Posts By Asher

0 Gore House Productions – One-Woman Slamming Goregrind CORDYCEPS CORPSE’s “From Flesh To Fluids” Cassette/CD Now Available! + Music Video For Title Track

November 18, 2025
by Asher
· Cordyceps Corpse (Gore House Productions) · Music News

NEWS RELEASE

Montreal, QC – November 18, 2025

One-Woman Slamming Goregrind CORDYCEPS CORPSE’s “From Flesh To Fluids” Cassette/CD Reissue Now Available!

+ New Music Video For Title Track

Gore House Productions announces “From Flesh to Fluids,” the latest full-length album from one-woman slam/goregrind juggernaut, Cordyceps Corpse, is now available on CD and cassette, plus shipping worldwide. The digital release remains live across all major platforms.

Created by the twisted brainchild of multi-instrumentalist and vocalist Nani, Cordyceps Corpse’s “From Flesh to Fluids” is a sonic descent into madness, equal parts brutal, disgusting, and morbid. Inspired by slam legends like Devourment and Cephalotripsy, the album delivers a raw yet polished evolution of Cordyceps Corpse’s sound, now featuring live drums and tighter production while retaining the DIY filth fans crave.

Fans will blast earwrenching tracks like “Battery Acid Enema”, a vile, tongue-in-cheek collaboration with Nani’s partner Liv, “Stomach Bile For Miles” is a grotesque narrative of cannibalistic carnage, “Family Photo With Hella Cadavers” (feat. WORMFUCKER) is a dehumanizing snapshot of horror, and “Tools For Torture” is a slow-building frenzy inspired by Terrifier.

Nani, who writes, records, and performs every element of Cordyceps Corpse, describes the album as “pure chaos into heavy slam riffs.” Drawing inspiration from horror films, documentaries, and even neighborhood trash disasters, the music is driven by feeling rather than formula.

“I want this album to give the same feeling I got when I first heard Molesting the Decapitated by Devourment. Thick and brutal sound that just keeps hitting,” says Nani.

Gore House Productions label founder Carlos Matt adds:

“After following Cordyceps Corpse (Cordy) on social media for several months, I am excited to welcome the project to our roster. Seeing Nani creatively market Cordy while composing filthy, slamming death metal, there was no question but to partner up with Cordy. Her debut album, “From Flesh to Fluids,” quickly became a favorite; I’m beyond stoked to give it a proper release.”

Cordyceps Corpse began in late 2023 as a solo rebellion against the monotony of beat-making.

“I was bored with making music for other people. I wanted to form a band, but didn’t want to wait around. So I said, ‘f*** it, I’ll do it myself,” adds Nani.

That DIY ethos extends to everything, from the music to the logo, which Nani designed on a refurbished iPad after watching YouTube tutorials.

With live shows described as chaotic parties, complete with crowd participation and impromptu mic screams, Cordyceps Corpse is poised to carve a unique space in the underground metal scene. And with Gore House Productions backing the reissue, the band’s reach is about to get a whole lot bloodier.

CD and Cassette copies of “From Flesh to Fluids” are available from Gore House Productions at the following link: https://gorehouseproductions.com/collections/cordyceps-corpse

Check out the new music video for the title track, “From Flesh to Fluids,” a chaotic, anti-authoritarian blast of guttural vocals, slamming riffs, and visceral imagery that sets the tone for the album’s grotesque journey. Watch at https://youtu.be/L4ExQ4UzRK8

Digital Album (released Aug 22, 2025) – https://orcd.co/from-flesh-to-fluids

Track Listing:
1. Intro to Putrefaction – (1:37)
2. From Flesh To Fluids – (2:07)
3. Decapitation – (2:34)
4. Slowly Poisoned – (2:32)
5. Battery Acid Enema – (2:41)
6. Stomach Bile For Miles – (3:16)
7. Family Photo With Hella Cadavers (feat. WORMFUCKER) – (2:08)
8. Left Over Limbs For Later – (3:03)
9. Tools For Torture – (2:17)
10. Skin Tortilla – (2:22)
Album Length: 24:37

Album Recording Credits:
• All songs performed by: Nani Porter
• All songs written by: Nani Porter
• Produced by: Nani Porter
• Mixed by: Nani Porter
• Mastered by: Nani Porter
• Album Artwork by: Nani Porter

Album Band Line Up:
Nani Porter – Guitars, bass, drums, and vocals

Live Band Line Up:
Nani Porter – Guitar and Vocals

More info: Gorehouseproductions.com | Instagram.com/cordycepscorpse | Tiktok.com/@cordycepscorpse | Youtube.com/@cordycepscorpseband

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CORDYCEPS CORPSE REVIEWS & MENTIONS

Shay top 20 women fronted/all woman bands: https://www.tiktok.com/t/ZTHGeWoaHSaaB-6NEcX/

Slam dad’s top slam albums 2025: https://www.tiktok.com/t/ZTHGe7svNe6Yg-XSZgA/ describes album “as thick and gross and I absolutely love it”
“dabbles into goregrind, a little bit brutal death meta,l but straight up slam”

Shortbus Pile Up slams of the week #38: https://www.tiktok.com/t/ZTHGe7oG6eawD-9smyt/ Bill “describes album as super fucking brutal …really good death metal”

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ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
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0 BORN DIVIDED Hit The Road For Shows In Atlantic Canada For New Album “Chronicle of a Shipwreck” (Mixed & Mastered by Chris Donaldson (Cryptopsy))

November 18, 2025
by Asher
· Born Divided · Music News

NEWS RELEASE

Montreal, QC – November 18, 2025

BORN DIVIDED Hit The Road For Shows In Atlantic Canada For New Album “Chronicle of a Shipwreck”

(Mixed and Mastered by Chris Donaldson (Cryptopsy)

L-R – Michael Beaudoin – Guitar, Fred Bedard – Guitar, Maxim Levesque – Vocals, Lucas Biron – Drums, Tommy Demers – Bass

Photo Credit – Paul Giacomo

Quebec City melodic death metal band Born Divided unleashed their highly anticipated second album, “Chronicle of the Shipwreck,” this past October. Mixed and mastered by Chris Donaldson of Cryptopsy, the album dives deeper into the band’s signature fusion of orchestral grandeur, progressive complexity, and raw emotional power.

In support of the record, Born Divided is hitting the road this week for two show dates in Atlantic Canada, performing alongside Omnivide and Ibex on November 21st in Moncton, New Brunswick, and on November 22nd in Halifax, Nova Scotia.

Show Dates:
Nov 21 – Moncton, NB – Xeroz Arcade Bar w/ Omnivide, Ibex – info
Nov 22 – Halifax, NS – Gus’ Pub w/ Omnivide, Ibex, Necrohol – info

Formed in 2020 following the end of Blinded by Faith, a band that included founding members Tommy Demers and Michaël Beaudoin. Driven by a desire to return to music, Tommy transitioned from vocals to bass, opening the door for a new frontman. Maxim Levesque stepped in as lead vocalist, bringing fresh energy to the lineup. Longtime friends Lucas Biron (drums) and Fred Bédard (guitar) completed the ensemble, forming a powerhouse of seasoned musicians with deep roots in Québec’s metal scene.

Born Divided’s debut album, Impending Doom (2022), delivered seven tracks of razor-sharp precision and relentless intensity. With their latest release, “Chronicle of the Shipwreck,” the band unveils a more evolved and emotionally resonant soundscape. The album is driven by fast, heavy riffs that balance complexity with catchiness, while brutal screams and soaring clean vocals create a striking dynamic tension. Cinematic orchestration deepens the atmosphere, and hook-rich guitar melodies keep the momentum surging. Lyrically and musically, the record navigates themes of emotional collapse, existential turmoil, and the fierce journey toward redemption.

“We’re incredibly excited to unveil our new album. Our sound has been described as “if Gojira and Symphony X collided head-on, with flashes of Devin Townsend and the orchestral chaos of Dimmu Borgir,” and this album feels like the perfect embodiment of that hybrid spirit. As a band, our creative evolution has shifted dramatically; our earlier work leaned toward conceptual and fantastical storytelling. But Born Divided is something else entirely. It’s raw, personal, and brutally honest. Over the past two years, we’ve poured everything into this record: frustration, growth, vulnerability, and the cathartic power of music itself. This isn’t just an album. It’s a reflection of where we’ve been, what we’ve endured, and how we’ve emerged, louder, heavier, and more unapologetically ourselves.”

With each track offering a distinct atmosphere, some are catchier, featuring memorable choruses, while others unfold into longer, more progressive journeys. It’s a compelling blend of melody and aggression designed to resonate deeply with fans. Recommended for fans of Ne Obliviscaris, Symphony X, Scar Symmetry, Persefone, and Dimmu Borgir.

Album order (CD, Digital – out Oct 24th) – https://borndividedofficial.bandcamp.com/

Add to your Spotify playlist – https://open.spotify.com/album/2F9dcstQgn1At9fHyfJdum

YouTube Stream – https://www.youtube.com/playlist?list=OLAK5uy_lx5wMXr6CnZnybbzKxHMUzql5UhFjrb-w

Music Video – “Chronicle of a Shipwreck” – https://youtu.be/0LtUFyeaC-M

Music Video – “Everything Comes to an End” – https://youtu.be/IVkHsg6vkk0

Track Listing:
1. Everything Comes to an End – 5:09
2. Chronicle of a Shipwreck – 4:10
3. Illusion Factories – 7:38
4. The Dead Inside Ourselves – 5:54
5. Run, Burn, Die! – 7:52
6. Subterranean Corridors – 4:48
7. Anxiety – 7:57
Album Length: 43:31

Born Divided is:
Tommy Demers – Bass
Maxim Levesque – Vocals
Michael Beaudoin – Guitars
Fred Bedard – Guitars
Lucas Biron – Drums

For more info: https://linktr.ee/borndivided

– 30 –

“It doesn’t matter whether BORN DIVIDED plays fast and furious, slow and deliberate or is hovering somewhere in between, everything on “Chronicle Of A Shipwreck” is as it should be. 9/10” – Metal-Temple

“Weaknesses? Not a single one! Craft? Everything is great! The vocals? A celebration in all respects. Would AMON AMARTH suddenly jump on the prog metal bandwagon, adapting a bit of modern death lead and at the same time adding traditional melodic metal to the gallery, would the Northmen possibly sound similar to BORN DIVIDED – but this is just a clue. Musically, the band is completely independent and combines several genres into a rousing, always gripping symbiosis that we can’t get enough of, even in the long term. Check out the boys’ band camp page, familiarize yourself with the previous material and place a collective order immediately – because this band more than deserves the support! 9.5/10” – PowerMetal.de

“”“Chronicle of a Shipwreck” is an excellent album in balance between softness, reinforced concrete riffs and violence. A record to discover urgently ! ” 4/5 – Music Waves

““Chronicle of a Shipwreck” est un excellent album en équilibre entre douceur, riffs en béton armé et violence. Un disque à découvrir d’urgence ! ” 4/5 – Music Waves

“If it wasn’t obvious, Born Divided’s Chronicles of a Shipwreck was a very good experience for me. This one netted me about 8–10 listens (I stopped counting around 6) and I never felt like there was a song that didn’t fit. Nothing was skipped, and I remain entirely impressed this one was self-released. So, here’s one for us Canadians!” – Dire Notes

“Like the waves the ship on the cover of Chronicle Of A Shipwreck traverses through, Born Divided keep their music in constant motion. There isn’t any smooth sailing to be found in this endless body of choppy melodic death metal that’s supplemented by progressive/black metal. They try to make each song its own event, whether that be the frenzied hop of “The Dead Inside Ourselves” or the orchestral elevation of the title track. Opener “Everything Comes To An End” has an Opeth tribute in the middle with singing that could be a doppelganger for Mikael Åkerfeldt. It’s a bit distracting, especially since it’s never used again on Chronicle Of A Shipwreck. That’s the most blatant nod Born Divided make to another band directly. Though the ship on the cover meets a woeful end, the band avoids such a fate.” – Head Music Headquarters

—
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0 NARCOTIC WASTELAND Announces “Praise the Beast North American Tour 2026” w/ BELPHEGOR, INCANTATION, HATE

November 17, 2025
by Asher
· Music News · Narcotic Wasteland

NEWS RELEASE

Montreal, QC – November 17, 2025

NARCOTIC WASTELAND Announces “Praise the Beast North American Tour 2026” w/ BELPHEGOR, INCANTATION, HATE

+ Narcotic Wasteland Headlining EU Tour Dates Nov-Dec 2025

Extreme metal juggernaut NARCOTIC WASTELAND has announced they will be joining the “Praise the Beast North American Tour” with BELPHEGOR, INCANTATION, and HATE for February and March 2026, continuing their relentless assault on stages worldwide. This marks the band’s third major run in less than a year, following the “Annihilation of Wasteland Tour” across the U.S. in September 2025 and their headlining “Annihilation of Europe Tour” in November and December 2025.

Fronted by guitarist/vocalist Dallas Toler-Wade (ex-Nile), Narcotic Wasteland has built a reputation for uncompromising brutality, technical precision, and lyrical themes that confront addiction, corruption, and societal decay. Their recent tours have drawn packed venues and critical acclaim, cementing their place as one of the most ferocious acts in modern death metal.

“The energy we felt from fans in both North America and Europe has been incredible. We’re coming back harder than ever in 2026. Expect a setlist that spans our catalog, new material, and the kind of intensity that defines Narcotic Wasteland,” says Toler-Wade.

The upcoming tour will see the band storm through major cities across the U.S. and Canada, dates and venues listed below. The tour is a crushing lineup, making this one of the most anticipated metal tours of early 2026.

Tickets for the “Praise the Beast North American Tour” with BELPHEGOR, INCANTATION, HATE, and NARCOTIC WASTELAND go on sale on Wednesday, Nov. 19, 2025, at 12:00 pm PST / 3:00 pm EST.

Music Video – Introspective Nightmares – https://youtu.be/jOBq_a4bFGs

Add to your Spotify playlist – https://open.spotify.com/artist/5IQ8MRD09PzTIzldUag7rD

Narcotic Wasteland has carved out its place as a dominant force in the modern metal scene, unleashing a punishing fusion of razor-sharp technicality, feral aggression, and raw intensity. At the helm is guitarist and vocalist Dallas Toler-Wade, celebrated for his tenure with Nile, whose unmatched precision and commanding stage presence drive the band’s sonic assault.

Behind the kit, Joseph Howard delivers a relentless barrage of power and accuracy, propelling the band’s crushing rhythms with thunderous authority. His dynamic drumming lays the foundation for the group’s dark and uncompromising atmosphere.

Anchoring the low end, Kenji Tsunami injects depth and texture with inventive, hard-hitting bass lines. His formidable musicianship and commanding presence add another layer to the band’s overwhelming wall of sound, amplifying the ferocity of their live performances.

Together, Dallas, Joseph, and Kenji form a unit that is both unstoppable and uncompromising, captivating audiences with explosive performances and boundary-pushing compositions. With their collective skill and vision, Narcotic Wasteland stands tall as one of the most formidable powerhouses in extreme music today.

Praise the Beast North American Tour 2026
w/ BELPHEGOR, Incantation, Hate, Narcotic Wasteland
Feb-19 – Brooklyn, NY – Brooklyn Monarch
Feb-20 – Lowell, MA – Taffeta Music Hall
Feb-21 – Montreal, QC – Le Studio TD
Feb-22 – Toronto, ON – Lee’s Palace
Feb-23 – Lakewood, OH – Mercury Music Hall
Feb-24 – Joliet, IL – The Forge
Feb-26 – Denver, CO – HQ
Feb-27 – Albuquerque, NM – Launchpad
Feb-28 – Haltom City, TX – Haltom Theater
Mar-1 – Houston, TX – Scout Bar
Mar-2 – San Antonio, TX – Paper Tiger
Mar-5 – Mesa, AZ – The Rosetta Room
Mar-6 – San Diego, CA – Brick by Brick
Mar-7 – San Francisco, CA – DNA Lounge
Mar-8 – Roseville, CA – Goldfield Trading Post
Mar-9 – Los Angeles, CA – 1720
Mar-10 – Anaheim, CA – The Observatory

===

Narcotic Wasteland – Annihilation of Europe Headlining Tour
13.11 – Oslo, Norway – Brewgata
14.11 – Lublin, Poland – Fabryka Kuitury Zgrzyt
15.11 – Bratislava, Slovakia – Pink Whale
16.11 – Vienna, Austria – Escape Metal Corner
17.11 – Ostritz, Germany – AZ Meva
18.11 – Lübbenau, Germany – Kulturhof
19.11 – Kassel, Germany – Goldgrube
20.11 – Kortrijk, Belgium – DVG Club
21.11 – Alkmaar, Netherlands – Herrie Metal Fest
22.11 – Milton Keynes, England – Craufurd Arms
23.11 – Sheffield, England – Record Junkee
24.11 – Nottingham, England – Billy Bootleggers
25.11 – Manchester, England – Junior Jackson’s
26.11 – London, England – The Black Heart
27.11 – Newcastle upon Tyne, England – The Lubber Fiend
29.11 – Rennes, France – Ty Anna Tavern
30.11 – Paris, France – Le Zorba
01.12 – Basel, Switzerland – Valhalla Bar
02.12 – San Giovanni Lupatoto, Italy – Damage Inc.
03.12 – Bologna, Italy -Freakout Club
04.12 – Trodica Di Morrovalle, Italy – Drunkin public
05,12 – Pordenone, Italy – Tune Music lab
06.12 – Salzburg, Austria – Rockhouse Bar
07.12 – Graz, Austria – Explosiv
08.12 – Belgrade, Serbia – Bleed to Death Fest
09.12 – Sofia, Bulgaria – Grindhouse
10.12 – Bucharest, Romania – Encore Club
11.12 – Budapest, Hungary – Turbina
12.12 – Olomouc, Czech Republic – Sklub
13.12 – Krakow, Poland – Confession Club
14.12 – Bilbao, Spain – D8 Sorkuntza faktoria
15.12 – Madrid, Spain – Wurlitzer Ballrom
16.12 – Barcelona, Spain – Sala Deskomunal

More info: https://linktr.ee/narcoticwasteland

– 30 –

“”Narcotic Wasteland dropped a caustic, pissed off new single titled “Barbarian” off their forthcoming album Digital Cordyceps. Though we don’t know too much about said album, Toler-Wade explained that the new track was essentially one big middle finger to the ruling class.” – Metal Sucks

“We’ve got the latest and greatest from drug-themed death dealers Narcotic Wasteland, the new video for “Victims of the Algorithm.” The song takes on lightning-fast and heavy riffs, in the tradition of the band, and the lyrics tackle our dependence on social media in the modern age.” – Decibel Magazine

“Narcotic Wasteland have hit us with another dark, campy gem in the form of “Sex, Lies & DNA.” The thrashy, aggressive new single is the latest from the band led by Dallas Toler-Wade of Nile fame. This track features guest vocals from Andrea_N_Black and takes on the beloved death metal fodder of true crime.” – Decibel Magazine

“Narcotic Wasteland showcases Toler-Wade’s penchant for writing killer riffs, which he did for a decade as a member of Nile, in a manner that’s reminiscent of early 1990s metal — when the lines between the “thrash” and “death” tags weren’t as rigidly defined, and everything just sounded fast and heavy as all hell.” – Denver Westword (NW Headlines Denver DeathFest 2023)

“Delirium Tremens is just pummeling, non-stop death metal that covers a ton of ground.” – Metal Injection

“More often than not, death metal bands have a tendency to stick to the familiar topics. Death, gore, killing – that sort of thing. There’s always exceptions, or bands that have a different take on the subject, but as they say, dark music demands dark themes. Narcotic Wasteland does, for one of its lyrical slants, face a slightly different (yet still suiting) take – that of addiction. Plenty of grim to still go around with such a concept, and Narcotic Wasteland hits just as hard sonically as any other death metal act to come through the pipeline.” – Dead Rhetoric

“another incredible death metal album that has the potential to end itself up on the year end top album lists.” – Metal Nexus (2017 – Delirium Tremens)

“On the track, Toler-Wade furiously rails against “expectations,” “silly rules,” and “fucking filters,” and victoriously celebrates being “totally free” with a repeated battle cry of “Let the music flow!” In case there was still any remaining doubt as to the meaning of the song, the track is as magnificently brutal an old school death metal song as you’re likely to hear this season. It gallops, it lacerates, it uses the listener’s skull as a battering ram. There can be no doubt that this truly is Toler-Wade, undiluted and free of limitations. We hope he lets this music flow for a long time to come.” – Metal Sucks (single Return to the Underground off 2017 album Delirium Tremens)

“Narcotic Wasteland have released a fantastic album in ‘Delirium Tremens’. It is not easy to thrust the listener consistently into an aural landscape orchestrated by the band and make them stay put for the entire length of the album. Narcotic Wasteland does it brilliantly as they take you through the nightmarish journey of Delirium Tremens.” – Metal Wani (2017 – Delirium Tremens)

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0 Out Now! Nova Scotia’s HUMAN MISSILE CRISIS’ New EP “Waste Away” Navigates Adulthood w/ Riffs, Grit, and Heart

November 14, 2025
by Asher
· Human Missile Crisis · Music News

NEWS RELEASE

Montreal, QC – November 14, 2025

Out Now! Nova Scotia’s HUMAN MISSILE CRISIS’ New EP “Waste Away” Navigates Adulthood w/ Riffs, Grit, and Heart

L-R – DJ Vaters – Guitar/Vocals, Matthew MacIsaac – Drums, Justin Boutilier – Bass

Human Missile Crisis, the punk-infused garage rock trio from Cape Breton Island, now residing in Halifax, Nova Scotia, has released “Waste Away,” a two-track EP that captures the raw emotion, sonic experimentation, and lived experience of three lifelong friends navigating adulthood with guitars, grit, and a whole lot of heart.

Recorded live off the floor in a single 10-hour session at Sound Park Studios in Sydney, Cape Breton, the EP marks the band’s first collaboration in over 20 years with award-winning engineer Jamie Foulds. Mixed by Foulds and mastered by Brad Boatright at Audiosiege (Portland, OR), “Waste Away” is a visceral follow-up to their 2023 debut album “Liquor Store Stories”.

“We are so incredibly stoked and humbled to release Waste Away. These songs mean a lot to us. They’re the result of years of friendship, collaboration, and personal growth. Writing them helped me through some dark times, and I hope they speak to others the way they helped me. One fan once said the vocals sounded like they were powered by Jack Daniels with a Lemmy snarl, a bold statement, but we’ll roll with it,” says vocalist/guitarist DJ Vaters.

Opening track, “Snake in the Grass,” is like a dance pit. This upbeat, slide-guitar-driven track is a departure from HMC’s usual sound, channeling an old Bloc Party vibe with fast, fun drums and even a quiet, pretty bass solo bridge. Inspired by a rattlesnake warning in Osoyoos, BC, the lyrics explore betrayal and the treacherous people who smile to your face and strike when you least expect it.

“Just dance. Turn it up and let loose,” the band adds.

Music Video – Snake in the Grass – https://youtu.be/k_Sd1brbsEM

Closing track, “Mona Lisa” is a song for the night owls, the shift workers, the touring musicians. With a singer-songwriter vibe and explosive punk choruses, “Mona Lisa” speaks to the loneliness of working odd hours and being away from loved ones.

“I’ve always been a night hawk. This song is for those moments when you just want to be home in bed with the person you love,” shares DJ.

Stream – Mona Lisa – https://youtu.be/NSfaijG4YG0

The EP Artwork was designed by local artist @sourrgrrrl; the cover art was born from instinct. DJ spotted her sticker on a telephone pole, sent her the unmastered tracks, and let her interpret freely. The result is a visual that matches the EP’s emotional pulse.

Recommended for fans of Idles, Fucked Up, Pup, Ty Segall, Queens of the Stone Age, The Dirty Nil, and Propagandhi, “Waste Away” is available on all digital platforms on November 14th, 2025, and can be found at the following link – https://linktr.ee/humanmissilecrisis

Track Listing:
1. Snake in the Grass – 4:22
2. Mona Lisa – 5:23
EP Length: 9:46

EP Credits:
Recorded at Sound Park Studios by Jamie Foulds on June 1st, 2025
Mixed by Jamie Foulds
Mastered at Audiosiege in Portland, Oregon by Brad Boatright.
All songs written and performed by Human Missile Crisis.
DJ Vaters (Guitar/Vocals)
Justin Boutilier (Bass/Backups)
Matthew MacIsaac (Drums)

More info: https://www.facebook.com/missilecrisis | https://www.instagram.com/humanmissilecrisis

-30-

“When it comes to partying and being young, there are many “highs” and lows, as Human Missile Crisis draws our attention to in their new single “Too Long.”… The clip gives you a good look at these Dartmouth rockers in action. With fuzzed-out guitars and a garage rock spirit, these three young men know how to command a stage. The video captures what they do best: play live. The band members pride themselves on being a high-octane live act. That’s what the video is meant to emphasize: guys who can rock a stage like they rocked their parents’ garage growing up.” – V13

“With it’s thundering and infectious bassline, crunchy guitars, thrashing drums, and gritty heartfelt vocals, Human Missile Crisis easily achieved the powerful and memorable with “Blackwater”.” – Amplify The Noise

“Three friends and a long-standing passion for punk rock and garage, understood in their most jaunty and enjoyable expressions: they are human missile crisis, here grappling with their recording debut. What is striking right from the start is the light-heartedness that expert frequenters of the reference scene such as DJ VATERS, JUSTIN BOUTILIER and MATTHEW MACISAAC have been able to pour into the nine, lightning-fast moments that make up the album; the verve is ironic and semi-serious, the aim is fun, sarcasm and provocation: all elements which, mixed properly with direct and immediate sounds, come to compose a picture that is nothing short of caustic and full of sparkling ideas. The creativity released by the band is contagious: Liquor Store Stories echoes that kind of spontaneity traditionally inherent in the reference genres. And it offers half an hour of healthy entertainment in the name of bombastic pieces in which technique gives way to the desire to play together, to a sense of friendship that emerges with vigor from the grooves of the work and to a spontaneous and genuine approach. A debut that follows the dictates of tradition, proudly claiming its brilliant originality” – Rock Hard Italy

“I had a weird sensation while listening to the massive punch and swagger of “Liquor Store Stories” by Dartmouth, Nova Scotia based Human Missile Crisis. Not only is the title amazing and sounds like an anthology series on Hulu, the crunchy assaulting guitars, the nimble hyper bass lines, atomic drumming and strident vocal scowling aesthetic had me thinking of a 70’s Mod revival rock band instead of a punk outfit, namely, the iconic JAM. Maybe it is the major 7th and miner chords I think I am hearing, maybe it is the vocal countenance that does have a heavier sort of iteration of Weller, and maybe it is the fury of the bass and drums, of everything really. And it also might be the sense of talking about the inner workings of hometowns. By the way, sonically, I also thought of an amalgam of early punk like the Buzzcocks and more current bangers like Prince Daddy & The Hyena.” -Robb Donker Curtius / American Pancake

“Merging elements of Garage Rock and Post-Punk, they end up delivering an exciting song to the listener, with great melodies and which stands out mainly for its great rhythmic work, with its striking bass line and vocals with great melodies.” -Leandro Vianna / Roadie Metal

“Maybe “Blackwater” from Dartmouth, Nova Scotia based Human Missile Crisis is about wishing those who disappeared from your life well, maybe not. Maybe it is all about the glorious noise, the throttling bass bottom heaviness that kicks you in the gut, maybe not. Maybe it is about finding what you are searching for and not dive deep into the blackness to find it, maybe not. In the end, maybe Human Missile Crisis feels like Black Sabbath, The Dead Kennedys, Coachwhips, Bass Drum of Death atom smashed together into something else entirely, something visceral and impactful.” -Robb Donker Curtius / American Pancake

“”Liquor Store Stories” is a single recently dropped by Nova Scotia-based band, Human Missile Crisis. Boasting an infectious energy equipped with melodic vocal flows and anthemic instrumental work, this is a powerful new tune that delivers a unique blend of styles. Elements of punk, garage rock, indie, and emo are all present here, and the band shines brightly by creatively blending all the influences into one full sound.” -Havoc Underground

“”Too Long” is a melody that will really provoke something powerful and luminous in you with its most violent and rhythmic rhythms, capable of awakening the monster that you keep inside of you, this band will shake you with this crazy song bathed in the best alternative sounds and aggressive sounds of punk fused with the darkness of a more balanced rock.” -End Sessions

“‘Too Long’ by Human Missile Crisis is an energetic, aggressive and dark punk and rock whose instruments provide an auditory explosion in the best of the senses, causing a piece of music full of rhythm to be manufactured. While listening to the song I couldn’t stop moving my head back and forth because of how catchy it is, it’s one of those songs that you fall in love with in a second. I loved the song from start to finish and I hope you do too.” -Javier Alfonso / La Caverna

“The album begins with “Do you Remember”, a song that has a powerful guitar in its intro and remains that way, but from the beginning you say this album is not going to stop, it is going to maintain that hard and aggressive rhythm, although They also have California punk songs like “The Spark”, and of course they also have songs like “Distant Memory”, with a slower rhythm, but with the same strength in the voice. This album really has 9 incredible tracks for those who like garage and punk, and also get into slam.” -Miguel Castillo/ La Caverna

“Opening the record is ‘Do You Remember’, a three-minute romp that must be powered by Jack Daniels because the vocals have that tinge of Lemmy about them. The track ebbs and flows for those 180 seconds but always comes back to the punchy punk-rock vibe that is at the core of Liquor Store Stories.” -Dan Hemming / Hard Beat Magazine

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0 Streaming Now! Montreal Brass Metal FALLSTAF Returns w/ New Album “Ode To The Dead”

November 13, 2025
by Asher
· Fallstaf · Music News

NEWS RELEASE

Montreal, QC – November 13, 2025

Streaming Now! Montreal Brass Metal FALLSTAF Returns w/ New Album “Ode To The Dead”

SIMM/Guitars – RICKK /Horns – IANN/Vocals – GOYY/ Bass – MATT/Drums

Photo: Sébastien Roy

After nearly ten years away from the spotlight, Montreal’s groundbreaking brass-metal band Fallstaf makes a powerful return with their highly anticipated second album, “Ode to The Dead.” Produced by Kevin Jardine (Slaves on Dope), the full album will be available to stream ahead of its official release on November 14th, premiering exclusively on Hardcore Worldwide’s YouTube channel at https://youtu.be/3PPV6LE73cs

Known for pioneering the genre of brass-infused experimental metal, Fallstaf first made waves in 2011 with their debut album, “Bastard Son of a Pure Breed,” also produced by Jardine. Their signature sound, heavy riffs, progressive structures, and a masked trombonist in full suit and tie, earned them cult status in the Montreal metal scene.

But tragedy struck in 2016 when frontman IANN suffered a near-fatal accident, resulting in a coma, multiple injuries, and the loss of his leg. The band dissolved. Now, nearly ten years later, Fallstaf reunites with Jardine to deliver a powerful, deeply personal new record that channels pain, survival, and rebirth.

“Ode to The Dead” is a seven-track exploration of mortality, from personal tragedy and mental anguish to crime, conflict, and loss. Drawing from frontman IANN’s near-death experience and the band’s shared grief, the album is both a tribute and a release.

It opens with “Sunless Friday,” a chilling retelling of IANN’s accident, where cold riffs and screaming trombone set the tone. The title track, “Ode to The Dead,” honors those we’ve lost, echoing the idea that “they walk among us.” “Battered Soul” dives into depression and suicide with sludge-heavy weight and a fading finale. “Kings of the West Side” recounts Montreal’s mafia history with gangland grit and resurrected riffs. “Under the Same Sky” reflects on global unrest and shared humanity, while “Bastard Son” tells a hitman’s legacy through galloping riffs and thrash choruses. The closer, “The Burden,” mourns the toll of cancer with crushing heaviness and a melodic, mournful release. Each track is a raw, brass-laced chapter in Fallstaf’s powerful return.

“We didn’t make this album to impress anyone. We made it out of friendship. Music is therapeutic. Metal brings people together, and we missed that energy,” adds the band.

The album artwork, featuring a layered skull photo taken by IANN, reflects the lyrical darkness without veering into the macabre. It’s a visual metaphor for the band’s rebirth: haunting, honest, and human.

Musically, the band has evolved, embracing groove metal, prog metal, metalcore, and hardcore influences while incorporating melodic choruses and complex arrangements. Fans of Pantera, Shining, Hatebreed, and Mighty Mighty Bosstones will find familiar fire in Fallstaf’s brass-laced fury.

Stay tuned for upcoming live dates and new music. The resurrection has begun as Fallstaf’s live performances are legendary, and the band plans to return to the stage in 2026. Expect suits, ties, a masked brass player, and a frontman with a robotic leg, all delivering a high-energy spectacle that defies expectations.

“People think we’re a ska band until the first chord hits. Then they know we kick ass,” says the band.

“Ode to the Dead” will be available on November 14th, 2025, on Spotify, Apple Music, Bandcamp, and more. For collectors, grab the exclusive coffin-shaped USB drive packed with interactive content and bonus material.

Album pre-order – https://fallstaf1.bandcamp.com/album/ode-to-the-dead

Add to your Spotify Playlist – https://open.spotify.com/artist/3yaTJY58SzbbDJ3RsnTlZU

Lyric Video – Ode To The Dead – https://youtu.be/GM4EPsLnMlE

Lyric Video – Bastard Son – https://youtu.be/mQtwDn00JtQ

Track Listing:
1. Sunless Friday – 2:57
2. Ode to the Dead – 3:27
3. Battered Soul – 3:40
4. Kings of the West Side – 3:31
5. Under the Same Sky – 3:31
6. Bastard Son – 3:45
7. The Burden – 4:41
Album length: 25:37

Album Credits:
Songs performed by: FALLSTAF
Songs written by: Ian Lavoie/Kevin Jardine
Produced by: Kevin Jardine
Mixed by: Kevin Jardine
Mastered by: Kevin Jardine
Album artwork by: Ian Lavoie
MAPL – Canadian Content

BAND LINE UP:
SIMM / Guitars
RICKK / Horns
IANN / Vocals
GOYY / Bass
MATT / Drums

More info: https://www.facebook.com/fallstafmontrealbrassmetal | https://www.instagram.com/fallstafmontreal/

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“Groovy mix of hardcore and other metal styles with an interesting addition in the trombone” Metal Underground (2011 – Bastard Sons of a Pure Breed – LP)

“to every track of the album, giving their rather intense metal a rather nice jazzy touch. This allows Fallstaf to step outside the conventional paths to get closer to the masters of the genre like Diablo Swing Orchestra or the Norwegians from Shining” – Music Waves (2011 – Bastard Sons of a Pure Breed – LP)

“These guys are a lot different than most bands out there and I really dig what they are doing. Check them out before they get really popular and there are tons of clones of them popping up everywhere “ – Beowolf Productions (2011 – Bastard Sons of a Pure Breed – LP)

“Looking for a Different Sort of Metal? Try FALLSTAF » – A Journal Of Musical Things (2011 – Bastard Sons of a Pure Breed – LP)

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0 DEVOLVER’s New Music Video “Wraiths” Captures The Camaraderie of Fans Under The Alberta Sky; New Album “Non Compos Mentis” Produced by Mark Lewis (Whitechapel, Trivium, DevilDriver, Black Dahlia Murder)

November 13, 2025
by Asher
· Devolver · Music News

NEWS RELEASE

Montreal, QC – November 13, 2025

DEVOLVER’s New Music Video “Wraiths” Captures The Camaraderie of Fans Under The Alberta Sky

Produced by Mark Lewis (Whitechapel, Trivium, DevilDriver, Black Dahlia Murder)

L-R: Jayde Penner (guitar), Bevin Booth (drums), Jaylen Elias (bass), Devin Babcock (guitar), Chris Brown (vocals)

Photo Credit – Heidi Robertson

Grande Prairie, Canada’s own metal force, Devolver, has dropped a powerful new music video for “Wraiths,” a standout track from their latest album “Non Compos Mentis.” Filmed during an intimate album release show at Grain Bin Brewing, the video captures the raw energy and camaraderie of a night that brought 150 fans together under the Alberta sky, immortalizing a night of celebration, community, and crushing riffs.

“We knew we wanted to do something special. So we had our friend Mike Evans film the show. This music video is for all the people who were there celebrating with us, making it such a special night,” adds the band.

“Wraiths” is a groove-driven, straight-ahead metal track with thrash undertones and a nod to classic rock and metal. Lyrically, it explores themes of mysticism as a bridge to connect with lost loved ones, an emotional depth that complements its sonic punch.

Watch the video for “Wraiths” via its premiere on Decibel Magazine HERE.

Formed in 2015 by guitarist Devin Babcock and drummer/producer Bevin Booth, Devolver has grown from a side project into a full-fledged metal powerhouse. With the addition of Jayde Penner (guitar), Chris Brown (vocals), and Jaylen Elias (bass), the band’s sound has matured into a collaborative blend of Gothenburg-style melodic death metal and early 2000s metalcore.

Their new album, produced by metal heavyweight Mark Lewis (Trivium, Whitechapel, The Black Dahlia Murder), marks a seismic shift in their sound.

“This is what the five of us sound like collaborating as a unit. Mark helped us push this thing over the edge,” adds the band.

The album’s artwork, created by legendary artist Travis Smith (Opeth, Megadeth), is a chilling visual interpretation of the true story behind the title track. It depicts Devin Babcock’s ancestor, Amos Babcock, who in 1805 committed a gruesome murder in Shediac, New Brunswick, during a religious frenzy. The haunting image of Amos in the snow, surrounded by the eyes of his nine children, adds a historical and emotional weight to the album’s narrative.

Devolver’s connection to their hometown runs deep. They partnered with Grain Bin Brewing to create “Brews of the Maw,” a blackberry and blood orange pale ale named after their track “Jewels of the Maw.” And for fans of Magic: The Gathering, the band has hidden lyrical nods throughout the album, including a track titled “Deathtouch.”

Recommended for fans of In Flames, Dark Tranquillity, Killswitch Engage, and As I Lay Dying, “Non Compos Mentis” is a bold leap forward, each track a chapter in a larger emotional and sonic narrative.

“Non Compos Mentis” (released Aug 22nd) is available at the following links:

Bandcamp – https://devolvermusic.bandcamp.com/

Spotify for Playlist Add – https://open.spotify.com/album/3eeLxBrxx55QvIm3EnahLm

Music Video – Merciless Storm – https://youtu.be/o_6jcqK2qFQ

Lyric Video – Suffocating Syndrome – https://youtu.be/mmRskxYe1q4

Track Listing:
1. Deathtouch – 3:55
2. New Blood – 3:14
3. Jewels of the Maw – 3:30
4. Wraiths – 3:20
5. At Any Cost – 3:40
6. Non Compos Mentis – 3:53
7. Merciless Storm – 3:56
8. Suffocating Syndrome – 3:36
9. Dehumanize – 3:47
Album Length: 32:55

Album Credits:
– All songs performed by: Devolver
– All songs written by: Devolver
– Produced, Mixed, Mastered by: Mark Lewis
– Album Artwork by: Travis Smith
– SOCAN members

Band Lineup:
Chris Brown – Vocals
Devin Babcock – Guitar (lead)
Jayde Penner – Guitar (rhythm)
Bevin Booth – Drums
Jaylen Elias – Bass

More info: https://linktr.ee/devolverab

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“The goal of Devolver through Non Compos Mentis has been to take the listener on a thoroughly pleasing journey from the first note to the final crushing moment. That’s been achieved, and so much more – as these Canadians understand how to compose songs and execute them in a highly convincing fashion that has this scribe grinning ear to ear – bringing the exciting sounds of the late 90s/early 2000s to a newer generation who desire more of this style. 9/10” – Dead Rhetoric

“For a group from a small northern city, every move has required deliberate effort—whether it was recruiting the right collaborators, waiting until circumstances lined up, or carrying material through years of delay. Non Compos Mentis is the document of that persistence: an album shaped by distance, disruption, and devotion to the sound that first made them want to pick up instruments.” – IDIOTEQ

“DEVOLVER is definitely ahead of the last releases of their great role models. On the one hand, because the Canadians work straight and without any frills, and on the other hand, because the melodies are all right without reducing the heaviness. When it comes to melodic death, there’s no way around this album this year. The only downside: 32 minutes is pretty short, even for such energy output!” – PowerMetal.de

“Mixed and mastered by Mark Lewis (Fallujah, Whitechapel, DevilDriver, Deicide, Havok, Entheos, etc.), this new Devolver album is armed to face the critics. Composed of nine well-crafted tracks (all between three and four minutes long) and effective, Non Compos Mentis is soaked to the brim with Swedish melodeath influences.” – Metallian Magazine (France)

“There is a sense of nostalgia listening to the guitarmonies throughout the album, calling back to the golden days of early 2000’s metalcore. Whether you’re a fan of death metal or metalcore, you’ll definitely find elements that you’ll appreciate on this album. Personally, my favourites are “Deathtouch” and “Suffocate Syndrome”” – False Chord

“Now we have Devolver with Non Compos Mentis. The sophomore album from this Canadian band is the perfect blend of melodeath and metalcore. Much like chocolate and peanut butter, this takes the best aspects of both genres, makes enough changes to feel authentic, and creates a sound that hits just as much in 2025 as it would have back in 2005. The production is brutal, but still audible and filled with layers. The songwriting shows off the capabilities of everyone in the band, but it doesn’t reveal all of its tricks. Overall, this is for anyone who enjoys everything from ’90s era In Flames to 2000 Soilwork to later 2000’s Lamb of God to the modern-day capabilities of what Melodeath and Metal Core are all about. This is a great trip back in time, but also a look forward to what can be done. This is excellent stuff.” – Heavy Debriefing

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0 Quebec’s HOPELESS NATION Ends Decade-Long Hiatus with Explosive New Video “Silverspoon”

November 13, 2025
by Asher
· Hopeless Nation · Music News

NEWS RELEASE

Montreal, QC – November 13, 2025

Quebec’s HOPELESS NATION Ends Decade-Long Hiatus with Explosive New Video “Silverspoon”

L-R – Guy Provencher (Rhythm Guitar), Louis-Simon Bellerose (Lead Guitar), Frederic Marchand (Vocals), Karl Héroux Rella (Bass), Steve DC (Drums)

Photo Credit: Frederic Marchand

After nearly a decade of silence, Trois-Rivières, QC’s Hopeless Nation roars back into the spotlight with their new single “Silverspoon,” a blistering fusion of hardcore grit and modern metal precision. The track marks the band’s official return and is accompanied by a surreal, AI-generated music video that can be viewed below.

Formed in 1998, Hopeless Nation built its legacy on raw energy, socially charged lyrics, and sweat-soaked live shows. Their 2009 album “Built from Scratch” became a cornerstone of Quebec’s underground scene, backed by over 200 performances alongside acts like 100 Demons, Bane, Lofofora, and Despised Icon.

In summer 2024, the band reunited for a high-energy show that reignited their creative fire. Revisiting unrecorded material from 2014, they began a new cycle, grinding back up from the roots while staying true to their hardcore and metal ethos. That journey culminates in “Silverspoon,” a track that hits hard from the first note and refuses to let go.

“Silverspoon” is immediate, layered, and aggressive, with clean vocal hooks that broaden its reach. Mixed and mastered by Francis Perron (Voïvod, Decayed Remains) at RadicArt, it’s built to dominate playlists and ignite live crowds. Lyrically, it critiques entitlement while celebrating earned effort, themes reflected in its cinematic music video.

The video, created entirely with AI technology, fuses 1960s suburban nostalgia with cosmic adventure. A young boy carrying a silver spoon becomes a cult leader, confronting human space invaders and his own inner darkness, symbolized by a red snake. It’s a bold artistic leap that blends innovation with authentic musical expression.

The single artwork mirrors this tension: a red serpent coiled around a silver spoon, rendered in a haunting, old painting style. It visually ties to the song’s themes and the surreal narrative of the video.

Hopeless Nation’s return is more than a comeback; it’s a tribute. The new planned singles to be released in the coming months honour past members Jonathan Houle (bass/guitar, 2012–2014, 2024) and Maxime Dupont (rhythm guitar, 1998–2014), whose talent and spirit helped define the band’s sound. Their legacy echoes through every riff and lyric.

The band’s lineup remains deeply rooted in the Quebec scene, and Louis-Simon Bellerose leads punk hardcore legends Genetic Error. Steve DC and Guy Provencher represented Canada at Wacken Open Air 2023 with Strigampire, winners of the Wacken Metal Battle Canada.

Known for their no-backing-tracks, lamp-amp sound, and full crowd interaction, their live shows are legendary, often featuring headbanging, chair-throwing, and immersive visual projections that leave fans breathless.

“Silverspoon” is just the beginning. Four more singles, “Disaster,” “My Curse,” “1000 Miles,” and “Predators,” will follow, leading to a full EP. Each track bridges the band’s hardcore roots with a modern metal sheen, offering pit-friendly intensity and emotional depth.

For fans of Gojira, Darkest Hour, At the Gates, Lamb of God, and Zao, Hopeless Nation delivers a sound that’s explosive, raw, and relentlessly honest.

Watch the “Silverspoon” video now on Hardcore Worldwide at https://youtu.be/lszWRwyk6Ik

Add to your Spotify playlist – https://open.spotify.com/track/0XXWDbK2CcqkMpeOo80uIL

More info: https://www.instagram.com/hopelessnation_official | https://www.facebook.com/hopelessnation

-30-

“I won’t lie to you and say I couldn’t wait to see the return of HOPELESS NATION. Their ten years of absence will have been far too long, having left their mark on the Trois-Rivières hardcore/metal scene from 1998 to 2014. Although many of their fans seemed absent (probably due to age), those from the first hours who were there as well as those who discovered the band for the first time were not disappointed. Fred, the singer, did not lose his enthusiasm at the time and his interaction with the public was impeccable. When we say that music is a story of passion, their performance was proof of that. HOPELESS NATION delivered a performance without artifice, rooted in a hardcore and metal heritage old school too often put aside these days.” – Chicks Rock Media – TROIS-RIVIÈRES METALFEST (2024)

“Invigorated by the arrival of new blood, Hopeless Nation channeled all this newfound energy into Built from Scratch, an album propelled by “the rage to start playing again”, to use the expression used by Maxime. Made with Francis Perron at Studio Radicart, the record marks a new stage in the journey of the group which, with 10 years of career behind its belt, is surely one of the deans of the Trois-Rivières metal scene. ” – Voir (2009)

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0 Thank You Canadian MDs and DJs for the airplay love! For the Week Ending: Tuesday, November 11, 2025 CJLO – 1690AM – Montreal Loud – #8 Juliet Ruin, #9 – Fallstaf | CJSW Radio 00.9 FM – Calgary Loud – #10 Imperishable – Everlasting Spew Records | CHLY 101.7 FM – Nanaimo Top 30 – #13 Liminal Spirit | Smithers Community Radio CICK 93.9 – Smithers Top 30 – #16 – Z-Cocoon

November 12, 2025
by Asher
· Fallstaf · Imperishable · Juliet Ruin · Liminal Spirit · radio charts · Z-Cocoon

Thank You Canadian MDs and DJs for the airplay love!
For the Week Ending: Tuesday, November 11, 2025
CJLO – 1690AM – Montreal
Loud – #8 Juliet Ruin, #9 – Fallstaf
https://earshot-online.com/charts/cjlo.cfm?intChartTypeID=6&dWeekOfID=2025-11-11
===========
CJSW Radio 90.9 FM – Calgary
Loud – #10 Imperishable – Everlasting Spew Records
https://earshot-online.com/charts/cjsw.cfm?intChartTypeID=6&dWeekOfID=2025-11-11
===========
CHLY 101.7 FM – Nanaimo
Top 30 – #13 Liminal Spirit
https://earshot-online.com/charts/chly.cfm?dWeekOfID=2025-11-11
===========
Smithers Community Radio CICK 93.9 – Smithers
Top 30 – #16 – Z-Cocoon
https://earshot-online.com/charts/cick.cfm?dWeekOfID=2025-11-11

0 !earshot – october 2025 – top 20 loud – #14 – Ivy Gardens

November 12, 2025
by Asher
· Ivy Gardens · radio charts

!earshot – october 2025 – top 20 loud

#14 – Ivy Gardens

https://earshot-online.com/charts/2025/October/loud.cfm

0 !earshot – september 2025 – top 20 loud – #4 – Ivy Gardens, #14 – Harvested, #19 – Eternal Drak

November 12, 2025
by Asher
· radio charts

!earshot – september 2025 – top 20 loud

#4 – Ivy Gardens, #14 – Harvested, #19 – Eternal Drak

https://earshot-online.com/charts/2025/September/loud.cfm

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