Posts By Asher

0 DECIMATE METALFEST (Millet, AB) Announces 2026 Lineup w/ GLYPH, THE CONVALESCENCE, SQUIDHAMMER, FAMOUS STRANGERS and more!

March 17, 2026
by Asher
· Uncategorized

NEWS RELEASE

Montreal, QC – March 17, 2026

DECIMATE METALFEST (Millet, AB) Announces 2026 Lineup

w/ GLYPH, THE CONVALESCENCE, SQUIDHAMMER, FAMOUS STRANGERS, and more!

June 26 and 27, 2026: Bringing Heavy Music, Independent Arts, and Community Together in Alberta

Western Canada’s underground metal community will once again come together this summer as Decimate Metalfest returns to the Millet Agriplex Arena on June 26 and 27, 2026, in Millet, AB. What began as a grassroots gathering of heavy music fans has grown into a weekend-long celebration where heavy music, independent arts, and community come together in rural Alberta, welcoming fans, artists, and families of all ages.

This year’s festival lineup will feature Glyph, The Convalescence, Squidhammer, Famous Strangers, and Let It Rot, alongside a diverse roster of local and regional performers. Overall, 28 performing acts will take the stage over the two days, including touring artists, Canadian metal bands, youth performers, a featured DJ, and specialty entertainers.

Friday evening launches the festival with a powerful night of heavy music, including a performance by the “Fundraiser Band”, a rotating act selected from bands who participate in Decimate fundraising events throughout the year, highlighting the festival’s community-driven spirit. Saturday expands into a full-day festival experience featuring bands, youth artists, live performers, and interactive entertainment. With top-notch production, high-quality sound, professional staging, and access to convenient local amenities in Millet, the festival ensures an unforgettable experience for fans and families.

All performances take place at the Millet Agriplex Arena, with festival activities continuing throughout the weekend, including camping, breakfast events, interactive entertainment, and vendor booths by independent artists.

Official Decimate Metalfest 2026 Spotify Playlist – https://open.spotify.com/playlist/4PtsotZY8YfTAZV0NNBudk

Event Details:
Event: Decimate Metalfest 2026
Dates: June 26 and 27, 2026
Location: Millet Agriplex Arena, Millet, Alberta, Canada
Format: All ages metal and arts festival

Tickets: https://www.decimatemetalfest.com/tickets

Facebook Event: https://www.facebook.com/events/938257911895899

Decimate Metalfest 2026 Lineup:

Friday, June 26, 2026
• The Convalescence (Ohio, USA)
• Squidhammer (Wisconsin, USA)
• Anomalyptic (Edmonton, AB)
• Let It Rot (Michigan, USA)
• Valley of Despair (Edmonton, AB)
• Godfall (Calgary, AB)
• TBA Fundraiser Band
• Kilusan (Edmonton, AB)

Saturday, June 27, 2026
• Glyph (Seattle, USA)
• Famous Strangers (Sherwood Park, AB)
• Cries of Blood (Montreal, QC)
• Thousand Frames (Colorado, USA)
• Counterfeit (Calgary, AB)
• From Beneath (Winnipeg, MB)
• No Faith In Fortune (Vancouver, BC)
• Femmes Voyous (Edmonton, AB)
• Spineless (Winnipeg, MB)
• Black Friday (Edmonton, AB)
• Light Drawn In (Edmonton, AB)

Youth Bands
• Kleaver (Calgary, AB)
• Desicrate (Edmonton, AB)
• TBA Youth Band

Featured Performers
• DJ Alex Kayne (New York, USA)
• Birthday Girl (Calgary, AB)
• Damien Ghoul (Edmonton, AB)
• Severina (Edmonton, AB)
• Meatsack (Edmonton, AB)
• Lust Dust (Calgary, AB)

Decimate Metalfest is about connection. The all-ages festival brings together musicians, visual artists, performers, and creators from across Canada, the United States, and beyond for two days of crushing riffs, artistic expression, unforgettable performances, and a shared love of underground culture.

The festival’s reach continues to expand each year. For the 2026 edition alone, performer submissions were received from 15 countries, eight Canadian provinces, and 25 US states, highlighting the growing international interest in the event and the strength of Western Canada’s metal community. From youth bands playing their first festival stage to international touring acts, Decimate Metalfest celebrates every generation of the metal and alternative community while creating opportunities for artists of many disciplines to showcase their work.

Decimate Metalfest has become known not only for its music lineup but also for the welcoming environment it creates. The festival brings together longtime metal fans, young families, artists, and first-time festivalgoers in a space that celebrates creativity and community.

Beyond the stage, the festival offers a full weekend experience that includes independent art vendors, free tented camping, fan-favorite air guitar contests for youth and adults, community gatherings, and the traditional Saturday pancake breakfast. Children under 10 attend free, reinforcing the festival’s commitment to accessibility and multi-generational participation.

Built by members of the metal community, for the metal community, and proudly organized and operated by women, Decimate Metalfest continues to challenge expectations while creating a space where everyone is welcome.

Stay Connected

For the latest updates, lineup announcements, and ticket purchases, visit the official Decimate Metalfest website. Follow us on social media to stay in the loop:

More info: https://linktr.ee/decimatemf

Volunteer, Vendor, and Sponsor Applications:
https://www.decimatemetalfest.com

About Decimate Metalfest:
Decimate Metalfest is an annual grassroots heavy music and arts festival held in Millet, Alberta. Created by members of the underground metal community and proudly organized and operated by women, the festival provides a platform for emerging and established artists while celebrating inclusivity, creativity, and independent music culture.

“What started as a small idea has grown into something far bigger than any one of us,” says Decimate Metalfest founder Sloan Voxx. “Seeing artists, volunteers, sponsors, and fans all come together to build this community is incredibly humbling. I am honored to be part of something that brings so many people together and creates a space where anyone can connect through heavy music and feel a sense of belonging. At the end of the day, Decimate Metalfest belongs to the community that built it. Whether you are discovering your first metal band, playing your first festival stage, or returning as a longtime fan, everyone is welcome.”

Decimate Metalfest 2026 is made possible through the support of community partners, sponsors, and industry collaborators who share a commitment to independent music, arts, and community culture.

Partners and Sponsors include:
The Town of Millet, Millet Agriplex, Millet Lions Memorial Campground, Leduc Brewing, Best Copy Shop, Asher Media Relations, Prairie Fire Productions Ltd., Absolute Underground Magazine, 387 Entertainment, Fire Lotus Creative, Rendezvous Pub, Queer YEG, Seeing Red Podcast, Pinecase Mental Health, Broken Neck Radio, Edmonton’s Alternative Music Magazine, Soudshell

Decimate Metalfest is also a proud member of the Western Canadian Metal Festival Alliance (WCMFA) and is honored to work alongside fellow independent festivals and music organizations that help strengthen the Canadian metal scene, including:
Loud As Hell Open Air Festival
Armstrong MetalFest
Hyperspace Metal Festival
Glacial Mutilation Metal Festival

For press inquiries, interviews, or additional information, please contact us at: info[@]decimetalfest[.]com

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—
ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780
jon[@]ashermediarelations[.]com
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0 Gore House Prod. – ONCHOCERCIASIS ESOPHAGOGASTRODUODENOSCOPY Unleashes Blasting Fury and Vile Gutturals w/ “Gutted & Corpsed” From New Album “Fugue Gnawed from the Scabbed God Cerebrum”

March 16, 2026
by Asher
· Music News · Onchocerciasis Esophagogastroduodenoscopy (Gore House Productions)

NEWS RELEASE

Montreal, QC – March 16, 2026

ONCHOCERCIASIS ESOPHAGOGASTRODUODENOSCOPY Unleashes Blasting Fury and Vile Gutturals w/ “Gutted & Corpsed”

New Album “Fugue Gnawed from the Scabbed God Cerebrum” Out April 2026 via Gore House Productions

L – R – The Popuko – Guitars, Drums, Bass, Backing Vocals, Alice Simard – Guitars, Drums, Jesse Agiomamitis – Vocals

Stillbirth Records / Gore House Productions proudly presents “Gutted & Corpsed,” the second single from apocalyptic brutal death metal entity Onchocerciasis Esophagogastroduodenoscopy (OxE). The track follows the pulverizing first single “Hurt Beyond Healing,” offering another glimpse into the dissonant, experimental, and violently immersive world of the band’s upcoming full‑length “Fugue Gnawed from the Scabbed God Cerebrum,” out April 3rd, 2026.

Where “Hurt Beyond Healing” delivered a “standard ass‑beater” of frantic riffs and chaotic vocal assaults, “Gutted & Corpsed” dives deeper into OxE’s alien sonic architecture. The track erupts with relentless blasting and subterranean gurgles before collapsing into a nightmarish mid‑section, “like a portal to the underworld has been opened,” as the band describes it. Angular riffs, unearthly shrieks, and warped textures pull the listener into a disorienting void before the song returns to its opening barrage with renewed ferocity. Lyrically, it pushes the album’s overarching theme of cosmic annihilation forward, delivered through OxE’s signature cryptic, imagery‑driven writing style.

“We chose this as one of our singles because it’s relatively straightforward compared to what people can expect elsewhere on the LP. But some of our weirder elements are still present in both our first single Hurt Beyond Healing and now this second Gutted & Corpsed,” says vocalist Jesse Agiomamitis.

Listen to “Gutted & Corpsed” via its premiere on NoCleanSinging HERE.

“Fugue Gnawed from the Scabbed God Cerebrum” marks OxE’s most ambitious and experimental release to date. Musically, the album is a labyrinth of dissonant brutality, warped synths, and organic instrumentation, subjected to “various levels of sonic destruction,” creating an alien, otherworldly soundscape. German multi‑instrumentalist The Popu cites Nithing, Agonal Hymns, and Dripping’s “Disintegration of Thought Patterns During A Synthetic Mind Traveling Bliss” as major influences on the LP’s sonic identity. Lyrically, the album follows a cryptic narrative centered around a cosmic “godslayer” on a universe‑shattering rampage, an allegory for inner turmoil, mental illness, and existential collapse.

“Start‑to‑finish, the album is dissonant, punishing, and disorienting. The character and his actions mirror the overall feeling of the album: cold, calculated, and violent,” adds Jesse.

The album’s artwork, created by the renowned Mei Maro, weaves together mythological, folkloric, and personal influences into a single grotesque vision that reflects the band’s thematic obsessions.

Recommended for fans of Deathspell Omega, Disentomb, Artificial Brain, First Fragment, Disgorge, and Ulcerate, OxE‘s “Fugue Gnawed from the Scabbed God Cerebrum” is their longest and most refined release yet: no filler, no restraint, and no compromise.

Album pre-order for CD, Cassette, and digitally from Stillbirth Records / Gore House Productions at https://orcd.co/scabbed-god-cerebrum

Formed in Quebec City, Onchocerciasis Esophagogastroduodenoscopy began as a solo project by guitarist Alice Simard before evolving into a multinational trio with the addition of Australian vocalist Jesse Agiomamitis and German multi‑instrumentalist The Popu. Their sound, described in five words as Inhuman, Unnerving, Calculated, Chaotic, Apocalyptic, draws from brutal death metal, black metal, avant‑garde experimentation, and influences ranging from Dark Souls to Berserk to real‑world mythology.

Track Listing:
1. Conquering Divinity – 3:17
2. The Fallen Lament, Paralytikus Ascends – 1:21
3. Severing What Makes Me Human – 2:41
4. Apotheotic Apotemnophilia – 3:03
5. Entombed Within the Infinite Panopticon – 2:23
6. Gutted & Corpsed – 3:05
7. Heaven’s Empty Halls – 5:13
8. Hurt Beyond Healing – 2:33
9. Abyssikataplexika – 2:35
10. Vile Verses Flogged into the Wings of Angels – 1:23
11. Forged in the Blackest Reaches of Blasphemy – 4:58
Album Length: 32:32

ROLES:
Jesse Agiomamitis: Vocals, Lyrics
Alice Simard: Composition, Guitars, Lead Guitars
The Popu: Additional Songwriting, Mixing and Mastering, Guitars, Bass, Orchestration and Sound Design, Additional lyrics, Additional Vocals

More info:

https://gorehouseproductions.com/

https://www.facebook.com/OnchoOfficial

https://www.instagram.com/onchocerciasis_official

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“It’s brutal as fuck, but it’s also explores the entire bouquet of sick creativity extreme music has to offer. The Fallen Lament is fun. It’s violent and it loves to blur boundaries between already scummy, disgusting genres.” – Vox & Hops Metal Podcast (The Fall Lament – 2024)

“This EP is definitely for the lovers of the extreme – fans of Deathspell Omega, Defeated Sanity, and Ulcerate will dig the fuck out of this record. So will fans of Dehumanizing Itatrian Worship, whose Kiryu Zhang contributes vocals on the last track of the EP, ‘Facial Gutting’. 9/10” – Ever Metal (The Fall Lament – 2024)

“The tracks revolve around blast beats and slams with some truly impressive breakdowns on display. Lyrics are themed around many different influences including mental health issues that have plagued the bands members, anime and video games making for an interesting read. In essence this EP provides a really promising preview of things to come for this band, who have the potential based on this evidence of creating something special.” – The Razor’s Edge (The Fall Lament – 2024)

“OxE are a different beast, very heavy and extreme but different to most bands of this ilk. The best way to describe them would be like Mortician, but with slam riffs! They have that downtuned bass that trawls the depths of hell with its tone and razor-sharp guitars, frantic programmed drums and some seriously deranged vocals. The tracks are short and sweet, the whole EP only goes on for ten minutes twenty one secs but in that time, you feel so bludgeoned and battered listening to it that it feels much longer, almost like you are succumbing to some exquisite torture!| – The Razor’s Edge (The Fall Lament – 2024)

“What’s cool here is when the music slows down almost to a crawl and sounds creepy as fuck, with a horror/suspense-like feeling that’s not without reminding me of some of the most disgusting episodes of the X-Files when they had some kind of monster eating its victims or what have you, and you can probably throw in a few horror B-movies in there as well. The Fallen Lament is kind of chaotic and dissonant and certainly sets itself apart in the sea of brutal death metal releases out there. 4/5” – The MetalCrypt (The Fall Lament – 2024)

“primal and brutal variety of dramatic and booming extreme metal ” – The Viking in the Wilderness (The Fall Lament – 2024)

“Brutal gore death grind metal with pig squeally vox” – 89.9 WORT FM – The Moshpit (Madison, WI) (The Fall Lament – 2024)

“It’s been a long time since I heard anything like this mentioned, and the truth is that I haven’t been disappointed. Those from Canada bring us the best formula to execute it. This is based on being as heavy as they are fluid, without giving up the occasional surprise in the form of extra convolutions, which, by the way, fits like a glove. I was extremely grateful that they didn’t focus on composing ultra-heavy and simplistic «ruido» with little direction twist like many others do, reminding us once again that Slam can be rich in nuances within its borders.” – Broken Tomb (The Fall Lament – 2024)

—
ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780
jon[@]ashermediarelations[.]com
Facebook @AsherMediaRelations
Instagram @AsherMedia
Tweet @AsherMedia

0 PIRANHA PIT FEST III (Montreal) Announces 2026 Lineup w/ MACABRE, KINGS OF THRASH, GORGASM, ATROPHY, PESSIMIST, DBC, and More!

March 16, 2026
by Asher
· Music News · Piranha Pit Fest

NEWS RELEASE

Montreal, QC – March 16, 2026

Festival Assets – Photos, Posters, Set Times HERE (for media use only)

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PIRANHA PIT FEST III (Montreal) Announces 2026 Lineup w/ MACABRE, KINGS OF THRASH, GORGASM, ATROPHY, PESSIMIST, DBC, and More!

PIRANHA PIT FEST III has unleashed its 2026 lineup for two ferocious nights of death metal, thrash, and heavy metal mayhem returning to Montreal on May 1–2, 2026. Presented by Piranha Bar (680 Ste-Catherine Ouest) and Dungeonworks Productions, the festival welcomes metal fans back for one of the city’s most extreme annual events featuring MACABRE, KINGS OF THRASH, GORGASM, ATROPHY, PESSIMIST, DBC, and many more.

Friday night will erupt with breakneck speed, gore‑drenched riffs, and pure old‑school savagery as some of death metal’s most respected forces descend upon the city. Saturday night will shift into a high‑voltage celebration of classic thrash, speed, and the unshakable power of traditional heavy metal.

Facebook Event: https://www.facebook.com/events/1154523419943924/
Tickets (Individual daily ticket or Weekend Pass) – https://www.eventbrite.com/e/piranha-pit-fest-3-tickets-1977767497826

Ticket holders will receive a bracelet based on their ticket type. Weekend‑pass holders will keep the same bracelet on for the entire duration of the festival.

Check out the festival Spotify playlist – https://open.spotify.com/playlist/0uQStdodVpgpAkvnx5d8Ak

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Co-headlining opening Friday night on May 1st, Chicago’s long‑running trio MACABRE brings their unmistakable brand of Murder Metal to Montreal, an unholy fusion of death metal, thrash, grind, and twisted nursery‑rhyme melodies. Since 1985, the band has carved out a cult legacy with their darkly humorous, true‑crime‑obsessed storytelling and a lineup that has remained unchanged for four decades. Expect a wild, theatrical, and utterly unmistakable performance from one of extreme metal’s most unique and enduring acts.

Music Video – Joe Ball Was Hi Name – https://www.youtube.com/watch?v=O8_WaVOwfA4

Also co-headlining night one of Pit Fest III, Chicago’s GORGASM stands as one of the defining forces in American brutal death metal. Since the mid‑90s, the band has carved out a reputation for hyper‑technical riffing, relentless blast‑driven intensity, and a signature blend of brutality and precision that helped shape the genre’s modern sound. Their cult‑classic releases, packed with surgical musicianship and uncompromising extremity, have earned them a loyal global following. Expect a devastating, high‑velocity set from one of brutal death metal’s most respected and enduring names.

Visualizer – Carnal Demise – https://www.youtube.com/watch?v=-4KLfltEE5s

Also supporting Friday night, extreme‑metal veterans PESSIMIST, born from Baltimore’s early ’90s death‑metal underground, have long carved out their own territory with a vicious blend of technical precision, old‑school thrash influence, and a relentlessly dark, sinister atmosphere. The band is now gearing up for the release of “Keys to the Underworld,” their first full‑length album in over two decades, with early previews hinting that it may be their most uncompromising and extreme material yet.

Album Stream – Slaughtering the Faithful – https://www.youtube.com/watch?v=DoSP0qXr5cw

Co-headlining night two on Saturday, May 2nd, featuring former classic‑era members of Megadeth, David Ellefson and Jeff Young, KINGS OF THRASH deliver a high‑octane celebration of the golden age of American thrash metal. Known for performing iconic albums and deep cuts from the genre’s most influential catalog, the band brings unmatched authenticity, razor‑sharp musicianship, and the raw spirit of the 80s thrash movement. Their live shows are a full‑throttle tribute to the era that shaped heavy metal history, making them a must‑see highlight for fans of speed, precision, and old‑school aggression.

Music Video – Lockdown – https://www.youtube.com/watch?v=d9eqD1kMDqQ

Also co-headlining Saturday Night, Tucson, AZ’s ATROPHY are one of Arizona’s most respected thrash exports, known for their razor‑tight riffing, socially charged lyrics, and high‑energy attack. Their two late‑80s/early‑90s albums on Roadrunner Records, Socialized Hate and Violent by Nature, earned them a devoted cult following and cemented their place in the classic thrash canon. After reuniting in recent years with renewed fire, Atrophy continues to deliver the same sharp, adrenaline‑fueled intensity that made them stand out in the genre’s golden era. Expect a fierce, old‑school thrash assault from a band that helped define the sound of Southwestern speed metal.

Lyric Video – Punishment For All – https://www.youtube.com/watch?v=ECg8hBDyhn4

Also supporting night two, local legends and a cornerstone of Quebec’s late‑80s thrash scene, DBC (Dead Brain Cells) emerged from Montreal with a sound that blended razor‑sharp speed, crossover energy, and socially conscious lyrics. Their cult‑classic albums Dead Brain Cells (1987) and Universe (1989) showcased a band unafraid to push beyond traditional thrash, mixing technical musicianship with progressive, sci‑fi‑driven themes. After years of underground reverence, DBC’s return to the stage has reignited their legacy as one of Canada’s most unique and forward‑thinking thrash exports. Expect a powerful hometown performance from a band that helped shape Montreal’s metal identity.

Lyric Video – Pendulum – https://www.youtube.com/watch?v=GDgyjvpKuoU

Other standout attractions at this year’s Pit Fest III: Canadian (Montreal/Toronto) metal veterans ENTROPY, known for their fierce blend of thrash, death, prog, groove, and power metal. With four independent albums and a global cult following, they’ve shared stages with legends like Annihilator, Fear Factory, Razor, Obituary, and Anvil. Expect a hard‑hitting set from one of Canada’s most distinctive underground acts. Montreal’s DOUBLE CROSS is a crossover thrash/hardcore delivering fast, aggressive, no‑frills energy. With their raw punk edge and high‑intensity live attack, they are one of the city’s rising underground standouts. Montreal crossover thrashers MUTANK explode with high‑energy, pit‑ready aggression inspired by Slayer, Exodus, D.R.I., and Suicidal Tendencies. Formed in 2013, they’ve built a reputation for fast, chaotic riffing, wild live shows, and a relentless DIY spirit. Their long‑awaited new album, Think Before You Think, marked their return with ten tracks of volcanic thrash fury, following their cult‑favorite EP W.H.A.T.S.T.H.A.T. and their Wacken Open Air appearance after winning the Wacken Metal Battle Canada. Expect a ferocious, high‑octane set built for moshing. Toronto’s WARMACHINE delivers a melodic yet heavy blend of power and thrash metal, active since 1994 and recently revived after a five‑year hiatus. Led by vocalist/guitarist Joe Di Taranto, the band is known for tight musicianship, strong hooks, and energetic live performances. With albums like Left for Dead and a new release in the works, Warmachine returns to the stage with renewed fire and a sharpened modern edge.

FRIDAY, MAY 1 – DEATH METAL NIGHT
Headlined by two legendary forces of brutality:
Macabre (co-headliners)
Gorgasm (Co-headliners)
Pessimist
Lividity
Deceased
Disgust
Double Cross
Cystic Embalmment

SATURDAY, MAY 2 – THRASH & HEAVY METAL NIGHT
Featuring a massive thrash metal showcase:
Kings of Thrash (co-headliners)
Atrophy (co-headliners)
DBC (Dead Brain Cells)
Meliah Rage
Warmachine
Entropy
Deadwolff
Mutank
Stregoneria
World On Alert

About PIRANHA PIT FEST:
Launched as a celebration of Montreal’s thriving extreme‑music community, PIRANHA PIT FEST has quickly become a staple for fans of death metal, thrash, and underground heavy music. The 2026 edition marks its biggest and most ambitious lineup yet, bringing together international heavyweights and local legends for two nights of pure sonic devastation.

For more info: https://www.facebook.com/dungeonworksprods

Sponsored by:
OROCK Longueuil Inc.
Loud Trax
Absolute Underground Magazine
Labatt
Asher Media Relations

– 30 –

—
ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780
jon[@]ashermediarelations[.]com
Facebook – Asher Media Relations
Instagram – AsherMedia
Tweet – AsherMedia

0 Protected: EPK – Volubilis – Theasterion (2026)

March 15, 2026
by Asher
· EPKs · Volubilis

This content is password-protected. To view it, please enter the password below.

Password:

0 France’s HIGHWAY Turn Up the Voltage with AC/DC Inspired Single “D.K./D.C.” from New Album “Last Call for Rock’N’Roll” Out April 2026

March 13, 2026
by Asher
· HighWay · Music News

NEWS RELEASE

Montreal, QC – March 13, 2026

France’s HIGHWAY Turn Up the Voltage with AC/DC Inspired Single “D.K./D.C.”

New Album “Last Call for Rock’N’Roll” Out April 2026

L-R – Ben Chambert – Lead Guitar, Backing Vocals, Florian Arnaud – Rhythm Guitar, Backing Vocals, Benjamin Folch – Lead Vocals, Cerise Pouillart – Bass, Backing Vocals, Romain Chambert – Drums

Photo Credit – Mr. Cana Photography

France’s high‑voltage hard rockers HIGHWAY fire up the engines once again with the release of their explosive third single, “D.K/D.C”, taken from their upcoming sixth studio album “Last Call for Rock N’ Roll,” arriving April 24th, 2026, via Rock City Music and distributed physically by FTF-Music and digitally by Virgin Music.

After the anthemic road‑warrior spirit of “Hi‑Way” and the swaggering arena‑rock punch of “¡Bang Bang!”, the band now unveils one of the album’s most unifying and rebellious tracks, a song built to be shouted back by thousands of fans.

“D.K/D.C”, short for “Don’t Know / Don’t Care”, opens with a subtle, unmistakable AC/DC‑inspired picking intro, a playful wink to the band that first ignited HIGHWAY’s passion back in 1999. But the track quickly evolves into something entirely their own: a dynamic, tension‑building rocker that teases, coils, and finally erupts into one of the biggest choruses on the album.

This isn’t a full‑throttle assault from the first second; it’s a slow burn, a prelude before the explosion, a rock’n’roll tease that pays off in pure catharsis. Lyrically, “D.K/D.C” closes the motivational trilogy started with “Go! Go! Go!” and continued with “Let Me.”

This final chapter is a bold declaration of independence: Forget the haters. Forget the judgment. Forget the noise. Live your life your way. Chase your happiness; nothing else matters. It’s a rallying cry for anyone who’s ever felt held back, criticized, or boxed in. A middle finger to conformity. A celebration of personal freedom.

With its nervous, electrifying groove, massive backing vocals from new members bassist Cerise Pouillard and guitarist Florian Arnaud, and a chorus designed to shake venues to their foundations, “D.K/D.C” is destined to become a live highlight. This is the kind of song that transforms concerts into communal explosions of energy, fists in the air, voices united, sweat flying, amps roaring.

HIGHWAY themselves describe the chorus as:

“One of the great moments of the album, and one of the great moments to come on stage.”

“D.K/D.C” also showcases the band’s revitalized lineup and their most powerful sound to date. Twin guitars are back for the first time since 2007. Cerise Pouillard brings thunderous bass and soaring backing vocals. Florian Arnaud adds precision, fire, and vocal power. Produced and mixed by Brett Caldas‑Lima (Ayreon, Devin Townsend, Megadeth) for a rich, organic, high‑voltage sound. This is HIGHWAY at full strength, confident, mature, and unapologetically rock’n’roll.

Listen to the music video for “D.K/D.C” at https://www.youtube.com/watch?v=8FUFvVMWXQ4

Add to your Spotify playlist – https://kuronekomedia.lnk.to/LCFRnR

A 12‑track journey through power, melody, emotion, and pure hard‑rock spirit, “Last Call for Rock N’ Roll” marks HIGHWAY’s triumphant return to full electric force after their acoustic detour on The Journey (2022). It’s their most personal, diverse, and ambitious record yet, a rallying cry for a world losing its spark.

With over 500 shows across Europe, six albums, and a reputation as part of the new wave of European classic hard rock, HighWay have shared stages with Michael Schenker Group, Gotthard, Jeff Scott Soto, Kissin’ Dynamite, Nashville Pussy, and more.

Recommended for fans of AC/DC, Aerosmith, Extreme, Guns N’ Roses, and Queen, “Last Call for Rock’N’Roll” is available for pre-order on CD Digipack and exclusive collector LP at https://highwayshop.sumupstore.com/

Previous Singles:

Music Video – “Hi-Way” – https://www.youtube.com/watch?v=qPYb7fBvNAU

Music Video – “¡BANG BANG!” – https://www.youtube.com/watch?v=kGpYOR4Xx20

Track Listing:
1. Last Call (For Rock N’ Roll) – 5:13
2. Hi-Way – 4:40
3. ¡Bang Bang! – 3:47
4. Nineties Action Movie – 5:16
5. Peace Out – 5:44
6. Mayday – 4:25
7. Go! Go! Go! – 5:48
8. Let Me – 4:54
9. D.K/D.C – 3:16
10. Rat Race – 6:00
11. Action – 4:32
12. (Don’t) Look Back – 5:09
Album Length: 58:48

Album Band Line Up:
Ben Chambert: Lead guitar, Backing vocals
Benjamin Folch: Vocals
Sam Marshal: Bass Guitar, Backing vocals
Romain Chambert: Drums

Live Band Line Up:
Ben Chambert: Lead guitar, Backing vocals
Florian Arnaud: Rhythm guitar, Backing vocals
Benjamin Folch: Vocals
Cerise Pouillart: Bass Guitar, Backing vocals
Romain Chambert: Drums

More info: https://linktr.ee/highway_the_band

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“With this Last Call For Rock’n Roll, HighWay is strong. Throughout the 12 tracks, we feel the hard work put in by the musicians. The production really honors it. The 9/10 is easily imposed because this album is extremely enjoyable. Only one thing to hope for, that this is not their last call for rock’n roll, and that they continue to spread the good word in this way!” – Rock Meeting

“As they say in wild west saloons soaked in rock, sweat, smoke and beer, with HighWay it plays serious!!With this Last Call For Rock’n Roll, HighWay is strong. Throughout the 12 tracks we feel the great work put in by the musicians. The production really honors it.” – Vinyl Times

“This track (Bang Bang) fires with brash confidence while questioning the cost of excess. Beneath the swagger sits a sharp self-interrogation about fame, wealth, image, and the anxiety of choosing one path over another. Repetition becomes pressure, mirroring a mind spiralling under desire and doubt. It lands as both celebration and warning, pairing arena-sized hooks with a knowing sense of consequence that gives the noise purpose rather than empty bravado and lasting emotional weight beyond the chorus. To close, this single and forthcoming album won’t gather dust in any collection, and will keep feet tapping and heads bouncing from sofa to stage. So why not clear a space, and give Highway a try for 2026. Star Rating 9/10” – Stargazer Music Magazine

“THANK YOU TO HIGHWAY WHO SUPPORTED US ON OURMISSION EUROPEAN TOUR. A GREAT BAND WHO RECEIVED A SUPERB REACTION FROM OUR FANS.” – Michael Schenker

“IT WAS A PLEASURE HAVING YOU GUYS! YOU TRULY LIVE THE ESSENCE OF ROCK N ROLL” – Jeff Scott Soto

“The Journey” proves to be an album of great richness confirming HighWay’s talent.” – Music Waves (2022 – The Journey)

“We let ourselves be lulled by the ever-present groove. The American spirit allows this album, as exemplified by ” Motel in Alabama,” on which Benjamin Folch excels, accompanied by discreet backing vocalists. Here, we navigate through emotion, skill, and warmth. Surprises abound, some truly astonishing. We’re swept away to a Spanish-infused fiesta with ” In the Circus of Madness ,” a genuine gem of exquisite delicacy. Musically, we find club-like and sometimes intimate atmospheres, with light touches of violin and piano (” Have A Beer “), and captivating choirs ( “Freedom “). The finale, “The Journey,” is practically a rock opera. There’s no need to list them all here, as the title “The Journey” says it all. HIGHWAY has what it takes to hold their own against many internationally established bands, and I hope they receive the recognition they deserve. Well done!” Among The Living (2022 – The Journey)

“What 80’s lover will resist this totally festive spirit, which mixes ambition (Become Someone), love of music(I Like It, United States Of Rock’N’Roll), or sex (Mr King Size, Highway O Love) ? All the clichés of the unstoppable album are there, proud to resurrect a past that we thought had disappeared but which was in reality only asleep. Despite some sometimes approximate choruses (Breath of life), HIGHWAY manages to carry me in his luggage every time he listens. That’s why I’m getting carried away… HIGHWAY joins the exclusive club of teams capable of breaking down borders in order to explode abroad. On two conditions: tirelessly travel the roads of France and Navarre in order to convince the public and force themselves to publish a new album within the next eighteen months. Do everything, in short, so that we talk about HIGHWAY. Will promotion, distribution, financial and media resources be there ??? To be continued very, very closely…” – Metal-Integral (2022 – The Journey)

“From start to finish Ben Chambert is literally the driving force behind this album. Exploring melodies influenced by southern Blues Rock, with a heavy taste of early Guns N’ Roses, it immediately grips your attention. And the solos, though short, are very decent. Another interesting feature about Highway that really stands out is the outstanding vocals chorus done in a very Queen-like fashion, without taking the spotlight away from the lead singer Benjamin Folch. Naturally, his voice is very pure Rock oriented, with a taste of whisky to it. Harsh, yet melodic, and capable of diverse vocal arrangements, and a brilliant English fluency. This is brilliantly demonstrated in “Separate Ways”, as well as a Ronnie James Dio reminiscence in “Damned Me”. Jeff Scott Soto, longtime friend as roadrunner of the band, made a strong contribution in «Wake Up». In conclusion, “IV” is a great return from Highway and it won’t disappoint Rock fans, especially those who are already familiar with the band’s work and sonic identity. 8/10” – The Black Planet (IV – 2017)

“So yes, this latest one has been a long time coming, but the result is up to par, high-end hard rock, don’t miss it from this pancake, don’t hesitate to buy, and it more than deserves to support this group! And fingers crossed that the baby will be followed by lots of little brothers and sisters !” – Rock Meeting (2017 – The Chronicle)

“From the 1st note with the assertive blaster ‘Become Someone’ that’s followed up with the old school crackly effect mono blues starting ‘I Like It’ and later the bluesy ballad ‘Freedom’. There is also the amazing acoustic ‘Highway O’ Love’ and the AC/DC Johnson-era guitar sounding ‘On My Knees’ to get excited over. Complete proof that France has some killer bands on offer in the way of Rock!” – Metalville Zine (2011 – United States of Rock n Roll)

“In the end, another beautiful representative of the quality of hard rock in France, delivered by a happy group of friends, and led by a damn good guitarist. To listen but above all to see on stage because the energy and good humor they exude cannot leave you indifferent.” – Aux Portes du Metal (2011 – United States of Rock n Roll)

—-

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Jon Asher – Music Publicist
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0 RAVENMOCKER Delivers Second Single of 2026 w/ The Native American Lore of “Where The Raven Flies”

March 12, 2026
by Asher
· Music News · Ravenmocker

NEWS RELEASE

Montreal, QC – March 12, 2026

RAVENMOCKER Delivers Second Single of 2026 w/ The Native American Lore of “Where The Raven Flies”

L-R – Will Buckley – Bass, Tom Tierney – Guitar and Vocals, Dylan Suierveld – Drums, George Patmas – Guitar

Photo Credits – Kim Moran – Photographer – Darkslate Media

Southern California melodic death metal newcomers Ravenmocker have unleashed their second single, “Where The Raven Flies,” in 2026, following the strong reception of their debut track, “Infallible.” The new single continues building the band’s identity: soaring melody, cultural storytelling, and a modern take on the melodic death metal spirit once championed by acts like Children of Bodom, Insomnium, and Kalmah.

Formed in 2025 by guitarist/vocalist Tom Tierney after departing Thrown Into Exile, Ravenmocker was born from a desire to create music that honored Tierney’s Native American heritage while embracing the emotional depth and melodic aggression he had been writing for years.

“I wanted to forge my own path with songs that didn’t have a home yet. Ravenmocker became the vessel for that—something cultural, melodic, and meaningful,” says Tierney.

“Where The Raven Flies” is an anthemic, cinematic track that tells the origin story of the Raven Mocker, a cryptid from Adirondack and Cherokee lore. Known as a harbinger of death, the Raven Mocker feeds on the sick and dying, stealing the remaining years of its victims’ lives. The single paints vivid imagery of the creature soaring over forests and villages, acting as both reaper and omen.

The single’s artwork mirrors this mythology: a raven perched on a branch beneath a rising moon, its eyes glowing with supernatural intensity as a flock circles overhead. The visual directly reflects the music video filmed in Angeles National Forest, captured by Darkslate Media.

“Kim and Andrew took the song’s visceral, lofty feel and turned it into visual art. It’s beautiful, eerie, and exactly what the track needed,” explains Tierney.

Compared to “Infallible,” the band describes the new single as “loftier, more epic, and meant to feel like gliding over mountains and trees while still hitting hard.”

Ravenmocker’s lineup brings together musicians from across the Southern California metal scene: vocalist and guitarist Tom Tierney (formerly Thrown Into Exile), guitarist George Patmas (ex‑Dianthus), drummer Dylan Suierveld (Levinia), and bassist Will Buckley (Levinia, Anubis).

Their combined influences, melodic death metal, blues, prog, jazz, funk, and even classic country, shape a sound that is intricate yet accessible, emotional yet aggressive.

“We want to write songs people can sing with us at shows. Melodies that stick with you. Emotion you can feel,” adds Tierney.

The band’s writing process is collaborative and evolving. While Tierney brought the foundation of the first EP, the new material is shaped by all members. “Where The Raven Flies” itself features a key change and expanded structure suggested by drummer Dylan, an example of the band’s open, exploratory approach.

Ravenmocker’s first single, “Infallible,” quickly gained traction online, with early clips surpassing 75,000 views and drawing praise for its melodic hooks and nostalgic energy reminiscent of early 2000s melodic death metal. Fans have responded to the band’s blend of modern production, emotional lyricism, and classic melodic sensibilities.

“We want to give the scene something familiar enough to feel nostalgic, but unique enough to be refreshing. There’s beauty in simplicity and melody, and we’re leaning into that,” adds Tierney.

With “Where The Raven Flies” marking the second release of 2026, Ravenmocker is preparing to introduce their full debut EP later this year. The band promises a wide emotional and musical range, from thrashy aggression to ballad‑like atmosphere, crafted to resonate with fans of melodic death metal’s golden era while carving out a new identity of their own.

“We’re just getting started. These songs were years in the making. Now we finally get to share them,” comments Tierney.

“Where The Raven Flies” can be heard along with its music video premiere on Decibel Magazine HERE.

Spotify pre-save – https://distrokid.com/hyperfollow/ravenmocker/where-the-raven-flies/

More info:

https://www.ravenmocker.net/

https://www.instagram.com/ravenmockerofficial

https://www.facebook.com/ravenmockerofficial

https://www.tiktok.com/ravenmockerofficial

About:

Formed in Southern California in 2025, Ravenmocker is a melodic death metal band founded by guitarist/vocalist Tom Tierney (formerly of Thrown Into Exile). Joined by George Patmas (guitar), Dylan Suierveld (drums), and Will Buckley (bass), the band blends soaring melody with raw aggression, drawing influence from melodic death metal giants while infusing elements of country, jazz, blues, funk, and classical orchestration.

Their music explores personal struggle, emotional catharsis, cultural identity, and the resilience found in confronting darkness head‑on.

In 2026, Ravenmocker will introduce themselves to the global metal community with their debut singles “Infallible” and “Where the Raven Flies,” leading into their first EP.

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“In this song (Infallible) Ravenmocker set the hook immediately with a vibrantly darting melody that will quickly remind listeners of Finnish melodic death metal greats, and every time that high-flying (and very catchy) melody line reappears it’s an electrifying experience. But so’s the rest of the song. It’s driven by hard-charging, head-hammering drums and nimble bass lines, and by riffing that both channels a feverish pulse (one that’s a variation on that opening melodic motif) and delivers slashing savagery. The vocals magnify the song’s ferocious intensity, venting the words in an intersection of cutthroat snarls and raging screams. This will get your blood pumping, and to repeat: it’s damned catchy too.” – No Clean Singing

—
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0 Thanks You Canadian MDs and DJs for the airplay love! !earshot – January 2026 – top 20 loud #4 Triskelyon, #8 Juliet Ruin

March 11, 2026
by Asher
· Juliet Ruin · radio charts · Triskelyon

Thanks You Canadian MDs and DJs for the airplay love!
!earshot – January 2026 – top 20 loud
#4 Triskelyon, #8 Juliet Ruin
https://earshot-online.com/charts/2026/January/loud.cfm

0 Thank You Canadian MDs and DJs for the airplay love! For the Week Ending: Tuesday, March 10, 2026 !earshot – The National Loud Chart #2 Pythonic, #5 Woodhawk | CFBX 92.5 FM – Kamloops Loud – #1 Woodhawk, #3 Born Divided | CFOU 89.1 FM – Trois-Rivieres Loud – #9 Triskelyon | CFUV 101.9 FM – Victoria Loud – #7 Outlying | CJLO 1690 AM – Montreal Loud – #3 Pythonic | CJSR 88.5 FM – Edmonton Loud – #7 Outlying | CJSW 90.9 FM – Calgary Loud – #4 Pythonic, #6 Triskelyon, #10 Cepheidae Variable | CJUM 101.5 FM – Winnipeg Loud – #8 Gravewitch | CFRU 93.3 FM – Guelph Top 30 – #26 Daidalos – Rockshots Records | CICK 93.9 FM – Smithers Top 30 – #4 Unpunished | CJLO 1690 AM – Montreal Top 30 – #15 Pythonic

March 11, 2026
by Asher
· Born Divided · Cepheidae Variable · Daidalos · Gravewitch · Outlying · Pythonic · radio charts · Triskelyon · Unpunished · Woodhawk

Thank You Canadian MDs and DJs for the airplay love!
For the Week Ending: Tuesday, March 10, 2026
!earshot – The National Loud Chart
#2 Pythonic, #5 Woodhawk
https://earshot-online.com/charts/index.cfm?intChartTypeID=106&dWeekOfID=2026-03-10
============
CFBX 92.5 FM – Kamloops
Loud – #1 Woodhawk, #3 Born Divided
https://earshot-online.com/charts/cfbx.cfm?intChartTypeID=6&dWeekOfID=2026-03-10
============
CFOU 89.1 FM – Trois-Rivieres
Loud – #9 Triskelyon
https://earshot-online.com/charts/cfou.cfm?intChartTypeID=6&dWeekOfID=2026-03-10
============
CFUV 101.9 FM – Victoria
Loud – #7 Outlying
https://earshot-online.com/charts/cfuv.cfm?intChartTypeID=6&dWeekOfID=2026-03-10
============
CJLO 1690 AM – Montreal
Loud – #3 Pythonic
https://earshot-online.com/charts/cjlo.cfm?intChartTypeID=6&dWeekOfID=2026-03-10
============
CJSR 88.5 FM – Edmonton
Loud – #7 Outlying
https://earshot-online.com/charts/cjsr.cfm?intChartTypeID=6&dWeekOfID=2026-03-10
============
CJSW 90.9 FM – Calgary
Loud – #4 Pythonic, #6 Triskelyon, #10 Cepheidae Variable
https://earshot-online.com/charts/cjsw.cfm?intChartTypeID=6&dWeekOfID=2026-03-10
============
CJUM 101.5 FM – Winnipeg
Loud – #8 Gravewitch
https://earshot-online.com/charts/cjum.cfm?intChartTypeID=6&dWeekOfID=2026-03-10
============
CFRU 93.3 FM – Guelph
Top 30 – #26 Daidalos – Rockshots Records
https://earshot-online.com/charts/cfru.cfm?dWeekOfID=2026-03-10
============
CICK 93.9 FM – Smithers
Top 30 – #4 Unpunished
https://earshot-online.com/charts/cick.cfm?dWeekOfID=2026-03-10
============
CJLO 1690 AM – Montreal
Top 30 – #15 Pythonic
https://earshot-online.com/charts/cjlo.cfm?dWeekOfID=2026-03-10

0 Toronto’s THE DIVINE PROJECT Unleashes New Video “The Revolt” + Ontario March Mayhem 2026 Tour w/ SELIAS

March 11, 2026
by Asher
· Music News · The Divine Project

NEWS RELEASE

Montreal, QC – March 11, 2026

THE DIVINE PROJECT Unleashes New Video “The Revolt” + Ontario March Mayhem 2026 Tour w/ SELIAS

TDP – L-R – Mitch Greenham (Drums) | Eric Divine (Guitar) | Ro Stevens (vocals) | Derek ‘DRock’ Boshkov (Bass) | David T.Anselmo (Guitar)

Photo by: Ivan Gaitan-Ruiz (IG: @pato.feoart)

The Divine Project stormed into November 2025 with their latest EP “Rebirth”, their heaviest, fastest, and most defiant chapter yet. The four‑track EP marks a full-scale transformation for the Greater Toronto Area metal force, introducing a sharpened lineup, a more complex sonic identity, and a renewed mission to drag the “underground” into the spotlight. Alongside the EP, the band has dropped their newest video for “The Revolt” and confirmed a run of Ontario tour dates this March with Selias, including stops in London, Oshawa, and a hometown show in Toronto (dates listed below).

The Divine Project describes “Rebirth” as a declaration, an intentional reintroduction of the band as faster, heavier, and more complex than ever before. The EP channels frustration, defiance, and emotional upheaval into four tracks that move through uprising, collapse, psychological tension, and survival.

“We set the goals to reintroduce The Divine Project to the world as a faster, heavier, and more complex band… Rebirth is our new beginning and our way of saying The Divine Project is here to stay,” adds the band.

The band’s latest music video, “The Revolt,” is the opening track from “Rebirth” and sets the tone for the EP with precision, tight, punchy drums, razor‑edged guitars, and a chorus engineered to erupt onstage. The track is both an anthem and a warning.

Lyrically, “The Revolt” confronts the hypocrisy of self‑justified power structures and the cyclical nature of uprising.

“It sounds like a battle cry on the surface, but it’s more about being self‑aware and uncomfortable. If we don’t take action now, we fall into ‘us versus them.’ We must talk about the revolt now to prevent it from occurring,” says the band.

Watch the video for “The Revolt” at https://www.youtube.com/watch?v=suxgZ3EqZtE

and their previous video “Don’t Startle The Murder” at https://www.youtube.com/watch?v=kQ3fpbeu_f8

The Divine Project will join Selias on tour this March. Fans can expect the band’s signature high‑energy, emotionally charged performance, raw, intense, and unapologetically heavy.

March Mayhem 2026 Tour w/ Selias, The Divine Project
Ticket info – https://www.tdp-official.com/event-list
March 13 – The Richmond Tavern – London, ON
March 14 – The Atria – Oshawa, ON
March 27 – See Scape – Toronto, ON

Hailing from the Greater Toronto Area, The Divine Project blends hard rock, metalcore, djent, and alternative metal into a sound that is emotive, aggressive, and unmistakably their own. Known for their electrifying live presence, the band has shared stages with Eyes Set To Kill, Black Satellite, Awake At Last, Sumo Cyco, and Escape The Fate.

The band is already deep into their next EP, heading into the studio this April. While “Rebirth” is fueled by anger, speed, and defiance, the next release explores darker emotional territory, a lonesome story with a faint glimmer of light.

Recommended for fans of Trivium, Linkin Park, Killswitch Engage, Static-X, and All That Remains, “Rebirth,” released November 28, 2025, is available at the following links:

Add to your Spotify playlist – https://open.spotify.com/album/1ROxx7e7BhrPDtZizNhsNk

Bandcamp – https://thedivineproject.bandcamp.com/album/rebirth

Track Listing:
1. The Revolt (3:46)
2. Ruins Of Truth (3:27)
3. Don’t Startle The Murder (4:18)
4. The Longest Night (5:53)
EP Length: 17:24

More info:

https://www.tdp-official.com/

https://www.facebook.com/thedivineproject/

https://www.instagram.com/TheDivineProject

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“… I’m simply left wanting more. Not from the track itself, but from an EP whose tracks each bring their own texturally layered elements, all melded together in an extraordinary Extended Play recording.” – Jay Broderick, LoudTO, 2025

“You know a band is special when they have a truly unique sound. Those were my thoughts when I gave this EP a listen.” – “Metal” Mike, @black_kross_zine, 2026)

—–
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0 Exitus Stratagem Records – MATT MILLER Shares New Tech-Death Playthrough “Abiotic Origin” Ahead of “3 Shredders Tour” w/ RENE BENTON, MANUEL & Special Guest BIKO WRIGHT

March 11, 2026
by Asher
· Matt Miller · Music News · Uncategorized

NEWS RELEASE

Montreal, QC – March 11, 2026

MATT MILLER Shares New Tech-Death Playthrough “Abiotic Origin”

“3 Shredders Tour” w/ RENE BENTON, MANUEL & Special Guest BIKO WRIGHT (History Channel’s Alone, Discovery’s Expedition Bigfoot)

New Album “Fiber Momentum” Out Now! via Exitus Stratagem Records

L-R – Justice Robinett (Bass), Jordan Kelso (Drums, Synth), Matt Miller (Guitars, Synth), Biko Wright (Vocals)

Photo Credit – Lilly May Everett

Tech‑death guitarist and composer Matt Miller is gearing up for a high‑velocity spring with the launch of the 3 Shredders Tour, a lead‑guitar‑driven showcase featuring shred icon Rene Benton and explosive guitar virtuoso Manuel Urgiles. The tour kicks off this April and channels the spirit of legendary guitar events like the G3 Tour, only heavier, faster, and rooted firmly in the extreme‑metal world.

The run supports Matt Miller’s latest LP, “Fiber Tormentum,” a sci‑fi‑infused technical death metal journey praised for its precision, atmosphere, and relentless musicianship.

To celebrate the upcoming tour, Matt Miller has released a brand‑new guitar playthrough video for “Abiotic Origin”. The video showcases Miller’s signature blend of sci‑fi atmosphere, hyper‑technical riffing, and cinematic composition. “Abiotic Origin” stands as one of the defining tracks on “Fiber Tormentum,” capturing the album’s fusion of futuristic storytelling and extreme musicianship.

Watch the playthrough at https://www.youtube.com/watch?v=AXXx2EN21OQ

The 3 Shredders Tour unites three elite players known for pushing the boundaries of modern metal guitar. In addition to Rene Benton’s blistering lead work, fans will also see him joined by Kelly Conlon, the legendary bassist formerly of Death, who performed on the iconic album “Symbolic” and toured with the band during that era. Conlon’s presence adds a historic and unmistakable layer of prestige to the tour’s lineup.

Adding even more star power, audiences will have the chance to meet Biko Wright, Matt Miller’s vocalist and a fan‑favorite survivalist from History Channel’s Alone and Discovery’s Expedition Bigfoot. His crossover appeal continues to draw both metal fans and viewers of his television work.

“We are stoked to be hitting the road this April with Manuel Del Giudice and Rene Benton, it’s going to be a shred guitar extravaganza! Also, get the chance to meet survival expert Biko Wright from the TV shows Alone and Expedition Bigfoot,” adds Matt Miller.

With three world‑class musicians on one bill, the 3 Shredders Tour promises a night of blistering solos, technical mastery, and genre‑bending creativity. Dates listed below with more to be announced.

The 3 Shredders Tour w/ Matt Miller, Rene Benton, Manuel, Biko Wright
April 10 – Reno’s Chop Shop – Dallas, TX
April 11 – Hi-Tone – Memphis, TN
April 12 – SK8 Bar – Kansas City, MO
April 13 – Reggie’s Music Joint – Chicago, IL
April 15 – Driftwood Charbar – Minneapolis, MN
April 16 – Boheme – Sheboygan, WI
April 17 – Alley Cat – Iowa City, IA
April 18 – Gray’s Keg – Lincoln, NE
April 19 – Rockwell Event Center – Amarillo, TX

Matt Miller’s September 2025 release, “Fiber Tormentum” on Exitus Stratagem Records, marks a major creative shift, evolving from an instrumental concept into a full band effort with vocalist Biko Wright, drummer Jordan Kelso, and bassist Justice Robinett.

“I knew it needed vocals and the input of other people to make it come to life,” says Miller.

The album blends technical death metal, power metal, and progressive elements into his heaviest and most melodic work yet, built around a loose sci‑fi concept of an alien species rewriting human DNA, an idea shaped by post‑COVID anxieties.

The late Joshua Nassaru Ward (Voraath) created the album’s striking artwork, depicting the agony of forced transformation, echoing the record’s themes of tension and invasion. Miller’s journey to this point includes launching his solo project in 2020, touring with Rings of Saturn and Possessed, and assembling a lineup with diverse musical backgrounds. Recording the album came with memorable moments from Wright tracking vocals between filming Expedition Bigfoot to the band getting banned from music stores for sampling high‑end instruments. Hidden somewhere on the record is Wright’s triumphant “One Take Willy” shout.

From his early 2017 EP to 2022’s “Monument of Velocity,” Miller has steadily pushed extreme music forward. Now backed by Extreme Management Group and a fully realized band, he continues to expand his sound and ambition.

Recommended for fans of Necrophagist, Symphony X, Wintersun, The Faceless, and Death, “Fiber Momentum” (released Sept 12th) is available on all major platforms through Exitus Stratagem Records.

Digital – https://hypeddit.com/mattmiller/fibertormentum

CD – https://www.exsrmusic.com/store/p/wnn3m10s6beq0pbmnot0e17ghvj629

Music Video – Effecively Neutralized – https://www.youtube.com/watch?v=hJDoR9JL9b8

Band Playthrough – Summoned – https://www.youtube.com/watch?v=5FJxxg_dd2k

Track Listing:
1. Descent into Violence (5:04)
2. Summoned (3:33)
3. Effectively Neutralized (4:53)
4. Blight and Disfigurement (3:23)
5. Maimed Paralyzed Dead (3:12)
6. Horror Beyond Comprehension (3:15)
7. Fiber Tormentum (Instrumental) (3:31)
8. Abiotic Origin (3:14)
Album Length: 30:08

Album Lineup:
Matt Miller (Guitars, Synth)
Jordan Kelso (Drums, Synth)
Justice Robinett (Bass)
Biko Wright (Vocals)

For more info:

https://www.exsrmusic.com/ | https://mattmillerhhakmusi.wixsite.com/mattm | https://www.facebook.com/matt.miller.96995238/ | https://www.instagram.com/mattmiller630/

- 30 –

“All in all, it’s a fascinating song (Effectively Neutralized) — head-spinning and heart-palpitating but also a heavy-hitter and a conjurer of strange, sinister, and haunting visions. In other words, in the space of just five minutes it pulls off a lot of impressive feats. And the well-filmed and well-edited video for it is a perfect complement, in that it shows us how all these talented performers executed all the impressive accomplishments.” – NoCleanSinging

“Hell yeah. Holy moly canoli. Fiverr to Fiber Momentum, and that was the album. This song is Descent into Violence. Holy moly canoli, dude. Go support, Matt Miller. That was absolutely badass. Total shredding. Jordan, also a homie of mine, your drums are incredible. The new singer, Bo, I love the harsh vocals in the clean. Total is it almost the cleans almost reminded me of Queensryche meets Cannibal Corpse. It’s pretty freaking sweet. And of course, Justice always lays down the heavy bass with the beautiful bass faces. But an absolutely incredible album….Matt Miller, you could find him everywhere. He’s an incredible guitar player, one of the best guitar players of our generation. Remember, this is Fiber Tormentum courtesy of Exitus Stratagem Records. So, a huge shout-out to them as well. Matt Miller has so many more songs. If you guys like this song (Descent into Violence), believe me, this guy is an absolute shred master. Not only does he do like a ton of his own originals, he does a ton of covers, and also he’s just a shred master of all sorts. Just exactly how they say, melodic, technical, and death. But I will definitely say the big thing that stands apart about this whole song is great structure, absolutely shredding on all levels, and the vocals are just 100% one-of-a-kind. And I totally enjoyed it. Guys, I love you guys from the bottom of my heart. This has been Matt Miller with his new song, Descent into Violence. Pick up the new album on September 12, Fiber Tormentum.” – Omar Rodriguez – The Metal Mixtape – YouTube Channel

“The songs on “Fiber Tormentum” are rather good, and make for very interesting listening sessions.” – Metal Temple

“”Fiber Tormentum” is a real killer and so refreshingly creative that you can’t help but toast this previously unknown genius in awe! Cheers! 9/10″ – PowerMetal.de

“Soaring, crushing, ferocious, emotive, and relentless, are words that strongly describe Decrepit Shed. The album has a lot to offer from various metal sub-genres and encompasses the best elements of technical guitar playing while still having well-written songs”. – Brave Words

“Monument of Velocity” initially had a different title and was not going to be a Matt Miller release and some of the songs were written with vocals in mind and were not going to be instrumental, however, it turned out to be the sixth of seven powerful albums in his discography. contains eight tracks full of technical and progressive metal eliciting feelings of suspense, and tension while being fun, melodic and brutally heavy. Miller’s melodic and relentless music has a wide range of influences and is recommended for fans of Jeff Loomis, Necrophagist, and Obscura.” – Rock’n’ Load

“Even though Miller’s music is instrumental, he likes to think of the guitar as a voice. Which in turn makes him ask what is the guitar saying? He is able to easily convey emotion, tone, and a story even without the use of vocals. Throughout his releases, his music has developed a more modern sound in both the music and the production. Musically the songs are more well written and a lot of the ideas he writes are being accurately represented. He is always trying to push himself as a musician and this is reflected in his discography. Influenced primarily by technical and progressive death metal with a dash of power metal and symphonic metal as well, Matt Miller’s music is recommended for fans of Obscura, Dragon Force, and Racer X” – Metal Sucks

“Mr. Miller can shred like his fingers are on fire” – Ever-Metal.com

“Matt shreds all over this album with guitar solos galore”. – Transcending the Mundane

“Soaring, crushing, ferocious, and emotive, Miller conveys a wide range of tones throughout his instrumental music. It is recommended for fans of Dragon Force, Racer X, and Jeff Loomis” – Metal-Rules

“For guitar enthusiasts, I guess it is a feast for the eyes and ears.” – Antichrist Magazine

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ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
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jon[@]ashermediarelations[.]com
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