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Posts By Asher

0 TURBO LOVERS Get Ready To Blast Audiences With Video “Reasons That We Rhyme” Off New Album “Lettin’ It Fly!”

  • February 21, 2022
  • by Asher
  • · Music News · Turbo Lovers

NEWS RELEASE

Montreal, QC – February 21, 2022

​

Turbo Lovers Get Ready To Blast Audiences With Video “Reasons That We Rhyme” Off New Album “Lettin’ It Fly!”

L-R: Keith Dougherty (Bass/Backing Vocals) | B.J. Lisko (Guitar/Vocals) | Christian DeSantis (Drums)
Photo credit – Gary Leininger

​
Ohio’s Turbo Lovers has already amassed a respectable discography since the early 2000s, including six LPs and placements on several compilations. They have recently released “Lettin’ It Fly!” and have a video single “Reasons That We Rhyme” to entice fans.

Turbo Lovers plays the kind of music they want to see live, and this new album is the next phase of their love affair with rock n’ roll. It’s become second nature and essential for them to keep writing and performing and they attribute that drive to the long-term success of the band. They are extremely proud of this latest release and feel they have stepped up their game compared to past albums. They explain the track:

“If there’s a paint-by-numbers Turbo Lovers track, this is probably it. An AC/DC-influenced rocker that’s lyrically about falling for the wrong person, realizing it, and then trying to break away. AC/DC is the band that inspired me to pick up a guitar in the first place, so naturally, a lot of what we do is rooted in their style.”

Looking forward to getting back on stage and bringing the party to their fans, Turbo Lovers wrote this album with the live show in mind. Fun and engaging, they don’t take themselves too seriously, but still exude a high level of professionalism and musicianship on stage.

Turbo Lovers began as a recording side project back in 2003 for guitarist/singer B.J. Lisko. The band as a live entity began in 2006. Turbo Lovers was started because of Lisko’s love for arena rock and 80s rock, along with filling a regional need for a band of that style in Northeast Ohio. Turbo Lovers remains the only straight-up, original rock band from the Youngstown area.

Turbo Lovers is a fist-pumping, foot-to-the-floor, memorable and inspiring rock ‘n’ roll experience recommended for fans of AC/DC, Kiss, and Danko Jones.

“Reasons That We Rhyme” is available on YouTube – https://youtu.be/UybVZFgO-Bk

​

“Lettin’ It Fly!” was released on February 4, 2022 and is available for download at Turbolovers.bandcamp.com, Apple Music, and Spotify.

Track Listing:​
1. Should’ve Known Better (4:26)
2. Reasons That We Rhyme (3:19)
3. Too Cocky (4:27)
4. Lettin’ It Fly (3:45)
5. Gave Me A Sign (3:50)
6. Almost Great (3:22)
7. Finally Home (3:22)
8. Under Pressure (3:46)
9. Rockers Extraordinaire (4:23)
Album Length: 34:42

Album Recording Credits:​
• All songs performed by: Turbo Lovers
• All songs written by: Turbo Lovers
• Produced by: Dave Piatek
• Mixed by: Dave Piatek and Keith Dougherty
• Mastered by: Dave Piatek
• Album Artwork by: B.J. Lisko
• Member of ASCAP

Album and Live Band Line Up:​
B.J. Lisko – Guitar/Vocals
Keith Dougherty – Bass/Backing vocals
Christian DeSantis – Drums

For more info:​
​Facebook.com/theturbolovers​
​Instagram.com/turboloversyo​
​Twitter.com/turboloversrock​

About:

Turbo Lovers is a rock ’n’ roll power trio from Youngstown, Ohio that’s equal parts bravado, swagger and fun. Often chastised for taking their name from what some consider the worst Judas Priest album in history, the band’s sound is more akin to AC/DC, The Wildhearts, and Kiss than the New Wave of British Heavy Metal Gods. But yeah, there’s a little Priest in ‘em, too.

“Lettin’ It Fly” is the band’s new 9-track album, and it’s straight-up, infectious, and unpretentious rock.

“We’re sort of like AC/DC and Danko Jones in that with each album we’ll have a few surprises here and there, but it’s reliable working-class rock ’n’ roll,” said guitarist/singer B.J. Lisko. “It’s all about hooks and solid songs, and we feel like we’ve got plenty of those on the new album.”

The band’s steady stream of support shows opening for the likes of Warrant, Kix, Loverboy, Sebastian Bach, Slaughter, Reverend Horton Heat, Blaze Bayley, and Stephen Pearcy, among others, has netted it a solid fan base, and the racket made by three Ohio rock lifers has turned quite a few heads, as well.

The band originally started as a recording project for Lisko before morphing into somewhat of a revolving door of drummers and bass players. Bassist Keith Dougherty and drummer Christian DeSantis joined the band in late 2011, and have been in tow ever since.

“Turbo Lovers didn’t really become Turbo Lovers, officially, until these guys joined,” Lisko said. “It’s a cohesive unit now, and I couldn’t imagine doing this with anybody else.”

– 30 –

“These never-say-die soldiers are the sole sleazers in their luckless mid-US town, yet they make a genre-hopping trucker metal juggernaut that easily straddles The Supersuckers and Y&T in the same goddamn song. – Classic Rock Magazine

“The pride of Youngstown, Ohio. Their headbanging take on AC/DC, shit-kicker country and 80s metal is low-brow and rabble rousing. – Classic Rock Magazine

“Aging rock ‘n’ roll lifers from the guts of Ohio use their arena rock illusions to create an impressively overblown collection of balls-out chug, sort of like Guns N’ Roses with male pattern baldness, bills to pay, and a flabby with that won’t stop bitchin’ at them. Desperation rock lives. Here’s the proof. – Classic Rock Magazine

“Turbo Lovers are, officially, from the worst town in America: Youngstown, Ohio, known far and wide for its off-the-charts unemployment and high school dropout rates, to say nothing of the subsequent crime sprees such circumstances foster. Naturally, they sound like a trailer park Judas Priest robbing a gas station.” – Classic Rock Magazine

“Youngstown’s Turbo Lovers shake rock ‘n’ roll to its very foundation and deliver it in its most basic and timeless form. – Cleveland Free Times

“Fun rock that is light-hearted and unpretentious. Oozing bravado, you can’t help but enjoy the music from this extremely likeable trio.”– Powerplay Magazine

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0 Rockshots Records – Feel The “Revival” w/ HILLTOPS ARE FOR DREAMERS New Music Video + New Album “In Disbelief” Due Out March 25th

  • February 21, 2022
  • by Asher
  • · Hilltops Are For Dreamers (Rockshots Records) · Music News

NEWS RELEASE

Montreal, QC – February 21, 2022

​

 

Rockshots Records – Feel The “Revival” w/ Hilltops Are For Dreamers New Music Video

New Album “In Disbelief” Due Out March 25th

Photo Credit – Victor Lamprinos

Hilltops Are For Dreamers will be releasing their debut album “In Disbelief” via Rockshots Records on March 25th. The album itself is a world of extremes and vastly different from the band’s musical past. It blends influences from post-hardcore with acoustic blues melodies, progressive structuring, heavy riffing, a dash of black metal along with exploring electronic and cinematic paths. The record is meant to be a journey from a gloomy emotional state to a possible healing point through the process of realization. It is divided into three parts, Shadows, which is the dark unfolding of the path, Overturn, where the growing consciousness leads to the hope of a better self, and Awakening, which depicts a moment of revival and prospective remedy. For the album’s mixing and mastering, they teamed up once again with Steve Lado at SL Studios.

“In Disbelief has a loose concept and it’s not a storytelling album from the point of having a main character or hero. However, each of the songs has a lyrical and musical theme that matches with the part where it belongs to.” adds band founder Vasilis Papageorgakopoulos (Guitars / Bass / Keys / Programming).

Today, the band presents their first single “Revival”, a personal favourite of Vasilis’ as he explains further:

“In my opinion, it is a very open-minded song. It’s a mix of all my influences, starting from electronic and jazz music (the acoustic parts remind me of ‘Thrice’ jazz moments) and moving to extreme metal respectively. This is why the song is accompanied by an animated music video. Lyrically, this is about realization, where you understand all these messages from the past, your nightmares, and the signs. You might have ignored them and taken some risks, but you understand now. It’s never too late.”

Watch and listen to “Revival” at the following links:

Music Video – https://youtu.be/UckWHiF_Uig​

Digital – https://bfan.link/revival-1

​

Hilltops Are For Dreamers are recommended for fans of Opeth, Thrice and Soilwork.

Album pre-order – https://bit.ly/InDisbelief_CD​

Track Listing:​
​Shadows​
1. Silence (5:03)
2. Severe Serenity (3:56)
3. Healing After The Fall (5:19)
​Overturn​
4. The Tide (3:15)
5. Turn Into Oblivion (4:09)
​Awakening​
6. The Sirens Woe (4:10)
7. Revival (3:53)
8. Unsoiled Soul (3:34)
Album Length: 31:99

Band Line Up:​
Vasilis Papageorgakopoulos: Guitars / Bass / Keys / Programming
Michael Enger: Vocals
Dionysus Maratos: Programming

Album Credits:​
– Guitars & bass recorded and played by Vasilis Papageorgakopoulos
– Keys and programming by Vasilis Papageorgakopoulos
– Vocals performed by Michael Enger
– Drums arranged and programmed by Vasilis Papageorgakopoulos & Dionysus Maratos
– Drums refined and edited by Defkalion Dimos
– All music & lyrics by Vasilis Papageorgakopoulos, except ‘Unsoiled Soul’ music by Vasilis Papageorgakopoulos & Dionysus Maratos; classical guitar lead by Victor Lamprinos
– Recorded by Vasilis Papageorgakopoulos at Hilltops Recordings & Michael Enger
– Produced by Steve Lado at SL Studios
– Mixed & Mastered by Steve Lado at SL Studios
– Co-Produced, edited & engineered by Vasilis Papageorgakopoulos
– Artwork synthesis & design by Sophia D.
– Band Logo by Sophia D.
– Artwork photography by Vasilis Papageorgakopoulos

About:

Hilltops Are For Dreamers (HAFD) is an ambitious project that took shape and form in London around 2018 by Vasilis Papageorgakopoulos. However, they pride themselves in being a multinational band, specifically, UK and Greece-based. The band was born through the ashes of the five-piece Greek metalcore act ‘From Zero To Hero, (FO2H)’ that was disbanded in 2012 immediately after the release of their debut album and Dionysus Maratos (ex-FO2H, Celene) was the only one who joined HAFD in their first steps.

Since 2018, the band has managed to self-release their first ‘self-titled’ EP (January 2020) in digital format, receiving a number of positive reviews, including Metal Hammer, Greece (07/10). Mainly focused on a post-hardcore direction, the EP has successfully blended early ‘00s metalcore elements with blues licks and catchy melodies. One lyric and a unique music video have also been produced to support the achievement.

Additionally, during the first Covid-19 lockdown, they wrote and then released the split digital EP ‘A Transition’ (July 2020) with the fellow band ‘Repent For Joy’, pushing their music a step further. That release was accompanied by a music video for the song ‘The Tide’, featuring Michael Enger, who also does vocals on the debut album, ‘In Disbelief’.

What first began as a studio project by Vasilis Papageorgakopoulos from the unfulfilled musical restlessness of the past has become a strong collaboration of fellow international musicians to create and record.

In the end, everyone’s goal remains the same; to create influential music following the vision of a no-boundaries-physical or not-world where people connect with sounds and emotions.

Fun Facts:

The artwork photographs were taken over the years by Vasilis in the UK, he never thought that they could be used to synthesize the album inner booklet, but now they are. They challenge fans to find out where some of the pics are from, especially the one in the ‘Awakening’ part of the booklet.

Some of the lyrics were written/conceptualized by Vasilis while he traveled to work by train before the Covid era. Also, some of them are the outcome of just singing while strolling/walking around the streets of London.

 

 

For more info:
​Facebook.com/HilltopsAreForDreamers​
​Instagram.com/hilltopsarefordreamers​
​Spotify

​

– 30 –

—
ASHER MEDIA RELATIONS
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0 MetalInjection Premiere – Fly Into Hell With LYCANTHRO’s Music Video “Crucible” Off “Mark of the Wolf” (Alone Records)

  • February 18, 2022
  • by Asher
  • · Lycanthro · Music News

NEWS RELEASE

Montreal, QC – February 18, 2022

​

Fly Into Hell With LYCANTHRO’s Music Video “Crucible” Off “Mark of the Wolf” (Alone Records)

Music Video Premiere via MetalInjection

L-R – Panos Andrikopoulos (Drums), Forest Dussault (Guitar), James Delbridge (Vocals/Guitar), Stew Everitt (Bass)

Canadian power metal quartet Lycanthro are pleased to debut their music video for their lead single off their newest album “Mark of the Wolf”.

The single “Crucible” was the first song written for the band and it was on the 2017 demo, but was deemed worthy of re-recording and ultimately a video. The main thematic elements of the song come from the classic book “The Crucible” by Arthur Miller. James Delbridge (vocals/guitars) explains in further detail:

“I wrote this song back when I was in high school, I actually wrote the lyrics of this song while I was in English class instead of doing my school work. The story of “The Crucible” really fascinated me and I felt as though it would translate perfectly into a metal song. There are also references to other witchcraft stories such as William Shakespeare’s “Macbeth”. In terms of the music, I was aiming for a kind of a Judas Priest meets Death vibe and I think that got pulled off on this track.”

“Crucible” is one of the heaviest and darkest tracks musically in Lycanthro’s catalog and it will bring the listener on a journey through the times of the witch trials in an epic and evil way!

Making music that is memorable for fans is the key driving factor behind Lycanthro and it is evident in their stage show, on their recording, and in their videos. They effortlessly bring to you the epic sounds and catchiness of power metal while still being heavy.

The album is a diverse listening experience with something for just about everyone who likes the realms of thrash and power metal and even a bit of prog. It is highly recommended for fans of Saxon, Blind Guardian, and Judas Priest.

Filmed and directed by Joe Lyko of Dark Moon Productions, “Crucible” can be watched via its premiere on MetalInjection HERE.

“Mark of the Wolf” was recorded at Wolf Lake Studios in Lac-des-Loups, Quebec and the mastering was done by Jack Kosto who is most well-known for being the lead guitarist in power metal band Seven Spires.

The album was released on June 4, 2021 via Alone Records and is available on the following platforms.

Album order available on Bandcamp and Big Cartel.
Digital (Spotify) here.

Track Listing:​
1. Crucible (7:17)
2. Fallen Angels Prayer (4:47)
3. Mark of The Wolf (5:02)
4. Enchantress (6:53)
5. In Metal We Trust (5:07)
6. Into Oblivion (3:24)
7. Ride the Dragon (4:03)
8. Evangelion (6:25)
Album Length: 43:02
​​
For more info:
​
Facebook.com/Lycanthrokills​
​Instagram.com/lycanthro_metal​
Label: Alone.gr​

– 30 –

“Their latest single (Crucible) is a treat for any fans of power metal or good old classic heavy metal. The track features a catchy rhythm, precision drumming, and classic 80’s vocals. It’s over 7 minutes of headbang worthy heavy metal. The guitar work is a particular highlight of the track, changing pace throughout the track, keeping the listener engaged throughout.” – Metal Injection​
​
​“Mark of the Wolf is filled with mostly catchy heavy metal (good luck trying to get “In Metal We Trust” out of your head after hearing it once) that gets the listener break out the air guitar and air drums and sing along almost from beginning to end. Fans of ’80s heavy metal and modern power metal that’s not over the top should definitely find something to like on Mark of the Wolf.” -The Metal Crypt​
​
​“As a debut hard rock/heavy metal album overall, it not only showcases a variety of talent throughout its 43 minutes of captured studio time, but it also features an even number of eight powerful songs crafted with fury and determination… Mark Of The Wolf marks not only many criteriae for the consummate debut album but also marks LYCANTHRO’s own territory within the new breed. 5.0 Out Of 5.0” – KNAC.com​
​
​“with Mark of the Wolf this scribe believes Lycanthro will vault up the scene in terms of a fine debut album, a promising lift to those that love all aspects of power metal.” – Dead Rhetoric​
​
​“This is an album that bears repeating. For a band named after literal monsters, it’s uplifting and stirring. So Canadian, right? LYCANTHRO is a refreshing band; “Mark of the Wolf” is an impressive album.” – Metal Temple​
​​
​
—

ASHER MEDIA RELATIONS

Jon Asher – Music Publicist
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0 Rockshots Records – Symphonic Pirate Metal CRUSADE of BARDS Celebrate Release of New Album w/ New Music Video “Vento Aureo”

  • February 18, 2022
  • by Asher
  • · Crusade of Bards · Music News

NEW RELEASE

Montreal, QC – February 18, 2022

​

Rockshots Records – Out Now! Symphonic Pirate Metal CRUSADE of BARDS New Album “Tales of the Seven Seas”

New Music Video “Vento Aureo”

Symphonic pirate metal CRUSADE of BARDS are excited to share their treasure chest of epic tales with the release of their sophomore album “Tales of The Seven Seas” via Rockshots Records, out now as of Feb 18th. The album follows their 2019 debut record “Tales of Bards & Beasts”, which was released via Pride & Joy Records.

With an emotional and energetic live-action production for all kinds of audiences from power to folk, from gothic to pagan, the band has been making a name for themselves with touring and festival performances in Germany, Switzerland, France, and their home country of Spain.

Today, in celebration of their new record, the band is offering their latest music video for their track “Vento Aureo”. The song is about the rise of the Marine Republic of Venice. From the era of the Doges to the expeditions to the far east, from the expansion of the trade to the construction of the most unique city in the world. The Italian words in the chorus are the actual lyrics of the hymn of Venice.

The band adds:

“The choice of Vento Aureo as one of our singles and for a video clip was pretty simple. This is the song that better defines what Crusade of Bards has grown to be. You get the pure angelical vocals, the deep growls, the big extravaganza of the orchestra, the catchy chorus, and the raise-your-fists moment. The grandeur of Venice and its ability to expand in a time of wars and political fights with class and diplomacy is also a great reflection of the spirit of the band and how we embark on our journey not comparing to others, but rather trying to be our best version possible without boundaries, without limits.”

Watch “Vento Aureo” at https://youtu.be/TlScyKYsIdg

​

Crusade of Bards was formed in 2016 by Paolo Andreotti (keyboards & vocals) and Eleanor Tenebre (vocals) to create music that could mix all their favorite styles and concepts. Initially just a studio project, it soon grew into a full live production that the band describes as witnessing the “Wien-Orchestra directed by Davy Jones”.

“The live-action is definitely one of our biggest assets. Don’t expect the classical symphonic metal act filled with solemnity, blue strobes, and thick smoke. Our piracy side, our Mediterranean background, it all comes out into an energetic, vibrant, and dynamic set. Don’t get me wrong, we are not the typical Hollywoodian stereotyped pirates, and we do get serious when it is necessary…just don’t expect a liturgy.” adds the band.

On this second album, Crusade of Bards has a mix of history-inspired songs and social themes. Paolo Andreotti (keyboards & vocals) is the lyricist and he loves history and geography so the whole concept of the record revolves around the 7 seas, 2 songs for every sea, and each of them about stories that took place or refer to the area washed by them. As you dig deeper into the lyrics, the structure chosen tends to use the same rhetorical figures of romanticism and neo-realism with a strong connection between the sound of a certain word and its meaning. This leads to inner references that may be appreciated by just reading the lyrics, even without the music.

“Tales of the Seven Seas” is the band’s second album inside the “Tales” saga, a broader concept that started with their first album “Tales of Bards & Beasts”. It revolves around the figure of the “Bard” and the different tales, songs, and myths that the storyteller would present to the public of the different towns and villages visited. While the first album “Tales of Bards & Beasts” was more about myths and legends, “Tales of the Seven Seas” is mainly based on true historical events that have happened in each of them. The concept can be also found in the musical aspects where traditional instruments, scales, or sounds coming from the cultures that live or lived on the shores of the seven mentioned seas are blended into the songs to create the perfect environment for the listener.

The band explains further:

“With this album, we want to make a statement, we want the fans to really understand who Crusade of Bards is both musically and visually. We want them to open their minds, join us on our journeys through space and time, discover new stories and understand that we, as human beings, have changed very little. Our sins, our mistakes, our victories, and our feelings are not new or undiscovered. They are just there, floating on the ocean, waiting for us to collect them”.

Crusade of Bards “Tales of The Seven Seas” is due out on February 18, 2022 and is recommended for fans of Epica, Eluveitie and Alestorm.

Album order – https://bit.ly/tales7seasCD​

Digital – https://bfan.link/tales-of-the-seven-seas​

Lyric Video – The Red Charade – https://youtu.be/P-VeWDbPy2U​
Music Video – Lies & Ashes ft. Fabio Lione (Angra, Rhapsody of Fire) – https://youtu.be/nrWOZ26vkSk​

Track Listing:​
1. Anuri (1:57)
2. The Northwest Passage (5:53)
3. An Ocean Between Us – Part III – A New World (5:56)
4. Dunkirk Privateers (3:48)
5. Vento Aureo (5:14)
6. Naupaktos (4:56)
7. Manti (interlude) (0:24)
8. The Red Charade (5:28)
9. Hasard (3:06)
10. Samudr Ka Mandir (4:38)
11. Lies & Ashes (5:23)
12. Leap Of Faith (5:16)
13. The White Witch (4:46)
14. As above, so below (outro) (1:28)
Album Length: 58:18

Crusade of Bards are:
Eleanor Tenebre – Vocals
Eduardo Guilló – Vocals
Paolo Andreotti – Keyboards & Vocals
Adrian Carrero – Lead & Rhythm Guitars
Marc Brode – Bass Guitars
Jorge “You” Homobono – Drums

Orchestral Arrangements by Dani G at Estudios Dynamita.
Acoustic Guitars recorded by Pablo Coello at California Studios.
Bagpipes recorded by Andrea Joglar at Estudios Dynamita.
Guest Vocals on Track 2 by Lady Ani.
Guest Vocals on Track 11 by Fabio Lione.
Pre-Production by Victor Saiz at California Studios in Madrid, Spain.
Produced by Dani G & Crusade of Bards.
Recorded at Estudios Dynamita in Viella, Asturies, Spain between September & December 2020.
Arrangements by Dani G & Adrian Carrero.
Engineered by Dani G.
Mixed & Mastered by Dani G at Estudios Dynamita between March & May 2021.
Front cover art & booklet by Daniel Alonso (www.danielalonso.es)
Photoshoot by Nat Enemede.
Make-Up & Hair by Natalia Barrios.
All music & lyrics by Crusade of Bards.

For more info:​
​Roc​kshots.eu​
​Facebook.com/CrusadeBards​
​Instagram.com/crusadeofbards_​

– 30 –

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ASHER MEDIA RELATIONS

Jon Asher – Music Publicist
#.514.581.5780
jon[@]ashermediarelations[.]com
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0 Canada’s CAVEAT Shares Their Elixir To Fight Addiction w/ New Music Video “Alchemy” + New Album Out Now!

  • February 17, 2022
  • by Asher
  • · Caveat · Music News

NEWS RELEASE

Montreal, QC – February 17, 2022

​

Canada’s Caveat Shares Their Elixir To Fight Addiction w/ New Music Video “Alchemy”

Video Premiere via Spaceuntravel

New Album “Alchemy” Out Now!

L-R Joe Sikorski – Guitars, Greg Musgrave – Guitars & Vocals, Amanda Marie Bourdon – Vocals & Keyboards, Casey Rogers – Drums, Matt Petti – Bass
Photo Credit – Monika Deviat

Progressive, aggressive, experimental, and melodic, Calgary, Canada’s Caveat recently released their fourth studio album entitled “Alchemy” on February 11th. Not keeping fans waiting too long, they are excited to share their latest music video for the album’s title track.

As one of the more proggier songs on the full-length, this track really showcases Amanda Marie Bourdon’s powerhouse voice as well as Matt Petti’s incredible bass performance. This song deals with addiction and how we are in search of the magic elixir (in so many cases alcohol) that will make us perceive a better version of ourselves, which in almost every case turns out to be the opposite.

“Alchemy travels into new territory for Caveat, with Amanda Marie Bourden taking on lead vocal duties for most of the song and showcasing some of Caveat’s most ambitious writing to date. With an almost soundtrack vibe of musically and dynamic nuances, Alchemy creates a progressive listening experience unlike any other you’ve ever heard from us. We are excited to bring Caveat’s new sound to both new and old audiences alike.” adds the band.

Watch “Alchemy” via its premiere on Spaceuntravel’s YouTube channel – https://youtu.be/7AbAXHqgguk

​

Caveat has been making music together for the better part of two decades and in that time they have now put out five records (4 Albums, 1 EP). Their latest release “Alchemy” has been a few years in the making. This long-running band has made a name for themselves in the Canadian metal scene all the while refusing to be constricted to the genre rules and employing a vast array of influences and techniques in their music. Their new album “Alchemy” is no different as it keeps the listener on their toes as they experience this complex and detailed musical offering.

The band says that they have been getting steadily more progressive since 2004 when guitarist Joe Sikorski joined the fray. With him, he brought many possibilities in the realm of guitar harmonies and his virtuosic skills as a soloist. They continue to say that they definitely peaked as far as technical prowess on 2006’s Red, but the twin guitars, cross vocalization and wide variety of styles and songs have been a trademark of Caveat for almost 20 years. There is still innovation to be had though which they explain further:

“The creation of Alchemy has been one that has taken a few years to come to fruition, due to the stage and challenges of the modern world, but with that, we feel like the subject matter and music is more relevant than ever dealing with subjects such as addiction, the loss of a loved one, personal growth and even finding that light at the end of the tunnel. Being the band is now going on two decades of making music together, Alchemy is the first album putting newest member Amanda Marie Bourdon on lead vocal duties. She joined during the recording of our last album showing a glimpse of her vocal potential; this time around Amanda steps into the limelight as the main vocalist, which still sharing vocal duties with Greg Musgrave, but offering a new, fresh take on the Caveat sound taking the listener to uncharted territories that have turned out amazing.”

Once again, Caveat proves that they still have a trick up their sleeves and are fully prepared to give fans something new and enticing, yet familiar to enjoy. Heavily focused on personal experiences, the lyrics on “Alchemy” are both dark and light with switches in feeling and; mood ever-changing throughout the album.

Recommended for fans of Opeth, Cynic, and Devin Townsend, “Alchemy” is now available on the Caveatcalgary.bandcamp.com, Spotify, Apple Music.

Music Video – Infinite – https://youtu.be/9BwpTL6c4aU

​

Track Listing:​
1. Silver (7:03)
2. Alchemy (7:08)
3. Infinite (6:44)
4. Black Mirror (7:06)
5. Ghost (8:35)
6. Until Dawn (5:55)
7. Zero Hour (7:21)
Album Length: 49:54
​

For more info:
​
Facebook.com/caveatcalgary​

About:

Caveat was formed in mid-2001 by founding members Greg Musgrave on guitar and vocals, Jawad Baloch on drums & Terry Baldwin on bass & backing vocals. Shortly afterward Casey Rogers was asked to join as the new drummer of Caveat. This lineup would go on to record and release the debut album ‘The Biggest Secret’, which they released on May 14th of 2003.

After supporting the album, Caveat decided to expand and recruited Joe Sikorski in 2004 to the second guitar, who had been playing with Thorazine since the mid-’90s.

During 2005 Caveat partnered up with Scarab Productions to record and release a self-titled EP, which ended up landing on numerous campus radio charts and found the band playing larger shows than ever before. After parting ways with Scarab Production in late 2006, the sound of the band evolved yet again, writing more progressive and technical sounding songs, resulting in their 2007 magnum opus full-length album entitled ‘Red’.

To release ‘Red’ Caveat partnered up with Toronto-based indie record label Cyclone Records. To the band’s delight, ‘Red’ was very well received in the metal community and the band played more than ever in & around Western Canada.

Just prior to the release of ‘Red’ several members would branch off and form the deathgrind side project Exit Strategy with Shane Hawco (ex-Thorazine). Exit Strategy quickly became popular in the Western Canadian extreme metal scene. In 2008, after a successful several-year run, Caveat would elect to go into indefinite hiatus to focus on Exit Strategy.

Five years later saw the brief reformation of the band when Calgary Metalfest organizer ‘Big’ Nate Reno asked Caveat to reform to play the inaugural festival in the summer of 2013, and the band obliged. Original bassist Terry Baldwin elected to not be involved with the reunion show, so Caveat turned to former Verbal Deception and current Illuminated Minerva bass player Matt Petti to handle bass duties for the Metalfest performance. After that short hiatus, the band officially reformed at the end of 2014 with Matt Petti replacing Terry Baldwin permanently on bass duties.

Songwriting began for a new album while playing a handful of shows and several metal festivals across western Canada. Recording began in May 2015 and the new album entitled ‘Consummation’ was released on June 24th, 2016. ‘Consummation’ was also a moment of further evolution of Caveat, as local musician Amanda Marie Bourden was asked to join the band as keyboard player and second lead vocalist. Amanda accepted the invitation, and her powerful vocals were featured throughout ‘Consummation’ providing a great contrast to Greg’s clean & brutal vocal attack.

In 2017 and 2018, writing commenced for the album and would feature new vocalist Amanda as more of the primary voice in the new material. This culminated into the most diverse ambitious collection of songs to date. Then in late 2019, recording began for the new album with both Joe and Casey handling main production duties this time. Production was completed in late 2020, but due to the Covid pandemic-related shutdowns, the band decided to shelve its release for the duration of 2021 as a result.

Now Caveat’s delayed fifth album, entitled ‘Alchemy’, is for release in early 2022, and once again Caveat promises to deliver a majestic metallic assault on the senses. Stay tuned and expect the unexpected.

Album and Live Band Line Up:
Amanda Marie Bourdon: Vocals & Keyboards
Greg Musgrave: Guitar & Vocals
Joe Sikorski: Guitars
Matt Petti: Bass
Casey Rogers: Drums
​

– 30 –

“I’d recommend the album (Alchemy) for fans of Meshuggah, Unleash The Archers, Opeth, Devin Townsend and the like, along with people who like an experimental, progressive feel to their music.” – Metal-Rules
​
“Track three ‘Infinite’ to me is the best song on the album. Fast and heavy, it really lets rip and is a contrast to what you’ve heard so far on the album. The song is about fear and how it motivates much of our lives. ‘Black Mirror’, inspired by an episode of the TV show of the same name, starts with an almost country and western feel before becoming a full-on rock song with lots of changing tempos and vocals. ‘Ghost’ is melodic and powerful, full of twists and turns from ballad to prog rock. It showcases the talents of both vocalists well with lyrics about overcoming your personal demons.” – Metal-Rules
​
“On their new album CAVEAT offer seven songs, diverse in their compositions. While the guitars come up with dark, hard-hitting riffs as well as beautiful melodic parts, the mostly powerful, complex rhythmic brings in a great dynamic. By alternating between the different expressions of two strong singers, they lay all kinds of emotions into their music… All-together, “Alchemy” is an amazing listen, recommended for fans of genre-bending music. ” – Mostl Metal
​
“this album’s claim to take an experimental route is justified. With elements of many Metal subgenres flowing in their songwriting veins, it’s hard to stick Caveat into one category… Nevertheless, Caveat brings strength, and wonder to the Metal scene and has given us only a glimpse of what is to come.” – Metal Godesses
​
“A production that should be most satisfying for many fans of progressive metal, and perhaps a bit more for those who approach this style of metal from the metal rather than the progressive rock direction at that.” – Progressor

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0 Montreal’s JUNKOWL Create Harsh and Guttural Cover Video of Amy Winehouse’s “Back To Black”

  • February 17, 2022
  • by Asher
  • · Junkowl · Music News

NEWS RELEASE

Montreal, QC – February 17, 2022

​

Montreal’s JUNKOWL Create Harsh and Guttural Cover Video of Amy Winehouse’s “Back To Black”

Photo Credit – Alexandre Guay

Just because you’re a hardcore band doesn’t mean you can’t indulge in music outside your genre’s realm. As collective fans of Amy Winehouse, Montreal’s JUNKOWL are paying homage to the artist with a heavy, harsh, and guttural cover music video for her song “Back To Black”.

Vocalist Jesse Frechette explains further on the band’s choice to cover an Amy Winehouse song.

“When we decided to record a cover song, we knew we wanted to go with one that wasn’t metal to begin with and really make it our own. We chose Amy Winehouse because her lyrical content is very dark and I’ve always admired her honest and extremely personal writing style. My mom is a really big fan, so growing up, I got to hear her a lot around the house and in the car, etc. And as soon as I started figuring out the lyrics, I was sucked in. She helped me discover that a song doesn’t necessarily have to be brutal musically to be heavy. It’s all about how it makes you feel and, in that regard, I would consider Amy’s music quite heavy. Back To Black was always my favourite tune of hers, and the other members of the band all liked the song as well. Outside of metal we don’t necessarily share that much common ground, so once we landed on a song that we all liked and that portrayed a dark edgy vibe, we were sold.”

Watch JUNKOWL‘s video cover of Amy Winehouse’s “Back To Black” at https://youtu.be/3_xipxbdkXo​

​

(Back To Black – Amy Winehouse – Junkowl Cover Version Artwork by Florence Langlois)

Oozing with rock n’ roll vibes, JUNKOWL is a slick combination of stoner riffs, hardcore energy, and groovy bass. Champions of the “En Route To Heavy Montreal”, which lead to them performing on Canada’s largest metal festival Heavy Montreal in 2019, the quartet unleashed their debut album “Making Out With My Death” during June 2020.

The full length is a slow dark ride of heavy riffs; big dirty bass lines, in-your-face drums, and gut-wrenching screams telling tales of self-loathing, confusion, and intoxication. It’s a solid album, something to enjoy with a few beers, smoke a joint, and bang your head off for 30 minutes.

For fans of Cancer Bats, Every Time I Die, and Underoath, “Making Out With My Death” is available on Bandcamp, Spotify, and Apple Music.

Music Videos:
Sickness Lives – https://youtu.be/g1wTNA8gzss​
Crawling Feet – https://youtu.be/Z4WjZyBdi8M​

Track Listing:​
1. Snakecharmer
2. Quarantine Us All (2:27)
3. Shake Me
4. Dead Hooker (4:40)
5. Little Scum (4:54)
6. Crawling Up My Feet (3:46)
7. Sickness Lives
8. Relapse (3:39
9. Straitjacket
10. 10,000 Vultures
Album Length: 37:28

Junkowl is:
Jesse Frechette – Vocals
Dominic Labrie – Drums
Samuel Matte- Bass
Marco Larosa – Guitar

For more info:​
​http://www.junkowlmtl.com​
​Facebook.com/junkowlband​
​Instagram.com/junkowl​

About:

Heavy, sexy, and southern. Those are the best words to describe Montreal’s Junkowl.

Formed in 2017, their unique blend of groove metal, stoner, and hardcore is matched with high energy ‘in your face’ performances. A year earlier Jesse Frechette (vocals) met Dom Labrie (drums) and after a few jams they picked up Marco Larosa (guitar) and Samuel Matte (bass) and the rest is history. The writing process is a collaborative one, with melodies and vocals usually forming on the spot.

Moving through the underground music scene, Junkowl quickly made a name for themselves when they won the 2019 ‘En Route Vers Heavy Montreal’; a competition between nearly 200 bands, landing them a spot at that year’s edition of renowned metal festival Heavy Montreal.

On June 5th, 2020, they will release their debut album, “Making Out With My Death”, a 10 track record full of sultry and powerful songs about past regrets and self-destructive behaviour. It includes the band’s favourite “10,000 Vultures”, the first song Junkowl ever wrote, which was completed after the first jam together. Almost all the lyrics were freestyle during that jam.

With no sign of slowing down, Junkowl has more tunes in the works and pouring passion into their live performances and newly recorded tunes. Stay tuned for party animal blues; fat spliffs and heavy riffs.

– 30 –

“2019 Winners of En Route to Heavy Montreal”

“Take a spin through “Sickness Lives”, if you’re a fan of old school hardcore with some new twists and a whole lot of power, this will be for you.” – Metal Injection

“The songs here on Making out with My Death have a real heavy groove to them. At times you can even hear a little bit of the band SUPERJOINT RITUAL. Some really cool bass lines present on here too. Every song sounds different from one another which shows the bands range in playing the heavy music and because of that you can hear a little bit of a mix of different genres here in the music.” – Metal Temple
​
​
​“The dirty, fat Stoner Sludge Metal riff of “Snakecharmer” is one designed to be accompanied by a beer and the gut-wrenching roar of “blow your brains out, blow my brains out” that brings it to it to its unnatural conclusion will no doubt be chanted by audiences across all lands as the band hit the road.” – Metal Noise

“Montreal hardcore rock n rollers Junkowl have released their new single ‘Quarantine Us All’, a slick combination of stoner riffs, hardcore energy, and groove metal. It’s ferocious and relentless from the offset, even when it veers out of hardcore territory and into the sludgier moments. It even has some technical moments, although they certainly borrow heavily from their influences (namely Every Time I Die and Cancer Bats) it is a banger in it’s own right, and given some time to breathe and develop I think this band could bring something monumental to the table.” – Backseat Mafia“

“Quarantine Us All” – Montreal’s southern rock infused metallers JUNKOWL drop new venomous track” – Idioteq

“the group combines very heavy stoner riffs with the energy of punk rock and hardcore. A group to discover absolutely.” – Mad Breizh

“stoner-like riffs, a bit of a hardcore sound overall.. cool edge to it too.” – Moshtpit Radio – WORT FM 89.9 (Madison, WI)

“Junkowl’s debut album Making Out With My Death is a powerful first offering from the independent hard rock band. Its musical arrangements join influences from a variety of bands that make the songs in themselves and from one to the next, powerful just from this aspect. The record’s lyrical themes are just as heavy as its musical content, as noted. Its sequencing puts the finishing touch to its presentation. Each noted item is important in its own way. All things considered, they make the album a work that bodes well for Junkowl’s future.” – Phil’s Picks

—

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0 TheProgSpace Premiere – Streaming Now! The Improvisation Heavy Debut “Materialism” From Norway’s YAWN

  • February 17, 2022
  • by Asher
  • · Music News · Yawn (Mindsweeper Records)

NEWS RELEASE

Montreal, QC – February 17, 2022

 

Streaming Now! The Improvisation Heavy Debut “Materialism” From Norway’s YAWN

Album Stream Premiere via TheProgSpace

Debut Album “Materialism” Out Feb 18th via Mindsweeper Records

L-R – Mike McCormick – Guitar/Electronics, Simen Wie – Bass, Tarjei Kjerland Lienig – Synthesizer, Torfinn Lysne – Guitar, Oskar Johnsen Rydh – Drums
(Photographer Credit: Emil Vestre)

A new player in the genre of modern instrumental extreme music, YAWN brings something new and dynamic to listeners. People with similar aesthetic interests will perceive this sound as a breath of fresh air with heavier-than-hell riffs, larger-than-life contrasts, as the band introduces collective musical improvisation to the modern progressive metal scene.

The 37-minute album features beautiful improvised soundscapes, improvised guitar solos and brutal breakdowns, infectious grooves and mind-melting rhythms, and introspective ambiance alongside experimental electronics – this record comfortably combines all these elements in a logical and musical way. YAWN explains further:

“We are extremely excited to be releasing our debut album “Materialism” on Mindsweeper Records. Almost three years since we formed this band, we are now ready to show the world our exciting musical developments over the years in its best format. “Materialism” tells you the story of five guys giving everything they’ve got for the sake of breathing new life into the modern metal scene and tearing apart any limitations to what improvised music can sound like. This record is a volcano erupting under the frozen Nordic jazz scene of today. This music also has the missing piece of the puzzle we tried putting together growing up, listening to our favourite metal bands, getting inspired by them, learning our instruments because of them, and so on.”

This album is for everyone who believes there is still a lot to be done, broadening the horizons of improvised extreme music and modern metal. All of their recordings are DIY (except for mastering). Every sound on this full-length is recorded by the band in their studio, and the production is a collaboration between Oskar, Torfinn, and Mike, along with the mix done entirely by Oskar.

Raw and unconventional, YAWN is recommended for fans of Vildhjarta, Gojira, and Tool.

Before “Materialism” officially drops on February 18, 2022 via Mindsweeper Records, YAWN has teamed up with TheProgSpace.com HERE.

Album pre-order – Yawnofficial.bandcamp.com​

Digital – https://linktr.ee/Yawnmusic​

Track Listing:​
1. Cement III : Gobsmack (2:35)
2. Cement III : Fall Out (1:50)
3. Cement III : Restart, Reload, Rebuild (3:35)
4. Chaos I : Artificial Superstition (2:34)
5. Chaos I : Greed (1:51)
6. Chaos I : ISM (3:21)
7. Chaos I : Untelligence (1:26)
8. Chaos I : Order (0:40)
9. Lachrymator II : Lignite (2:28)
10. Lachrymator II : Erebus & Terror (2:33)
11. Lachrymator II : Tripwire (2:36)
12. Lachrymator II : Unstoppable force (1:57)
13. Tokamak IV : Immovable Object (2:45)
14. Tokamak IV : Critical Mass (1:21)
15. Tokamak IV : Fluorescence & Entropy (3:48)
16. Tokamak IV : Confluence (2:03)
Album Length: 37:31

For more info:​
​Yawn.no​
​Instagram.com/yawnofficial​
​Facebook.com/yawnbandofficial​

About:

“Yawn, anything but a bore” – Heavymetal.no

As 2022 begins, Yawn stands at the ready with their first full-length release: “Materialism.” The album reflects the band’s vision of bringing improvisation-based music to the fore in the context of modern concert production. The album features beautiful improvised soundscapes combined with aesthetics drawn from modern progressive metal bands like Meshuggah, Car Bomb, and Vildhjarta.

Yawn’s live performances have been described as a magical experience where improvised, open, and formless soundscapes seamlessly transform into and away from machine- precise rhythms, all without warning from the performers on stage.

Since the band’s debut in 2020, Yawn has released their first single “Cement,” toured across southern Norway, and played for 15000 housebound viewers during a streaming concert from Chateau Neuf in Oslo shortly after the COVID-19 pandemic reached Norway. After the release of Materialism on February 18th, 2022, the band will embark on a European release tour from February 25th to March 9th.

– 30 –

—
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0 Rockshots Records Signs OUTSHINE For New Album “The Awakening” Due Out May 2022; Post Album Teaser

  • February 17, 2022
  • by Asher
  • · Music News · Outshine (Rockshots Records)

NEWS RELEASE

Montreal, QC – February 17, 2022

​

Rockshots Records Signs OUTSHINE For New Album “The Awakening” Due Out May 2022

Post Album Teaser

Rockshots Records is proud to announce their signing of Swedish goth rock/metal band Outshine for the release of their new album “The Awakening” this coming May 2022. The band has released four previous studio albums since beginning in 2007 along with multiple US tours between 2005-2014, touring with Paradise Lost twice in Europe in 2013 and 2018 plus performing over 300 shows worldwide.

Outshine has always had a vision of darkness and melancholy in a visual landscape with dark tunes accompanying them ever since the very start when founder, guitarist, and vocalist Jimmy Boman started the band.

The new songs on “The Awakening” are produced by Jimmy Boman & Kenny Boufadene at Studio Meltdown, Sweden, and were recorded and re-recorded numerous times at Grand Recordings, Gothenburg, Sweden between 2015-2019. Final recordings were done in 2020 at Studio Meltdown, Kungsbacka, Sweden.

The band had this to say about the upcoming release:

“Well, “The Awakening” is about what has happened in the world during the pandemic. Covid-19 times has taken a toll on the music world and showed that in troubling times the ones in power, the elites, don´t care about the common person.

The lies, corruption, hidden agendas, and the rise of fascist behaviour from both unknown and known “leaders” that expands anything we´ve seen in decades are influencing and misleading people around the world making them turn on each other.

A depraved glorification of the elite that hasn´t the common human being in mind has risen.

Identity politics that put people in boxes to divide us, modern segregation in the making. Our “heroes” are lecturing us on how to think and behave despite that they are totally disconnected from the reality common people live in. This is in company with parts of the mainstream media, pushing society to silence, submission, and during the pandemic, financial disaster.

The pandemic has clearly shown who gains and who is not. The poor and middle-class are getting poorer, the rich insanely rich and the politicians folding to comply to not be targeted.”

“The Awakening” will feature eight dark, melancholy, film noir-ish, heavy, and gloomy tracks with more of a Sisters Of Mercy, Paradise Lost & Type O Negative feel to it with influences from 1980’s horror movies soundscapes. The album will be supported with a few music videos that will have storytelling and show how everything is connected.

Boman adds:

“The album’s first songs are about the dark side of the pandemic and then the other songs turn more to fighting back, realizing that you yourself need to wake up and open your eyes. The final songs are about we, the common people, need to unite and fight back. Should you trust everything that is said and shown in mainstream media and TV? The idea of this record is to get the listener deep into darkness and soul-searching to awake and open their eyes. I really hope they hear, see, and feel that now, finally, all pieces are in place for what Outshine should be all about. The videos we plan to present, the sound, the lyrics, are all in sync. And that they take the lyrics to heart since they are as important as a reflection on what has happened in society the last few years during the pandemic.”

Album Teaser – https://youtu.be/uui6XTKqM_E

​

For fans of Paradise Lost, HIM, and Type O Negative, “The Awakening” is due out May 13, 2022.

Track Listing:
1. It´s All Lies – 7:03
2. Our Misery – 4:47
3. Love Is Dead – 4:16
4. Swe Hates Me – 4:15
5. No More Reasons – 3:39
6. Darkness Within (Agony) – 4:26
7. I Was The One – 4:37
8. We Know Who You Are – 7:55
Album Length: 41:05

Outshine are:
Jimmy Boman – Vocals, Guitars
Niklas Ingvarsson – Bass

Album Credits:
– Mixed & Mastered by Kenny Boufadene at Studio Meltdown, Kungsbacka, Sweden – Summer & Fall 2020.
– Produced by Kenny Boufadene & Jimmy Boman at Studio Meltdown, Kungsbacka, Sweden 2020.
– Recorded and re-recorded numerous times at Grand Recordings, Gothenburg, Sweden 2015-2019. Final recordings at Studio Meltdown, Kungsbacka, Sweden 2020.
– Cover Design by Gustavo Sazes.
– Photography by Hanna Eliasson.
Music and Lyrics:
– “It´s All Lies” & “Our Misery”
Music by Jimmy Boman, Mattias Claesson & Anders Carlberg
Lyrics by Jimmy Boman & Mattias Claesson
– “Love Is Dead”
Music by Jimmy Boman, Fredrik Kretz, Erlend Jegstad & Anders Carlberg
Lyrics by Jimmy Boman & Erlend Jegstad
– “Swe Hates Me”, “Darkness Within (Agony)”, “I Was The One”, “No More Reasons” & “We Know Who You Are”
Music by Jimmy Boman
Lyrics by Jimmy Boman & Mikael Holm
Guitars, bass, electronics, synthesizers, piano, strings & arrangements by Jimmy Boman.
Drums on the recording by Andreas Larsson except “Darkness Within (Agony)” by Jonas Källsbäck.
– Heartbeats on “I Was The One” by Sixten Boman.

For more info:​
​Rockshots.eu​
​Outshineofficial.com​
​Instagram.com/outshineofficial​
​Facebook.com/outshineofficial

Discography:​
– Album “Bad Things Always End Bad” (2007 Dead Tree Music / Sound Pollution)
– Single “Love For The Music” (2009 Dead Tree Music / Sound Pollution)
– Album “Until We Are Dead” (2009 Dead Tree Music / Sound Pollution)
– Single “Addiction” (2013 Dead Tree Music / Sound Pollution)
– Single “I Was Nothing” (2013 Dead Tree Music / Sound Pollution)
– Single “Falling” (2013 Dead Tree Music / Sound Pollution)
– Album “Prelude To Descent” (2013 Dead Tree Music / Sound Pollution)
– Single “Agony” (2014 Dead Tree Music / Sound Pollution)
– Album “1313” (2018 GAIN / Dead Tree Group) – CANCELLED
– Single “Love Is Dead” (2019 Dead Tree Group / Sound Pollution)
– Single “Nightcall” (2020 Dead Tree Group / Sound Pollution)
– Album ”The Awakening” (2022 Rockshots Records)

—
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0 EPK – Falamh – Aeons Effigy (2022)

  • February 16, 2022
  • by Asher
  • · EPKs · Falamh

EPK – Falamh – Aeons Effigy (2022)

Publicist – Jon Asher – jon[@]ashermediarelations[.]com

“The concept for this EP is about the journey and discovery of oneself and the transformation effects that occur. Whether being steadfast or yielding, change is always inevitable and it’s how someone reacts that can determine the perspective and outcome. The lyrics reflect this by telling tales of different characters and how their reaction affects them.” – Kyle Tayler (Guitars, Vocals) – Falamh

For fans of Dissection, Enslaved, Taake, Kampfar, Agalloch

EP Title: Aeons Effigy
Release Date: March 25, 2022
Label: Self Release

Facebook.com/Falamhband | Instagram.com/falamh.official | YouTube | Falamh.bandcamp.com

L – R – Dave Strba (Guitar, Backing Vocals) – Kyle Tayler (Guitars, Vocals) – Kye Bell (Bass)

Falamh, from North Bay, ON, Canada rose from the ashes of a previous band in 2019. Guitarist/vocalist Kyle Tayler had originally written material for that band, but after the dissolution, sought other creative outlets for them. Enlisting members from the previous band, Falamh was born and they got to work refining their melodic black/death metal.

Ultimately working collaboratively, Tayler guides the initial creation of song structures, riffs, drums patterns, and lyrics which are distilled by David Strba (guitars, backing vocals) and Kye Bell (bass). The three of them have considerable experience playing live and for them, the current focus is to present something more memorable with a stage presence that adds to the overall atmosphere of the music.

Falamh released their first EP “The Unbound Beyond: I” in 2020 and will follow it up with “Aeons Effigy” due out on March 25, 2022.

The EP as a whole explained by the band:

Melodic black/death metal with various genre influences. The concept for this EP is about the journey and discovery of oneself and the transformation effects that occur. Whether being steadfast or yielding, change is always inevitable and it’s how someone reacts that can determine the perspective and outcome. The lyrics reflect this by telling tales of different characters and how their reaction affects them.

Track by Track explained by the band:

1. Winds of Silence – Musically we tried to keep it up-tempo with lots of grooves to headbang along with. L Lyrically, it’s about perseverance and being resolute to any obstacles before you.

2. Blackened Waves – A bit more mid-tempo with some highs and lows to keep it dynamic. Lyrics, it’s about being lost in a storm at sea and having a near-death experience.

3. Benighted Weald – Starts off with some acoustic guitars to help tell the tale of someone cursed by the forest and no longer destined for this world.  

4. Aethereal Forger – Comes in slow but quickly heats up, keeping the moment throughout. Lyrics, it’s about the world being covered in fire in a Ragnarok type event and no one being able to stop it.

[Download EP Cover | Download EP Lyrics]

EP Title: Aeons Effigy
Release Date: March 25, 2022
Label: Self Release

Track Listing:
1. Winds of Silence (6:46)
2. Blackened Waves (6:52)
3. Benighted Weald (5:03)
4. Aethereal Forger (4:33)
EP Length: 23:14

EP Recording Credits:
• All songs performed by: Falamh
• All songs written by: Falamh
• Produced by: Dave Strba and Kyle Tayler at Chainsaw Media
• Mixed by: Dave Strba at Chainsaw Media
• Mastered by: Dave Strba at Chainsaw Media
• Album Artwork by: Kyle Tayler
• Canadian Content (MAPL)

EP Recording Band Line Up:
Kyle Tayler – Guitars, Vocals
David Strba – Guitars, Vocals (Backing)
Kye Bell – Bass
Tyler Chartrand – Drums (Session)

Discography:
2022 – Aeons Effigy – EP
2020 – The Unbound Beyond: I – EP

0 Streaming Now! Dig Into Tasty Breakdowns And Catchy Choruses With Circa Arcana’s Debut “Bridget Vīgintī”

  • February 16, 2022
  • by Asher
  • · Circa Arcana · Music News

NEWS RELEASE

Montreal, QC – February 16, 2022

 

Streaming Now! Dig Into Tasty Breakdowns And Catchy Choruses With Circa Arcana’s Debut “Bridget Vīgintī”

EP Stream Premiere via IDIOTEQ

New EP “Bridget Viginti” Out Feb 18th, 2022

L-R – Ben Reyes (Bass), Kevin Cangas (Vocals), Francisco Loya (Drums), Johny Serna (Guitar), Felipe Jasso (Guitar)
Photo Credit – Bryan Castro​
​

Circa Arcana, from Texas, formed during the pandemic, and after trial and error, lots of ups and downs, and adjusting to a new way of collaborating, have a debut EP ready for the world to hear. They have already released two of the five tracks as video singles, and listeners eagerly dove into the cacophony of breakdowns juxtaposed with infectious choruses that are easy to sing along to. Guitarist Johny Serna explains the record:
​
​“This EP touches on a lot of deep concepts. I have always been a believer that a song should be interpreted by the listener and in one’s personal interpretation one can find their meaning to the song. We do touch on dark themes, some personal stuff, and some dark conceptual stuff. But honestly, if you want to figure out meanings to the songs, you’re gonna have to dig a little deeper to figure those out! We incorporate a lot of symbolism on our social accounts, our videos, photos, etc. All I can say is if you enjoyed “Esoteric” and “The Tower” then you are definitely going to enjoy this release!”

Musically, the EP takes you through a journey, as you go through the record you can listen to all the nuances that you heard in the opening song “Ten Of Swords”. It is followed by “The Chariot”, the reckless powerhouse on the EP, three minutes of nonstop in-your-face aggression. Then comes the “arena metal” anthem “The Tower”, which is quick to pick up. Things get a bit lighter with “Luna”, a beautiful song with few screams. Closing the record is “Esoteric” the first song written for the band and the first single. It’s an eerie song, lyrically touching on the topic of addiction and overcoming it.

As a whole musically, the EP is a fast-paced rollercoaster to the face with the songs flowing together and showing a strong diversity in their music styles. Circa Arcana presents a solid first effort and is recommended for fans of Wage War, Like Moths To Flames and We Came As Romans.

“Bridget Vīgintī” is streaming now in full via IDIOTEQ.com before it officially drops on February 18th.

Listen to the EP HERE.

Music Video – Esoteric – https://youtu.be/y3m9Njh9WsY

​

Lyric Video – The Tower – https://youtu.be/cJAJkIQZfVY

​

​Spotify, Apple Music​

Track Listing:​
1. Ten of Swords (5:42)
2. The Tower (4:31)
3. The Chariot (3:00)
4. Luna (4:28)
5. Esoteric (4:40)
EP Length: 22:19

EP Recording & Live Band Line Up:​
Kevin Cangas – Vocals
Johny Serna – Guitar
Felipe Jasso – Guitar
Frank Loya – Drums
Ben Reyes – Bass

EP Recording Credits:​
• All songs performed by: CIRCA ARCANA
• All songs written by: CIRCA ARCANA
• Produced by: CIRCA ARCANA / JTS STUDIO PRODUCTIONS
• Mixed by: CHRIS HARD / RESARTUS PRODUCTIONS
• Mastered by: CHRIS HARD / RESARTUS PRODUCTIONS
• EP Artwork by: Kavan the Kid

More Info:
​
Facebook.com/circa.arcana​
​Instagram.com/circa.arcana​

– 30 –

“Do you like melodic metalcore? If you do, there’s a good chance you’ll enjoy what Texas metalcore band Circa Arcana are doing with their newest single, “Esoteric”. Formed last year during the COVID-19 pandemic, you might not think it a good time for a new band to form, but art often flourishes during the darkest times. It’s no different for Circa Arcana – the band is currently finishing their first EP entitled Bridget Viginti, slated for later release in 2022. A decent comparison might be mid-period Killswitch Engage, It Dies Today, or even the underrated Diecast album Internal Revolution, as the band’s combination of bright melodies and aggression will fit right at home to fans of that style.” – New Fury Media

“Circa Arcana may have gotten started last year, but some of the members have been around in the El Paso for a WHILE. Their sound has compared to It Dies Today, I See Stars, Blessthefall & Howard Jones-era Killswitch Engage.” – Daniel Paulus – KLAQ 95.5 FM – El Paso, TX​
​
​
—

ASHER MEDIA RELATIONS

Jon Asher – Music Publicist
#.514.581.5780
jon[@]ashermediarelations[.]com
Facebook @AsherMediaRelations
Instagram @AsherMedia
Tweet @AsherMedia

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