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Posts By Asher

0 EPK – Athemon – Self-Titled (2021)

  • October 5, 2021
  • by Asher
  • · Athemon · EPKs

EPK – Athemon – Self-Titled (2021)

Publicist – Jon Asher – jon[@]ashermediarelations[.]com

For fans of Nevermore, Pain of Salvation, Opeth, Gojira, Mastodon

“Full of dark and enigmatic atmospheres, the self-titled record is a 50-minute concept album divided into nine songs, which tells a story about self-awareness. The instrumental consists of two guitars, a bass, and drums that together form an ideal atmosphere for those who enjoy a deeper journey. This is a creative album that seeks to forge the perfect alloy of darkness and beauty.” – Athemon

Album Title: Self-Titled
Release Date: October 11, 2021
Label: Independent
Distribution: Tunecore

Athemon.com | Facebook.com/fly.athemon | Instagram.com/fly.athemon

Flyathemon.bandcamp.com

L-R – Athemon Current Line Up | Adriano Ribeiro (Guitar, Vocals) | Tom MacLean (Bass, Production)
Photo Credits: Adriano’s picture: José Simonetti, Tom’s picture: Sunny Dhaliwal

Out of a love for progressive and intricate music, two musicians crossed paths online during the beginning of the Covid global lockdown to create an everlasting experience. Living on different continents, bassist/producer Tom MacLean (To-Mera, ex-Haken) in the UK and vocalist and guitarist Adriano Ribeiro in Brazil, used the digital world to their advantage and give rise to their new band Athemon.

“Adriano sent me his demo and it gave me goosebumps, so I was keen to get involved,” says MacLean.

From a significant evolution between demos to their final introductory recordings, MacLean and Ribeiro created a bonding friendship over musical interests that created the perfect environment to allow them to evolve and conceive their debut full length.

Formed as a gateway to express their art using progressive metal music, Athemon will debut their self-titled album on October 11th, 2021. The concept record is meant to be heard as one long 50-minute track divided into nine parts that will engage listeners on a journey that’s enigmatic, deep in sentiment, and inject a fresh outlook of self-perception during its intense and dark progressive atmosphere.

For the album’s recording, the band invited a special guest drummer from Brazil, Gledson Gonçalves who added his percussionist touch to compliment each one of the nine tracks.

“As nobody goes alone in this world (even being totally alone inside one’s own mind), the songwriting process had a lonely beginning, but a very collaborative end. The beginning of this project was driven by Adriano, but nothing would fit so well if it wasn’t for the amazing connection the three of us have (Adriano, Tom, and our special guest on drums, Gledson),” says MacLean.

The lyrics for the album were written by vocalist/guitarist Adrian Ribeiro and were inspired by thoughts of how confusing reality can be if you are not taking care of your emotional side. “The thin line between what’s real and what’s not is an endless world,” adds Ribeiro.

New fans of Athemon, can expect much more to come from the pair as they already have plans to launch their second album by the end of 2022, which they are currently composing with promising results.

As for the live spectacle of Athemon, for now, the band will let the music flow until the duo can connect from across the Atlantic for their first in-person jam session.

Recommended for fans of Nevermore, Pain of Salvation, Opeth, Gojira and Mastodon, Athemon’s self-titled debut will be available on all digital platforms on October 11th.

Fun Facts:
Until 2013, Tom was the original bassist in Haken and guitarist in To-Mera. He believes he’s one of a very small group of people to have opened for Dream Theater in two different bands.

The album as a whole explained by the band:

Full of dark and enigmatic atmospheres, the self-titled record is a 50-minute concept album divided into nine songs, which tells a story about self-awareness. The instrumental consists of two guitars, a bass, and drums that together form an ideal atmosphere for those who enjoy a deeper journey. Self-Titled Athemon is a creative album that seeks to forge the perfect alloy of darkness and beauty.

Track By Track Explained by the band:
1. Perception: It is the opening, instrumental music that carries evil cords and drags the listener into the enigma that will be presented. It’s the opening of a journey.

2. Whispers: With an intense instrumental, Whispers illustrates the principle of self-awareness, where our character starts a conversation with himself about echoes he can no longer avoid. The whispers of the mind that can no longer be shut down.

3. The Glass Hindered Us: With a strong chorus, The Glass hindered Us takes on a self-observation beginning, however, what you see is still blurry. The replacement of whispers by the observation of the image itself, but still in the form of two ghosts. Where there is an observer, there is another in observation. Two voices, one individual. In the end, our character realizes that he is the ghost.

4. Different From What Was Missing: Different From What Was Missing is a song that starts with a clean sound in a mysterious setting, and ends with an instrumental explosion. At this point in the journey, our character is faced with the faults. A grotesque expression of himself. A monster that he always tried to avoid, but that he now has to face out of the need to connect with himself, out of the need to reach out. From the observation of their own behavior and the acceptance of the piece that they tried so hard to avoid, then a seed of change is perceived.

5. Seed of Change: Seed of Change carries a wide variety of moments, it’s the song with the most variety of riffs. From the ugly and heavy to the beautiful and pleasant, as if struggling to understand how to get out of the commonplace, our traveler enters the field of action. This song is about returning to the path that was built. Almost like something inevitable. When you realize that you are the monster, you can then dismantle what was collapsing. Observation can fix what has escaped until then.

6. I Voice of Mine: I Voice of Mine opens the beautiful part of the journey. A more sensitive instrumental. For our traveler, self-questioning becomes inevitable, as he can no longer deflect thoughts that have always been there. He then realizes that he has all the time he needs to explore its magnitude. A beauty that makes you understand the delight of being what you are. He then starts to preserve more of his time and conversation in mind.

7. Reaching Deepness: In Reaching Deepness the band explores two musical climates. A melodic atmosphere finds at the end a thoughtful and striking atmosphere. A representation that even knowing yourself better, there will still be many internal battles to confront. Less timeless, our protagonist enjoys his existential dive, free-falling for more enjoyment. It is possible to reach more depth in himself when he no longer avoids those parts that have always been repudiated.

8. Greatest Understanding: Finally, in Greatest Understanding, through the symbology of the confrontation of a dark dream that represents fear and discomfort, our character understands the power he has. The power of self-transformation. To be able to transform is to evolve. So he understands that he is a finite part of a great mystery. Subjectively, then, he becomes a god of his own and starts to taste what is outside the cocoon he himself built. And so he flies.

9. Birth: Birth closes our journey with an instrumental full of beautiful melodies, especially the last one, a very sensitive theme that represents free flight, something possible for every form of consciousness.

[Download Album Cover | Download Album Lyrics]

Album Title: Self-Titled
Release Date: October 11, 2021
Label: Independent
Distribution: Tunecore

Track Listing:
1. Perception (3:16)
2. Whispers (5:29)
3. The Glass Hindered Us (3:57)
4. Different From What Was Missing (5:23)
5. Seed of Change (7:25)
6. I Voice of Mine (8:12)
7. Reaching Deepness (6:42)
8. Greatest Understanding (5:54)
9. Birth (4:01)
Album Length: 50:20

Album Credits:
• All songs performed by: Athemon
• All songs written by: Athemon
• Produced by: Tom MacLean
• Mixed by: Tom MacLean @ Twelve Tone Studio
• Mastered by: Tony Lindgren @ Fascination Street Studios
• Album Artwork by: Luigi Quarta

Album Band Line Up:
Adriano Ribeiro (Guitars, Vocals)
Tom MacLean (Bass)
Gledson Gonçalves (session Drums)

Discography:
2021 – Self-Titled – LP (Athemon)

0 EPK – Bone Tower – We All Will Die One Day (EP) (2021) (No Funeral Records / Fresh Outbreak Records)

  • October 5, 2021
  • by Asher
  • · Bone Tower (No Funeral Records / Fresh Outbreak Records) · EPKs

EPK – Bone Tower – We All Will Die One Day (EP) (2021) (No Funeral Records / Fresh Outbreak Records)

Publicist – Jon Asher – jon[@]ashermediarelations[.]com 

For fans of Full of Hell, Pig Destroyer, Cryptopsy, Atka, Trap Them

“Both sonically and lyrically, ‘We All Will Die One Day’ represents a collective status of disarray. Challenging speed and complex rhythms serve to accelerate unfavourable emotions to the forefront of your mind. A raw and unfiltered byproduct of mental health in disarray and unfocused aggression, with no real direction on how to cope in a post-pandemic landscape. Basically a big ‘fuck you’ to the world we live in. While presented in an ugly package, these songs are a cathartic release with the intent of extinguishing deep feelings of depression and anger.” – Bone Tower

EP Title: We All Will Die One Day
Release Date: November 5, 2021
Label: No Funeral Records
Distribution: No Funeral Records & Fresh Outbreak Records 

  Instagram.com/bonetower | Facebook.com/bonetower.hfx | YouTube 

Bonetower.bandcamp.com

“The album is a hellacious roller-coaster combining some of the most vicious and creative elements of Full of Hell with some of the cybergrind precision off bands like Monnier and Fucked. For my money, thee transition from penultimate track “The Sun” into the album closer/title track is one of the most haunting and acerbic passages of music I’ve heard all year.” – Decibel Magazine

“Whaaat the FUUUUCK, man! Bone Tower are as brutal, filthy, and noisy as they come, and We Will All Die One Day sees them reaching the full potential of their sonic ugliness. This album could be called ‘death metal,’ but that doesn’t really give enough credit to the total chaos and hostility of these songs. It’s more like destruction metal, like the metallic equivalent to busting down a wall with a sledgehammer. It’s fucking awesome, is what it is — and Jesus Christ, it’s fucking Canadian.” – The Pit

“Halifax-based Bone Tower create a horrible, horrible grinding death metal noise here on their debut, We All Will Die One Day, the eight-song EP barely clocking in at nine minutes, which sounds like math done right to me. Right away I’m thinking Full Of Hell, with the massive wall-of-noise production and grinding death, but there are also hints of Kurt Ballou-produced metallic hardcore bands like All Pigs Must Die or—not just saying this because the name reminded me—Pig Destroyer and their unsettling grindcore, or even fellow Canucks Fuck The Facts with their relentless experimentation.” – Bravewords

“Bone Tower do it all right here, the noise interludes (yes, they manage to find time for that) creating an atmosphere before the grindcore comes crashing back in, everything packing an unreal punch, this trio checking off every box I need in a nine-minute grind EP, this one absolutely energizing me while simultaneously destroying me, which, yes, is exactly what I need in a nine-minute grind EP. There are overtones of death metal here, yes, but really ragged and drunken death, like Hollowman-era Entombed covered by the members of Converge on the one night every decade they all get blackout drunk. In other words, very well done, and considering the fact that this band formed in February 2021, consider me floored. ” – Bravewords

“Music as violent as this leaves the imagination blazing. In this reviewer’s mind, Bone Tower are the assailant who brings a flame-thrower to a knife fight. We All Will Die One Day is a scorched earth sonic assault that leaves you cowering behind your door as the new occupants take over the town. You have no choice but to surrender and press repeat. 8/10” – Scream Blast Repeat

“Seriously, it sounds like it was produced by Kurt Ballou, there’s noise interludes, and the grind is utterly unhinged. So what gives? Maybe the difference is that these guys consistently dial things to 11 instead of meandering between a measly 10 and 10.5 (pah!)… “Mangled Wounds” is a good example of Bone Tower’s peak performance – those are some blasty fucking blasts, easily the fastest we’ve heard today.” – Toilet ov Hell

“Super fast and brutal deathcore with really short songs (less than 2 min!)” – WORT 89.9 FM Mosh Pit Radio (Madison, WI)

“Bending the mind like a dark Art House film that leaves you with a warped sense of reality as if were suffering hallucinations, “Empty Cave” and “The Sun” are a strange and violent pairing that obliterate any idea you may have had about what defines music as any form of rule book is thrown into the fire in preparation for the next searing hot ear drum shattering trauma and send you to into a complete sense of disarray. Each cut here is a complex and changing short, sharp, shock of a listen is made to make you feel unconformable and that is exactly what this does [7/10]” – Metal Noise

[Download EP Cover | Download EP Lyrics]

EP Title: We All Will Die One Day
Release Date: November 5, 2021
Label: No Funeral Records
Distribution: No Funeral Records & Fresh Outbreak Records

Track Listing:
1. Dislodging Splinters (01:13)
2. Am I Conscious (01:16)
3. Mangled Wounds (01:15)
4. Cower Away (0:38)
5. Under A Veil (01:06)
6. Empty Cave (01:59)
7. The Sun (0:48)
8. We All Will Die One Day (0:50)
EP Length (9:09)

EP Credits:
All songs written & performed by Bone Tower
Produced, mixed, and mastered by Michael Bowers
EP artwork by Jonas Deviller

Band lineup:
Jonas DeViller – Vocals, Electronics, Lyrics
Sean Carroll – Guitar, Bass
Michael Bowers – Guitar, Bass, Vocals

===================================================

The EP as a whole:

Both sonically and lyrically, ‘We All Will Die One Day’ represents a collective status of disarray. Challenging speed and complex rhythms serve to accelerate unfavourable feelings to the forefront of your mind.

Track by track explained:

1. DISLODGING SPLINTERS: The lyrics in ‘Dislodging Splinters’ were initially written about a habitual cycle of letting opportunities pass you by, how future endeavours may possibly look because of this, the process of reflection, and an irrational sense of regret that tends to follow. From the first three snare drum hits poking you in the ears, the shrieking vocals, fast riffs and the feedback that closes out this track, this is only the tip of the iceberg in terms of the disorder that is to come next. Remember: this is only the first song. You’re in for a lot more discomfort.

2. AM I CONSCIOUS: An amalgamation of sludgy riffs, pick scrapes, tremolo picking, and blast beats, this song has the grip of Hell’s Gate, sending you face-first into the auditory ambush that ‘Am I Conscious’ presents. In compelling fashion, this song launches you into a concussive breakdown and concludes with the first of 4 boisterous interludes on the album.

3. MANGLED WOUNDS: The meaning of the words in ‘Mangled Wounds’ are totally up for interpretation and expresses a couple of different personal thoughts: it was written both literally, outlining repeated trauma, as well as figuratively, about how one might process anxiety and depression. Opening abruptly with tremorous blast beats and rattling vocals, this tune wastes no time in delivering its taunting message. With a sense of urgency, the cryptic lyrics rest upon escalating guitar licks, as drums rapidly push this anthem to the point of no return. Briefly, you are allowed to catch a quick breath, only to be slingshotted into a barrage of open chugs. The main line ‘mangled wounds torn open again…’ is chanted back at you, and you are plunged into the second interlude track, ‘Cower Away’.

4. COWER AWAY: ‘Cower Away’ is the first of two harsh electronic tracks on ‘We All Will Die One Day’. It is simultaneously the most straightforward in terms of song structure, as well as totally frigged up and distorted. The main objective with this tune (if you can really even call it that) was to break up the tracklist with a different flavour of stress and to serve as an intro to the following track.

5. UNDER A VEIL: This song is pissed. There is more than one meaning, but it’s really written about the perception that you are always in the wrong, that who you are is a made-up persona, you aren’t good enough, and you should be exiled from everything positive in your life. This feeling couldn’t be further from the truth, and it is simply anxiety creeping in to say hello; A flurry of notes and blast beats being thrown at you really like to drive that idea deep into your head, though. Cower away under a veil of delusion.

6. EMPTY CAVE: Track #6 off ‘We All Will Die One Day’ begins with a propulsive sequence of blast beats and screeching vocals, coming at you like a wrecking ball. ‘Empty Cave’ is a commentary on dissociating, holding onto suppressed feelings, self-doubt, and the effects mental turmoil may have on you. The panicked rhythms and frantic vocals lead to an anticlimactic passage that symbolizes the descent into a state of decay. The droning feedback and familiar choir observed at the end of this song are a slow burn into the cacophony that is ‘The Sun’.

7. THE SUN: Distorted synths, jarring rhythms, and controlled chaos. ‘The Sun’ is a demonstration of what it feels like to be at the end of your rope; to have no patience left, and the sense of exhaustion boiling over. This is an intro to the title track and features both a sample from ‘Empty Cave’, and a distorted voice proclaiming a variation on the album’s title. We all will die one day, and this track is setting that mood – prepping you for the following song.

8. WE ALL WILL DIE ONE DAY: As the namesake of the album, you really want to make a statement. We all know you are your own worst enemy, and that’s what ‘We All Will Die One Day’ stands to shove down your throat. We’re all human, we all have shitty habits, and those practices are probably what’s gonna give us the axe one day. Whether you mindlessly find yourself repeating damaging thought patterns or any other number of self-destructive tendencies… This song encourages you to mull over your daily actions. The 8th and final track on ‘We All Will Die One Day’ hangs around for just a measly 50 seconds (and 17 of those are sustained feedback), but packs a major punch in that short amount of time. Blistering riffs lead into a short and sweet breakdown, leaving you confused about what the heck you just listened to. ‘We All Will Die One Day’ is a punishing conclusion to the album.

===================================================

Story Angles / Fun Facts:
1. The music was really initially inspired by personal events over the past year and the frustrations that have come with it.

2. Music equivalent of the chaos ensuing globally since last year. An angry jab back at the universe for anyone who was angry and watched the world unfold with racial upheaval, conservatives and conspiracists coming out of the woodwork against Covid economic regression with millions losing jobs, the entire world changing beneath our feet, and for the politicians who claimed to be on our side but continue to fight against the truth.

3. Wrote and recorded the entire record over the course of a week and a half to 2 weeks. It came together as a whole very quickly and organically. Bunkered down in Michael’s apartment and banged out the instrumentals in one night, and recorded vocals at Jonas’ on another.

L-R – Bone Tower – Sean Carroll (guitars, bass), Jonas DeViller (electronics, vocals), Michael Bowers (guitars, bass, vocals)
Photo Credit: Hayley Frail

Bone Tower got its start early in 2021, with the sole purpose of channeling built-up negative energy and creating a hectic, pissed-off sounding record. Hailing from Atlantic Canada they got straight to the point through pummeling angry death metal.

Bone Tower is the musical equivalent of the chaos ensuing globally since last year. An angry jab back at the universe for anyone who was angry and watched the world unfold with racial upheaval, conservatives and conspiracists coming out of the woodwork against Covid, economic regression with millions losing jobs, the entire world changing beneath our feet, and for the politicians who claimed to be on our side but continue to fight against the truth.

The trio of Jonas DeViller (vocals/electronics/lyrics), Sean Carroll (guitar/bass), and Michael Bowers (guitar/bass/vocals) is a seasoned one at that and they were able to quickly write and produce their debut EP ‘We All Will Die One Day’ in two weeks. It came together as a whole very quickly and organically.

This is just the start for Bone Tower, they already have a follow-up record in the works. As of now, they are mostly a recording project but they intend on eventually playing shows. When they do finally play live, it’s bound to be just as fucked up as the recording.

EP ‘We All Will Die One Day’ is due out November 5, 2021.

0 M-Theory Audio – IMMORTAL GUARDIAN Announces West Coast ‘Brovember Quarantour’ Live Performances

  • October 5, 2021
  • by Asher
  • · Immortal Guardian (M-Theory Audio) · Music News

NEWS RELEASE

Montreal, QC – October 5, 2021

For fans of  Iron Maiden, Helloween, Symphony X, Kamelot, Marty Friedman, Dragonforce

IMMORTAL GUARDIAN Announces West Coast ‘Brovember Quarantour’ Live Performances

IMMORTAL GUARDIAN is (L-R): Justin Piedimonte (Drums), Joshua Lopez (Bass), Carlos Zema (Vocals), Gabriel Guardian (Guitars/Keyboards)

The extreme progressive/power metal group IMMORTAL GUARDIAN are once again taking the epic sounds of their critically acclaimed concept album “Psychosomatic” to the road, this time embarking on the “Brovember Quaratour.” The band’s week-long trek throughout the west coast begins Friday, November 5th at Pubrock Live in Scottsdale, AZ,  includes an appearance at RuinFest VI Fest in Santa Ana, CA alongside bands as diverse as Internal Bleeding, Mictlantecuhtli and labelmates Voices of Ruin, and concludes the following Friday, November 12th at Toot’s Tavern in San Francisco, CA with more shows to be announced. These live shows will see the band’s expansive sounds accompanied by a visually entrancing laser/light show, along with support from Los Angeles-based Venezuelan-American progressive-metal act Sifting. Full “Brovember Quarantour” dates are below.

Says singer Carlos Zema, “The Guardians of the West felt left out on this last run. That’s why we are excited to bring you the ‘Brovember Quarantour!’ We are bringing our ‘Psychosomatic’ live show to the west coast! New music, new light show, new merch, a whole new epicness. We can’t wait to see you there!”

The tour sees IMMORTAL GUARDIAN once again taking the sounds of “Psychosomatic,” their acclaimed new concept record, on the road following a six-week tour in August and September that dazzled metal fans nationwide. The album has been lauded by Metal Temple for its “melody and power, two things displayed in a smashing way throughout this album” and led Metal Rules to call the group “one of the most interesting bands that have emerged in recent years on the international power metal scene.” Video clips for the title track, “Candlelight,” and “Phobia,” the latter of which featured a guest appearance by Angra guitarist Marcelo Barbosa, have captured the ears of heavy metal fans worldwide, while their videos for “Clocks,” “Lockdown” and “Read Between The Lines” have earned praise from the likes of MetalSucks, Metal Injection and Gear Gods.

After making a splash via their 2018 full-length debut “Age of Revolution” – which featured its own fair share of creative music videos, including the “Armageddon”-meets-telenovela clip for “Stardust” – and through tours with the likes of Marty Friedman, Exmortus and Powerglove, IMMORTAL GUARDIAN gathered in Las Vegas at the beginning of 2020 to record their second album. As the spread of COVID-19 and the subsequent pandemic began to ensue, shutdowns around the world began being enforced, resulting in the band completely scrapping the record that they had been working on and writing and creating a new thematic record about their emotions surrounding current events. The resulting “Psychosomatic” was a truly multi-national record, with guitarist/keyboardist Gabriel Guardian – known for his uncanny ability to play the two instruments simultaneously – remaining in Las Vegas, singer Carlos Zema recording his vocals from his home in Brazil, drummer Justin Piedimonte tracking from Montreal and bassist Joshua Lopez recording from IMMORTAL GUARDIAN‘s native Texas.

“Psychosomatic” is a product of the extraordinary turmoil of 2020 that affected millions of people around the world, as well as the next step in IMMORTAL GUARDIAN’s exhilarating melding of melodic power metal with progressive/shred tendencies. The group is looking forward to bringing their scintillating sounds and dazzling visuals to the road for their west coast fans to experience live.

“Psychosomatic” (Vinyl, CD, Digital) is available at www.smarturl.com/immortalguardian.

IMMORTAL GUARDIAN Tour Dates (with Sifting):
11/05 – Pub Rock Live – Scottsdale, AZ
11/06 – Ruinfest @ Stages – Santa Ana, CA
11/07 – TBA – Las Vegas, NV
11/08 – Metro Music Hall – Salt Lake City, UT
11/10 – El Corazon – Seattle, WA
11/12 – Toot’s Tavern – San Francisco, CA

IMMORTAL GUARDIAN is:
Gabriel Guardian – Guitars/Keyboards
Carlos Zema – Vocals
Justin Piedimonte – Drums
Joshua Lopez – Bass

For more info:
M-theoryaudio.com
ImmortalGuardian.net
Facebook.com/igmetal
Instagram.com/immortal_guardian
Twitter.com/igmetal
EPK

– 30 –

“The musicianship is top-tier and the group’s compositional ability is unheard of for a band this young. [Guitarist} Gabriel Guardian is a new American hero.” – Decibel

“Melody and Power, two things displayed in a smashing way throughout this album. If Immortal Guardian isn’t already on your playlist, I think they should be. 10/10 – Metal-Temple.com

“A mega-catchy prog-power anthem (Read Between The Lines) mixed with a blend of crushing performances that’ll leave you salivating for more.” – Metal Injection

“Psychosomatic, an album that will likely be viewed as one of 2021’s best releases, and a landmark record forImmortal Guardian. ” – Metal Nation

““Psychosomatic” is a super catchy (Prog) Power Metal album” – Metalheads Forever Magazine

“With this album (Psychosomatic) Immortal Guardian should no longer be seen as a promising band. Not only have they shown that they have an enormous compositional quality and an elite technical level, they have also shown that they are a band that faces difficulties and that they have all the will to continue. Making a high-quality second album two years after their dazzling debut tells us about the enormous inner power these musicians have.” – Metal Rules

““QUARAN-TAAAAAYN!” No matter what you think about Immortal Guardian, it’s refreshing to hear a band that plays their style while confronting modern life. Though there’s a lot of big, epic, technical stuff going on on Psychosomatic, it never devolves into a lot of bullshit about chivalry and orcs. As such, they feel poised to be the inheritors of Nevermore’s throne, a gritty power metal band who feel relevant even as they soar. Get this in your brain.” – The Pit

—

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0 Ravenous To Record Live DVD At “Hubris” Album Release Show In Edmonton October 9th

  • October 4, 2021
  • by Asher
  • · Music News · Ravenous

NEWS RELEASE

Montreal, QC – October 4, 2021

Ravenous To Record Live DVD At “Hubris” Album Release Show In Edmonton October 9th

“Hubris” Out October 22nd via Feast Beast Records (NA/EU) / Spiritual Beast (Asia)

Album guests:
Vincent ‘Jake’ Jones of Aether Realm
Heinrich Yoshio of Aether Realm
Mathias Blad of Falconer
Nina Osegueda of A Sound of Thunder
The Dread Crew of Oddwood (Full Band)

Album Pre-Order Now Available!


L-R: Ravenous Current Line Up
Skyler Mills (Guitar) | Dave Crnkovic (Drums) | R. A. Voltaire (Vocals) | Chris Valax (Bass) | Jake Wright (Guitar)
Photo Credit – Monika Deviat

Canada’s Ravenous will be unleashing their new album “Hubris” on October 22nd via Feast Beast Records for North America plus Europe and for Asia via Spiritual Beast with exclusive bonus tracks “Cakaw Te Partiro” and “一瞬千撃” for the Japanese version.

Before the full-length officially drops, the band is hosting two CD release shows for Alberta fans in Edmonton and Calgary. The Edmonton event will be hosted on October 9th at The Starlite Room, which will include a live DVD recording in support of “Hubris” and for their hometown crowd in Calgary, they will be performing on October 15th at Dickens.

The band hints at what attendees can expect from their live show:

“First-time fans can expect our performance and costumes to be akin to going to a Queen show in their early pub days, but with fast-riffs, blast beats, and more crowd-singing than you can shake a claw at! Our fans have a tendency to make people feel welcome, like joining a giant IRL Discord server, so the fans all become friends over time and that community not only strengthens us as a band, but also boosts the rest of the industry, so first-timers will find they left the show with more friends than they came in with!”

Details for the CD release shows can be found on Ravenous‘ Facebook page – https://www.facebook.com/RavenousE.H/events

Ravenous currently have two singles out “Astral Elixir” and “Die 1000 Deaths” off “Hubris”, which can be heard at the following links:

Animated music videos for “Die 1000 Deaths” ft. Heinrich Yoshio of Aether Realm.
English Version – https://youtu.be/uvVkYDINa-0
Japanese Version – https://youtu.be/Tz6-pmChuJ0

Lyric Video – “Astral Elixir” – https://youtu.be/iVvbuTw2veA

Ravenous brings a full lineup of experienced musicians together, ones that have toured extensively and are fully dedicated to providing a high-energy, high-intensity live experience. They seek to inspire others to find that inner triumph and glory that drove them to form this project – whether that means starting their own band, or just finding the strength to make a change in their lives – they seek to empower their followers through every step of their journey.

Recommended for fans of Powerwolf, Sabaton, and Unleash the Archers, Ravenous is bringing you anthemic tunes from a time when metal was hungry.

“Hubris” was produced by Ravenous with mixing and mastering done by Fredrik Nordström (In Flames, Opeth, Firewind) along with album guests Vincent ‘Jake’ Jones of Aether Realm, Heinrich Yoshio of Aether Realm, Mathias Blad of Falconer, Nina Osegueda of A Sound of Thunder, The Dread Crew of Oddwood (Full Band).

Album pre-order at https://igg.me/at/hubris

Album Trailer – https://youtu.be/GYJfhUWLPcM


Track Listing:
1. Carnage in Carthage (4:37)
2. Astral Elixir (5:16)
3. Son of Storms (4:33)
4. Die 1000 Deaths (5:24) (3rd Guitar Solo by Heinrich Yoshio of Aether Realm)
5. Bridgeburner (6:10)
6. The Alder Queen (3:17) (ft. Lead Vocals by Nina Osegueda of A Sound of Thunder)
7. March of Hunger (4:47)
8. Claw is the Law (5:24) (ft. Lead Vocals, Accordion, Mandolin, and Gang Vocals by The Dread Crew of Oddwood)
9. Onwards & Upwards (4:09) (ft. Lead Vocals by Mathias Blad of Falconer)
10. …Of Beasts and Faust (10:21) (ft. Lead Vocals by Vincent Jones of Aether Realm)
Total Length 53:57
Japanese Version Exclusives
11. Cakaw Te Partiro (Bonus) – 3:13
12. 一瞬千撃 (Bonus) – 5:25
Total Length 62:34

Album Recording Credits:
• All songs performed by: Ravenous E.H.
• All songs written by: R. A. Voltaire (Music: 1, 3, 4, 6, 7, 8, 9, 10, 12. Lyrics: 1, 3, 4, 6, 7, 8, 9, 10, 12),
Jake Wright (Music: 2, 5, 6, 7, 8, 9, 10. Lyrics: 2, 5, 7), Skyler Mills (Music: 7), Francesco Sartori (Music: 11), Lucio Quarantotto (Lyrics: 11)
• Produced by: R. A. Voltaire, Jake Wright
• Mixed by: Fredrik Nordström
• Mastered by: Fredrik Nordström
• Album Artwork by: Moch Luthfi (LuthSlaughterArt)
• Member of SOCAN
• Canadian Content (MAPL)

Album Credits:
R. A. Voltaire: Lead Vocals (1-12), Backing Vocals (1-12), Acoustic Guitar (9), Guitar Solo (10)
Jake Wright: Rhythm Guitar (1-12), Lead Guitar, (1-12), Guitar Solo (1-12), Acoustic Guitar (3, 5, 8, 10), Gang Vocals (1, 4, 7, 8, 10)
Skyler Mills: Guitar Solo (2, 4, 6, 7, 8, 12)
Chris Valax: Bass Guitar (1-12)
Dave Crnkovic: Drums (1-12)
Daniel Carpenter: Orchestration (1-12), Piano (9), Guitar solo (10)
Heinrich Yoshio: Guitar Solo (4, 12)
Nina Osegueda: Lead Vocals (6)
Wolfbeard O’Brady: Lead Vocals, Gang Vocals, Accordion (8)
Deckhard Cordwain: Mandolin (8)
Smithy Crow: Gang Vocals (8)
Mathias Blad: Lead Vocals (9)
Vincent Jones: Lead Vocals (10)
Sam Wright: Banjo (10), Gang vocals (1, 4, 7, 8, 10)
Elly Uz: Gang vocals (1, 4, 7, 8, 10)

For more info:
Ravenouseternalhunger.com
Facebook.com/RavenousE.H
Twitter.com/Ravenous_EH
Instagram.com/ravenouseternalhunger
EPK

– 30 –

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ASHER MEDIA RELATIONS

Jon Asher – Music Publicist
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jon[@]ashermediarelations[.]com
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0 EPK – Fractures & Outlines – Vultures (single) (2021)

  • October 2, 2021
  • by Asher
  • · EPKs · Fractures & Outlines

EPK – Fractures & Outlines – Vultures (single) (2021)

For fans of A Day to Remember, Beartooth, Wage War, Silverstein, Alexisonfire

Release Date: October 15, 2021
Label: Self-Release
Distribution: Distrokid

 

Publicist – Jon Asher – jon(@)ashermediarelations.com

 

Social Media: Facebook | Instagram | Youtube

 

Sales Links: Bandcamp | iTunes | Spotify

 

Single – Pre-Save – https://distrokid.com/hyperfollow/fracturesandoutlines/vultures


 

“Fractures & Outlines put the extent of their influences into this latest track. Taking hints from hardcore legends, such as early Silverstein or Alexisonfire as well as metalcore hardhitters like Obey The Brave and Killswitch Engage. “Kerosene” also features a guest vocal performance from Salem Trials frontman Jericho Spencer-Champagne to add to the powerful nature of the track.” – Metal Injection

“From the start this track punches its way out of the speakers. It features some of the best growl vocals I have heard for some time. The beat is crazy infectious, in fact the whole track is one big catchy escapism from life as it is. Just what the band intended.” – Backseat Mafia

“FRACTURES & OUTLINES are very talented band. Their music ability is put out as if it were a parade from album start to album finish.” – Metal Temple

“‘’End Of The World’’ throws me back into my emo-phase right away. I am LOVING it! The music is very dynamic, fast and diverse. I like the clean vocals and the growls together. ‘’Echoes’’ starts with high pitched screams, and that is when I was completely sold. The chorus has an original twist to it, there is somewhat of a breakdown in the drumline when you hear ‘’ECHOES’’” – Lyrical Spell Magazine

“Try and fight your way through this album without stopping; you’ll find yourself “Defenseless.”” – PureGrainAudio

“if you are into the post hardcore scene then this album is for you!… As amazing as the album is, I’d be willing to wager that the live experience would be even better. I hope they manage to make it out to SoCal one day or even Vegas I’d love to attend one of their concerts!” – The Music Below

“Overall, Fractures & Outlines debut album provides a more than enjoyable throwback to old-school metalcore and screamo but with their more varied and melodic sound and optimistic lyrics they do add an energetic breath of fresh air to both subgenres. ” – Belgian Metal Shredder

“ce groupe a le mérite d’avoir une excellente dynamique et d’être une équipe bien liée. Ils sont charismatiques et les gars ont du plaisir sur scène, ce qui pour moi est un incontournable pour offrir un excellent show! Leur album, Defenseless sorti en mai 2019, nous transporte dans divers thèmes tous reliés à nos luttes et nos démons intérieurs. Des thèmes lourds de sens, mais amenés musicalement avec brio.” – Ondes Chocs (Live Review – FarmFest 2019)

“An interesting choice to the lineup, as the other bands were of the deathcore / melodic metal genre. However, what they lacked in genre similarity they made up for in energy. This was highlighted by their cover of Alexisonfire “This Could Be Anywhere in the World“, which I and the crowd were taken aback by. Not only did they do the cover well, but they got the crowd engaged and were eager to mosh and singalong to it.” – Splice Media Group

[Download Single Cover | Download Single Lyrics]

Release Date: October 15, 2021
Label: Self-Release
Distribution: Distrokid

Track Listing:
1. Vultures (4:48)

Single Recording Credits:
• All songs performed by: Fractures & Outlines
• All songs written by: Fractures & Outlines
• Produced by: Eric Desormeaux (Tinytik Productions)
• Mixed by: Eric Desormeaux (Tinytik Productions)
• Mastered by: Eric Desormeaux (Tinytik Productions)
• Album Artwork by: Nicholas Boudreault
• Member of SOCAN
• Music is Canadian Content (MAPL)

Recording and Live Band Line Up:
Nicholas Boudreault – Vocals
Eric Desormeaux – Rythm Guitar
Maxime Rondeau – Lead Guitar
Maurice Emond Jr. – Bass Guitar
Mathieu Fréchette – Drums

=========================================

BAND STORY ANGLES / FUN FACTS:

1. Nick actually passed out after delivering the long scream during the breakdown of Vultures, and then proceeded to panic because he thought he had epilepsy. Turns out he just ran out of air (we promise he’s okay).

2. Eric has gotten very good at music production and is the one that produced Vultures and all other upcoming singles.

3. The reason why we’re going for a comic book theme for our single artwork (all made by Nick) is that Nick considers that each song represents one of his inner demons, or villains, and tells its own story.

4. Max is our lead guitarist despite having the smallest hands we’ve ever seen on a human being.

5.  Matt had issues with Carpal Tunnel Syndrome and once played an entire set with his drumstick duct-taped to his hand.

Photo by: Jessy Dwyer (Beyond the Pit)
Nick Boudreault (Vocals) – Maxime Rondeau (Lead Guitar) – Maurice Emond Jr. (Bass) – Mathieu Fréchette (Drums) – Eric Desormeaux (Rhythm Guitar)

Ripping out of Gatineau, Canada, Fractures & Outlines is a post-hardcore band with influences ranging from Silverstein, No Use For A Name and Killswitch Engage.

The band came together in 2014 and work tirelessly planting their feet in the local underground music scene. Intrepidly, they created their first EP ‘Checkmate’ in 2017, which was met with solid acclaim from various publications.

As a team, the band works on each song together crafting heavy hooks, catchy choruses, and brutal breakdowns with lyrical themes about internal struggle and having to fight your own demons. Working to further develop a sound that is their own, they hit the studio in 2018 to start work on their 10 track full-length ‘Defenseless’ released in May 2019.

In 2020, a year after the release of their debut album, the band returned with their follow-up single “Kerosene”. The band teamed up once again with producer Joe Lyko (Dark Moon Productions).

Now in 2021, Fractures & Outlines return with their next single “Vultures”. The track was written amidst a band hiatus in the middle of the Covid pandemic. It’s a hard-hitting mosh anthem that fulminates their band’s frustration towards the current state of the world and their anger concerning seeing people around them falling for misinformation and conspiracies. As you listen, you can hear a blend of musical elements similar to early Silverstein and heavy-riffing like A Day to Remember.

“Vultures” is due out on October 15, 2021 on all digital platforms.

Discography:
2021 – Vultures (single)
2020 – Kerosene (single)
2019 – Defenseless – LP
2017 – Checkmate – EP

Shared Stage with:
Mass Hysteria, War of Ages, Blind Witness, Obey The Brave, Affiance, Kamakazi, Rouge Pompier, Story Untold, Sworn Enemy, Cardinals Pride, BearingsTours and Festivals:
2019 – FarmFest – Vankleek Hill, ON
2018 – Hullfest – Gatineau, QC
2017 – Floodfest – Gatineau, QC

0 Heavy Blog Is Heavy Premiere Snakeblade’s Heavily Technical “Foul Sorcery of Flame and Shadow”, New Album “The Curse” Out October 13, 2021

  • October 1, 2021
  • by Asher
  • · Music News · Snakeblade

NEWS RELEASE

Montreal, QC – October 1, 2021

Heavy Blog Is Heavy Premiere Snakeblade’s Heavily Technical “Foul Sorcery of Flame and Shadow”

New Album “The Curse” Out October 13, 2021

Canada’s Snakeblade has a new single out, and now, death metal fans can take it all in over at Heavy Blog Is Heavy who is premiering “Foul Sorcery of Flame and Shadow” at the following link HERE.

This is the sixth track out of the ten presented on the upcoming album “The Curse” and according to Mike Redston is a full-fledged five-minute roller coaster. He explains more in detail:

“This track is absolute bananas. I consider this to be my most technical song off The Curse with some super fun riffs. Guitar wise it’s got flavours of everything from Archspire to Metallica. And lyrically, it’s a complete homage to Game of Thrones – fans of the show will no doubt be able to spot the reference. It starts full-on with a relentless attack of blast beats and shredding. Then about halfway through you get this complete shift to a half-time neck-snapping section. It’s closed out by a silky smooth acoustic outro to seal the deal.”

“The Curse” is the second album from Snakeblade, following “The Kingdom”, which came out in 2020. It is quite an evolution, growing in both complexity and scale with the addition of a session drummer to handle the kit. Mike Redston formed the solo project in the midst of the pandemic, as a distraction. To deepen the escape, all his lyrics surrounded fantasy concepts from his favorite video games and movies. The name Snakeblade comes from his first character in Dungeons and Dragons which was a bugbear.

For fans of death and black metal both new and old, Snakeblade is recommended for fans of Dimmu Borgir, Death and Skeletonwitch.

The album “The Curse” will be available on October 13, 2021.
Album pre-order – https://snakeblade.bandcamp.com/album/the-curse

Previous single – “The Red Mage’s Seduction” – https://youtu.be/7V06X1AlJqg


Track Listing:
1. Destiny (Intro) (1:42)
2. Rotten Souls (6:48)
3. Harvester (3:35)
4. Dreams of Aida (1:53)
5. The Red Mage’s Seduction (6:01)
6. Foul Sorcery of Flame and Shadow (5:04)
7. Godswood (2:28)
8. Born Among Salt and Smoke (5:46)
9. Archways (3:05)
10. Exile, Outlaw… The Essence (6:34)
Album Length: 42:56

Album Credits:
• All songs performed by: Mike Redston
Drums performed by Dennis Kraakman
Artwork by Elizabeth Holmes
‘Dreams of Aida’ co-produced with Macca Grills
‘Godswood’ co-produced with Logan Macdonald
• All songs written by: Mike Redston
• Produced by: Mike Redston
• Album Artwork by: Elizabeth Holmes
• Member of SOCAN
• Music is Canadian Content (MAPL)

Album Band Line Up:
Mike Redston – Vocals, Guitar, Bass Guitar,
Dennis Kraakman – Drums

For more info:
Facebook.com/snakebladeofficial
Instagram.com/snakebladeofficial
EPK

About:
Amidst the Covid-19 pandemic, Snakeblade was formed by Mike Redston as an escapist project while the entire world was quarantined. What came out of this anxious time may surprise you though, as Snakeblade refuses to follow typical one-man black metal trends. Every song on their debut album The Kingdom explodes with energy and youthful rage, delivering a pummelling of riffs, blastbeats, and shrieking vocals. With lyrical topics of fantasy, medieval battles, lord of the rings, and video games, Snakeblade is a headbanging nerd’s wet dream. Now on their second effort, the one-man project delves into bold new territory adding orchestral and electro elements to the blackened thrashy chaos that is: The Curse.

Discography:
2020 – The Kingdom
2021 – The Curse

– 30 –

“This new song (The Red Mage’s Seduction) is a wild but multi-faceted thrill-ride. A burst of jolting riffage launches the track, and as it grows more feverish it provokes a long, throat-ruining scream. The drums (performed by session drummer Dennis Kraakman) hammer and spit like machine guns as the bass bubbles and the guitar writhes in flames. There are chilling moments when slashing chords, slithering arpeggios, and flickering spectral solos sound like magic spells cast in sound by a viciously demented sorceror and the vocals descend into monstrous croaking growls, only to have the song erupt again in chaotic incendiary gales. The song’s feeling of magical mystery and ominous peril emerges again and rises to towering heights, elevated by grand synths and gigantic booms. Once there, an extravagant extended guitar solo lights the listener’s nerve endings on fire without relinquishing the music’s aura of sorcery run amok. The song slashes and burns again, with the elaborate layering of guitars, tumultuous percussion, and slaughtering screams creating an ecstatic finale.” – No Clean Singing

“This one man black metal project from Canada, spearheaded by Mike Redston, wastes no time in pushing the pedal to the metal and letting it all go. No, seriously; the very first track on his new album, The Kingdom, has an insanely flamboyant and satisfying guitar solo, breakneck drums, and vocal shrieks aplenty.” – Heavy Blog Is Heavy

“Snakeblade Goes Beyond Black Metal Trappings on ‘The Kingdom'” – Exclaim!

“It’s safe to say that Snakeblade’s musical genius will quickly outgrow Redston’s one-man credo, for other musicians will surely seek out his vision. That he has crafted such venomous metal that is still wildly entertaining during this pandemic is a huge accomplishment, and The Kingdom will appeal to fans of this black metal style, particularly followers of Mayhem, Borknagar and classic Slayer.” – Exclaim!

“This is absolutely my jam, and The Kingdom is one of my favorite albums of the year so far.” – Toilet ov Hell

“I am compelled to say that SNAKEBLADE most definitely delivered an utmost maddening, but enjoyably entertaining discovery that made me replay this …pretty much all day long. “The Kingdom” is an addicting spin that will blow brains & shatter windows with explosive clarity. Full of density, technical prowess & engaging captivation. This is an incredibly amazing debut album, and I will most look forward to their upcoming projects. And for a singular writing attempt, bravo! I couldn’t help but score this as a masterful piece of other-worldly malevolence which most certainly deserves a slot in your collection for sure. Check it out!” – Metal Temple

—

ASHER MEDIA RELATIONS

Jon Asher – Music Publicist
#.514.581.5780
jon[@]ashermediarelations[.]com
Facebook @AsherMediaRelations
Instagram @AsherMedia
Tweet @AsherMedia

0 Epic Symphonic Metal OPERUS (ft. members ex-Annihilator, ex-Vital Remains, Skull Fist, Primalfrost) Release New Music Video “Lost”  

  • October 1, 2021
  • by Asher
  • · Music News · Operus

NEWS RELEASE

Montreal, QC – October 1, 2021

Epic Symphonic Metal OPERUS (ft. members ex-Annihilator, ex-Vital Remains, Skull Fist, Primalfrost) Release New Music Video “Lost”  

New Album Out Now! “Score of Nightmares” via Pride & Joy Music


Operus Line Up (L-R)
Dean Paul Arnold (Guitar), Wojtek Sokolowski (Bass, Backing Vocals), David Michael Moote (Lead Vocals),
Oscar Rangel (Guitar, Backing Vocals, Growls), Robin Howe (Cello, Backing Vocals), JJ Tartaglia (Drums)

Canadian epic symphonic metal band, Operus has a new music video for their single “Lost” off their latest album “Score of Nightmares” released through German label Pride & Joy Music during June 2020.

The vision behind the new video is that of a journey through an inner self-created metaphoric world of being lost along with the feeling of self-doubt and the inevitable anxiety of running out of time. The video’s purpose is to demonstrate that we all need guidance and that although our time here isn’t infinite, what we do with our “sands of time” is the most important.

The visually stunning music video was filmed by Joe Lyko of Dark Moon Productions and features Bunny Noire in the role of the “Lost Girl”, which can be viewed at the following link: https://youtu.be/vaQ_8iub-dw

Operus‘ latest album “Score of Nightmares” follows their 2017 album “Cenotaph” (Darkstar Records) and 2015 debut EP “Opus I” (Boonsdale Records).

Recommended for fans of Nightwish, Opeth, Wintersun, Kamelot, Epica, Symphony X, and Helloween, “Score of Nightmares” can be heard at the following links:

Operus.bandcamp.com
Spotify

Operus‘ world-class performance style is a crossbreed of a metal band with the dramatic performance of theatre that comes together to produce a unique sound and thrilling live show. The band has performed on such events as Wacken Open Air in Germany plus Force Fest and Hell & Heaven in Mexico in addition to opening for power metal heavy hitters Sonata Arctica and supporting the Rhapsody Reunion Tour.

The band features Robin Howe, Oscar Rangel (ex-Annihilator), Dean Paul Arnold (Primalfrost, ex-Vital Remains), JJ Tartaglia (Skull Fist), Wojciech Sokolowski (ex-Eclipse Eternal) and David Michael Moote (leading roles in professional theatrical productions such as Jukebox Hero and Beauty & the Beast).

With members of Operus having vast musical experiences, from extensive studio time to worldwide performances in metal bands, symphonic/chamber orchestras, and the stages of musical theatre, they offer all metalheads and music lovers around the globe a truly memorable experience.


Track Listing:
1. Overture of Madness (1:24)
2. Phantasia (5:32)
3. Lost (5:03)
4. Dance With Fire (5:38)
5. Echoes (feat. Talisa Blackman) (1:40)
6. Where Falcons Fly (4:37)
7. Nightmares (5:31)
8. Book of Shadows (3:51)
9. The Mirror (2:29)
10. Ruin (5:35)
11. La Llorona (7:32)
Album Length: 48:57

For more info:
Prideandjoy.de
Operusmusic.com
Facebook.com/Epic.Operus
Instagram.com/epic.operus
Twitter.com/Epic_Operus

– 30 –

—

ASHER MEDIA RELATIONS

Jon Asher – Music Publicist
#.514.581.5780
jon[@]ashermediarelations[.]com
Facebook @AsherMediaRelations
Instagram @AsherMedia
Tweet @AsherMedia

0 Metal Vocalist MEKA NISM Unveils New Single “The Day Fell”

  • September 30, 2021
  • by Asher
  • · Meka Nism · Music News

NEWS RELEASE

Montreal, QC – September 30, 2021

 

Metal Vocalist MEKA NISM Unveils New Single “The Day Fell”

Meka Nism is a musician known for her alternative metal band, her passionate solo acoustic performances along with international and multi-dimensional collaborations.

Today, she shares “The Day Fell”, a new single crafted from an honest moment of vulnerability in the chaos of life during the Covid pandemic. Written on piano during quarantine in the summer of 2020 while experiencing the extreme decay of all stability of “normal” life, this song is Meka Nism‘s acknowledgment of both the fear of loss and genuine gratitude for the enduring human spirit.

“It’s the fragile inner reflection of the destruction, with a refusal to crumble. A welcoming of the 5th dimension and a hopeful higher perspective into our morphing reality,” Meka states.

“The Day Fell” is a metalhead’s raw attempt at telling the truth about how we feel during these very unstable times. It may be a more gentle expression than we usually see from Meka Nism, but it’s the reason we know that she reveals truth in her songs. This recording demands attention to fully breathe it in, with gorgeous violin by Michelle Jones, guitar by Raziel, engineering by Erik Emery, mixing by Jeremy Klein, all overseen by producer/ Apex Arts Studios owner Shana Ballard and of course, written and performed on piano and vocals by Meka Nism herself.

Whether aggressively or delicately, there’s no mistake that Meka Nism wants to rock the essence of our souls. Listening to “The Day Fell” will reach into the depths of the heart and shine some much-needed compassion into our darkest shadows.

Delve into “The Day Fell” at the following links:

YouTube – https://youtu.be/d2J5Uc8GPoU
Spotify – https://distrokid.com/hyperfollow/mekanism/the-day-fell
Mekanismband.bandcamp.com/track/the-day-fell
Apple Music

For more info:
Meka-nism.com
Facebook.com/MekaNismBand
Instagram.com/mekanismband
EPK

About:

Meka Nism is a female Metal, Rock, Folk, New Age, J-pop Punk musician who brings the most dynamic, powerful voice & charisma to the stage bringing together extremely talented collaborators from Florida, LA, Japan & more. She plays guitar, keys & is a shaman who sees music as a powerful medicine for our soul. She works on music that spans genre & dimensions.

Discography:
2018 – The War Inside – EP
2016 – Live From the Machine Shop (Live CD)
2015 – The Shift – EP
2013 – The Dance at the End of the World – EP

– 30 –


—

ASHER MEDIA RELATIONS

Jon Asher – Music Publicist
#.514.581.5780
jon[@]ashermediarelations[.]com
Facebook @AsherMediaRelations
Instagram @AsherMedia
Tweet @AsherMedia

0 EPK – MEKA NISM – The Day Fell (single) (2021)

  • September 30, 2021
  • by Asher
  • · EPKs · Meka Nism

EPK – MEKA NISM – The Day Fell (single) (2021)

Single Title: The Day Fell
Release Date: September 30, 2021
Label: Apex Arts Music
Distribution: Vydia

For fans of – Full Band: Evanescence, System of a Down, Avatar, The Cranberries, Halestorm

Solo: Tori Amos, Dresden Dolls, Siouxie and the Banshees, Florence and the Machine, Jewel

Facebook.com/MekaNismBand | YouTube | Instagram.com/mekanismband

Mekanismband.bandcamp.com | Apple Music | Spotify

Single Pre-Save – https://distrokid.com/hyperfollow/mekanism/the-day-fell 

 

Meka Nism is a musician known for her alternative metal band, her passionate solo acoustic performances along with international and multi-dimensional collaborations.

Today, she shares “The Day Fell”, a new single crafted from an honest moment of vulnerability in the chaos of life during the Covid pandemic. Written on piano during quarantine in the summer of 2020 while experiencing the extreme decay of all stability of “normal” life, this song is Meka Nism’s acknowledgment of both the fear of loss and genuine gratitude for the enduring human spirit.

“It’s the fragile inner reflection of the destruction, with a refusal to crumble. A welcoming of the 5th dimension and a hopeful higher perspective into our morphing reality,” Meka states.

“The Day Fell” is a metalhead’s raw attempt at telling the truth about how we feel during these very unstable times. It may be a more gentle expression than we usually see from Meka Nism, but it’s the reason we know that she reveals truth in her songs. This recording demands attention to fully breathe it in, with gorgeous violin by Michelle Jones, guitar by Raziel, engineering by Erik Emery, mixing by Jeremy Klein, all overseen by producer/ Apex Arts Studios owner Shana Ballard and of course, written and performed on piano and vocals by Meka Nism herself.

Whether aggressively or delicately, there’s no mistake that Meka Nism wants to rock the essence of our souls. Listening to “The Day Fell” will reach into the depths of the heart and shine some much-needed compassion into our darkest shadows.

================================

“Meka, is an absolute star with a spine severing growl and a strong melodic vocal that easily surfaces as the capstone of this band. Considering the past and present singers that set the stage for this like Ann Wilson, Amy Lee, and Lzzy Hale, it is clear that Meka has stepped up to fly this particular banner. Girlfriend can sing, people. And from watching the video the band has recently released, featuring the title track from their five song EP “The War Inside,” she simply seems to own the performance space, born to be there, willing to travel at glorious speeds letting you ride shotgun with a smile plastered across your face.” – Keith Clement/ Metalheads Forever

“Did anyone order a soul crushing, female fronted metal band?” – Idobi Radio

“While there’s a distinct modern metal feel to Meka Nism, the key to what makes their sound more unique and engaging is the pool of influences that they draw from…they have managed to find their own style within it – one that you will have a hard time forgetting once you hear it. A band that could easily find themselves on the rise as word starts to get around.” – Dead Rhetoric

“All in all, this is an impressive effort. The songwriting and playing are years beyond a band that isn’t signed to a record deal, and you would never realize that this is an independent release as the production value rivals any major label offering. If this EP is any indication of what Meka Nism is capable of, I am really looking forward to when they release their first full-length album.” – Grande Rock

“What would happen when you lock Arch Enemy and Lacuna Coil in the same room and force them to record an album? Well, you’d probably get something like Florida residents Meka Nism.” – Merchants of Air

“They experiment with melodies, dipping their toes in and out of a pool of sounds and influences. Then, they combine these creative expressions with the most important element of their music: the message. Meka Nism doesn’t just deliver thrashing tunes; it seeks to deliver listeners from their own wars inside. ” – Shockwave Mag

“A little bit of keyboard, a thumping drum beat followed by roaring riffs leads into the blazing hot title track. A track that mixes modern metal with operatic style scope. That element comes from the incredible range on singer Ms. Meka. She can go from huge soaring melodies to heavier shouts and screams in an instant. Incredible.” – Games, Brains & A Head-Banging Life

“After listening to “The War Inside” several times, I wonder why I did not have this band on my radar before. Meka Nism plays heavy metal / hard rock at a very high level. For me it’s THE newcomer of the year.” – Metal Heads Forever Magazine

“If you have no picked up this EP yet, run and do so immediately.  ” – Down South Mag FL

“In closing, I would just like to say that it is a gross misunderstanding that this band has not been picked up and signed.  I could easily see them attached to Century Media or Roadrunner Records. The music world, hell, the metal world needs to be exposed to Meka Nism, and their incredibly talented and soulful lead singer, Ms. Meka. Rating: 8/10. ” – I’m Music Magazine

“It’s honest, heavy and packed full of some of the most amazing elements of metal music infused with some of the most versatile, controlled and distinct vocals in metal music today.” – Yesterdaze News

“Meka Nism bodes themselves to be major players in the metal game with their crushing sound, their moments of sounding equally brutal and equally beautiful in the same token, and tell stories that will make fans of European/power metal quite happy.  This EP gets an 8 out of 10 rating from Madness To Creation just for the pure talent and prowess that they possess.” – Madness To Creation

“Meka Nism is a band to watch. ” – Sonic Cathedral

“Lead singer Ms. Meka is intriguing and quite compelling, both visually and with her vocal range,  and the guys in her band provide the perfect vehicle for the artistic vision that they’ve managed to create together.” – I’m Music Magazine

“This band is simply what is needed in this world. I truly cannot get enough of this band and the music. Their second album “The Shift” is a work of art. The EP takes you on a journey through so many levels of brilliance in metal and rock. ” Metal Unrated

“They are an exceptionally talented 5 piece, fronted and founded by Meka, whose vocals are just mesmerizing…I feel like I can say a lot of the same things about a bunch of the songs, yet all the songs are very different. For the most part, they are all dynamic, they build and drop, they’re powerful, diverse, melodic, and heavy. You can feel the passion as well throughout, and that is often something hard to capture on a recording. The musicianship is top notch in all aspects…Easily one of my favorites of 2015. It blew me away like few things do anymore.” – The Last Exit (EP review “The Shift: Anthems For A Revolution” (2015)

“Full of energy, this band never fails to strike a chord with everyone sharing the stage from the audience. Meka’s vocals are the antithesis of the ever-present smile on her face that lights up the room. This lovely woman genuinely smiles with her eyes. The entire band is simply memorizing. Meka Nism is one of those bands that must be seen live. Don’t hesitate to meet them either. All of them are engaging, genuine and make you feel like the rock star! ” – Metal Nexus

“Orlando’s metal/operatic band, MekaNism performed songs which included “From Out of Nowhere” and “Mekamorphosis,” which got the crowd hyped for their set. Ms. Meka, with her melodious sound and great enthusiasm, was so engaged and energized throughout the performance. The rest of the band was bursting with the same energy and truly put on a memorable show.” – (Live Review) Monkey Goose Magazine

“From Palatine, Illinois to Springfield to Austin and now Green Bay, Meka Nism has taken on the United States with such a vengeance and an all-around great perceptive on life.  I mean, come on, their trailer caught on fire and the entire band was still in high spirits to kick ass every night when they performed before Avatar….Every time I go and travel to see Meka Nism, it is so worth it.” – Unrated Magazine

” Meka Nism combines the sounds of nu-metal, progressive rock, with a touch of symphonic flair and art rock showmanship. Fronted by “vocal artist and shaman” Ms. Meka takes the shaman moniker very seriously: her onstage look resembles a tribal shaman, with makeup on her face in harsh, bold lines; her outfit resembling something out of a Mad Max movie, and holding a shamanic wand in one hand, and a microphone in the other. It’s a very cool look that complements the powerful musical sound quite well.” – Script The Darkness

Single Title: The Day Fell
Release Date: September 30, 2021
Label: Apex Arts Music
Distribution: Vydia

Track Listing
1. The Day Fell

Single Recording Credits:
• All songs performed by: Meka Nism (vocals, piano)
• All songs written by: Meka Nism/ Michelle Elizabeth Strier
• Produced by: Apex Arts Studios/ Shana Ballard, Meka Nism/ M. Strier, Erik Emery
Engineered by Erik Emery, featuring Michelle Jones on violin and Raziel on guitar
• Mixed by: Jeremy Klein
• Mastered by: Jeremy Kelin
• Member of BMI

===========================

BAND STORY ANGLES / FUN FACTS:

1. Everyone had been experiencing enormous change during the pandemic of the past couple of years. Meka Nism wrote The Day Fell on a piano at a friend’s house after many losses including an emergency plumbing incident that caused temporary homelessness. A piano ballad written in a moment in between. Which is appropriate because this is a single in between other releases coming and a reinvention of the band as a whole and Meka Nism herself as an artist, performer and soul having a human experience. She plans on releasing a wider range of music in the future very much in the metal genre but Not stopping there.

2. Meka Nism is a trained Shaman/ spiritual life coach/ tarot card reader bringing esoteric and mystical themes into her music for Empowerment and Inspiration to Transcend previous limitations. She is working on what it means to experience music as a medicine or tool of epic transformation.

3. Meka performed over 150 shows in Japan as solo Artist, Origami Girls and Performance Art/ Experimental Opera Singer/ Butoh Dancer.

4. Meka is starring in the Central Florida Witches Ball on Saturday, October 16th at fire fury Barnoness Alto. This rock musical and festival is a charity event to raise money for Transfiguring adoption.

5. Meka also makes other appearances in performance art/ musical collaborations such as the Creature Cabaret for the Creative City Arts Project and the Orlando Fringe Festival.

Meka Nism is an Alternative Metal singer, performer, artist and shaman who creates and collaborates on music, art,  shows and experiences meant to empower, inspire and expand the consciousness of those who witness and participate.

Meka Nism was formed initially as an experimental, acoustic, and goth rock project called Meka Nism and Her Rusty Tears with members including Florizel Dennis and Brain Manowitz (vegan Black Metal Chef). Meka grew up into the Orlando rock scene as guitar player for Orlando punk legends “Dirty Barby” (having played CBGB’s) and  founder of goth metal cabaret  band “Angel Autopsy” (appearing at Florida Music Fest). Florida based Hidden Records quickly noticed her as being a unique talent and put her on their independent label. In 2006, “Mad to Love” was the first album recorded by Meka Nism and her Rusty Tears. The album was recognized as an exceptional artistic achievement of great beauty and passion. “Break,” the second track from the album, was the WINNER of the Songwriter’s Showcase of America’s (SSA) Best Experimental Song of the Year – 2006. Meka was also SSA’s Solo Artist of the Month – January 2007. Explosive with enthusiasm, Meka made an impact on the Central Florida music scene as well as enchanting audiences around the US with her expressive dark humor storytelling acoustic set, in areas like Southern California, New York City, Philadelphia, Atlanta, and more.

From 2007-2010,  Meka  lived and toured across Japan having played over 150 shows as solo acoustic artist Ms. Meka Nism and as J-Pop/ Rock duo Origami Girls with partner/bassist Yukari Ikeda. Meka was able to experience life and culture while playing shows in Kyoto, Osaka, Tokyo, Sapporo, Kobe (Going Kobe Rock Fest )etc and also studying Japanese Butoh dance, Buddhist Meditation and more. Yukari and Meka also made a television appearance on Kyoto Television playing their popular song,”Origami Beat”. Their Horror Release of “Zombie Grrrls” and “Samurai Ghost”  was celebrated with a Zombie Movie and Zombie Prom at Urbanguild in Kyoto on Halloween 2009. They took drummer Eri Takeda on tour in Florida with them in Jan. 2009 as noted by the Orlando Weekly.

The movement to create a full metal group to support the soaring vocal range and intensity of Meka Nism began when she returned to the US. In March of 2013, the debut EP “The Dance at the End of the World” was released as the band’s first collaborative collection of songs as a band. The theme behind the EP was based off of a world that was destroyed, desolate and in dismay. It was meant to uplift spirits to a higher potential out of negative situations and to bring them to light. Meka Nism also released their first music video for the single “Bring the Sun Back” (With partial lyrics in Japanese)  in October of 2013. Meka Nism’s debut EP “Dance at the End of the World” was proof that new sounds, new excitement and new frontiers have not only been explored but have been claimed as her own unique voice in the music industry.

After touring and playing numerous shows in Florida and in the South East, opening for Mastodon at the Kink Festival, and headlining a House of Blues show, Meka Nism began the journey to start “The Shift”. The EP was successfully funded by a Kickstarter campaign back in 2014. Brett Hestla, former bass player for Creed and vocals for Dark New Day, was chosen as the producer and recording began back in October of 2014. “The Shift” was released on May 1st with a massive CD Release show at the House of Blues in Orlando, Florida.

2015 was a big year for the band in that they toured for a month with platinum award winning band, Trapt, all across the mid-west and east coast.  Meka Nism also played the Texas Showdown Festival in El Paso, Texas, opening for the likes of The Offspring, Limp Biscuit, Grammy Award winners – Body Count, iwrestledabearonce and more. Followed by a tour across Texas with Otep. They released two music videos during this time “Mouth of God,” and “From Out of Nowhere,” to celebrate their impressive LIVE show performance and their enthusiasm for their fans. Meka Nism “Live from Machine Shop,” is also available as an album for the capture of their onstage presence.

In 2016, Meka Nism got the opportunity to tour with the Swedish power-house and one of metal’s biggest up and coming bands, Avatar. The two bands wrecked havoc across the east coast and mid-west before ending in Minot, North Dakota. Upon returning home, Meka Nism was named Orlando’s #1 Metal Band according to the Orlando Weekly and was chosen to headline the local stage at the 3rd Annual Kink Festival opening for Evanescence, Hellyeah, and InFlames.

In 2017 they were given the slot to open the main stage at WJRR’s Earthday Birthday 24 with the likes of Alter Bridge, Sevendust, Nonpoint, and more. They traveled in the fall  to Lubeck, Germany  to record the EP, “The War Inside” with world renowned producer and engineer, Lasse Lammert and documented some of the experience to share with their audience. While in Germany they played at the Breeding Festival in Flensburg.

The 2018 release of “The War Inside” had a great media response from the Metal press Internationally. They had a successful listening party at Park Ave CDs hosted by WJRR’s SupaDave and opened for Joanthan Davis(Korn) at The Plaza. The three music videos to support this release from director Jim Doughetry showcase the energy, theatrical presence and Shamanic themes behind Meka Nism’s music. “The War Inside, “ “Trailblazer,” and “Black Sky,” are each a celebration of visual aesthetic with spiritual consciousness featuring performers like Masami Koshikawa and Lady Cimorene of Phantasmagoria. Both of whom Meka herself enjoys creating Performance Art experiences with,  including the Creature Cabaret, Hoodstock, Orlando Fringe Festival, and Creative City Project. Meka also opened Earthday Birthday 25 by singing our National Anthem, as a significant honor in her career.

2019 started out rocking with openeing for Stabbing Westward at the House of Blue then doing some shows from the South to Northeast States with a festival appearance at Metal in the Mountains in West Virginia and another at the Millennium Music Conference/Showcase in Harrisburg, PA. They ended the year with the most epic show headlining at the House of Blues and opening for Grammy nominated band Death Angel.

Though 2020, everything changed for us all, Meka started the year in Los Angeles attending NAMM and her first attendance to the Grammy Awards as a Governor of the Board for the Florida Chapter of the Recording Academy. She took the time to study Theta Healing while getting her Spiritual Life coaching certificate and started a podcast called Ascended Heart Navigators with friend Nataraja. Meka began working with Apex Arts Studios in North Hollywood, CA and studio owner/executive producer Shana Ballard. They are collaborating on the release Meka Nism’s heart healing project starting in September 2021as well as plan to continue her innovative force in the metal community with a new full length album for 2022.

Discography:
2018 – The War Inside
2016 – Meka Nism Live at Machine Shop
2015 – The Shift: Anthems for a Revolution
2013 – The Dance at the End of the World – Meka Nism
2007 – Mad to Love – Meka Nism and her Rusty Tears (dark acoustic)

Shared Stage with:
Evanescence, Avatar, Mastadon, Jonathan Davis, Saigon Kick, Stabbing Westward, Gojira, Gemini Syndrome, September Mourning, Trivium, Alterbridge, Thrice, Death Angel, Nothing More, Body Count, The Offspring, Iwrestledabearonce, Sid from SlipknotTours and Festivals:
2019 – Metal in the Mountains – West Virginia
2018 – Earthday Birthday 25 National Anthem Orlando, FL
2017 – WJRR’s Earthday Birthday 24, BreedingFestival (Germany)
2016 – tour with Avatar US
2015 – tour with Trapt, tour with Otep
2015 – SXSW, Kink Festival, Texas Showdown (El Paso, Tx)
2014 – Kink Festival – Orlando, FL

0 Shumaun Shares Thomas Lang’s Drum Playthrough “Invincible” Off “Memories & Intuition”, Playthrough Premiere via GearGods

  • September 30, 2021
  • by Asher
  • · Music News · Shumaun

NEWS RELEASE

Montreal, QC – September 30, 2021

Shumaun Shares Thomas Lang’s Drum Playthrough “Invincible” Off “Memories & Intuition”

Playthrough Premiere via GearGods

Featuring An All-Star Lineup of Drummers
Thomas Lang (Peter Gabriel, Paul Gilbert),
Atma Anur (Jason Becker, Tony Macalpine),
Mark Zonder (Fates Warning, Warlord),
Leo Margarit (Pain of Salvation), and Chris DeChiara


Shumaun (L to R) Jose Mora: Bass, Farhad Hossain: Vocals, Guitar, Keys, Tyler Kim: Guitar

Progressive rock band Shumaun recently released their new album “Memories & Intuition” earlier this September. For the recording, the band recruited an all-star lineup of drummers that included Thomas Lang (Peter Gabriel, Paul Gilbert), Atma Anur (Jason Becker, Tony Macalpine), Mark Zonder (Fates Warning, Warlord), Leo Margarit (Pain of Salvation), and Chris DeChiara.

Today, in support of the full-length, Shumaun is releasing Thomas Lang’s playthrough video for the track “Invincible,” which is being premiered on GearGods HERE.

“It truly is an honor for someone like Thomas Lang to be on Shumaun’s latest record. He was able to take our songs to another level with his creative approach to drumming. All of us are big fans,” adds vocalist/guitarist Farhad Hossain.

“Memories & Intuition” is Shumaun‘s third album. The band wants average music fans to be able to feel a connection to the melodies and lyrics. Expecting that everyone’s listening experience will be different, they just want the honesty and integrity of the music to resonate with listeners in whatever shape or form that may be. Shumaun provides an accessible approach to modern progressive rock, with ambitious melodies and catchy harmonies. The new full length is also more song-oriented than the previous two albums, but maintains the progressive twists and turns the band is known for. They can be appreciated by a wide spectrum of rock and metal enthusiasts. “Memories & Intuition” is lyrically thematic, but the songs were written to be stand-alone singles, as Farhad Hossain (vocals/guitar/keys) explains:

“Even though the album is very singles based, it’s meant to be listened to in sequence. There is a natural flow between the songs and lyrics that almost make it feel conceptual. The album theme ties to loss, the current human condition, personal relationships, and the battle of the self.”

Shumaun is recommended for fans of Rush, Fates Warning, and TOOL.

“Memories & Intuition” is available on digital platforms Shumaun.bandcamp.com, Spotify, Apple Music.

Music Video – Memories of Water – https://youtu.be/kxeJGQfy1ww
Lyric Video – Under The Sun – https://youtu.be/3pPkZ8U5c60
Lyric Video – Intuition Underground – https://youtu.be/991wSVct4Ec


Track Listing:
1. A Subtle Invocation (3:20)
2. Prisoners (3:51)
3. Memories of Water (3:33)
4. Jabriel’s Song (5:59)
5. Invincible (7:22)
6. Under the Sun (5:06)
7. The Pursuit of Happiness (5:11)
8. Tides (4:28)
9. Intuition Underground (4:39)
10. Breathing Light (9:00)
11. A Planetary Shift (5:40)
12. The Day We Said Goodbye (5:18)
Album Length: 1:03:26

Album Band Line Up:
Farhad Hossain – Vocals, Guitars, Keyboards
Jose Mora – Bass
Tyler Kim – Guitars
Drums: Thomas Lang (Tracks 2, 5, 9, 10)
Drums: Mark Zonder (Tracks 1, 3)
Drums: Atma Anur (Tracks 4, 7)
Drums: Leo Margarit (Tracks 6, 8)
Drums: Chris DeChiara (Track 11)
Additional keyboards on “Tides” by Bill Whitney

For more info:
Shumaun.com
Facebook.com/shumaun
Instagram.com/zinkferd
Twitter.com/shumaun
EPK

About:
Shumaun initially started as a solo project by Farhad Hossain (ex singer/guitarist/keyboardist of Iris Divine). After recording a few demos, he decided to recruit a few friends to help build the project into a full-fledged collaborative band. Through the course of recording their self-titled debut album, Shumaun went through a period of tribulation while securing a drummer. Original drummer Tanvir Tomal (ex Iris Divine) had to leave for professional obligations in the middle of the recording sessions and was later replaced with Waqar Khan (Entity Paradigm), who is also well known for his work with the platinum-selling Ali Azmat of the EMI recording artist Junoon (one of South Asia’s most successful rock bands). Waqar remained with the band long enough to record a few tracks on the debut record as well as appear live for some of the earlier shows. Travis Orbin (Darkest Hour, Periphery), Mark Zonder (Fates Warning, Warlord) recorded the remaining drums on the debut record that was released in the fall of 2015. Tanvir has since returned to the band as the live drummer.

2019 saw the band releasing their sophomore album “One Day Closer to Yesterday.” The album was once again mixed by Brett Caldas-Lima at Tower Studio in France. The album was rawer and heavier, but the melodies and vocals were never compromised. It includes the bombastic prog metal single “Go.”

2021 sees Shumaun releasing their third album “Memories & Intuition,” which features the amazing drumming of legends such as Thomas Lang (Peter Gabriel, Paul Gilbert), Atma Anur (Jason Becker, Tony Macalpine), Mark Zonder (Fates Warning, Warlord), and Leo Margarit (Pain of Salvation). Shumaun once again tapped Brett Caldas-Lima and Tower Studio for mixing and mastering. The album is their most melodic to date and consists of their single “Memories of Water.”

The Shumaun sound is shaped by the soaring vocals and lead guitar work of Farhad Hossain, the pounding melodic bass lines of Jose Mora, and the subtle guitar nuances of Tyler Kim. The band has received many accolades, and have made it onto several “album of the year” lists from sites such as Progressive Music Planet, Decibel Geek, and Metal Asylum etc. The band also won The Deli Magazine’s “Best of 2015” for Washington DC bands, and have been featured on Revolver Magazine, and Decibel Magazine.

– 30 –

—

ASHER MEDIA RELATIONS

Jon Asher – Music Publicist
#.514.581.5780
jon[@]ashermediarelations[.]com
Facebook @AsherMediaRelations
Instagram @AsherMedia
Tweet @AsherMedia

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