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Posts By Asher

0 Halifax’s TURBO Unleashes New Music Video “PissJugs & Rattlesnakes” From Latest Album “Broke & Ugly”

  • January 21, 2026
  • by Asher
  • · Music News · Turbo

NEWS RELEASE

Montreal, QC – January 21, 2026

alifax’s TURBO Unleashes New Music Video “PissJugs & Rattlesnakes” From Latest Album “Broke & Ugly”

L-R – Lindsey Dicks (Guitar), Evan Frizzle (Vox, Guitar), Donnie Rootnotes (Bass), Sylvian Coderre (Drums)

Canadian nitro‑rock hellraisers TURBO have dropped their brand‑new music video for “PissJugs & Rattlesnakes”, the fifth track from their latest full‑length album “Broke & Ugly,” released in July 2024.

The new video captures everything that defines Turbo’s sound and spirit: raw energy, sleazy swagger, and a no‑apologies attitude forged from years of touring, partying, and living life at full throttle.
​
​“PissJugs & Rattlesnakes” is a standout cut from “Broke & Ugly,” written with the title first and the lyrics second, a perfect reflection of Turbo’s instinct‑driven, riff‑first songwriting style. Loosely inspired by a crew of strippers vocalist/guitarist Evan Frizzle used to run with, the track is a gritty, tongue‑in‑cheek snapshot of wild nights, questionable decisions, and the characters who shaped the band’s early years.
​
Guitarist Lindsey Dicks penned the opening lead, kicking off what the band calls “the greasiest riff on the album.” The track has quickly become a fan favorite, complete with the band’s unofficial drinking rule: take a swig every time they yell “pissjugs.”
​
Watch the video now via its premiere on Bravewords HERE.

Turbo’s second full‑length album, “Broke & Ugly,” is a raw, high‑energy snapshot of the band’s real‑life chaos, blending aggressive riffs, tight musicianship, and lyrics fueled by partying, heartbreak, road‑life exhaustion, and unapologetic self‑reflection. Standout tracks range from the heavy, triumphant “Ruthless Forever” to the beer‑soaked anthem “Ignite the Night,” the breakup‑driven “No Savior,” and the punk‑edged “Scorpio Garbage Fire.” The album slows only briefly with “Nothing to Nowhere” before roaring back with the snarky title track and the thrashy tour‑inspired closer “Down in Mexico.” It’s gritty, honest, and unmistakably Turbo.

Recommended for fans of Motörhead, Mötley Crüe, Municipal Waste, and Airbourne, “Broke and Ugly”, released on July 12th, 2024, is available at https://turboasfvck.bandcamp.com/​

Spotify – https://open.spotify.com/album/3tz2h7rtkOkwALjh6Okwps

​

Track Listing:​
1. Ruthless Forever
2. Ignite the Night
3. No Savior
4. Scorpio Garbage Fire
5. PissJugs and Rattlesnakes
6. Nothing to Nowhere
7. Broke & Ugly
8. Down in Mexico
Total Length: 29:12

Album Lineup:​
Evan Frizzle: Vox, Lead & Rhythm Guitar
Lindsey Dicks: Lead & Rhythm Guitar
Henry MacDonald: Bass
Sylvian Coderre: Drums

Live Lineup:​
Evan Frizzle: Vox, Lead & Rhythm Guitar
Lindsey Dicks: Lead & Rhythm Guitar
Donnie Rootnotes: Bass
Sylvian Coderre: Drums

For more info:
​
https://www.facebook.com/TURBOFAF​
​https://www.instagram.com/turboasfvck/​

– 30 –

“The cartoon-ish cover art with toxic green/red colors could bring more smiles to the fold – Turbo executing a great crossover sound that stands on the edge of thrash, punk and NWOBHM/heavy metal. Broke & Ugly could be your soundtrack when needing an ideal wind down from your back breaking, seemingly never over work week. 8.5/10” – Dead Rhetoric

“Turbo are fast, they’re crass, and they’re here to kick your ass… As a whole, “Broke & Ugly” is peak speed and thrash metal with a party-hard overtone. But I think the comparison to Motörhead is a little heavy-handed. After listening to the gem of East Coast Canadian metal, I’m fired up to see what Turbo does next. 9/10″ – Metal Temple​
​
​“This rocks a lot. The vocalist’s gritty approach delivers surprisingly catchy and memorable vocal melodies, and the occasional backing vocals are often reminiscent of mid-80s “party” metal, very upbeat and singalong-inducing. The guitar work has everything people like in old heavy metal, a rather raw style filled with cool solos and riffs that stick in your head long after they’re over. You’d tell me this was released more than 40 years ago and I would believe you. A fun time from beginning to end. 4/5″ – The Metal Crypt​
​
​“”Broke & Ugly” may have been a little tight in terms of playing time, but with the incredible hit rate of one hundred percent, you can forgive that. When punk and thrash still spoke a language, the whole thing sounded like this album. The fact that a band would ever come close to OVERKILL in terms of sound technology says more than enough! Yes! Noisy thrash, melodic punk, classic setup – what a great record! 9/10.” – Power-Metal.de ​
​
​“entertaining, refreshingly lively, dynamic, far too good to be bad. Massively punching Kick Ass- Heavy Metal n’ Rock n’ Roll on all sides, which hits the eye in a straight line, brutally, snotty, until it hits the chest, where it hurts. Snots, tubes, rocks and rolls straight to the limit! 8/10” – FFM-Rock

“the band is insanely tight, with Frizzle and fellow six stringer Lindsey Dicks really giving it some violence riff wise and soloing like their lives depended on it. Similarly, the rhythm section of Sylvain Coderre (d) and Henry MacDonald take no prisoners and submit to no-one in their ability to hold things together at high velocity. Very impressive. As we get deeper into the twenty first century, bands are running out of ways to repackage, remake and remodel, so the freshness with which Turbo approach the task in hand has to be applauded. This is fun to listen to – and it certainly sounds like the band had fun getting the album down, and sometimes a bit of joie de vivre is all any of us need. But when you are able to mix that in with a killer technique and a sharp ear for a metal tune well, good times await!” – Sentinel Daily

“Canada’s Turbo label their music Nitro-Rock; On the evidence of the submitted album, Broke & Ugly, it would seem that Nitro rock is in fact an almighty mashup of styles, all rendered at high speed and with little regard for personal danger (in my day we used to call that Crossover-Ed). If that description excites you, then the album is going to send you into paroxysms of joy…” – Sentinel Daily​
​
​“Turbo’s second full length album is the equivalent of getting into a newly juiced up hotrod, the roof reeled back in, as you’re flooring it down the highway until your smoke trails combust. From start to finish, Turbo live up to their name in droves and then some with energy that cannot be denied and a plethora of tracks that offer much to be remembered. Though boasting a full nine tracks, Broke & Ugly doesn’t even eclipse a full half hour and therefore opens itself up for numerous relistens. It starts up, gets you in the mood to kick some butt, yet doesn’t attempt to overstay its welcome to any degree. For me personally, this style of speed metal can be a vast hit or miss but I thoroughly enjoyed my time with this record, and during its duration I was brought on board with Turbo’s infectious power. Furthermore, I’d wish to visit their first record, and am excited to see what they do for a third, prospective release; I merely hope it’s not another four years because this is really good, fun material that anyone can get behind. A refreshing break from crushing, defeating extreme metal is sometimes needed, and Turbo are one fine cocktail.” – The Razor’s Edge​
​
​“Turbo is a band that gives me associations to two very different bands and the earlier stages of both of those bands output, and that is Turbonegro and Iron Maiden respectively. If you can imagine the early death punk of the former combined with certain aspects of the Di’Anno era of the latter combined into a whole, you probably won’t be too far off from the kind of landscapes explored by Canadians Turbo. And chances are good that you’ll find this tight and uptempo album to be a rewarding experience if that description comes across as tantalizing.” – The Viking in the Wilderness​
​
​“this album is just the perfect encapsulation of fun” – Brutally Delicious

—
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0 Rockshots Records – Italian Modern Metal DUST New Single “Bodyless” From Upcoming Album “Thoughts Of A Falling Man” April 2026

  • January 20, 2026
  • by Asher
  • · DUST (Rockshots Records) · Music News

NEWS RELEASE

Montreal, QC – January 20, 2026

Italian Modern Metal DUST New Single “Bodyless”

New Album “Thoughts Of A Falling Man” April 2026 via Rockshots Records

Rockshots Records announces the release of “Bodyless”, the brand-new single by Italian metal act Dust, out now on all digital platforms.

“Bodyless” is taken from Dust’s upcoming second full-length album, “Thoughts Of A Falling Ma“, scheduled for release on April 3rd, 2026, and represents a pivotal chapter within the record’s overarching concept. The song delves into a stark, uncompromising vision of judgment and damnation, portraying a liminal space where souls, stripped of identity and status, await their final sentence beyond life and time.

Lyrically, “Bodyles” explores the idea that, at the end of earthly existence, wealth, power, and social distinction lose all meaning. What remains is the weight of one’s actions and the inescapable confrontation with guilt, memory, and consequence. The track embodies one of the album’s central themes: a near-death journey in which the main character is forced to face unresolved sins and inner demons in a realm suspended between eternity and oblivion.

Commenting on the single, the band states:

“‘Bodyless’ represents a moment of total suspension. It’s the point where every mask falls away, and nothing can be hidden anymore. We wanted to describe a place where there is no time, no memory, and no privilege – only judgment. It’s one of the most direct and unsettling tracks we’ve written, both lyrically and emotionally.”

Musically, “Bodyless” highlights Dust’s evolved, more cohesive sound, combining aggressive death and groove metal foundations with sharp riffing, oppressive atmospheres, and tightly controlled dynamics. The band’s approach is raw and uncompromising, reinforcing the song’s sense of suffocation and inevitability while maintaining a strong sense of structure and impact. This sonic direction reflects the broader evolution of “Thoughts Of A Falling Man“, which marks a significant step forward in terms of heaviness, focus, and expressive depth compared to the band’s debut.

Expanding on the album’s vision, the band adds:

“This new record is heavier, darker, and more introspective than anything we’ve done before. Each track represents a spiritual stage of a single journey, and ‘Bodyless’ is one of the moments where the listener is forced to stop and confront the consequences of a life lived without escape.”

“Bodyless” stands as a key chapter within “Thoughts Of A Falling Man“, a concept-driven album conceived as a near-death experience unfolding between life and eternity. Through its relentless sound and uncompromising narrative, the single offers a clear glimpse into Dust’s renewed artistic direction and the darker, more mature identity shaping this new era.

For fans of: Parkway Drive, Jinjer, Trivium

DIGITAL: https://lnk.to/M2crIo​
​
“Bodyless” Official Music Video: https://www.youtube.com/watch?v=uyE8ltsPBfY

New album “Thoughts Of A Falling Man” out April 3rd, 2026.

PRE ORDER – “Thoughts Of A Falling Man”: https://rockshots.eu/products/dust-thoughts-of-a-falling-man​

Track Listing:​
1. Intro – 1:49
2. Before Your Awaken – 5:23
3. Death’s Ashes Upon Me – 3:52
4. Contemptus Mundi – 3:58
5. Fragments of Mirror – 4:26
6. Thoughts of a Falling Man – 6:40
7. Bodyless – 3:44
8. The Reaping of the Scythe – 3:56
9. Beyond the Void – 6:06
Album Length: 39:54
​
​Dust Line-Up:​
Riccardo Pirozzi: Vocals
Stefano D’Angelo: Guitars
Federico Ignini: Guitars
Francesco D’Elia: Bass
Eric Di Donato: Drums

More info:​
​https://rockshots.eu​
​https://www.instagram.com/dust__band/​

BIOGRAPHY:​
​Dust is an Italian metal band formed in 2016 from an idea by vocalist Riccardo Pirozzi and former drummer Stefano Brogi. Born out of a period of personal struggle and artistic urgency, the project took shape as a direct and uncompromising outlet for expressing inner conflict, anger and introspection. After an initial phase of experimentation, the band gradually assembled its core lineup, defining a sound rooted in heaviness, emotional depth and narrative intensity.

With the addition of guitarist Stefano D’Angelo and bassist Andrea Lege, Dust released their debut album “Break The Silence“, recorded and produced by Andreas Polito at Rocklab Studios in Turin. The record marked the band’s official entry into the Italian underground metal scene, earning attention for its raw approach and dark thematic focus. Shortly after, guitarist Federico Ignini joined the lineup, allowing Riccardo to focus exclusively on vocals and lyrics, particularly during live performances.

Following the album’s release, Dust became increasingly active on the live circuit, sharing the stage with established acts and performing across Italy and Eastern Europe, including shows in Serbia, Croatia and Romania. These experiences played a key role in shaping the band’s identity, strengthening both their musical cohesion and their commitment to an authentic, no-frills live approach focused on intensity and connection rather than visual excess.

After several lineup changes, Dust reached a stable formation in 2023, solidifying their current lineup: Riccardo Pirozzi on vocals, Stefano D’Angelo and Federico Ignini on guitars, Francesco D’Elia on bass and Eric Di Donato on drums. This renewed stability marked a turning point for the band, allowing them to refine their sound and push their songwriting toward a heavier, more focused and mature direction.

Conceived as a concept album, the new album “Thoughts Of A Falling Man” unfolds as a near-death journey, exploring themes of guilt, judgment, inner collapse and spiritual limbo. Musically, it represents a significant evolution from the debut, blending elements of death, groove, thrash and black metal into a darker, more compact and uncompromising sound.

– 30 – ​

—
ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780
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0 Canadian Prog CANDOR ZEALOT (ft. ex-members of Annihilator, The Slyde) Make Their Debut w/ Single “Lie For Country”

  • January 20, 2026
  • by Asher
  • · Candor Zealot · Music News

NEWS RELEASE

Montreal, QC – January 20, 2026

Canadian Prog CANDOR ZEALOT (ft. ex-members of Annihilator, The Slyde) Make Their Debut w/ Single “Lie For Country”

L-R – Chris Gagnon (Guitar, Vocals) | Nate Silva (Lead Vocals, Guitar) | Dino Soares (Drums) | Alberto Campuzano (Bass Guitar, Vocals)

Photo Credit: Ryan Stacey

Canadian (Ottawa, ON) progressive metal newcomers Candor Zealot are set to make their explosive debut with “Lie For Country”, the first in a series of singles to be released throughout 2026. With a sound that fuses the melodic intricacy of Rush and Dream Theater with the raw energy of Megadeth, Billy Talent, and Killswitch Engage, Candor Zealot are poised to deliver a fresh yet nostalgic take on modern progressive rock and heavy metal.
​
Formed by frontman Nate Silva after the disbandment of his previous project, The Slyde, in 2019, Candor Zealot emerged from years of creative exploration, pandemic delays, and solo ventures. Recruiting many of the same musicians from The Slyde, Silva describes the band as a “spiritual successor” to his earlier work, only this time with a sharper name and a renewed focus on honesty and intensity.
​
​“‘Lie For Country’ is our debut single, and we wanted to introduce ourselves with breakneck speed, musical intensity, and a poignant political message. There are influences of Megadeth, Killswitch Engage, Billy Talent, and even System of a Down in this track, and it’s a song about being manipulated and politically indoctrinated without thinking critically. We are proud of this track, and we are pumped to release it!” – Nate Silva, Candor Zealot
​
Rather than releasing a traditional full-length album, Candor Zealot will roll out six singles across 2026, each designed to capture attention in today’s fast-paced listening culture. Fans can expect melodic hooks, technical proficiency, and thought-provoking lyrics that tackle both politics and relationships, two universal themes that resonate deeply.
​
​Candor Zealot is comprised of seasoned musicians with deep roots in Canada’s metal scene, including ex-members of Annihilator and The Slyde. Frontman Nate Silva (vocals/guitar), formerly of The Slyde, is an international touring artist and academic researcher on chiptune music. Guitarist Chris Gagnon, based in Ottawa, is a versatile performer active in eight tribute bands covering acts from Queen to Rage Against the Machine. Drummer Dino Soares, a longtime collaborator with Silva since their teenage years, continues to freelance in Kingston’s music scene. On bass, Alberto Campuzano, formerly of Annihilator, also performs with Toronto’s Metallica tribute act Sandman. Collectively, the band brings decades of experience and a proven pedigree, highlighted by Silva, Soares, and Campuzano’s performance at Wacken Open Air in Germany after winning the 2019 Wacken Metal Battle Canada with The Slyde.
​
With “Lie For Country” as their fiery introduction, Candor Zealot plans to release five more singles throughout 2026, followed by additional recordings in 2027.

Listen to “Lie For Country” at the following links:

Add yo your Spotify playlist – https://distrokid.com/hyperfollow/candorzealot/lie-for-country-2

​

Music Video – https://www.youtube.com/watch?v=f26f_KNVBq0

​

For more info:

​http://candorzealot.com/​

​https://www.facebook.com/profile.php?id=61582854735079​

​https://www.instagram.com/candorzealot​

​https://www.tiktok.com/@candorzealot​

– 30 –

​
—
ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780
jon[@]ashermediarelations[.]com
Facebook – Asher Media Relations
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0 EPK – Sons of Butcher – Skids (2026) (Infamous Butcher Records )

  • January 17, 2026
  • by Asher
  • · EPKs · Sons of Butcher

EPK – Sons of Butcher – Skids (2026) (Infamous Butcher Records)

Publicist – Jon Asher – jon[@]ashermediarelations[.]com

For fans of B.A. JOHNSTON, TENACIOUS D, SPINAL TAP, PSYCHOSTICK, STEEL PANTHER

“Our band started as a direct extension of the cartoon series on Teletoon, with the first two albums featuring songs used in the episodes. After the show was cancelled, the band explored themes from not-yet-used episodes they never got to make on the albums Rise of the Steaks and Fall of the Steaks. Since the hiatus, this Ep will mark the first time that the band has written songs that don’t have a direct connection to the cartoon storyline, except for ‘Peppercorn Steak’. Instead, this EP is an honest batch of comedy songs from the grease-clogged hearts of a band of has-been butchers.” – Sons of Butcher – Ricky Butcher – Lead Vocals/Guitar

Sonsofbutcher.ca | Facebook.com/therealsobs | X.com/therealsobs | Youtube.com/sonsofbutcher | Instagram.com/therealsobs/

Sonsofbutcher.bandcamp.com | Apple Music |  Spotify

“Lockdown In Steeltown is a cheeky account that belongs with all historical records, as a kind of sly reminder when the next pandemic hits. Although it should probably be kept in the same section with Spinal Tap, “Weird” Al Yankovic, and pretty much every Dr. Demento show. I give this EP two Purell-sanitized thumbs up!” – Boston Rock Radio (2020 – Lockdown in Steeltown)

“the EP manages to lift the spirits of one or another rock fan with heavy music and silly jokes when they’re feeling cooped up, it has fulfilled its purpose. In any case, we’re not going to let a virus ruin our good mood.” – PowerMetal.de (2020 – Lockdown in Steeltown)

“Thing is, if there’s a word or a sentiment that could sum up 2020 is there one better than “FUCK!”?. As such, this could well be the album of our times. Crank it up, grab a beer, laugh at the childishness of it all and let twenty minutes or so more of the damn year slip by forever.” – Moshville Times (2020 – Ricky Butcher – Fuck! The Album)

Upcoming Show Dates:
Feb 28 -The Parlour @ Ridiculous, Hamilton, ON
 ‘Makin Bacon’ single release w/ Marty Topps
March 14 – The Bank Arthouse, Welland, ON W/ Monsters of Schlock
April 2 – Honey Dip, London, ON – opening for B. A. Johnston
April 3 – L’Hemisphere Gauche, Montreal, QC –  opening for B. A. Johnston
April 4 – House of Targ, Ottawa, ON –  opening for B. A. Johnston
April 17 – The Corktown, Hamilton, ON –  opening for B. A. Johnston
April 18 – Baby G, Toronto, ON –  opening for B. A. Johnston

[Download Album Lyrics | Download Album Cover]

Band: Sons of Butcher
EP Title: Skids
Release Date: March 27, 2026
Label: Infamous Butcher Records
Distribution: Indie Pool
Genre: Comedy Rock
Location of Band: Hamilton, Ontario, Canada (A.K.A. Steeltown)

Track Listing:
1. Denim Dreamin’ – (3:05)
2. Makin’ Bacon – (2:37)
3. Steeltown Handy – (2:21)
4. Peppercorn Steak – (1:42)

Album Recording Credits:
• All songs performed by: Sons of Butcher
• All songs written by: Trevor Ziebarth
• Produced by: Jordon Zadorozny
• Mixed by: Jordon Zadorozny
• Mastered by: Bill Hendersen
• Album Artwork by: Jay Ziebarth, Randy Gilbert (front cover), Kidd Gloves Photography (back cover)
• Member of SOCAN
• Canadian Content (MAPL)

EP Line Up:
Ricky Butcher – Lead Vocals, Guitar
Doug Borski – Vocals, Bass
Kellii Scott – Drums
Jordon Zadorozny – Lead Guitar
Brandon Wars – Lead Guitar

Live Band Line Up:
Ricky Butcher – Vocals, Guitar
Doug Borski – Vocals, Bass
Crissy Stixx – Drums
Joey Salami – Lead Guitar

=================================================

About The Album Artwork:

The EP artwork is a photo from a live show, and it has become symbolic to us as it’s a shot from the first show back after our ten-year hiatus. Ricky Butcher and Doug Borski (the two main characters from the cartoon and remaining original band members) are captured in a legendary rock pose on stage – reigniting the flame that propelled us forward to begin with.

About the album as a whole (LYRICALLY & MUSICALLY):

Skids is a four–song earworm assault, written about cheap meat, grunge-stained style, and unapologetic grit—the holy trinity of true skid-life. It’s raw. It’s loud. It’s honest. Every track drips with the undercooked charm of back-alley ambition and the unwashed spirit of rock forged in a butcher shop.

For the first time in decades, Ricky Butcher has sliced himself free from his notorious NSFW impulses, delivering some of the most radio-ready material of the band’s entire career. It’s still filthy at heart—but polished enough to slip onto the airwaves and corrupt the masses one FM signal at a time.

To bring this EP to life, the boys reunited with producer Jordon Zadorozny (Meatlantis, Rise & Fall of the Steaks), returning to Skylark Park in Pembroke, where the cleavers were sharpened, and musical direction was honed following their debut album. With Skids, Sons of Butcher aren’t just back—they’re propelling themselves forward.

Track by Track (LYRICALLY & MUSICALLY):

1. Denim Dreamin’ – This is the first socially acceptable Sons of Butcher track ever written! With a catchy refrain and bouncy riff, this song proudly stakes its claim that denim isn’t just a fashion statement but a whole way of life. This tune is relatable to anybody who has ever bought a patch or a band tee!  

2. Makin’ Bacon – A rare, metal-forward song that almost comes off the rails as it careens through an atypical song structure with busy riffs and catchy melodies. Lyrically, this is an opus dedicated to the universal love of bacon – and a cheeky nod to the inherent dangers therein. This isn’t a typical Sons of Butcher song; this one is shot out of a cannon with a chorus so catchy it may never leave your brain!

3. Steeltown Handy – Although a musically uncharacteristic song from Sons of Butcher, this poppy rocker oozes the type of authentic raunchiness that fans have come to expect from the band.  Showcasing a big chorus with lots of harmonies, this song exposes the underside of the gritty city of Steeltown and the type of deals that are found in desperation. A song about discount sex acts on the street shouldn’t be this catchy, but here we are!

4. Peppercorn Steak – This track is a return to form, an obsession with peppercorns over a simple 80’s riff with a heap of lyrical repetition. The one feels closer to something we would have written at the very beginning of this project. This track was previously featured in a pilot episode for an independently created third season of the cartoon series that is only available on YouTube. On the Ep, the song has been given the full studio treatment, with soaring vocals and chunky riffage and a chorus that’s almost too dumb to scrutinise.

=================================================

STORY ANGLES / FUN FACTS ABOUT THE BAND:

1. The drumming on the Skids EP was done by Ricky Butcher’s all-time favourite drummer, Kellii Scott, most notably from the band Failure! Fun fact– Kellii used to drum in our producer Jordon Zadorozny’s band Blinker the Star. Ricky discovered Jordon Zadorozny as a producer/musician because of Kellii Scott’s drumming, and Jordon has been Sons of Butcher’s long-time friend and producer ever since! It seemed fitting to have Kellii Scott drum on the first new batch of songs we had. Getting them both to perform on this EP brings the loop of fandom full circle!

2. This EP release will be accompanied by a handful of yet-to-be-announced Spring tour dates, with the boys once again hitting the road for 5 dates with Hamilton’s most beloved skid  – B.A. Johnston! *Dates and locations, as well as the date of the actual tour announcement, will be provided soon*

3. On April 24, 2026, Sons of Butcher will put out a very meaty music video for the track Peppercorn Steak, which will be released to coincide with National Steak Day on April 25th.  Finally, a steak-themed song to help you and your friends really capture that perfect Steak Day vibe!

4. FUN BAND HISTORY FACT: Sons of Butcher once walked on stage to perform a show in Sudbury, and the entire bar cleared out! In retrospect, a group of dudes wearing spandex outfits and playing party rock was probably never going to become super popular in the Nickel belt in the year 2008. We used the set to perform all 42 songs that we knew at the time to the handful of actual fans who made the drive to catch our set! Those fans got a rare treat, watching what was essentially a band rehearsal on stage.

5. FUN BAND HISTORY FACT: Back in 2004, when we were still pitching Teletoon, we convinced the network suits to let us perform at a swanky hotel in Niagara-on-the-Lake for a Teletoon Christmas party. Everything went according to plan, except we somehow forgot to load the DRUM KIT! We successfully stalled the party-goers while the show’s Director, Karl, drove back to Hamilton to retrieve the kit. Much like the rest of our career, the beginning was a mixture of total chaos, a steep learning curve, and flying too close to the sun!

=================================================

L-R – Doug Borski – Bass/Vocals, Joey Salami – Guitar, Crissy Stixx – Drums, Ricky Butcher – Lead Vocals/Guitar

Photo Credit – Evan Thompson

Sons of Butcher is a Canadian rock band consisting of Ricky Butcher (vocals/guitar), Doug Borski (vocals, bass), Joey Salami (guitar), and Crissy Stixx (drums).

Their music fuses vulgar absurdist comedy with hard‑hitting rock in a style proudly known as “mock rock.”

The band’s alter‑egos are the stars of an animated television series developed by S&S Productions and aired on Teletoon, following two brothers who run a butcher shop by day and shred stages by night. The name Sons of Butcher is literal; Ricky and Sol’s father was, in fact, a butcher.

Inspired by comedy‑rock icons like Tenacious D and Spinal Tap, the brothers conceived the idea in college around 2000. A script passed to a producer from the classic Canadian sitcom Red Green helped bring the show to life. After the first season aired, it became clear the fictional band needed to exist in the real world. Soon, Sons of Butcher were performing live and releasing albums.

The band has released five full‑length albums: Self‑Titled (2005), Meatlantis (2007), Rise of the Steaks (2010), Fall of the Steaks (2010), and C Sections (2016).

Onstage, Sons of Butcher brings the cartoon to life, spandex, raunchy lyrics, chaotic antics, pepperette‑throwing, and the infamous roaming meat tray all make their appearances, backed by ferociously heavy riffs.

The comedic rock party shows no signs of slowing down. After dropping their timely 2020 EP Lockdown in Steeltown, the band continues to carve new paths in mock‑rock. In 2026, Sons of Butcher returns with Skids, a brand‑new EP that pushes their signature blend of absurdity and heavy rock into fresh territory.

Discography:
2026 – Skids – EP
2020 – Lockdown in Steeltown – EP
2019 – Moppin’ the Mod Club: Live in Toronto
2016 – C Sections – Album
2010 – Fall of the Steaks – Album
2010 – Rise of the Steaks – Album
2006 – Left Behind Vol. 2
2006 – Meatlantis – Album
2005 – Left Behind Vol. 1
2005 – Sons of Butcher – Album

Shared Stage with:
Priestess, B.A. Johnston, Blood Opera, Thunderkok, Wildstreet, The Monsters of Schlock, Gene Champagne, Shockwire, Live Animals

Tours and Festivals:
2024 – NXNE – Toronto, ON
2021 – Bar Down Beer Fest – Niagara Falls, ON

 

0 EPK – DOLL – Bear Claw (2026)

  • January 17, 2026
  • by Asher
  • · DOLL · EPKs

EPK – DOLL – Bear Claw (2026)

Publicist – Jon Asher – jon[@]ashermediarelations[.]com

“We had such an amazing response to our first “Animal Crackers” concept with our earlier release this year for “Shark Bait”.  We had always envisioned releasing three animal-themed songs as part of our original plan, but the positive feedback really propelled us to finalize the product with our next song in the trilogy, Bear Claw. We think it’s safe to say this is our best effort yet, when it comes to bringing back some of that legacy Doll riffing, mixed with the hardcore element that we toyed with in Shark Bait, and really getting creative with the vocals and lyrics. We hope that this one is just as well received as Shark Bait, if not better. I guess it depends if you’re more of a land or sea animal lover.” – DOLL

For fans of SoftCult, Amyl and the Sniffers, Scowl, Nobro, The Pretty Reckless

Doll.bandcamp.com | Facebook.com/dollband | Spotify | Youtube.com/@insidethedollhouse

What the press has said about DOLL:

!earshot – August 2025 – Top 20 Loud – #5 – DOLL – Canadian Campus Radio Charts (2025 – Better Days, Better Times)

!earshot – August 2025 – Top 200 – #55 – DOLL – Canadian Campus Radio Charts (2025 – Better Days, Better Times)

“#1 Doll – Zach’s Picks of the Week – July 7 – 12, 2025 – Canadian Beats (2025 – Better Days, Better Times)

“In one of the best comeback stories in music in 2025, Canadian Alt-Rock duo DOLL will release their first new collection of material since 2011’s The Ragdoll Diaries… In addition to five slamming originals, DOLL chips in an inspired take on the Deep Purple classic rock anthem – “Smoke On the Water!” “- Ghost Cult Magazine (2025 – Better Days, Better Times)

“Doll sharpens their grit with new muscle and melody. Their return after more than a decade is not a nostalgia trip but a rebirth. The Ottawa band’s forthcoming EP Better Days, Different Times (July 18th) expands their core formula of raw energy and no-frills honesty by inviting new players and broader sonic choices into the mix. But even with cello flourishes and genre jumps, their identity remains firmly intact.” – Amplify The Noise (2025 – Better Days, Better Times)

“The new track ‘Shark Bait’ from Doll is a blast! The world has been celebrating the 50th anniversary of “JAWS” and now we have a brand new punk-fueled bite in the pants to go along with all of the bloody hoopla. ‘Shark Bait’ is basically straight ahead hardcore riffage with razor sharp teeth, fun lyrics and a precursor to their new EP, ‘Better Days, Different Times’ set for a July 18th release. Catch it on your Home for the Best New Rock… W-J-O-EEEE” – WJOE – Findlay’s Home for Rock & Roll (2025 – Better Days, Better Times)

“DOLL has returned as potent and as impressive as they were before but with greater impact we suggest, Better Days, Better Times quite simply a must exploration for punk and feral rock hearts.” – The Ring Master Review (2025 – Better Days, Better Times)

“Christina Kasper’s changeable voice is impressive.” – Keep On Rocking (2025 – Better Days, Better Times)

“‘Bleeding’ is a colourful mixture of Hard and Alternative Rock, paired with influences from Punk and Gothic, in a very melancholic sounding melody. The powerful voice of singer Christina Kasper dominates like a siren. ” – Metal Heads Forever Magazine (2025 – Better Days, Better Times)

“The Rag Doll Diaries” is the story of a road weary/world weary band with so much to say and share. Its the combination on heartache and despair offered with a hand meant for holding. In other words here is real music for the real world.” – Heavy Metal Time Machine (2013 – The Ragdoll Diaries)

“Doll was conceived as a bridge between punk and rock, a bridge that was fulfilled in the early ’90s by bands like Nirvana and the mid-’90s by Foo Fighters… A good punk band doesn’t write about the joys of picking daisies and Doll is no exception.” – The Whig Standard (Kingston, ON) (2013)

“Doll provides a missing link between punk and rock.” – The Intelligencer (Belleville, ON) (2013)

“The four-piece are definitely reminiscent of the grunge era and have provided a concise four-word biography of the band: “Rock N’ Fucking Roll.” – Exclaim! (2011 – The Ragdoll Diaries)

“One of the most striking aspects of Inside The Dollhouse, after Christina’s whiskey-and-hell voice, is a fictional character by the name of Sally created to carry the songs. A concept completely unexpected given the band’s twentysomething youth, immediately reminiscent of Alice Cooper’s infamous character Steven, introduced on Welcome To My Nightmare in 1975.” – Bravewords (2010 – Inside the Dollhouse)

“The debut from Ottawa’s Doll caught me instantly like a fish on a hook. This is serious music. Dark, intense and magnetic, this is the kind of gritty ’90s grunge that doesn’t fuck around. Fronted by the vocally vicious Christina Kasper, Doll recall an angry and confused era of music devoid of pop but not catchiness. Kasper howls in the vein of Courtney Love and Brodi Dalle, and while the lyrics are simple and not exactly fresh, they are impacting. Songs like “Perfect” deal with trying to live up to society’s standards, while “Sally Lost Her Shoelaces” and “Daddy’s Little Girl” deal with hurt, confusion and heroin against a backdrop of chunky guitars, assaulting drums and badass attitude. Julie-Anne Madore’s backing vocals add a whispered, haunting feel to this record. If the dirty rock’n’roll alone doesn’t reel you in, nothing will.” – Exclaim (2009 – Inside the Dollhouse)

[Download Single Cover | Download Single Lyrics]

Band: DOLL
Single Title: Bear Claw – 2:44
Release Date: January 16, 2026
Label: Grunge Never Died, You Did Records
Distribution: DistroKid
Genre: Hard Rock, Punk, Grunge
Location of Band: Ottawa, Ontario

Single Recording Credits:
• All songs performed by: Doll
• All songs written by: Doll
• Produced by: Josh Hart
• Mixed by: Josh Hart
• Mastered by: Josh Hart
• Single Artwork by: Mark Kidd
• Member of SOCAN
• Canadian Content (MAPL)

Single Band Line Up: Pete Kasper, Christina Kasper, Josh Hart

=============================

About The Single Artwork:

With Bear Claw, we really wanted to revive some of the artwork that we were used to seeing as kids, with the Smokey the Bear posters, so we definitely went heavy on that look and feel, but then bringing in our own comedic elements with having Doll on the hat, and rebranding Smokey as Grungey, and Grungey having a chip on his shoulder, giving him some attitude. Mark Kidd once again shines with the concept and brought the end result to life.

About the single (LYRICALLY & MUSICALLY):

Musically, we aimed to revive some of the classic Doll sound, featuring leads, heavy wah-wah pedal usage, Christina’s signature bends, and pushing it to the max with some nifty quick strumming, all while bringing the heat with the hardcore-infused chorus from Pete, courtesy of the drop tuning.

We definitely wanted to create a sense of danger and suspense, with the breakdown in the middle or so, recording through a very low-fi head and amp combination, giving that spooky feel, and then coming in with the crunch from the PRS MT100, giving that symbiotic mix of old and new. Driving as much atmosphere and emotion without introducing keyboards.

Vocally, this song is definitely our most creative, and while true to form, Christina did a wicked job at changing up the delivery and bringing in some aspects that we haven’t done before. It was important for us to make the song fun, introducing some light-hearted lyrics in the process, but still keeping with that raw and rock vocal and lyric that Doll has always been about.

======================================

Fun Facts:

1. Christina and Pete are married.

2. They have been supporting and pioneering the Ottawa local scene by organizing shows in the area for over 20 years.

3. On tour, we always had hot and sour soup in every city.

4. Our first out-of-town runs of shows, we didn’t even have a band van, which we ended up finding late night the day before, purchased off someone privately, and had insured and plated the next morning before driving off in our amazing two-tone brown GMC Safari (RIP), the best van ever created.

5. Everyone was a huge fan of Sonic Youth

After a long hiatus, Doll returned in 2025 with a brand‑new album—and they’re keeping the momentum going with a follow‑up 2026 single, “Bear Claw,” releasing January 16th.

Doll is a Canadian alternative rock band from Ottawa, Ontario.

In 2009, Doll released their first album, Inside The Dollhouse. A video was filmed for their debut single, “Daddy’s Little Girl,” which aired on MuchMusic and MusiquePlus. A second video was filmed for their next single, “Sally Lost Her Shoelaces.” Madore left the band a few years later, with Paquette returning to take her place.

In 2011, they released their second album, The Ragdoll Diaries. Two singles and videos emerged from this release: “FMO” and “Youth of Today, Hope for Tomorrow.” The album was issued on both CD and vinyl. Soon after, Alex Vance joined the lineup as the new bassist.

Over the years, Doll has shared the stage with an impressive roster of artists, opening for Three Days Grace, Lacuna Coil, Danko Jones, Spinnerette, Protest the Hero, Band of Skulls, Anvil, Halestorm, SNFU, Hanzel Und Gretyl, Civet, The Creepshow, Die Mannequin, and many more.

Discography:
2025 – Better Days, Different Times
2011 – The Ragdoll Diaries
2009 – Inside the Dollhouse

Tours and Festivals:
2011 – Ottawa Bluesfest
2011 – IndieWeek
2011 – NXNE
2011 – Montebello Rockfest

0 Rockshots Records – ANTHEA Unveils First Single “Phantom In The Masquerade” From New Album “Beyond The Dawn” Out April 2026

  • January 16, 2026
  • by Asher
  • · Anthea (Rockshots Records) · Music News

NEWS RELEASE

Montreal, QC – January 16, 2026​

ANTHEA Unveils First Single “Phantom In The Masquerade” From New Album “Beyond The Dawn” Out April 2026

Rockshots Records announces the release of “Phantom in the Masquerade”, the brand new single by Los Angeles symphonic metal act Anthea, out now on all digital platforms.

“Phantom in the Masquerade” is the first single taken from Anthea’s upcoming third full-length album, “Beyond The Dawn,” and serves as an introduction to the band’s most ambitious and theatrical chapter to date. The song explores the feeling of being invisible while surrounded by others, translating emotional isolation into a powerful and evocative musical narrative.

Commenting on the track, the band states:
​
“‘Phantom in the Masquerade’ is one of the most theatrical songs we’ve written. We wanted it to feel both catchy and haunting, with lyrics that capture the experience of being surrounded by people yet completely unseen. It sets the stage for the dramatic direction we’ve been embracing, both musically and visually.”

Musically, the single highlights Anthea’s evolved sound, blending symphonic metal foundations with strong melodic hooks, driving guitar work, and layered orchestrations. The balance between immediacy and atmosphere reflects the broader identity of “Beyond The Dawn“, an album conceived as a dynamic journey where each song offers a distinct mood while remaining part of a cohesive whole.

Expanding on the vision behind the album, the band adds:
​
“This record pushed us to explore every corner of our sound – from fast and heavy tracks to more emotional and melodic moments. ‘Phantom in the Masquerade’ introduces that range and gives listeners a clear sense of the dramatic and expressive path the album follows.”

An official music video accompanies the release, transforming the song’s themes into a symbolic visual narrative centered on identity, isolation, and transformation. Set within a masquerade ball, the video reinforces Anthea’s strong theatrical aesthetic, a defining element of both their music and live performances.

“Phantom in the Masquerade” marks the opening step toward “Beyond The Dawn“, an album shaped by themes of growth, transition, uncertainty, and renewal, representing a significant evolution in Anthea’s songwriting and artistic vision.

For fans of: Dynazty, Kamelot, Powerwolf

DIGITAL SINGLE: https://lnk.to/sIZl8W​
​
“Phantom In The Masquerade” Official Music Video – https://www.youtube.com/watch?v=hMxhW6gWY3g

​
​
New album “Beyond The Dawn” out April 17th, 2026.

PRE ORDER “Beyond The Dawn“: https://rockshots.eu/products/anthea-beyond-the-dawn​

Track Listing:​
1. Beyond The Dawn – 4:13
2. Phantom in the Masquerade – 3:32
3. The Lost Soul – 3:44
4. Awakening (Song for Spring) – 4:16
5. Bygone Age (Chicxulub) – 4:03
6. From Shadows to Light – 4:40
7. Crystal Moon – 4:11
8. Wanderer’s Quell – 3:53
9. Whispers of the Heart – 4:46
10. Duality of Gaia – 4:12
11. Burnin’ in the Third Degree (Tahnee Caine and Tryanglz cover) – 3:38
Album Length: 45:08
​
​Anthea Line-Up:​
Diego Valadez: Lead Vocals, Keyboards
Juan Pina: Rhythm Guitars, Harsh Vocals
Marcos Mejia: Lead Guitars
Gabby Hawk: Bass
Peter Vasquez: Drums
​
The Sirens (Backing Vocals)
Mel Del Real: Backing Vocals
Astrid Anaya: Backing Vocals

More info:​
​https://rockshots.eu​
​https://www.facebook.com/antheametal​
​https://www.instagram.com/antheametal​

BIOGRAPHY:​
Anthea is a symphonic metal band from Los Angeles, California, known for their distinctive theatrical approach and dynamic blend of symphonic, melodic, and progressive metal elements. Founded in 2015 by vocalist and keyboardist Diego Valadez, Anthea emerged from a desire to explore a more expressive and cinematic musical language combining powerful metal foundations with strong melodic sensibilities and dramatic atmospheres.
​
What began as a side project quickly evolved into a full-fledged band when Valadez joined forces with longtime collaborators from the local metal scene. Drawing from diverse influences ranging from symphonic metal and melodic death metal to musical theater and film scores, Anthea developed a sound that balances intensity and emotion, heaviness and accessibility, always placing storytelling at the core of their identity.
​
The band made their live debut at the iconic Whisky a Go Go in Hollywood and steadily gained recognition for their live performances and strong visual aesthetic. Their debut album “Illusion” (2020) received widespread critical acclaim, followed by “Tales Untold” (2022), which further solidified their reputation within the international symphonic metal scene through glowing reviews and extensive media coverage.
​
In recent years, Anthea has continued to refine and expand their artistic vision. The introduction of backing vocalists known as The Sirens added rich harmonic layers and reinforced the band’s theatrical dimension, both in the studio and on stage. This evolution culminates in their upcoming third studio album, “Beyond The Dawn”, their most ambitious release to date, showcasing a broader dynamic range, heavier arrangements, and a more pronounced dramatic identity.
​
With “Beyond The Dawn”, Anthea presents a mature and confident chapter in their journey, offering a cohesive yet varied listening experience shaped by themes of growth, transition, uncertainty, and renewal. Blending compelling melodies, powerful orchestration, and expressive songwriting, the band continues to establish itself as a distinctive voice within modern symphonic metal.

– 30 –

“Beyond the Dawn is the third album from Los Angeles, California-based Anthea and finds them leaning more into their symphonic metal side and away from the progressive elements of their last one, 2022’s Tales Untold. Once again employing clean and harsh male vocals and a crystal-clear production, Beyond the Dawn has everything you want from symphonic metal, from a myriad of melodic hooks to intricate keyboard and guitar parts that swirl about one another effortlessly. The songwriting is consistently good throughout the album, without any dips or peaks to speak of… it is certainly quite enjoyable while it is on, doing exactly what fans of the genre want.” – The Metal Crypt

“An epic adventure that everyone needs to go on. 10/10” – Mark Lacey – Power Play Magazine

​“The new album ‘Tales Untold’ – released in 2022 – has an even bigger sound than its predecessor, projecting a huge cinematic aura onto its listeners.” – Iron Mathew – Metal Gods TV

​“ANTHEA “Tales Untold” Surpasses All Expectations For A Progressive Power Metal Album” – Doug Groff – Rock You Show​

“Tales worth telling!” – Bryce Van Patten – Metal Express Radio

“I find ANTHEA’s interpretation to be both fresh and personal.” – Dave “That Metal Guy” Campbell – Metal Temple

​“Blends speed, pomp, a catchy chorus and proggy keys into a unified and engaging whole that is fun to sing along with while playing air instruments” – MetalMike – Metal Crypt

“The song writing on this album is commendable and of the highest calibre. If you are looking out for a melodic sound with plenty of surprises and a true rollercoaster experience, you’ve hit the jackpot with this one. Go for it!” (9.5/10) – Ankit Sood – The Metal Resource​

“The music and the vocals work together in perfect harmony, whether its through gentler moments or full unashamed bombastic power. Lyrically, Anthea offer a truly poetic experience, elevating a listener’s wonder and imagination to optimum level.” (5 STARS) – Amy Lawrence – MMH Radio

“A long-term, melodic debut album, with excellent musical combinations, there are different tempos that can be heard as Thrash metal briefly, they have a strong combination that goes from Symphonic Metal to Power Metal and vice versa, at the beginning they start very Power Metal and end very Symphonic Metal, that gives variety to the album!” (90/100) – Darkzen Dragon

“Overall, a fast paced and very infectious album of heavy hitting symphonic power metal with stunning twists and turns.” (9.5/10) – Iron Mathew Collins – Metal Gods TV​

“I believe that Anthea have managed to convince us of the value of their musical ideas with a strong debut and of course with the composite result they present to us in ‘Illusion’.” – Angelos Hontzias – Rockway.gr​

“A sort of dramatic theatrical experience that of this “Illusion”, which ranks among the best releases of the gothic-epic panorama of 2020.” (8/10) – Vittorio “Vice” Giorcelli – Tutto Rock Magazine​

“Congratulations ANTHEA on achieving one of the better albums for 2020!” (9/10) – Kevin Lewis – Metal-Temple​

—
ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780
jon[@]ashermediarelations[.]com
Facebook @AsherMediaRelations
Instagram @AsherMedia
Tweet @AsherMedia

0 Ottawa’s DOLL Premiere New Single “Bear Claw” To Follow 2025 Comeback Album “Better Days, Better Times”

  • January 16, 2026
  • by Asher
  • · DOLL · Music News

NEWS RELEASE

Montreal, QC – January 16, 2026

Ottawa’s DOLL Premiere New Single “Bear Claw” To Follow 2025 Comeback Album “Better Days, Better Times”

Ottawa alternative rock band DOLL launches into 2026 with the release of their explosive new single “Bear Claw,” premiering today exclusively via New Noise Magazine alongside a brand‑new lyric video. The track serves as the next chapter in the band’s creative resurgence following their 2025 comeback album “Better Days, Better Times.”​
​
​“Bear Claw” continues DOLL’s evolving “Animal Crackers” trilogy, which began earlier this year with the fan‑favourite single “Shark Bait,” featured on “Better Days, Better Times.”​
​
​“We had such an amazing response to our first ‘Animal Crackers’ concept with ‘Shark Bait. We always planned to release three animal‑themed songs, but that positive feedback really propelled us as we finalized the next piece of the trilogy, Bear Claw,” the band explains.
​
The band believes fans will connect strongly with this new installment:

“I think it’s safe to say this is our best effort yet. We brought back some of that legacy DOLL riffing, mixed in the hardcore elements we toyed with in ‘Shark Bait,’ and really pushed ourselves creatively with the vocals and lyrics. We hope this one is just as well received, if not better. I guess it depends on whether you’re more of a land or sea animal lover.” ​
​
The single’s artwork pays homage to classic Smokey the Bear posters, reimagined through DOLL’s gritty, tongue‑in‑cheek lens. Artist Mark Kidd once again brought the concept to life with bold character design and a nostalgic yet rebellious aesthetic.
​
​“We wanted to revive some of the artwork we grew up with. We went heavy on that Smokey‑the‑Bear look, but added our own comedic twist, putting Doll on the hat and rebranding Smokey as Grungey. He’s got a chip on his shoulder, some attitude,” the band adds.
​
Musically, “Bear Claw” taps into the band’s classic sound while pushing into new territory. The track features signature leads, heavy wah‑wah pedal work, Christina’s unmistakable bends, and bursts of rapid‑fire strumming. The chorus hits with a hardcore‑infused punch from Pete, driven by drop‑tuned guitars that add weight and urgency.
​
The band also leaned into atmosphere and tension, crafting a breakdown recorded through a low‑fi head and amp setup to create a spooky, suspenseful moment before slamming back in with the crunch of the PRS MT100. The result is a dynamic blend of old‑school grit and modern heaviness, achieved without relying on keyboards, instead letting raw instrumentation carry the emotion.
​
With “Bear Claw,” DOLL continue to build on their renewed momentum, delivering a track that’s fierce, fun, and unmistakably their own.

“This song is definitely our most creative vocally. Christina changed up the delivery in ways we haven’t done before. We wanted the song to be fun, with some light‑hearted lyrics, but still true to the raw rock vocal and lyrical style that DOLL has always been about.”​
​
Watch the “Bear Claw” lyric video via its premiere on New Noise Magazine HERE.

Add to your Spotify Playlist – https://open.spotify.com/track/1BGF0Pec0KtHMKPFUaOIPY

Single Recording Credits:
• All songs performed by: Doll
• All songs written by: Doll
• Produced by: Josh Hart
• Mixed by: Josh Hart
• Mastered by: Josh Hart
• Single Artwork by: Mark Kidd
• Member of SOCAN
• Canadian Content (MAPL)

Single Band Line Up: Pete Kasper, Christina Kasper, Josh Hart

More info: https://www.facebook.com/dollband | https://www.instagram.com/dollbandmusic/​

About: After a long hiatus, DOLL returned in 2025 with their album “Better Days, Better Times,” re‑establishing themselves as one of Ottawa’s most compelling alternative rock acts. Formed in Ottawa, Ontario, DOLL first broke onto the scene with their 2009 debut “Inside The Dollhouse,” followed by 2011’s “The Ragdoll Diaries.” Their music has been featured on MuchMusic and MusiquePlus, and the band has shared stages with Three Days Grace, Lacuna Coil, Danko Jones, Spinnerette, Protest the Hero, Band of Skulls, Anvil, Halestorm, SNFU, Hanzel Und Gretyl, Civet, The Creepshow, Die Mannequin, and more.

-30-

What the press has said about DOLL:

​!earshot – August 2025 – Top 20 Loud – #5 – DOLL – Canadian Campus Radio Charts (2025 – Better Days, Better Times)

​!earshot – August 2025 – Top 200 – #55 – DOLL – Canadian Campus Radio Charts (2025 – Better Days, Better Times)

“#1 Doll – Zach’s Picks of the Week – July 7 – 12, 2025 – Canadian Beats (2025 – Better Days, Better Times)

“In one of the best comeback stories in music in 2025, Canadian Alt-Rock duo DOLL will release their first new collection of material since 2011’s The Ragdoll Diaries… In addition to five slamming originals, DOLL chips in an inspired take on the Deep Purple classic rock anthem – “Smoke On the Water!” “- Ghost Cult Magazine (2025 – Better Days, Better Times)

“Doll sharpens their grit with new muscle and melody. Their return after more than a decade is not a nostalgia trip but a rebirth. The Ottawa band’s forthcoming EP Better Days, Different Times (July 18th) expands their core formula of raw energy and no-frills honesty by inviting new players and broader sonic choices into the mix. But even with cello flourishes and genre jumps, their identity remains firmly intact.” – Amplify The Noise (2025 – Better Days, Better Times)

“The new track ‘Shark Bait’ from Doll is a blast! The world has been celebrating the 50th anniversary of “JAWS” and now we have a brand new punk-fueled bite in the pants to go along with all of the bloody hoopla. ‘Shark Bait’ is basically straight ahead hardcore riffage with razor sharp teeth, fun lyrics and a precursor to their new EP, ‘Better Days, Different Times’ set for a July 18th release. Catch it on your Home for the Best New Rock… W-J-O-EEEE” – WJOE – Findlay’s Home for Rock & Roll (2025 – Better Days, Better Times)

“DOLL has returned as potent and as impressive as they were before but with greater impact we suggest, Better Days, Better Times quite simply a must exploration for punk and feral rock hearts.” – The Ring Master Review (2025 – Better Days, Better Times)

“Christina Kasper’s changeable voice is impressive.” – Keep On Rocking (2025 – Better Days, Better Times)

“‘Bleeding’ is a colourful mixture of Hard and Alternative Rock, paired with influences from Punk and Gothic, in a very melancholic sounding melody. The powerful voice of singer Christina Kasper dominates like a siren. ” – Metal Heads Forever Magazine (2025 – Better Days, Better Times)

—
ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780
jon[@]ashermediarelations[.]com
Facebook @AsherMediaRelations
Instagram @AsherMedia
Tweet @AsherMedia

0 SIEGE PERILOUS Unveils First Single “As the Dragon Falls” ft. Fabio Lione From the Concept Album “Becoming the Dragon” Out March 2026

  • January 16, 2026
  • by Asher
  • · Music News · Siege Perilous

NEWS RELEASE

Montreal, QC – January 16, 2026

SIEGE PERILOUS Unveils First Single “As the Dragon Falls” ft. Fabio Lione From the Concept Album “Becoming the Dragon” Out March 2026

A narrative-driven punch of epic fantasy power metal featuring incredible guests like Fabio Lione and Kristin Starkey!

Left to Right: Mark Girard (Drums) | Eric Fischer (Bass) | Shaughnessy McDaniel (Vocals) | Ryan Flanagan (Guitar) | Scott Hancock (Guitar)

Photographer Credit – Gii Astorga

Colorado power metal storytellers Siege Perilous ignite the next chapter of their musical saga with the release of their first single and music video, “As the Dragon Falls”, featuring legendary vocalist Fabio Lione (Rhapsody, Angra). The track serves as the first glimpse into the band’s sweeping debut concept album, “Becoming the Dragon,” out March 27, 2026.
​
Forged from the camaraderie of live‑action roleplay and a shared love of epic storytelling, Siege Perilous has built a reputation for crafting cinematic, narrative‑driven metal that blends myth, history, and high‑fantasy adventure. Their upcoming full‑length album marks the culmination of years of collaborative writing, world‑building, and musical evolution.
​
​“As the Dragon Falls” is more than a single; it’s a milestone for the band, especially for vocalist Shaughnessy McDaniel, who has been a devoted Rhapsody fan since his teens.

“As the Dragon Falls represents a true heavy metal dream come true for all of us, but especially for Shaughnessy. Working with Fabio far exceeded anything we could have hoped for. His classic soaring vocals combined with Shaughnessy’s lower register create a really unique and cool power metal sound,” adds the band.
​
The song’s narrative twist, where slaying the dragon becomes a metaphor for the double‑edged nature of achieving one’s goals, adds a bittersweet emotional core to the track. Lione himself was drawn to the story and, according to the band, “really gave it his all.”
​
Musically, the single fuses Siege Perilous’ signature melodic power with the symphonic grandeur of classic Rhapsody, delivering a heroic anthem that darkens into something far more ominous by its final moments.

Watch and listen to the music video for “As the Dragon Falls” featuring Fabio Lione via its premiere on MetalAddicts HERE.

Add to your Spotify Playlist – pre-save – https://distrokid.com/hyperfollow/siegeperilous/as-the-dragon-falls-feat-fabio-lione​

“Becoming the Dragon” is a ten‑part epic chronicling the rise, fall, and metamorphosis of the “Child of Prophecy,” a hero who must confront fate, tragedy, and ultimately his own transformation into the titular dragon. The album features guest performances from both Fabio Lione and powerhouse vocalist Kristin Starkey (Twilight Force, Temperance), who also serves as McDaniel’s vocal mentor.
​
​“Creating a massive, sweeping power metal epic has been a dream since before we even formed this band. This album represents our collective experience, skill, hopes, and dreams as musicians,” says the band.

The record showcases the band’s evolution since their earlier EPs, with more complex arrangements, expanded vocal range, and orchestration that heightens the album’s cinematic scope. Each track stands alone as a powerful metal anthem, yet together they form a cohesive narrative journey.

Their writing process is uniquely collaborative; every member contributes to the story and the music, resulting in songs that carry the DNA of the entire band. This approach, while unconventional, has become one of their greatest strengths.

Recommended for fans of Wind Rose, Hammerfall, Sabaton, Blind Guardian, and Iron Maiden, “Becoming the Dragon” is due out on March 27, 2026 and available for pre-order / pre-save at the following link:

​https://siegemetal.bandcamp.com/album/becoming-the-dragon​

Track Listing:​
1. Overture (Instrumental) – (2:37)
2. Ancient Rite – (4:37)
3. As the Dragon Falls (feat. Fabio Lione) – (4:33)
4. Child of Prophecy – (4:05)
5. Shattered Mirage – (4:07)
6. Chieftain – (4:03)
7. Cut Down – (3:01)
8. Echoes of Home (feat. Kristin Starkey) – (4:48)
9. Becoming the Dragon – (5:09)
10. Eschaton – (7:50)
Album Length: 44:54

More info: Siegemetal.com | Facebook.com/siegeband | Instagram.com/siegeperilousmetal | Tiktok.com/@siegemetal​

About:

Siege Perilous is a Colorado‑based power metal band specializing in epic, cinematic storytelling through music. Formed by Shaughnessy McDaniel (vocals), Scott Hancock (guitar), and Mark Girard (drums)—later joined by Eric Fischer (bass) and Ryan Flanagan (guitar/arrangements), the band draws from fantasy, history, and myth to craft immersive metal narratives. Their debut album, Becoming the Dragon, arrives March 27, 2026.

-30-

“It gives me great pleasure to tell you that Creation’s Call is a blast. Siege Perilous has succeeded in creating what I would call Epic Power Metal for the Working Man. They don’t waste your time with overlong symphonic interludes between tracks, melodramatic narration, or overproduction that tests the limits of your sanity. The band gets right to the point and pulls you into their epic tales of heroic daring immediately. This is a nice breath of fresh air and if this EP is anything to go by, Siege Perilous has a great future ahead of them. Yes, this could be considered power metal but the no-nonsense approach and urgency to the songwriting makes this release absolutely worth checking out for those of us in the NWOTHM scene. Plus, it’s really just a lot of fun. This one is highly recommended. THENWOTHM SCORE: 9/10” – The NWOTHM

“‘Creation’s Call’ never gets boring, even on Heavy Rotation. Five gifted musicians have succeeded in creating a varied EP. The twin guitar solos are convincing the whole time. It’s just a shame that it ends after twenty-one minutes. It makes you wish for a full-length album. And, of course, a thrilling live performance. 9.3/10” – Metalheads Forever Magazine​
​
​“solid power metal style that should satiate any LARP-attendees or Dungeons and Dragons mavens. Keep an eye on this quintet – wield thy sword as they lead the battle charge for more quality power metal from the states. 8/10” – Dead Rhetoric

“There are any number of quality bands like Siege Perilous active right now but the style is popular (and I love it) and these guys are as decent as the next similar act. They lean more the Metal side of the equation using the folk and orchestral moments as flavour, not the main style. CREATION’S CALL is a fine effort and I could easily see them on tour with Brothers Of Metal, All For Metal, Fellowship and other costumed Metal heroes. Worth checking out!” 4/5 – Metal Rules​
​
​“Denver metal mob reckon that their goal on “Creation’s Call” was to build a world and tell a story in “three to five minutes.” It’s a world of fantasy, as “Oathsworn” proves, where metal rules and swords are held high. “Across The Rubicon,” however, is delivered with such skill that you can’t resist getting sucked in with them. Shaughnessy McDaniel has a brilliant “metal” voice, roaring on “Sons Of The Verdant,” and guitar duo Scott Hancock and Cody Martinez can knock out a NWOBHM riff like it’s 1982, as the title song underlines. “Brothers Of Five” brings the epic one last time, galloping in proper fashion, and it’ll be interesting to see how Siege Perilous develops. This is one hell of an opening statement, mind you. 8.5/10” – Maximum Volume Music​
​
​“Creation’s Call not only highlights Siege Perilous’ dedication to epic storytelling but also emphasises their versatility within the power metal genre. With influences ranging from historical events to high fantasy, this EP offers a rich and varied auditory experience that will captivate fans. Prepare to embark on a grand journey through myth and history as Siege Perilous delivers their latest saga.” – Amplify The Noise​
​
​“Creation’s Call it is a cohesive and well-crafted work, where the combination of rich letters in history and fantasy, with a meticulous musical execution, it makes mandatory, regardless of its short duration. [82%]” – Via Nocturna

“Creation’s Call doesn’t get boring even in heavy rotation. Five gifted musicians have created a varied EP. The solos of the twin guitars are convincing across the board. It’s just a shame that it’s over after twenty-one minutes. You want a full-length album. And of course a sweaty live performance. 9.4/10” – Keep On Rocking​
​
​“Colorfully mixed NWOTHM/Epic Heavy/Power Metal elixir that appeals to a broad range of fans between ALESTORM, BATTLEROAR, ETERNAL CHAMPION, GATEKEEPER, IRON MAIDEN, RUNNING WILD and WRATHBLADE. Awakens a huge appetite for a full long-play album. On this EP you can clearly see that the band has enormous potential and has already given a great taste of their skills. Conclusion: Strong-looking genretobak that falls out of the usual range! 8,5/10” – FFM-Rock​
​
​““Oathsworn” simply explodes out of the gate. The band ratchets every possible dial up to 11 and charges into battle with an epic statement of intent.” – Nine Circles​
​
​““Brothers Of The Five” offers classic power metal as you would appreciate it. The strain on the neck muscles is correspondingly high and in some places the number cannot deny a slight Maiden stable smell.” – Hellfire Magazin

—
ASHER MEDIA RELATIONS
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0 Thank You Canadian MDs and DJs for the airplay love to kick off 2026 \m/\m/ For the Week Ending: Tuesday, January 13, 2026 !earshot – The National Loud Chart #3 Juliet Ruin, #8 Triskelyon – Moribund Records https://earshot-online.com/charts/index.cfm?intChartTypeID=106&dWeekOfID=2026-01-13 ================ CIVL Radio 101.7 FM – Abbotsford Loud – #1 Juliet Ruin, #2 Triskelyon, #10 Phaeton https://earshot-online.com/charts/civl.cfm?intChartTypeID=6&dWeekOfID=2026-01-13 Top 30 – #10 Juliet Ruin, #12 Triskelyon https://earshot-online.com/charts/civl.cfm?dWeekOfID=2026-01-13 ================ CJLO – 1690AM – Montreal Loud – #5 Discovery Through Torment https://earshot-online.com/charts/cjlo.cfm?intChartTypeID=6&dWeekOfID=2026-01-13 ================ CJSR FM 88.5 – Edmonton Loud – #2 Juliet Ruin, #3 Merfolk, #4 Devolver, #5 Unpunished https://earshot-online.com/charts/cjsr.cfm?intChartTypeID=6&dWeekOfID=2026-01-13 ================ CJSW Radio 90.9 FM – Calgary Loud – #6 KARU – Rockshots Records https://earshot-online.com/charts/cjsw.cfm?intChartTypeID=6&dWeekOfID=2026-01-13 Top 30 – #28 Ivy Gardens https://earshot-online.com/charts/cjsw.cfm?dWeekOfID=2026-01-13 ================ UMFM 101.5 FM – Winnipeg Loud – #8 Triskelyon https://earshot-online.com/charts/cjum.cfm?intChartTypeID=6&dWeekOfID=2026-01-13 ================

  • January 15, 2026
  • by Asher
  • · Devolver · Discovery Through Torment · Ivy Gardens · Juliet Ruin · KARU · MERFOLK · Phaeton · radio charts · Triskelyon · Unpunished

Thank You Canadian MDs and DJs for the airplay love to kick off 2026 \m/\m/
For the Week Ending: Tuesday, January 13, 2026
!earshot – The National Loud Chart
#3 Juliet Ruin, #8 Triskelyon – Moribund Records
https://earshot-online.com/charts/index.cfm?intChartTypeID=106&dWeekOfID=2026-01-13
================
CIVL Radio 101.7 FM – Abbotsford
Loud – #1 Juliet Ruin, #2 Triskelyon, #10 Phaeton
https://earshot-online.com/charts/civl.cfm?intChartTypeID=6&dWeekOfID=2026-01-13
Top 30 – #10 Juliet Ruin, #12 Triskelyon
https://earshot-online.com/charts/civl.cfm?dWeekOfID=2026-01-13
================
CJLO – 1690AM – Montreal
Loud – #5 Discovery Through Torment
https://earshot-online.com/charts/cjlo.cfm?intChartTypeID=6&dWeekOfID=2026-01-13
================
CJSR FM 88.5 – Edmonton
Loud – #2 Juliet Ruin, #3 Merfolk, #4 Devolver, #5 Unpunished
https://earshot-online.com/charts/cjsr.cfm?intChartTypeID=6&dWeekOfID=2026-01-13
================
CJSW Radio 90.9 FM – Calgary
Loud – #6 KARU – Rockshots Records
https://earshot-online.com/charts/cjsw.cfm?intChartTypeID=6&dWeekOfID=2026-01-13
Top 30 – #28 Ivy Gardens
https://earshot-online.com/charts/cjsw.cfm?dWeekOfID=2026-01-13
================
UMFM 101.5 FM – Winnipeg
Loud – #8 Triskelyon
https://earshot-online.com/charts/cjum.cfm?intChartTypeID=6&dWeekOfID=2026-01-13
================

0 !earshot Charts – For the Week Ending: Tuesday, January 6, 2026

  • January 15, 2026
  • by Asher
  • · Born Divided · Juliet Ruin · radio charts

For the Week Ending: Tuesday, January 6, 2026

CJSW 90.9 MHz – Calgary Loud #6 – Juliet Ruin, #10 Born Divided

https://earshot-online.com/charts/cjsw.cfm?intChartTypeID=6&dWeekOfID=2026-01-06

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