Sam Mooradian – Bad Brain (2023)

  • July 22, 2023
  • by Asher
  • · EPKs · Sam Mooradian

EPK – Sam Mooradian – Bad Brain (2023)

Publicist – Jon Asher – jon[@]ashermediarelations[@].com

For fans of Plini, Gorguts, Animals As Leaders, Mestis, The Mars Volta

Artist: Sam Mooradian
Album Title: Bad Brain
Release Date: July 28, 2023
Label: Self-Release
Distribution: Distrokid

“I started this project to explore the weird, off-kilter progressive metal sound I’ve been developing. I’ve always had a love for instrumental, guitar-driven metal, but my main focus is on pushing prog and heavy music to its current limits.

I hope people dig my new album “Bad Brain”. The album is inspired, musically and lyrically, by problems in the brain. It’s very groovy and catchy, but also dissonant and jarring. I think it merges the two in an organic, enjoyable way.

I always write with the album in mind, and in order, so the best way to experience Bad Brain is to listen from start to finish. I want people to be surprised by some of the creative risks the album takes, and I hope people feel the need to listen again to try to understand it better, or simply because they liked it.” – Sam Mooradian

 

Sammooradian.com | Facebook.com/sammooradianmusic | Instagram.com/sammooradian | YouTube.com/@sammooradian

Sammooradian.bandcamp.com | Spotify | Apple Music

“A brand new guitar playthrough has just been launched in support of “Kaleidonoscope”! It shows off the deceptively simple and effective nature wrapped into Sam’s darkened songwriting. Let your eyes consume Sam’s work through the video provided just below. This turns out to be yet another brilliant world premiere from the very promising Sam Mooradian! Stay tuned for more…” – The Circle Pit

“In a feat of guitar wizardry, our friend and highly talented guitarist Sam Mooradian took on the wickedness that is Necrophagist’s “Epitaph” will a FULL ALBUM COVER” – The Circle Pit

Artist: Sam Mooradian
Album Title: Bad Brain
Release Date: July 28, 2023
Label: Self-Release
Distribution: Distrokid

Track Listing:​
1. Bad Brain – 4:39
2. Suspicious Gait (feat. Flub) – 5:30
3. Titrate Down (feat. Blumen) – 5:57
4. Real Anger – 2:19
5. Tinnitus (feat. The World Is Quiet Here) – 4:31
6. Assassin Mad (feat. Archaeologist) – 13:20
7. Find Someone Else – 1:15
8. Spies Are Listening – 2:59
9. Come And Get Me – 4:26
Album Length: 44:57

Album  Recording Credits:
• All songs performed by: Sam Mooradian
• All songs written by: Sam Mooradian
• Produced by: Sam Mooradian
• Mixed by: Sam Mooradian
• Mastered by: Sam Mooradian
• Album Artwork by: Brendan McAllister

Album Band Lineup:
Sam Mooradian – Guitar, bass, programmed drums, synths, vocals
Michael Alvarez / Flub – Vocals on track 2 / Suspicious Gait
Richard Blumenthal / Blumen, Aviations – Piano on track 3 / Titrate Down
Isaac Stolzer-Gary / The World Is Quiet Here – Second guitar solo in track 5 / Tinnitus
Kyle Schaefer / Archaeologist, Fallujah – Vocals on track 6 / Assassin Mad

Live Band Lineup:
Sam Mooradian – Guitar
Lucas Koughan – Bass
Dylan Hughes – Drums

=========================================================

The album as a whole:

The album is inspired, musically and lyrically, by problems in the brain. It’s very groovy and catchy, but also dissonant and jarring. I think it merges the two in an organic, enjoyable way.

Track by track explained:

1. Bad Brain (4:39) – ANXIETY
Musically: weird rhythms, groovy, somber

2. Suspicious Gait (feat. Flub) – (5:30) – MIND SURVEILLANCE / TECH ADDICTION
Lyrically: AI, god, tech integration that causes extreme distress
Musically: heavy, chaotic, melodic

3. Titrate Down (feat. Blumen) – (5:57) – DEPRESSION
Musically: sad, catchy, creepy

4. Real Anger – (2:19) – ANGER
Musically: classical, etude, heavy

5. Tinnitus (feat. The World Is Quiet Here) – (4:31) – TINNITUS / RINGING IN THE EARS
Musically: weird rhythms, groovy, somber

6. Assassin Mad (feat. Archaeologist) – (13:20) – PSYCHOPATHY
Lyrically: regret, guilt, psychopathy
Musically: epic, catchy, moody, creepy

7. Find Someone Else – (1:15) – ISOLATION
Musically: etude, clean, psychedelic

8. Spies Are Listening – (2:59) – SCHIZOPHRENIA / PARANOIA
Musically: catchy, classical, melodic, melancholic

9. Come And Get Me – (4:26) – EXTREME DEFIANCE
Musically: driven, groovy, final

=========================================================

BAND STORY ANGLES / FUN FACTS:

1. All the songs on Bad Brain are inspired by some kind of mental illness or problem in the brain. In order, they are:

Bad Brain (4:39) – ANXIETY

Suspicious Gait (feat. Flub) – (5:30) – MIND SURVEILLANCE / TECH ADDICTION

Titrate Down (feat. Blumen) – (5:57) – DEPRESSION

Real Anger – (2:19) – ANGER

Tinnitus (feat. The World Is Quiet Here) – (4:31) – TINNITUS / RINGING IN THE EARS

Assassin Mad (feat. Archaeologist) – (13:20) – PSYCHOPATHY

Find Someone Else – (1:15) – ISOLATION

Spies Are Listening – (2:59) – SCHIZOPHRENIA / PARANOIA

Come And Get Me – (4:26) – DENIAL

2. I have synesthesia, so I see specific colors associated with letters and numbers. I wrote Bad Brain according to a specific color scheme set up by the song titles and by the transcriptions of the music.

3. The album has a 13-minute epic called Assassin Mad, which features Kyle Schaefer of Archaeologist and Fallujah on vocals throughout. I wrote the instrumental years before I met and toured with Kyle, but his vocals took it from a fun instrumental to what feels like a much more finished, complete, and deadly track. I can’t wait for people to hear that one.

4. There’s an entire B-side record to Bad Brain called Worse Brain; the B-side explores an even darker, more sinister side to mental illness and will be released in the months after Bad Brain.

5. I also tour and play guitar in the death metal band Fallujah; some parts you’ll hear on this record were either recorded on the road or inspired by events on tour. Touring life, the people I’ve toured with, and life, in general, have helped shape the album majorly.

Sam Mooradian – Photo Credit – Craig Etchison

Sam Mooradian is a progressive metal guitarist, composer, and creator based in Boston. Since starting his guitar-centric YouTube channel a decade ago, Sam has become the touring guitarist for Fallujah, guitarist of Inhale Existence, and the brains and fingers behind his self-titled solo project, with his debut album ‘Bad Brain’ releasing on July 28, 2023.

“Bad Brain feels like a musical companion to emotionally difficult times. It’s the result of years of trying to hone my own sound and style of prog metal while also navigating significant life changes and events, so it’s very fulfilling to have it finally released.” 

“I’ve always been driven to push all the elements of songwriting and structure to the absolute limit while keeping the music catchy and enjoyable; I think Bad Brain does that pretty well. Lots of crazy time signature and tempo changes. Lots of untraditional arrangements. It’s dark, it’s melancholic, and it takes some interesting twists and turns. Hopefully, it’ll break your brain a little.” – Sam Mooradian

Album Band Lineup:
Sam Mooradian – Guitar, bass, programmed drums, synths, vocals
Michael Alvarez / Flub – Vocals on track 2 / Suspicious Gait
Richard Blumenthal / Blumen, Aviations – Piano on track 3 / Titrate Down
Isaac Stolzer-Gary / The World Is Quiet Here – Second guitar solo in track 5 / Tinnitus
Kyle Schaefer / Archaeologist, Fallujah – Vocals on track 6 / Assassin Mad

Live Band Lineup:
Sam Mooradian – Guitar
Lucas Koughan – Bass
Dylan Hughes – Drums

Sam Mooradian – Artist Endorsements:
Endorsed by Jackson Guitars, The String Source, and Stone Age Guitar Products

Bands Sam Mooradian has shared the stage with in Fallujah:
Alluvial, Burial In The Sky, Cognitive, Cynic, Enterprise Earth, Interloper, Obscura, Psycroptic, Rivers of Nihil, The Zenith Passage, Warforged

Sam Mooradian (the live band) will be sharing the stage with the following bands in August 2023:
Absurd Condition, Dhara, Nick Llerandi

Discography:
2023 – Bad Brain – LP
2023 – Spies Are Listening – Single
2023 – Titrate Down – Single
2023 – Suspicious Gait – Single
2022 – Snow – Single
2022 – Tinnitus – Single
2018 – Depression For Breakfast – EP

0 EPK – Devolver – Jewels of the Maw (2023) (single)

  • July 14, 2023
  • by Asher
  • · Devolver · EPKs · Uncategorized

EPK – Devolver – Jewels of the Maw (2023) (single)

Publicist – Jon[@]ashermediarelations[.]com

For fans of In Flames, At The Gates, Soilwork, Killswitch Engage, Lamb of God

“We’re so stoked to finally be releasing Jewels of the Maw! This single will eventually be on the album we recorded with Mark Lewis. He really motivated us to push the envelope and make a really strong body of work. I think we’ve come out with something pretty special that showcases our sound in a way that people will really be able to sink their teeth into. This song is us making the music that WE want to hear, built on the foundation of all our influences that made us want to do this in the first place. We feel this single (and album) is going to turn some heads and call back to late 90’s/00’s melodic death metal and metalcore while looking forward to a razor-sharp sound. I think people will find it to be a breath of fresh air, that still reminds them of their favourite bands.” – Devolver

Linktr.ee/devolverab | Facebook.com/DevolverMusic | Instagram.com/devolvermusic

Devolvermusic.bandcamp.com | Spotify | Apple Music

“Devolver uses melodies, intensity, and a variety of vocalists to hook you, reeling you from song to song making this such a welcoming and comfortable listen. I don’t mean they’re “easy listening,” there heavy as f***, I mean there’s always something different, you’ll never get bored while diving into this debut.” – Vulture Hound

“If After The Burial and The Ghost Inside had a lovechild, it would be Devolver. These guys blew me away with how professional, well written, and how well structured they’ve presented themselves with their SelfTitled record. Each song has its own personality, while still maintaining a signature sound. The breakdowns are simple, yet effective in each song. There is dynamic tension and then well-needed release throughout the record, and it’s downright masterful. This album is captivating, and I recommend anyone that is a fan of metal to check this out.” – Bucketlist Music Reviews

[Download Single Cover | Download Single Lyrics]

Band Title: Devolver
Single Title: Jewels of the Maw
Release Date: July 14, 2023
Label: Self-Release

Single – Jewels of the Maw –  3:30

Single Credits:
– All songs performed by: Devolver
– All songs written by: Devolver
– Produced by: Mark Lewis
– Mixed by: Mark Lewis
– Mastered by: Mark Lewis
– Single Artwork by: Jaylen Elias
– SOCAN members

Lineup:
– Chris Brown – Vocals
– Devin Babcock – Guitar (lead)
– Jayde Penner – Guitar (rhythm)
– Bevin Booth – Drums
– Jaylen Elias – Bass

========================================================

About The Track:

Musically, it comes in very hot with a scream and straight into an upbeat riff. As we move into the next section it picks up with the verse, which bring up memories of old In Flames. With a quick dazzle of technical riffage it brings us into the big melodic chorus, still keeping the screams at the forefront but guided by background clean vocals to add size and depth to this section. We repeat a few parts… Before reaching the bridge/solo section. This really breaks the song apart with a descending riff that breaks melodic norms and pulls the listener in a new direction for a while, laying out a new lyrical them and finally saying the name of the sing in the lyrics. Then we’re pulled back up to speed with a quick outro based on the verse to close out the track.

========================================================

Fun Facts – Story Angles:

1. When we decided to work with Mark, we were scheduled to begin recording March 2020. Obviously, the Covid-19 pandemic changed our plans. We decided to stick it out and wait til we could record with Mark. He was our top choice and we knew if we worked with him we could get the album we wanted without compromise.

2. After years of waiting we finally began recording in July 2022. We flew Mark in to record with us at our home studio and hosted him at our guitarist and drummer’s house for a few weeks. He left after guitars and came back for a few more weeks to do bass and vocals. Then our guitarist and drummer flew to his studio in Nashville to record drums and guitar solos.

3. We won a battle of the bands 2017 for an opportunity to open for Protest The Hero, and it was a killer show!

L-R – Jayde Penner (Rhythm Guitar), Jaylen Elias (Bass), Chris Brown (Vocals), Bevin Booth (Drums), Devin Babcock (Lead Guitar)

Formed by guitarist Devin Babcock and drummer/producer Bevin Booth, and later rounded out by guitarist Jayde Penner, vocalist Chris Brown, and bassist Jaylen Elias, Devolver blends groovy metalcore and melodic death metal, creating a unique sound that appeals to fans of modern metal genres while embracing their old school influences, wearing them on their sleeve. With their heavy-hitting new album in tow, fully produced, mixed, and mastered by all-star metal producer Mark Lewis (Megadeth, Trivium, DevilDriver, Whitechapel, etc), and fueled by a passion that can only be understood by seeing their unbridled live performance, they are ready to make waves in Canadian and international metal scenes alike. They have played a host of praise-worthy shows in their home province of Alberta as well as B.C. since their inception, including an opening set for Protest The Hero and a spot in the legendary Loud As Hell Festival in southern Alberta. With influences that range from At The Gates and Children Of Bodom, to Pantera and Whitechapel, Devolver has a unique identity that bridges the gap between the old-school melodic death metal that dominated the 90’s and 00’s, and the new school of tight, relentless metalcore we see thriving today. While it can be hard to pin down their sound, this blend of grooves and infectious hooks has managed to find them a rapidly growing fanbase across a wide swath of the metal community. Their ability to shift fluidly among these styles, coupled with their signature brand of live entertainment, makes it easy to see why they’re on a path to success. With the help of a newfound friend and collaborator Mark Lewis, they will be shopping and showcasing their new full-length album to some of the highest esteemed metal record labels around the world, with the confidence that they’ll succeed in finding a home for their album. Not ones to sit idly by while the cogs of the machine begin to turn, Devolver is stepping up to the plate and putting together a string of shows to keep themselves busy for the rest of the year, continuing to spread their melodic grooves as wide an audience as possible.

Shared Stage with: Protest The Hero, Arrival of Autumn
Loud As Hell 2022: Carcosa, Angelmaker, Neck of the Woods

0 EPK – Necronomicon Ex Mortis – Silver Bullet (2023)

  • July 13, 2023
  • by Asher
  • · EPKs · Necronomicon Ex Mortis

EPK – Necronomicon Ex Mortis – Silver Bullet (2023)

Publicist – Jon Asher – jon[@]ashermediarelations[.]com

For fans of Arsis, The Black Dahlia Murder, Racer X, Obscura, Megadeth

“We think fans will notice the wide array of influences on this EP. They weren’t pulled from other projects or other albums, so that expectation was created going into the process. Variety is the spice of life, kids. We want you to sleep with the lights on. These tracks were written specifically for this EP. We have roughly 69 more fully written songs ready to go that are both terrifying and titillating. We feel like we have evolved in the way we chose our guitar tones this time. We went for a unified sound with a single amp and 1 guitar but ended up blending in a low-gain amp that did a lot to fill the tone out. We also experimented with some clean/acoustic stuff this time that we feel came out really good.” – Guitarist – Michael Nystrom Bala – Necronomicon Ex Mortis

Band: Necronomicon Ex Mortis
Title: Silver Bullet
Release Date: Aug 11, 2023
Label: Self-Release
Distribution: Distrokid

Necronomiconexmortisband.com | Facebook | Instagram.com/necronomiconexmortisband

Spotify |  Necronomiconexmortis.bandcamp.com

“From start to finish, it really is a head-spinner and a heart-pounder, and some of the most fun you can have with your clothes on (though you might need to strip down and dry off after the EP is done with you.). If it wasn’t clear already, it’s damned clear after Silver Bullet that Necronomicon Ex Mortis is “a band to watch”. And if these peoples really do have 69 more songs fully written, bring ’em on!” – No Clean Singing

“Necronomicon Ex Mortis Mix Shredding Death Metal and Horror On Silver Bullet… If I were to inform you of a band out there describing themselves as a ‘combination of ‘80s shred with ‘90s riffs all wrapped up in a cheesy B-horror movie’ chances are you’d excitedly inquire as to who this band is, after which I could start taking over/under bets on how quickly said horror-metal nerd collective would become one of your new favourites.” – Decibel Magazine

“Sit back and marvel at the eccentric sound of Necronomicon Ex Mortis as they take us on a wild, but brief journey of thrilling heaviness. Starting with a track about getting ripped apart by a giant undead ape called Crypt of the Gorilla God. It’s a thrashy and speedy opener that features some absolutely screaming guitar solos. An immediate example of the lovable nature of this EP and band. 8.5/10” – Games, Brrraaains & A Head-Banging Life

“A tale of primordial monsters living in the dark waters, “The Swamp” finds Necronomicon Ex Mortis at their storytelling finest, evolving a tale in classical fashion while having some moments in the guitar work that wouldn’t be out of place if they were written by Scott Carstairs for a Fallujah record. Somehow they have taken the bare bones that surround them and carved them intro intricate designs that leap between Metal sub-genres with death defying consummate ease. There is so much depth and texture than you’d usually expect to find in these songs… You have to wonder just how long it will be before these Gentlemen find themselves playing the Summer Slaughter Tour because that’s exactly where they should be [8.5/10]” – Metal Noise

“Necronomicon Ex Mortis combines elements of classic death metal, 80s shred worship, and gory lyrics about B-horror movies. This EP starts with Crypt of the Gorilla God, a track about getting ripped apart by a giant undead ape. It’s a thrashy and speedy opener that features some absolutely screaming guitar solos. Silver Bullet is raw but this band is worth keeping an eye on.” – WRIV 90.1F< (Burlington, VT)

“Necronomicon Ex Mortis have shown with Silver Bullet that they want to hit hard very quickly. The pieces are striking and make you want to discover more very quickly! We hope that the European public will respond to the call of the Americans and their desire to immerse us in horror stories worthy of the 80s. We wish them the best and we encourage you to dive into their universe!” – Sounding Shivers

“As EP’s it’s pitched just right in that it comes in and goes straight for the throat and doesn’t overstay its welcome. What will be interesting is to see what a full-length album will be like; can they sustain this level of quality for say ten songs? I’ll have to seek out their first release and compare, but for now this will satisfy those who love both death metal and 80’s horror. 7/10” – Musipedia of Metal

“Thrashy death metal with catchy groove” – The Mosh Pit 89.9 FM (Madison, WI)

“The fusion of Death Metal and shred is intriguing” – Amplified Magazin

“They make a death metal with classical influences and are obsessed with 80s horror films, a passion that is always to be shared.” – Metal Skunk
​
“if you want to hear guitar players that have spent time really learning their instruments and pouring their blood, sweat and tears into giving people metal that shows attention to detail, quality and songwriting, then you might be pleased by this band.” – Metal Bulletin

“You might suspect we’re exaggerating, but we’re really not. The four songs on the EP are undeniably sinister and ferocious, but the dominant impression of the music is that it’s exhilarating and exultant, the work of people who decided to put their formidable talents to the test, while having a shitload of fun doing that. When you listen it will make sense to hear that the EP comes recommended for fans of Black Dahlia Murder, Obscura, Arsis, Racer X, and Megadeth.” – No Clean Singing

“Inspired by Swedish Death Metal “Celestial Tomb” lays down the blast beats while having an interesting melodic lead that flies into a monstrous extended face melting solo of the highest order, confirming if there was any doubt that these musicians have the capability to step on stages with World Superpower level bands and hold their own. If it wasn’t for their love of old school works, you could easily see them going down the more technical road of an Archspire or Inferi, the clues to that murder mystery are all wrapped up within this whirlwind of an opener for all to witness.” – Metal Noise

“You can’t go wrong with the combination of death metal and horror, it’s a blend that goes together as obviously as blood and guts. With so much influence on offer, newcomers NECRONOMICON EX MORTIS have taken the idea and ran like a madman with it.” – Distorted Sound Mag

“the EP feels solid. It has remarkable melodies, a good sound and a cool cover.” – Metal Bite

“Epic/symphonic black metal, good technical and proggy stuff too.” – WORT FM 89.9FM (Madison, WI)

“They are young, their desire is noticeable and they are also capable of entertaining… “Earth Cancer” radically changes the record and becomes something more classic, sounding more like things like CANNIBAL CORPSE or CANCER, but maintaining the technique of the former. I am very surprised by the work of both guitarists, since they are capable of combining good riffs with a certain dose of brutality without leaving an unintelligible hodgepodge.” – Necromance Magazine

Title: Silver Bullet
Release Date: Aug 11, 2023

Label: Self-Release
Distribution: DistroKid/Bandcamp

Track Listing:
1. Crypt of the Gorilla God (5:40)
2. The Swamp (4:00)
3. Cycle of the Werewolf (1:17)
4. Silver Bullet (5:22)
EP Length: 16:18

EP Credits:
Performed by: Necronomicon Ex Mortis
Written by: Michael Nystrom Bala
Produced by: Charlie Waymire
Mixed by: Charlie Waymire
Mastered by: Ernesto Homeyer
EP Artwork by: Genoicide Artwork
ASCAP Member

EP/Live Band Lineup:
Michael Nystrom Bala – Guitar
Manuel Barbará – Guitar
Yusuf Rashid – Bass
Joey Ferretti – Drums
Vocals – Craig Schmuhl

==============================================================

The EP as a whole:
Do you like Shred and B horror movies? This has Shred and B horror movies. We are aiming to do one thing and do it well.

Track by Track explained:

1. Crypt of the Gorilla God: A song about getting ripped apart by a giant undead ape. Musically, the song is thrashy, takes a number of interesting turns, and has a huge helping of guitar solos.

2. The Swamp: More or less Michael’s attempt to do a song that is 100% a tribute to Swedish death metal. At The Gates and In Flames were the inspiration here. The song is about fish people because that seemed appropriate.

3. Cycle of the Werewolf: An intro track that only exists because the rest of the band told Michael it should be an intro track and not part of the main song. Manuel wrote it and it is named after a Steven King story.

4. Silver Bullet: A song about a werewolf move that has Gary Busey. Michael’s wife saw that movie and hated it so he thought it would be funny to write a song based on it.

==============================================================

Fun Facts – Story Angles:
1. Michael and Manuel got obliterated on Tiki drinks the day we finished recording and got lost in Pasadena after eating extreme amounts of Tommy’s Burgers at 3:00 in the morning.

2. No one in the band will actually watch horror movies with Michael (Manuel watched Evil Dead with him once).

3. We keep bringing our engineer maple bars and he gets angrier every time.

4. We ended up using a single guitar on the entire EP.

5. Manuel bought an Earthquaker Plumes pedal the day before recording and it ended up being used on nearly every guitar track and the bass track as well.

Top – Michael Bala – Guitar, Manuel Barbarà – Guitar

Bottom – Yusuf Rashid – Bass, Craig Schmul – Vocals, Joey Ferretti – Drums

Necronomicon Ex Mortis was formed by Michael Nystrom Bala out of a desire to combine elements of classic death metal, the 80s shred worship, and gory lyrics about B-horror movies. After writing far too many songs, Michael contacted guitarist Manuel Barbara, who joined the band because he had “nothing better to do.” Shortly after, bassist Yusuf Rashid joined the band so he could escape the jazz world and play music people would listen to outside of an elevator. The three amigos then enlisted fellow Berklee Bros Craig Schmuhl and Joey Ferretti, on vocals and drums respectively. Apparently, they didn’t have much better to do, either.

After polishing up the first 4 songs, Michael, Manuel, and Yusuf recorded guitars and bass with Charlie Waymire of Ultimate Studios in Los Angeles, California. Shortly after the strings were finished, Craig recorded vocals in his studio in Illinois. The debut EP “Necronomicon Ex Mortis” was released on March 31st, 2023.

Currently, the lads are gearing up to release a follow-up EP “Silver Bullet”. More music will always promise over-the-top guitar playing, a comfortable blending of old-school metal and modern techniques, and a touch of campy, dark humor. They hope to make you sleep with the lights on!

EP/Live Band Lineup:
Michael Nystrom Bala – Guitar
Manuel Barbará – Guitar
Yusuf Rashid – Bass
Joey Ferretti – Drums
Vocals – Craig Schmuhl

Discography:
2023 – Silver Bullet – EP
2023 –  Necronomicon Ex Mortis – EP

Endorsement – Michael Nystrom Bala – ENGL Amplification

0 EPK – Atria – Ground Zero (2023)

  • July 9, 2023
  • by Asher
  • · Atria · EPKs

EPK – Atria – Ground Zero (2023)

Publicist – Jon Asher – jon[@]ashermediarelations[.]com

Management and Booking – Tom Emmans at Atriaofficial[@]gmail.com

For fans of Slipknot, Mudvayne, Soilwork, Killswitch Engage, Tool

“We’ve definitely gotten more aggressive, we always wanted to blend a lot of melody and anthemic chorus’ with brutality. I feel like the fans will agree that on this new one, we’ve gotten much better at doing that. Lyrically, there’s a lot of anger towards not only myself but the world we live in. I try to be hopeful, but I also try to dig into what’s making me angry. It’s therapeutic and cathartic, but it’s really hard. It comes from a real place and it’s not always fun. We hope when fans hear “Ground Zero” from beginning to end, they feel as if they are being exorcised. from the frustration of life.” – Vocalist Tom Emmans – Atria

Band: Atria
EP Title: Ground Zero
Release Date: August 18, 2023
Label: Self-Release

Facebook.com/AtriaOfficialCanada | Twitter.com/official_atria | Instagram.com/atria_band

Atriaofficial.bandcamp.com | Spotify | Apple Music

Forest City London, ON Music Awards –  Best Metal Band – 2023

“Atria are from Ontario, Canada, and ‘New World Nightmare’ is their debut EP and what a little gem it is… Atria were a very nice surprise this month and are now band I will be looking out for in the future, because a full album of material this good will be very special. 9/10 – Power Play Magazine UK

“As this is the bands first outing, it is a strong start. I can see them being part of a regular playlist of mine as they are the exact kind of band I listen to. Metalcore is a very selective genre when it comes to what is involved, with bands drifting away from it every day. Atria have found the spot they want and are already planting their feet into the ground of the Canadian metalcore scene. I can see these guys playing a huge festival in the near future.” – Canadian Beats

“Citing Tool, Slipknot and Lamb of God as primary influencers, Canadian rookies Atria get the blood rushing on their inaugural EP. Despite inhabiting that familiar sonic sphere, it’s how they mystically stitch melodic passages with headbanging sequences that elevate them above the chaff. Scrumptious sonic trimmings are merely icing on the industrial cake. Yet at only four songs this searing thunderbolt of heavy metal domination serves mostly as a down payment on future excellence. Mosh on.” – Music Connection

“this is definitely a band to keep an eye out for when they release a full-length.” – Metal Temple

“A Canadian act willing to fuse together elements of melodic death and modern metal to pummel your senses, Atria unleash a fierce and engaging debut four-song EP with New World Nightmare.” – Dead Rhetoric

“The fact is that Atria, apart from all influences and using all influences, delivers a nice calling card with New World NIghtmare that we can do with for the time being. However, it is a business card that is neatly stored until further notice. I’m sold.” – Rock Portaal

 

[Download EP Cover | Download EP Lyrics]

Band: Atria
EP Title: Ground Zero
Release Date: August 18, 2023
Label: Self-Release

Track Listing:
1. Ground Zero – 5:58
2. Antiheroes – 5:05
3. Dysmorphia – 2:35
4. Just a Number – 5:37
5. The Brightest Lights – 6:09
EP Length: 25:27

EP Credits:
All songs written, arranged and performed by Atria
Produced and engineered by Jon Howard at Woodward Studios, Hamilton, Ontario
Mixed and mastered by Jon Howard
Orchestral arrangements, synth and sound design by Thomas Ireland
Icehouse Studios, Goderich, Ontario
Orchestral arrangements, synth and sound design on The Brightest Lights by Matty Shreds Ottawa, Ontario
Additional strings/ synth/ sound design by Jon Howard and Tom Emmans
Art by Florian Seraphim Fauna Buffalo, New York
Graphic design by Mikio Murikami
Silent Q Design, Montreal, Quebec
Art Direction by Tom Emmans

EP Line Up:
Tom Emmans – Vocals
Tim Ross – Guitar
Brody King – Guitar
Joe Mullen – Bass
Jerad Sterling – Drums

Live Band Line Up:
Tom Emmans – Vocals
Tim Ross – Guitar
Brody King – Guitar
Jake Fortney – Bass
Jerad Sterling – Drums

============================================================

The EP as a whole:
There’s a lot of anger towards not only myself but the world we live in. I try to be hopeful, but I also try to dig into what’s making me angry. It’s therapeutic, cathartic, but it’s really hard.  It comes from a real place and it’s not always fun.

Track By Track explained:

1. Ground Zero is the moment that you first pray to God and realize that there will never be an answer.

2. Antiheroes is about losing faith in the government and media.

3. Dysmorphia is about body dysmorphia and the way the media will sell you a dream that will never come true.

4. Just a Number is about knowing how hard you work every day, you’re nothing more than a cog in a machine and it’s all pointless.

5. The Brightest Lights is a lullaby to my unborn dead child.

L-R: Joe Mullen (Bass), Jerad Sterling (Drums), Tom Emmans (Vocals), Tim Ross (Guitar), Brody King (Guitar)

Photographer Credit – Lisa Thompson of Dark Moon Productions

Atria is an anthemic metal band from London ON that was founded by vocalist Tom Emmans (Odium, Deathpoint, Choices, Scaithe) and guitarist Tim Ross. At first, they began as a studio project in 2017 and from there have gone on to release their debut EP in 2018 entitled “New World Nightmare”. Performing heavy, yet catchy music, the band has shared the stage with The Agonist, Goatwhore, The Casualties, Threat Signal, and more!

Now in 2023, with a fresh lineup change that now includes Jerad Sterling on drums, Brody King on lead guitar, and bassist Joe Mullen, the band has their sights set on unleashing their sophomore effort “Ground Zero” with producer Jon Howard (Threat Signal) once again and features their 2022 hit single “Antiheroes” that garnered the band a recent “Best Metal” trophy from the 2023 Forest City London, ON Music Awards.

“We’ve definitely gotten more aggressive, we always wanted to blend a lot of melody and anthemic chorus’ with brutality. I feel like the fans will agree that on this new one, we’ve gotten much better at doing that. Lyrically, there’s a lot of anger towards not only myself but the world we live in. I try to be hopeful, but I also try to dig into what’s making me angry. It’s therapeutic and cathartic, but it’s really hard. It comes from a real place and it’s not always fun. We hope when fans hear “Ground Zero” from beginning to end, they feel as if they are being exorcised. from the frustration of life.” adds vocalist Tom Emmans.

Atria’s second EP “Ground Zero” is due out on August 18, 2023.

EP Line Up:
Tom Emmans – Vocals
Tim Ross – Guitar
Brody King – Guitar
Joe Mullen – Bass
Jerad Sterling – Drums

Live Band Line Up:
Tom Emmans – Vocals
Tim Ross – Guitar
Brody King – Guitar
Jake Fortney – Bass
Jerad Sterling – Drums

Discography:
2023 – Ground Zero – EP
2018 – New World Nightmare – EP

Shared Stage with:  The Agonist, Goatwhore, The Casualties, Threat Signal, Upcoming –  Upon a Burning Body, As the Structure Fails

0 EPK – Black Pestilence – Chaotic Wisdom (2023)

  • July 8, 2023
  • by Asher
  • · black pestilence · EPKs

EPK – Black Pestilence – Chaotic Wisdom (2023)

Publicist – Jon Asher – jon[@]ashermediarelations[.]com

“We knew that following up “Hail the Flesh” would be a tall order. Fortunately, we think we delivered on this album and the fans will get the same infectious sound this band is known for but with a different style of production. For ‘Chaotic Wisdom’ we unleashed seven Satanic d-beat anthems. It is the result of three years of writing and recording and is the pinnacle of the Black Pestilence catalog. Similar to previous releases, this album is fast, infectious, and straight to the point. However, experimentation with dissonant tones, industrial electronics, and auxiliary percussion was emphasized to a greater degree on this album. “Chaotic Wisdom” is not a stylistic change from Black Pestilence, but represents an elevation to the next level of chaotic noise!”  – Black Pestilence

For fans of Midnight, Toxic Holocaust, Impaled Nazarene, Acidez

Band Name: Black Pestilence
Album Title: Chaotic Wisdom
Release Date: September 8, 2023
Label: Self-Release

Facebook.com/blackpestilenceband | Instagram.com/blackpestilence | Youtube.com/blackpestilence

Blackpestilence.bandcamp.com | Spotify | Apple Music

 

““Crushing” is indeed the first word that comes to mind when hearing the massive mauling tones of the riffs, like rock being excavated by some humongous machine. That machine drives forward with snapping punk beats, laced with a sinister yet glorious guitar melody. The music itself also becomes more vicious as the riffs start rapidly jabbing and then seething. But the music also channels darker and more despairing moods, before those two solos kick up the pulse and transform the music into an experience of evil ecstasy. The thing turns out to be a very catchy beast too.” – The Devil’s Connection (single) – No Clean Singing

“I seriously can’t get enough of this. It’s big, nasty, and as rough as a badger’s arse. The black energy it creates is like a massive middle finger to the world and it says – you don’t like me, you don’t like my music or all the things I stand for – go and fuck yourself! This is real and this is as honest as it gets. Fantastic – more, please! 9/10” – My Global Mind

“weave in some catchy hooks and melody especially on “Chaos of Carnality” and “The Devil’s Connection,” songs I can easily imagine crowds shouting along to.” – The Metal Crypt

“They get straight to the point on ‘Mortal Rift’ and I will say immediately that if you like Midnight, Venom and Hellripper then this will be right up your street. It’s loud, it’s vulgar, it’s fast, it’s filthy dirty and chaotic – give me more! Valax bangs his bass for the intro to ‘A Life Of Evil’ and is soon joined by the razor-sharp guitar of Daniel Toews and the powerhouse rhythms of Davey Hellfire. This is relentless and pummelling so much so that you can’t help banging your head. 9/10” – Jace Media Music

“These Canadian metallers have returned with their seventh full-length offering, executing a unique blend of chaotic black metal and punk rock with electronic samples and catchy, shorter song lengths. This album, the result of three years of work, presents seven satanic-esque anthems that push the boundaries of their signature sound. While retaining their fast and infectious style, Chaotic Wisdom, also experiments with dissonant tones, industrial electronics, and auxiliary percussion, taking Black Pestilence’s chaotic noise to the next level. The album, mixed and mastered by Sacha Laskow, features artwork by Juha Vuorma, making it a must-listen for black metal enthusiasts, particularly fans of Impaled Nazarene, Acidez, and Midnight.” – Metal Insider

“While speed or thrash metal to the core, there’s a bit of punk about Black Pestilence. The band dances the fine line between thrash and punk with a destructive ease. That thrash punk blend can be heard in “Infernal Might” featuring Mark Russell and closing track “Animus”. And before one knows it, Chaotic Wisdom is over. It clocks in at a mere twenty-four minutes. Get distracted and you might not hear the entire album and that would be quite a shame. As fast as it is, Chaotic Wisdom is quick, melodic, and a great listen. MUST LISTEN TRACKS: “The Devil’s Connection”, “Aspect of Darkness”, “Infernal Might”, “Animus””  – Amplify The Noise

Black Pestilence has its own approach to Black Metal, blending a raw, Punk-influenced base with strange futuristic elements. Chaotic Wisdom is very short, but provides a good overview of the band’s rage.” – Acta Infernalis

“Maintaining its Mad Max side, primitive and low-brow, Black Pestilence offers us a significantly more modern and exalted version of its furious mixture bathed in d-beat, Toxic Holocaust and Venom. Many new followers should easily join their cult.” – Eklektik Rock

“Blackened thrashy stuff with a little groove.” – Moshpit Radio 89.9 FM (Madison, WI)

“Black Pestilence has created another great record and it only takes about twenty-five minutes for you to fall in love with it as well.” – Abaddon Magazine

“Black Pestilence come from Canada, have a thriving record career behind them and today, confining their acid inspiration in just twenty five minutes, they hammer us until we lose consciousness with this ‘ Chaotic Wisdom ’. Their overbearing proposal – that combines thrash, punk and black metal – has caught our attention from the very first listening, accomplices a compositional liveliness and a muscular production that truly do justice to what musically gave birth to this interesting power trio.” – Loud And Proud

“The album is moving forward at an irreconcilable pace, and thanks to less traditional influences, among which we can further count the HCpunk singing of the guest Mark Russell ( Citizen Rage ), it becomes a devilishly baked stylish delicacy.” – Metal Forever

“they play a raw and devilish kind of punk metal which mixes d-beat destruction in the vein of BROKEN BONES and early DISCHARGE with a first wave black metal touch. If Satan’s into crust punk, he’d be into this bunch.” – Wormwood Chronicles

==============================================================

“A recent discovery that has tickled the excitement nerves in my jaded and encrusted ear drums is Calgary’s Black Pestilence. Their take on black metal incorporates old-school thrash and punk and if you listen closely you can hear the smatterings of plain ol’ rock ‘n’ roll and swaths of noise and is a sound that has been explored and nurtured since the band formed as a one-man project in 2008. The band’s handlers claim those fans of Toxic Holocaust, Impaled Nazarene, Municipal Waste, Midnight and Cradle of Filth unconcerned with genre boundaries will enjoy Black Pestilence and we have to say the nail has certainly been hit on the head in that regard. Additionally, fans of image and theatrics will find value in the band’s aesthetic which owes to a collision of black metal, goth rock and Judas Priest’s wardrobe and fashion sense. ” – Decibel Magazine

“Hail the Flesh is a nice, quick, in and out style album. There’s no messing around, there’s no overly extended bridges or songs that overstay their welcome. This is a 9 track album that only spans 34 minutes of constant, hard hitting riffs, blasts, and downright aggressive and dominative vocals. Even the final track on the album, “Ephemeral”, which nearly reaches 7 minutes in play time feels fresh the whole way through. ” – Metal Injection

“an album that really has a surprisingly wide range within the black/thrash/punk style so if you love that sort of black and roll aggressive metal, then “Hail The Flesh” will be an album for you.” – The Rockpit

“Calgary, Canada’s Black Pestilence bring a fresh take to the sound, though. Hail The Flesh, the band’s sixth full-length album is a blackened crossover punk-thrash album. It sounds old school, yet very 2000s at the same time…. Municipal Waste, Impaled Nazarene, Toxic Holocaust fans take notice.” – Heavy Music Headquarters

“They really don’t have another gear beyond ‘top’ which makes for a splitting headache of heavy but one that satisfies. After all there are only 9 tracks and as Godless spits and snarls, Frauds to the Throne exudes filthy groove, My Will to Power rages hard and Ephemeral drags the suffering out, the over-riding thought is Black Pestilence have impressed.” 8/10 – Games, Brrraaains & A Head-Banging Life

“Honestly, anyone with the remotest interest in Black ‘n’ Thrash, Black ’n’ Roll or even just plain old Thrash is going to love this album. It is a blisteringly addictive listen. The skilfully fluid ways that all these genres are melded is both brilliant and compelling as well as being lyrically inspiring.” – MetalTalk.net

“First things first, it’s not every day you hear black metal as fun as this! That is partly because of the exciting thrash and not-so-serious punk influences, but also because the songwriting is very strong. ” 4/ 5 – The Independent Voice

“dirty, punky Black/Thrash that occasionally makes feedback noises and consistently slaughters everything in its path.” 4/5 – The Metal Crypt

“Hail The Flesh fast heavy hit the pit punch you in the throat speed death metal madness.” – Ripple Music

“They can smash extremely well, and their blend of black metal aesthetic with punk attitude is a perfect fit ” – 4/5 – Deaf Sparrow

“a musical union of black / thrash & punk that just rock ROCK! I give 9 out of 10 Hellfire points” – Hellfire Magazin

“Bringing a sonic assault to listeners…..” – Permafrost Today

“The infusion of punk attitude into black and thrash metal seems almost natural at times, but few carry it off with such a sense of melody and catchiness as Black Pestilence. Their heady mix of 80s skate thrash, punk attitude and a black metal sheen allows ‘Hail the Flesh’ to be an album that you’ll still be humming in 6 months time. Superb” – The Killchain Blog

“This album just fucking rocks, it’s an absolute blast. The riffs are raging, loud, and in your face, the bass lines are groovy and lighting fast. The evil screamed vocals talk of Satanism and giving into life’s many vices with no shame. This is complete with sweet black metal blastbeats galore. If you’re looking to cut loose with a kickass metal record, absolutely throw this on.” Zax Record Reviews

[Download Album Cover | Download Album Lyrics]

Band Name: Black Pestilence
Album Title: Chaotic Wisdom
Release Date: September 8, 2023
Label: Self-Release

Track Listing:
1. Mortal Rift (3:29)
2. A Life of Evil (3:06)
3. The Devil’s Connection (3:29)
4. Chaos and Carnality (3:18)
5. Aspect of Darkness (3:06)
6. Infernal Might (feat. Mark Russell) (2:35)
7. Animus (5:50)
Total Length: 24:53

Album Credits:
All songs performed by Black Pestilence
All music written by Valax except “Aspect of Darkness” by Daniel Toews
All lyrics written by Valax
Mixed and mastered by Sacha Laskow
Album artwork by Juha Vuorma
Member of SOCAN
Canadian Content – MAPL

Band Recording and Live Lineup:
Valax – Bass, Vocals, Samples
Daniel Toews – Guitar
Davey Hellfire – Drums

==================================================================

The Album as a whole:

“Chaotic Wisdom” is Satanic d-beat. The music is formulated around typical punk rock song structures, while being projected through the playing style of black metal. Greater emphasis was placed on the samples used on this album in the form of additional percussion and cacophonous electronics. Many of the song lyrics touch base on various themes related to Satanic philosophy, societal stratification, and general debauchery.

Track by Track explained:

1. Mortal Rift addresses the stratification within society. The weight of the arrogant will ultimately bring all of society down. This song begins with a quick samples-only intro which eventually leads into a d-beat sonic assault.

2. A Life of Evil touches base upon the LaVeyan concept of non-conformity. Fear is the ultimate driver in order to overcome complacency. This song is exactly what you would expect to hear from Black Pestilence: fast, to the point, and catchy.

3. The Devil’s Connection addresses the advantages of having an open mind. As esoteric as some scenarios might be, it will allow one to adapt to any situation. This song is slower and creates a darker atmosphere compared to many of the other songs on the album. It is also the only one to feature bass and guitar solos.

4. Chaos and Carnality is a song which describes the lust for a particular lady who shares the same values of a rebellious nature. Sonically, this song is driven heavily by palm-muted guitars and auxiliary percussion.

5. Aspect of Darkness focuses on the ironic progression of Christianity over the years. What once started as a vision of man has now taken on a life of its own. This is the only song written by Daniel Toews on the album. It features much more intricate instrumentation compared to the other songs.

6. Infernal Might reflects on the concept of a third side to all situations. It’s never one side or the other. There is always a third side. This song specifically addresses the obvious division we have seen in society in regards to a multitude of issues that have arisen in the last couple of years. It also features a guest vocalist, Mark Russell from Citizen Rage. Valax and Mark’s vocals offer a nice contrast throughout the song to give it the perfect vocal blend of black metal and punk rock.

7. Animus speaks about the idea that someone or something can be a motivating factor in order to achieve one’s own personal pinnacle. This is the longest song on the album and utilizes a plethora of electronic samples including modulated synths and auxiliary percussion.

==================================================================

Fun Facts – Story Angles:

1. On the very last show of The Deep East of Europe Tour 2018, we played at an anarchist punk bar in Vienna. The show was running late and everything seemed a bit unorganized. Just before it was our turn to play, we went backstage and proceeded to get ready as usual. Once it was time for us to proceed to the stage we realized the door to the backstage only opened from the outside. We were stuck backstage! Additionally, we had no reception either in there so we couldn’t even call our tour manager. We were in there for at least an extra 20 minutes before the sound guy opened the door and told us not to close the door. Thankfully there were no complaints about the delay and the crowd was super excited about our set. Someone even brought their dog into the pit!

2. Somewhere in the middle of the 2018 European tour, Daniel (guitarist), got food poisoning. This also happened right at the time when we had some long overnight drives. I remember when we arrived at our next show in Suceava, he was as pale as a ghost and could barely keep his head up. Just before it was our turn to play, I told him that he didn’t need to play and we would just do a bass, drums, and vocals set. He was in no condition to play at all. But despite my offer, he picked his head up and said, “I didn’t fly across the world to cancel now.” After which, he put on his mask and proceeded to the stage. Of course, he wasn’t energetic at all on stage that night, but he still played flawlessly.

3. In 2016 we toured Europe for the first time. It was done completely on our own with no managers or agency support, pure DIY. We had a few mishaps throughout the tour. On the second date of the tour, our vehicle was broken into. A bass, mask, and stage clothes were stolen. Fortunately, we were able to borrow a bass and make a cheap mask for the duration of the tour. It was definitely a learning experience. If the parking lot looks sketchy, it probably is!

4. During our 2016 tour of Europe, we were denied entry at the Croatian border. They gave us the run-around and simply tried to push us aside and made us wait in eternal limbo while they allowed other travelers entry into the country. After some deliberation, they decided to check our vehicle and claimed we were unable to enter because they thought we were going to sell our amps in the country. So we turned around and went back to the Serbian border and bribed a guard to hold our amps in his office. After this, the Croatian guards allowed us to enter the country. Once the show finished that night, we raced back to the Serbian border to grab our amps in hopes they didn’t sell them off. Fortunately, the amps were still there and all went as planned. Both of these mishaps are mentioned in our song, D.I.Y. 666.

L-R – Daniel Toews – Guitar, Valax – Bass & Vocals, Davey Hellfire – Drums
Photo Credit – Wikked Twist Media

In the winter of 2008, Black Pestilence was formed in Calgary, Canada by bassist/vocalist Valax. Initially, Black Pestilence started as a one-man studio project, but years afterward, it evolved into a three-piece band. Over time, Black Pestilence has become known for their sound by combining black metal, punk rock, and noise. To date, the band has released six full-length albums, two EPs, and performed in various parts of Canada and Europe.

Discography:
2023 – Chaotic Wisdom
2020 – Hail the Flesh
2018 – Urban Hell Rhythmics
2016 – Carry on the Black Flame (EP)
2015 – Outsiders
2014 – Cyber Disarray (Split)
2013 – In Defiance
2011 – Tradition is Obsolete
2009 – Vice

Shared Stage with: Soulfly, The Black Dahlia Murder, Toxic Holocaust, Wednesday 13, Skeletonwitch, Absu, Dayglo Abortions, Revenge, Wake

Tours and Festivals:
2022 – Pestilence and Pigs European Tour – Serbia, Croatia, Hungary, Slovenia, Germany
2022 – War On Alberta – Edmonton, AB, Canada
2019 – Black Mourning Light Metal Festival – Edmonton, AB, Canada
2018 – Death Fest – 10 Year Anniversary – Bucharest, Romania
2018 – The Deep East of Europe Tour – Romania, Bulgaria, Croatia, Slovenia, Austria
2016 – Calgary Metal Fest – Calgary, AB, Canada
2016 – Eastern European Tour – Romania, Macedonia, Croatia, Serbia
2015 – Loud as Hell – Drumheller, AB, Canada
2011 – Noctis 4.20 – Calgary, AB, Canada

Past Canadian College Radio Charts:
#12 – National Loud – Top 20 of 2020 (Earshot)
#1 on Top 10 – The National Loud Chart – For the Week Ending: Tuesday, June 23, 2020 (Earshot)
#1 on Top 10 – The National Loud Chart – For the Week Ending: Tuesday, June 16, 2020 (Earshot)
#2 on Top 10 – The National Loud Chart – For the Week Ending: Tuesday, June 9, 2020 (Earshot)
#1 on Top 10 – The National Loud Chart – For the Week Ending: Tuesday, June 2, 2020 (Earshot)
16 on Top 20 – May 2020 – National Loud Chart (Earshot)
#2 on Top 10 – The National Loud Chart – For the Week Ending: Tuesday, May 26, 2020 (Earshot)

0 EPK – Augurium – Unearthly Will (2023)

  • July 6, 2023
  • by Asher
  • · Augurium · EPKs

EPK – Augurium – Unearthly Will (2023)

Publicist – Jon Asher – jon[@]ashermediarelations[.]com

“This project has been an awesome journey and a welcome challenge to create over the past 2 years. All of our experiences have been absorbed and expressed within the walls of sound. As a tapestry is weaved together, each day as a thread towards the colossal effort that went towards this death metal release. We feel that this new album is a fresh take on what we have to offer to Canadian death metal. With slamming riffs in a variety of time signatures and genre-blending aspects, over a finely executed percussion and rhythm section. “Unearthly Will” brings out our expression of old and new references within the world of heavy metal. We hope that our listeners enjoy this album for what it is, and perhaps join us when we perform in your area.” – Cejay/Yianni – Augurium

For fans of Lorna Shore, Septicflesh, Belphegor, Decrepit Birth, Cannibal Corpse

Album Title: Unearthly Will
Release Date: August 25, 2023
Label: Self-Release
Distribution: Distrokid

Facebook.com/AuguriumSK | Instagram.com/auguriumband

Augurium.bandcamp.com | Spotify | Apple Music

Tour Dates:
​w/ Hooker Spit & Raising The Ruins
Aug 25 – Vancouver, BC – Astoria
Aug 26 – Kelowna, BC – Dunnezies Pizza
Aug 27 – Kamloops, BC – Blue Grotto
​
w/ Kryotic
Aug 30 – Edmonton, AB – Rendezvous pub
Aug 31 – Calgary AB – Nvrland
​
w/ Cell and Krytotic
Sept 1 – Saskatoon, SK – Black Cat Tavern
Sept 2 – Regina, SK – The Exchange

[Download Album Cover | Download Album Lyrics]

Album Title: Unearthly Will
Release Date: August 25, 2023
Label: Self-Release
Distribution: Distrokid

Track Listing:
1. Inquisition of the Possessed – 3:15
2. Phantom Parallax – 3:15
3. Sanguine – 2:58
4. Ancient Grimoire – 4:27
5. Inceptus Mysteria – 3:17
6. Unearthly Will 2:53
7. As Above, So Bellow – 3:19
8. Invictus – 3:49
Album Length: 27:16

Album Recording Credits:
• All songs performed by: Augurium
• All songs written by: Augurium
• Produced by: Reid Paraszczynec
• Mixed by: Reid Paraszczynec
• Mastered by: Reid Paraszczynec
• Album Artwork by: Mark Erskine – Erskine Designs
• Canadian Content (MAPL)

Band Lineup:
Cejay Carnochan – Rhythm Guitars
Taylor McDonald – Drums
Reid Paraszczynec – Bass, Production
Logan Barlow – Lead Guitars, Orchestration/Composition
Yianni  Pantelopoulos- Vocals

======================================================================

Fun Facts – Story Angles:

1. – We were playing somewhere in Alberta during the summer of 2018 and it was after a gig, we were all starving and had one too many adult beverages and ended up spending $50 on single cheeseburgers and McDonald’s and when we woke up, we noticed we accidentally “borrowed without returning” the serving tray. It ended up being a tour token and everyone who played on the tour signed it and it’s currently hanging up on the Augurium wall w/ an abundance of show posters and scrimp.

2 – Augurium is the Latin translation for Omen which we titled our first studio effort.

3 – Change your guitar strings. Nothing is more “embarrassing” than the FOH engineer/sound guy putting the jeopardy theme on while your bandmates try to make up some banter while you are rushing to change your broken string mid-set.

======================================================================

The album as a whole:

It is a culmination of core ideas that remain consistent and brutal yet experimental. It brings a dark musical aspect to lyrical themes of light and inner thought processes.

Track by Track explained:

1. Inquisition of the Possessed – Musically – This is by far our most complex piece on the album. It starts off very fast-paced and keeps that same momentum throughout the song. The band is firing off on all cylinders for this song. Lyrically – Attempting to dispel misconceptions about religion, and to promote inner discernment.

2. Phantom Parallax – This is a very rhythm-based song that calls back to the intro chord numerous times, we find this song also has the heaviest breakdown on the album. Straight-up filth. Musically – Lyrically – Meditations on the possible connection between the living and the dead, and possession.

3. Sanguine  – Musically – it was the first song we wrote when the idea of Augurium reforming came around. It’s got a blend of the older sound with the new sound and is the most distinct sounding on the album when it comes to our old style.

Lyrically – Themes of finding inner peace through self-actualization and connection to ancestral sources.

4. Ancient Grimoire – Musically – This was the first time we’ve ever introduced any form of clean singing into Augurium. It offers a very haunting feel paired with a guttural monstrosity to make it a beautifully ugly offering. Lyrically – A theme of finding synchronicities between books across a wide variety of authors and time periods in an abstract fashion.

5. Inceptus Mysteria – Musically – This song is one of our more heavily orchestrated songs that has a very big black metal influence. It blends the newer style of orchestra and blackened riffs with the old-school chunky and tremolo-picked riffs.  Lyrically – So much beauty and knowledge can be found deep within the ocean, yet the human race can do nothing but destroy and harvest its riches.

6. Unearthly Will – Musically – This song is one of the more melodic songs on the album. From the beginning through to the two solo sections it is filled with harmony and tremolo notes that go in sync with the orchestra. Lyrically – Acceptance of the disconnection between myself and the hateful aspects of humanity to let assimilation with nature and the divine take its place.

7. As Above… So Below Musically – This song again brings back a mixture of our older and newer sounds. It speaks to many of our personal influences and is paired with some nasty riffs. – Lyrically – Themes of rebellion against corruption, and recognition of the current A.I. revolution.

8. Invictus – Musically – One of our slower-paced songs that starts off with very dark ominous chords. The vocal lines paired with the orchestral bits create a very ominous dark atmosphere throughout the song. Lyrically – Letting go of the past, to become the person meant to fulfill your true purpose.

 

L-R – Taylor MacDonald – Drums, Logan Barlow – Lead Guitar, Yianni Pantelopoulos – Vocals, Cejay Carnochan – Rhythm Guitar, Reid Paraszczynec – Bass

Canada’s Augurium was formed in the summer of 2015 by like-minded individuals who have a drive and a thirst for heavy, filthy riffs and low guttural screams. Augurium quickly completed their line-up and played their first show supporting Evilheart (Mexico) and jumped into the studio to record their debut EP “Omen” along with touring throughout Saskatchewan and Alberta. Their first full-length “Unhallowed Ascendance” was unleashed in 2018 and was a stepping stone of straight-up brutal death metal for the band. Evolving over the years, along with a new lineup, their sound has transformed now into a more refined, darkened, carefully crafted monstrous offering with their sophomore album “Unearthly Will” this coming August 2023.

“Unearthly Will” was a challenging, yet rewarding one for Augurium. All of the writing and recording was done remotely by each individual member at their homes (3 members in Saskatchewan – Regina, Saskatoon and 2 members in British Columbia). Their independent technical knowledge and their constant communication with each other of the quintet made this project come to fruition naturally.

“Unearthly Will” is a fresh take on what Canadian death metal has to offer. With slamming riffs in a variety of time signatures and genre-blending aspects, over a finely executed percussion and rhythm section. It is recommended for fans of Lorna Shore, Septicflesh, and Belphegor.

“Unearthly Will” is due out on August 25, 2023, and is available for pre-order at https://augurium.bandcamp.com.

Band Lineup:
Cejay Carnochan – Rhythm Guitars
Taylor McDonald – Drums
Reid Paraszczynec – Bass, Production
Logan Barlow – Lead Guitars, Orchestration/Composition
Yianni  Pantelopoulos – Vocals

Discography:
Unearthly Will – LP – 2023
Unhallowed Ascendance  – LP–  2018
Omen – EP – 2017

Shared Stage with:
Belphegor, Cryptopsy, Starkill, Inanimate Existence, Hideous Divinity, Flub, Eye of Horus, Votov, Detherous, Nylithia, Depths of Hatred, Bloodshot Dawn, Aepoch, Vile Insignia, Animosity, Planet Eater, Evilheart, Scythra, Plaguebringer, Inverted Serenity, Cell, Protosequence, Tides of Kharon, Vultures, Wasted Heretics, Pythonic, Singularity, Centuries of Decay, Tortured Saint

Tour and Festivals:
2019 – Aggroculture fest – Crystal Springs, SK
2018 – Screamfest – Saskatoon, SK
2018 – Moments Festival – Siksika, AB
2018 – UFR Festival – Edmonton, AB
2017 – CEMR Festival – Calgary, AB

 

0 EPK – Motor Junkie – The Shadow In I (2021) (Exitus Stratagem Records)

  • July 4, 2023
  • by Asher
  • · EPKs · Motor Junkie (EXSR)

EPK – Motor Junkie – The Shadow In I (2021) (Exitus Stratagem Records)

Publicist – Jon Asher – jon[@]ashermediarelations[.]com

“An alternative to the overly processed and almost “fake” music that has taken over modern rock and metal. We want to get back to the basics and deliver heavy, musically competent, and thought-provoking music that remains on our fans’ “playlist”. – Motor Junkie

For fans of Alice in Chains, Corrosion of Conformity, Tool, Pantera, Pride and Glory

EP Title: The Shadow In I
Release Date: November 26, 2021
Label: Exitus Stratagem Records

Motorjunkie.com | Facebook.com/BadassRockMusic | Spotify

Exsrmusic.com | Facebook.com/ExSRecords | Instagram.com/exsrmusic | Twitter.com/exsrm

“Motorjunkie has just released their third CD, Full Circle. It is an EP and contains five songs. Every song is powerful and draws the listener in. Strong vocals, aggressive guitar riffs, solid bass lines, and thunderous drums have created a masterpiece.” – Array Magazine

“Motorjunkie will be around for a long time, making us believe that rock and roll is not dead. It lives in people and breathes through bands like this. I guess you can say “I am a Motorjunkie”.” – Friction Magazine

 

[Download EP Cover | Download EP Lyrics]

EP Title: The Shadow In I
Release Date: November 26, 2021
Label: Exitus Stratagem Records

Track Listing:
1. Dark Woods – 3:53
2. My Rig – 4:01
3. Cold Barrel – 3:14
4. Walking On A Thin Line – 4:59

EP Credits:
– All songs performed by Motorjunkie
– Cold Barrel written by Billy Varga and Chris Cox
– Produced by ExSR, Billy Varga
– Mixed by ExSR
– Mastered by Dave Harris
– Artwork by Motorjunkie
– Billy Varga member of ASCAP; DBA De Opresso Liber music

Lineup
Vocals: Chris Cox
Guitar: Billy Varga
Bass: Michael Cooper
Drums: Marvin Rogers

======================================================

Fun Facts – Story Angles:

1. The name “Motorjunkie” came from a friend of the band, since all of us, including him, rode American-made motorcycles.

2. All lyrics are derived from true-to-life events that have happened to the band members or those close to the band.

3. Guitarist Billy Varga served as a career Soldier in Special Forces and spent many years away from the band and family during combat and other deployments overseas.

4. Marvin Rogers is also an Army and combat veteran with multiple deployments overseas.

5. Motorjunkie is known to use a hybrid method of recording; using traditional studios and recording in Billy’s “Bunker”, a fully functional home studio.

6. Billy has several gear endorsements including Knaggs Guitars, KSR Amplification, and Lava Cable.

L-R – Billy Varga – Guitar, Chris Cox – Vocals, Marvin Rogers – Drums, Michael Cooper – Bass

Motorjunkie leads the charge in the North Carolina hard rock music scene after nearly a decade and a half of creating and performing some of the best-known and received heavy music in the region. Stout, resolute, and determined, this band strives to give its fans and listeners an exciting alternative to the status quo.

Born out of the southern biker scene, Motorjunkie was well received by fellow motorcycle enthusiasts and military members as a fresh and new alternative to the dated blues environs.  Drawing on influences ranging from Metallica to Alice in Chains and Led Zeppelin, their music style was bold, exciting, and provocative.  They quickly established themselves as a force majeure after winning a local rock radio station battle of the bands and subsequently released their self-titled debut album.  In 2002, Singles “Stumble” and “10 Years” received regular airplay on local radio while tracks such as “The Wagon” and “My Rig” became anthems and favorites during the band’s live set.

Following an 18-month hiatus due to military deployments, Motorjunkie experienced a shift in rhythm section members which altered the band’s dynamic and music direction. In 2006, they recorded and released their second offering “The Plan” which contained an even heavier and personally introspective set of songs to include the fan favorites “Dyin’Slow” and “Volatile”. The single “Man Down” received regular airplay and is a tribute to our fallen military heroes who have made the ultimate sacrifice; a subject that this band has intimate familiarity.

In 2009, a devastating motorcycle accident forever changed the life of singer Chris Cox. Suffering a severe stroke and multiple broken bones, he was hospitalized for several months and was forced to re-learn how to speak, walk, talk, and play music again. A long and painful road to recovery lay ahead.  In addition, more military deployments forced a break until 2012 when the band would re-constitute with its original drummer.

Rising in the face of adversity and turning tragedy into strength, Motorjunkie released “Full Circle” in May of 2014 and has enjoyed success from the single “Draw a Line”; voted runner-up for the 2014 Go Live Raleigh competition as best original song. 

In July of 2017, they released the first video for the single “Dark” from the upcoming EP 3 SEASONS, followed by EPs 3 Seasons in 2017 and The Shadow in I in 2021. 

“We do not have a gimmick” state its band members. “There is no theme, costume, or flowery object to stand in the way or take your eye off our music. There is purity that exists and a genuine story that pours out from our songs. What you see is what you get”. Many challenges have stood in the way of this legendary band, but like a bad-ass American muscle car, this group only gets better year after year.

Lineup
Vocals: Chris Cox
Guitar: Billy Varga
Bass: Michael Cooper
Drums: Marvin Rogers

Discography:
2021 – The Shadow in I – EP
2017 – 3 Seasons – EP
2014 – Full Circle – EP
2007 – The Plan – LP
2003 – Self Titled – LP

Shared Stage with:
Buck Cherry, Jackyl, Bad Company, Tom Keifer (Cinderella), Great White, Corrosion of Conformity, Megadeth, Five Finger Death Punch

Toura and Festivals:
2021 – Blue Ridge Rock Festival, Danville, VA
2017 – NC State Fair, Raleigh, NC
2015 – Fayetteville Dogwood Festival

Artist Endorsements:
Billy Varga – Knaggs Guitars, KSR Amplification, Lava Cable

0 EPK – King Ov Wyrms – The Womb Ov Borealis (2023)

  • July 2, 2023
  • by Asher
  • · EPKs · King Ov Wyrms

EPK – King Ov Wyrms – The Womb Ov Borealis (2023)

Publicist – Jon Asher – jon[@]ashermediarelations[.]com

“I believe the new album will be a bit of a step away from the first album Lord Ov Thornes where we tried to emulate what inspired us, this time we tried to go totally blind into our own musical talents with little to no inspiration but rather just delivering something more of our own. This album will really solidify us as a contending act in modern death and black metal by giving us an identity all our own. We want to introduce the listener to a “new” King Ov Wyrms, we want to show what we can create when we aren’t trying to stick to typical genre ideas and explore what we can create with our different backgrounds. Overall, we feel this album is a massive step forward, we have taken on a more diverse writing style and approach to the material. We almost have taken a more progressive approach to the material while trying to stay near our Death and Black metal roots.” – Michael Oneirous Sanchez – King Ov Wyrms

For fans of Belphegor, Vader, Morbid Angel, Dark Funeral, Goatwhore

Album Title: The Womb Ov Borealis
Release Date: October 6, 2023
Label: Self-Release
Distribution: Self-Release

Facebook.com/KingOvWyrms | Instagram.com/oneirous_oss | YouTube.com/@kingovwyrmsofficial9733

Kingovwyrms.bandcamp.com | Spotify

“Lyrically, the song (To March From Darkness) narrates a hellish war on heaven, with a satanic horde bent on bringing fire and slaughter to the angelic host. Not surprisingly, there’s abundant fire and fury in the music as well. As the drums hammer the listener’s head the riffing blares and blazes in livid pulsating tones, and roils and drills in displays of cruel violence, while the vocals utter the enraged words in monstrous guttural tones and strangled snarls and screams, and wild quivering leads channel derangement. The music also brings in filaments of eerie melody that add a supernatural atmosphere, jolting body-blows, electrifying drum progressions, and a guitar solo that’s maniacally spectacular but also transforms into an expression of agony. Moreover, all the song’s changing motifs have the capacity to get stuck in the head.” – No Clean Singing

“an interesting evolution in their sound. Fans of experimental black metal should definitely give it a listen.” – Amplified Magazin

“Fury does indeed radiate from the music in violent waves. The song (Thorne Bearer) takes flight through rapid-fire drum battery and deep, dismal, heaving tremolo’d riffing that climbs and flares in manifestations of madness and misery, and squalls in blasts of vicious, mauling cruelty. Sanchez contributes his own vocals to the melee, venting horrid growls and scorching screams, which add to the music’s enraged and ferocious striking power. The song’s urgent pace never relents, but the drum patterns morph, as do the riffs, which feverishly squirm and flail as well as jolt and jar in savage, pulsing fashion. The jet-fueled energy and barbarous intensity of the music are both intense and captivating, and they’re joined in the red zone by sensations of rage and maniacal menace.” – No Clean Singing

“some beautiful, new extremity from King Ov Wyrms! Be on the lookout for their forthcoming album “Lord Ov Thornes”” – The Circle Pit

“King Ov Wyrms provide an unrelenting onslaught of classic death/black metal that should appeal to fans of Morbid Angel, Bloodbath, and Vader.” – Lambgoat

“Some pretty savage blackened death metal here. Lord ov Thornes is one of those albums that starts at full speed and doesn’t slow down much, if at all. Take 51 minutes of that and call me in the morning… If you’re at all a fan of very fast and heavy black and death metal and have been looking for a new band that does it well, King of Wyrms just delivered the goods for you.” – The Metal Crypt

“Lord Ov Thornes is a sickening effort that blazes with satanic and ritualistic power. Marvel in horror at what is crafted here, beginning with the unforgiving Threnody and the sheer brutality of The Great Sleeper. Within the first two tracks, it’s abundantly clear what we have here is something dredged from a well situated in hell.” – Games, Brrraaains & A Head-Banging Life

“Lord Ov Thornes”, the debut album by KING OV WYRMS, a worthy contender in the late year heralding the cold and darkness that is coming for us. The man has left nothing to chance, electing to fill every position himself on both sides of the studio glass, and the end result is a consistent and thought-out fifty-one minutes of solid metal.” – Metal Temple

“it deserves a place on your playlist if you like your music heavy, malevolent and underpinned by Lovecraftian themes.” – Scream Blast Repeat

“Nothing short of an aural assault of pure mayhem……” – Permafrost Today

“King Ov Wyrms is blasting brutal death loaded with lots of black metal riffs and dual growl/shriek vocals, with a death/brutal production. Press “play” and watch this thing launch into linear relentless attacks of brutality over and over for the duration. It is almost totally nonstop blasting, energetic, superfast extremity only for the true love-it-all fanatics.” – Metal Bulletin

“King Ov Wyrms sees Sanchez present a straightforward, ruthless, rampaging festival of hard hitting, heavy riffs encased in a thick, apocalyptic atmosphere. Embodying the spirit of the classic late eighties and early nineties acts with a new, modern aggression… From the album’s cataclysmic opening with ‘Threnody’ to its closing dissonant chord found in  ‘Ascendance Of A Continual One’ which echoes into the back void, this is a straightforward blackened death metal album that is out to take the scene by the throat.” – Noizze UK

 

[Download Album Cover | Download Album Lyrics]

Album Title: The Womb Ov Borealis
Release Date: Octoebr 6, 2023
Label: Self-Release
Distribution: Self-Release

Track Listing:
1. In Aeons We Spoke – 08:21
2. Grave Ov Birth – 04:08
3. Sulphur – 06:56
4. Desolation Fog – 08:32
5. To March From Darkness – 06:01
6. Illusory Veil – 08:52
7. Sightless Vision – 05:30
8. What Time Has Wrought – 13:43
Album Length: 1:02:20

Album Credits:
All Songs Performed by King Ov Wyrms
All Songs Written by Michael Oneirous Sanchez
Produced By Michael Oneirous Sanchez
Mixed By Michael Oneirous Sanchez
Mastered By Michael Oneirous Sanchez
ASCAP

King Ov Wyrms – The Womb Ov Borealis – Recording Line Up:
Michael Oneirous Sanchez – Vocals, Guitars, Bass (Studio)
Ricky Williams – Drums
Derrek Page – Session Bassist on tracks 3. 4, and 5

Discography:
2023 – The Womb Ov Borealis
2020 – Lord Ov Thornes – Studio Album

============================================================

The Album as a Whole:
This album is almost like the first “real” King album, Lord Ov Thornes was really just me finding an outlet to worship the metal I grew up with which led to a lot of people wanting the songs to be more “original”. Ultimately this is the culmination of that drive to fill that want, this is the first “real” King album delivering a new approach to how we present ourselves and our music. This album will definitely open us up to a whole new fan base and I feel our original fans will be even happier to hear what we have developed over the years and what they will surely see more of in the future. – Michael Oneirous Sanchez
 
Lyrically as a whole the album is definitely a new approach for me, this material felt like it was mostly taken from Oneirous’s knowledge of the occult which was a new experience for me personally working with a band. Musically this has to be the best I’ve felt working in a band which should reflect to the listener, the material was definitely more technical and what I’ve been searching for amongst previous projects. – Ricky Williams – Drums

Track By Track Explained:

In Aeons We Spoke – In Aeons is definitely the “attention grabber” of the album, it really sets the mood for the whole album with its lyrics setting a haunting mood and the instruments going in full force letting you know what this album is gonna give you straight from the beginning.

Grave Ov Birth – Grave is a straight-to-the-point aural assault. The riff hits first and upfront while being pushed even harder by Ricky’s relentless blast beats. Lyrically the concept is just a small tie-in to the ever-looming concept of death and rebirth brought up throughout the album and of course the title.

Sulphur – Sulphur has to be potentially the closest we get to our “old” sound but it still contains our own spin on things. The furiousity of the instrumentation is supposed to give more weight to the satanic-charged lyrics opening up to a provoking chorus line of devotion to the left-hand path.

Desolation Fog – Noticeably this track is a heavy trudge through grim dark waters, The dragging guitars and swinging drums take you through a walk through an ever-looming fog of decay which all gives way to.

To March From Darkness – March was one of the first songs written for this album which is why it features our session bassist Derrek Page who really brought something intense to the performance. This track was potentially the first song that featured more than just myself on guitars which really shows how much of an improvement the songs underwent with the addition of Ricky and Derrek (temporarily).

Illusory Veil – Most of the lyrical content of this album derives heavily from my interest in occult magick and other “World” studies, To much detail I won’t go into but those who are familiar might appreciate the themes and imagery brought forth across this work. Musically we tried to give ourselves a push-and-pull vibe to retain our extreme approach to music while keeping some sense of uncharted territory.

Sightless Vision – For anyone that hasn’t already figured out by now we are pretty big fans of Lovecraft and the whole concept of cosmic horror. Lyrically I’ve taken on much more of a “storyteller” role this time around almost taking point to narrate a horror story in numerous ways across this entire album. Musically this features one of my favorite guitar lines which is almost entirely arpeggiated chords but slurred giving it a very unique feeling to the lyrics being displayed over Ricky’s ferocious drum display.

What Time Has Wrought – There is almost an ever-growing concept I’ve had where I feel the last track on any album should really be the big magnum opus or longest, most diverse example of the album to really push the whole project out on a bang. Needless to say this idea has led to this track being the longest song I’ve ever recorded and living up to be a spiritual sequel to Ascendance Of A Continual One off of our first album. Most notably this song features a lot more acoustic work mixed in compared to the rest of the album but the development of the overall song is really pushed forward by Ricky’s ability to mix in his different styles and complement even the more subtle parts with creative movement.

In Aeons We Spoke –
In Aeons We Spoke is essentially the Title track for us, it’s by far the biggest embodiment of the album and a great entryway into what’s about to come. The track starts out with the haunting bellowing sounds of otherwordly entities while we creep in with our instruments to set the stage for the horror we are trying to bring forth. We decided to take a chance this time around and make a music video actually featuring us performing the song even though we are primarily a studio project without a performing lineup which is why there isn’t a bassist present or any other guitarist accompanying me. Regardless of the fact I think the physical presence of myself and Ricky ushering in this new form of King Ov Wyrms is very much needed. We have rebirthed ourselves in the fires of chaos and come out even stronger than before with new drive and fervor.

Desolation Fog –
Desolation Fog is a track we just knew we had to present before the full album comes out, it features some of my favorite lyrics off of the album, and accompanied by the imagery presented in the Lyric video it was a perfect match. Sonically this song is unrelenting and just so damn heavy, it catches you with the swinging groove and really locks you in before Ricky amps it up with savage blast beats and his intense footwork.

To March From Darkness –
To March From Darkness is a prime example of what we have done to evolve from our previous approach and sound which was found on Lord Ov Thornes. This had to be the first song recorded that featured as close to a full lineup as we have ever had with myself on vocals and guitars, Ricky on drums, and Derrek Page who filled in on Bass for us for 3 tracks before we ultimately had to finish without him. The contributions from both Ricky and Derrek really made this track a dominant force off of the album featuring some insane bass work and of course Ricky’s signature “no holds barred” drumming which really let me open up more as a guitarist and vocalist compared to previous efforts. Needless to say, the evolution leading to new members involved with this project really shows in the songwriting and how far we have come for this project.

============================================================

Fun Facts – Story Angles:
1. Once again the development of the album was entirely managed within the band from the writing, recording, mixing, mastering and overall engineering work being taken care of by Michael Oneirous Sanchez in his personal studio.

2. King Ov Wyrms was featured in the Tucson, Az Army Man Project put together by Rudy Flores which features numerous artists and artisans representing Tucson in arts and culture brought to life as an army man figurine.

3. This album is the first time the band has ever been presented as a full lineup. Michael Oneirous Sanchez performed all vocals and guitars along with the majority of the studio Bass tracks, Ricky Williams performed all of the drums and percussion, Derrek Page was brought into the band temporarily to help write and take some of the bass work which he did under session work on three tracks.

4. Oneirous and Ricky Williams have a long history of about 10 years before they ever got around to working together. They started out as two separate bands sharing a studio, ultimately Oneirous assisted them with pre-production on several albums. Now 10 years later they are producing albums together under the banner of King Ov Wyrms.

5. Ricky was initially offered a spot to record drums and join the band for the debut album Lord Ov Thornes but unfortunately, due to time constraints and lack of availability, it didn’t happen.

L-R – Michael Oneirous Sanchez – Vocals, Guitars, Bass (Studio) – Ricky Williams – Drums

 

King Ov Wyrms first began as an homage to classic death and black metal acts of the late ’80s/early ’90s with a touch of modern aggression.

Formed in Tucson, AZ. King came from the want of a more aggressive act when the main band of Michael Sanchez, Pain Patterns, started taking its roots in early 2015. He loved the music he was creating but felt that the band couldn’t fulfill his desire for a purely aggressive musical venture.

The project went through many different lineup changes only to be consistently held together by Sanchez. Having studied classical music and jazz to a degree while growing up, it gave him the tools to write comfortably on his own even in the concept of metal music. He starts out with a basic riff or a small melody line off of a piano and just adds on and on until it manifests into some sort of abomination of sound.

In early 2020 upon Sanchez’s departure from the power metal act Judicator, he decided to pull King of Wyrms out of hiatus but only as a solo effort to produce a full-length album. Over the span of several months, Sanchez was able to completely record all of the songs previously written for King as a full lineup, this time all the music was performed and written solely by him.

On November 20th of that same year, King Ov Wyrms unleashed the debut album “Lord Ov Thornes” which featured lyrical themes encompassing the occult, and a deep love for Lovecraftian horror.

Now returning in 2023 Sanchez has joined forces with Ricky Williams for an updated version of King Ov Wyrms. They have turned away from the Old School worship to try making more original style compositions and exploring their musical diversity, which will be showcased on the sophomore album “The Womb Ov Borealis”.

King Ov Wyrms is
Michael Oneirous Sanchez – Vocals, Guitars, Bass (Studio)
Ricky Williams – Drums

0 EPK – Talia Hoit – Angel (single) (2023)

  • June 27, 2023
  • by Asher
  • · EPKs · Talia

EPK – Talia Hoit – Angel (single) (2023)

Publicist – Jon Asher – jon[@]ashermediarelations[.]com

“I am very happy to be officially releasing this song, Angel.  It is a very special song to me personally and I hope it will resonate with everyone.  I wrote it just as an attempt to process my own feelings after I had experienced a loss, and then over time and after experiencing more losses in my life, the song has become a really emotional expression of my heart and soul, and I hope that it will be moving to a lot of other people too.” – Tali Hoit

For fans of Nightwish, Within Temptation, Evanescence, Delain, Thy Shade

Taliahoit.com | Facebook.com/taliahoitmusic | Twitter.com/taliahoit

Instagram.com/talia_hoit | YouTube.com/@taliahoit | Tiktok.com/@taliahoitofficial

Linktr.ee/taliahoit | Apple Music | Spotify

“listening to these early numbers from Talia, she very clearly has the musical chops to create a very significant solo career” – Benny Benson and Mark Chambers, Rock the Joint Magazine

“É-o em consonância com a atmosfera mágica e etérea que, tanto o vocal de Talia, como a música sinfónica e o vídeo invocam, numa combinação que nos oferece uma impressão de nostalgia – apesar de ser uma peça artística bem recente.”  Ethereal Symphonies Blog April 8, 2023. (Translation: It is in consonance with the magical and ethereal atmosphere that both Talia’s vocals, the symphonic music and the video invoke, in a combination that gives us an impression of nostalgia – despite being a very recent piece of art. )
 
“Talia is a really talented singer; she can hit those notes and transmit the emotion” – Lorraine Foley, Rock the Joint Magazine

“Will especially appeal to you if you are a fan of female fronted metal in the vein of Epica, Sandra and early Within Temptation … This lady has a beautiful operatic voice …. As well as ability on keyboards and arranging skills…” – Rick Tilley, Metal Gods TV

“The soprano vocals are delicate and angelic and the vocal lines are catchy and easily to sing along to… would recommend for fans of: Nightwish, Within Temptation, Epica, After Forever, Unsun, Leaves’ Eyes, Sirenia, Ancient Bards, The Gentle Storm” – Sasha Bannister, Noizze UK

“Angelical voice” – Victor Augusto, Ever Metal

“From the start, Talia’s powerful vocals pull you in…I would recommend..to fans of early Tristania and Enter/TheDance-era Within Temptation … Talia is a phenomenal operatic vocalist that is probably more influenced by Simone Simons and less by Vibeke Stene” – Sonic Cathedral

“Haunting vocals” – John Bear, Westword

“são os vocais de Talia Hoit (também responsável pelas orquestrações) que brilham nas dez faixas de “Live to Tell the Story”, com destaque a “Forever Dream”, onde ela desfila todo o seu talento de forma quase mística.” – Marcelo Lopes Vieira, Metal Na Lata

“wondrous vocals from Talia that ooze feeling” – Black Phoenix Rising Metal Forum

[Download Single Cover | Download Single Lyrics]

Single Title: Angel
Release Date: June 9, 2023
Label: Iberis Entertainment
Distribution: Earache Digital Distribution

Track Listing:  
1. Angel – 4:32

Single Credits:
Written by: Talia Hoit
Performed by: Talia Hoit (vocals, piano) and Jarek Musil (all instruments)
Produced, mixed and mastered by Jarek Musil
Artwork by Giannis Nakos, Remedy Art Design
Video by J.T. Ibanez
Cast: Rachael Murphy, Scott Fogelbach
Talia is a member of ASCAP

Talia Hoit is an American singer-songwriter from Colorado. Classically trained, she begin playing the piano at the age of 5. Now she writes original songs, performs on vocals and keyboards, and composes orchestra scores for symphonic metal.

She was the keyboardist and a co-songwriter for the hard rock band Anadies for 5 years, releasing an album, Formamentum (2004), and an EP, Catalyst (2006), before branching out to write her own solo songs and sing classical music. She performed as a Soprano with the Colorado Springs Chorale for 10 years, and as the Chamber Singers of the Colorado Springs Chorale for 5 years. As a solo artist, she wrote and independently recorded two original albums of songs, Fate’s Too Small (2007) and A Little Longer (2012) which had a limited physical cd release only.

In 2014, she recorded ambient vocal backing tracks as a guest musician for a symphonic power metal band, Psycodrama. After this studio experience, she decided to pursue her passion for singing symphonic metal. That same year, she joined the band Beyond Forgiveness and is currently the lead singer, orchestral composer, co-lyricist, and co-songwriter for the band. They have released an EP: The Ferryman’s Shore (2015), two albums: The Great Wall (2017) and Live to Tell the Story (2019), and are currently in the studio working on their third full-length album, Cold as Winter’s Ice.

In the fall of 2019, she worked with producer Jarek Musil to record a single, Angel, for personal purposes, which had a soft release in early 2020 on Soundcloud only. Since the Covid pandemic, she has been working remotely with a talented group of producers and musicians to bring more of her most personal and intimate solo songs to life.

In November, 2022, she released a single and music video for the song, Until It’s Forgotten, recorded at the Colorado Sound Studios with producer Steve Avedis.  In March 2023, she released a single, Abandon, with producer Mane Cabrales, along with another music video.  Her next single and music video is a newly mastered version and new music video for the song Angel, which never had a proper public release until now!

Dicography:Solo:
•   Upcoming album, not yet announced (currently in production)
•   Abandon, single, 2023
•   Until It’s Forgotten, single, 2022
•   Angel, single, 2020 (was a soundcloud release only, will be officially released June 9, 2023 on all platforms)

With Beyond Forgiveness (vocals, orchestration, co-songwriter):
•   Cold As Winter’s Ice, Album (currently in production)
•   Live to Tell the Story, Album, 2019
•   The Great Wall, Album, 2017
•   The Ferryman’s Shore, EP, 2015

Solo:
•   A Little Longer, Album, 2012 (short run cd release only)
•   Fate’s Too Small, Album, 2007 (short run cd release only)

With AnaDies (keyboardist, co-songwriter):
•   Catalyst, EP, 2006
•   Formamentum, Album, 2004

Shard Stage with:
Conspiria
Düsterlust
Synmetallium
Evenmore
Sechem
Dawn of Destiny
Cathubodua
September Mourning
Thy Shade
New Year’s Day
Powerglove
Jag Panzer
Fabio Carraffa
Dreadnought
Blindryve
Pitch Black
Thy Despair
Everlust
Helion Prime
Novareign
Ross the Boss
Mankind is Obsolete
Shiragirl
Within Temptation
Evans Blue
Chloë Agnew (of Celtic Woman)
Colorado Springs Philharmonic Orchestra
Air Force Academy Band
Chamber Orchestra of the Springs

Tours and Festivals:

Talia performed more than 100 shows as keyboardist, backing vocalist and co-songwriter with the band AnaDies between 2003 and 2007, including local and regional support shows, 3 domestic headlining tours in 2006 and 2007, the Denver stop of the Warped tour in 2005, and the Denver Dark Arts Festival in both 2005 and 2006.

Talia performed 10 concert seasons as a classical soprano with the Colorado Springs Chorale (classical symphonic chorus) 2006-2016 and 5 seasons with the Chamber Singers of the Colorado Springs Chorale 2012-2017, including a special appearance with the Distinguished Concerts International New York at the Lincoln Center in 2013, and annual features with the Colorado Springs Philharmonic Orchestra, Air Force Band, Chamber Orchestra of the Springs, and other community ensembles.

Talia has performed more than 50 shows as lead singer, orchestrator and co-songwriter with the band Beyond Forgiveness including local and regional support shows and 2 headliner tours Europe and Russia (2017, 2019), Sounds Like Summer Festival (Denver, 2017), Six Hours of Synphonia Festival (Switzerland, 2017), Antimateria Rock and Metal Festival (Russia, 2019), Colorado and New Mexico Metal United Fest (2018), Anthem Music Metal Fest (2019, 2021), Down to Clown Festival (2022)

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