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NEWS RELEASE
Montreal, QC – August 27, 2020
For fans of Opeth, Porcupine Tree, Katatonia, The Contortionist, King Crimson
The Reticent’s Next Concept Album “The Oubliette” Is A Tale of Man’s Battle With Alzheimer’s Disease
Music Video Premiere “The Captive” via MetalInjection
New Album “The Oubliette” Out September 25th via Heaven & Hell Records
NC’s The Reticent return in 2020 with a new album entitled “The Oubliette” set for release on Heaven & Hell Records on September 18th. The full length is produced again by Jamie King (BTBAM, The Contortionist, Scale The Summit) to follow the band’s critically acclaimed 2016 release “On The Eve Of A Goodbye”, which was an autobiographical concept record that chronicled the day before, day of, and the day after the suicide of band founder Chris Hathcock’s childhood friend Eve. Critics and fans of the record alike were moved by the compelling narrative and heartrending performances along with the band’s award-winning live performances that are both an audiovisual and emotional experience that utilizes film, story-telling, and the sheer intensity of the music.
Even though the recording of “The Oubliette” was delayed four times due to a severe injury to Hathcock’s right arm (the deltoid bursa to be exact), he was able to perform all instruments on the full length, he actually began lining up players to fill in for him as doctors told him he may be endangering his arm’s functionality if he didn’t take an extended break from playing. Luckily, rest allowed him to recuperate enough to complete the record. Although, the process was slowed because he was in pain the entire time. Every recording session began with him taking at least 800 mg of Ibuprofen to make it through.
Finally completing “The Oubliette”, The Reticent shares another stirring autobiographical tale, this time about the tragedy of Alzheimer’s disease. The album follows the journey of an old man named Henry, which is based upon a relative of songwriter Chris Hathcock who’s real name was Cyrus. The name Henry was chosen as a somewhat more universal name, but also because Henry was one of the Alzheimer’s patients featured prominently in the documentary “Alive Inside”. The concept of the album is to demonstrate Henry’s descent through the seven stages of Alzheimer’s. He doesn’t know where he is or why he’s there. He doesn’t remember his wife is dead. He doesn’t recognize his son. Step by step the disease takes his memories, his ability to speak, his ability to walk, his ability to breathe. The music of “The Oubliette” traverses styles as divergent as jazz and black metal all within the framework of emotionally driven progressive metal. With each track sonically independent from its predecessor, the album moves the listener from experience to experience, vague memories to dreams and nightmares all toward its heartbreaking finale. Fans and critics alike will be very eager to sink their teeth into another intense emotional outpouring of progressive metal.
Chris Hathcock adds:
“As with my previous album, I hope that ‘The Oubliette’ will provide listeners with a rich and emotionally challenging audio experience. This is undoubtedly the most ambitious record The Reticent has attempted to date. The hope is that listeners will be personally affected by the music on a deep level and that it may draw some attention to a disease that is frighteningly prominent but frequently poorly understood. There will be moments that are soothing and there will be moments that are overwhelming. The story I have to tell is not a happy one but it is an important one – and it is often through the pain that we find the most profound reflection and calls to action.”
Today, the band shares the first tale and the second track on the emotionally gripping release “The Captive”.
Hathcock explains:
“The song starts with Henry hearing the orderly instructs him to return to his room as marching drums cadence him to get moving Now convinced that he is being wrongly imprisoned and believing his wife is being kept from him, Henry begins to oscillate between anger and despair made all the worse by the fact that he still doesn’t understand what’s happening to him. Decidedly aggressive death metal spearheads the track before Henry’s anger falls into a defeated frustration represented by the pensive midsection.”
Watch and listen to the video for “The Captive” via its premiere on MetalInjection HERE.
“The Oubliette” is due out via Heaven & Hell Records on September 25, 2020.
Album Pre-Order HERE.
Track Listing:
1. Stage 1 – His Name Is Henry (9:46)
2. Stage 2 – The Captive (6:00)
3. Stage 3 – The Palliative Breath (7:13)
4. Stage 4 – The Dream (11:47)
5. Stage 5 – The Nightmare (12:14)
6. Stage 6 – The Oubliette (10:38)
7. Stage 7 – ________ (6:10)
Album Length: 1:03:50
Album Band Line Up:
Chris Hathcock – Guitars, Bass, Keyboards, Drums, Vocals, Additional Percussion
James Nelson – Lead Guitars
Live Band Line Up:
Chris Hathcock – Vocals, Guitar
James Nelson – Lead Guitar, Backing Vocals
Cliff Stankiewicz – Bass
Mitch Moore – Drums
For more info:
HeavenandHellRecords.com
TheReticent.net
EPK
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“First-rate Progressive Metal, technically high-standing and delivered with a very high level of genuine emotion and passion.” – Rock Music Raider, review of “On the Eve of a Goodbye”
“…The fact is On the Eve of a Goodbye is one of the best concept albums of recent memory” – Angry Metal Guy, review of “On the Eve of a Goodbye”
“This record is why I listen to music.” – The Gauntlet, review of “On the Eve of a Goodbye”
“The Reticent is progressive in the truest sense of the term, and remains one of the best-kept secrets in metal…Once again, The Reticent delivers a stirring and unforgettable album that will absolutely appeal to fans of Opeth (especially Damnation and Heritage-era Opeth), Porcupine Tree, Tool, A Perfect Circle, Katatonia and Anathema.” – Hard Rock Haven, review of “Le Temps Detruit Tout”
“The Reticent’s On the Eve of a Goodbye took me by surprise and proceeded to floor me in all its heartbreaking, sophisticated glory” – Teeth of the Divine, review of “On the Eve of a Goodbye”
“I can safely say that this album stands with any classic concept album that people will try and compare it with” – Power of Metal, review of “On the Eve of a Goodbye”
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