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Posts By Asher

0 Only A Few Days Left! TAMPA DEATH FEST Taking Band Submissions For 2026 Lineup

  • March 25, 2026
  • by Asher
  • · Music News · Tampa Death Fest

NEWS RELEASE

Montreal, QC – March 25, 2026

Only A Few Days Left! TAMPA DEATH FEST Taking Band Submissions For 2026 Lineup

Celebrating eight years of delivering some of Florida’s most savage and unrelenting extreme metal, Tampa Death Fest is gearing up for its next chapter, and only a few days remain for bands to throw their name into the ring for the 2026 lineup.

Returning September 4th and 5th to the legendary Brass Mug in Tampa Bay, the festival is currently accepting submissions to fill its final performance slots. Extreme‑metal acts from anywhere in the world are encouraged to apply before the April 1st deadline. TDF continues its mission to showcase the full spectrum of brutality the genre has to offer, highlighting diversity, intensity, and global reach.

Bands can submit their EPKs to: tampabaymetalscene.booking[@]yahoo.com​
​
Since launching in 2019, Tampa Death Fest has cemented itself as a cornerstone of the underground extreme‑metal community. Rooted in the city widely hailed as the Death Metal Capital of the World, TDF continues to unite bands, fans, and local businesses under its guiding mantra: “Strength Through Unity, Unity Through Metal.”
​
Each year, TDF showcases a diverse roster of international, national, and regional acts, offering a platform for rising underground talent to share the stage with established legends. Past editions of TDF have hosted such notable acts as Satan, Venom, Inc, Ringworm, Diabolic, Leishmaniasis (Colombia), Repulsive Vision (UK), Massacre, Atheist, GraveHuffer, Blasphemation, Carpathian Funeral, Kill The Imposter, Sadistic Vision, Nibiru, Merciless Scum, Quiescent Mantis, MRSA, Pantheon, and more.

With an ever‑growing international presence, Tampa Death Fest continues to strengthen connections across Florida and beyond, fostering a spirit of collaboration and community engagement within the metal scene.

Event Details:
​
Dates: September 4–5, 2026
Location: The Brass Mug, Tampa Bay, FL
​
​About Tampa Death Fest:​
Founded in 2019, Tampa Death Fest has grown into a premier event within the extreme metal world. The festival’s mission is to uplift artists, unite fans, and celebrate the culture of heavy music through a shared passion for brutality, creativity, and community.

More Info: https://www.facebook.com/profile.php?id=61577052471967​

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“With Tampa’s legendary death metal scene, I think we can all agree that there should be a fest in this city. There have been a few, but they have come and gone. This includes the three-day Tampa Deathfest that just happened in October 2023. What I like about this Tampa Deathfest is it not only hailed legends, such as Hellwitch and Venom, Inc., but it also represented the local talent we still have here.”- Infernal TV

—
ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780
jon[@]ashermediarelations[.]com
Facebook – Asher Media Relations
Instagram – AsherMedia
Tweet – AsherMedia

0 NYC Thrashers ANOTHER DEMON Signs To Ragebreed Records for Re-Release of EP “As Above So Below” ft. Guest James Murphy (Testament, Death, Obituary)

  • March 25, 2026
  • by Asher
  • · Another Demon · Music News

NEWS RELEASE

Montreal, QC – March 25, 2026

NYC Thrashers ANOTHER DEMON Signs To Ragebreed Records for Re-Release of EP “As Above So Below” ft. Guest James Murphy (Testament, Death, Obituary)

L-R – Frank Tosi – Lead Guitars, Dave English – Drums, Max Capshaw – Vocals, Jun Takeshita – Lead Guitars
Photo Credit: Another Demon​

NYC thrash metal outfit Another Demon will officially re‑release their debut EP “As Above So Below” on April 18th, 2026, through Ragebreed Records, with global distribution handled by Earache Records. Originally unveiled independently, the EP now returns with expanded reach and renewed momentum as the band continues its rapid ascent through the East Coast metal ranks.
​
Formed in 2023, Another Demon has quickly carved out a reputation for a sound they define in five words: Powerful, Fast, Aggressive, Thrashing, Evil. Their music fuses high‑velocity riffing, death‑tinged precision, and a dark atmospheric edge—an approach that feels instantly familiar to fans of classic thrash while pushing into new territory.
​
​“We feel like anyone hearing us for the first time will immediately get what we’re about. Another Demon is the kind of band you can feel instantly familiar with and instantly want more,” says guitarist Frank Tosi.
​
The EP delivers a layered listening experience, offering both surface‑level adrenaline and a deeper emotional catharsis. The band’s collaborative writing process, built on trading riffs, expanding ideas, and prioritizing results over ego, creates songs that feel cohesive, urgent, and alive.
​
A major highlight of “As Above So Below” is “Drawn and Quartered,” featuring a guest solo from legendary guitarist James Murphy (Testament, Death, Obituary), whose presence adds both historic weight and technical ferocity to the record. Across its six tracks, the EP delivers a spectrum of thrash intensity: “Reduced to Ash” erupts with frantic, horror‑driven chaos inspired by The Evil Dead, while “Deaf Gods” channels spiritual collapse and frustration through sharp, unrelenting heaviness. “Skull Vessel” pushes deeper into the band’s darker, riff‑forward territory, and “War March” unfolds as a slow‑burning, cinematic descent, massive, ominous, and ritualistic. The title track, “As Above So Below,” ties the EP together with atmosphere, weight, and precision, capturing the full scope of the band’s vision.
​
​Another Demon is powered by four musicians deeply rooted in the NY/NJ/CT heavy music scene. Bassist and vocalist Max Capshaw, known for his work with Sick Of It All, H2O, Murphy’s Law, and Burn, brings decades of hardcore pedigree and a commanding presence at the front of the band. Frank Tosi, the EP’s primary songwriter, shapes the group’s modern thrash identity with guitar work that is tight, aggressive, and atmospherically driven. Alongside him, guitarist Jun Takeshita blends 80s thrash with the intensity of Japanese punk and metal, expanding the band’s sonic range with speed, melody, and precision. Behind the kit, Dave English delivers dynamic, powerful drumming that fuels the band’s relentless pace and rhythmic complexity. Together, they forge a sound built on heavy riffing, razor‑sharp execution, and a balance of pure aggression and immersive atmosphere, music that hits hard and stays with you long after the final note fades.
​
The tracks on “As Above So Below” were shaped over years of dormancy and renewed creative drive. With a full‑length album currently in development, the band promises an even broader expression of their identity.
​
​“These songs reflect our influences and personal tastes. The full‑length will show even more of our collective personality—our best, our heaviest, and our most honest work,” adds Tosi.

Recommended for fans of Slayer, Testament, Exodus, Overkill, and Immortal, “As Above So Below” is available on the following platforms.

Single Stream – Drawn and Quartered ft. James Murphy (Testament, Death, Obituary) – https://www.youtube.com/watch?v=F7m8elmZ2H8

​

Add to your Spotify Playlist – https://open.spotify.com/artist/3kNaNyl0Lcp2NffXJUwjT6?si=SbY0-uwdTE6jlNyjTIRDJA​

Bandcamp – https://anotherdemon.bandcamp.com/album/as-above-so-below​

Track Listing:​
1. Reduced To Ash – 3:13
2. Deaf Gods – 3:05
3. Skull Vessel – 1:49
4. Drawn and Quartered ft. James Murphy (Testament, Death, Obituary) – 5:42
5. War March – 5:44
6. As Above So Below – 5:45
EP Length: 25:20

EP Band Line Up:​
Max Capshaw – Vocals / Bass
Frank Tosi – Lead Guitars
Jun Takeshita – Lead Guitars
Frank Vaturina – Session Drums

Live Band Line Up:​
Max Capshaw – Vocals
Frank Tosi – Lead Guitars
Jun Takeshita – Lead Guitars
Fred Romer – Bass Guitar
Dave English – Drums

More info: https://linktr.ee/another_demon_official​

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“Another Demon is some of the best new Thrash Death out there. Glad to be a part of it. The music shreds and crushes!” – James Murphy of Death/Testament/Obituary/Cancer

“Frank writes great metal. Full of shredding evil guitars and catchy songwriting. I could listen to this all day!” – Karl Sanders of Nile

—
ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780
jon[@]ashermediarelations[.]com
Facebook @AsherMediaRelations
Instagram @AsherMedia
Tweet @AsherMedia

0 EPK – Another Demon – As Above So Below (2026) (Ragebreed Records/ Earache Distro)

  • March 25, 2026
  • by Asher
  • · Another Demon · EPKs

EPK – Another Demon – As Above So Below (2026) (Ragebreed Records/ Earache Distro)

Publicist – Jon Asher – jon[@]ashermediarelations[.]com

“As Above, So Below is really us pulling together everything we love about metal and putting it into one record, but doing it in a way that feels true to our own brand of New York City thrash. Ripping guitar riffs, powerful vocals, and devastating drums all come together to define the sound, while still leaving room for atmosphere, dynamics, and the different influences that shaped us along the way.” – Frank Tosi – Another Demon

For fans of Slayer, Testament, Exodus, Overkill, Immortal

Band: Another Demon
EP Title: As Above So Below
Release Date: April 18, 2026
Label: Ragebreed Records
Distribution: Earache Digital Distribution
Genre: Thrash Metal / Death Metal
Location of Band: New York City

All Links: https://linktr.ee/another_demon_official

Facebook.com/anotherdemonofficial | Instagram.com/another_demon_official  | Youtube.com/@Another_Demon_Official

Anotherdemon.bandcamp.com | Anotherdemonofficial.bigcartel.com  | Spotify

“Another Demon is some of the best new Thrash Death out there. Glad to be a part of it. The music shreds and crushes!” – James Murphy of Death/Testament/Obituary/Cancer 

“Frank writes great metal. Full of shredding evil guitars and catchy songwriting. I could listen to this all day!” – Karl Sanders of Nile

[Download EP Cover | Download EP Lyrics]

Band: Another Demon
EP Title: As Above So Below
Release Date: April 18, 2026
Label: Ragebreed Records
Distribution: Earache Digital Distribution
Genre: Thrash Metal / Death Metal
Location of Band: New York City

Track Listing:
1. Reduced To Ash – 3:13
2. Deaf Gods – 3:05
3. Skull Vessel – 1:49
4. Drawn and Quartered ft. James Murphy (Testament, Death, Obituary) – 5:42
5. War March – 5:44
6. As Above So Below – 5:45
EP Length: 25:20

EP Recording Credits:
• All songs performed by: Another Demon
• All songs written by: Frank Tosi, Max Capshaw
• Produced by: Frank Tosi, Max Capshaw, Richie Kennon
• Mixed by: Richie Kennon
• Mastered by: Barking Dog Studios
• EP Artwork by: Hellforge Metal Art

EP Band Line Up:
Max Capshaw – Vocals / Bass
Frank Tosi – Lead Guitars
Jun Takeshita – Lead Guitars
Frank Vaturina – Session Drums

Live Band Line Up:
Max Capshaw – Vocals
Frank Tosi – Lead Guitars
Jun Takeshita – Lead Guitars
Fred Romer – Bass Guitar
Dave English – Drums

=============================

About The EP Artwork:

Back when the band first started, Frank built a strong working relationship with artist Moises Alves of Hellforge Metal Art in Brazil. Since then, Moises has become an integral part of the band’s identity. We often refer to him as our honorary fifth member, as nearly every visual element tied to Another Demon has been created by him in one way or another. Drawing direct inspiration from the band’s lyrics and music, Moises has developed artwork that not only reflects the songs’ tone but also helps shape and define the band’s visual identity, giving Another Demon a distinct look that aligns with its New York City Thrash branding. Evil, Gritty, and unmistakably Metal!

About The EP (LYRICALLY & MUSICALLY):

As Above, So Below is a dark and aggressive record built on heavy riffing, fast pacing, and a strong sense of atmosphere. Musically, it stays rooted in thrash metal, but pulls in elements of death metal and dynamic shifts to keep things intense and engaging from start to finish. Lyrically, the album explores themes of horror, punishment, inner conflict, and duality, drawing from classic horror imagery, occult concepts, and darker reflections on human nature. It is meant to feel both chaotic and controlled, giving the listener a full experience rather than just a collection of songs.

Track by Track:

1. Reduced to Ash leans into horror-driven imagery inspired by the cult classic film “The Evil Dead,” pairing fast riffs with a relentless feel.

2. Deaf Gods explores the collapse of one’s faith and the dangers that can be caused through mental instability, driven by tight structure and intensity.

3. Skull Vessel dives into ritualistic and occult themes with a darker and more atmospheric approach.

4. Drawn and Quartered focuses on brutality and paints a picture of the infamous historical punishment, with sharp, aggressive riffing and a punishing pace.

5. War March delivers an evil, commanding, and atmospheric feel, centred around power, control, and destruction.

6. The title track As Above, So Below ties everything together with themes of duality and existence, combining aggression with a more expansive and atmospheric sound to close the record with weight and purpose.

=============================

STORY ANGLES / FUN FACTS ABOUT THE BAND:

1. Max Capshaw began his career in the New York hardcore scene, stepping in as a touring drummer for Sick Of It All during their early rise following their debut album. Though his time with the band was brief, it placed him at the center of a defining moment in the development of New York hardcore.

2. In 2025, Another Demon took on a unique role performing as Prime Evil Tribulation in support of Andy Eichorn, bringing a different dimension of their sound and presence to the stage. That year, the band appeared at major regional events, including the Rock Fantasy 39th Annual Music Festival and the Rage of Armageddon Festival in August, further solidifying their growing reputation in the Northeast.

3. While the experience was a powerful and memorable chapter for the band, the project has since come to a close due to health concerns for Mr Eichorn. Although it was an opportunity the band valued greatly, it also contributed to delays in their recording schedule. Another Demon is now fully refocused on their next release, which is currently targeted for late 2026.

4. At the Rock Fantasy 39th Anniversary Festival, Frank Tosi performed both the Another Demon set and the Prime Evil Tribulation set while playing with a broken finger on his fretting hand, a testament to the band’s mindset and commitment to delivering no matter the circumstances. The show must go on!

5. Jun Takeshita’s style is shaped by both sides of the world. He came up in the Japanese thrash scene in the late 80s and later brought that foundation to New York, blending that precision and intensity with the raw edge of the Northeast metal scene. It gives his playing a sharp, aggressive feel, with a unique character that stands out right away.

6. Dave English brings more than just performance experience to Another Demon. He is also an instructor at School of Rock in Clark, where he works with developing musicians across multiple disciplines. That background adds another layer to his playing, combining technical precision with a deeper understanding of rhythm, structure, and dynamics that translates directly to the band’s sound.

7. Another Demon is currently working toward their next full-length release, projected for late 2026, and while details are being kept close to the chest, the band has hinted at a major surprise. The upcoming record will feature a standout guest musician in a significant role, adding a new dimension to the band’s sound and giving listeners a hint at just how far things are starting to move to the next level.

=============================

L-R – Frank Tosi – Lead Guitars, Dave English – Drums, Max Capshaw – Vocals, Jun Takeshita – Lead Guitars

Photo Credit – Another Demon

Another Demon is built on the foundation of heavy riffing, relentless thrash energy, and moments of dark atmosphere that cut just as deep as the aggression itself. Each member brings a distinct history and voice, forming a band that feels both seasoned and dangerous.

Max Capshaw — Bass / Vocals
At the forefront of Another Demon is Max Capshaw, a veteran of the New York hardcore scene whose presence defines the band’s raw intensity. From early days behind the kit with Sick Of It All to playing with Murphy’s Law, Burn, and as a founding member of H2O, Max brings decades of experience and authenticity. Now stepping into the role of frontman, his delivery is commanding and unfiltered—anchoring the band’s thrash assault with grit, weight, and undeniable attitude.

Frank Tosi — Lead Guitar
The architect behind Another Demon’s sound, Frank Tosi, drives the band with a focused vision of modern thrash—tight, aggressive, and riff-forward. His playing is rooted in precision and structure, delivering sharp, driving rhythms while weaving in darker, atmospheric elements that give the music depth. His return to music was intentional and fully realised, shaping the band into a cohesive and powerful force.

Jun Takeshita — Lead Guitar
Jun Takeshita brings a distinct international edge, fusing 80s thrash influence with the intensity of Japanese punk and metal. His style blends speed, melody, and technical precision, strengthening the band’s dual-guitar attack while adding a unique voice that expands the sonic landscape beyond straight aggression.

Dave English — Drums
Behind the kit, Dave English is the engine driving Another Demon forward. His playing is powerful, precise, and dynamic—equally capable of high-velocity thrash and complex rhythmic movement. With a background across multiple genres, he adds both control and explosive energy, locking the band into a groove that feels relentless yet alive.

Together, Another Demon delivers a modern thrash sound defined by heavy riffing, tight execution, and a balance between pure aggression and immersive atmosphere, music that hits hard and lingers long after the last note.

 

Shared Stage with: Max Cavalera’s Go Ahead and Die, Nasty Savage, Deceased, Détente, Bloodfeast, Malignancy, Aggression, Skinlab, Shortfuse, Cerebral Hemmorage, Breakker, Electrocutioner

Corporate sponsors/artist endorsements:
Fortin Amplification, Morley Pedals, All Pedal, Valorous Guitar, DC Custom Guitars, Pighog Cables

Tours and Festivals:
Another Demon – Live Performances (2023–2026)
September 11, 2026 – The Cellar on Treadwell – Hamden, CT (with Vicious Rumors, Mutant, Unknown)
April 18, 2026 – The Zone @ Clemson Ragebreed As Above So Below Release Party  – Middletown, NY (with Mutant, Death Metallic)
February 7, 2026 – Cherry St. Station – Wallingford, CT (with Blood Feast, Electrocutioner, Maidenhead, Mutant)
August 30, 2025 – The Meadows (Rage of Armageddon Festival VIII) – Brooklyn, NY
July 20, 2025 – Gold Sounds – Brooklyn, NY (with Ranges & Precious Blood)
April 26, 2025 – The Stage @ Roosevelt Hall (Rock Fantasy 39th Anniversary Festival) – Warwick, NY
August 11, 2024 – The Ritz – San Jose, CA
August 10, 2024 – Toot’s Tavern – Crockett, CA
August 9, 2024 – World Famous Doll Hut – Anaheim, CA
(Venomicities Tour with Skinlab & Short Fuse)
2024 – Quinnz Pinz (A Dangerous Metal Meeting) – Middletown, NY
December 30, 2023 – The Kingsland – Brooklyn, NY
October 14, 2023 – Saint Vitus Bar – Brooklyn, NY
September 22, 2023 – Lucky 13 Saloon – Brooklyn, NY

0 EPK – Reign of Echos – Static Vein (single) (2026)

  • March 24, 2026
  • by Asher
  • · EPKs · Reign of Echos · Uncategorized

EPK – Reign of Echos – Static Vein (single) (2026)

Publicist – Jon Asher – jon[@]ashermediarelations[.]com

For fans of Lamb of God, Gojira, Korn, Mudvayne, Trivium

Band: Reign of Echos
Single Title: Static Vein – 3:31
Release Date: March 13, 2026
Label: Self-Release
Distribution: Distrokid
Genre: Metal
Location of Band: Apple Valley, CA

All Links: https://www.linktr.ee/reignofechos

Reignofechos.com | Facebook.com/reignofechos | Instagram.com/reign_of_echos

Spotify | Apple Music

[Download Single Cover | Download Single Lyrics]

Band: Reign of Echos
Single Title: Static Vein – 3:31
Release Date: March 13, 2026
Label: Self-Release
Distribution: Distrokid
Genre: Metal
Location of Band: Apple Valley, CA

Previous Single – Title: “Blindside”
Release Date: January 5, 2026

Singles Recording Credits:
• All songs performed by: Reign Of Echos
• All songs written by: Reign Of Echos
• Produced by: Soundland Recorders
• Mixed by: Billy Baker
• Mastered by: David Donnelly
• Single Artwork by: Crystal Eye Imagery

Single and Live Band Line Up:
Randy Lee – Guitar/Lead Vocals
Robert Gresham – Bass/Backup Vocals
Dustin Reddington – Drums/Backup Vocals

==========================================

About the Single Artwork for Static in Vein:

Eye-catching, Powerful, Original, tells the story of the song/album in a single image.

About the singles:

“Blindside” lyrics convey the emotions of a person who has been betrayed by someone they thought they could trust. While the music takes you on a ride through the anger and frustration of the betrayal, followed by the overcoming of the emotions.

“Static Vein” lyrics tell the story of the struggle of mankind’s battle with inner demons and the continued presence of the darkness that exists in each of us. The music is intertwined with the madness of the story, while darkness and hope fight each other within the musical progression.

==========================================

BAND STORY ANGLES / FUN FACTS:

1. Randy used to go to shows that Dustin played drums at with his former band, “Freak Occurance” years ago, not knowing that they would eventually find the path to work together and create what we have today.

2. Rob and Randy were in two bands together before Reign Of Echos and have played iconic venues throughout California.

3. This is the first band that Randy has written songs for with a 7-string guitar.

4. Randy and Rob met through an ad on Myspace of Rob looking to just jam with someone a long time ago. Randy decided to go and jam, and they have been friends since.

5. Dustin has toured the US with prior bands. The bands eventually had a falling out. Dustin kept his chops up, jamming with friends here and there in the middle of not being in a band. Randy and Dustin, by chance, worked together at a rock quarry, and Randy had asked Dustin if he wanted to join his new project, which became Reign Of Echos. That sparked a new life in Dustin’s musical passion to write and play music again with a band.

==========================================

L-R – Robert Gresham (Bass, BU Vocals), Randy Lee (Guitar, Lead Vocals), Dustin Reddington (Drums, BU Vocals)

Reign of Echos is a Southern California modern metal trio formed in 2025. Delivering a sound that merges crushing heaviness with cinematic atmosphere and emotional intensity. Formed by guitarist and vocalist Randy, and solidified with Rob on bass and backing vocals, and Dustin on drums and backing vocals, the band has quickly evolved into a focused, high-impact unit with a clear identity and vision.

Blending elements of modern metal and nu-metal influence, Reign of Echos creates music that balances aggression and melody, weight and space, designed to hit just as hard live as it does through speakers. Their approach goes beyond songwriting, building an immersive experience through synchronized visuals, lighting, and performance. Driven by precision, energy, and intent, Reign of Echos is not just creating songs—they’re building something bigger.

0 Canadian Modern Metal BURY THE PAST Introduces Its New Era With Their Heaviest Single “Clarity”

  • March 24, 2026
  • by Asher
  • · Bury The Past · Music News

NEWS RELEASE

Montreal, QC – March 24, 2026

Canadian Modern Metal BURY THE PAST Introduces Its New Era With Their Heaviest Single “Clarity”

L-R – Kris King (Bass) – Patrice Jolicoeur (Guitar) – Charles Morin (Vocals) – Til Dubois (Guitar) – Mathieu Fréchette (Drums)

Photo Credit – Sylvain Courchaine (Eighty Oaks Photography)

Metalcore/Post‑Hardcore outfit Bury the Past has officially dropped their brand‑new single “Clarity,” now available on all major streaming platforms. The track marks a defining moment for the five‑piece Canadian band as they step boldly into a heavier, more modern metal direction.
​
Formed through the natural evolution of guitarist Til Dubois’ creative vision, Bury the Past has grown into a powerhouse collective of musicians from across the Gatineau/Quebec scene. With the addition of drummer Mathieu “Fretch” Fréchette (Fractures & Outlines / Soulthief (Upstate Records) & 2025 Wacken Metal Battle Canada National Finalists), the band found the missing piece that would help shape their new sonic identity.
​
​“Clarity was the first song we wrote together with the latest lineup. It introduced a new drumming style as I joined the band permanently. From fast‑paced verses to slower, heavier sections, the single shows what we’re capable of,” says drummer Mathieu Fréchette.
​
Musically and lyrically, “Clarity” is a turning point. The band leans into a more aggressive, modern metalcore sound while keeping the emotional depth and diversity that define their identity. Though heavier than previous releases, the band emphasizes that Bury the Past refuses to be boxed into a single genre; evolution is part of their DNA.
​
If fans are expecting more intensity, they won’t be disappointed.

“Heavy, catchy, emotional, evolving, diverse, that’s how we’d describe our sound. “I think fans are really going to appreciate the new direction. Having Til back on guitar is a major upgrade, and the writing process has never been smoother,” adds Fréchette.
​
The band’s lyrics, primarily crafted by vocalist Charles Morin with contributions from Til and Kris, draw from everyday struggles, personal experiences, and the universal challenges humanity faces. The result is music that hits as hard emotionally as it does sonically.
​
​Bury the Past pulls inspiration from giants like The Ghost Inside, August Burns Red, The Amity Affliction, Alexisonfire, and Parkway Drive, blending metalcore, modern metal, and post‑hardcore into something uniquely their own.
​
And while their music is serious, the band’s personality is anything but one‑dimensional. From inside jokes like shouting “Tooteeth” (a reference to Til’s cats) to a lineup spanning ages 20s to 50, Bury the Past is a family built on passion, humor, and a shared love for heavy music.
​
With plenty of material already written and waiting for the studio, fans can expect more singles from Bury the Past in the near future.

“Timing is key, but trust us, there’s a lot more coming,” adds Fréchette.

Turn it up, dive in, and hear the new era of Bury the Past. “Clarity” is streaming now on all major platforms.
​
​Add to your Spotify Playlist – https://open.spotify.com/track/58hT043E252gg4jgq2m2fB

​

YouTube – https://www.youtube.com/watch?v=Y7VPu2lWhu8

​

Single Recording Credits:​
• All songs performed by: Bury the Past
• All songs written by: Bury the Past
• Produced by: Tiny Rik Productions
• Mixed by: Tiny Rik Productions
• Mastered by: Tiny Rik Productions

Band Line Up:​
Kris King (Bass)
Patrice Jolicoeur (Guitar)
Charles Morin (Vocals)
Til Dubois (Guitar)
Mathieu Fréchette (Drums)

More info: https://linktr.ee/burythepast​

-30-

​
—
ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780
jon[@]ashermediarelations[.]com
Facebook – Asher Media Relations
Instagram – AsherMedia
Tweet – AsherMedia

0 SEVEN METAL SINS Unveils First Single “Wolves Of The Last Dawn” From New Album “Legacy Of Chaos” Out June 2026

  • March 24, 2026
  • by Asher
  • · Music News · Seven Metal Sins (Rockshots Records)

NEWS RELEASE

Montreal, QC – March 24, 2026

SEVEN METAL SINS Unveils First Single “Wolves Of The Last Dawn” From New Album “Legacy Of Chaos” Out June 2026 via Rockshots Records

Seven Metal Sins unveil “Wolves Of The Last Dawn”, the first single taken from their forthcoming full-length album “Legacy Of Chaos“, set for release on June 5th, 2026, via Rockshots Records.

Listen (Spotify): https://lnk.to/ybAMOx

​

YouTube Stream – https://www.youtube.com/watch?v=X3y7GC60LXo

​

Seven Metal Sins unveil “Wolves Of The Last Dawn”, the first single taken from their forthcoming debut album “Legacy Of Chaos“, set for release on June 5th, 2026 via Rockshots Records.

Formed in 2024 by former Manigance members Stéphane Lacoude (bass) and Patrick Soria (drums), Seven Metal Sins quickly evolved into a fully realized band with the addition of guitarist Antton Iriart, vocalist Claw-G., and guitarist Frédéric Auclerc. Built on experience but driven by a renewed artistic vision, the band channels a direct and uncompromising approach to heavy metal.

“Wolves Of The Last Dawn” stands as a clear introduction to the band’s identity: a high-energy track rooted in classic heavy and power metal, defined by sharp riffing, galloping rhythms, and a commanding vocal performance. The song combines intensity and melodic clarity, delivering an immediate impact while maintaining a strong structural focus.

Lyrically, the track reflects the thematic core of “Legacy Of Chaos“, exploring a world shaped by tension, collapse, and resistance. Through dystopian imagery, the band addresses contemporary issues such as environmental decline, social instability, and the consequences of unchecked power, translating these elements into a direct and evocative narrative.

As the band explains, “This song captures the urgency and tension that run through the entire album. It’s about standing at the edge of collapse and choosing whether to resist or surrender. The imagery of the ‘last dawn’ represents that fragile moment before everything changes.”

Musically, Seven Metal Sins draws from the foundations of classic heavy metal while incorporating the speed and precision of modern power metal. Their sound is built on tight, riff-driven songwriting, dynamic rhythmic shifts, and a balance between aggression and melody, positioning the band within a contemporary yet tradition-aware metal framework.

The single anticipates the release of “Legacy Of Chaos“, an eleven-track debut that delivers a cohesive and high-impact listening experience, combining intensity, structure, and thematic depth. Mixed by Jérémie Garat (Reseda Prod) and mastered by Simon Capony (Basalte Studio), the album presents a powerful and well-defined production that enhances the band’s sonic identity.

With “Wolves Of The Last Dawn”, Seven Metal Sins set the tone for a debut album that does not look back with nostalgia but rather reaffirms the relevance of heavy metal through clarity, energy, and purpose.

For fans of: Accept, Primal Fear, Judas Priest, early Helloween
​
New album “Legacy Of Chaos” out June 5th, 2026, from Rockshots Records.

PRE ORDER “Legacy Of Chaos“: https://rockshots.eu/products/seven-metal-sins-legacy-of-chaos-cd​

Track Listing:​
1. The Fall (Intro) – 0:57
2. Scars of Injustice – 4:35
3. No Sanctuary – 4:22
4. Hypocrisy – 4:07
5. Eternal Downfall – 4:57
6. Feel the Steel – 4:20
7. Wolves of the Last Dawn – 4:36
8. Beyond the Breaking Point – 4:01
9. Sun Eaters – 5:00
10. Rise of the Phoenix – 3:55
11. King of Sorrow – 6:25
​
​Seven Metal Sins Line-up:​
Claw-G.: Vocals
Antton Iriart: Guitars
Frédéric Auclerc: Guitars
Stéphane Lacoude: Bass
Patrick Soria: Drums

More info:

​https://www.rockshots.eu/​

​https://www.facebook.com/sevenmetalsins​

​https://www.instagram.com/seven_metal_sins.official​

BIOGRAPHY:

Seven Metal Sins is a European heavy metal band formed in April 2024 by Stéphane Lacoude (bass) and Patrick Soria (drums), both former members of the French act Manigance. After years of shared experience, the two musicians reunited with a clear intention: to return to a more direct, uncompromising approach to songwriting, rooted in the essence of heavy metal while reflecting a renewed creative vision.

The project quickly gained momentum with the addition of guitarist Antton Iriart, whose compositional input became a central element in shaping the band’s sound. In December 2024, vocalist Claw-G. joined the lineup, bringing a powerful and distinctive voice that added intensity and character to the music. The formation was completed in March 2025 with guitarist Frédéric Auclerc, further expanding the band’s harmonic depth and overall dynamic range.

With this solid lineup in place, Seven Metal Sins began refining their musical identity, built on a combination of classic heavy metal foundations and the energy of power and speed metal. Their sound is defined by sharp, riff-driven structures, galloping rhythms, and a strong melodic sensibility, balanced by a modern production approach that emphasizes clarity and impact.

The band made its official debut with the single “Hypocrisy” in April 2025, marking the first step in a focused creative path that led to the completion of their first full-length album, “Legacy Of Chaos“, set for release on June 5th, 2026, via Rockshots Records.

Lyrically, Seven Metal Sins draws inspiration from the fractures of contemporary society, addressing themes such as environmental decline, social instability, and authoritarian drift. These elements are often framed through dystopian and science fiction imagery, creating a narrative that resonates with both present realities and possible futures.

With “Legacy Of Chaos“, Seven Metal Sins establishes a clear artistic identity: a band rooted in experience, driven by purpose, and committed to delivering heavy metal that is direct, intense, and relevant within today’s landscape.

-30-

—
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0 EPK – Lufeh – Overwhelmed (2026)

  • March 22, 2026
  • by Asher
  • · EPKs · Lufeh

EPK – Lufeh – Overwhelmed (2026)

Publicist – Jon Asher – jon[@]ashermediarelations[.]com

For fans of Rush, Dream Theater, Haken, Sleep Token, Tool

Band: Lufeh
Album Title: Overwhelmed
Release Date: May 29, 2026
Label: Self-Release
Distribution: Distrokid  
Genre: Progressive Rock
Location of Band: Los Angeles, CA, USA

Lufehband.com | Facebook.com/lufehband | Instagram.com/lufehband | Youtube.com/lufehband

Lufehband.bandcamp.com | Spotify

Heavy prog shines with the new single ‘He Commands the Sun and the Stars’ from LUFEH. Dream Theater and Shadow Gallery fans will find a lot to love here including a spotlight performance from featured vocalist and electric violinist Ginny Luke. Musically the band doesn’t disappoint with soaring keys, complex percussion, driving riffs, strolling bass lines…all at a high level, which is what is demanded when you enter the sacred space of progressive rock. Just as much a beautiful performance as it is a breathtaking adventure, this track raises expectations for the new album “Overwhelmed” which can’t get here fast enough on May 29th. Catch LUFEH on your Home for the Best New Rock… W-J-O-EEEE” – WJOE – Findlay’s Home for Rock & Roll

“Progressive hard rock’s LUFEH have just released another powerful new single, ‘OVERWHELMED (feat. Ginny Luke)’. The title track from their forthcoming album slated for a May 29th launch, this one is also like the prior single (‘He Commands the Sun and the Stars’), a masterclass of modern prog metal. Hooks that sink deep, superb performances by the band and outstanding songwriting are all on display. The anticipation for the new album is swelling with each single and based on what we’ve heard so far, we’re ready for an exceptional experience. Catch Lufehband on your Home for the Best New Rock…W-J-O-EEEE” – WJOE – Findlay’s Home for Rock & Roll

“Canadian symphonic prog metal band Lufeh bring much to the table on new LP Overwhelmed (lufehband.bandcamp.com). Single He Commands The Sun And The Stars is typical: busy drumming, spirited male/ female co-vocals from the band and guest artist Ginny Luke with her melismatic — chops, she’s like a goth Christina Aguilera. Strong musicians playing big, traditional songs to please their tribe.” – Prog Magazine

“‘Overwhelmed’ is Lufeh’s sophomore release and the Los Angeles-based band’s first to spotlight the remarkable vocals of Ginny Luke. It may seem a little early in the review to focus on one performer, but this independent release caught me completely off guard, and Ginny’s exceptional contribution was a major reason. Her performance is complemented by the rest of the band’s vocal input – the- harmonies are especially effective, and together they create a listening experience that blends old-school American pomp with modern Dream Theater-inspired progressive metal. The album’s strength is captured especially well in a handful of standout tracks. The soaring ‘War Of Emotions’ encapsulates much of what makes the band’s musical approach so compelling. The keyboard-led ‘Feels Like I’m A Ghost’ is a thoughtful ballad with echoes of classic Kansas due to Ginny’s soulful violin passage. ‘Live The New Day’ brings a punchier energy and proved immediately replay- able over the days that followed. To summarise, it’s difficult to find much to criticise here, apart from ‘Double Dip’, which slightly lets down the songwriting quality of the album, but that aside, ‘Overwhelmed’ is a polished statement from a relatively unknown act. POWERPOINTS: 8/10 – KEITH BRYANT” – Powerplay Magazine

“Lufeh ‘s music is a beautiful piece of creation, flowing into your brain like one of the best album ever made. A brilliant singer who manage the melodies and different parts like she is the whole music. The intensity and power sounds like the band has been here for years. A masterpiece to own without thinking 100/100.” – The Metal Mag

“What grabbed me most on the album, besides the deeply personal approach to songwriting, was the level of talent the band has. We all know that talent isn’t the measuring stick to success, but it never hurts. This band has plenty, but they don’t let it overtake their sound. This was a feel good album with plenty of substance.” – Metal Temple (2026 – Overwhelmed)

“My take on the album: I do like that Lufeh do things their own way. For me this is an exceptional album with a fresh take on traditional metal. Ginny is a gem on vocals and the use of instruments is damn good. A flawless album that deserve nothing less than the perfect 10.” – Project Metal Music

“You need to take a listen here, and you’ll probably buy this album. Great!” – Melodic.net (2026 – Overwhelmed)

“If their debut consisted of showing their instrumental muscles, their next album Overwhelmed (released May 29) seems to focus on purely melodic choruses. It has the complexity of Haken or Rush, but with choruses that really stick in your head.” – Radio Papy Jeff (2026 – Overwhelmed)

“Lufeh has built a sound that sits at the intersection of three demanding disciplines — Progressive Rock’s structural ambition, Progressive Metal’s physical weight, and Jazz-Fusion’s harmonic and rhythmic sophistication — and has managed to do so without reducing any of the three to background texture. The integration of Ginny Luke‘s violin gives the ensemble a tonal signature that is genuinely distinctive and provides the record with some of its most memorable moments. The dual vocal format, consistently well-deployed, expands the expressive range of the material in ways that a single voice simply could not replicate. With a renewed lineup and a track record of progressive evolution, Lufeh delivers here a disciplined, technically formidable body of work that will satisfy those who take their Heavy Prog seriously.” – Progressive Rock Journal

“Very soulful breaks.Like the dynamics. The drummer is very powerful and precise. Like Rush if they were a soul band.” – CFRU 93.3 FM – Planet Groove (Guelph, ON, Canada)

“With „Overwhelmed“ LUFEH are opening a new chapter – more emotional, melodic and at the same time more powerful than ever. The title track of their upcoming album combines progressive virtuosity with haunting storytelling and marks an impressive evolution – an intense foretaste of what happened on March 29th. May 2026 is coming.” – Metalogy (2026 – Overwhelmed)

“Heavy prog shines with the new single ‘He Commands the Sun and the Stars’ from LUFEH. Dream Theater and Shadow Gallery fans will find a lot to love here including a spotlight performance from featured vocalist and electric violinist Ginny Luke. Musically the band doesn’t disappoint with soaring keys, complex percussion, driving riffs, strolling bass lines…all at a high level, which is what is demanded when you enter the sacred space of progressive rock. Just as much a beautiful performance as it is a breathtaking adventure, this track raises expectations for the new album “Overwhelmed” which can’t get here fast enough on May 29th. Catch LUFEH on your Home for the Best New Rock… W-J-O-EEEE” – WJOE – Findlay’s Home for Rock & Roll (2026 – Overwhelmed)

“Progressive hard rock’s LUFEH have just released another powerful new single, ‘OVERWHELMED (feat. Ginny Luke)’. The title track from their forthcoming album slated for a May 29th launch, this one is also like the prior single (‘He Commands the Sun and the Stars’), a masterclass of modern prog metal. Hooks that sink deep, superb performances by the band and outstanding songwriting are all on display. The anticipation for the new album is swelling with each single and based on what we’ve heard so far, we’re ready for an exceptional experience. Catch Lufeh on your Home for the Best New Rock…W-J-O-EEEE” – WJOE – Findlay’s Home for Rock & Roll (2026 – Overwhelmed)

“With Overwhelmed, LUFEH have crafted a progressive rock album that is mature without feeling restrained, technical without becoming cold, and melodic without sacrificing ambition. It is the sound of a band refining its identity while opening itself to greater emotional risk. The result is a record that feels both grand and personal, the kind of album that rewards close listening while still offering choruses, hooks, and moments of immediate impact. LUFEH are not simply flexing their instrumental muscles here. They are building songs that understand what it means to carry too much, to lose sight of the surface, and to keep reaching anyway. ‘Overwhelmed‘ may be born from pressure, but its greatest achievement is the way it turns that pressure into motion, melody, and release.” – Infrared Magazine  (2026 – Overwhelmed)

 

“Great prog album, love Feels Like I’m A Ghost song” – The Chill dude on the Couch  (2026 – Overwhelmed)

““Overwhelmed” is a strong progressive rock album, full of skill, emotion and smart writing. Lufeh do not bury the listener under endless technical games, which is a good call. The songs have complex parts, odd rhythms, heavy passages and fusion touches, yet the main focus stays on melody and flow. That is where the album wins most of its points.” – Hevay Metal Darkness  (2026 – Overwhelmed)

“Throw four talented musicians, the sound of Dream Theater and Rush, the songwriting craft of Aerosmith in their glory years, and a singing voice that is somewhere between Leslie Hunt (District 97) and Ann Wilson (Heart) in a blender and the result is ‘Overwhelming’. That is the very appropriate title of the second album by the American LUFEH.” – Progerweld

“With “Overwhelmed” Lufeh have found the difficult balance between progressive complexity and real melodic work. Ginny Luke is the discovery of the album — and the strongest Argument for a third.” – Metal Division Magazine

“From the riff heavy opener Find My Way to the latest single ‘My World’ and the sharp riffs of closing track The Edge’, these are 20-minute epics condensed into welcome four-minute compositions. It’s an interesting stance for any progressive band but Lufeh have caught it right on the nail. This is an album full of cleverness and maturity. A joy to listen to, Luggage Falling Down’ provides opportunity to marvel at the quality and the playing. In a world which has lost its marbles, this album is a breath of fresh air. 8/10” – Powerplay Magazine UK (2020 – Luggage Falling Down)

“Luggage Falling Down will be a pleasant surprise for those who enjoy their prog on the heavy side, with occasional flourishes of metal, plenty of instrumental workouts, short song formats and a strong foundation in jazz. The eight songs are technical, energetic and always seeking a melodic hook.” – DPRP (2020 – Lugage Falling Down)

“In addition to brevity, there is Luggage Falling Down nothing wrong. Fantastic prog metal, crisply short songs that are still varied. Matching singing in the intersection between James LaBrie And Brendon Boyd as well as terrific guitar and drum inserts. Very entertaining and fun…. Luggage Falling Down a very entertaining record ahead of us. 9 /10 does that for me.” – Sound Magnet

“Anyone starting to get tired of all the cliché album titles and song titles? LUFEH are going their own way and I really like this album title ”Luggage Falling Down”!… I have to say the LUFEH guys have some moves of their own, which makes this album more interesting than most progressive metal albums. The RUSH vibes are not the most obvious ones, but the verse of ”Trial Of Escapade” clearly shows that these guys like the Canadian trio. There’s a smashing guitar solo from Dornellas in this one too.” – Melodic.net – (2020 Luggage Falling Down)

“A track from prog debutants Lufeh now, as I ‘Find My Way’ straight into being earwormed by their Prog metal goodness. Guitar solos that sound like they’ve been written by some of the hard rock greats, with plenty of atmospheric synths and across the board able musicianship means this one was a sure fire hit from the off!” – Uber Rock (2020 Luggage Falling Down)
“This is heavy prog with some strong elements” – Prog Archives (2020 Luggage Falling Down)

[Download Album Cover | Download Album Lyrics]

Band: Lufeh
Album Title: Overwhelmed
Release Date: May 29, 2026
Label: Self-Release
Distribution: Distrokid  
Genre: Progressive Rock
Location of Band: Los Angeles, CA, USA

Track Listing:
1. He Commands The Sun and The Stars – 4:22
2. Breathe – 4:03
3. Double Dip – 4:39
4. Overwhelmed – 4:30
5. Feels Like I’m A Ghost – 5:43
6. Live The New Today – 4:50
7. War of Emotions – 3:50
8. End of the Tunnel – 4:18

Album Recording Credits:
• All songs performed by: Duca Tambasco, Deio Tambasco, Gera Penna, Lufeh Batera and Ginny Luke
• All songs written by: Duca Tambasco, Deio Tambasco, Gera Penna and Lufeh Batera
• Produced by:Gera Penna
• Mixed by: Adair Daufembach
• Mastered by: Adair Daufembach
• Album Artwork by: Lufeh Batera

Album and Live Band Line Up:
Duca Tambasco – bass and backing vocals
Deio Tambasco – guitar and backing vocals
Gera Penna – keyboard and backing vocals
Lufeh Batera – Drums
Ginny Luke – vocals (featuring)

==================================

The Album Artwork:

“The cover for Overwhelmed is meant to be a literal visual of how the title feels. We wanted to capture that sensation of being completely submerged underwater.

When you’re deep underwater, everything is heavy, quiet, and intense. The silhouette represents that feeling of being ‘under’ it all—whether that’s stress, emotions, or just life in general.

But we also made sure to include the light coming from the surface. To me, that represents hope and the search for air. It really matches the balance of the album: some parts are heavy and complex, while others are more melodic and give you a chance to breathe.”

About the album as a whole (LYRICALLY & MUSICALLY):

“This album is the result of a lot of dedication, maturity, and the realization of a dream come true. Recording at the historic Sunset Sound studio here in LOS ANGELES, where the biggest names in world music recorded their hits, was truly an unforgettable experience. We have impactful songs, heavy ballads, a good dose of double pedal on drums, guitar, bass, and keyboard solos, all mixed with the incredible voice of Genny Luke.”

Track by Track (LYRICALLY & MUSICALLY):

1. HE COMMANDS THE SUN AND STARS
“From a drummer’s perspective, this one is my personal favorite because of how complex the rhythms are. Even with all that technical playing, it still has a really catchy chorus that sticks in your head.

The lyrics are about a powerful man who controls the sun and the stars, but then he’s questioned by the very crowd of people who worship him. It’s definitely one of my favorite tracks on the album.

2. BREATHE
“This song is just a blast to play because it has such a positive, upbeat vibe. It carries a really important message for all of us in our daily lives: just breathe and slow down. We all need that reminder sometimes, and the music really reflects that feeling.”

3. DOUBLE DIP
“This track has some really unique rhythmic complexity. We switch back and forth between 6/8 and 4/4 time, which might keep people guessing at first, but the end result is amazing. One of the highlights is the Bulbul Tarang (a unique string instrument) that we used in the intro. Lyrically, the song is about how it’s impossible to serve two masters and the struggle of living with that kind of duality.”

4. OVERWHELMED
“This is the title track of the album, and it was written by our guitarist, Deio Tambasco. The big highlight here is Ginny Luke’s violin in the intro. Having a violin player with us really transformed the music and turned it into something unique and different.” Lyrically, the song is about that point where you feel like you can’t keep running anymore. It talks about having ‘knots in your head’ and feeling like there’s an ‘overcrowded rat race’ in your soul because of all the distractions in life. The main message is about needing to take a moment to recharge, breathe in, and slow down before you lose control because time is running out.

5. FEELS LIKE I’M A GHOST
“When we were writing this one, we really wanted it to be our version of a Rock Opera. It has so many different moods and atmospheres throughout the song. This is the second track where Ginny Luke joins us on the violin, which adds so much to the sound. It starts very sad and melancholic, but by the end, it transforms into a full-on prog track with some cool odd time signatures.” Lyrically, the song is about the loneliness and exhaustion of being far away from home while a storm is raging. It talks about missing the person you love and feeling like a ‘ghost’ because you’ve sacrificed so much time and years of your life to ‘win the fight’. You’re out in the world, but you feel like a stranger to the people waiting for you at home. It’s a very emotional song about the personal cost of being away from the ones you love.

6. LIVE THE NEW TODAY
I consider this the richest song on the album because of the incredible variety of musical elements. It goes through so many different moods—from very calm and serene moments to heavy sections with double bass Power Metal grooves. It even features solos for the bass, guitar, and violin!

Lyrically, the song is about self-reflection and choosing to live authentically. It talks about looking in the mirror and deciding to let go of the past—what is ‘dead and gone’—so you can find the strength to move forward. Instead of hiding behind blame or projections, it’s about doing what it takes to truly ‘live the new today.’

7. WAR OF EMOTIONS
“This song is a bit different for us. Even though we aren’t a heavy metal band, this one definitely has a ‘metal’ soul. We’re a pretty eclectic group, so we like exploring those heavier sounds, but we used the keyboards and the vocal melodies to make sure the track still felt like it belonged with the rest of the album. Lyrically, the song is about an internal ‘war of emotions’ and the struggle of facing yourself. It describes that moment when truth and illusion start to blur, and you realize your biggest battle is actually against your own reflection. It’s about finally looking at the truth so you can move toward the light.”

8. END OF THE TUNNEL
“We really love the shifts in atmosphere on this track, especially with that Fusion vibe during the keyboard solo in the second half. Another cool detail is the ‘cyclic’ feeling at the very end during the guitar solo—it makes you feel like the tunnel might never end. Lyrically, the song is about going through a spiritual renewal while in the dark and finally seeing that light at the end of the tunnel. It’s about learning from your mistakes and realizing that all the effort and the struggle were worth it, because you come out of the journey stronger and with a much clearer view of life.”

==================================

STORY ANGLES / FUN FACTS ABOUT THE BAND

1. “One thing people find interesting is that we’re all 50-somethings, but we honestly feel like we’re 30! The core of this band has actually been playing together for about 30 years in different ways—sometimes as partners, sometimes as producers, or hiring each other for sessions.

Because we’ve been friends for so long, we have a very deep, honest connection. We might have big disagreements, but it always ends with us hugging it out and crying like schoolkids because we care so much. There is zero ego in this band. Our creative process is like a drawing that passes from hand to hand—everyone adds their own stroke until it has the right colors and depth. We don’t care about ‘owning’ a song; we just want a result that makes us happy.

We also really evolved our sound for this new album. Our first record was mostly built as instrumental music first, and then we added vocals. But for Overwhelmed, we changed everything. We wrote these songs specifically for the vocal melodies. We wanted catchy themes and ‘signatures’ that people can remember—like using the exotic Bulbul Tarang on ‘Double Dip.’ We also brought in more vocal layers and different voices this time to give the album a lot of cool textures. It’s all about making the music feel fluid and comfortable for the listener.”

==================================

Photo Credit – Joao Pinheiro

LUFEH is a sophisticated fusion of progressive rock, metal, and jazz influences, creating a sound that blends technical complexity with deep musical emotion. Founded by drummer Lufeh, the band has evolved over the years, gaining recognition for its unique approach to blending genres and pushing musical boundaries.

In a significant lineup change, LUFEH welcomed Deio Tambasco as the new guitar player in October 2025, replacing Teo Dornellas, who had been with the band from the beginning. Deio, who has been part of Lufeh’s musical journey since 1993 when they first formed their band Anno Domini, brings a wealth of experience and musical depth to the group. In Anno Domini, Deio was the lead guitarist, with Lufeh on drums and Deio’s brother Duca Tambasco on bass. Today, Duca is part of LUFEH as well, continuing his role as the band’s bassist and contributing to the tight rhythm section that defines their sound. The band’s close musical ties continue to thrive, and Deio’s return to the fold feels like a natural progression, reuniting with his long-time musical collaborators.

This latest change comes as LUFEH prepares for the release of their second studio album, Overwhelmed. Recorded at the renowned Sunset Sound in Los Angeles, CA, the album showcases a thrilling mix of progressive rock, fusion, and metal influences. Produced by Gera Penna, LUFEH’s talented keyboardist and back vocalist, Overwhelmed features 8 tracks that are both intricate and emotionally charged, representing the band’s growth and refinement of sound.

Dennis Atlas, who was the original vocalist, is no longer with the band due to scheduling conflicts, but after auditioning four different singers, we are excited to announce that Ginny Luke is our new featured vocalist. She is an incredible talent and also plays the violin on three of our new songs: ‘Overwhelmed,’ ‘Feels I’m a Ghost,’ and ‘Live the New Today.’ Ginny’s powerful voice and her violin have given our sound a whole new dimension. The new album is a huge milestone for us, and we can’t wait for everyone to hear this new chapter of Lufeh.”

“Overwhelmed”, due out on May 26, 2026, is the second album since the release of the debut album “LUGGAGE FALLING DOWN”, released in 2020.

Discography:
2026 – Overwhelmed
2020 – Luggage Falling Down

Shared Stage with: Sons of Apollo

Tours and Festivals:
Sons of Apollo Brazilian Tour in 2022

0 EPK – Bury The Past – Clarity (single) (2026)

  • March 22, 2026
  • by Asher
  • · Bury The Past · EPKs

EPK – Bury The Past – Clarity (single) (2026)

Publicist – Jon Asher – jon[@]ashermediarelations[.]com

“Clarity was the first song we wrote together with the latest lineup. It introduced a new drumming style as Mat ”Fretch” Fréchette joined the band as their permanent drummer. It has a more Metalcore/Modern Metal sound. From fast-paced verses to slower and heavier sections, the single shows what we’re capable of.” – Mathieu Fréchette (Drummer) – Bury The Past

Instagram.com/bury.thepast | Facebook.com/BuryThePast137 | Tiktok.com/@bury.the.past | Youtube.com/@burythepast137

Burythepast.bandcamp.com | Spotify

All Links: https://linktr.ee/burythepast

[Download Single Cover | Download Single Lyrics]

Single Title: Clarity
Length: 3:12
Release Date: February 6th, 2026
Label: Independent
Distribution: Distrokid
Genre: Metalcore/Modern Metal
Location of Band: Gatineau/Quebec/Canada

Single Recording Credits:
• All songs performed by: Bury the Past
• All songs written by: Bury the Past
• Produced by: Tiny Rik Productions
• Mixed by: Tiny Rik Productions
• Mastered by: Tiny Rik Productions
• Single Artwork by: Independent

Band Line Up:
Kris King (Bass)
Patrice Jolicoeur (Guitar)
Charles Morin (Vocals)
Til Dubois (Guitar)
Mathieu Fréchette (Drums)

==============================

About The Single Artwork:

Simple yet effective DIY artwork for all of our tracks as of now. We brainstorm ideas using keywords from our lyrics and make something cool out of it.

About The Single: (LYRICALLY & MUSICALLY):

Clarity is where the band shifted directions a bit. It is a lot more aggressive both lyrically and musically. Although it does not define our genre at all. BTP does not have a ”limit”

==============================

BAND STORY ANGLES / FUN FACTS:
1. Til Dubois was the original drummer for Bury the Past. He’s always been more of a guitarist than a drummer. 2 years later, the band got in touch with Fretch.2. If  you ever hear us yell ”Tooteeth” , don’t worry about it. This is an inside joke between us related to Til’s cats. We take our music very seriously, but I’m not sure I can say the same about our everyday lives.3. We’re the 5 best friends with the same love and passion for music, even with our age gaps. From Charles and Kris being in their late 20’s, Fretch in his 30’s, Til’s almost 40, and Pat is turning 50.

==============================

 

L-R – Kris King (Bass) – Patrice Jolicoeur (Guitar) – Charles Morin (Vocals) – Til Dubois (Guitar) – Mathieu Fréchette (Drums)

Photo Credit – Sylvain Courchaine (Eighty Oaks Photography)

Emerging from Gatineau, Quebec, Bury the Past is a five‑piece Metalcore/Post‑Hardcore band known for their heavy sound, emotional depth, and relentless drive to evolve. The project took shape when guitarist Til Dubois brought together a group of local musicians to bring his musical vision to life. Two years later, the lineup reached its full potential with the arrival of drummer Mathieu “Fretch” Fréchette, a shift that would redefine the band’s musical direction and energy.

Despite spanning multiple generations, from members in their late 20s to nearly 50, Bury the Past operates as a tight‑knit family. Their chemistry is rooted in friendship, humor, and a shared passion for heavy music. (If you ever hear them yell “Tooteeth,” don’t worry, it’s an inside joke about Til’s cats.) Their bond offstage fuels their intensity onstage, creating a live experience built on precision, emotion, and raw power.

Bury the Past describes their sound in five words: Heavy, Catchy, Emotional, Evolving, Diverse.

Drawing influence from The Ghost Inside, August Burns Red, The Amity Affliction, Alexisonfire, and Parkway Drive, the band blends Metalcore, Modern Metal, and Post‑Hardcore into a style that is unmistakably their own. Their songwriting process is collaborative and fluid; every track is built together, always starting with the music before vocalist Charles Morin shapes the lyrical narrative.

Their lyrics explore everyday struggles, personal battles, and the emotional weight of being human. The result is music that hits hard both sonically and thematically.

The band’s evolution accelerated when Til returned to guitar, and Fretch stepped in as the permanent drummer. Both are multi‑instrumentalists, but this lineup shift allowed each member to settle into the role where they excel most. The result: a more modern, aggressive, and polished sound.

Their latest single, “Clarity,” marks the beginning of this new chapter. It was the first song written with the current lineup and showcases the band’s heavier side, fast‑paced verses, crushing breakdowns, and a refined modern metalcore edge. While “Clarity” is intense, it doesn’t define their limits. Bury the Past prides itself on having none.

With more music already written and waiting for the studio, the band promises that this is only the beginning.

Bury the Past’s live shows are defined by energy, tight musicianship, and authenticity. They don’t compare themselves to other bands; they simply aim to deliver the most powerful version of themselves every time they step onstage and pave the way as a rising force in the Quebec heavy music scene.

With a growing discography, a sharpened sound, and a lineup firing on all cylinders, Bury the Past are entering their strongest era yet. Their evolution is ongoing, their creativity is limitless, and their commitment to their craft is unwavering.

Bury the Past is more than a band; it’s a brotherhood, a creative force, and a testament to the power of heavy music to connect, heal, and evolve.

Discography:
– Clarity / February 6th 2026 / Single
– Give it time / July 4th 2025 / Single
– Unwelcomed / February 14th 2025 / Single
– Constant Changes (ft. Rémi Arsenault from Burn The Evidence) / January 18th 2025 / Single
– Slipping Away / October 25th 2024 / Single
– Mad World / June 20th 2024 / Single

Shared Stage with: Cardiac – As We Suffer – Soulthief – Run Terry Run – Ascension Blacklist – Nature Pleads Revenge – Concessions – Insanity of Dorrow – Feed After Midnight – The Jenova Projekt – Under the Influence – Change My Brain With Cakes – Warcall – Gilgamesh – & More

0 Out Now! Italian Melodic Death KARMIAN Unleashes New Concept Album “Horror Vacui” – A Haunting Dive Into the Void of the Human Psyche

  • March 20, 2026
  • by Asher
  • · KARMIAN (Rockshots Records) · Music News

NEWS RELEASE

Montreal, QC – March 20, 2026

Out Now! Italian Melodic Death KARMIAN Unleashes New Concept Album “Horror Vacui” – A Haunting Dive Into the Void of the Human Psyche

Rockshots Records proudly announces the release of Horror Vacui, the new full‑length album from Italian melodic death metal force Karmian, available March 20th. A concept record rooted in true events, “Horror Vacui” marks the band’s most ambitious, introspective, and emotionally charged work to date, a descent into the psychological and existential void behind real acts of murder and moral collapse.
​
​“Horror Vacui is the darkest and most introspective chapter of our journey. A descent into the psychological and existential void that hides behind real acts of murder and madness,” says the band.
​
Recorded, mixed, and mastered at Audiocore Studio by Luca Cocconi and Simone Sighinolfi, the nine tracks on “Horror Vacui” transform true Italian crime cases into harrowing portraits of human fragility, alienation, and the emptiness that breeds violence. Vocalist and lyricist Andrea Bertolazzi approached each story not to sensationalize, but to expose the void beneath the brutality. As he explains:
​​
“We didn’t want to glorify horror; we wanted to expose its roots. This record is about the emptiness that breeds violence, and the fragile humanity that hides beneath.”
​
​
From the tragic collapse of nurse Sonya Caleffi to the cult‑like spiral of the Beasts of Satan, from the myth‑shrouded Alleghe murders to the disturbing obsessions of Marco Mariolini and Gianfranco Stevanin, each track becomes a psychological study rendered through Karmian’s signature blend of aggression, melody, and narrative depth.
​
With “Horror Vacui,” Karmian pushes their sound further than ever. The album fuses Swedish‑influenced melodic death metal with cinematic tension, intricate arrangements, and a raw, live‑driven production approach. Every instrument was recorded acoustically without studio trickery, preserving the band’s trademark authenticity.
​
​“It’s our most mature and intense work to date, melodic death metal meets cinematic tension, raw energy, and psychological storytelling. We wanted the album to leave a lingering sense of inner unease, a discomfort that wounds, but is also exorcised through the act of listening,” adds the band.
​
The result is an album meant not just to be heard, but felt, a visceral experience that lingers long after the final note. The band hopes listeners will explore the layers of meaning, the connections to real events, and the emotional weight embedded in every riff and lyric.
​
​“Horror Vacui” stands as Karmian’s most profound artistic statement, a fusion of philosophy, extreme metal, and psychological exploration. It is a record that challenges, confronts, and compels reflection on the abyss within.

Recommended for fans of The Haunted, Kataklysm, Heaven Shall Burn, At The Gates, early Dark Tranquillity, and early In Flames, “Horror Vacui” is available now as of March 20th, 2026, through Rockshots Records.

CD – “Horror Vacui” – https://rockshots.eu/products/karmian-horror-vacui-cd​

Add to your Spotify playlist – https://open.spotify.com/album/4lEIA86baPxAQIlIq7jCzE?si=4lFqJB9MQQGnYxBluhv5cA

Music Video – Libido Et Mors – https://www.youtube.com/watch?v=qe4bccF7cx4

​Visualizer – Beastmaster Of The Void – https://www.youtube.com/watch?v=-NhBZGSShJE

​Lyric Video – Beyond The Dream Gate – https://www.youtube.com/watch?v=YOH-uCK88qI

​

Track Listing:​
1. One Thousand Shining Bubbles – 06:38
2. Beastmaster of the Void – 03:21
3. Gott Mit Uns Nicht – 04:38
4. The Call of the Abyssal Bell – 06:17
5. Black Magical Soap Opera – 03:54
6. Temple of the Fleshless Goddess – 03:23
7. Libido et Mors – 03:40
8. Beyond the Dream Gate of Fear – 04:16
9. Maker of Angels – 04:43
Album Length: 40:50

Karmian Line-Up:​
Andrea Bertolazzi: Vocals
Andrea Baraldi: Guitars
Michele Perla: Guitars
Luca Marmi: Bass
Nicholas Badiali: Drums

More info:

​https://rockshots.eu/​

​https://www.instagram.com/karmian_official/​

​https://www.facebook.com/KarmianBand/​

BIOGRAPHY:

Originating from Modena, Italy, Karmian stands as one of the most consistent and distinctive voices in Italian melodic death metal, forging a sound that blends raw aggression, melodic nuance, and strong conceptual depth. Their music draws from the sharp-edged intensity of the Swedish tradition while embodying a uniquely Italian sense of drama, history, and emotional resonance.

The band’s earliest incarnation dates back to 2005, when founders Andrea Baraldi, Mauro Leone, and Nicholas Badiali formed a project under the name When the Storm Broke. Though the group disbanded in 2009 after several lineup changes, the experience laid the foundations for what would later become Karmian. In 2011, the founding members revived the project with the addition of vocalist Andrea Bertolazzi, giving rise to the definitive identity of the band and solidifying their path within melodic death metal.

Karmian debuted in 2012 with the EP “Ways of Death”, a conceptual release exploring psychological decline and the “ways of death” – themes that would become central to the band’s artistic identity. Years of touring across Italy and Europe further strengthened their presence within the extreme metal scene, leading to their first full-length album, “Surgere et Cadere” (2018). Rooted in historical and mythological narratives, the album recounts the struggle of the Celtic Boii tribe against the Roman Empire, showcasing the band’s lyrical ambition and intricate musicianship.

Following extensive touring, including performances with Dying Fetus, Mortuary Drape, and Venom Inc., Karmian released “Live at Slaughter Club” (2022), a testament to their intensity and authenticity on stage. After the pandemic years, the lineup evolved with the arrival of Luca Marmi (bass) and Michele Perla (guitars), marking the beginning of a darker, more elaborate creative phase.

This evolution culminates in their most ambitious work to date: the 2026 full-length “Horror Vacui”, recorded at Audiocore Studio with Luca Cocconi and Simone Sighinolfi. The album explores the psychological and existential void behind real acts of Italian murder and madness, transforming nine true-crime cases into allegorical portraits of emptiness, collapse, and human frailty. Musically, “Horror Vacui” expands the band’s soundscape through intricate dual-guitar writing, powerful rhythmic structures, and Bertolazzi’s blend of guttural intensity and narrative expressiveness.

Across their discography, Karmian have built a reputation for merging conceptual storytelling with extreme metal intensity. Whether navigating historical epics or psychological abysses, their work is defined by a commitment to exploring the deeper forces that drive human behavior – resistance, decline, obsession, and the void within. “Horror Vacui” stands as the culmination of this journey: a mature, uncompromising statement of artistic vision, philosophy, and melodic death metal identity.

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ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780
jon[@]ashermediarelations[.]com
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0 TAMPA DEATH FEST Announces Band Submissions For 2026 Lineup

  • March 19, 2026
  • by Asher
  • · Music News · Tampa Death Fest

NEWS RELEASE

Montreal, QC – March 19, 2026

TAMPA DEATH FEST Announces Band Submissions For 2026 Lineup

Celebrating eight years of showcasing some of the most debaucherous and brutal extreme metal to roll through the state of Florida. Tampa Death Fest returns for two nights of uncompromising extreme metal on September 4th and 5th at the legendary Brass Mug in Tampa Bay, Florida.

The festival has announced it’s accepting band submissions to fill remaining slots for its 2026 lineup. Bands interested in performing at Tampa Death Fest are encouraged to submit their materials before the April 1st deadline. TDF welcomes extreme-metal acts of all styles and origins, with a commitment to curating a lineup that reflects the genre’s depth, diversity, and global reach.
​
​Bands can apply their EPK at: tampabaymetalscene.booking[@]yahoo.com​
​
Since launching in 2019, Tampa Death Fest has cemented itself as a cornerstone of the underground extreme‑metal community. Rooted in the city widely hailed as the Death Metal Capital of the World, TDF continues to unite bands, fans, and local businesses under its guiding mantra: “Strength Through Unity, Unity Through Metal.”
​
Each year, TDF showcases a diverse roster of international, national, and regional acts, offering a platform for rising underground talent to share the stage with established legends. Past editions of TDF have hosted such notable acts as Satan, Venom, Inc, Ringworm, Diabolic, Leishmaniasis (Colombia), Repulsive Vision (UK), Massacre, Atheist, GraveHuffer, Blasphemation, Carpathian Funeral, Kill The Imposter, Sadistic Vision, Nibiru, Merciless Scum, Quiescent Mantis, MRSA, Pantheon, and more.

With an ever‑growing international presence, Tampa Death Fest continues to strengthen connections across Florida and beyond, fostering a spirit of collaboration and community engagement within the metal scene.

Event Details:
​
Dates: September 4-5, 2026
Location: The Brass Mug, Tampa Bay, FL
​
​About Tampa Death Fest:​
Founded in 2019, Tampa Death Fest has grown into a premier event within the extreme metal world. The festival’s mission is to uplift artists, unite fans, and celebrate the culture of heavy music through a shared passion for brutality, creativity, and community.

More Info: https://www.facebook.com/profile.php?id=61577052471967​

-30-

“With Tampa’s legendary death metal scene, I think we can all agree that there should be a fest in this city. There have been a few, but they have come and gone. This includes the three-day Tampa Deathfest that just happened in October 2023. What I like about this Tampa Deathfest is it not only hailed legends, such as Hellwitch and Venom, Inc., but it also represented the local talent we still have here.”- Infernal TV

—
ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780
jon[@]ashermediarelations[.]com
Facebook – Asher Media Relations
Instagram – AsherMedia
Tweet – AsherMedia

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