Posts By Asher

0 Rockshots Records – Descend Into The Infernal Chaos of TORCHIA’s New Music Video “Hellmouth” From Album “They Are Born Under Rules of the Darkness” Out May 2026

April 14, 2026
by Asher
· Music News · Torchia

NEWS RELEASE

Montreal, QC – April 14, 2026

Descend Into The Infernal Chaos of TORCHIA’s New Music Video “Hellmouth”

New Album “They Are Born Under Rules of the Darkness” Out May 2026

Following the ominous tension of their single “Nekromanteion”, Finnish extreme metal force Torchia unveils the official music video for their next single, “Hellmouth,” from their forthcoming album “They Are Born Under Rules of the Darkness,” due out on May 8th, 2026, from Rockshots Records.

Produced by Janne Saksa and mastered by Dan Swanö, the track strikes with surgical precision and unrelenting force, driving Torchia’s sound into even darker, more extreme territory without sacrificing its unmistakable melodic core. “Hellmouth” signals a pivotal turn in the album’s narrative and sonic arc, throwing open the gates to its infernal center with a sharper, more immediate, and hard‑hitting assault.

Musically, “Hellmouth” captures the band at their most dynamic. The verses lean into tight, groove-driven riffing with a raw, almost physical immediacy. At the same time, the chorus expands into a triumphant melodic surge, revealing a strong connection to classic heavy and power metal traditions. For the first time, Villemorte introduces a clean vocal hook, adding a new dimension to Torchia’s sonic identity while retaining its full force.

Lyrically, the track initiates a three-part descent into Hell. A fallen angel renounces its divine nature, tearing away its wings to step beyond the threshold of damnation. The Hellmouth stands as both a passage and a point of no return, setting the tone for the album’s unfolding journey through the underworld.

Positioned as the second track, “Hellmouth” stands as a defining moment within the record, bridging atmosphere and impact while reinforcing the band’s ability to merge memorable songwriting with controlled aggression and darker textures.

Enter Torchia‘s “Hellmouth” with the official music video at https://www.youtube.com/watch?v=ic32kbmMlQg

Spotify – https://lnk.to/HvB0FN

Hailing from Tampere, Finland, Torchia has carved a distinctive identity rooted in thrash-infused melodic death metal, progressively enriched with darker tonal layers, orchestral arrangements, and a strong narrative backbone. Across their work, the band has shaped a cursed fictional realm inhabited by old gods, forbidden rituals, and supernatural forces, now fully realized within the gothic horror framework of “They Are Born Under Rules of the Darkness“.

With “They Are Born Under Rules of the Darkness“, Torchia consolidate their artistic direction, expanding their sound toward a more shadowed and blackened dimension while preserving the melodic and guitar-driven foundations that define their identity.

Recommended for fans of Behemoth, Cradle of Filth, and Children of Bodom, Torchia’s new album “They Are Born Under Rules of the Darkness” will be available on May 8th, 2026, from Rockshots Records.

CD PRE ORDER “They Are Born Under Rules of the Darkness” – https://rockshots.eu/products/torchia-they-are-born-under-rules-of-the-darkness-cd

Vinyl PRE ORDER “They Are Born Under Rules of the Darkness” – https://rockshots.eu/products/torchia-they-are-born-under-rules-of-the-darkness-lp

Previous Singles:

Stygian Waters – https://www.youtube.com/watch?v=PYW-oQpl7Yo

Nekromanteion – https://www.youtube.com/watch?v=QRl4RQ9kgwU

Track Listing:
1. Nekromanteion – 4:23
2. Hellmouth – 4:08
3. Into Hell – 3:38
4. Hellstorm – 3:55
5. Die Amour – 4:12
6. The Tiamat Machine – 5:39
7. Black Cat – 3:19
8. Stygian Waters – 4:05
9. Sanguine Masquerade – 4:46
Album Length: 38:05

Torchia Line-Up:
Nox: Vocals
Villemorte: Lead guitar, Vocals
Henri von Hardy: Guitar
Vulkan: Bass Guitar, Backing Vocals
Vincent Oscar Mill: Drums

More info:

https://www.rockshots.eu/

https://www.instagram.com/curseoftorchia/

https://www.facebook.com/TorchiaOfficial/

About: Formed in Tampere, Finland, Torchia has steadily carved out a distinctive identity within the extreme metal scene by blending thrash-infused melodic death metal with dark fantasy, gothic horror, and cinematic atmospheres. Since their early years, the band has continuously evolved both musically and conceptually, expanding a cursed narrative universe populated by ancient gods, occult practices, and grim mythological visions.

With each release, Torchia has pushed further into darker and more theatrical territory. While their core remains firmly rooted in guitar-driven extreme metal, their sound has grown increasingly cinematic and blackened, incorporating dramatic arrangements and a heightened sense of atmosphere without sacrificing aggression or immediacy. Elements of classic heavy and power metal melody remain a key influence shaping their songwriting approach and reinforcing their dynamic, memorable structures.

Their fourth full-length album, “They Are Born Under Rules of the Darkness“, represents a defining chapter in the band’s artistic journey. Set against a bleak, 19th-century-inspired gothic backdrop, the album brings Torchia’s storytelling to life through vivid tales of horror, superstition, and doom, uniting narrative depth with relentless musical force.

Renowned for their intense and visceral live performances, Torchia have built a strong reputation as a formidable stage act. At the center of the spectacle stands masked frontman Nox, a commanding and symbolic figure who embodies the dark curse at the heart of the band’s identity, guiding audiences deep into Torchia’s shadowed world.

-30-

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0 Meshuggah’s Live Impact Sparked WITHOUT MERCY’s New Track “Glass” From Upcoming EP “Infinite Loss” Out May 2026

April 14, 2026
by Asher
· Music News · Without Mercy

NEWS RELEASE

Montreal, QC – April 14, 2026

Meshuggah’s Live Impact Sparked WITHOUT MERCY’s New Track “Glass” From Upcoming EP “Infinite Loss” Out May 2026

L-R – DJ Temple – Guitars, Alex Friis – Vocals, Ryan Loewen – Bass, Matt Helie – Drums

Photo Credit: Shimon Photo – www.shimonphoto.com

Canadian extreme groove metalers Without Mercy have released “Glass,” the second single and visualizer from their upcoming EP Infinite Loss, arriving May 8,th, 2026. “Glass” follows the EP’s first single and music video, “The Saint,” which marked a bold creative departure for the band and signaled a new era of intentional, high‑pressure songwriting.

“Glass” began with a single riff written after guitarist DJ Temple witnessed Meshuggah live, a moment that set the tone for the entire track.

“Glass hits hard because it was written with clarity, conviction, and momentum from the first note. That riff carried a physical weight that immediately set the tone and became the spine of the entire song. Everything else was built to serve it,” says Temple.

Musically, the track leans into interconnected riffs inspired by Meshuggah and Alluvial, filtered through Without Mercy’s own voice. The groove is physical and controlled, tightening inward as the song progresses before opening into a massive, final release. Lyrically, “Glass” explores themes of eyes, mirrors, souls, and translation, a reflection on perception and the distortion that occurs between what is seen and what is understood.

Listen to “Glass” via its premiere on Bravewords HERE.

“Infinite Loss” is Without Mercy‘s long-awaited return since releasing their breakout 2020 album “Seismic.” Created under the most immersive conditions the band has ever embraced. For the first time, Without Mercy left home to make a record, relocating across borders and living inside the process for ten days with no escape from the work. The result is a three‑song EP built not around singles, but around statements, each track chosen only after surviving intense scrutiny, revision, and honest confrontation.

Lyrically, the EP centers on the feeling of being hunted by modern pressures: economic strain, identity, time, and survival. There is no single antagonist. The threat shifts, but never disappears. Musically, the record mirrors that tension through weight, repetition, and restraint. Riffs sit long enough to suffocate. Rhythms feel deliberate and physical. The aggression is controlled rather than chaotic.

“There was no comfort, no distance, and no way to step away. This EP forced us to be present with each other and with the music in a way we had never experienced before. This record exists because we chose to be uncomfortable, to argue honestly, and to stay in the room until it felt right,” adds Temple.

The EP’s artwork was created in collaboration with longtime friend Diego Gedoz de Souza, who helped refine the visual direction after early concepts fell short. The final image, a desolate forest with a massive void carved into the earth, reflects the EP’s emotional core: inevitability, loss, and the pull toward something inescapable.

Formed in 2007, Without Mercy blends groove, extreme metal, and technical precision into a sound described as “heavy and insightful at the same time.” The band has shared stages with Cattle Decapitation, Aborted, and Death Angel, and has appeared as downloadable content in Rock Band 3, bridging gaming culture and heavy music.

Their discography includes “All Else Fails” (2007), “Without Mercy” (2009), “Reborn” (2014), rereleased as “Mouichido” (2016), and “Seismic” (2020). “Infinite Loss” marks their most focused and intentional work to date, a release built from collapse, rebuilt through discipline, and finished with absolute conviction.

Recommended for fans of Meshuggah, Alluvial, Decapitated, Fit For An Autopsy, and Gojira.

Due out on May 8th, 2026, EP “Infinite Loss” is available for pre-save at https://ffm.to/infiniteloss

Music Video – The Saint – https://www.youtube.com/watch?v=Le9wnFk5vzM

Track Listing:
1. Infinite Loss – (4:15)
2. The Saint – (3:39)
3. Glass – (3:16)
EP Length: 11:11

EP and Live Band Line Up:
Alex Friis – Vocals
DJ Temple – Guitars
Ryan Loewen – Bass
Matt Helie – Drums

More info:

https://www.withoutmercyband.com/

https://www.facebook.com/withoutmercyband

https://www.instagram.com/withoutmercyband

-30-

““The Saint” is somehow both maniacal and controlled. In its opening couple of minutes it seems to be a carefully calibrated convulsion, discharging its myriad sensations in quick stop-start bursts of seemingly off-kilter but tightly executed mayhem. Those sensations include sledgehammer rhythmic brutishness, shrill and spidery fretwork-delirium, and napalm-strength vocals. The grooves are there — grooves of differing kinds — but they quickly jackhammer listeners in the midst of harrowing howls, scorching screams, and a multitude of fleet-fingered but berserk and discordant string contortions. Moreover, at the 2:18 mark the song suddenly and dramatically changes — indeed, it’s difficult to overstate just how dramatic the change is. In place of all the frenetically bursting frequencies the lead guitar gently rings and seductively warps above gravel-toned bass-lines and steady beats, an interlude that brings hints of jazz fusion to mind. That’s just a quick breather before the song’s intensity blazes again, and yet the segue back into the finale of bludgeoning grooves and squirming guitars is a smooth and near-seamless one.” – No Clean Singing

“Without Mercy’s New Album Is A Whirlwind of Sonic Punishment” – The Pit (Seismic – 2020)

“Right from the start (Uprooted), Without Mercy set the bar high for their extremity, aiming for something far more chaotic. The opening is a mix between the pure grind-death akin to that of Cattle Decapitation, and the math metal sound of Protest the Hero.”- Metal Injection (Seismic – 2020)

“pay witness (I Break The Chain) to their thrashy death metal a la Cattle Decapitation, Meshuggah and Decapitated and watch as they adorn the blast beats and breakdowns with beer guts and brogues.” – Decibel Magazine (Seismic – 2020)

“…To put it simply: the band does an incredible job of blending their grooves with their growls. Between segments of death, doom, and shreddy guitar solos that absolutely slay, there are moments of satisfying melodic breakdowns, and cutting riffs to die for… Seismic is full of lyrics that hold true and poignant meaning while using powerful imagery to evoke epic scenes of turbulent life and painful decay in the minds eye… ground-shaking album. 4/5” – Metal-Rules (Seismic – 2020)

“Overall, two elements really struck me here…one was the level of intensity, and the other the level of musicianship from the band. How they can remain unsigned is a mystery to me. They play with such a tight synergy that it’s almost like they can finish each other’s sentences before they even open their mouth.” – Metal Temple (Seismic – 2020)

“While the heavy metal name generator might have had something to do with what this meaty metal unit called themselves, you can’t say it doesn’t fit. Without Mercy are pretty damn *ahem* merciless and to cap that off, their new album is so aptly titled. Seismic…a relentless powerhouse that is akin to tectonic plates smashing into each other. There is no fucking mercy and it’s fucking glorious. Excuse the swearing but that’s how this album makes you feel. It makes you feel like a beast. It makes you feel capable of taking on the world. It’s chunky, it’s thick, it’s chokingly devastating and undoubtedly one to be remembered.” – Games, Brrraaains & A Head-Banging Life (Seismic – 2020)

“The thrash-stomp modes on “Worthless” ring like a head-on collision between DECAPITATED and BIOHAZARD with a dash of power metal thrown into the solo section. Alex Friis wrings his throat to huge extremes, hopefully leaving tissue intact as he hits agonizing squeals while throwing indictments against former band members — guess on your own who that might entail. DJ Temple’s guitar work on “Worthless” is terrific..” (Mouchido EP 2016) – Blabbermouth

“Vancouver’s Without Mercy is a prime example of how putting in a little bit of elbow grease can result in advantageous outcomes. The quartet play their brand of melodic, groove-laden death metal independently, but refuse to remain held back by a lack in the promotional and money machine backing departments. Over the course of a decade or so, the band has experienced the same highs and lows as most others, but their successes – which include a small handful of recordings, a bigger handful of tours, and appearances in video games – have been felt at a deeper clip because they’ve essentially managed everything themselves.” (Mouchido EP 2016) – Decibel Magazine

“In a word, the music rips. And it also thunders, and punches so fast and hard that it’s like a jackhammer-sized nail gun ramming bolts into concrete at high speed while the operator howls and shrieks for all he’s worth, segmented by a start-stop breakdown that will give your skull a good rattling and lit up by swarming guitar flurries that are as fiery as the torches in the video (Burn).” (Mouchido EP 2016) – No Clean Singing

—
ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780
jon[@]ashermediarelations[.]com
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0 Thank You Canadian MDs and DJs for the airplay love! \m/\m/ For the Week Ending: Tuesday, April 7, 2026 | CJLO 1690 AM – Montreal Loud – #8 Thunderor, #10 Sons of Butcher | CFBX 92.5FM – Kamloops Loud – #8 Cepheidae Variable | CIVL 101.7 FM – Abbotsford Loud – #8 Juliet Ruin, #9 Phaeton | CICK 93.9 – Smithers Top 30 – #20 Unpunished

April 10, 2026
by Asher
· Cepheidae Variable · Juliet Ruin · Phaeton · radio charts · Sons of Butcher · Thunderor · Unpunished

Thank You Canadian MDs and DJs for the airplay love! \m/\m/
For the Week Ending: Tuesday, April 7, 2026
CJLO 1690 AM – Montreal
Loud – #8 Thunderor, #10 Sons of Butcher
https://earshot-online.com/charts/cjlo.cfm?intChartTypeID=6&dWeekOfID=2026-04-07
======================
CFBX 92.5FM – Kamloops
Loud – #8 Cepheidae Variable
https://earshot-online.com/charts/cfbx.cfm?intChartTypeID=6&dWeekOfID=2026-04-07
======================
CIVL 101.7 FM – Abbotsford
Loud – #8 Juliet Ruin, #9 Phaeton
https://earshot-online.com/charts/civl.cfm?intChartTypeID=6&dWeekOfID=2026-04-07
======================
CICK 93.9 – Smithers
Top 30 – #20 Unpunished
https://earshot-online.com/charts/cick.cfm?dWeekOfID=2026-04-07

0 TONIC BREED Drops Epic New Single “Close In” Ft. Guest Drums From Charlie Engen (Five Finger Death Punch)

April 10, 2026
by Asher
· Music News · Tonic Breed

NEWS RELEASE

Montreal, QC – April 10, 2026

TONIC BREED Drops Epic New Single “Close In” Ft. Guest Drums From Charlie Engen (Five Finger Death Punch)

(Patrik K. Svendsen – Photo Credit – Marius Viken)

Norwegian metal project Tonic Breed, led by founder Patrik K. Svendsen, has unleashed the new 2026 single “Close In”, a powerful, emotionally charged track featuring guest drums by Charlie Engen, known for his work with Five Finger Death Punch, Scale the Summit, and Ideology.

The single follows last year’s collaboration “Anew,” which featured legendary drummer Chris Adler (Firstborne, ex‑Lamb of God, ex‑Megadeth), continuing Tonic Breed’s ongoing evolution through high‑profile guest musicians and bold stylistic shifts.

Originally formed in 2006 as a four‑piece thrash and heavy metal band from Sarpsborg, Norway, Tonic Breed transitioned into a one‑man project in 2019. Since then, Svendsen has pushed the project into new creative territory, collaborating with world‑renowned musicians including Chris Adler, Dirk Verbeuren (Megadeth), Björn Strid (Soilwork), and Michael Gilbert (Flotsam and Jetsam).

With “Close In,” Tonic Breed continues this trajectory, this time exploring a more melodic, atmospheric, and emotionally layered sound.

“Close In” dates back to its original writing more than two decades ago and was revisited many times over the years, but never fully came together until now.

“This is definitely the track that’s taken the longest to finish. It’s been sitting with me for years, and it wasn’t until the right people got involved that it finally came together the way it was supposed to,” says Svendsen

Co‑producer Adrian Bjerketvedt helped shape the final structure, while Engen’s drum performance added nuance and dynamic movement. Composer Ben Zimmermann contributed orchestration. Some piano arrangements even transformed early guitar‑based ideas into emotional layers that complete the song’s atmosphere.

While still rooted in the project’s heavy foundation, “Close In” marks a shift toward melody, space, and emotional depth. It’s a semi‑ballad with clean passages, heavier sections, and dynamic contrasts. The song incorporates harmonies, choirs, and orchestration, rich layering, and atmospheric textures, a first for Tonic Breed.

Svendsen anticipates that “Close In” may surprise listeners.

“It still has weight and intensity, but it leans more into melody and atmosphere than what I’ve done before. Some will probably not expect it, but it still feels like a natural step for me.”

Lyrically, the song explores the long‑term weight of loss, how losing someone close can reshape a person over time, and the struggle to find oneself again while learning to live with that emotional burden.

“It comes from a pretty heavy place. It’s about losing people close to you and carrying that weight with you,” adds Svendsen.

Recommended for fans of Soilwork, Evergrey, Alter Bridge, and Trivium, listen to “Close in” at the following links:

Add to your Spotify playlist – https://open.spotify.com/album/2l8pHhSRdhWfmJbrHQ5r8z?si=lc3Rf9hnShWzcZRR7_SB4Q

Lyric Video – https://www.youtube.com/watch?v=9-S1fQgYR0A

For more info:
https://tonicbreed.com
https://facebook.com/tonicbreed
https://instagram.com/tonicbreed

About Tonic Breed:
Tonic Breed is a Norwegian thrash and heavy metal one-man music project by Patrik K. Svendsen. Until 2019, Tonic Breed was originally a four-piece band, established in Sarpsborg, Norway, in 2006. Today, Tonic Breed is constantly reinventing itself in songwriting and guest collaborations, which already include Chris Adler (Lamb of God), Dirk Verbeuren (Megadeth), Björn Strid (Soilwork), and Michael Gilbert (Flotsam and Jetsam).

Tonic Breed Discography:
– 2026 – Close In (single) (ft. guest drums Charlie Engen (Five Finger Death Punch, Scale The Summit, Idealogy)
– 2025 – Anew (single) (ft. guest drums Chris Adler (Lamb of God)
– 2025 – The Die Is Cast (single) (ft. guest guitar solo Michael Gilbert (Flotsam and Jetsam)
– 2025 – The Charge (single w/ Darkroot)
– 2024 – Outsold – LP – 10th Anniversary Edition
– 2022 – Fuel the Fire – EP (ft. guests Dirk Verbeuren (Megadeth), Bernt Jansen (Artch/Wig Wam), Björn Strid (Soilwork), Martin Skriubakken (Endezzma), Oliver Palotai (Kamelot)
– 2018 – Install Memory – LP
– 2014 – Outsold – LP
– 2008-2012 – Various demos

– 30 –

“This is a collection of songs you need to hear, so what are you waiting for? [8/10]” – Metal Noise (2022 – Fuel The Fire)

“The guest musicians really came together on this EP, it’s real luxury material. In short, it is a great return of Patrick as he has been throughout his career with Tonic Breed. If you are fans of Metallica, Testament, Pantera or Slayer, listening to «Fuel the Fire» it is essential this year. Without a doubt I will follow the career of this One Man Band with great interest.” – Broken Tomb (2022 – Fuel The Fire)

“Tonic Breed show that the embers have not gone out and this EP gives them a good old poking, tossing them around and letting the heat build-up. ” – Metal Digest (2022 – Fuel The Fire)

“Tonic Breed reinforces my growing belief that music, and particularly metal, can one day survive and even thrive without need of the corporate machine.” – Metal Disciple (2014 – Outsold – LP)

“For an unsigned act Outsold has one of the best productions I have heard in a long time. Simply put it’s a fantastic album.” – Teeth of the Divine (2014 – Outsold – LP)

“TONIC BREED could easily advance up the ranks thanks to this impressive release.” – Metal Temple (2014 – Outsold – LP)

“10/10. Album of the year 2014.” – The Metal Review (2014 – Outsold – LP)

“For an unsigned act Outsold has one of the best productions I have heard in a long time. Simply put it’s a fantastic album.” – Teeth of the Divine (2014 – Outsold – LP)

—

ASHER MEDIA RELATIONS

Jon Asher – Music Publicist
#.514.581.5780
jon[@]ashermediarelations[.]com
Facebook @AsherMediaRelations
Instagram @AsherMedia
Tweet @AsherMedia

0 EPK – Tonic Breed – Close In ft. Guest Drums Charlie Engen (Five Finger Death Punch)

April 10, 2026
by Asher
· EPKs · Tonic Breed

EPK – Tonic Breed – Close In ft. Guest Drums Charlie Engen (Five Finger Death Punch)

Publicist – Jon Asher – jon[@]ashermediarelations[.]com

“This is probably the track that’s taken the longest to finish. It’s been sitting with me for years, and it wasn’t until the right people got involved that it finally came together the way it was supposed to.” – Patrik Svendensen – Tonic Breed

Tonicbreed.com | Facebook.com/tonicbreed | YouTube | Instagram.com/tonicbreed

Spotify | Apple Music

Tonic Breed is a Norwegian thrash and heavy metal one-man music project by Patrik K. Svendsen. Until 2019, Tonic Breed was originally a four-piece band, established in Sarpsborg, Norway, in 2006. As of 2022, Tonic Breed has released three albums and one EP. Today, Tonic Breed is constantly reinventing itself in songwriting and guest collaborations, which already include Chris Adler (Lamb of God), Dirk Verbeuren (Megadeth), Björn Strid (Soilwork), and Michael Gilbert (Flotsam and Jetsam).

Discography:
– 2026 – Close In (single) (ft. guest drums Charlie Engen (Five Finger Death Punch, Scale The Summit, Idealogy)
– 2025 – Anew (single) (ft. guest drums Chris Adler (Lamb of God)
– 2025 – The Die Is Cast (single) (ft. guest guitar solo Michael Gilbert (Flotsam and Jetsam)
– 2025 – The Charge (single w/ Darkroot)
– 2024 – Outsold – LP – 10th Anniversary Edition
– 2022 – Fuel the Fire – EP (ft. guests Dirk Verbeuren (Megadeth), Bernt Jansen (Artch/Wig Wam), Björn Strid (Soilwork), Martin Skriubakken (Endezzma), Oliver Palotai (Kamelot)
– 2018 – Install Memory – LP
– 2014 – Outsold – LP
– 2010 – On the Brink of Destruction

[Download Single Cover | Download Single Lyrics]

Band: Tonic Breed ft. guest drums Charlie Engen (Five Finger Death Punch)
Single Title: Close in
Single Length: 05:45
Release Date: April 10, 2026
Label: Self-Release
Distribution: Stream
Genre: Heavy Metal
Location of Band: Norway

Single Recording Credits:
• All songs performed by: Tonic Breed
• All songs written by: Patrik K. Svendsen
• Produced by: Patrik K. Svendsen, Adrian Bjerketvedt
• Mixed by: Adrian Bjerketvedt, Patrik K. Svendsen,
• Mastered by: Steve Kitch
• Single Artwork by: Patrik K. Svendsen

Single Band Line Up:
Patrik K. Svendsen – Vocals, Guitar
Charlie Engen – Drums
Adrian Bjerketvedt – Guitar, Bass
Ben Zimmermann – Orchestra

==========================================

About The Single Artwork:

An obvious inspiration here, to the point we almost can call it a tribute, but with a twist. I wanted to reshape it into something that reflects the themes of the song, almost like a visual interpretation of the weight and atmosphere in the music.

About the single as a whole (LYRICALLY & MUSICALLY):

Musically, it’s a semi-ballad with a lot of layers. There are clean parts, heavier sections, harmonies, choirs, and orchestration. It’s by far the most dynamic thing I’ve done in music.

Lyrically, it deals with loss and what that does to you over time. Not just the moment, but the long-term weight of it.

==========================================

TOP STORY ANGLES / FUN FACTS:

1. Parts of the song were written over 20 years ago

2. Features Charlie Engen (Five Finger Death Punch) on drums

3. One of the first Tonic Breed tracks to explore harmonies, choirs, and a more ballad-driven structure

============================================

What the press has said:

“This is a collection of songs you need to hear, so what are you waiting for? [8/10]” – Metal Noise (2022 – Fuel The Fire)

“Tonic Breed show that the embers have not gone out and this EP gives them a good old poking, tossing them around and letting the heat build-up. ” – Metal Digest (2022 – Fuel The Fire)

“Tonic Breed reinforces my growing belief that music, and particularly metal, can one day survive and even thrive without need of the corporate machine.” – Metal Disciple (2014 – Outsold – LP)

“For an unsigned act Outsold has one of the best productions I have heard in a long time. Simply put it’s a fantastic album.” – Teeth of the Divine (2014 – Outsold – LP)

“TONIC BREED could easily advance up the ranks thanks to this impressive release.” – Metal Temple (2014 – Outsold – LP)

“10/10. Album of the year 2014.” – The Metal Review (2014 – Outsold – LP)

“For an unsigned act Outsold has one of the best productions I have heard in a long time. Simply put it’s a fantastic album.” – Teeth of the Divine (2014 – Outsold – LP)

0 Feel The Destructive Onslaught of Pompeii’s End w/ ASHEN HORDE’s New Single “Voids in the Ash” From Upcoming Album “The Harvest” Out May 2026

April 9, 2026
by Asher
· ASHEN HORDE · Music News

NEWS RELEASE

Montreal, QC – April 9, 2026

Feel The Destructive Onslaught of Pompeii’s End w/ ASHEN HORDE’s New Single “Voids in the Ash” From Upcoming Album “The Harvest” Out May 2026

Photos by @still.squill (Trevor); Photo Dun Right (Karl); unknown (Robin)

Extreme metal shapeshifters Ashen Horde will release their highly anticipated fifth full‑length album, “The Harvest,” on May 1st, 2026. Following the unveiling of the first single and video, “Entropy and Ecstasy,” the band now returns with the album’s second single, “Voids in the Ash,” a haunting and dynamic track inspired by the final days of Pompeii.

“The Harvest” (mixed by Ricardo Borges and mastered by Tony Lindgren at Fascination Street Studios) marks a new era for Ashen Horde, one defined by expanded vocal range, sharpened contrasts, and a thematic focus on endings. While not a concept album, the record threads together stories of collapse, decay, and transformation, each approached from a different angle. It is also the band’s first full‑length to feature vocalist Karl Chamberlain (Autolatry, Skala, Alcyone), whose performance pushes the group into its most melodic and emotionally varied territory yet.

Originally founded as a solo project by guitarist and primary songwriter Trevor Portz, Ashen Horde has evolved into a full lineup featuring vocalist Karl Chamberlain and Australian-based drummer Robin Stone (The Amenta, Convulsing). Ashen Horde has long been known for its refusal to be confined to a single extreme‑metal subgenre. “The Harvest” continues that tradition, weaving together black metal, death metal, progressive elements, and even shades of 90s alternative.

The album’s first single, “Entropy and Ecstasy,” introduced listeners to this expanded palette. The track, described by Portz as “Voivod‑with‑blastbeats energy,” follows a couple who find exhilaration in the chaos of a collapsing world. The song also served as Chamberlain’s “audition,” with his chilling delivery of the line “how can we thrive if we expect to survive?” immediately cementing him as the band’s new voice.

The newly released second single, “Voids in the Ash,” shifts into darker, moodier territory. Musically, the track blends grunge‑inspired vocal harmonies with sudden bursts of black‑metal ferocity. Lyrically, Chamberlain tells the story of Pompeii from the perspective of both its doomed inhabitants and the gods who buried them.

“It was the last song I recorded vocals for, and it became one of the most special to me,” adds Chamberlain.

Watch and listen to the video for “Voids in the Ash” via its premiere on Decibel Magazine HERE.

While each song on “The Harvest” stands alone, all share a connection to the record’s overarching theme of endings. “Autumnal” is inspired by the Sensorio light installation in Paso Robles; the track explores Pagan harvest‑season rituals and builds from quiet ambience into full black‑metal intensity. “Entropy and Ecstasy” is a chaotic, melodic exploration of passion amid catastrophe, influenced by Voivod and early pandemic anxieties. “Backward Momentum” is a genre‑bending blend of Opeth‑style clean vocals, unconventional riffs, and 90s‑inspired rock breaks, paired with lyrics condemning society’s slide into superstition and conspiracy. “Remnant” is a tale of a hunter lost in a storm, taken in by a stranger, only for nature to claim them both. “A Place in the Rot” is inspired by Swamp Thing; the track meditates on mortality and the inevitability of returning to the soil. “The Apparition”, the heaviest track on the album, is told from the perspective of a ghost condemned to watch humanity’s cruelty without the power to intervene. The album closer and title track, “The Harvest,” imagines a hidden entity judging humanity’s self‑destruction, waiting to emerge and devour everything once hope is gone.

For over 10 years, Ashen Horde has crafted extreme metal that defies easy categorization. Rooted in black and death metal but unafraid to incorporate progressive, melodic, and alternative influences, the band appeals to fans of Opeth, Enslaved, Amorphis, Ihsahn, and other genre‑bending heavyweights.

Album pre-order (release date May 1, 2026) available on limited splatter vinyl and CD (along with t-shirt bundles) on Bandcamp, as well as everywhere digitally – https://ashenhorde.bandcamp.com/album/the-harvest

Music Video – Ecstasy and Entropy – https://www.youtube.com/watch?v=zud62AXzvsw

Tour Dates:
May 14 – Montclair, NJ – The Meatlocker
May 15 – Wallingford, CT – Cherry Street Station
May 16 – Brattleboro, VT – Midnight’s

Track Listing:
1. Autumnal (6:12)
2. Entropy and Ecstasy (5:47)
3. Backward Momentum (5:21)
4. Voids in the Ash (5:41)
5. Remnant (4:37)
6. A Place in the Rot (4:38)
7. Apparition (4:57)
8. The Harvest (5:46)
Album Length: 43:03

Credits:
Mixed by Ricardo Borges and mastered by Tony Lindgren at Fascination Street Studios
Artwork by Venus Kohana (venuskohana.com)

Lineup:
Trevor Portz: Guitar, Bass, Harmony Vocals
Karl Chamberlain: Vocals
Robin Stone: Drums

More Info:

https://www.facebook.com/AshenHorde/

https://www.instagram.com/ashenhorde

-30-

“The harvest is coming! The new Ashen Horde album is a multi-faceted journey into every nook and cranny of extreme metal. “The Harvest” is challenging and quirky, but unlike a lot of other progressive/experimental releases, it never loses track of the key ingredient in music – good songwriting. All tracks are well-crafted and interesting in their own right, and the skillful instrumental performances are more like the icing on the cake and not the main focus. Highly recommended!” – Nik Sundin (Dark Tranquillity)

“The song (Entropy and Ectasy) captures this dichotomy of collapse and exhilaration — of entropy and ecstasy — through a fast-spinning (and head-spinning) kaleidoscope of sound. The moods of the music change along the way, but even the relatively slower and more desolate passages include inventive and intriguing nuances. Karl Chamberlain’s remarkably multi-faceted voice is a perfect match for the remarkably multi-faceted nature of the music. He expels brutal death metal gutturals and ripping black metal screams, but he also sends his singing voice in ravishing upward arcs that are spine-tingling to hear, and down into gloomy troughs. As for the surrounding music, it’s intricate and exhilarating, especially when the band are in full flight, discharging rapidly darting and maniacally swirling notes, incendiary bursts of tremolo’d delirium, or riffing that feverishly slashes with vicious, serrated edges. In less frantic phases, the music dismally groans and throbs, creating a pall of desolation, even when Chamberlain’s voice might be reaching for the clouds. The fretwork also includes angular progressions that generate moods of disorientation and fearfulness, and the song further includes an astonishing guitar solo that all by itself seems to capture the song’s thematic dichotomy of collapse and jubilation. Perhaps needless to say, Robin Stone’s drumming is as constantly changing as everything else, and surgically crafted to match all the other head-spinning, pulse-pounding, and heart-sinking twists in this shapeshifter of a song.” – No Clean Singing

“Antimony; 3/5 rating; “the sound Ashen Horde has developed over three albums is pretty much theirs alone. It’s a dense but accessible approach that rewards both casual listens and sustained attention.” – Angry Metal Guy (2023 – Antimony)

“Equal parts blackened madness, death metal riffing, and clean vocals, “The Neophyte” should get just about anyone stoked for Antimony.” – Metal Injection (2023 – Antimony)

“an amazing odyssey all around and the amount of remarkable coherency as well as the instrumentation work and musicianship is just top notch.” – Metal Purgatory (2023 – Antimony)

“Progression like what Ashen Horde has undergone over the years is what the best tales in the underground are made out of.” – Head-Banger Reviews (2023 – Antimony)

“Fallen Cathedrals; 4.0 rating; “I can’t recommend this enough for fans of black and death metals being combined in unique ways.” – Angry Metal Guy (2019 – Fallen Cathedrals)

—
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0 Protected: EPK – Eminence – Silent March (single) (2026)

April 8, 2026
by Asher
· Eminence · EPKs

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0 TOUR REMINDER – MATT MILLER Kicks-Off “3 Shredders Tour” w/ RENE BENTON, MANUEL & Special Guest BIKO WRIGHT

April 7, 2026
by Asher
· Matt Miller · Music News

NEWS RELEASE

Montreal, QC – April 7, 2026

MATT MILLER Kicks-Off “3 Shredders Tour”

w/ RENE BENTON, MANUEL & Special Guest BIKO WRIGHT (History Channel’s Alone, Discovery’s Expedition Bigfoot)

New Album “Fiber Momentum” Out Now! via Exitus Stratagem Records

L-R – Justice Robinett (Bass), Jordan Kelso (Drums, Synth), Matt Miller (Guitars, Synth), Biko Wright (Vocals)

Photo Credit – Lilly May Everett

Matt Miller, tech‑death guitarist, composer, and relentless riff machine, is kicking off the 3 Shredders Tour, a lead‑guitar showcase uniting shred titan Rene Benton and explosive guitar virtuoso Manuel. Think the spirit of the G3 Tour, but cranked into the extreme‑metal realm: faster, heavier, and unapologetically intense.

The tour brings together three boundary‑pushing players at the forefront of modern metal. Joining Rene Benton on select dates is legendary bassist Kelly Conlon, known for his work on Death’s iconic “Symbolic” album and the tours that followed. His involvement injects a rare dose of metal history into an already stacked lineup.

Adding even more star power, audiences will have the chance to meet Biko Wright, Matt Miller’s vocalist and a fan‑favorite survivalist from History Channel’s Alone and Discovery’s Expedition Bigfoot. His crossover appeal continues to draw both metal fans and viewers of his television work.

“We are stoked to be hitting the road this April with Manuel and Rene Benton, it’s going to be a shred guitar extravaganza! Also, get the chance to meet survival expert Biko Wright from the TV shows Alone and Expedition Bigfoot,” adds Miller.

With three world‑class musicians on one bill, the 3 Shredders Tour promises nights of blistering solos, technical mastery, and genre‑bending creativity.

The 3 Shredders Tour w/ Matt Miller, Rene Benton, Manuel, Biko Wright
April 10 – Reno’s Chop Shop – Dallas, TX
April 11 – Hi-Tone – Memphis, TN
April 12 – SK8 Bar – Kansas City, MO
April 13 – Reggie’s Music Joint – Chicago, IL
April 15 – Driftwood Charbar – Minneapolis, MN
April 16 – Boheme – Sheboygan, WI
April 17 – Alley Cat – Iowa City, IA
April 18 – Gray’s Keg – Lincoln, NE
April 19 – Rockwell Event Center – Amarillo, TX

Matt Miller’s September 2025 release, “Fiber Tormentum” on Exitus Stratagem Records, marks a major creative shift, evolving from an instrumental concept into a full band effort with vocalist Biko Wright, drummer Jordan Kelso, and bassist Justice Robinett.

“I knew it needed vocals and the input of other people to make it come to life,” says Miller.

The album blends technical death metal, power metal, and progressive elements into his heaviest and most melodic work yet, built around a loose sci‑fi concept of an alien species rewriting human DNA, an idea shaped by post‑COVID anxieties.

The late Joshua Nassaru Ward (Voraath) created the album’s striking artwork, depicting the agony of forced transformation, echoing the record’s themes of tension and invasion. Miller’s journey to this point includes launching his solo project in 2020, touring with Rings of Saturn and Possessed, and assembling a lineup with diverse musical backgrounds. Recording the album came with memorable moments from Wright tracking vocals between filming Expedition Bigfoot to the band getting banned from music stores for sampling high‑end instruments. Hidden somewhere on the record is Wright’s triumphant “One Take Willy” shout.

From his early 2017 EP to 2022’s “Monument of Velocity,” Miller has steadily pushed extreme music forward.

Recommended for fans of Necrophagist, Symphony X, Wintersun, The Faceless, and Death, “Fiber Momentum” (released Sept 12th) is available on all major platforms through Exitus Stratagem Records.

Digital – https://hypeddit.com/mattmiller/fibertormentum

CD – https://www.exsrmusic.com/store/p/wnn3m10s6beq0pbmnot0e17ghvj629

Music Video – Effecively Neutralized – https://www.youtube.com/watch?v=hJDoR9JL9b8

Band Playthrough – Summoned – https://www.youtube.com/watch?v=5FJxxg_dd2k

Playthrough – Abiotic Origin – https://www.youtube.com/watch?v=AXXx2EN21OQ

Track Listing:
1. Descent into Violence (5:04)
2. Summoned (3:33)
3. Effectively Neutralized (4:53)
4. Blight and Disfigurement (3:23)
5. Maimed Paralyzed Dead (3:12)
6. Horror Beyond Comprehension (3:15)
7. Fiber Tormentum (Instrumental) (3:31)
8. Abiotic Origin (3:14)
Album Length: 30:08

Album Lineup:
Matt Miller (Guitars, Synth)
Jordan Kelso (Drums, Synth)
Justice Robinett (Bass)
Biko Wright (Vocals)

For more info:

https://www.exsrmusic.com/

https://mattmillerhhakmusi.wixsite.com/mattm

https://www.facebook.com/matt.miller.96995238/

https://www.instagram.com/mattmiller630/

– 30 –

“All in all, it’s a fascinating song (Effectively Neutralized) — head-spinning and heart-palpitating but also a heavy-hitter and a conjurer of strange, sinister, and haunting visions. In other words, in the space of just five minutes it pulls off a lot of impressive feats. And the well-filmed and well-edited video for it is a perfect complement, in that it shows us how all these talented performers executed all the impressive accomplishments.” – NoCleanSinging

“Hell yeah. Holy moly canoli. Fiverr to Fiber Momentum, and that was the album. This song is Descent into Violence. Holy moly canoli, dude. Go support, Matt Miller. That was absolutely badass. Total shredding.” – Omar Rodriguez – The Metal Mixtape – YouTube Channel

“The songs on “Fiber Tormentum” are rather good, and make for very interesting listening sessions.” – Metal Temple

“”Fiber Tormentum” is a real killer and so refreshingly creative that you can’t help but toast this previously unknown genius in awe! Cheers! 9/10″ – PowerMetal.de

“Soaring, crushing, ferocious, emotive, and relentless, are words that strongly describe Decrepit Shed. The album has a lot to offer from various metal sub-genres and encompasses the best elements of technical guitar playing while still having well-written songs”. – Brave Words

“Monument of Velocity” initially had a different title and was not going to be a Matt Miller release and some of the songs were written with vocals in mind and were not going to be instrumental, however, it turned out to be the sixth of seven powerful albums in his discography. contains eight tracks full of technical and progressive metal eliciting feelings of suspense, and tension while being fun, melodic and brutally heavy. Miller’s melodic and relentless music has a wide range of influences and is recommended for fans of Jeff Loomis, Necrophagist, and Obscura.” – Rock’n’ Load

“Even though Miller’s music is instrumental, he likes to think of the guitar as a voice. Which in turn makes him ask what is the guitar saying? He is able to easily convey emotion, tone, and a story even without the use of vocals. Throughout his releases, his music has developed a more modern sound in both the music and the production. Musically the songs are more well written and a lot of the ideas he writes are being accurately represented. He is always trying to push himself as a musician and this is reflected in his discography. Influenced primarily by technical and progressive death metal with a dash of power metal and symphonic metal as well, Matt Miller’s music is recommended for fans of Obscura, Dragon Force, and Racer X” – Metal Sucks

“Mr. Miller can shred like his fingers are on fire” – Ever-Metal.com

“Matt shreds all over this album with guitar solos galore”. – Transcending the Mundane

“Soaring, crushing, ferocious, and emotive, Miller conveys a wide range of tones throughout his instrumental music. It is recommended for fans of Dragon Force, Racer X, and Jeff Loomis” – Metal-Rules

“For guitar enthusiasts, I guess it is a feast for the eyes and ears.” – Antichrist Magazine

—
ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
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0 EPK – NOX – Night Terror (single) (2026)

April 6, 2026
by Asher
· Music News · NOX

EPK – NOX – Night Terror (single) (2026)

Publicist Jon Asher – jon[@]ashermediarelations[.]com

Band: NOX
Single Title: Night Terror – 3:45
Release Date: April 15th, 2026
Label: Self-Release
Distribution: N/A
Genre: Goth Metal
Location of Band: Ottawa, Canada

“NOX is a dark creative force rooted in heavy music, cinematic tension, and immersive atmosphere. Influenced by metal, horror, sci-fi, and shadowy visual storytelling, the project exists to create music that feels larger than just sound alone. NOX is about building a world, one filled with power, fear, transformation, and emotional weight, where every song feels like an entry point into something deeper and more unsettling.

“Night Terror” is a strong reflection of that vision. The track is dark, intense, and deeply atmospheric, built around the feeling of being hunted by something both psychological and real. It leans into fear, paralysis, and the loss of control, turning those emotions into a heavy and immersive listening experience.”

Facebook.com/profile.php?id=61576513716832 | Instagram.com/the.only.nox | Youtube.com/@The.Only.Nox.Official | Spotify

[Download Single Cover | Download Single Lyrics]

Band: NOX
Single Title: Night Terror – 3:45
Release Date: April 15th, 2026
Label: Self-Release
Distribution: N/A
Genre: Goth Metal
Location of Band: Ottawa, Canada

Single Recording Credits:
• All songs performed by: NOX
• All songs written by: NOX
• Produced by: Dark Moon Productions
• Mixed by: Joe Lyko of Dark Moon Productions
• Mastered by: Joe Lyko of Dark Moon Productions
• Album Artwork by: Joe Lyko of Dark Moon Productions
• Canadian Content (MAPL)

Single Band Line Up:
Joe Lyko – All Instruments and Vocals

======================================================

About The Single Artwork:

The artwork is meant to reflect the same identity as the music — dark, striking, cinematic, and loaded with atmosphere. It leans into strong imagery, mystery, and tension rather than explaining everything outright. I want the artwork to feel like an entry point into the world of the release, something that immediately tells you this project lives in a darker and more immersive space.

About The Single:

======================================================

NOX is the dark creative project of Joe Moon, a cinematographer, visual creator, and storyteller driven by heavy atmosphere, bold imagery, and genre-blending worldbuilding. Working across film, music, design, and concept development, Joe builds immersive visuals and identities that live somewhere between horror, sci-fi, metal, and the surreal. NOX is an extension of that vision: a space for darker ideas, original characters, striking aesthetics, and unapologetically cinematic expression. Through NOX, Joe brings together his work in visual storytelling, production, and creative direction to create something visceral, mysterious, and unmistakably his own.

0 Preview the HYPERSPACE METALFEST 2026 Lineup with the Official Spotify Playlist ft. SANCTUARY, EDGE OF PARADISE, ATAVISTIA & More

April 6, 2026
by Asher
· Hyperspace Metal Festival · Music News

NEWS RELEASE

Montreal, QC – April 6, 2026

Preview the HYPERSPACE METALFEST 2026 Lineup with the Official Spotify Playlist

ft. SANCTUARY, EDGE OF PARADISE, ATAVISTIA, VOIDCHASER, OWLBEAR, ARTIFICIAL LANGUAGE, and more!

Vancouver – April 16-17 (The Cobalt), April 18 (Rickshaw Theatre)

With Vancouver, B.C.’s leading melodic and power metal festival, HYPERSPACE METALFEST, gearing up for its 7th edition, fans can now get an early taste of the 2026 lineup through the festival’s newly released Spotify preview playlist. Ahead of the three‑day event, set for April 16 and 17 at The Cobalt and April 18 at the Rickshaw Theatre, the playlist showcases this year’s full roster, featuring SANCTUARY, EDGE OF PARADISE, ATAVISTIA, VOIDCHASER, OWLBEAR, ARTIFICIAL LANGUAGE, and more.

Check out the HMF 2026 Lineup Spotify Playlist – https://open.spotify.com/playlist/29rcYoWLyYXPFyN7OKdPDB?si=7Kke2MVVSyS6v_Lxe5-KSg

“The full lineup for Hyperspace Metal Festival VII is here! Sanctuary will be performing a Canadian exclusive performance of Into The Mirror Black in its entirety! Atavistia will headline night 1, which will feature a heavy emphasis on melodic death metal. Night two headliner Edge of Paradise will cap off a night of epic symphonic and melodic power metal! After this year, the festival will be going on indefinite hiatus, so if you’ve been wanting to make it to Hyperspace, this could be your last chance. Let’s rage together at the Rickshaw and the Cobalt one last time!” adds festival organizer Joey Hockin of Journeyman Productions.

Check out Hockin‘s interview about this year’s festival lineup with Metal-Rules.com HERE.

“Lovers of Melody and Power Unite! Hyperspace Metalfest VII is Nigh!” – Decibel Magazine

Hyperspace Metal Festival VII – April 16th – 18th.
One-day passes and three-day passes are available at http://hyperspace-vii.eventbrite.ca/

Facebook Event – https://www.facebook.com/events/858534116963447

HYPERSPACE METAL FESTIVAL VII

Day One – April 16
Atavistia
Inpathos
Hyperstrike
Ravensun
Kayas

Day Two – April 17
Edge of Paradise
The Scepter
Lycanthro
Ophelia Falling
Valley of Despair

Day Three – April 18
Sanctuary – Performing Into The Mirror Black in its entirety
Owlbear – Canadian Debut
Artificial Language – Canadian Debut
Voidchaser
Witchkiller

About The Bands:

This year’s HMF headliner, Sanctuary, will make their exclusive Canadian appearance unforgettable by performing their acclaimed 1990 album Into the Mirror Black in full.

Formed in Seattle in 1985, Sanctuary quickly became a major force in the city’s metal scene, driven by the soaring vocals of the late Warrel Dane. Their debut, Refuge Denied (1988), produced by Dave Mustaine (Megadeth), put them on the global metal map, followed by the darker and more refined Into the Mirror Black in 1990. The rise of grunge paused the band’s momentum, leading members to form Nevermore, but Sanctuary reunited in 2011 and returned to major festival stages worldwide.

They released The Year the Sun Died in 2014 and the archival collection Inception in 2017. After Dane’s passing later that year, the band continued with Joseph Michael on vocals, earning strong support from fans. Today’s lineup features Michael, original members Lenny Rutledge and Dave Budbill, plus bassist George Hernandez, with a second guitarist joining them live.

Sanctuary will perform special sets of Refuge Denied and Into the Mirror Black at select 2026 festivals and is currently working on a new album, Transmutation. The band is ready to bring fresh music and a powerful new show back to Europe and beyond. See you on the road!

https://www.sanctuaryofficial.com/

Video – Future Tense – https://www.youtube.com/watch?v=v5NCBaPE3k0

====

Headlining the night two of HMF, Los Angeles’ Edge of Paradise arrives fresh off extensive North American touring with Delain, Xandria, and Japan’s Lovebites. Hyperspace Metal Fest in Vancouver is one of several major headline appearances for the band this year, alongside Fire It Up Festival in California and Rock in Rautheim in Germany, with more dates on the way.

The band recently released a striking new video for “Martyr (Monster)” from last year’s hit album Prophecy, expanding their immersive sci‑fi universe and showcasing new keyboardist Alex Nasla in his first performance with the group. The video’s second act reimagines the track as an instrumental, further deepening the album’s sonic world.

Known for their cinematic fusion of heavy riffs, soaring vocals, electronic textures, and vivid storytelling, Edge of Paradise, fronted by vocalist and visual artist Margarita Monet, has toured more than 30 countries and released acclaimed albums including Universe, The Unknown, Hologram, and now Prophecy (Napalm Records, 2025). Widely praised as their most ambitious work yet, Prophecy introduces 8‑string guitars and explores the looming “Singularity,” balancing futuristic themes with Monet’s emotional lyricism and artwork.

The band’s expanding creative universe also includes a graphic novel series that enriches the albums’ narratives. Lead single “Death Note” has quickly become a fan favorite, accompanied by a visually rich, cinematic video directed by Monet. With their bold artistic vision, relentless touring, and multi‑dimensional storytelling, Edge of Paradise continues to push modern rock forward—inviting fans into a world where music, art, and imagination collide.

https://www.edgeofparadiseband.com/

Video – Martyr (Monster) – https://www.youtube.com/watch?v=GtHYeuZpXbA

====

Headlining the first night of HMF, Atavistia (HMF Alumni) is a Canadian symphonic melodic death metal band that blends aggressive riffs, cinematic orchestrations, and melancholic atmospheres. The band has built a strong international following, particularly across Europe, through consistent releases and extensive touring alongside established acts. Known for their powerful live performances and polished production, Atavistia continues to push their sound forward while remaining rooted in melodic death metal.

https://linktr.ee/atavistia

Video – Eternal Oceans (Reforged) – https://www.youtube.com/watch?v=vthxzis6lzs

====

Voidchaser, a progressive metal band from Montreal and Stockholm, has rapidly gained international attention since 2023, earning praise from major outlets across the Americas and Europe. Their 2024 concept album Solace surpassed 250,000 streams and charted globally, followed by the 2025 EP Trust, which features high‑profile collaborations. In 2025, the band launched their debut international tour, performing at ProgPower Europe, the inaugural ProgStorm Festival, and sharing stages with Threshold, Kingcrow, Vulkan, Nospūn, and more.

https://www.voidchaser.net/

Video – Time (feat. Universe Effects) – https://www.youtube.com/watch?v=nnxaEiAmBv4

====

Owlbear, forced to cancel their 2025 HMF appearance, is now set on taking the stage in 2026. Formed in 2020 by North American metal veterans Katheryn Scary, Jeff Taft, and Leona Hayward, the band quickly evolved from a remote project into a full live act following the success of their 2023 debut Chaos to the Realm and their 2024 performance at Chicago’s sold‑out Legions of Metal festival. Drawing on classic heavy and speed metal with lyrics inspired by beloved games and fantasy worlds, Owlbear continues to build momentum with their acclaimed sophomore album, Feather & Claw

https://www.facebook.com/OwlbearMetal

Lyric Video – Hawkriders Of The Waste – https://www.youtube.com/watch?v=1AXFZ3ZmF5o

====

Artificial Language is a progressive rock/metal band from Fresno, California, known for blending technical precision with a cinematic, emotionally driven sound. Since 2017, they’ve built a reputation for intricate songwriting and immersive arrangements that bridge the intensity of metal with the expansiveness of modern prog. Their evolution continues through ambitious studio work and striking visual storytelling, including their standout “Skinwalker” music video.

https://www.artificiallanguagemusic.com/

Video – Skinwalker – https://www.youtube.com/watch?v=nyHudUCLQIM

====

Ophelia Falling, a Vancouver‑based symphonic metal band and HMF alumni, blends soaring vocals with driving power metal, orchestra, and choir, gaining early momentum after Chelsea Rose joined in 2015 and their explosive 2018 debut. With the lineup solidified by bassist Sylvain Maltais and drummer Chris Pallot, the band’s rise included their Savage Love EP, soundtrack placements, and performances at Wacken Battle Canada and Decimate 2.0. Their 2020 debut album, Destroyed in Delight, continues to receive global radio play, and the band is now writing new material as they prepare for their return to the stage.

https://www.opheliafalling.com/

Music Video – Destroyed in Delight – https://www.youtube.com/watch?v=ksRUe2mCS5I

====

The Scepter is an Ottawa heavy metal band known for blending classic metal power with a sharp modern edge. Formed by seasoned musicians united by their love of traditional metal, the group has built a reputation for high‑energy performances and commanding, riff‑driven songwriting. With new music underway and momentum growing, The Scepter stands poised as one of Ottawa’s strongest emerging voices in the next wave of heavy metal.

https://www.facebook.com/thesceptermetal

Stream – Protector of the Skies – https://www.youtube.com/watch?v=gA0xp6VoWEY

====

Inpathos is a melodic death metal band from Bellingham, WA, blending Scandinavian‑inspired riffs with rhythms influenced by the founding Boulos brothers’ Lebanese heritage to create a distinct and dynamic sound. They have released an EP and three LPs, including 2025’s Apparitions, and have performed alongside acts like Be’lakor, Anciients, and Nekrogoblikon at sold‑out Pacific Northwest venues. The current lineup features Patrick Bradford, Alex Mattison, Brendan Brendible, and brothers Adonis and Nabil Reed‑Boulos.

https://www.inpathosofficial.com/

Music Video – Radiance – https://www.youtube.com/watch?v=aokQVIH35EU

====

Lycanthro, an Ottawa‑based power metal force and HMF alumni, blends power, thrash, and traditional metal into a bold, cinematic sound inspired by classic horror, mythology, and genre legends like Savatage and W.A.S.P. Their acclaimed 2021 full‑length Mark of the Wolf showcased dynamic storytelling and helped propel them onto stages such as Power Metal Quest Fest and Legions of Metal. Now signed to Psychomanteum Records, the pack is hard at work on their anticipated second album, proving the howl never dies and the hunt never ends.

https://lycanthrometal.com/

Video – Far Beyond The Walls – https://www.youtube.com/watch?v=g5ImX4EEwjk

====

Witchkiller emerged from Ottawa’s early‑’80s metal underground as one of Canada’s standout heavy metal forces, gaining a cult following with their powerful blend of classic metal and NWOBHM‑inspired intensity. Their 1984 EP Day of the Saxons became a defining release of the era, and after disbanding in 1985, the group reignited in 2012, introducing their legacy to a new generation. Today, Witchkiller remains a celebrated name in traditional metal, their influence continuing to resonate through collectors, die‑hard fans, and the genre’s modern revival.

https://www.facebook.com/profile.php?id=100064302991214

“Day of the Saxons” LIVE Headbangers Open Air 2025 – https://www.youtube.com/watch?v=zcVtxUuhRmk

====

Valley of Despair is an independent metal band from Edmonton blending modern rock, power metal, and thrash, earning national attention when their 2024 debut EP Burn At The Stake hit #1 on college radio and charted on the Earshot National Loud Chart. They toured Western Canada in 2025 with festival stops in Armstrong and Yellowknife and are now preparing their full‑length debut for release in 2026. The band features Cheryl Leia, TJ Buggins, Joel Croft, and Preston Lehoux.

https://valleyofdespair.ca/

Video – Burn At The Stake – https://www.youtube.com/watch?v=vJcccWhNpUs

====

Born of “The Blade,” Seattle, WA, Hyperstrike brings action, danger, and excitement back to heavy metal. Feat. members of Xoth, Ghost Ship Octavius. Chop Daddy on Nasty Slap Bass, Brain Lord on Explosive Pipes, Siberian Claw on Ripping Guitar, and Goblin Hammer on epic drums.

https://www.facebook.com/hyperstrikeband

Video – Leaving You Again – https://www.youtube.com/watch?v=vuLjvIJyz8w

====

Ravensun is a Vancouver Island-based melodic death metal band. Themes of war and brutality are the main focus of the lyrical content. Blending soaring vocals, driving riffs, and atmospheric soundscapes into a style that bridges modern metal and classic influences. Known for their dynamic live performances and emotionally charged songwriting, the band has quickly become a standout presence in the BC metal scene. With new music in development and a growing regional following, Ravensun continues to expand its sound and carve out its place in Western Canada’s heavy music landscape.

https://www.facebook.com/ravensunmetal

Live at Armstrong MetalFest 2024 – https://www.youtube.com/watch?v=qxPgSDlXgCs

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Replacing the originally announced Thorsguard, who unfortunately canceled, Vancouver melodic death metal band Kayas has been asked to join the lineup. Known for blending melodic intensity with modern aggression, creating a sound that bridges classic influences and contemporary edge. Their dynamic live performances and tightly crafted songwriting have quickly earned them a growing presence in the West Coast metal scene. With new music underway and momentum building, Kayas continues to carve out their identity as one of Vancouver’s most promising rising acts.

https://linktr.ee/kayasofficial

Music Video – Reflections in the Water – https://www.youtube.com/watch?v=y1VQ07Pej40

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To follow updates for Hyperspace Metal Festival 2026, please visit the following links:
Facebook.com/HyperspaceMetalFestival
Instagram.com/HyperspaceMetalFestival

Festival Press Materials Dropbox HERE.

Over the six editions of Hyperspace Metal Festival, bands from all over the world have come to play power, prog, melodic death, and speed metal on the Canadian West Coast. The festival has presented lineups that have included performances by Týr, Flotsam and Jetsam, Skelator, Enforcer, Psyhostick, Trollfest, Aether Realm, Exmortus, Striker, Riot City, Into Eternity, Witherfall, Lunar, Planeswalker, Iron Kingdom, Helion Prime, Crimson Shadows, West of Hell, Judicator, Odinfist, Tanagra, Scythia, Greyhawk, The Order of Chaos, Red Cain, and many more.

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“It’s Western Canada’s premier melodic and power metal festival with a lineup of local, national, and international acts ranging from Sweden’s Enforcer and Toronto’s Crimson Shadows to local faves Crüzer. All told, 15 acts will turn amps to 11 and bring the noize to headbanging fans.” – Stuart Derdyn, Vancouver Sun (2025)

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ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780
jon[@]ashermediarelations[.]com
Facebook @AsherMediaRelations
Instagram @AsherMedia
Tweet @AsherMedia

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