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Posts By Asher

0 “Becoming the Dragon” Power Metal Warriors SIEGE PERILOUS Unchain New Video For Title Track For Concept Album Out March 2026

  • February 19, 2026
  • by Asher
  • · Music News · Siege Perilous

NEWS RELEASE

Montreal, QC – February 19, 2026

“Becoming the Dragon” Power Metal Warriors SIEGE PERILOUS Unchain New Video For Title Track For Concept Album Out March 2026

A narrative-driven punch of epic fantasy power metal featuring incredible guests like Fabio Lione and Kristin Starkey!

Left to Right: Mark Girard (Drums) | Eric Fischer (Bass) | Shaughnessy McDaniel (Vocals) | Ryan Flanagan (Guitar) | Scott Hancock (Guitar)

Photographer Credit – Gii Astorga

Colorado power‑metal storytellers Siege Perilous are unschackling the official music video for “Becoming the Dragon,” the climactic title track from their upcoming concept album “Becoming the Dragon,” due out March 27, 2026.
​
The new video marks the band’s most ambitious visual project to date, capturing the album’s central transformation moment, where the protagonist embraces destiny, defies cosmic fate, and ascends into mythic power. The track arrives as the band continues to build momentum following the release of their first single, “As the Dragon Falls” (feat. Fabio Lione).​
​
​“‘Becoming the Dragon’ forms the critical climax of the story of our album. We wanted to capture something beyond just fantasy; it’s about defying fate, defying the stars, and embracing the power within. There are moments in life where we either transform or perish, and this song embodies that choice. It’s the moment our hero unlocks the true power inside him, and we think the track shows that transformation expertly,” says vocalist Shaughnessy McDaniel.
​
The song features thunderous drums, soaring vocals, shredding solos, and a standout bass interlude that drives the track toward its explosive finale. Musically, it represents the band’s evolution into a more cinematic, orchestrated, and emotionally charged sound.

Watch and listen to the music video “Becoming the Dragon” via its premiere on Metal Insider HERE.
​
A sweeping ten‑chapter concept record, “Becoming the Dragon” follows the “Child of Prophecy” through destiny, denial, destruction, and ultimately transcendence. The album blends classic heavy metal roots with modern symphonic power metal, drawing influence from Blind Guardian, Rhapsody, Iron Maiden, Avantasia, and Sabaton.
​
The record features guest performances from two major voices in modern power metal, Fabio Lione (Rhapsody, Angra) on “As the Dragon Falls”, and Kristin Starkey (Twilight Force, Temperance) on the power ballad “Echoes of Home”.
​
​“Creating a massive, sweeping power‑metal epic has been a dream since before we even formed this band. Having Fabio and Kristin join us, two artists who inspired us long before Siege Perilous existed, is beyond anything we imagined when we started this project four years ago,” says McDaniel.
​
Forged in Colorado’s fantasy‑driven LARP community, Siege Perilous formed after McDaniel, guitarist Scott Hancock, and drummer Mark Girard were inspired by a 2021 Unleash the Archers show in Denver. Joined by bassist Eric Fischer (The Stubby Shillelaghs) and later guitarist/arranger Ryan Flanagan, the band has built a reputation for crafting epic, story‑driven metal that blends myth, history, and cinematic world‑building.
​
Their sound, described in five words as Epic, Melodic, Powerful, Cinematic, Story‑Driven, has evolved through collaborative songwriting, theatrical live performances, and a commitment to narrative‑focused metal.

Recommended for fans of Wind Rose, Hammerfall, Sabaton, Blind Guardian, and Iron Maiden, “Becoming the Dragon” is due out on March 27, 2026 and available for pre-order / pre-save at the following link:

​https://siegemetal.bandcamp.com/album/becoming-the-dragon​

First Single: “As the Dragon Falls” ft. Fabio Lione

Video – https://www.youtube.com/watch?v=WzMIMvm4wvY​

Add to your Spotify Playlist – https://distrokid.com/hyperfollow/siegeperilous/as-the-dragon-falls-feat-fabio-lione​

Track Listing:​
1. Overture (Instrumental) – (2:37)
2. Ancient Rite – (4:37)
3. As the Dragon Falls (feat. Fabio Lione) – (4:33)
4. Child of Prophecy – (4:05)
5. Shattered Mirage – (4:07)
6. Chieftain – (4:03)
7. Cut Down – (3:01)
8. Echoes of Home (feat. Kristin Starkey) – (4:48)
9. Becoming the Dragon – (5:09)
10. Eschaton – (7:50)
Album Length: 44:54

More info: Siegemetal.com | Facebook.com/siegeband | Instagram.com/siegeperilousmetal | Tiktok.com/@siegemetal​

About:

Siege Perilous is a Colorado‑based power metal band specializing in epic, cinematic storytelling through music. Formed by Shaughnessy McDaniel (vocals), Scott Hancock (guitar), and Mark Girard (drums)—later joined by Eric Fischer (bass) and Ryan Flanagan (guitar/arrangements), the band draws from fantasy, history, and myth to craft immersive metal narratives. Their debut album, Becoming the Dragon, arrives March 27, 2026.

​

-30-

“It gives me great pleasure to tell you that Creation’s Call is a blast. Siege Perilous has succeeded in creating what I would call Epic Power Metal for the Working Man. They don’t waste your time with overlong symphonic interludes between tracks, melodramatic narration, or overproduction that tests the limits of your sanity. The band gets right to the point and pulls you into their epic tales of heroic daring immediately. This is a nice breath of fresh air and if this EP is anything to go by, Siege Perilous has a great future ahead of them. Yes, this could be considered power metal but the no-nonsense approach and urgency to the songwriting makes this release absolutely worth checking out for those of us in the NWOTHM scene. Plus, it’s really just a lot of fun. This one is highly recommended. THENWOTHM SCORE: 9/10” – The NWOTHM

“‘Creation’s Call’ never gets boring, even on Heavy Rotation. Five gifted musicians have succeeded in creating a varied EP. The twin guitar solos are convincing the whole time. It’s just a shame that it ends after twenty-one minutes. It makes you wish for a full-length album. And, of course, a thrilling live performance. 9.3/10” – Metalheads Forever Magazine​
​
​“solid power metal style that should satiate any LARP-attendees or Dungeons and Dragons mavens. Keep an eye on this quintet – wield thy sword as they lead the battle charge for more quality power metal from the states. 8/10” – Dead Rhetoric

“There are any number of quality bands like Siege Perilous active right now but the style is popular (and I love it) and these guys are as decent as the next similar act. They lean more the Metal side of the equation using the folk and orchestral moments as flavour, not the main style. CREATION’S CALL is a fine effort and I could easily see them on tour with Brothers Of Metal, All For Metal, Fellowship and other costumed Metal heroes. Worth checking out!” 4/5 – Metal Rules​
​
​“Denver metal mob reckon that their goal on “Creation’s Call” was to build a world and tell a story in “three to five minutes.” It’s a world of fantasy, as “Oathsworn” proves, where metal rules and swords are held high. “Across The Rubicon,” however, is delivered with such skill that you can’t resist getting sucked in with them. Shaughnessy McDaniel has a brilliant “metal” voice, roaring on “Sons Of The Verdant,” and guitar duo Scott Hancock and Cody Martinez can knock out a NWOBHM riff like it’s 1982, as the title song underlines. “Brothers Of Five” brings the epic one last time, galloping in proper fashion, and it’ll be interesting to see how Siege Perilous develops. This is one hell of an opening statement, mind you. 8.5/10” – Maximum Volume Music​
​
​“Creation’s Call not only highlights Siege Perilous’ dedication to epic storytelling but also emphasises their versatility within the power metal genre. With influences ranging from historical events to high fantasy, this EP offers a rich and varied auditory experience that will captivate fans. Prepare to embark on a grand journey through myth and history as Siege Perilous delivers their latest saga.” – Amplify The Noise​
​
​“Creation’s Call it is a cohesive and well-crafted work, where the combination of rich letters in history and fantasy, with a meticulous musical execution, it makes mandatory, regardless of its short duration. [82%]” – Via Nocturna

“Creation’s Call doesn’t get boring even in heavy rotation. Five gifted musicians have created a varied EP. The solos of the twin guitars are convincing across the board. It’s just a shame that it’s over after twenty-one minutes. You want a full-length album. And of course a sweaty live performance. 9.4/10” – Keep On Rocking​
​
​“Colorfully mixed NWOTHM/Epic Heavy/Power Metal elixir that appeals to a broad range of fans between ALESTORM, BATTLEROAR, ETERNAL CHAMPION, GATEKEEPER, IRON MAIDEN, RUNNING WILD and WRATHBLADE. Awakens a huge appetite for a full long-play album. On this EP you can clearly see that the band has enormous potential and has already given a great taste of their skills. Conclusion: Strong-looking genretobak that falls out of the usual range! 8,5/10” – FFM-Rock​
​
​““Oathsworn” simply explodes out of the gate. The band ratchets every possible dial up to 11 and charges into battle with an epic statement of intent.” – Nine Circles​
​
​““Brothers Of The Five” offers classic power metal as you would appreciate it. The strain on the neck muscles is correspondingly high and in some places the number cannot deny a slight Maiden stable smell.” – Hellfire Magazin

—
ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780
jon[@]ashermediarelations[.]com
Facebook @AsherMediaRelations
Instagram @AsherMedia
Tweet @AsherMedia

0 Quebec’s HOPELESS NATION Remerges Amid The World Chaos To Unleash New Video “Disaster”

  • February 19, 2026
  • by Asher
  • · Hopeless Nation · Music News

NEWS RELEASE

Montreal, QC – February 19, 2026

Quebec’s HOPELESS NATION Remerges Amid The World Chaos To Unleash New Video “Disaster”

From left to right: Karl Héroux Rella (Bass), Louis-Simon Bellerose (Lead Guitar), Frederic Marchand (Vocals), Steve DC (Drums), Guy Provencher (Rhythm Guitar)

Photo Credit: @willodoescontent

​
​Quebec metal/hardcore veterans Hopeless Nation erupt into 2026 with the release of their explosive new single “Disaster”, accompanied by a gripping cinematic music video. The track marks the band’s most intense and precise work to date, blending their hardcore roots with modern metal atmosphere and emotionally charged storytelling.
​
Formed in 1998 and revitalized after a decade-long hiatus, Hopeless Nation has re-emerged as a powerful force in heavy music. Their 2025 comeback single “Silverspoon” premiered on Hardcore Worldwide (HCWW), earning them accolades from fans new and old. With renewed momentum, the band now pushes further with “Disaster,” the first in a series of new releases leading into an EP.
​
​“Disaster” plunges listeners into a world on the brink, cities in ruin, humanity under pressure, and the search for hope amid destruction. Musically, the track delivers crushing riffs, relentless rhythms, and raw vocals that mirror the urgency of a live performance. The accompanying video amplifies the narrative: band members move through collapsing environments as firefighters, first responders, and civilians, navigating danger and fleeting moments of courage. Flickers of resilience cut through the chaos, creating a visual experience that is both cinematic and deeply human.
​
​“We’re thrilled to release Disaster and the upcoming singles. These songs are a mix of energy, reflection, and raw honesty, and we couldn’t have done it without the incredible people around us,” adds the band.
​
The band highlights the contributions of engineer Francis Perron (RadicArt), known for his work with Voïvod, whose production elevated the music to new heights. They also pay tribute to former members Jonathan Houle and Maxime Dupont, whose years of musicianship helped shape Hopeless Nation’s identity.
​
“These releases are our way of honoring their legacy,” says the band.
​
​Hopeless Nation’s sound has transformed from fast, raw hardcore into a heavier, more dynamic form of modern metal. Their influences span All Out War, ZAO, Gojira, Darkest Hour, Turnstile, and more, resulting in music that is cinematic, explosive, aggressive, intense, and evolving.
​
The writing process remains collaborative and deliberate. Lead guitarist Louis‑Simon Bellerose and the rhythm section spark ideas through riffs and melodies, while arrangements and breakdowns are shaped collectively.

“Every song gets the time it needs. We don’t rush. The goal is impact, not quantity,” adds the band.
​
Members Steve DC (drums) and Guy Provencher (rhythm guitar) also perform with Strigampire, winners of the 2023 Wacken Metal Battle Canada, representing the country at Wacken Open Air (Live Video – https://www.youtube.com/watch?v=6RCPWXKf7RA). Collectively, Hopeless Nation’s members have played more than 200 shows, sharing stages with Despised Icon, 100 Demons, Bane, With Honor, Lofofora, and many more.
​
​“Disaster” is the second of many more singles leading into a new EP. These tracks revisit and reimagine material from the band’s 2014 archives, refined with modern precision while preserving the raw hooks and intensity that define Hopeless Nation.
​
Watch and listen to the music video for “Disaster” at https://www.youtube.com/watch?v=WdSXUtJwjaU

​

Add to your Spotify playlist – https://open.spotify.com/artist/4DHSU9qBA5i8Fzs0yLI6b7​

More info: https://www.instagram.com/hopelessnation_official | https://www.facebook.com/hopelessnation​

-30-

“Cette pièce immédiate, dense et agressive frappe dès la première seconde et se démarque par son intensité, ses couches sonores riches et ses refrains plus mélodiques, ouvrant le groupe à un public plus large tout en restant fidèle à son essence.” – Metal Universe (2025 – Silverspoon – Single)

“Hopeless Nation’s Silverspoon is featured on Exclaim!’s Weekly Playlist, highlighting the band among Canada’s notable new releases.” (2025 – Silverspoon – Single)

“I won’t lie to you and say I couldn’t wait to see the return of HOPELESS NATION. Their ten years of absence will have been far too long, having left their mark on the Trois-Rivières hardcore/metal scene from 1998 to 2014. Although many of their fans seemed absent (probably due to age), those from the first hours who were there as well as those who discovered the band for the first time were not disappointed. Fred, the singer, did not lose his enthusiasm at the time and his interaction with the public was impeccable. When we say that music is a story of passion, their performance was proof of that. HOPELESS NATION delivered a performance without artifice, rooted in a hardcore and metal heritage old school too often put aside these days.” – Chicks Rock Media – TROIS-RIVIÈRES METALFEST (2024)

“Invigorated by the arrival of new blood, Hopeless Nation channeled all this newfound energy into Built from Scratch, an album propelled by “the rage to start playing again”, to use the expression used by Maxime. Made with Francis Perron at Studio Radicart, the record marks a new stage in the journey of the group which, with 10 years of career behind its belt, is surely one of the deans of the Trois-Rivières metal scene. ” – Voir (2009)​
​
—
ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780
jon[@]ashermediarelations[.]com
Facebook – Asher Media Relations
Instagram – AsherMedia
Tweet – AsherMedia

0 EPK – Hopeless Nation – Disaster (2026) (single)

  • February 19, 2026
  • by Asher
  • · EPKs · Hopeless Nation

EPK – Hopeless Nation – Disaster (2026)

Band: Hopeless Nation
Single Title: Disaster – 4:42
Release Date: February 20, 2026
Label: Provocant Media

Publicist – Jon Asher – jon[@]ashermediarelations[.]com

“We’re thrilled to finally release ‘Disaster’ and the upcoming singles. These songs are a mix of energy, reflection, and raw honesty, and we couldn’t have done it without the incredible people around us. Francis Perron at RadicArt brought his mastery as an engineer, working with someone of his caliber, known for Voïvod, pushed the music to a whole new level. Jonathan Houle and Maxime Dupont’s contributions over the years, on bass, guitar, and rhythm, laid the foundation for everything we do, and these releases are our way of honoring that legacy.” – Hopeless Nation

For fans of Gojira, Darkest Hour, At the Gates, Lamb of God, Zao

Instagram.com/hopelessnation_official | Facebook.com/hopelessnation

Spotify | Hopelessnation.bandcamp.com | Apple Music

“Cette pièce immédiate, dense et agressive frappe dès la première seconde et se démarque par son intensité, ses couches sonores riches et ses refrains plus mélodiques, ouvrant le groupe à un public plus large tout en restant fidèle à son essence.” – Metal Universe (2025 – Silverspoon – Single)

“Hopeless Nation’s Silverspoon is featured on Exclaim!’s Weekly Playlist, highlighting the band among Canada’s notable new releases.” (2025 – Silverspoon – Single)

“I won’t lie to you and say I couldn’t wait to see the return of HOPELESS NATION. Their ten years of absence will have been far too long, having left their mark on the Trois-Rivières hardcore/metal scene from 1998 to 2014. Although many of their fans seemed absent (probably due to age), those from the first hours who were there as well as those who discovered the band for the first time were not disappointed. Fred, the singer, did not lose his enthusiasm at the time and his interaction with the public was impeccable. When we say that music is a story of passion, their performance was proof of that. HOPELESS NATION delivered a performance without artifice, rooted in a hardcore and metal heritage old school too often put aside these days.” – Chicks Rock Media – TROIS-RIVIÈRES METALFEST (2024)

“Invigorated by the arrival of new blood, Hopeless Nation channeled all this newfound energy into Built from Scratch, an album propelled by “the rage to start playing again”, to use the expression used by Maxime. Made with Francis Perron at Studio Radicart, the record marks a new stage in the journey of the group which, with 10 years of career behind its belt, is surely one of the deans of the Trois-Rivières metal scene. ” – Voir (2009)

[Download Single Cover | Download Single Lyrics]

Band: Hopeless Nation
Single Title: Disaster – 4:42
Release Date: February 20, 2026
Label: Provocant Media
Location: Trois-Rivières, Québec, Canada
Genre: Hardcore Groove Metal

Single Credits:
– All songs performed by: Hopeless Nation (Frédéric Marchand – Vocals; Louis-Simon Bellerose – Lead Guitar, Backing Vocals; Guy Provencher – Rhythm Guitar; Karl Héroux Rella – Bass; Steve DC – Drums, Backing Vocals)
– All songs written by: Frederic Marchand (lyrics), Louis-Simon Bellerose, Maxime Dupont, Jonathan Houle, Steve DC (music).
– Produced by: Jonathan Houle, in collaboration with Frederic Bujold and Francis Perron (RadicArt)
– Mixed by: Francis Perron (RadicArt)
– Mastered by: Francis Perron (RadicArt)
– Single Artwork by: Concept by Hopeless Nation/design adaptation by Frederic Marchand, AI artwork
– Canadian Content (MAPL)

Recording Band Line Up:
Frédéric Marchand – Vocals
Louis-Simon Bellerose – Lead Guitar, Backing Vocals
Jonathan Houle, Maxime Dupont – Rhythm Guitar
Jonathan Houle, Karl Héroux Rella – Bass
Steve DC – Drums, Backing Vocals

Live Band Line Up:
Frédéric Marchand – Vocals
Louis-Simon Bellerose – Lead Guitar, Backing Vocals
Guy Provencher – Rhythm Guitar
Karl Héroux Rella – Bass
Steve DC – Drums, Backing Vocals

===============================================

About The Single Artwork:

The artwork showcases a hand-painted forest in flames, with birds fleeing the inferno, and a massive wave crashing against the burning coastline.

This striking imagery mirrors the intensity and chaos of the Disaster narrative, highlighting destruction, human vulnerability, and the unstoppable force of nature. It complements the cinematic video, reinforcing themes of resilience, survival, and humanity’s fragile relationship with the planet.

About the Single (LYRICALLY & MUSICALLY):

“Disaster” plunges listeners into chaos and resilience, with lyrics depicting cities in ruin, suffering, and the search for hope. Musically, crushing riffs, relentless rhythms, and raw vocals mirror the tension and urgency of live performance, creating a visceral, socially aware, and intense listening experience.

The Disaster video weaves high-energy live performance with fleeting, chaotic glimpses of a world unraveling. Band members move through the ruins as firefighters, first responders, and civilians, navigating moments of peril and quiet courage. Shadows of destruction and flickers of resilience collide, leaving viewers suspended between tension and reflection, where raw energy meets the fragile pulse of humanity.

=====================================================

Fun Facts – Story Angles:

1. Reunion & Grind:
After nearly a decade of silence, Hopeless Nation reunited in summer 2024, revisiting unrecorded 2014 material. 2026 will bring a rapid succession of new singles and videos, with live performances expanding the music experience across nations and delivering full-force, raw energy to fans.

2. Live Meets Storytelling:
In the video, the band takes on heroic roles amid chaos, confronting global crises from natural disasters to humanity’s impact on the planet. Live performance from their first comeback show merges with AI-generated visuals, creating a cinematic spectacle that captures raw, unpredictable disaster moments and immerses viewers in tension and survival.

3. Scene Credibility:
The members are deeply rooted in the Quebec hardcore and metal scene. Louis-Simon leads punk hardcore legends Genetic Error, while Steve DC and Guy Provencher represented Canada in Europe after winning the Wacken Battle of the Bands with Strigampire in 2024.

Over 1000 live shows under their belt — all members combined — prove their relentless commitment to the scene.

4. Live Performance Rituals:
Hopeless Nation delivers sweat-soaked, high-octane shows with no backing tracks, pure lamp-amp sound, and full crowd interaction. Their 2025 shows drew strong attention, fueling brighter opportunities and raw-energy performances for an ambitious 2026.

5. Legacy & Homage:
Many of the new singles are a tribute to past members Jonathan Houle (bass & guitar, 2012–2014, 2024) and Maxime Dupont (rhythm guitar, 1998–2014). Their contributions helped shape the band’s sound, and these releases honor their talent and dedication.

=====================================================

L-R: Karl Héroux Rella (Bass), Louis-Simon Bellerose (Lead Guitar), Frederic Marchand (Vocals), Steve DC (Drums), Guy Provencher (Rhythm Guitar)

Photo Credit: @willodoescontent

Explosive. Raw. Heavy. Unique. Relentless. These five words define the sound and the spirit of Hopeless Nation, a metal/hardcore hybrid forged in the fires of punk rebellion and refined through decades of evolution.

Formed in 1998 by a group of friends drawn to the urgency of bands like Ten Foot Pole and Strung Out, Hopeless Nation quickly carved out a name in Quebec’s underground scene. As their musical tastes grew darker and heavier, so did their sound, absorbing the aggression of All Out War, ZAO, and Madball, and later the technical ferocity of Gojira, Lamb of God, and Darkest Hour. The result: a signature blend of hardcore grit and modern metal precision, delivered with unfiltered emotion and pit-ready intensity.

Their 2009 album Built from Scratch marked a high point in their early career, backed by over 200 shows and shared stages with heavyweights like 100 Demons, Bane, With Honor, Lofofora, and Despised Icon. Known for their sweat-drenched, no-backing-tracks live shows, Hopeless Nation became a staple at venues like Montreal’s Foufounes Électriques and Trois-Rivières Metalfest.

After a hiatus, the band returns in 2025 with renewed fire and a sharpened edge set to unleash a series of singles that are a sonic gut-punch, layered, immediate, and aggressive, yet open enough for clean vocals and hooks that stick. The singles are mixed and mastered by Francis Perron (Voïvod) at RadicArt, and they bridge the band’s hardcore roots with a modern metal sheen, setting the tone for an upcoming EP.

Hopeless Nation’s writing process is collaborative and deliberate. Lead guitarist Louis-Simon Bellerose crafts the riffs, while drummer Steve DC, bassist Karl, and rhythm guitarist Guy Provencher (also of Strigampire, Wacken Metal Battle Canada winners) bring the groove. Vocalist Frédéric pens lyrics that cut deep—tackling themes of inequality, privilege, personal struggle, and societal decay with honesty and urgency.

With over two decades of evolution behind them, Hopeless Nation stands as a testament to the enduring power of heavy music. Their sound has matured, but their mission remains the same: to move bodies, challenge minds, and leave everything on the stage.

Discography:
2026 – Disaster – Single
2025 – Silverspoon – Single
2009 – Built from Scratch – Album
2004 – Our Mistakes – EP (Galy Records)
2002 – World of Hate – Album

Tours and Festivals:
2025 – Mini-Tour, with The Almighty Trigger Happy, Québec, Trois-Rivières, Montréal, QC
2025 – Super Sugoi Tour, with Within Destruction – Montréal, QC
2024 – Trois-Rivières Metalfest, with Feels Like Home – Trois-Rivières, QC
2012 – Maquisart, with Despised Icon – Trois-Rivières, QC
2009 – Bloodfest, with 100 Demons, Toronto, ON
2009 – Bloodfest, with 100 Demons, Montréal, QC

Shared Stage with:
Despised Icon
Within Destruction
100 Demons
Unearth
Bane
With Honor
Kalmah
Lofofora
L’Esprit Du Clan
A Perfect Murder
Insurrection
Burning The Oppressor
Mass Murder Messiah
A Death For Every Sin
Buried Inside
Spelldown

0 Gore House Prod. – ONCHOCERCIASIS ESOPHAGOGASTRODUODENOSCOPY Unleashes Single “Hurt Beyond Healing” From New Album “Fugue Gnawed from the Scabbed God Cerebrum”

  • February 19, 2026
  • by Asher
  • · Music News · Onchocerciasis Esophagogastroduodenoscopy (Gore House Productions)

NEWS RELEASE

Montreal, QC – February 19, 2026

ONCHOCERCIASIS ESOPHAGOGASTRODUODENOSCOPY Unleashes Single “Hurt Beyond Healing”

New Album “Fugue Gnawed from the Scabbed God Cerebrum” Out April 2026 via Gore House Productions

L – R – The Popuko – Guitars, Drums, Bass, Backing Vocals, Alice Simard – Guitars, Drums, Jesse Agiomamitis – Vocals

Apocalyptic death metal entity Onchocerciasis Esophagogastroduodenoscopy (OxE) has announced the release of “Hurt Beyond Healing,” the first single from their upcoming full‑length album “Fugue Gnawed from the Scabbed God Cerebrum,” out April 3, 2026, through Gore House Productions.
​
The track marks the beginning of a new era for the multinational trio, Canadian guitarist Alice Simard, Australian vocalist Jesse Agiomamitis, and German multi‑instrumentalist Popu, whose sound has evolved from raw goregrind origins into something far more calculated, dissonant, and otherworldly.
​
​“We chose Hurt Beyond Healing because it’s one of the more straightforward tracks on the record. It still carries our weirder elements, but it gives listeners a taste of the brutality before the rest of the LP throws them into far stranger territory,” says vocalist Jesse Agiomamitis.

Listen to “Hurt Beyond Healing” at https://www.youtube.com/watch?v=BB-fAVXSSGE

​Add to your Spotify playlist – https://open.spotify.com/track/67zmkZcB3tOdb3RUcUFmww

​​​“Fugue Gnawed from the Scabbed God Cerebrum” is OxE’s most ambitious and punishing work to date, a labyrinth of warped synths, alien textures, and meticulously crafted brutality. Musically, the album pushes the band deeper into experimental territory, drawing inspiration from releases such as Nithing’s “Agonal Hymns” and Dripping’s “Disintegration of Thought Patterns During A Synthetic Mind Traveling Bliss.”
​​
“The LP is definitely the most experimental OxE release so far. Between the carnage of the main instrumentals are layers of synths and organic instrumentation that have been sonically destroyed to give everything an alien feel,” says Popu.
​
Lyrically, the album follows a cryptic conceptual arc centered around a mythic “godslayer” figure, an entity on a cosmic, God‑of‑War‑esque rampage through the universe. The narrative mirrors the album’s emotional core: cold, calculated violence intertwined with themes of mental illness, mythological annihilation, and existential dread.
​
For the album’s artwork, the band once again collaborated with acclaimed artist Mei Maro, whose surreal, folklore‑infused style visually captures the album’s fusion of myth, brutality, and psychological distortion.
​
​“We wanted something that represented all of our combined influences. Mei always delivers something incredible, and this piece ties together everything we explored on the record,” adds the band.
​
The album’s eleven songs carve out a relentless and disorienting sonic journey. It opens with “Conquering Divinity,” a chaotic, myth‑laden assault designed to immediately destabilize the listener. “Gutted & Corpsed” delivers ferocious blasting, inhuman vocal textures, and a plunge into an underworld‑like atmosphere. “Heaven’s Empty Halls” shifts into eerie, dungeon‑synth‑infused territory, setting the stage for the album’s final descent. The closer, “Forged in the Blackest Reaches of Blasphemy,” ties the record together with a melodic yet brutal homage to the band’s key influences. Across the journey, from the twisted melodicism of “Apotheotic Apotemnophilia” to the crushing weight of “Entombed Within the Infinite Panopticon,” the album balances experimentation with the visceral heaviness fans expect.

“With this album, we’ve done what we’ve always done, simply better. We don’t want to stray too far from our original DNA, from what makes the band who we are, but there’s always going to be progression in some direction. This record marks our longest gap between releases, which isn’t something we had in mind, but great art can’t be rushed out the door, and while it may have taken some time to materialize, I’m certain that this record will be everything fans have wanted and then some, because it certainly was for us. Each album is a learning process, and I feel as though these new tracks we’ve got, more than anything else we’ve made, have taught us invaluable lessons about who we are as people, and just how much we love music and the creative process,” says vocalist Jesse.
​
Formed in Quebec City, OxE began as a solo project by guitarist Alice Simard, who sought to explore heavier, more grotesque sonic territory. After recruiting vocalist Jesse Agiomamitis in 2019 and later joining forces with German musician Popu, the project evolved into a fully collaborative, internationally connected force.
​
Their sound, described by the band as Inhuman, Unnerving, Calculated, Chaotic, Apocalyptic, draws from brutal death metal, black metal, avant‑garde experimentation, and a wide range of non‑musical influences, including Dark Souls, NieR, Berserk, Evangelion, and global mythology.
​
For Fans of Deathspell Omega, Disentomb, Artificial Brain, First Fragment, Disgorge, and Ulcerate, OxE’s “Fugue Gnawed from the Scabbed God Cerebrum” is available on CD, Cassette, and digitally from Stillbirth Records / Gore House Productions at https://orcd.co/scabbed-god-cerebrum​

Track Listing:​
1. Conquering Divinity – 3:17
2. The Fallen Lament, Paralytikus Ascends – 1:21
3. Severing What Makes Me Human – 2:41
4. Apotheotic Apotemnophilia – 3:03
5. Entombed Within the Infinite Panopticon – 2:23
6. Gutted & Corpsed – 3:05
7. Heaven’s Empty Halls – 5:13
8. Hurt Beyond Healing – 2:33
9. Abyssikataplexika – 2:35
10. Vile Verses Flogged into the Wings of Angels – 1:23
11. Forged in the Blackest Reaches of Blasphemy – 4:58
Album Length: 32:32
​
​ROLES:​
Jesse Agiomamitis: Vocals, Lyrics
Alice Simard: Composition, Guitars, Lead Guitars
The Popu: Additional Songwriting, Mixing and Mastering, Guitars, Bass, Orchestration and Sound Design, Additional lyrics, Additional Vocals

More info: ​​

​https://gorehouseproductions.com/​

​https://www.facebook.com/OnchoOfficial​

​https://www.instagram.com/onchocerciasis_official​

-30-

“It’s brutal as fuck, but it’s also explores the entire bouquet of sick creativity extreme music has to offer. The Fallen Lament is fun. It’s violent and it loves to blur boundaries between already scummy, disgusting genres.” – Vox & Hops Metal Podcast (The Fall Lament – 2024)

“This EP is definitely for the lovers of the extreme – fans of Deathspell Omega, Defeated Sanity, and Ulcerate will dig the fuck out of this record. So will fans of Dehumanizing Itatrian Worship, whose Kiryu Zhang contributes vocals on the last track of the EP, ‘Facial Gutting’. 9/10” – Ever Metal (The Fall Lament – 2024)​
​​
“The tracks revolve around blast beats and slams with some truly impressive breakdowns on display. Lyrics are themed around many different influences including mental health issues that have plagued the bands members, anime and video games making for an interesting read. In essence this EP provides a really promising preview of things to come for this band, who have the potential based on this evidence of creating something special.” – The Razor’s Edge (The Fall Lament – 2024)

“OxE are a different beast, very heavy and extreme but different to most bands of this ilk. The best way to describe them would be like Mortician, but with slam riffs! They have that downtuned bass that trawls the depths of hell with its tone and razor-sharp guitars, frantic programmed drums and some seriously deranged vocals. The tracks are short and sweet, the whole EP only goes on for ten minutes twenty one secs but in that time, you feel so bludgeoned and battered listening to it that it feels much longer, almost like you are succumbing to some exquisite torture!| – The Razor’s Edge (The Fall Lament – 2024)

“What’s cool here is when the music slows down almost to a crawl and sounds creepy as fuck, with a horror/suspense-like feeling that’s not without reminding me of some of the most disgusting episodes of the X-Files when they had some kind of monster eating its victims or what have you, and you can probably throw in a few horror B-movies in there as well. The Fallen Lament is kind of chaotic and dissonant and certainly sets itself apart in the sea of brutal death metal releases out there. 4/5” – The MetalCrypt (The Fall Lament – 2024)

“primal and brutal variety of dramatic and booming extreme metal ” – The Viking in the Wilderness (The Fall Lament – 2024)

“Brutal gore death grind metal with pig squeally vox” – 89.9 WORT FM – The Moshpit (Madison, WI) (The Fall Lament – 2024)

“It’s been a long time since I heard anything like this mentioned, and the truth is that I haven’t been disappointed. Those from Canada bring us the best formula to execute it. This is based on being as heavy as they are fluid, without giving up the occasional surprise in the form of extra convolutions, which, by the way, fits like a glove. I was extremely grateful that they didn’t focus on composing ultra-heavy and simplistic «ruido» with little direction twist like many others do, reminding us once again that Slam can be rich in nuances within its borders.” – Broken Tomb (The Fall Lament – 2024)

—
ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780
jon[@]ashermediarelations[.]com
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0 EPK – Onchocerciasis Esophagogastroduodenoscopy – Fugue Gnawed from the Scabbed God Cerebrum (2026)

  • February 18, 2026
  • by Asher
  • · EPKs · Onchocerciasis Esophagogastroduodenoscopy (2024) (Gore House Productions) · Onchocerciasis Esophagogastroduodenoscopy (Gore House Productions)

EPK – Onchocerciasis Esophagogastroduodenoscopy – Fugue Gnawed from the Scabbed God Cerebrum (2026)

Publicist – Jon Asher – gorehouse[@]ashermediarelations[.]com

“There’s a saying in regards to music: ‘Evolve; don’t change. With every release, we push creative boundaries both in the writing and recording process. We never want to make a drastic change that feels forced and alienating to our day one supporters, but we strive to evolve in ways that feel natural for the growth of the band, not just musically, but as people, too. We want this album to be something that you can either sit with at home, with a nice pair of headphones and marvel at the complexity and immensity of the music.” –  Jesse Agiomamitis (vocals/lyrics) – Onchocerciasis Esophagogastroduodenoscopy

For fans of Deathspell Omega, Defeated Sanity, Ulcerate, Disentomb, Sanguinary Consummation

Band: Onchocerciasis Esophagogastroduodenoscopy
Album Title: Fugue Gnawed from the Scabbed God Cerebrum
Release Date: April 3, 2026
Label: Gore House Productions
Album Length: 32:32

Gorehouseproductions.com | Facebook.com/GoreHouseProductionsOfficial | Instagram.com/gorehouseproductions | X.com/GoreHouse

Tiktok.com/@gorehouseproductions | Youtube.com/c/Gorehouseproductions-Official | Spotify | Gorehouseproductions.bandcamp.com

Facebook.com/OnchoOfficial | Instagram.com/onchocerciasis_official | Youtube Music

Spotify | Officialonchocerciasis.bandcamp.com | Apple Music

“It’s brutal as fuck, but it’s also explores the entire bouquet of sick creativity extreme music has to offer. The Fallen Lament is fun. It’s violent and it loves to blur boundaries between already scummy, disgusting genres.” – Vox & Hops Metal Podcast (The Fall Lament – 2024)

“This EP is definitely for the lovers of the extreme – fans of Deathspell Omega, Defeated Sanity, and Ulcerate will dig the fuck out of this record. So will fans of Dehumanizing Itatrian Worship, whose Kiryu Zhang contributes vocals on the last track of the EP, ‘Facial Gutting’. 9/10” – Ever Metal (The Fall Lament – 2024)

“The tracks revolve around blast beats and slams with some truly impressive breakdowns on display. Lyrics are themed around many different influences including mental health issues that have plagued the bands members, anime and video games making for an interesting read. In essence this EP provides a really promising preview of things to come for this band, who have the potential based on this evidence of creating something special.” – The Razor’s Edge (The Fall Lament – 2024)

“OxE are a different beast, very heavy and extreme but different to most bands of this ilk. The best way to describe them would be like Mortician, but with slam riffs! They have that downtuned bass that trawls the depths of hell with its tone and razor-sharp guitars, frantic programmed drums and some seriously deranged vocals. The tracks are short and sweet, the whole EP only goes on for ten minutes twenty one secs but in that time, you feel so bludgeoned and battered listening to it that it feels much longer, almost like you are succumbing to some exquisite torture!| – The Razor’s Edge (The Fall Lament – 2024)

“What’s cool here is when the music slows down almost to a crawl and sounds creepy as fuck, with a horror/suspense-like feeling that’s not without reminding me of some of the most disgusting episodes of the X-Files when they had some kind of monster eating its victims or what have you, and you can probably throw in a few horror B-movies in there as well. The Fallen Lament is kind of chaotic and dissonant and certainly sets itself apart in the sea of brutal death metal releases out there. 4/5″ – The MetalCrypt (The Fall Lament – 2024)

“primal and brutal variety of dramatic and booming extreme metal ” – The Viking in the Wilderness (The Fall Lament – 2024)

“Brutal gore death grind metal with pig squeally vox” – 89.9 WORT FM – The Moshpit (Madison, WI) (The Fall Lament – 2024)

“It’s been a long time since I heard anything like this mentioned, and the truth is that I haven’t been disappointed. Those from Canada bring us the best formula to execute it. This is based on being as heavy as they are fluid, without giving up the occasional surprise in the form of extra convolutions, which, by the way, fits like a glove. I was extremely grateful that they didn’t focus on composing ultra-heavy and simplistic «ruido» with little direction twist like many others do, reminding us once again that Slam can be rich in nuances within its borders.” – Broken Tomb (The Fall Lament – 2024)

 

“Have you ever been sat at home on a quiet evening and thought; “you know what would be really good right now? A migraine”? Well, if the answer to that is yes, then the boys in ONCHOCERCIASIS ESOPHAGOGASTRODUODENOSCOPY have got you covered. In this, their twenty-five minute, nine-track offering that is akin to standing in a bucket of water and attaching yourself to a car battery, The Rotted Plinth of Sachiel is a full-on assault on your senses that is sure to test the endurance of even the most seasoned veteran of fringe, extreme metal sub-genres.” – Distorted Sound Mag (2021 – The Rotted Plinth Of Sachiel)

“They may come across as a novelty act trying to be extreme for the sake of extremity, but OEGD are here to subjugate you. Give them five minutes, and they’ll bludgeon you into submission. Whether you like it or not is a different matter.” – Scream Blast Repeat (2021 – The Rotted Plinth Of Sachiel)

“Each song on this EP is a testament to the band’s mastery of slamming death metal, characterized by punishing rhythms and relentless guttural growls.” – Necrozine

[Download Album Cover | Download Album Lyrics]

Band: Onchocerciasis Esophagogastroduodenoscopy
Album Title: Fugue Gnawed from the Scabbed God Cerebrum
Release Date: April 3, 2026
Label: Gore House Productions
Album Length: 32:32
Track Listing:
1. Conquering Divinity – 3:17
2. The Fallen Lament, Paralytikus Ascends – 1:21
3. Severing What Makes Me Human – 2:41
4. Apotheotic Apotemnophilia – 3:03
5. Entombed Within the Infinite Panopticon – 2:23
6. Gutted & Corpsed – 3:05
7. Heaven’s Empty Halls – 5:13
8. Hurt Beyond Healing – 2:33
9. Abyssikataplexika – 2:35
10. Vile Verses Flogged into the Wings of Angels – 1:23
11. Forged in the Blackest Reaches of Blasphemy – 4:58
Album Length: 32:32
ROLES:
Jesse Agiomamitis: Vocals, Lyrics
Alice Simard: Composition, Guitars, Lead Guitars
The Popu: Additional Songwriting, Mixing and Mastering, Guitars, Bass, Orchestration and Sound Design, Additional lyrics, Additional Vocals

====================================================

About The Album Artwork:

We wanted something that represented all of our combined influences going into the songwriting, in one way or another, and we knew that Mei Maro would be able to deliver something incredible, as usual. There are aspects of various folklore and other things that interest us, all crafted together beautifully by the talented Mei.

The album as a whole (LYRICALLY & MUSICALLY):

Jesse Agiomamitis: Start-to-finish, the album is dissonant, punishing, and disorienting.

Many of the lyrical subjects are larger than life, and the songs tell a story of a single entity, a “godslayer”, essentially, on a God of War-esque rampage through the universe, all veiled in obscurity.

This character and his actions mirror the overall feeling of the album: cold, calculated, and violent.

The Popu: Musically, the LP is definitely the most experimental OxEx to date. In between the utter carnage of the main instrumentals are layers of synths and organic instrumentation that have gone through various levels of sonic destruction to give the overall soundscape an alien feel. I was highly inspired by “Nithing – Agonal Hymns” of 2023 and the classic record “Dripping – Disintegration of Thought Patterns During A Synthetic Mind Traveling Bliss”.

Track by Track (LYRICALLY & MUSICALLY):

Track 1: Conquering Divinity 

Lyrically quite fantastical, evoking certain mythological imagery. 

The music itself is very chaotic; there’s something new around every corner on this track, and that’s absolutely by design, being the first track on the record. Throwing a curveball out of the gate.

Track 2: The Fallen Lament, Paralytikus Ascends

As heard on the teaser EP we released leading up to the album, this track is one that is pretty straightforward and sounds most like our older material but with better performances all around.

 

Track 3: Severing What Makes Me Human
A quite dark track with a lot of weird things going on, and with a lot of the lyrics on this record, they’re not meant to be taken too seriously. We want it to evoke some type of image in the listener’s mind as they read over and listen to the track.

 

Track 4: Apotheotic Apotemnophilia

Getting toward the middle of the record, we knew we had to throw in something a little varied. This song has more melody than most others, but it is still incredibly heavy once that introduction is over. As the title of the track ‘Apotheotic Apotemnophilia’ may suggest, the lyrics (although somewhat vaguely) deal with the idea of a deity who is dissatisfied with aspects of their being.

Track 5: Entombed Within the Infinite Panopticon

This one is a little more straightforward. Just pummeling every second of the runtime, especially towards the end when the slower section comes in. We don’t have as many “breakdown” type moments compared to our earlier EPs, but when they do come in, like on this track, they hit way harder.

 

Track 6: Gutted & Corpsed

Starts off strong with a lot of blasting and gurgling before making a dramatic shift toward the middle of the song, where it sounds more like a portal to the underworld has been opened. There are these unearthly shrieks and angular riffs that throw the listener for a loop and make you really pay attention to what’s going on, right before getting back into the blasting and gurgling.

Track 7: Heaven’s Empty Halls

One of my absolute favourites on the record. So much is going on texturally with this almost Dungeon Synth-esque backing instrumental that really elevates the guitars, drums, and vocals giving a somewhat creepy vibe to the song and it perfectly kicks off the final portion of the record.

 

Track 8: Hurt Beyond Healing
Standard ass-beater of a track, bringing everything back to gravity after the last song. Lots of guitar wizardry and chaotic vocals are going on here.

 

Track 9: Abyssikataplexika
One of the most gnarly vocal performances on the record, with a few new sounds that really don’t sound human, accompanied by some of the deepest chugs on the record and even blistering drumming.

 

Track 10: Vile Verses Flogged into the Wings of Angels
Dark and brooding atmosphere, like something from a horror soundtrack, perfectly builds tension before release with the final track.

 

Track 11: Forged in the Blackest Reaches of Blasphemy
Melodic, brutal, chaotic, and structured all at once. Bearing our influences on our sleeve and once again paying homage to the great Disentomb (among other bands). There’s no better way for us to cap off the record.

=====================================================

FUN FACTS – STORY ANGLES:

1. Onchocerciasis Esophagogastroduodenoscopy (shorthand: OxE) was originally a solo project by Alice, who released a split record with a friend before bringing Jesse aboard in early 2019.

2. The majority of the lyrics for OxE tracks pertain, in some way, to mental health struggles that I and people around me have dealt with throughout life, but with a cryptic shadow realm he keeps slipping into becomes reality, and he is now trapped there for all eternity. This song is actually about Hyperion’s friend who has dealt with this mental illness every day for his whole life.

3. OxE members hail from various countries. Popu is German, Alice is Canadian, and Jesse is Australian.

4. When it comes to the artistic and lyrical thematics, OxE is inspired by various forms of media. We love incorporating ideas from video games (Dark Souls, NieR, etc.), anime (Berserk, Evangelion, Angel’s Egg), and many areas of real-world mythology and folklore into our music.

5. The Popu has been a fan of the band since the first EP, but has never gotten in contact with Alice or Jesse until two years later, when – by sheer coincidence – Alice and Popu bonded online through the obscure interest of the Danmaku Game “Touhou Project”. Inseparable since then.

L-R – The Popu (Guitar, Drums, Bass) | Alice Simard (Guitar, Drums) | Jesse Agiomamitis (Vocals)

Photo Credit: Onchocerciasis Esophagogastroduodenoscopy

Emerging from the depths of Quebec City’s underground, Onchocerciasis Esophagogastroduodenoscopy (OxE) is a brutal death metal force that defies genre boundaries with its calculated chaos and apocalyptic soundscapes. Originally conceived as a solo project by guitarist Alice Simard, OxE quickly evolved into a collaborative powerhouse with the addition of Australian vocalist Jesse Agiomamitis and German multi-instrumentalist Popu. Together, they’ve forged a sound that’s grotesque, dissonant, and deeply cerebral—equal parts slam, blackened death, and avant-garde experimentation.

Following the blistering EP The Fallen Lament, OxE returns with their most ambitious and punishing release to date: Fugue Gnawed from the Scabbed God Cerebrum. This LP marks a significant evolution in the band’s sonic identity, pushing further into experimental territory while retaining the visceral brutality fans have come to expect. Musically, the album is a labyrinth of dissonant riffs, guttural vocals, and alien soundscapes. Synths and organic instrumentation are warped and mangled into textures that feel both ancient and futuristic. Popu cites Nithing – Agonal Hymns and Dripping – Disintegration of Thought Patterns During A Synthetic Mind Traveling Bliss as key inspirations for the LP’s sonic architecture. Lyrically, Jesse crafts cryptic narratives that explore mental illness, mythological annihilation, and existential dread. At the heart of the album is a conceptual arc following a “godslayer” on a cosmic rampage—an allegory for inner turmoil and transformation. The lyrics are intentionally veiled, allowing listeners to imprint their own interpretations.

Planning to release Singles like “Hurt Beyond Healing” and “Gutted & Corpsed” offers a glimpse into the album’s duality: straightforward brutality laced with surreal, introspective undertones. The juxtaposition of characters—those who embrace life versus those who recklessly flirt with death—reflects the band’s ongoing exploration of human fragility.

Recommended for fans of Deathspell Omega, Defeated Sanity, Ulcerate, Disentomb, and Sanguinary Consummation, Fugue Gnawed from the Scabbed God Cerebrum will be released on April 3, 2026, via Gore House Productions and is available for pre-order at https://orcd.co/scabbed-god-cerebrum

Discography:
2025 – Fugue Gnawed from the Scabbed God Cerebrum LP
2024 – The Fallen Lament LP
2021 – The Rotted Plinth of Sachiel LP
2019 – Adoration of Decaying Innocence EP
2018 – Interspecies Defloration EP

0 Rockshots Records – Visit The “Desolate Lands” With EMBRACE OF SOULS’ New Music Video From Concept Album “The Battle Of The Dead” Out May 2026

  • February 18, 2026
  • by Asher
  • · Embrace of Souls (Rockshots Records) · Music News

NEWS RELEASE

Montreal, QC – February 18, 2026

Visit The “Desolate Lands” With EMBRACE OF SOULS’ New Music Video

Concept Album “The Battle Of The Dead” Out May 2026

Embrace Of Souls release today “Desolate Lands”, the new single and official video taken from their upcoming fantasy concept album “The Battle Of The Dead”, set for release on May 22nd, 2026.

Watch the official video: https://www.youtube.com/watch?v=8TS0sF6CQ2s

​
​Listen: https://lnk.to/7wfF6l​

Forged in classic power-metal steel and sharpened with symphonic force, “Desolate Lands” delivers fast, militant rhythms, massive orchestral arrangements, and a relentless melodic drive rooted in the ’80s and ’90s tradition. Dark tonalities and epic tension shape the track, driven by Giacomo Rossi’s commanding vocals and reinforced by Martina Mazzeo’s operatic power – a song of devastation, sacrifice, and defiance rising from the ashes of war.

Taken from the upcoming fantasy concept album “The Battle Of The Dead”, the single introduces a world torn apart by a mysterious plague that corrupts the soul, pushing kingdoms toward an inevitable clash between the living and the dead. The album unfolds as a complete narrative experience, exploring themes of power, betrayal, sacrifice, and hope.

Founded by drummer and composer Michele Olmi, Embrace Of Souls began as a studio project aimed at bringing together talented musicians from the Italian metal scene, before evolving into a full band with a strong identity and a collaborative creative approach.

This new chapter is marked by a renewed line-up. Giacomo Rossi steps forward as lead vocalist, delivering a powerful and expressive performance, while Martina Mazzeo’s soprano vocals add a theatrical dimension. Their interplay reinforces the balance between power metal intensity and symphonic elegance, a dualism of light and dark that runs throughout the album.

The songwriting process reflects the same collaborative spirit: initial ideas developed by Michele Olmi are expanded together with the band, with each member contributing to the final shape of the music and the narrative.

The album also features a special guest appearance by Morby (Domine), further strengthening the connection with the classic Italian power metal tradition.

“The Battle Of The Dead” was mixed and mastered by Alessio Garavello at Rogue Studios, London, enhancing the clarity, impact, and cinematic depth of the band’s sound.

As the band states:

“We want The Battle Of The Dead to be a complete listening experience. Each track has its own identity, but everything is connected to the story. We want listeners to dive into the world of the album and discover it step by step.”

“The Battle Of The Dead” will be released on May 22nd, 2026, in digital format and digipak CD edition, and will be available for pre-order at the following link: https://rockshots.eu/products/embrace-of-souls-the-battle-of-the-dead-cd​
​
​OFFICIAL MERCH: https://embraceofsoulsband.bigcartel.com/​

For fans of: Rhapsody Of Fire, Stratovarius, Sonata Arctica, Nightwish.

Track Listing:​
1. The Battle Of The Dead
2. Eversun
3. The Plague
4. The Gathering
5. Spine
6. Who Can Save Us
7. Betrayal
8. The Dark Lord
9. The War (feat. Morby)
10. Sacrifice
11. Desolate Lands
​
​Line-up:​
Giacomo Rossi – Vocals
Martina Mazzeo – Vocals
Edward De Rosa – Guitars
Xavier Rota – Bass
Davide Baldelli – Keyboards
Michele Olmi – Drums

More info: ​
​​https://www.rockshots.eu​

​https://www.instagram.com/embraceofsouls/​

​https://www.facebook.com/embraceofsoulsofficial/​

BIOGRAPHY:

Embrace Of Souls is an Italian power metal band founded by drummer and composer Michele Olmi, conceived with the aim of bringing together talented musicians around a shared vision rooted in collaboration, brotherhood, and a deep passion for classic metal. Initially born as a studio project, the band took shape with the release of their debut album “The Number Of Destiny” in 2021, receiving positive feedback on an international level and notable acclaim in Japan.

Drawing inspiration from ’80s and ’90s heavy and power metal, as well as the epic and symphonic metal of the early 2000s, Embrace Of Souls developed a sound characterized by powerful riffs, epic atmospheres, and strong melodic sensibility. Over time, the project evolved into a full live band, allowing the group to further consolidate its artistic identity and deepen its expressive range.

In 2024, Embrace Of Souls returned with their second full-length album, “Forever Part Of Me,” marking a significant step forward in terms of maturity and songwriting. This phase also introduced important changes within the line-up, bringing renewed energy and a broader musical perspective to the band’s sound.

A key element of this evolution is the current vocal pairing. Giacomo Rossi, already involved in previous releases, now takes on a central role as lead vocalist while Martina Mazzeo, an accomplished soprano vocalist, adds a symphonic and operatic dimension to the band’s music. Together, their voices embody the duality that defines Embrace Of Souls: light and darkness, power and elegance, intensity and emotion.

Having shared the stage with renowned acts such as Domine, Vision Divine, Stratovarius, Sonata Arctica, and Rhapsody Of Fire, Embrace Of Souls continue to refine their identity while looking toward the future. The band is now working on new material, further developing their epic and narrative-driven approach to solidify their presence on the international power metal scene.

-30-

​
—
ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780
jon[@]ashermediarelations[.]com
Facebook – Asher Media Relations
Instagram – AsherMedia
Tweet – AsherMedia

0 Rockshots Records – Cosmic Prog Metal VANDERLUST Unveils First Single “Humanity 2.0 – The Human Farm” From New Sci-Fi Metal Opera “The Human Farm” Out April 2026

  • February 18, 2026
  • by Asher
  • · Music News · Vanderlust (Rockshots Records)

NEWS RELEASE

Montreal, QC – February 18, 2026

Cosmic Prog Metal VANDERLUST Unveils First Single “Humanity 2.0 – The Human Farm” From New Sci-Fi Metal Opera “The Human Farm” Out April 2026

Rockshots Records is proud to announce the release of “The Human Farm“, the ambitious new sci-fi concept album by progressive metal band Vanderlust, hitting stores worldwide on April 17th, 2025.
​
To ignite this interstellar journey, the band has unveiled the first single and opening chapter of the album today: “Humanity 2.0 – The Human Farm“.
​
​STREAM “HUMANITY 2.0 – THE HUMAN FARM”: https://lnk.to/iEpgIm

​

YouTube – https://www.youtube.com/watch?v=OUPFUoBm1Tc

​
​
“Humanity 2.0 – The Human Farm” is the symphonic overture that opens the gates to the band’s dystopian universe. More than a standard song, it serves as the narrative prologue, setting the atmosphere for the entire record. The track transports the listener to the year 2500 A.D. Humanity, suffering from poverty and despair, is visited by an ancient alien species known as the Coelacanth. They offer a “perfect life” inside a “Human Farm“: safety, comfort, and care, but at a terrible price -execution at the age of 40. This opening chapter poses the central dilemma of the record: if you were offered a short but perfect life in exchange for your freedom… would you accept?
​
Arriving April 17th, “The Human Farm” is a metal opera that blends traditional melodic power metal with technical progressive elements and thrash intensity. Inspired by Plato’s Cave allegory and classic sci-fi lore, the album tells the story of Abe and a group of rebels who discover their “perfect life” is a prison and attempt a desperate escape through the cosmos. Musically, the band describes the sound as energetic, refined, and atmospheric.
​
Drawing inspiration from the melodic grandeur of Angra and Dream Theater, the new material incorporates intricate, sci-fi riffing reminiscent of Vektor and Megadeth. Guitarist Francesco comments on the release: “To me, this album represents the band’s maturation. It is a journey; to fully enjoy it and truly understand its content, it needs to be listened to in its entirety. Just like the story tells, it unfolds as a narrative in which each track follows the previous one with a particular sense of continuity.”
​
The album features special guest appearances by Martina Barreca (Mess Excess), who provides the growls and operatic vocals representing the alien Coelacanths, and Francesco Londino (S91), who contributes keyboard solos and arrangements.
​
​PRE-ORDER THE ALBUM: https://rockshots.eu/products/vanderlust-the-human-farm​

Track Listing:
​1. Humanity 2.0 – The Human Farm
2. Golden Shackles
3. The Turning Point
4. Connection Failed
5. Viral Escape
6. … Find Them!
7. Battlefield
8. From The Cave – Fuga
9. Drive
10. Reborn … Again
11. Humanity 3.0: The New Canaan
​
​Line-up:​
Ricca “ZP” Morello: Vocals
Francesco “Franz” Romeggini: Guitars, Backing Vocals
David Cantina: Bass
Giacomo Mezzetti: Drums, Backing Vocals

More info:
​https://rockshots.eu/​

​https://www.facebook.com/vanderlustofficial/​

BIOGRAPHY:

Vanderlust was born from a precise artistic vision: to tell science fiction stories through the language of melodic/progressive metal. What began as an ambitious concept soon evolved into a fully developed identity, where traditional heavy and power metal foundations merge with progressive structures, intricate riffing, and atmospheric textures shaped by a futuristic imagination.

At the creative core stands guitarist Francesco Romeggini, whose compositional direction defines the band’s sonic architecture. His ideas, later refined collectively by the band, result in a dynamic balance between technical detail and emotional depth. The members bring experience from previous acts such as S91, Dreal, and Speed Kills, combining classic metal roots with a forward-looking approach.

Vanderlust’s sound can be described as energetic, refined, and intricate, yet always driven by narrative purpose. Melodic power metal emerges strongly in the vocal phrasing, while progressive elements influence structures and rhythmic patterns rather than sheer song length. Sci-fi atmospheres surface not only through thematic choices but also through electronic layers and occasional orchestral arrangements, reinforcing the cinematic scale of their storytelling without losing the grit of traditional metal.

With “The Human Farm“, the band reaches a clear stage of maturation. Expanding beyond the more traditional framework of their debut, Vanderlust intensifies their progressive edge and strengthens the conceptual dimension of their work. The album unfolds as a cohesive narrative journey, exploring themes of freedom, control, and existential choice delivered through high-energy tracks, dynamic contrasts, and emotionally charged moments.

On stage, the band translates complexity into impact. Rather than focusing solely on instrumental execution, Vanderlust aims for a powerful, engaging live presence, ensuring that the emotional force of their music connects directly with the audience.

Vanderlust stands at the intersection of classic melodic metal and progressive sci-fi – a band committed to building worlds, not just songs.

– 30 –

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0 CAERRIAN Drummer Shares Performance Video “Fathomless Ruin” For Sabian Cymbals Endorsement

  • February 18, 2026
  • by Asher
  • · Caerrian · Music News

NEWS RELEASE

Montreal, QC – February 18, 2026

CAERRIAN Drummer Shares Performance Video “Fathomless Ruin” For Sabian Cymbals Endorsement

L-R – Justin Marcil – Bass, Justin Gordon – Guitar, Ken Rothe – Guitar, Aaron Graham – Drums, Tyler Parsons – Vocals

Vancouver progressive melodic death metal band Caerrian is celebrating a major milestone as drummer Aaron Graham, a respected Drumeo instructor and Doctor of Percussion from the University of British Columbia, officially joins the roster of Sabian Cymbals artists. The announcement arrives alongside the release of Graham’s new drum performance video for the band’s debut single “Fathomless Ruin,” taken from their forthcoming introductory EP due out in spring 2026.
​
The performance video, featured in a new Drumeo and Sabian advertisement for the Redlight and Spotlight cymbal lines, showcases Graham’s dynamic playing and the band’s signature blend of heaviness, melody, and progressive technicality.

Graham says the timing couldn’t be better:

“I’m so stoked Drumeo and Sabian asked us to feature ‘Fathomless Ruin’ in this ad for the new Redlight & Spotlight cymbal lines. It coincides perfectly with the launch of the single and me being picked up as a Sabian Artist. The Sabian sound is one I’ve known and loved all my life. And I can’t wait to showcase that in our live shows.”

Watch the drum video: https://www.youtube.com/watch?v=ILgGLVyUTWs

​

Caerrian emerged from the dissolution of the band Warrborn, evolving into a more technical, refined, and progressive force. Lead guitarist and primary songwriter Ken Rothe explains that the transformation was natural and necessary:
​
​“The band started from the ashes of Warrborn. My playing evolved a lot during COVID, and with the new sound, new members, and new direction, renaming the band was the best solution.”​
​
Rothe describes Caerrian’s sound in five words: Heavy, melodic, progressive, familiar, and catchy.
​
The band’s upcoming EP features four long-form tracks, chosen from a pool of more than 15 completed songs. The remaining material is slated for a full-length album planned for recording in late 2026.
​
​“Fathomless Ruin” is a sweeping, cinematic track that moves between uplifting, epic passages and darker, more sinister sections. The song’s origins stretch back nearly eight years to a riff idea that never found a home, until now.
​
Rothe explains the concept:
​
​“It started as a Top Gun–style theme, jet fighters in the clouds, but later became the death of a Viking fleet at the mercy of the kraken. The moral: set out to pillage and kill, face your demise. If you live, expect no glory, only sorrow.”​
​
The single artwork reflects this “death from above” and oceanic devastation, tying directly into the lyrical themes.
​
Musically, the band’s forthcoming EP promises a heavy, melodic journey with massive guitar tones, progressive structures, stompy, mosh‑ready riffs, melodic, mood‑driven solos, dynamic shifts reminiscent of Opeth, and live, untriggered drum performances.

“We want each track to be a journey, with a range of feels and emotions. We hope people are drawn in and follow us into the EP,” adds Rothe.
​
The band recorded the EP at Rain City Recorders with engineer Matt Roach, using a blend of high‑end gear including a Mesa Boogie Mark IV (Rev A), Diesel VH4, a modded 5150 block letter, and Quad Cortex profiling. All guitars feature Evertune bridges and Fishman Fluence or EMG pickups.
​
​Caerrian’s members bring deep roots in the Vancouver metal scene, Ken Rothe on lead guitar (formerly Warrborn), Justin Gordon on bass/rhythm guitar (Plague Doctor, Assorted Meats, Thirteen Goats), Justin Marcil on vocals (Knocking at the Gates), and Aaron Graham on drums (Drumeo instructor, Sabian Cymbals Artist, UBC Doctorate in Percussion).
​
Recommended for fans of Lamb of God, Dissection, Iron Maiden, Megadeth, and Opeth, listen to “Fathomless Ruin” at the following links:

Add to your Spotify playlist – https://open.spotify.com/track/0PjQSykqxWdlAZufqXQv1I

​

YouTube – https://www.youtube.com/watch?v=VlAxEbX_sZI

​

Recording Line Up:​
Ken Rothe – Lead Guitar
Justin Gordon – Rhythm Guitar
Josh Erhart – Bass
Aaron Graham – Drums
Tyler Parsons – Vocals

Live Band Line Up:​
Ken Rothe – Lead Guitar
Justin Gordon – Rhythm Guitar
Justin Marcil – Bass
Aaron Graham – Drums
Tyler Parsons – Vocals

Show Dates:​
Feb 21 – Chillhouse Studio – Chilliwack, BC – info – w/ Torrefy, Yegg, Cryptic Enslavement

More Info: https://linktr.ee/caerrian​

-30-

—
ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
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jon[@]ashermediarelations[.]com
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0 Reminder – NARCOTIC WASTELAND Kicks Off “Praise the Beast North American Tour 2026” w/ BELPHEGOR, INCANTATION, HATE

  • February 18, 2026
  • by Asher
  • · Music News · Narcotic Wasteland

NEWS RELEASE

Montreal, QC – February 18, 2026

NARCOTIC WASTELAND Kicks Off “Praise the Beast North American Tour 2026” w/ BELPHEGOR, INCANTATION, HATE

Extreme metal juggernaut NARCOTIC WASTELAND kicks off the “Praise the Beast North American Tour” with BELPHEGOR, INCANTATION, and HATE for February and March 2026, continuing their relentless assault on stages worldwide. This marks the band’s third major run in less than a year, following the “Annihilation of Wasteland Tour” across the U.S. in September 2025 and their headlining “Annihilation of Europe Tour” in November and December 2025.
​
Fronted by guitarist/vocalist Dallas Toler-Wade (ex-Nile), Narcotic Wasteland has built a reputation for uncompromising brutality, technical precision, and lyrical themes that confront addiction, corruption, and societal decay. Their recent tours have drawn packed venues and critical acclaim, cementing their place as one of the most ferocious acts in modern death metal.
​
​“The energy we felt from fans in both North America and Europe has been incredible. We’re coming back harder than ever in 2026. Expect a setlist that spans our catalog, new material, and the kind of intensity that defines Narcotic Wasteland,” says Toler-Wade.
​
The tour will see the band storm through major cities across the U.S. and Canada, dates and venues listed below. The tour is a crushing lineup, making this one of the most anticipated metal tours of early 2026.

Tickets for the “Praise the Beast North American Tour” with BELPHEGOR, INCANTATION, HATE, and NARCOTIC WASTELAND are available at https://www.narcoticwasteland.com/tour

Music Video – Introspective Nightmares – https://www.youtube.com/watch?v=jOBq_a4bFGs

​Add to your Spotify playlist – https://open.spotify.com/artist/5IQ8MRD09PzTIzldUag7rD

​

Narcotic Wasteland has carved out its place as a dominant force in the modern metal scene, unleashing a punishing fusion of razor-sharp technicality, feral aggression, and raw intensity. At the helm is guitarist and vocalist Dallas Toler-Wade, celebrated for his tenure with Nile, whose unmatched precision and commanding stage presence drive the band’s sonic assault.
​
Behind the kit, newly added drummer Austin Vicars (also of Casket Robbery) delivers high‑octane precision, combining razor‑sharp blast beats with a commanding, theatrical stage presence. His blend of technical finesse and showmanship makes him a standout force in today’s extreme‑metal landscape.
​
Anchoring the low end, Kenji Tsunami injects depth and texture with inventive, hard-hitting bass lines. His formidable musicianship and commanding presence add another layer to the band’s overwhelming wall of sound, amplifying the ferocity of their live performances.
​
Together, Dallas, Austin, and Kenji form a unit that is both unstoppable and uncompromising, captivating audiences with explosive performances and boundary-pushing compositions. With their collective skill and vision, Narcotic Wasteland stands tall as one of the most formidable powerhouses in extreme music today.

Praise the Beast North American Tour 2026​
​w/ BELPHEGOR, Incantation, Hate, Narcotic Wasteland

Feb-19 – Brooklyn, NY – Brooklyn Monarch
Feb-20 – Lowell, MA – Taffeta Music Hall
Feb-21 – Montreal, QC – Le Studio TD
Feb-22 – Toronto, ON – Lee’s Palace
Feb-23 – Lakewood, OH – Mercury Music Hall
Feb-24 – Joliet, IL – The Forge
Feb-26 – Denver, CO – HQ
Feb-27 – Albuquerque, NM – Launchpad
Feb-28 – Haltom City, TX – Haltom Theater
Mar-1 – Houston, TX – Scout Bar
Mar-2 – San Antonio, TX – Paper Tiger
Mar-5 – Mesa, AZ – The Rosetta Room
Mar-6 – San Diego, CA – Brick by Brick
Mar-7 – San Francisco, CA – DNA Lounge
Mar-8 – Roseville, CA – Goldfield Trading Post
Mar-9 – Los Angeles, CA – 1720
Mar-10 – Anaheim, CA – The Observatory

More info: https://linktr.ee/narcoticwasteland​

– 30 –

“”Narcotic Wasteland dropped a caustic, pissed off new single titled “Barbarian” off their forthcoming album Digital Cordyceps. Though we don’t know too much about said album, Toler-Wade explained that the new track was essentially one big middle finger to the ruling class.” – Metal Sucks

“We’ve got the latest and greatest from drug-themed death dealers Narcotic Wasteland, the new video for “Victims of the Algorithm.” The song takes on lightning-fast and heavy riffs, in the tradition of the band, and the lyrics tackle our dependence on social media in the modern age.” – Decibel Magazine

“Narcotic Wasteland have hit us with another dark, campy gem in the form of “Sex, Lies & DNA.” The thrashy, aggressive new single is the latest from the band led by Dallas Toler-Wade of Nile fame. This track features guest vocals from Andrea_N_Black and takes on the beloved death metal fodder of true crime.” – Decibel Magazine

“Narcotic Wasteland showcases Toler-Wade’s penchant for writing killer riffs, which he did for a decade as a member of Nile, in a manner that’s reminiscent of early 1990s metal — when the lines between the “thrash” and “death” tags weren’t as rigidly defined, and everything just sounded fast and heavy as all hell.” – Denver Westword (NW Headlines Denver DeathFest 2023)

“Delirium Tremens is just pummeling, non-stop death metal that covers a ton of ground.” – Metal Injection

“More often than not, death metal bands have a tendency to stick to the familiar topics. Death, gore, killing – that sort of thing. There’s always exceptions, or bands that have a different take on the subject, but as they say, dark music demands dark themes. Narcotic Wasteland does, for one of its lyrical slants, face a slightly different (yet still suiting) take – that of addiction. Plenty of grim to still go around with such a concept, and Narcotic Wasteland hits just as hard sonically as any other death metal act to come through the pipeline.” – Dead Rhetoric

“another incredible death metal album that has the potential to end itself up on the year end top album lists.” – Metal Nexus (2017 – Delirium Tremens)

“On the track, Toler-Wade furiously rails against “expectations,” “silly rules,” and “fucking filters,” and victoriously celebrates being “totally free” with a repeated battle cry of “Let the music flow!” In case there was still any remaining doubt as to the meaning of the song, the track is as magnificently brutal an old school death metal song as you’re likely to hear this season. It gallops, it lacerates, it uses the listener’s skull as a battering ram. There can be no doubt that this truly is Toler-Wade, undiluted and free of limitations. We hope he lets this music flow for a long time to come.” – Metal Sucks (single Return to the Underground off 2017 album Delirium Tremens)

“Narcotic Wasteland have released a fantastic album in ‘Delirium Tremens’. It is not easy to thrust the listener consistently into an aural landscape orchestrated by the band and make them stay put for the entire length of the album. Narcotic Wasteland does it brilliantly as they take you through the nightmarish journey of Delirium Tremens.” – Metal Wani (2017 – Delirium Tremens)

—
ASHER MEDIA RELATIONS
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0 Gore House Productions – Slamming Death Metal INSECT INSIDE Unshackle The Savage Single “Fragments” From New Album “Reborn in Blight” Out March 2026

  • February 17, 2026
  • by Asher
  • · Insect Inside (Gore House Productions) · Music News

NEWS RELEASE

Montreal, QC – February 17, 2026

Slamming Death Metal INSECT INSIDE Unshackle The Savage Single “Fragments”

New Album “Reborn in Blight” Out March 2026 via Gore House Productions

Slamming death metal force Insect Inside has announced the next single from their upcoming full‑length “Reborn in Blight,” set for release March 6th, 2026, through Gore House Productions. The new track, “Fragments,” arrives as the band’s most concise and chaotic offering yet, an explosive preview of the raw, atmospheric brutality that defines the album.
​
Short, savage, and deliberately unrelenting, “Fragments” distills everything Insect Inside loves about death metal into one violent burst: chaos, groove, and a sinister, suffocating atmosphere. Though brief, the track serves as a mission statement for the band’s evolved sound, leaner, darker, and more visceral than ever.
​
​“It’s one of the short tracks, but that’s for the better. Here we organically fit everything we like in death metal—chaos, groove, and a sinister atmosphere,” the band explains.

Listen to “Fragments” at https://www.youtube.com/watch?v=TAFogrHeAtk

​Add to your Spotify playlist – https://open.spotify.com/album/7d8Bz11aiZNYq83KOVL8Iy

​​
​“Reborn in Blight” marks the band’s second full‑length album and their most ambitious work to date. Written remotely across multiple cities, the record is the result of a highly collaborative process, with nearly every member contributing to its creation. The band describes the album as a symbiosis of groove‑driven slam and dark brutal death metal, wrapped in a gloomy, oppressive atmosphere.
​
Lyrically, the album continues Insect Inside’s signature world‑building: short, apocalyptic stories about humanity’s extinction and the rise of an insectoid race. The tone shifts with the music; more atmospheric tracks draw out more poetic, abyss‑gazing imagery.
​
The album also features standout guest appearances, including Mr. Ochoa (Cephalotripsy) on the crushing single “Abhorrent Landscape” and Josh Welshman (Defeated Sanity) on the devastating “Hiveborn Abomination”.
​
Alongside “Fragments,” the album’s previously released singles showcase the range of brutality fans can expect: “Hiveborn Abomination,” one of the album’s most powerful tracks, is fast, atmospheric, and sharpened by Josh Welshman’s (Defeated Sanity) unmistakable guest-vocal assault. “Carnal Ruins”, a tribute to the New York death metal lineage, Soils of Fate, Internal Bleeding, Dying Fetus, built on hardcore groove and no‑frills violence.
​
Formed out of the Eastern European underground, Insect Inside emerged from the Chelyabinsk death metal scene with a simple goal: play tight, aggressive slam. What began as cover sessions quickly evolved into original material, shaped by influences like Disentomb, Relics of Humanity, Cryptopsy, Defeated Sanity, and Vulvectomy.
​
The lineup includes several veterans of the brutal death metal circuit: Bogdan (bass) (Cold Blooded Murder, Traumatomy), Pavel (guitar) (Ocean In My Bath), Daniel (vocals) (Nauseating, Morphogenetic Malformation), and Ivan (drums) (Nauseating).
​
With “Reborn in Blight,” Insect Inside pushes deeper into darkness, delivering a record built for mosh pits, gym sessions, and anyone craving oppressive, atmospheric brutality. And with more material already in the works, the swarm is only beginning.

Recommended for fans of Internal Bleeding, Stabbing, Devourment, and Disfigurement of Flesh, “Reborn in Blight” will be available March 6, 2026, via Gore House Productions.

Pre‑orders are now live on Digital, Vinyl, CD, and Cassette: https://orcd.co/reborn-in-blight​

Previous Singles:

“Hiveborn Abomination” with guest vocals from Josh Welshman of Defeated Sanity – https://www.youtube.com/watch?v=OhaFr5xtoEo

​“Carnal Ruins” – https://www.youtube.com/watch?v=q3wB_kSpCzY

​

Track Listing:​
1. Echoes Of The Swallowed Sinners – 3:31
2. Abhorrent Landscape (feat. Cephalotripsy) – 2:54
3. Fragments – 2:18
4. Putrid Lament – 3:35
5. Hiveborn Abomination (feat. Defeated Sanity) – 2:51
6. Flesh Cathedral – 3:00
7. Obscuration Worship – 1:20
8. Carnal Ruins – 2:45
9. Parasite Messiah (feat. Pestilectomy) – 3:29
10. Reborn In Blight – 5:22

Album and Live Band Line Up:​
Daniel Sementsov – Drums
Bogdan Pisavnin – Bass
Pavel Pleshkov – Guitar
Ivan Tyulkin – Vocals

More info: ​​

​https://gorehouseproductions.com/​

​https://www.facebook.com/insectinsideslam​

​https://www.instagram.com/insect_inside​

-30-

“Insect Inside relies on unpredictability to elevate beyond the brutal stereotype. Shifting tempos, groovy rhythms, technical leads, pinch harmonics, and flashes of dissonance keep its grinding slams and beatdown sections from growing too stagnant… Insect Inside’s The First Shining of New Genus offers concussive slam that will get you buzzing.” – Angry Metal Guy

“A surprisingly level of hookiness invades Insect Inside, while they still deliver on all of the body-crippling violence you would expect from such an act. The First Shining of New Genus is a release that you can groove along with in addition to getting your daily dose of utter brutality.” – Dead Rhetoric​
​

—
ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780
jon[@]ashermediarelations[.]com
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