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Posts By Asher

0 Vancouver’s ETERNIOS Summons the Northern Frost with New Single “Requiem for the North”

  • January 27, 2026
  • by Asher
  • · Eternios · Music News

NEWS RELEASE

Montreal, QC – January 27, 2026

Vancouver’s ETERNIOS Summons the Northern Frost with New Single “Requiem for the North”

Sophomore Album Coming In 2026

Rising Blackened Symphonic Death Metal force Eternios return with their monumental new single “Requiem of the North,” the title track from their highly anticipated sophomore album due out in late 2026. The single marks the next evolution of the project originally founded by multi‑instrumentalist and composer Colin Ryley (Hyperia, Bayonet Dismemberment), who launched Eternios as a studio‑only creative outlet before expanding it into a full live band.
​
Following the acclaimed 2025 debut “Mysterium,” praised for its fusion of aggressive black metal and sweeping orchestral arrangements, Eternios now sharpen their vision with a colder, more expansive sound rooted deeply in the landscapes that inspired it.
​
​“Requiem for the North” is both a musical and emotional centerpiece for the upcoming album.

“This single and the album in general are my love letter to the northern wilderness of Canada. I’ve spent countless hours roaming the forests and mountains of Western Canada. That cold, melancholic silence you feel surrounded by snow and frost is something I wanted to channel directly into the music,” says Colin.

The track erupts with blast beats, tremolo‑picked harmonies, and sweeping orchestral layers before shifting into a massive, melodic chorus. A neo‑classical C‑section and a soaring dual‑guitar outro push the composition into cinematic territory, blending extreme aggression with haunting beauty.
​
Colin describes Eternios’ sonic identity in five words: Melodic, Aggressive, Melancholic, Intricate, Fast.
​
​“Requiem for the North” embodies all of these traits while offering a polished and expanded version of the sound established on Mysterium. With the transition toward live performance, vocalist Marlee Ryley (Hyperia) now fronts the band, allowing Colin to focus fully on guitar and orchestrations.
​
​“I’m very proud of how the single turned out. I think it’s a great representation of what’s coming on the full‑length. I hope fans of extreme black metal and extreme melodic metal both find something to connect with,” adds Colin.
​
The single’s artwork, created by renowned artist Mike Hrubovcak (Visual Darkness), is a chilling preview of the full album’s visual world.
​​
“It’s very winter‑heavy. Icy blues, whites, and music notation swirling out of a polar blizzard. Mike’s work with Imperial Crystalline Entombment is some of my favourite black metal artwork ever, so collaborating with him was incredible,” says Colin.
​
​Eternios remains a deeply personal project at its core. Colin explains further.

“All the songs were written by me, usually locked away for hours piecing together structures and symphonic arrangements until I’m satisfied. The music almost always comes first. The lyrics are shaped by the imagery the music creates.”
​​
While the debut album was entirely written, performed, and produced by Colin Ryley, the new era of Eternios will see more collaboration as the full lineup solidifies. “Requiem for the North,” the album, will feature nine original tracks and one cover, delivering a sweeping journey through frostbitten atmospheres, melodic aggression, and symphonic grandeur. The album is expected in Spring 2026, with more singles to follow.
​
​“This album contains all the darkness, harmony, and aggression that define Eternios. The songs have been flowing naturally, and I expect many more albums to come,” adds Colin.
​
Listen to “Requiem for the North” via its lyric video at https://www.youtube.com/watch?v=YqVA0cWHoc8

​Add to your Spotify Playlist – https://open.spotify.com/track/75l7QruoJEWZbGRP7hv3ZJ​

​

​More info:

​https://www.facebook.com/eterniosmetal​

​https://www.instagram.com/eterniosmetal​

About: Eternios is a Blackened Symphonic Death Metal band from Vancouver, BC. Formed by Colin Ryley, the project blends the ferocity of Nordic‑inspired black/death metal with sweeping classical orchestration. Their debut album, Mysterium (2025), established the band’s signature sound, earning praise for its ambitious arrangements and atmospheric intensity. With Requiem for the North, Eternios expands its scope both musically and as a live entity, delivering a colder, more immersive chapter in its evolving journey.

Fun Facts About Eternios:​
​
– Eternios began as a studio‑only project created by guitarist/composer Colin Ryley, inspired by his lifelong love of Scandinavian melodic black/death metal.
​
– Colin Ryley performed every instrument and vocal on the debut album, handling all production, mixing, and mastering himself.
​
– Colin and vocalist Marlee Ryley are married and have toured extensively across Canada and Europe with their melodic thrash band Hyperia.
​
– The name “Eternios” is derived from “Eternity,” reflecting the project’s early themes of evolution and metaphysical mystery.
​
– Originally never intended to be a live band, Eternios began assembling a full lineup during the recording of the second album due to growing interest and demand.
​

-30-

—
ASHER MEDIA RELATIONS
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0 YESTERDAY’S HERO Explores Isolation and Inner Turmoil in New Video “Road of Doom”

  • January 27, 2026
  • by Asher
  • · Music News · Yesterday's Hero

NEWS RELEASE

Montreal, QC – January 27, 2026

YESTERDAY’S HERO Explores Isolation and Inner Turmoil in New Video “Road of Doom”

Hard‑hitting alt‑metal band Yesterday’s Hero has released the long‑awaited music video for “Road of Doom,” a fan‑favorite track from their 2023 debut album “Ways to Hate.”
​
Dark, atmospheric, and emotionally heavy, “Road of Doom” captures the feeling of isolation and internal struggle that shaped much of the band’s early writing.

“Darkness comes to mind. Words like sketchy, alone, and lost bring out the colors of this song. It’s like taking a trip only to find emptiness when you arrive,” says guitarist Tony Smith.
​
The track itself was never planned; it erupted unexpectedly during a rehearsal and quickly became an anthem for the personal battles the band members were facing at the time. The video, shot three years ago and brought to life by director/editor Jarod Hewett, was nearly shelved indefinitely. Now, its release serves as a symbolic closing of the band’s debut era.
​
​“This video felt like something we might never actually get to share. Now that it’s finally seeing daylight, it marks the final chapter of our Ways to Hate era. As we close that door, we’re deep into finishing our sophomore album, set for release this fall. The first single is on track to drop in late February, and we can’t wait to show you what’s next,” adds Smith.

With the “Road of Doom” video closing the book on their debut era, Yesterday’s Hero is now focused on their second full‑length album. Five tracks are already prepared for recording, and the band promises a heavier, more mature evolution of their sound, still rooted in groove, hooks, and raw emotion.
​
The first single from the upcoming album is expected in late February, with the full release planned for fall.

The video for “Road of Doom” can be heard and seen via its premiere on V13.net HERE.​
​
Hailing from the bogs of the Black Swamp in Northwest Ohio, Yesterday’s Hero blends hard rock, alt‑metal, groove, and grit into a sound that hits with both emotional weight and mosh‑pit energy. Their music is fueled by heartbreak, addiction, and the raw honesty that comes from small‑town struggle.
​
Their debut album, “Ways to Hate,” was intentionally recorded with an analog mindset, no backing tracks, no digital polish, just raw tube‑amp energy. The album plays like a continuous emotional journey, each track flowing into the next as it follows the unraveling of a turbulent relationship.
​
​Yesterday’s Hero is recommended for fans of Chevelle, Rise Against, Killswitch Engage, Godsmack, and Seether.

Released on November 24, 2023, “Ways To Hate” is available on all digital platforms at https://distrokid.com/hyperfollow/yesterdayshero/ways-to-hate and https://yesterdayshero.bandcamp.com (CD/digital).

Previous Videos:

Bounce – https://www.youtube.com/watch?v=G0P7nnW8wzU

What I Needed – https://www.youtube.com/watch?v=GRiqls47dDs​

Life’s So Good – https://www.youtube.com/watch?v=UdtbpNH7LGM

Track Listing:​
1- Killing Me (3:43)
2- What I Needed (4:06)
3- Ways to Hate (3:38)
4- Bounce (4:12)
5- Be (3:46)
6- Road of Doom (5:26)
7- Life’s So Good (3:46)
Album Length: 28:36

Band Lineup Recording​
Chris Neller – Vocals
Nathan Fike – Lead Guitar
Tony Smith – Guitar
Bill Mizen – Bass
Byron Ferguson – Live Drums and Recorded Drums on track 2. What I Needed, 3. Ways to Hate, 4. Bounce
Jesse Elkins – Recorded Drums on track 1. Killing Me, 5. Be, 6. Road of Doom, and 7. Life’s So Good

Band Lineup Live:​
Chris Neller – Vocals
Nathan Fike – Lead Guitar
Tony Smith – Guitar
Bill Mizen – Bass
Marshall Messer – Drums

More info:

​https://www.facebook.com/YesterdaysHeroBand​

​https://www.instagram.com/hero_yesterdays​

About: Yesterday’s Hero delivers a high‑energy fusion of hard rock and alt‑metal straight from Northwest Ohio. Their sound is raw, riff‑driven, and unapologetically analog, channels influences from Chevelle, Rise Against, Killswitch Engage, Breaking Benjamin, and Godsmack. Their debut album Ways to Hate (2023) is a front‑to‑back emotional journey built for adrenaline, catharsis, and a packed mosh pit.

-30-

“This is a great album…. they all sound awesome, being the perfect blend of the early 2000s alt-metal sound and a more modern take, almost bordering on Phil Campbell at times. And, as similar as it all was, I would happily take a lot more of it. Seven tracks just wasn’t enough for me! It sounds great and I think these guys are going to be a big deal soon, if this album is anything to go off!” – Overtone Magazine​
​
​“If you’re a real mensch, then you know when it’s your time to bounce, like the boys in Yesterday’s Hero. The hard rockers are happy to unveil their new music video for “Bounce,” off of their new record, Ways To Hate. The seven-track effort was self-released late last month and checks all the boxes of a no-nonsense, riff-rocking good time. There probably isn’t anywhere more rock n’ roll to record a music video than a car shop, which the band selected as the location of this badass new video clip. The primary riff featured in “Bounce” is one of the first the Ohio quartet conceived for this new record. In a sense, the riff dictated the subject matter of the song, with the band feeling that it really “bounced.” Feeding off of this energy, the song came about rather naturally and cohesively.” – V13​
​
​“”When it comes to big riffs, ‘Bounce’ by Yesterday’s Hero doesn’t sell the listener short. Its main thrust sounds like a stoner rock band channelling an old Fugazi tune; the muted riff on the verse adds a sharp edge beneath a great vocal, and exploding into a huge chorus, the band are able to convey a timeless post-grunge sound that sounds massive beneath an enthusiastic hook. If that wasn’t enough, a slow heavy breakdown drawing from a blend of groove metal and hardcore influences increases the tension at the track’s end, ensuring these four minutes leave most rock fans more than satisfied.” – Real Gone Rocks

“The song (Killing Me) is a straightforward alt-metal rager for fans of the late-90s/early-2000s nu-metal scene. The video follows a series of drawings to create a dark and mysterious noir-type atmosphere. ” – New Noise Magazine

—
ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780
jon[@]ashermediarelations[.]com
Facebook @AsherMediaRelations
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0 Fort McMurray’s SUPERMODEL TAXIDERMY Tapped As Local Support for ANTHRAX and EXODUS + Added Punk Canada Compilation Volume 5

  • January 26, 2026
  • by Asher
  • · Music News · Supermodel Taxidermy

NEWS RELEASE

Montreal, QC – January 26, 2026

Fort McMurray’s SUPERMODEL TAXIDERMY Tapped As Local Support for ANTHRAX and EXODUS

+ Added Punk Canada Compilation Volume 5

L-R – Reilly Williams – Drums, Shawn Maynard – Guitar & Lead Vox, Mike Cheney – Bass & Vox

Fort McMurray, Canada’s hottest punk thrash commodity, Supermodel Taxidermy has been tapped as local support for legends ANTHRAX and EXODUS’ performance in the Alberta North on February 22nd at MacDonald Island.

This one has been a long time coming for the fanboy trio who have looked up to both bands as influences. Frontman Shawn Maynard comments:

“Ripping up the stage with Gary Holt, Scott Ian, and their crew is definitely unlocking a childhood dream of mine. On February 22nd, you’d best be wearing some shorts because we’re going to bring the heat.”

Event info and tickets can be found at https://www.macdonaldisland.ca/special-events/after-hours-featuring-anthrax-with-special-guest-exodus​

Unleashing their second album, “At What Cost,” in May 2024, the band has torn through the Western Canadian scene like a wrecking ball, quickly becoming one of the region’s essential live acts. Released through Punishment 18 Records, “At What Cost” ignited a surge in their following with its explosive mix of razor‑sharp riffs, commanding vocals, and relentless energy that keeps listeners hungry for more.

Across ten tracks packed into just under thirty minutes, the record, produced by Rob Lawless and mixed/mastered by Terry Paholek, captures the band’s dedication to crafting a fierce, high‑impact listening experience. This collision of thrash metal and hardcore punk is a natural fit for fans of Iron Reagan, Dayglo Abortions, and Slayer.

Music Video – Lipstick – https://www.youtube.com/watch?v=tXN5iZKqg5o​

Music Video – Blood Painted Dash – https://www.youtube.com/watch?v=sWeS7452bUI​

“At What Cost” is available digitally, on CD, and Orange Splatter Vinyl (in honour of the hockey team, the Edmonton Oilers) at https://supermodeltaxidermy.bandcamp.com/album/at-what-cost​

Add to your Spotify Playlist – https://open.spotify.com/album/4F96Mi3MTPDaA0LKw63G9f​

Supermodel Taxidermy is currently halfway through writing their third album. And fans can expect to see the first single released later this year in a new music video. The band will also be supporting a Canadian tour with its full release. In the meantime, you can expect to see their name pop up at a few Canadian Festivals this summer.

In other exciting news, the band is set to appear on Punk Canada Compilation Volume 5, which drops on vinyl this June. The release features sixteen Canadian punk bands putting their own spin on sixteen classic Canadian punk tracks from the 20th century. Supermodel Taxidermy chose to cover Vancouver’s Lummox, a project founded by Murray Acton of Dayglo Abortions.

As the band put it, “We even got Murray to hop on the track for a solo, so you know it’s not going to disappoint.”

Pre-orders can be submitted at supermodeltaxidermy[@]gmail[.]com

Supermodel Taxidermy is:
Shawn Maynard – Guitar & Vocals
Michael Cheney – Bass & Back Up Vocals
Reilly Williams – Drums

For more info: https://www.facebook.com/supermodelmodeltaxidermy | https://www.instagram.com/supermodeltaxidermy​

– 30 –

#41 on Loudwire weekly wire: TOP 50 Best New Rock & Metal Songs for the single Blood Painted Dash (2022)

“it’s fun and catchy, it’s crazy fast and just makes you want to throw yourself into walls.” – The Metal Crypt

“At What Cost is one richly impressive and increasingly addictive release. It looks like SUPERMODEL TAXIDERMY is coming for the world and the cost? Sheer pleasure!” – The Ringmaster Review

“blends skate punk with elements of thrash into a lethal concoction that slaps you in the face as it runs by. The atmosphere they create is explosive; a mix of punk rock energy with thrash level instrumentals. Their sound is reminiscent of Bad Brains or Minor Threat, but with a harsher bite. The amount of authentic punk energy Supermodel Taxidermy crammed into this record is almost unbelievable, and when combined with the instrumental elements of thrash, its tone is almost deadly. Energetic and emphatic, the band’s raw mix of chaotic energies serves them well on this record. There is no real lull in energy at any point within this record, proving that if Supermodel Taxidermy can do anything, it’s bring in the heat.” – Heavy Music Headquarters

“Punk rock and thrash when combined can elevate the energy to that youthful exuberance that is hard to resist. Supermodel Taxidermy lean into their love of those styles on At What Cost, creating an enthusiastic platter that channels its messages in short, solid songs that will get the hordes moving. Could be the best skater soundtrack to bust out those rad, death defying moves for 2024.” – DeadRhetoric

“Songs like “Exorcist for Beer”, “Blood Painted Dash”, and “Lipstick” run the hardcore punk/thrash metal gamut, from party anthems to horror tales, to the band’s metal-fueled love for scene chicks. SUPERMODEL TAXIDERMY’s “At What Cost?” drips Gen-X punk and metal sensibilities. If that’s your bag, go get it. You won’t be disappointed.” – Wormwood Chronicles

“An album that leaves its mark and will make you follow them into the future.” – True Metal

​
—
ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780
jon[@]ashermediarelations[.]com
Facebook @AsherMediaRelations
Instagram @AsherMedia
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0 \m/\m/ Thank You Canadian MDs and DJs for the airplay Love! December 2025 – Top 200 #126 Z-Cocoon, #169 Merfolk

  • January 23, 2026
  • by Asher
  • · MERFOLK · radio charts · Z-Cocoon

\m/\m/ Thank You Canadian MDs and DJs for the airplay Love!
December 2025 – Top 200
#126 Z-Cocoon, #169 Merfolk
https://earshot-online.com/charts/2025/December/top200.cfm

0 !earshot – November 2025 – Top 200 #142 – Z-Cocoon

  • January 23, 2026
  • by Asher
  • · radio charts · Z-Cocoon

!earshot – November 2025 – Top 200
#142 – Z-Cocoon
https://earshot-online.com/charts/2025/November/top200.cfm

0 December 2025 – Top 20 Loud #3 Juliet Ruin, #7 Triskelyon, #20 Woodhawk

  • January 23, 2026
  • by Asher
  • · Juliet Ruin · radio charts · Triskelyon · Woodhawk

December 2025 – Top 20 Loud
#3 Juliet Ruin, #7 Triskelyon, #20 Woodhawk
https://earshot-online.com/charts/2025/December/loud.cfm

0 \m/\m/ Thank You Canadian MDs and DJs for the airplay Love! November 2025 – Top 20 Loud #4 Juliet Ruin, #18 Ancient Thrones

  • January 23, 2026
  • by Asher
  • · Ancient Thrones · Juliet Ruin · radio charts

\m/\m/ Thank You Canadian MDs and DJs for the airplay Love!
November 2025 – Top 20 Loud
#4 Juliet Ruin, #18 Ancient Thrones
https://earshot-online.com/charts/2025/November/loud.cfm

0 !earshot – Charts For the Week Ending: Tuesday, January 20, 2026 CFBX 92.5 FM – Kamloops Loud – #6 Ivy Gardens, #10 Merfolk | CIVL 101.7 FM – Abbotsford Loud – #5 Triskelyon, #7 Juliet Ruin, #10 Phaeton | CJLO 1690 AM – Montreal Loud – #4 The Reticent | CJSR 88.5 FM – Edmonton Loud – #4 Merfolk, #5 Devolver, #10 Juliet Ruin | CJSW 90.9 FM – Calgary Loud – #5 Cepheidae Variable, #6 Ancient Thrones, #9 Triskelyon, #10 Discovery Through Torment | CJUM 101.5 FM – Winnipeg Loud – #8 Triskelyon | CFRU 93.3 FM – Guelph Top 30 – #18 Silas Fernandes, #30 Merfolk

  • January 23, 2026
  • by Asher
  • · Ancient Thrones · Cepheidae Variable · Devolver · Discovery Through Torment · Ivy Gardens · Juliet Ruin · MERFOLK · Phaeton · radio charts · Silas Fernandes · The Reticent · Triskelyon

!earshot – Charts

For the Week Ending: Tuesday, January 20, 2026

CFBX 92.5 FM – Kamloops
Loud – #6 Ivy Gardens, #10 Merfolk

https://earshot-online.com/charts/cfbx.cfm?intChartTypeID=6&dWeekOfID=2026-01-20

================================

CIVL 101.7 FM – Abbotsford
Loud – #5 Triskelyon, #7 Juliet Ruin, #10 Phaeton

https://earshot-online.com/charts/civl.cfm?intChartTypeID=6&dWeekOfID=2026-01-20

================================

CJLO 1690 AM – Montreal
Loud – #4 The Reticent

https://earshot-online.com/charts/cjlo.cfm?intChartTypeID=6&dWeekOfID=2026-01-20

================================

CJSR 88.5 FM – Edmonton
Loud – #4 Merfolk, #5 Devolver, #10 Juliet Ruin

https://earshot-online.com/charts/cjsr.cfm?intChartTypeID=6&dWeekOfID=2026-01-20

================================

CJSW 90.9 FM – Calgary
Loud – #5 Cepheidae Variable, #6 Ancient Thrones, #9 Triskelyon, #10 Discovery Through Torment

https://earshot-online.com/charts/cjsw.cfm?intChartTypeID=6&dWeekOfID=2026-01-20

================================

CJUM 101.5 FM – Winnipeg
Loud – #8 Triskelyon

https://earshot-online.com/charts/cjum.cfm?intChartTypeID=6&dWeekOfID=2026-01-20

================================

CFRU 93.3 FM – Guelph
Top 30 – #18 Silas Fernandes, #30 Merfolk

https://earshot-online.com/charts/cfru.cfm?dWeekOfID=2026-01-20

0 France’s HighWay Unleash High‑Voltage Video “¡BANG BANG!” from Upcoming Album “Last Call for Rock’N’Roll” Out April 2026

  • January 23, 2026
  • by Asher
  • · HighWay · Music News

NEWS RELEASE

Montreal, QC – January 23, 2026

France’s HighWay Unleash High‑Voltage Video “¡BANG BANG!”

New Album “Last Call for Rock’N’Roll” Out April 2026

L-R – Ben Chambert – Lead Guitar, Backing Vocals, Florian Arnaud – Rhythm Guitar, Backing Vocals, Benjamin Folch – Lead Vocals, Cerise Pouillart – Bass, Backing Vocals, Romain Chambert – Drums

Photo Credit – Mr. Cana Photography

French hard rock torchbearers HighWay fire off another electrifying shot with the release of their brand‑new single “¡BANG BANG!”, accompanied by a music video. The track is the second preview of their highly anticipated sixth studio album, “Last Call for Rock’N’Roll,” due out in April 2026.
​
Written in a single burst of inspiration, “¡BANG BANG!” channels the sleazy swagger and irresistible groove that made their 2022 hit “Like a Rockstar” a fan favorite. Built around a gritty, infectious riff and explosive vocal hooks, the song captures HighWay at their most confident, playful, and unapologetically rock’n’roll.
​
​“I wanted an electric successor to Like a Rockstar. The riff came first, then the words BANG BANG popped into my mind. I wrote the whole thing in a day. It was so easy and so good—one of my favorites on the album!” says Ben Chambert – Lead Guitar, Backing Vocals.
​
Produced and mixed by Brett Caldas‑Lima (Ayreon, Devin Townsend, Megadeth), the track delivers the band’s signature blend of power, melody, and attitude, elevated by rich vocal arrangements and a groove built to shake arenas.
​
The accompanying music video, shot with the band’s trademark humor and high‑energy spirit, captures the fun, wild chemistry that has defined HighWay for more than two decades.

Lyrically, “¡BANG BANG!” dives into the tug‑of‑war between fantasy and reality, desire and consequence, dreams and doubt. With tongue‑in‑cheek cynicism, the song mirrors the pressures and frustrations of modern life, wrapped in a sound that demands you crank the volume and move.
​
Fans of Aerosmith, Def Leppard, and 80s arena rock will feel right at home as “¡BANG BANG!” continues to showcase the band’s revitalized lineup, now featuring, Cerise Pouillard (bass), formerly of the acclaimed AC/DC tribute Ladies Ballbreaker, Florian Arnaud (guitar), a standout talent who brings twin‑guitar firepower back to HighWay’s live sound. Both musicians contribute backing vocals on the album, helping craft the massive, multi‑layered harmonies that have become a defining element of the band’s new sonic identity.

Watch and listen to “¡BANG BANG!” at https://www.youtube.com/watch?v=kGpYOR4Xx20

​Add to your Spotify playlist – https://kuronekomedia.lnk.to/LCFRnR​

​After the acoustic detour of The Journey (2022), HighWay returns fully electrified with “Last Call for Rock’N’Roll,” a 12‑track album that blends high‑voltage riffs, emotional depth, and the band’s unmistakable melodic flair. Crafted over four months at Tower Studio, the album is described by the band as their most personal, mature, and powerful work to date, a true “rallying cry for a drifting world.”
​
With over 500 shows across Europe, six albums, and a reputation as part of the new wave of European classic hard rock, HighWay have shared stages with Michael Schenker Group, Gotthard, Jeff Scott Soto, Kissin’ Dynamite, Nashville Pussy, and more.
​
Influenced by AC/DC, Queen, Aerosmith, Guns N’ Roses, and The Beatles, the band delivers a vibrant, heartfelt brand of hard rock that unites generations of fans. HighWay is ready to turn the volume up. Don’t miss the Last Call.

Due out on April 24, 2026, “Last Call for Rock’N’Roll” is available for album pre-order at https://highwayshop.sumupstore.com/​

First Single – “Hi-Way”

Music Video – https://www.youtube.com/watch?v=qPYb7fBvNAU​

Add to your Spotify playlist – https://kuronekomedia.lnk.to/LCFRnR​

Track Listing:​
1. LAST CALL (FOR ROCK N’ ROLL) – 5:13
2. HI-WAY – 4:40
3. ¡BANG BANG! – 3:47
4. NINETIES ACTION MOVIE – 5:16
5. PEACE OUT – 5:44
6. MAYDAY – 4:25
7. GO! GO! GO! – 5:48
8. LET ME – 4:54
9. D.K/D.C – 3:16
10. RAT RACE – 6:00
11. ACTION – 4:32
12. (DON’T) LOOK BACK – 5:09
Album Length: 58:48

Album Band Line Up:​
Ben Chambert: Lead guitar, Backing vocals
Benjamin Folch: Vocals
Sam Marshal: Bass Guitar, Backing vocals
Romain Chambert: Drums

Live Band Line Up:​
Ben Chambert: Lead guitar, Backing vocals
Florian Arnaud: Rhythm guitar, Backing vocals
Benjamin Folch: Vocals
Cerise Pouillart: Bass Guitar, Backing vocals
Romain Chambert: Drums

More info: https://linktr.ee/highway_the_band​

– 30 –

“THANK YOU TO HIGHWAY WHO SUPPORTED US ON OURMISSION EUROPEAN TOUR. A GREAT BAND WHO RECEIVED A SUPERB REACTION FROM OUR FANS.” – Michael Schenker

“IT WAS A PLEASURE HAVING YOU GUYS! YOU TRULY LIVE THE ESSENCE OF ROCK N ROLL” – Jeff Scott Soto

“The Journey” proves to be an album of great richness confirming HighWay’s talent.” – Music Waves (2022 – The Journey)

“We let ourselves be lulled by the ever-present groove. The American spirit allows this album, as exemplified by ” Motel in Alabama,” on which Benjamin Folch excels, accompanied by discreet backing vocalists. Here, we navigate through emotion, skill, and warmth. Surprises abound, some truly astonishing. We’re swept away to a Spanish-infused fiesta with ” In the Circus of Madness ,” a genuine gem of exquisite delicacy. Musically, we find club-like and sometimes intimate atmospheres, with light touches of violin and piano (” Have A Beer “), and captivating choirs ( “Freedom “). The finale, “The Journey,” is practically a rock opera. There’s no need to list them all here, as the title “The Journey” says it all. HIGHWAY has what it takes to hold their own against many internationally established bands, and I hope they receive the recognition they deserve. Well done!” Among The Living (2022 – The Journey)

“What 80’s lover will resist this totally festive spirit, which mixes ambition (Become Someone), love of music(I Like It, United States Of Rock’N’Roll), or sex (Mr King Size, Highway O Love) ? All the clichés of the unstoppable album are there, proud to resurrect a past that we thought had disappeared but which was in reality only asleep. Despite some sometimes approximate choruses (Breath of life), HIGHWAY manages to carry me in his luggage every time he listens. That’s why I’m getting carried away… HIGHWAY joins the exclusive club of teams capable of breaking down borders in order to explode abroad. On two conditions: tirelessly travel the roads of France and Navarre in order to convince the public and force themselves to publish a new album within the next eighteen months. Do everything, in short, so that we talk about HIGHWAY. Will promotion, distribution, financial and media resources be there ??? To be continued very, very closely…” – Metal-Integral (2022 – The Journey)

“From start to finish Ben Chambert is literally the driving force behind this album. Exploring melodies influenced by southern Blues Rock, with a heavy taste of early Guns N’ Roses, it immediately grips your attention. And the solos, though short, are very decent. Another interesting feature about Highway that really stands out is the outstanding vocals chorus done in a very Queen-like fashion, without taking the spotlight away from the lead singer Benjamin Folch. Naturally, his voice is very pure Rock oriented, with a taste of whisky to it. Harsh, yet melodic, and capable of diverse vocal arrangements, and a brilliant English fluency. This is brilliantly demonstrated in “Separate Ways”, as well as a Ronnie James Dio reminiscence in “Damned Me”. Jeff Scott Soto, longtime friend as roadrunner of the band, made a strong contribution in «Wake Up». In conclusion, “IV” is a great return from Highway and it won’t disappoint Rock fans, especially those who are already familiar with the band’s work and sonic identity. 8/10” – The Black Planet (IV – 2017)

“So yes, this latest one has been a long time coming, but the result is up to par, high-end hard rock, don’t miss it from this pancake, don’t hesitate to buy, and it more than deserves to support this group! And fingers crossed that the baby will be followed by lots of little brothers and sisters !” – Rock Meeting (2017 – The Chronicle)

“From the 1st note with the assertive blaster ‘Become Someone’ that’s followed up with the old school crackly effect mono blues starting ‘I Like It’ and later the bluesy ballad ‘Freedom’. There is also the amazing acoustic ‘Highway O’ Love’ and the AC/DC Johnson-era guitar sounding ‘On My Knees’ to get excited over. Complete proof that France has some killer bands on offer in the way of Rock!” – Metalville Zine (2011 – United States of Rock n Roll)

“In the end, another beautiful representative of the quality of hard rock in France, delivered by a happy group of friends, and led by a damn good guitarist. To listen but above all to see on stage because the energy and good humor they exude cannot leave you indifferent.” – Aux Portes du Metal (2011 – United States of Rock n Roll)

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0 Rockshots Records – Symphonic Black Metal Force DAIDALOS Drops “Euphobia” via Decibel Magazine; New Album “Dante” Out Feb 2026

  • January 22, 2026
  • by Asher
  • · Daidalos · Music News

NEWS RELEASE

Montreal, QC – January 22, 2026

Symphonic Black Metal Force DAIDALOS Drops “Euphobia” via Decibel Magazine

New Album “Dante” Out February 20th, 2026

Symphonic black metal visionary Daidalos announces the premiere of their new single “Euphobia”, debuting today exclusively through Decibel Magazine. The track appears on the project’s forthcoming full‑length, “Dante,” set for release February 20th via Rockshots Records.
​
Founded in 2020 by multi‑instrumentalist and composer Tobias Püschner, Daidalos has quickly carved out a distinct identity within the modern symphonic black metal landscape. The 2022 debut of “The Expedition” earned acclaim for its atmospheric storytelling and cinematic scope. Now, with Dante, Püschner presents an even more ambitious and personal work, one that transforms the descent into Hell into a psychological journey of doubt, despair, and revelation.

“Dante burns like fire. It’s darker, more focused, and more dramatic. The orchestration is stronger, the guitars more present, and the emotional arc much clearer,” explains Püschner.
​
​“Euphobia”, the fear of joy, stands as one of the album’s emotional centerpieces. Melancholic yet cathartic, the track reflects a world where negativity often overshadows light, and even admitting one’s own well‑being can feel out of place.
​
​“This song is about a society that pushes despair and shadows while suffocating joy. It’s melancholic, but it releases something, too,” says Püschner.
​
The single is introduced by the interlude “Malebolge”, where rolling stones and rising choirs foreshadow the track’s central theme. The accompanying video amplifies the song’s tension between darkness and fragile hope, aligning with the album’s overarching narrative.
​
On “Dante,” Püschner composed all orchestration, drums, guitars, and vocals, crafting each track from a single piano melody inspired by passages of Dante Alighieri’s Divine Comedy. The album’s powerful modern production comes from Nahuel Lozano (Mental Cruelty), who recorded guitars and handled mixing and mastering.
​
The visual world of “Dante” is brought to life through original abstract oil paintings and dotwork by French artist Bérénice Tulliez / Noirs Dessins, expanding the album into a unified aesthetic universe.
​
​Daidalos’ music has been described as moving between the monumental orchestrations of Fleshgod Apocalypse, the dark theatricality of Dimmu Borgir, and the apocalyptic grandeur of Septicflesh, yet “Dante” stands firmly on its own. The album flows as a continuous black‑metal audio drama, especially on vinyl, where interludes and intros merge into a single immersive arc.
​​
“It should feel like a journey. A descent you experience, not just listen to,” adds Püschner.
​
Listen to “Euphobia” via its premiere on Decibel Magazine HERE.

Sptoify pre-save – https://lnk.to/3fQHdk​

New album “Dante” out February 20th, 2026, from Rockshots Records.

PRE ORDER CD Version of “Dante” – https://rockshots.eu/products/daidalos-inferno-cd​
PRE ORDER LP Version of “Dante” – https://rockshots.eu/products/daidalos-inferno-lp​

Previous single – Dis – Lyric Video – https://www.youtube.com/watch?v=Pq90saioITY​

Track Listing:​
1. Dante – 2:18
2. Inferno – 3:42
3. Ashes – 4:22
4. Storm – 4:05
5. Minos – 0:30
6. King – 4:00
7. Styx – 2:08
8. Gate – 0:20
9. Dis – 4:15
10. Phlegethon – 1:18
11. Malebolge – 0:40
12. Euphobia – 4:54
13. Ultimatum – 4:19
Album Length: 36:51

Daidalos Line-Up:​
Tobias Püschner; Vocals, Drums, Keyboards, Orchestrations, Songwriting, Production

More info: Rockshots.eu | Instagram.com/daidalosmusic | Facebook.com/daidalosband​

About: Daidalos is the brainchild of German composer and multi-instrumentalist Tobias Püschner, founded in 2020 as a creative outlet merging black metal, orchestration and conceptual storytelling. What began during the isolation of the pandemic quickly evolved into a full artistic vision – a fusion of cinematic grandeur and the emotional depth of extreme metal.

The debut album “The Expedition” (2022, Rockshots Records / Extreme Metal Music) introduced Daidalos as a unique force in the symphonic black metal scene. Entirely written and performed by Püschner, the album reimagined the tragic story of the Franklin expedition through a vast and icy soundscape where atmosphere and aggression met in perfect tension. Critics praised its originality and ambition, calling it a “symphonic extreme metal masterpiece” (AMMO Underground) and “an album that captures imagination and balances beauty with intensity” (GBHBL).

Building upon that foundation, Püschner continued to refine his approach – weaving together cinematic orchestrations, classical influences and the raw intensity of black and death metal. Collaborating with Nahuel Lozano (Mental Cruelty) on guitars, recording, and production, Daidalos shaped its signature sound: monumental, dramatic and deeply emotional.

Across his work, Püschner treats music as a form of storytelling – each record conceived as a self-contained world. His compositions often explore historical, philosophical and spiritual themes portrayed through the lens of symphonic black metal and theatrical expression.

With “Dante” (2025), Daidalos reaches a new artistic chapter: not a retelling but a reinterpretation of the Divine Comedy, where doubt, despair and revelation intertwine. Yet the core remains the same – the search for meaning in darkness, expressed through meticulous orchestration, intense vocal delivery and the balance between aggression and melancholy that defines Daidalos.

For fans of: Dimmu Borgir, Fleshgod Apocalypse, Septicflesh

Endorsements: Steinberg (Cubase 12), Hörluchs (In-Ear Monitoring)
​

-30-

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ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780
jon[@]ashermediarelations[.]com
Facebook @AsherMediaRelations
Instagram @AsherMedia
Tweet @AsherMedia

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